Bob Ross's

The Joy of Painting

S29E09 - Storm on the Horizon

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just

do a little seascape that I

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think you're going to enjoy.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I get done today.

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I have a smaller canvas than

usual because I wanted one that's

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rectangular and quite long.

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So I have a 12 inch by 24 inch canvas.

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You use any size that you like?

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Just sorta like this for seascapes and

I've covered the entire canvas with

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a very thin coat of liquid white and

liquid clear, mixed together, just a

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little of each, about half and half.

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And then I've just covered it.

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But once again, a very thin coat.

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So let's just start out and have some fun.

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We'll start with a little two

inch brush and I go into a

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small amount of the thalo blue.

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Just tap a little into the bristles.

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Notice we pull the paint out very flat,

so we can just pick up a little bit

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of you go up here in this big pile.

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You're going to get too much, just a

little, we just want a little, and we tap

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it into the bristles that helps us share

a nice even distribution of color all

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the way through it gave us coping here.

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Yeah, then just making little

Xs, little crisscross strokes.

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Let's just put in a happy

little sky, just something like,

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so all the way across there.

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Oh, like that doesn't much

matter wherever you want it.

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That's exactly where it should be.

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So okay.

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Down to about there.

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All right.

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And that's about enough.

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Right there.

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Okay.

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Then we get to wash the brush already,

as you know, that's my favorite part

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of the whole painting procedures.

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Just washing the brush, shake it off.

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Yeah, I think we just creep one big mess.

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Oh, that's fun.

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It really is.

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I will go right into titanium white.

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I'm just tapping the brush right

into just straight titanium.

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White.

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I'll put the indication here, some

little floater clouds at this live here.

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Didn't laugh.

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Wonderful.

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There, here we go.

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We have such a good time

making these shows here.

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We've been making television here at the

same studio now for well over 10 years.

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And these people have become

very special friends to me.

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It's like coming home.

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There we are something about like, yeah.

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And it would just sort of fluff

him up a little bit and go across

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and they'll give us a little cloud

where you back in the distance

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and Hey man, let me find my knife.

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I'll take little lizard and Crimson

little payload blue, mix it together.

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I want to make a lavender color,

but sorted to the ready side.

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There we are.

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Okay.

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Wipe off the old knife and

shoot, I brush it in too dirty.

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Maybe we can continue to use

it, not as in that color.

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And maybe we have some indications of

some little, little lavender clouds

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that are right at the water line

and we can just throw in some happy

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little things wherever you want,

wherever, wherever it doesn't matter.

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Something about like yet there,

we just let them maybe just float

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right on out to nothing over there.

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There's a big thing that happens sometime.

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There we go in right on out and we'll

fluff it, lift it, blend it like that.

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And that'll give us the indication of some

little clouds that live far, far away.

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And that's all we're

looking for right now.

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It's just indications.

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They're all right.

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That's simple.

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And then a fantastic way of making a

very colorful little sky that's affected.

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All right, we get to wash the brush again.

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Okay.

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Checkoff it paint thinner.

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Just covering everybody in the studio.

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All right.

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You can blend that little if

you want to, but we're not gonna

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spend much time on this guy.

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I want to work more on the water today.

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Let's take, let's take, how

would we write into say Lew blue?

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I like the little blue,

a little bit of black.

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Just mix them together.

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And be right back.

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I'm gonna get a little Crimson.

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So we have the little blue,

black, and Crimson there, and

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let's figure out basically here.

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Maybe let's see where we

want our water line to be.

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I know that's probably not real straight.

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Yeah, when you're painting, it's better

to sort of step back and, and take a look.

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See sometimes when you're standing as

close as I am here, it's very hard to tell

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if a line street crooked or in between,

but let's say that's halfway street

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now.

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No, I had a little more Crimson

there right here on the edge.

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It's only a little more

Crimson right there.

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Something about like it, maybe

a both sides in your world.

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You decide now you're probably wondering

why I put the liquid clear with the,

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with the liquid white, because when I did

this, I didn't want it to turn light blue.

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I wanted it to stay quite dark.

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And if I had put liquid

white, only on there.

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Here's, you know, it would've gotten much

lighter in value and I don't want that.

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I want it to stay quite dark.

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It makes it easier there.

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All right.

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Maybe we'll just bring it

down to somewhere in there.

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It doesn't matter.

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Okay.

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You make the big decisions where

all these things live in your world.

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Okay.

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Let me just grab another brush.

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I don't have to.

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Waste all my time, just cleaning and

only pick up some of that lavender

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color that we made that was alizarin

Crimson, and a little bit of that.

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They love blue mixed

together, maybe right in here.

