Bob Ross's
The Joy of Painting
S27E13 - Golden Glow of Morning
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I welcome back.
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This is the last show of the 27th series,
and I'm glad you're with us today.
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I thought today we just have a crazy
day and just do a little painting
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to just sort of see what happens.
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Okay.
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Let's start out and have him run
all the colors across the screen
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that you need to paint along
with us while they're doing that.
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Let me show you his crazy
thing I got and appear today.
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I took a standard 18 by 24 inch canvas.
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And the first thing I
did was take white Jesso.
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And an old paint roller, one
of these old disposable paint
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rollers, about three inches across.
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And I rolled a lot of Jesso on
it and I used a paint roller.
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So it makes all these
little designs in it.
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I don't know if you can see them yet or
not, but you will, before the paintings
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over, I allowed that to dry completely.
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Then I took acrylic paint.
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I use some alizarin Crimson, some
Sianna and a little bit of umber and
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just took a foam brush and here and
there, just smeared a little acrylic.
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Paint allowed all that to dry.
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And then we've covered the
entire canvas with a very,
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very thin coat of liquid clear.
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So the canvas is wet.
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The clear only makes it wet.
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That's all.
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That's the only reason we put
it on there is to make it wet.
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So with that, let's just have
some fun and see what happens.
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Let's start today with a
little bit of Indian yellow.
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I like the Indian yellow,
because it's very transparent.
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Okay.
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Let's go up in here.
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It would just start right in here.
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And we'll begin applying this color.
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Oh, shoot.
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Let's just put it over the entire canvas.
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What the heck?
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Anything we don't like, we'll
just change it, but that easy.
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We can just begin this painting.
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I like doing paintings like this because
they're very different and they're
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unique and they excite people and it
gives you a new challenge in your life.
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If you haven't tried one
of these, you're try it.
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You know, all the different colors of
Jesso and acrylic paint that you can
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put together, it can make fantastic
backgrounds and they save you a lot
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of agony in your painting world.
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They make painting easy for you.
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And I have got several letters since
I've been doing this about the fact
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that in art world, they say that you
shouldn't, maybe this is not permanent.
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It might only last a hundred
years acrylic under oil.
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There is some controversy.
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I realize that, but for what we're
doing here today, we'll use that.
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There we are.
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All I'm doing is just covering the
entire canvas with just a little bit
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of this yellow, just Indian, yellow.
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I say it's a transparent yellow,
or the yellows are not transparent.
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Yes cover the entire canvas.
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I didn't look bad.
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You already shoot.
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Now just doing this to sure
that it's covered evenly
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and let's begin playing.
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That's very transparent.
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As we've said several times now
go begin taking opaque color.
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And for that, I'm going to start with a
little bit of titanium white and a very,
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very small amount, very small amount.
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So you can see that it doesn't matter.
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Are you loaded, but just a small
amount and let's just begin picking
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out some little areas and begin
putting this opaque color on here.
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Very thin.
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Very thin.
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I can't say that enough.
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Just enough to sort of make it look nice.
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Misty in there.
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That's all I'm looking for is
just a little Misty appearance.
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I don't want to lose that.
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Nice yellow that we have back there.
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Just want to create some
little effects like this.
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There we are.
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So you just let them go and that'll go.
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Wherever it doesn't matter.
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This is even though this is an opaque
color, it's still transparent enough
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that you can see the, the little designs
that we have right through there.
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Maybe up in here, I'm just going to sort
of bounce around on the canvas and put
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these in here and there they're in here.
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It makes no difference.
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You just sort of look at yours and
you decide, see, like right here,
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Good place for one and every single
canvas, especially with these
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backgrounds like yours, every single
one will be different and unique.
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That's what makes it so gorgeous
that they are different.
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We want them to be different.
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We don't want to teach you just
how to copy a painting shoe.
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We want to, we want to teach you
how to make your own masterpiece.
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That's where the fun comes in.
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Very light then we can, we can begin
playing with some other colors in here.
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I do a little more white right in there.
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Let's take, I'm going to go
into a little touch of alizarin,
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Crimson, very small amount.
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It will just begin with it just
to make little areas in here that
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have little splotches of color.
