Thursday, December 31, 2020

S27E13 - Golden Glow of Morning

Bob Ross's

The Joy of Painting


S27E13 - Golden Glow of Morning

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I welcome back.


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This is the last show of the 27th series,

and I'm glad you're with us today.


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I thought today we just have a crazy

day and just do a little painting


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to just sort of see what happens.


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Okay.


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Let's start out and have him run

all the colors across the screen


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that you need to paint along

with us while they're doing that.


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Let me show you his crazy

thing I got and appear today.


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I took a standard 18 by 24 inch canvas.


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And the first thing I

did was take white Jesso.


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And an old paint roller, one

of these old disposable paint


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rollers, about three inches across.


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And I rolled a lot of Jesso on

it and I used a paint roller.


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So it makes all these

little designs in it.


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I don't know if you can see them yet or

not, but you will, before the paintings


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over, I allowed that to dry completely.


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Then I took acrylic paint.


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I use some alizarin Crimson, some

Sianna and a little bit of umber and


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just took a foam brush and here and

there, just smeared a little acrylic.


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Paint allowed all that to dry.


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And then we've covered the

entire canvas with a very,


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very thin coat of liquid clear.


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So the canvas is wet.


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The clear only makes it wet.


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That's all.


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That's the only reason we put

it on there is to make it wet.


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So with that, let's just have

some fun and see what happens.


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Let's start today with a

little bit of Indian yellow.


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I like the Indian yellow,

because it's very transparent.


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Okay.


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Let's go up in here.


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It would just start right in here.


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And we'll begin applying this color.


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Oh, shoot.


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Let's just put it over the entire canvas.


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What the heck?


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Anything we don't like, we'll

just change it, but that easy.


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We can just begin this painting.


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I like doing paintings like this because

they're very different and they're


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unique and they excite people and it

gives you a new challenge in your life.


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If you haven't tried one

of these, you're try it.


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You know, all the different colors of

Jesso and acrylic paint that you can


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put together, it can make fantastic

backgrounds and they save you a lot


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of agony in your painting world.


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They make painting easy for you.


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And I have got several letters since

I've been doing this about the fact


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that in art world, they say that you

shouldn't, maybe this is not permanent.


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It might only last a hundred

years acrylic under oil.


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There is some controversy.


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I realize that, but for what we're

doing here today, we'll use that.


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There we are.


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All I'm doing is just covering the

entire canvas with just a little bit


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of this yellow, just Indian, yellow.


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I say it's a transparent yellow,

or the yellows are not transparent.


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Yes cover the entire canvas.


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I didn't look bad.


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You already shoot.


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Now just doing this to sure

that it's covered evenly


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and let's begin playing.


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That's very transparent.


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As we've said several times now

go begin taking opaque color.


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And for that, I'm going to start with a

little bit of titanium white and a very,


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very small amount, very small amount.


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So you can see that it doesn't matter.


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Are you loaded, but just a small

amount and let's just begin picking


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out some little areas and begin

putting this opaque color on here.


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Very thin.


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Very thin.


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I can't say that enough.


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Just enough to sort of make it look nice.


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Misty in there.


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That's all I'm looking for is

just a little Misty appearance.


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I don't want to lose that.


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Nice yellow that we have back there.


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Just want to create some

little effects like this.


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There we are.


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So you just let them go and that'll go.


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Wherever it doesn't matter.


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This is even though this is an opaque

color, it's still transparent enough


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that you can see the, the little designs

that we have right through there.


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Maybe up in here, I'm just going to sort

of bounce around on the canvas and put


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these in here and there they're in here.


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It makes no difference.


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You just sort of look at yours and

you decide, see, like right here,


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Good place for one and every single

canvas, especially with these


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backgrounds like yours, every single

one will be different and unique.


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That's what makes it so gorgeous

that they are different.


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We want them to be different.


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We don't want to teach you just

how to copy a painting shoe.


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We want to, we want to teach you

how to make your own masterpiece.


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That's where the fun comes in.


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Very light then we can, we can begin

playing with some other colors in here.


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I do a little more white right in there.


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Let's take, I'm going to go

into a little touch of alizarin,


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Crimson, very small amount.