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Ooh, isn't that a pretty color?

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We'll just add a little bit of that.

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I thought we'd just do a little seascape.

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Dave is very colorful and I

have a confession to make people

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always asking me, where do you

get ideas for your paintings?

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And I was over in new Smyrna beach

the other day that my partner knits

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shops, she's got a little shop over

there when she was teaching this

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painting to some of her students.

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And I just fell in love with it.

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And I asked her for permission to,

to show it to you on the program.

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So, Annette, thanks.

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Oh, there we go.

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And I probably won't do near as good

a job on it as she does, but this

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is basically the way she does it.

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So we'll try it.

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Wash the brush again.

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If nothing else, you don't get a

lot of practice washing the brush.

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Okay.

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We're ready.

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That's fine.

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Oh, we'll just use a little fan brush.

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It doesn't matter.

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One of the things I like to do

when I do seascapes is figure out

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where my major wave is going to be.

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And then just take a little, you can

use a Filbert or it doesn't matter.

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Fan brush, whatever.

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And I'll just want to basically

indicate in here where I think

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the major wave is going to live.

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And in my world, I think it's

going to go right out through here

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and maybe crash over right there.

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And it'll just disappear.

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How's that?

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Nice.

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Simple little painting.

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There we are.

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Okay.

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Now back into my white, still

using the same little fan brush and

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maybe back in here, going straight

in and just giving it a wiggle.

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Maybe there's a little, little

splasher that lives back here in the

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background, somewhere straight in

and just make it wiggle up and down.

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See there.

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And that's all there is to it.

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Something about like can, and we can

put the indication here and there

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and there in here, just a little

doers that live back here, far away.

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There we are a little more of the

white strengthened that one a little.

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Yeah.

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It's a little closer.

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Okay.

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Something about like, so.

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Say, and that does a lot of

cordial paintings, I think are her

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most fantastic thing is flower.

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She does some of the most gorgeous

flowers I've ever seen him.

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I'm going to get her on the show

here one day sooner or later, and

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get her to paint a flower for you.

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I think you'll be amazed.

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I'm not a very good flower

painter, but she is dynamite.

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Dynamite.

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We'll talk her into it.

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I'm gonna take a little yellow

ochre and a little white, the

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yellow ochre and white like that.

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Just make me a nice little, sort of

a gold color and let's go up in here.

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This is going to be here or a little wave.

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Let's put a little, a little bit

of that color right in here, which

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like, so something like that.

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Now we'll get a little blender brush.

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Okay.

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When Jess begin blending that

blended blended blended, and

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you can do this several times

to achieve a desired lightness.

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If you want to, it's up to you, you

decide, you decide wherever you want

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it, but see it, blender brush just

makes that soft as silk, just so tender.

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So soft.

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There we go.

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Something about like it.

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Okay.

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And if you wanted to make it a

little brighter would just do it.

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Let me just pick up a little more

of that same color, same color.

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And maybe right in here, we'll

have it a little brighter and

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just sort of smoosh it in.

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As Steve says, I don't know if that's

a word or not, but when he uses

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it, everybody knows what he means.

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Here we go.

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Something about my kid.

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All right.

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And begin thinking about shape here.

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Oh, okay.

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Now then it's true.

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I have served a little families

and number three fan versus

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state, but it didn't matter.

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You'd use three or six, whatever

you have, take a little dark color.

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This is just some black and

some blue little Crimson in it.

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And let's take, and I wanna make us

wave sort of crash over right here.

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Now the only way to make a dark

right there, stand out with them,

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put a little light right behind it.

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But I want to leave that in first,

get an idea of where it's at.

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Go back to my fan brush.

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It has some of the lighter color in

it and let's come right behind it.

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And then gently blend that back.

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Thinking about how the wave goes up.

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Just need a little lighter in

there to make it rascal show up.

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See here it comes here.

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It comes.

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Watch.

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This is one of the nicest little

seascapes and it works very well.

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Very well.

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There

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should be a little trick here.

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Take a little bit of dark

color on the Filbert.

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Okay.

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But like, so, and we go up in here

and see this little wave right here.

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That's a little crasher you can

push right up there and just form it

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that easy, that easy, and that neat.

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It's another little trick.

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And that showed me and it works very well.

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See, now it just makes a nice

dark bottom and it works that

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easy, same thing over in here.

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But a little dark right in there.

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We'll come back and put a little light and

some foam on there and that'll show up.

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So nice.

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So nice.

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And we can put our foam in well that

he went, we can just use a little

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Filbert or you can use a fan brush.

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It doesn't matter.

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I picked up a Filbert, so we'll use it.