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It's gorgeous.
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I like to do.
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These type of paintings.
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They're very, once again, they're
very unique and it'll drive people
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crazy, trying to figure out how
you made these effects happen.
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Shit.
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Don't tell him, don't tell him, use a
little bright red once in a while, too.
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There we go.
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Reach up here, get a little
white to make it stand out.
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Look at their color.
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Just jumps out at you.
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But most of that is still showing through.
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Something about like yet, as I
mentioned, this is the last show
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of the 27th joy of painting series.
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It's hard to believe that, Oh my gosh,
there's over 350 half hour shows.
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Now it's unreal.
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We've been on, we've been
on television for 10 years.
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I've been producing
these shows for 10 years.
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And at that time period, the joy of
painting has become the most successful
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art show in the history of television.
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And it's your fault.
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And I'd like to thank you very,
very much for your support and
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for coming out and see it in us.
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When we come to your
town, that's fantastic.
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You've made an old man's dream come true.
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Every artist wants to share his
painting with the world, and you've
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allowed me the opportunity to do this
through the miracle of television.
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So, thank you very much.
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If you haven't got a chance to
see all the shows, call your
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local station, they can get them.
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Here we go.
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Once in a while, the least little touch
of fellow blue, least little touch.
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I don't want much blue it's too.
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It's too strong, but just
a little here and there.
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A little touch of the white
right in there with it.
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But didn't have a gorgeous background and
it's so, so very easy to do so easy to do.
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There we go.
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Sometimes it's fun just to take and play
a little bit, and that's what we'll do.
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Take one down here.
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Let's take, this is a lizard Crimson.
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And SAP green mixed together
to make a nice Brown color.
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And I want to come in
here and just do this.
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Just take it to post straight down.
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Maybe we'll have a little water in
here and this will end up being our
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water alizarin, Crimson and SAP green
mixed together to make a Brown color.
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And you can take it to the radish side
or the green side, depending on your mood
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or what flavor you want in your painting.
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Normally I go a little bit to the red
side, but that's just my preference.
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Everybody's different.
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There we are.
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And we'll come back and play with
that a little later on, and then I'm
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going to take Mecca a lavender color.
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Then I'm going to use a little
black and lizard Crimson, a little
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bit of the little blue in it.
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Need more Crimson.
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There we go.
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And we'll mix up a little pile here cause
we're going to use it throughout going to
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have some of it that's to the red side.
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Some to the blue over here is to
the red over here to the blue.
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So I have both in the same pot
basically, so I can just sorta go
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back and forth or mix them together.
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Okay.
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Now, as you know, if you've painted
with me before paint center and liquid
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clear, have a very unique reaction.
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Very unique reaction.
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So we're going to use
that to our advantage.
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Let me get a little paint thinner
appear so I can thin this and let's
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just play with some thin paints today.
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Tell you what we had.
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Paint is very thin.
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It's almost like ink.
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Turn the bristles in the
paint and pull them out.
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So it brings it to a
very sharp edge there.
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You can see it.
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Let's go right up in here, got to make
some big decisions maybe in our world.
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There lives a tree right here.
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We'll put a little stalk in our little
trunk, whatever you want to call it.
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And we'll let us make several.
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But just by pulling that
goes right through there.
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There's another one.
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You have to make some decisions.
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How many trees live in your world?
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Totally, completely up to you.
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And you can put the indication here.
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And there were a few little
branches that come off.
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They just sort of hang
around, have a good time hair.
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It don't matter if they're not perfect.
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Don't worry about it.
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Don't worry.
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Cause we don't make any mistakes here.
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We only have some happy accidents.
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They're okay.
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I've got quite a few letters
asking if there's any place
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people can go and see some of the
paintings that we've done on TV.
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Um, I really don't.
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I don't have a place that
I display the paintings.
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I'm sorry.
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Sorry.
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We, we just don't have that.
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That is close.
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Well, our partner net Kowalski has
recently opened a little activity center,
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new Smyrna beach, where the public is
invited to come in and see some of them.
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If you're having to be in that
area, stop by and say hello to her.
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There was a lot of my paintings
there and some of hers and
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some of our instructors and.
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No, it's a good place to just
go and look at paintings.