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It will just begin with it just

to make little areas in here that


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have little splotches of color.


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It's gorgeous.


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I like to do.


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These type of paintings.


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They're very, once again, they're

very unique and it'll drive people


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crazy, trying to figure out how

you made these effects happen.


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Shit.


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Don't tell him, don't tell him, use a

little bright red once in a while, too.


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There we go.


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Reach up here, get a little

white to make it stand out.


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Look at their color.


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Just jumps out at you.


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But most of that is still showing through.


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Something about like yet, as I

mentioned, this is the last show


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of the 27th joy of painting series.


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It's hard to believe that, Oh my gosh,

there's over 350 half hour shows.


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Now it's unreal.


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We've been on, we've been

on television for 10 years.


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I've been producing

these shows for 10 years.


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And at that time period, the joy of

painting has become the most successful


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art show in the history of television.


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And it's your fault.


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And I'd like to thank you very,

very much for your support and


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for coming out and see it in us.


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When we come to your

town, that's fantastic.


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You've made an old man's dream come true.


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Every artist wants to share his

painting with the world, and you've


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allowed me the opportunity to do this

through the miracle of television.


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So, thank you very much.


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If you haven't got a chance to

see all the shows, call your


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local station, they can get them.


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Here we go.


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Once in a while, the least little touch

of fellow blue, least little touch.


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I don't want much blue it's too.


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It's too strong, but just

a little here and there.


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A little touch of the white

right in there with it.


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But didn't have a gorgeous background and

it's so, so very easy to do so easy to do.


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There we go.


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Sometimes it's fun just to take and play

a little bit, and that's what we'll do.


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Take one down here.


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Let's take, this is a lizard Crimson.


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And SAP green mixed together

to make a nice Brown color.


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And I want to come in

here and just do this.


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Just take it to post straight down.


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Maybe we'll have a little water in

here and this will end up being our


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water alizarin, Crimson and SAP green

mixed together to make a Brown color.


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And you can take it to the radish side

or the green side, depending on your mood


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or what flavor you want in your painting.


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Normally I go a little bit to the red

side, but that's just my preference.


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Everybody's different.


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There we are.


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And we'll come back and play with

that a little later on, and then I'm


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going to take Mecca a lavender color.


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Then I'm going to use a little

black and lizard Crimson, a little


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bit of the little blue in it.


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Need more Crimson.


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There we go.


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And we'll mix up a little pile here cause

we're going to use it throughout going to


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have some of it that's to the red side.


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Some to the blue over here is to

the red over here to the blue.


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So I have both in the same pot

basically, so I can just sorta go


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back and forth or mix them together.


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Okay.


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Now, as you know, if you've painted

with me before paint center and liquid


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clear, have a very unique reaction.


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Very unique reaction.


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So we're going to use

that to our advantage.


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Let me get a little paint thinner

appear so I can thin this and let's


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just play with some thin paints today.


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Tell you what we had.


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Paint is very thin.


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It's almost like ink.


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Turn the bristles in the

paint and pull them out.


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So it brings it to a

very sharp edge there.


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You can see it.


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Let's go right up in here, got to make

some big decisions maybe in our world.


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There lives a tree right here.


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We'll put a little stalk in our little

trunk, whatever you want to call it.


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And we'll let us make several.


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But just by pulling that

goes right through there.


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There's another one.


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You have to make some decisions.


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How many trees live in your world?


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Totally, completely up to you.


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And you can put the indication here.


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And there were a few little

branches that come off.


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They just sort of hang

around, have a good time hair.


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It don't matter if they're not perfect.


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Don't worry about it.


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Don't worry.


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Cause we don't make any mistakes here.


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We only have some happy accidents.


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They're okay.


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I've got quite a few letters

asking if there's any place


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people can go and see some of the

paintings that we've done on TV.


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Um, I really don't.


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I don't have a place that

I display the paintings.


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I'm sorry.


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Sorry.


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We, we just don't have that.


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That is close.


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Well, our partner net Kowalski has

recently opened a little activity center,


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new Smyrna beach, where the public is

invited to come in and see some of them.


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If you're having to be in that

area, stop by and say hello to her.


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There was a lot of my paintings

there and some of hers and


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some of our instructors and.