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And let's go in here and thank you

about some happy little splashes

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living right up here on top of this.

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Like, so now I've picked up some

blue and I'm going to let that be

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the shadow as we come up in here.

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There we are.

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Okay.

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Now wipe off the brush, pick

up a little bit of clean height

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and we can highlight that.

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Just think about water crashing,

smashing having a good time.

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I've been here.

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They're all right.

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I like to paint water.

254

00:13:22,500 --> 00:13:24,410

I don't do it a lot, but

I do like to paint it.

255

00:13:24,410 --> 00:13:29,240

I was born in Daytona beach,

Florida, which is one of the most

256

00:13:29,240 --> 00:13:31,070

fantastic beaches in the world.

257

00:13:32,420 --> 00:13:32,660

Yeah.

258

00:13:34,550 --> 00:13:34,790

Yeah.

259

00:13:34,790 --> 00:13:39,770

Then let's take our little script

liner brush, take a little light blue.

260

00:13:39,770 --> 00:13:40,760

We'll use a little white.

261

00:13:42,810 --> 00:13:47,580

Paint thinner, a little bit of color

on the brush and we can go up in here

262

00:13:47,760 --> 00:13:51,690

and we can begin putting in all kinds

of little doers that live up in here.

263

00:13:51,780 --> 00:13:53,040

Just begin applying them.

264

00:13:54,920 --> 00:14:02,960

There tastes a little foam patterns, just

work our way on out wherever you want

265

00:14:02,960 --> 00:14:06,740

them to go right up on top of that way.

266

00:14:08,630 --> 00:14:09,680

Okay.

267

00:14:10,455 --> 00:14:14,324

But more of the dark color and I want

to put a little dark edge right there

268

00:14:14,625 --> 00:14:16,215

just will make that stand right out.

269

00:14:17,355 --> 00:14:20,475

But that little rascal crash over some

little things coming through there.

270

00:14:22,064 --> 00:14:24,435

Just take your time and play

with these are a lot of fun.

271

00:14:25,965 --> 00:14:28,694

You can really just move

the water every which way.

272

00:14:30,155 --> 00:14:30,605

Okay.

273

00:14:32,645 --> 00:14:33,335

The little knife.

274

00:14:33,365 --> 00:14:34,235

This is a small knife.

275

00:14:34,235 --> 00:14:37,715

I've got some white, it's

got a small, small amount of

276

00:14:37,715 --> 00:14:39,275

blue, just enough to tenent.

277

00:14:40,455 --> 00:14:44,565

Cut off a little roll of paint and

scope in here and maybe right in here.

278

00:14:44,565 --> 00:14:47,885

And we were going to use a lot

of pressure get in here and just,

279

00:14:50,045 --> 00:14:55,475

maybe there's a, so they're really

applying a lot of pressure though.

280

00:14:56,975 --> 00:14:58,205

There it goes back somewhere.

281

00:14:58,265 --> 00:15:02,375

We don't know where it goes and

we'll take our little fan brush.

282

00:15:03,215 --> 00:15:03,995

It's pretty clean.

283

00:15:03,995 --> 00:15:05,555

I didn't have much on it.

284

00:15:06,125 --> 00:15:08,315

And I want to grab that and pull it back.

285

00:15:10,290 --> 00:15:14,250

Back back back and had creates

that illusion right there.

286

00:15:14,340 --> 00:15:21,000

That easy, something about like, so, okay.

287

00:15:22,199 --> 00:15:22,740

That works well.

288

00:15:22,740 --> 00:15:23,430

Let's do another one.

289

00:15:23,430 --> 00:15:23,910

What the heck?

290

00:15:24,780 --> 00:15:24,870

Okay.

291

00:15:25,620 --> 00:15:28,709

In our world, their lives.

292

00:15:28,709 --> 00:15:31,380

Another thing right in there.

293

00:15:36,480 --> 00:15:36,810

there.

294

00:15:38,310 --> 00:15:39,449

Just put it wherever you want it.

295

00:15:41,010 --> 00:15:41,640

Okay.

296

00:15:42,660 --> 00:15:44,069

Grab a little fan brush again.

297

00:15:44,220 --> 00:15:48,420

And once again, all you do is just go

back with it, just pull it backwards.

298

00:15:51,240 --> 00:15:53,610

And that creates all those little

things that you want in there.

299

00:15:54,510 --> 00:15:59,640

Very simply very simply you don't

have to work at it hardly at all.

300

00:16:01,020 --> 00:16:03,209

And as you know, I'm a very lazy painter.

301

00:16:03,209 --> 00:16:08,370

I look for easy ways to do things, right.