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Okay.
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Look here.
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Take just a little liner
with a little paint.
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Yeah.
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And get nervous.
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Just get nervous.
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See you there.
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Slit that sort of flow.
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Just make it very loose.
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We're doing a very loose
little painting today.
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They're you don't, you don't
have to really worry about this.
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Just play.
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Have fun.
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Have fun.
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I mentioned earlier in one of the
shows that I got a letter from
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somebody one time, it said they
had a little shaken their hand.
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And because of that, they couldn't paint.
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Well, this is your painting right here.
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This is it.
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If you've ever had any problem at
all, because of a little shake in
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your hand, this one was designed just
for you, something about like a few
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little bushes and things that live
down here at his foot, and I'm just
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using the script liner brush sidewards.
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They're paid some very thin, so
it just slides right over that
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clear, just slides right over it.
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It doesn't slide.
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Add more paint, thinner.
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Just keep adding paint thinner.
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And by changing the angle, you
can create all types of effects.
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There we go.
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All kinds of little things that just
live back here in the background.
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Let your imagination take
you wherever you want to go.
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Cause you really don't have
to do a lot of painting.
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They under coli under color that was
under here takes care of most of that.
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So I want another tree there.
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Maybe there's some little
arms hanging out there.
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I know down in here, maybe, maybe
there's a limit to who knows
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a little branch or something.
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It's got a few leaves
left on it down here.
243
00:12:31,790 --> 00:12:33,170
That's a scraggly old tree.
244
00:12:35,660 --> 00:12:38,569
I like old trees that
have character shoot.
245
00:12:40,095 --> 00:12:42,314
There, something like that.
246
00:12:43,635 --> 00:12:44,235
All right.
247
00:12:45,464 --> 00:12:51,814
Wherever, wherever, just, just these
in, you can use a fan brush and do this.
248
00:12:51,814 --> 00:12:55,564
I just wanted to sort of show
you how much you could do with a
249
00:12:55,564 --> 00:13:01,115
little liner brush, just a plain
ordinary little liner, brush fun.
250
00:13:02,795 --> 00:13:03,694
Great deal of fun.
251
00:13:05,824 --> 00:13:06,785
Maybe there's a few little.
252
00:13:07,395 --> 00:13:09,495
Things that grow out here, but be loose.
253
00:13:09,615 --> 00:13:17,795
This is a very loose painting, very
loose, even fuel things out here with some
254
00:13:17,795 --> 00:13:21,455
Liam's on my kiss, just make indications.
255
00:13:23,855 --> 00:13:28,505
And now it's almost versus almost empty.
256
00:13:28,505 --> 00:13:29,825
I just want to rub it.
257
00:13:29,825 --> 00:13:35,015
So it picks up on the high points
that Jessle that's underneath just
258
00:13:35,015 --> 00:13:36,245
picking up on the high points.
259
00:13:37,485 --> 00:13:38,865
Very little paint on the brush.
260
00:13:38,895 --> 00:13:42,525
Very little, you would be
shocked at what a small amount
261
00:13:42,525 --> 00:13:43,725
of paint it takes to do this.
262
00:13:45,675 --> 00:13:52,245
There can just create all kinds
of illusions and painting is
263
00:13:52,245 --> 00:13:53,805
nothing but games with illusion.
264
00:13:55,005 --> 00:13:55,905
It's all it is.
265
00:13:57,444 --> 00:14:03,464
See their fan brush would be a little
bit faster, but I like using this today.
266
00:14:06,075 --> 00:14:06,705
There we are.
267
00:14:07,205 --> 00:14:07,475
Thank you.
268
00:14:07,475 --> 00:14:10,535
Begin thinking maybe the layout, if this
is going to be water, we want this to
269
00:14:10,535 --> 00:14:15,155
sort of tilt down because water normally
always lays in a little recessed area.
270
00:14:15,245 --> 00:14:18,995
It will climb up on a rock and look
pretty for you just to make you happy.
271
00:14:18,995 --> 00:14:20,075
Water is lazy.
272
00:14:20,075 --> 00:14:20,705
It's like me.