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No, it's a good place to just

go and look at paintings.


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Okay.


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Look here.


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Take just a little liner

with a little paint.


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Yeah.


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And get nervous.


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Just get nervous.


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See you there.


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Slit that sort of flow.


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Just make it very loose.


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We're doing a very loose

little painting today.


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They're you don't, you don't

have to really worry about this.


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Just play.


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Have fun.


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Have fun.


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I mentioned earlier in one of the

shows that I got a letter from


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somebody one time, it said they

had a little shaken their hand.


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And because of that, they couldn't paint.


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Well, this is your painting right here.


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This is it.


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If you've ever had any problem at

all, because of a little shake in


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your hand, this one was designed just

for you, something about like a few


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little bushes and things that live

down here at his foot, and I'm just


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using the script liner brush sidewards.


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They're paid some very thin, so

it just slides right over that


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clear, just slides right over it.


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It doesn't slide.


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Add more paint, thinner.


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Just keep adding paint thinner.


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And by changing the angle, you

can create all types of effects.


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There we go.


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All kinds of little things that just

live back here in the background.


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Let your imagination take

you wherever you want to go.


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Cause you really don't have

to do a lot of painting.


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They under coli under color that was

under here takes care of most of that.


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So I want another tree there.


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Maybe there's some little

arms hanging out there.


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I know down in here, maybe, maybe

there's a limit to who knows


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a little branch or something.


242

00:12:29,329 --> 00:12:31,010

It's got a few leaves

left on it down here.


243

00:12:31,790 --> 00:12:33,170

That's a scraggly old tree.


244

00:12:35,660 --> 00:12:38,569

I like old trees that

have character shoot.


245

00:12:40,095 --> 00:12:42,314

There, something like that.


246

00:12:43,635 --> 00:12:44,235

All right.


247

00:12:45,464 --> 00:12:51,814

Wherever, wherever, just, just these

in, you can use a fan brush and do this.


248

00:12:51,814 --> 00:12:55,564

I just wanted to sort of show

you how much you could do with a


249

00:12:55,564 --> 00:13:01,115

little liner brush, just a plain

ordinary little liner, brush fun.


250

00:13:02,795 --> 00:13:03,694

Great deal of fun.


251

00:13:05,824 --> 00:13:06,785

Maybe there's a few little.


252

00:13:07,395 --> 00:13:09,495

Things that grow out here, but be loose.


253

00:13:09,615 --> 00:13:17,795

This is a very loose painting, very

loose, even fuel things out here with some


254

00:13:17,795 --> 00:13:21,455

Liam's on my kiss, just make indications.


255

00:13:23,855 --> 00:13:28,505

And now it's almost versus almost empty.


256

00:13:28,505 --> 00:13:29,825

I just want to rub it.


257

00:13:29,825 --> 00:13:35,015

So it picks up on the high points

that Jessle that's underneath just


258

00:13:35,015 --> 00:13:36,245

picking up on the high points.


259

00:13:37,485 --> 00:13:38,865

Very little paint on the brush.


260

00:13:38,895 --> 00:13:42,525

Very little, you would be

shocked at what a small amount


261

00:13:42,525 --> 00:13:43,725

of paint it takes to do this.


262

00:13:45,675 --> 00:13:52,245

There can just create all kinds

of illusions and painting is


263

00:13:52,245 --> 00:13:53,805

nothing but games with illusion.


264

00:13:55,005 --> 00:13:55,905

It's all it is.


265

00:13:57,444 --> 00:14:03,464

See their fan brush would be a little

bit faster, but I like using this today.


266

00:14:06,075 --> 00:14:06,705

There we are.


267

00:14:07,205 --> 00:14:07,475

Thank you.


268

00:14:07,475 --> 00:14:10,535

Begin thinking maybe the layout, if this

is going to be water, we want this to


269

00:14:10,535 --> 00:14:15,155

sort of tilt down because water normally

always lays in a little recessed area.


270

00:14:15,245 --> 00:14:18,995

It will climb up on a rock and look

pretty for you just to make you happy.


271

00:14:18,995 --> 00:14:20,075

Water is lazy.


272

00:14:20,075 --> 00:14:20,705

It's like me.