302

00:16:08,400 --> 00:16:15,959

Let me get back into my liner brush

with a little, a little bit of paint.

303

00:16:15,959 --> 00:16:20,729

That's been thinned with paint

thinner, and we'll just put the

304

00:16:20,729 --> 00:16:22,020

indication here and there of some.

305

00:16:23,459 --> 00:16:27,420

Just some little foam patterns

or something about like that.

306

00:16:28,650 --> 00:16:30,270

We're not too worried

about it at this point.

307

00:16:32,280 --> 00:16:35,430

There we'll make a little little

highlight right up on top of that.

308

00:16:35,430 --> 00:16:36,689

So it continues on there.

309

00:16:38,449 --> 00:16:39,050

All right.

310

00:16:40,160 --> 00:16:43,790

Maybe back in here, you can just

highlight a few of these little Rascals,

311

00:16:44,540 --> 00:16:49,219

not going to worry too much about

it, but you have show some of them.

312

00:16:51,405 --> 00:16:54,795

Think about being down at the

ocean, watching the waves come in.

313

00:16:55,635 --> 00:16:58,605

That's what makes it pretty all right.

314

00:16:59,745 --> 00:17:02,475

Tell you what Brenda, here's a Filbert.

315

00:17:02,535 --> 00:17:05,265

Let's go into have a rock.

316

00:17:05,775 --> 00:17:10,995

We'll use some Vandyke Browns and dark

Sienna just mixed together and maybe

317

00:17:10,995 --> 00:17:12,735

in our world their lives right here.

318

00:17:13,485 --> 00:17:17,565

Just drop it in big O big

old stone is right there.

319

00:17:19,245 --> 00:17:20,385

Right about here.

320

00:17:21,785 --> 00:17:24,305

We put some dark color in first

just to make the base of it.

321

00:17:25,775 --> 00:17:27,095

And then we'll come back in a little.

322

00:17:27,215 --> 00:17:29,825

I laid on it here and there and

there and here wherever you want it.

323

00:17:30,845 --> 00:17:30,935

Okay.

324

00:17:31,295 --> 00:17:33,485

I'll put a little bit

color down, just a little.

325

00:17:35,235 --> 00:17:39,315

And we will take a two inch

brush, grab it, pull down

326

00:17:41,535 --> 00:17:43,095

something like so, and go across.

327

00:17:44,145 --> 00:17:47,595

It'll end up being a little reflection

and the water home we get all finished.

328

00:17:48,345 --> 00:17:48,735

Okay.

329

00:17:48,885 --> 00:17:56,085

Let's take some white paint and we'll

get some bright red, bright red I'm

330

00:17:56,085 --> 00:17:57,405

using the same old, dirty Filbert.

331

00:17:57,405 --> 00:17:57,885

I don't care.

332

00:17:58,335 --> 00:17:58,845

Doesn't matter.

333

00:17:59,515 --> 00:18:01,155

Little touch to the bright red, not much.

334

00:18:02,760 --> 00:18:06,090

All right, much it now let's just sort of,

let's just sort of highlight our stone.

335

00:18:07,200 --> 00:18:09,930

Just let little color play through here.

336

00:18:12,020 --> 00:18:12,800

There we go.

337

00:18:14,630 --> 00:18:14,930

Yeah.

338

00:18:14,990 --> 00:18:17,600

Just sort of play them back

and forth, dark and light.

339

00:18:18,650 --> 00:18:23,330

And you can actually sculpt

the stone doing it there.

340

00:18:24,380 --> 00:18:27,590

Say there, think about where all

these little things would live.

341

00:18:29,715 --> 00:18:30,225

That easy.

342

00:18:30,284 --> 00:18:31,845

You can make it right in there.

343

00:18:33,044 --> 00:18:38,955

Something like, so we can go back

to our small knife, a little bit of

344

00:18:39,615 --> 00:18:44,955

the weight on it, and let's just put

a little indication, a little water

345

00:18:45,254 --> 00:18:46,485

floating right around the bottom.

346

00:18:47,745 --> 00:18:49,004

And maybe like I got it.

347

00:18:49,065 --> 00:18:49,365

I got it.

348

00:18:49,625 --> 00:18:50,235

I know, I know.

349

00:18:50,294 --> 00:18:51,585

Watch it right here.

350

00:18:51,645 --> 00:18:51,975

Right here.

351

00:18:52,245 --> 00:18:52,395

Here.

352

00:18:52,395 --> 00:18:52,815

It comes.

353

00:18:54,420 --> 00:18:57,510

Here's another little, little

thing let's write out here.

354

00:19:00,780 --> 00:19:03,180

Maybe it comes right on

over there somewhere.