273
00:14:20,765 --> 00:14:23,825
It always looks for the easiest
place to go, which is normally
274
00:14:24,275 --> 00:14:25,205
the bottom of the Hill.
275
00:14:26,675 --> 00:14:31,505
So we need to paint in a little
Hill so it can run down there.
276
00:14:33,075 --> 00:14:38,345
Something like, so, Oh, going into
a little bit of that Brown that I
277
00:14:38,345 --> 00:14:42,785
made from SAP green and the lizard
Crimson, and we'll drop in a few
278
00:14:42,785 --> 00:14:44,225
little things in here with it too.
279
00:14:45,725 --> 00:14:49,535
Very loose, very loose.
280
00:14:50,765 --> 00:14:51,365
I like Keith.
281
00:14:51,375 --> 00:14:52,625
Cause there's no mistakes here.
282
00:14:53,765 --> 00:14:54,365
Absolutely.
283
00:14:54,365 --> 00:14:55,145
No mistakes.
284
00:14:56,105 --> 00:14:56,885
It's fun painting.
285
00:14:57,935 --> 00:14:58,115
Okay.
286
00:14:58,535 --> 00:14:59,315
All right.
287
00:15:01,860 --> 00:15:05,460
But just let it barely graze the canvas
and those that's the reason I went to
288
00:15:05,460 --> 00:15:10,080
all the trouble to put the Jesso on is
so it has all those high points on there.
289
00:15:12,180 --> 00:15:12,540
All right.
290
00:15:12,540 --> 00:15:13,890
Maybe on this side, over here,
291
00:15:17,340 --> 00:15:18,000
there you go.
292
00:15:18,120 --> 00:15:22,230
Just make a little noise, drop in
a little tree, something like that.
293
00:15:22,260 --> 00:15:22,950
Give him a friend.
294
00:15:24,630 --> 00:15:25,620
And here we are.
295
00:15:26,130 --> 00:15:27,480
Just another little limb.
296
00:15:28,290 --> 00:15:30,270
Stick, twig, whatever you want to call it.
297
00:15:31,830 --> 00:15:34,050
They're just like it.
298
00:15:35,970 --> 00:15:36,630
All right.
299
00:15:38,940 --> 00:15:39,900
See there they are.
300
00:15:40,500 --> 00:15:41,220
Wherever you want them.
301
00:15:41,790 --> 00:15:44,430
Just drop them in there.
302
00:15:46,860 --> 00:15:48,660
Maybe this comes right on down.
303
00:15:49,320 --> 00:15:49,800
I don't know.
304
00:15:49,860 --> 00:15:51,120
Right on down through here somewhere.
305
00:15:52,110 --> 00:15:53,310
Same basic idea.
306
00:15:55,575 --> 00:16:01,455
But all those little things in
take a little more of the color,
307
00:16:05,835 --> 00:16:06,825
kind of make those noises.
308
00:16:07,095 --> 00:16:12,665
Old trees had a rough life man, as
he had a rough life, look at that,
309
00:16:13,005 --> 00:16:15,105
but these are all gorgeous colors.
310
00:16:15,135 --> 00:16:18,314
They're transparent and
they work wonderfully.
311
00:16:18,314 --> 00:16:20,625
What's your, I keep talking
about using a fan brush.
312
00:16:20,625 --> 00:16:21,525
Let me show you how to do it.
313
00:16:22,590 --> 00:16:29,400
Then color the color that was very thin
and, or to put a limb or two on there,
314
00:16:29,400 --> 00:16:33,210
just in case of, to show through there.
315
00:16:33,300 --> 00:16:34,470
Now we know there's a limb on there.
316
00:16:34,980 --> 00:16:38,310
Take the fan brush and
just, just do like that.
317
00:16:40,950 --> 00:16:43,440
See how are you doing it?
318
00:16:43,440 --> 00:16:47,160
Just let it just go back and forth
and then touch the canvas with it.
319
00:16:47,160 --> 00:16:50,400
Like you're really
nervous, really nervous.
320
00:16:51,870 --> 00:16:54,540
And all these little effects
will just they'll happen for you.
321
00:16:54,930 --> 00:16:55,500
They'll happen.
322
00:16:55,500 --> 00:16:59,580
Believe me, try it, try it down there.