273

00:14:20,765 --> 00:14:23,825

It always looks for the easiest

place to go, which is normally


274

00:14:24,275 --> 00:14:25,205

the bottom of the Hill.


275

00:14:26,675 --> 00:14:31,505

So we need to paint in a little

Hill so it can run down there.


276

00:14:33,075 --> 00:14:38,345

Something like, so, Oh, going into

a little bit of that Brown that I


277

00:14:38,345 --> 00:14:42,785

made from SAP green and the lizard

Crimson, and we'll drop in a few


278

00:14:42,785 --> 00:14:44,225

little things in here with it too.


279

00:14:45,725 --> 00:14:49,535

Very loose, very loose.


280

00:14:50,765 --> 00:14:51,365

I like Keith.


281

00:14:51,375 --> 00:14:52,625

Cause there's no mistakes here.


282

00:14:53,765 --> 00:14:54,365

Absolutely.


283

00:14:54,365 --> 00:14:55,145

No mistakes.


284

00:14:56,105 --> 00:14:56,885

It's fun painting.


285

00:14:57,935 --> 00:14:58,115

Okay.


286

00:14:58,535 --> 00:14:59,315

All right.


287

00:15:01,860 --> 00:15:05,460

But just let it barely graze the canvas

and those that's the reason I went to


288

00:15:05,460 --> 00:15:10,080

all the trouble to put the Jesso on is

so it has all those high points on there.


289

00:15:12,180 --> 00:15:12,540

All right.


290

00:15:12,540 --> 00:15:13,890

Maybe on this side, over here,


291

00:15:17,340 --> 00:15:18,000

there you go.


292

00:15:18,120 --> 00:15:22,230

Just make a little noise, drop in

a little tree, something like that.


293

00:15:22,260 --> 00:15:22,950

Give him a friend.


294

00:15:24,630 --> 00:15:25,620

And here we are.


295

00:15:26,130 --> 00:15:27,480

Just another little limb.


296

00:15:28,290 --> 00:15:30,270

Stick, twig, whatever you want to call it.


297

00:15:31,830 --> 00:15:34,050

They're just like it.


298

00:15:35,970 --> 00:15:36,630

All right.


299

00:15:38,940 --> 00:15:39,900

See there they are.


300

00:15:40,500 --> 00:15:41,220

Wherever you want them.


301

00:15:41,790 --> 00:15:44,430

Just drop them in there.


302

00:15:46,860 --> 00:15:48,660

Maybe this comes right on down.


303

00:15:49,320 --> 00:15:49,800

I don't know.


304

00:15:49,860 --> 00:15:51,120

Right on down through here somewhere.


305

00:15:52,110 --> 00:15:53,310

Same basic idea.


306

00:15:55,575 --> 00:16:01,455

But all those little things in

take a little more of the color,


307

00:16:05,835 --> 00:16:06,825

kind of make those noises.


308

00:16:07,095 --> 00:16:12,665

Old trees had a rough life man, as

he had a rough life, look at that,


309

00:16:13,005 --> 00:16:15,105

but these are all gorgeous colors.


310

00:16:15,135 --> 00:16:18,314

They're transparent and

they work wonderfully.


311

00:16:18,314 --> 00:16:20,625

What's your, I keep talking

about using a fan brush.


312

00:16:20,625 --> 00:16:21,525

Let me show you how to do it.


313

00:16:22,590 --> 00:16:29,400

Then color the color that was very thin

and, or to put a limb or two on there,


314

00:16:29,400 --> 00:16:33,210

just in case of, to show through there.


315

00:16:33,300 --> 00:16:34,470

Now we know there's a limb on there.


316

00:16:34,980 --> 00:16:38,310

Take the fan brush and

just, just do like that.


317

00:16:40,950 --> 00:16:43,440

See how are you doing it?


318

00:16:43,440 --> 00:16:47,160

Just let it just go back and forth

and then touch the canvas with it.


319

00:16:47,160 --> 00:16:50,400

Like you're really

nervous, really nervous.


320

00:16:51,870 --> 00:16:54,540

And all these little effects

will just they'll happen for you.


321

00:16:54,930 --> 00:16:55,500

They'll happen.


322

00:16:55,500 --> 00:16:59,580

Believe me, try it, try it down there.


323

00:17:01,770 --> 00:17:05,329

Just wherever you want them to be here.


324

00:17:05,329 --> 00:17:06,200

You can do the same things.


325

00:17:06,200 --> 00:17:06,470

I say.


326

00:17:06,470 --> 00:17:07,490

You could use a fan brush.


327

00:17:07,490 --> 00:17:10,670

I just wanted to show you how you can

use a liner brush, any little thing.


328

00:17:10,670 --> 00:17:11,359

It turns you on.


329

00:17:13,160 --> 00:17:13,849

There we go.


330

00:17:17,700 --> 00:17:18,149

That easy.


331

00:17:18,710 --> 00:17:24,270

You can create the illusion of a

beautiful little place, more color here.


332

00:17:27,050 --> 00:17:27,139

Okay.


333

00:17:27,260 --> 00:17:29,600

And it's like a little place

maybe where the water runs.


334

00:17:29,659 --> 00:17:30,320

Good idea.


335

00:17:31,399 --> 00:17:33,080

Sometimes these little things just happen.


336

00:17:35,240 --> 00:17:35,870

There we go.


337

00:17:38,060 --> 00:17:39,830

And those are called happy accidents.


338

00:17:40,100 --> 00:17:42,290

We look for those and we

save them, cherish them.


339

00:17:42,290 --> 00:17:43,190

They're our good friends.


340

00:17:44,235 --> 00:17:48,614

I'm going to add a little bright

red here and there, here and there


341

00:17:48,915 --> 00:17:55,754

you pick up a little yellow ochre,

CAD yellow, a little bit, just


342

00:17:55,754 --> 00:17:57,195

some of the yellows here and there.


343

00:17:58,485 --> 00:18:01,564

Just begin popping in a few

little, your little highlights.


344

00:18:01,564 --> 00:18:02,135

Same way though.


345

00:18:02,225 --> 00:18:03,395

And the paint is quite thin.


346

00:18:03,395 --> 00:18:04,834

I have a lot of paint in on the brush.


347

00:18:04,834 --> 00:18:07,594

I want it to work with that

liquid clear that Sunday.


348

00:18:07,625 --> 00:18:10,655

Is there something like that?


349

00:18:12,330 --> 00:18:13,740

See, all those little effects happen.


350

00:18:13,740 --> 00:18:14,580

There's a lot of depth in there.


351

00:18:14,580 --> 00:18:17,880

You haven't done hardly anything

except just bounce the brush around.


352

00:18:18,270 --> 00:18:24,900

And so now that we can take some the

same color, let's begin to play here.


353

00:18:24,900 --> 00:18:26,520

Let's decide maybe this is water.


354

00:18:28,200 --> 00:18:28,860

Pull it down.


355

00:18:30,389 --> 00:18:36,659

This pain is still offended with a

little bit of paint thinner, just


356

00:18:36,659 --> 00:18:45,300

pull it straight down, like it all

the way across and with a clean, dry


357

00:18:45,300 --> 00:18:50,010

brush, very gently go across just like

we're making reflections normally.


358

00:18:52,860 --> 00:18:53,669

That's awesome.


359

00:18:54,330 --> 00:18:56,820

Now, if you want to have some fun, let

me dip brush into a little thinner.


360

00:18:57,780 --> 00:18:59,040

And shake most of it out.


361

00:18:59,040 --> 00:19:03,630

I've left a tiny little bit

in it tiny little bit, and


362

00:19:03,630 --> 00:19:04,860

you can just go across there.


363

00:19:06,330 --> 00:19:10,710

And if there's just enough in there,

it'll make little openings come to clear.


364

00:19:10,950 --> 00:19:12,090

Might not be able to see them yet.


365

00:19:12,090 --> 00:19:14,760

And it takes a little while for him

to work with they'll come in there.


366

00:19:16,230 --> 00:19:17,670

They're not showing up very well on them.


367

00:19:19,470 --> 00:19:20,370

She was a liner brush.


368

00:19:20,370 --> 00:19:23,670

See them, it reacts with a.


369

00:19:25,200 --> 00:19:28,500

Reacts with a liquid clear there, and

these little things just sort of happen.