323
00:17:01,770 --> 00:17:05,329
Just wherever you want them to be here.
324
00:17:05,329 --> 00:17:06,200
You can do the same things.
325
00:17:06,200 --> 00:17:06,470
I say.
326
00:17:06,470 --> 00:17:07,490
You could use a fan brush.
327
00:17:07,490 --> 00:17:10,670
I just wanted to show you how you can
use a liner brush, any little thing.
328
00:17:10,670 --> 00:17:11,359
It turns you on.
329
00:17:13,160 --> 00:17:13,849
There we go.
330
00:17:17,700 --> 00:17:18,149
That easy.
331
00:17:18,710 --> 00:17:24,270
You can create the illusion of a
beautiful little place, more color here.
332
00:17:27,050 --> 00:17:27,139
Okay.
333
00:17:27,260 --> 00:17:29,600
And it's like a little place
maybe where the water runs.
334
00:17:29,659 --> 00:17:30,320
Good idea.
335
00:17:31,399 --> 00:17:33,080
Sometimes these little things just happen.
336
00:17:35,240 --> 00:17:35,870
There we go.
337
00:17:38,060 --> 00:17:39,830
And those are called happy accidents.
338
00:17:40,100 --> 00:17:42,290
We look for those and we
save them, cherish them.
339
00:17:42,290 --> 00:17:43,190
They're our good friends.
340
00:17:44,235 --> 00:17:48,614
I'm going to add a little bright
red here and there, here and there
341
00:17:48,915 --> 00:17:55,754
you pick up a little yellow ochre,
CAD yellow, a little bit, just
342
00:17:55,754 --> 00:17:57,195
some of the yellows here and there.
343
00:17:58,485 --> 00:18:01,564
Just begin popping in a few
little, your little highlights.
344
00:18:01,564 --> 00:18:02,135
Same way though.
345
00:18:02,225 --> 00:18:03,395
And the paint is quite thin.
346
00:18:03,395 --> 00:18:04,834
I have a lot of paint in on the brush.
347
00:18:04,834 --> 00:18:07,594
I want it to work with that
liquid clear that Sunday.
348
00:18:07,625 --> 00:18:10,655
Is there something like that?
349
00:18:12,330 --> 00:18:13,740
See, all those little effects happen.
350
00:18:13,740 --> 00:18:14,580
There's a lot of depth in there.
351
00:18:14,580 --> 00:18:17,880
You haven't done hardly anything
except just bounce the brush around.
352
00:18:18,270 --> 00:18:24,900
And so now that we can take some the
same color, let's begin to play here.
353
00:18:24,900 --> 00:18:26,520
Let's decide maybe this is water.
354
00:18:28,200 --> 00:18:28,860
Pull it down.
355
00:18:30,389 --> 00:18:36,659
This pain is still offended with a
little bit of paint thinner, just
356
00:18:36,659 --> 00:18:45,300
pull it straight down, like it all
the way across and with a clean, dry
357
00:18:45,300 --> 00:18:50,010
brush, very gently go across just like
we're making reflections normally.
358
00:18:52,860 --> 00:18:53,669
That's awesome.
359
00:18:54,330 --> 00:18:56,820
Now, if you want to have some fun, let
me dip brush into a little thinner.
360
00:18:57,780 --> 00:18:59,040
And shake most of it out.
361
00:18:59,040 --> 00:19:03,630
I've left a tiny little bit
in it tiny little bit, and
362
00:19:03,630 --> 00:19:04,860
you can just go across there.
363
00:19:06,330 --> 00:19:10,710
And if there's just enough in there,
it'll make little openings come to clear.
364
00:19:10,950 --> 00:19:12,090
Might not be able to see them yet.
365
00:19:12,090 --> 00:19:14,760
And it takes a little while for him
to work with they'll come in there.
366
00:19:16,230 --> 00:19:17,670
They're not showing up very well on them.
367
00:19:19,470 --> 00:19:20,370
She was a liner brush.
368
00:19:20,370 --> 00:19:23,670
See them, it reacts with a.
369
00:19:25,200 --> 00:19:28,500
Reacts with a liquid clear there, and
these little things just sort of happen.