370

00:19:28,680 --> 00:19:32,730

It's a nice way of making it looks

like little, a little shine across the


371

00:19:32,730 --> 00:19:35,340

water and it's done by removing paint.


372

00:19:37,670 --> 00:19:38,270

There we go.


373

00:19:40,670 --> 00:19:41,210

Okay.


374

00:19:42,110 --> 00:19:46,820

I'm going to take, I'm going to take

some, we'll use some black, some


375

00:19:46,820 --> 00:19:50,480

of that Brown we made from the SAP

green lizard Crimson mix it together.


376

00:19:52,860 --> 00:19:55,260

And I'm gonna go over here

and get paint thinner.


377

00:19:55,290 --> 00:19:56,220

I want to thin that down.


378

00:19:56,250 --> 00:20:00,300

Very thin, get some paint

thinners, then it down.


379

00:20:02,280 --> 00:20:05,910

We want it quite then wipe off the knife.


380

00:20:06,510 --> 00:20:11,250

Then I'll take some titanium white

and just some black on a mix it


381

00:20:11,250 --> 00:20:12,720

together to make a gray color.


382

00:20:13,950 --> 00:20:17,220

Like, so then it down.


383

00:20:20,130 --> 00:20:22,890

Dan is down just adding paint

center and mixing it up.


384

00:20:22,920 --> 00:20:24,180

That's really all it amounts to.


385

00:20:25,230 --> 00:20:25,830

All right.


386

00:20:26,190 --> 00:20:27,810

So we have a much thinner paint.


387

00:20:29,870 --> 00:20:31,250

We'll take our little Filbert brush.


388

00:20:32,240 --> 00:20:32,330

Okay.


389

00:20:32,930 --> 00:20:34,250

And we'll take it through the dark.


390

00:20:34,820 --> 00:20:36,980

And if you've painted with me for a while,

you know what we're going to do, we're


391

00:20:36,980 --> 00:20:41,060

going to make some little rocks stay

right there and I'll come to you now.


392

00:20:41,060 --> 00:20:42,920

See, take the other side.


393

00:20:43,400 --> 00:20:45,470

So we have light on one

side, dark on the other.


394

00:20:46,470 --> 00:20:48,990

And let's go up in here and then

we can begin figuring out where all


395

00:20:48,990 --> 00:20:50,550

these little rocks and stones live.


396

00:20:50,639 --> 00:20:51,899

Maybe there's a lot of them in our world.


397

00:20:53,930 --> 00:21:00,800

There they come see, just drop them in

very, very simple way of making these.


398

00:21:01,159 --> 00:21:04,730

And it's very effective there.


399

00:21:05,060 --> 00:21:08,090

Maybe some live right on

out here in the water.


400

00:21:08,149 --> 00:21:08,659

I don't know.


401

00:21:09,980 --> 00:21:10,970

There's a big pump.


402

00:21:11,120 --> 00:21:12,530

I saw him right there.


403

00:21:13,889 --> 00:21:15,419

Right there, big old rascal.


404

00:21:15,980 --> 00:21:18,439

And here's some that maybe

go right off the canvas.


405

00:21:18,949 --> 00:21:20,990

They don't stop just

because the canvas did.


406

00:21:22,760 --> 00:21:24,800

Now, when you have a lot of

time, you can pull down a little


407

00:21:24,800 --> 00:21:27,740

reflection under each one, and

that's really what you were to do.


408

00:21:28,879 --> 00:21:31,040

Just each one, pulled

down a reload reflection,


409

00:21:34,610 --> 00:21:39,500

grab it with a big brush or any

brush, and then go gently across.


410

00:21:39,500 --> 00:21:41,780

It'll make it look like,

make it look like theirs.


411

00:21:42,450 --> 00:21:47,880

A little reflection in the

water, take her liner brush.


412

00:21:49,760 --> 00:21:53,090

I'm going to use just a light color a

little bit lighter than what's there.


413

00:21:53,660 --> 00:21:56,120

And just go in and I know

you can't hardly see that.


414

00:21:56,120 --> 00:21:57,140

I don't want it very bright.


415

00:21:58,460 --> 00:22:03,440

Just hearing they're put in a

few little water lines, but this


416

00:22:03,440 --> 00:22:04,730

is a very neat little painting.


417

00:22:04,730 --> 00:22:08,120

It's sort of different than anything

we've done, but I hope you enjoyed


418

00:22:08,270 --> 00:22:11,030

doing little paintings, like is

I try to show you as many things.


419

00:22:11,700 --> 00:22:14,939

As I possibly can as many

different ideas as possible.


420

00:22:15,720 --> 00:22:19,889

You pick out the ones you want

and you like, you use them and


421

00:22:19,889 --> 00:22:21,179

do gorgeous paintings for them.


422

00:22:21,600 --> 00:22:25,320

And really, if you have time, send

me a photograph of what you're doing.


423

00:22:26,580 --> 00:22:28,530

It's so fantastic to show in the air here.


424

00:22:28,560 --> 00:22:31,590

Once in a while, paintings of people

all over the country, you're doing


425

00:22:32,490 --> 00:22:37,889

beautiful paintings, paintings that

people never believed were possible.


426

00:22:38,550 --> 00:22:40,320

And if they can do them, you can do them.


427

00:22:41,310 --> 00:22:43,920

We have young people in their

nineties that are doing their first


428

00:22:43,920 --> 00:22:47,220

painting and it's, it's working.


429

00:22:47,370 --> 00:22:48,360

It didn't make some happy.


430

00:22:49,200 --> 00:22:52,590

And if painting does anything for you, it

should make you feel good in your heart.


431

00:22:54,540 --> 00:22:57,810

I tell you what I think that one's about

ready for all signature, take a little


432

00:22:57,810 --> 00:23:03,180

bread and we'll just put in a quick

little signature right here over a rock.


433

00:23:05,475 --> 00:23:07,125

And I really hope you've enjoyed this one.


434

00:23:07,245 --> 00:23:09,165

If you'll try it, you'll find it.


435

00:23:09,165 --> 00:23:12,375

It's one of the most fantastic ways

of painting that you've ever seen.


436

00:23:13,125 --> 00:23:17,504

Take your time and play with these,

you know, here we've done most of this


437

00:23:17,504 --> 00:23:20,925

painting using nothing but a liner

brush, fan brush, and a Filbert brush.


438

00:23:21,735 --> 00:23:24,254

Well, I did use a two-inch brush

of, to put the background in, but


439

00:23:24,254 --> 00:23:25,395

you could do it with anything.


440

00:23:26,100 --> 00:23:28,980

And this little painting when you

show it to friends and neighbors,


441

00:23:29,160 --> 00:23:32,400

they're not going to believe that

you'd done it over and over again.


442

00:23:32,400 --> 00:23:35,310

I get letters people, and they say

my friends tuck, and they looked here


443

00:23:35,310 --> 00:23:37,830

and they tried to find the numbers

that were behind the painting.


444

00:23:38,520 --> 00:23:39,420

Enjoy painting.


445

00:23:39,840 --> 00:23:41,340

It does wonderful things for you.


446

00:23:41,670 --> 00:23:45,540

It makes beautiful gifts for everybody

that you love and who loves you.


447

00:23:46,410 --> 00:23:49,050

And, you know, I would like to

take just a second and thank you.


448

00:23:49,530 --> 00:23:51,360

And the last series I happened to mention.


449

00:23:52,095 --> 00:23:53,445

That I had lost my wife.


450

00:23:53,955 --> 00:23:58,965

I have received hundreds and hundreds

of cards from people all over the


451

00:23:58,965 --> 00:24:04,304

country, expressing their sympathy and

support from the bottom of my heart.


452

00:24:04,695 --> 00:24:10,095

Thank you for sharing my grief

and for making my wife a very


453

00:24:10,095 --> 00:24:11,715

special person in your life too.


454

00:24:12,405 --> 00:24:15,945

On behalf of Waltman head Kolsky

everybody here at the station.


455

00:24:16,514 --> 00:24:19,725

I'd like to wish each and every

one of you happy painting.


456

00:24:20,325 --> 00:24:20,985

God bless.


457

00:24:21,495 --> 00:24:25,335

And I'll see you next series

until then take care of yourself.


End .srt file.



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