370
00:19:28,680 --> 00:19:32,730
It's a nice way of making it looks
like little, a little shine across the
371
00:19:32,730 --> 00:19:35,340
water and it's done by removing paint.
372
00:19:37,670 --> 00:19:38,270
There we go.
373
00:19:40,670 --> 00:19:41,210
Okay.
374
00:19:42,110 --> 00:19:46,820
I'm going to take, I'm going to take
some, we'll use some black, some
375
00:19:46,820 --> 00:19:50,480
of that Brown we made from the SAP
green lizard Crimson mix it together.
376
00:19:52,860 --> 00:19:55,260
And I'm gonna go over here
and get paint thinner.
377
00:19:55,290 --> 00:19:56,220
I want to thin that down.
378
00:19:56,250 --> 00:20:00,300
Very thin, get some paint
thinners, then it down.
379
00:20:02,280 --> 00:20:05,910
We want it quite then wipe off the knife.
380
00:20:06,510 --> 00:20:11,250
Then I'll take some titanium white
and just some black on a mix it
381
00:20:11,250 --> 00:20:12,720
together to make a gray color.
382
00:20:13,950 --> 00:20:17,220
Like, so then it down.
383
00:20:20,130 --> 00:20:22,890
Dan is down just adding paint
center and mixing it up.
384
00:20:22,920 --> 00:20:24,180
That's really all it amounts to.
385
00:20:25,230 --> 00:20:25,830
All right.
386
00:20:26,190 --> 00:20:27,810
So we have a much thinner paint.
387
00:20:29,870 --> 00:20:31,250
We'll take our little Filbert brush.
388
00:20:32,240 --> 00:20:32,330
Okay.
389
00:20:32,930 --> 00:20:34,250
And we'll take it through the dark.
390
00:20:34,820 --> 00:20:36,980
And if you've painted with me for a while,
you know what we're going to do, we're
391
00:20:36,980 --> 00:20:41,060
going to make some little rocks stay
right there and I'll come to you now.
392
00:20:41,060 --> 00:20:42,920
See, take the other side.
393
00:20:43,400 --> 00:20:45,470
So we have light on one
side, dark on the other.
394
00:20:46,470 --> 00:20:48,990
And let's go up in here and then
we can begin figuring out where all
395
00:20:48,990 --> 00:20:50,550
these little rocks and stones live.
396
00:20:50,639 --> 00:20:51,899
Maybe there's a lot of them in our world.
397
00:20:53,930 --> 00:21:00,800
There they come see, just drop them in
very, very simple way of making these.
398
00:21:01,159 --> 00:21:04,730
And it's very effective there.
399
00:21:05,060 --> 00:21:08,090
Maybe some live right on
out here in the water.
400
00:21:08,149 --> 00:21:08,659
I don't know.
401
00:21:09,980 --> 00:21:10,970
There's a big pump.
402
00:21:11,120 --> 00:21:12,530
I saw him right there.
403
00:21:13,889 --> 00:21:15,419
Right there, big old rascal.
404
00:21:15,980 --> 00:21:18,439
And here's some that maybe
go right off the canvas.
405
00:21:18,949 --> 00:21:20,990
They don't stop just
because the canvas did.
406
00:21:22,760 --> 00:21:24,800
Now, when you have a lot of
time, you can pull down a little
407
00:21:24,800 --> 00:21:27,740
reflection under each one, and
that's really what you were to do.
408
00:21:28,879 --> 00:21:31,040
Just each one, pulled
down a reload reflection,
409
00:21:34,610 --> 00:21:39,500
grab it with a big brush or any
brush, and then go gently across.
410
00:21:39,500 --> 00:21:41,780
It'll make it look like,
make it look like theirs.
411
00:21:42,450 --> 00:21:47,880
A little reflection in the
water, take her liner brush.
412
00:21:49,760 --> 00:21:53,090
I'm going to use just a light color a
little bit lighter than what's there.
413
00:21:53,660 --> 00:21:56,120
And just go in and I know
you can't hardly see that.
414
00:21:56,120 --> 00:21:57,140
I don't want it very bright.
415
00:21:58,460 --> 00:22:03,440
Just hearing they're put in a
few little water lines, but this
416
00:22:03,440 --> 00:22:04,730
is a very neat little painting.
417
00:22:04,730 --> 00:22:08,120
It's sort of different than anything
we've done, but I hope you enjoyed
418
00:22:08,270 --> 00:22:11,030
doing little paintings, like is
I try to show you as many things.
419
00:22:11,700 --> 00:22:14,939
As I possibly can as many
different ideas as possible.
420
00:22:15,720 --> 00:22:19,889
You pick out the ones you want
and you like, you use them and
421
00:22:19,889 --> 00:22:21,179
do gorgeous paintings for them.
422
00:22:21,600 --> 00:22:25,320
And really, if you have time, send
me a photograph of what you're doing.
423
00:22:26,580 --> 00:22:28,530
It's so fantastic to show in the air here.
424
00:22:28,560 --> 00:22:31,590
Once in a while, paintings of people
all over the country, you're doing
425
00:22:32,490 --> 00:22:37,889
beautiful paintings, paintings that
people never believed were possible.
426
00:22:38,550 --> 00:22:40,320
And if they can do them, you can do them.
427
00:22:41,310 --> 00:22:43,920
We have young people in their
nineties that are doing their first
428
00:22:43,920 --> 00:22:47,220
painting and it's, it's working.
429
00:22:47,370 --> 00:22:48,360
It didn't make some happy.
430
00:22:49,200 --> 00:22:52,590
And if painting does anything for you, it
should make you feel good in your heart.
431
00:22:54,540 --> 00:22:57,810
I tell you what I think that one's about
ready for all signature, take a little
432
00:22:57,810 --> 00:23:03,180
bread and we'll just put in a quick
little signature right here over a rock.
433
00:23:05,475 --> 00:23:07,125
And I really hope you've enjoyed this one.
434
00:23:07,245 --> 00:23:09,165
If you'll try it, you'll find it.
435
00:23:09,165 --> 00:23:12,375
It's one of the most fantastic ways
of painting that you've ever seen.
436
00:23:13,125 --> 00:23:17,504
Take your time and play with these,
you know, here we've done most of this
437
00:23:17,504 --> 00:23:20,925
painting using nothing but a liner
brush, fan brush, and a Filbert brush.
438
00:23:21,735 --> 00:23:24,254
Well, I did use a two-inch brush
of, to put the background in, but
439
00:23:24,254 --> 00:23:25,395
you could do it with anything.
440
00:23:26,100 --> 00:23:28,980
And this little painting when you
show it to friends and neighbors,
441
00:23:29,160 --> 00:23:32,400
they're not going to believe that
you'd done it over and over again.
442
00:23:32,400 --> 00:23:35,310
I get letters people, and they say
my friends tuck, and they looked here
443
00:23:35,310 --> 00:23:37,830
and they tried to find the numbers
that were behind the painting.
444
00:23:38,520 --> 00:23:39,420
Enjoy painting.
445
00:23:39,840 --> 00:23:41,340
It does wonderful things for you.
446
00:23:41,670 --> 00:23:45,540
It makes beautiful gifts for everybody
that you love and who loves you.
447
00:23:46,410 --> 00:23:49,050
And, you know, I would like to
take just a second and thank you.
448
00:23:49,530 --> 00:23:51,360
And the last series I happened to mention.
449
00:23:52,095 --> 00:23:53,445
That I had lost my wife.
450
00:23:53,955 --> 00:23:58,965
I have received hundreds and hundreds
of cards from people all over the
451
00:23:58,965 --> 00:24:04,304
country, expressing their sympathy and
support from the bottom of my heart.
452
00:24:04,695 --> 00:24:10,095
Thank you for sharing my grief
and for making my wife a very
453
00:24:10,095 --> 00:24:11,715
special person in your life too.
454
00:24:12,405 --> 00:24:15,945
On behalf of Waltman head Kolsky
everybody here at the station.
455
00:24:16,514 --> 00:24:19,725
I'd like to wish each and every
one of you happy painting.
456
00:24:20,325 --> 00:24:20,985
God bless.
457
00:24:21,495 --> 00:24:25,335
And I'll see you next series
until then take care of yourself.
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