355

00:19:03,210 --> 00:19:03,780

Who knows?

356

00:19:05,220 --> 00:19:09,090

Once again, we grab our fan brush

and we'll just pull that her back.

357

00:19:10,380 --> 00:19:11,760

That simple figure there.

358

00:19:13,260 --> 00:19:14,220

Just pull it back.

359

00:19:16,350 --> 00:19:16,800

Excellent.

360

00:19:17,310 --> 00:19:18,840

Have we got all kinds of water here?

361

00:19:20,010 --> 00:19:23,790

We can take a Filbert brush,

take a little bit of that blue

362

00:19:23,790 --> 00:19:25,560

and black and Crimson color.

363

00:19:26,670 --> 00:19:29,580

And we can just go back up in

here and punch a few little holes

364

00:19:30,120 --> 00:19:37,160

in the surf, just a few little

indications, some little dark areas.

365

00:19:38,210 --> 00:19:44,480

It makes it pretty see there,

there they are just a few.

366

00:19:45,449 --> 00:19:48,210

That's easier than trying to

paint all the foam is just, just

367

00:19:48,210 --> 00:19:49,620

to go in there and drop some in.

368

00:19:51,189 --> 00:19:51,560

Okay.

369

00:19:51,590 --> 00:19:52,919

Lost my brush here for a second.

370

00:19:54,360 --> 00:19:55,460

Got so many brushes going on.

371

00:19:55,470 --> 00:19:55,980

Last one.

372

00:19:55,980 --> 00:19:58,679

I'll take a little bit of

light blue, then it down.

373

00:19:59,310 --> 00:20:04,260

And I want to put the indication

here, maybe just, just a

374

00:20:04,260 --> 00:20:05,909

little ripple on the surface.

375

00:20:06,460 --> 00:20:07,530

Little Whit sheen.

376

00:20:08,970 --> 00:20:09,659

There we go.

377

00:20:09,899 --> 00:20:11,100

Something about my cat.

378

00:20:12,810 --> 00:20:14,220

Just to give a little indication.

379

00:20:15,810 --> 00:20:16,260

All right.

380

00:20:16,620 --> 00:20:17,310

Let's have some fun.

381

00:20:18,450 --> 00:20:19,590

I'm gonna grab a fan brush.

382

00:20:20,340 --> 00:20:24,420

We're going to take, we're going

to take a little bit of white.

383

00:20:28,620 --> 00:20:30,600

I know lost at this time.

384

00:20:31,420 --> 00:20:34,890

I think maybe we'll have us a little

sand dune lives right out here.

385

00:20:37,245 --> 00:20:38,175

Maybe it comes down.

386

00:20:38,625 --> 00:20:41,775

I don't know wherever you want

it, but allowed to pick up some of

387

00:20:41,775 --> 00:20:43,185

those colors that are underneath.

388

00:20:44,805 --> 00:20:45,435

There we go.

389

00:20:46,725 --> 00:20:51,675

Just a happy little Sam dude stays out

here and watches the water all day.

390

00:20:51,825 --> 00:20:52,545

Has a good time.

391

00:20:53,775 --> 00:20:54,375

Great time.

392

00:20:55,785 --> 00:21:00,285

Grab another fan brush, take some SAP

green, a little bit of the Brown color.

393

00:21:00,285 --> 00:21:02,925

I'm just going to mix some

colors together on my brush here.

394

00:21:04,440 --> 00:21:08,880

SAP green, some of the Browns

let's go up in here and let's

395

00:21:08,880 --> 00:21:11,070

just punch in the bottom.

396

00:21:11,910 --> 00:21:16,470

It's going to be the bottom of, I

may have a little bit more color of

397

00:21:16,470 --> 00:21:18,750

some little weeds live right in here.

398

00:21:20,170 --> 00:21:20,930

There we go.

399

00:21:21,260 --> 00:21:23,000

Always got these little

things that live there.

400

00:21:24,500 --> 00:21:25,070

Okay.

401

00:21:27,000 --> 00:21:29,160

Maybe a few little doers in here, Danny.

402

00:21:29,160 --> 00:21:29,550

I don't know.

403

00:21:29,730 --> 00:21:32,070

Just all we're doing is

pushing in some color here.

404

00:21:33,980 --> 00:21:36,740

All right, I'll go back and get there.

405

00:21:36,750 --> 00:21:41,870

Liner brush, put some paint thinner on it

and we're going to begin taking, Oh, we

406

00:21:41,870 --> 00:21:45,650

can start with a little bit of the green

and Brown and I just want to lift these

407

00:21:45,650 --> 00:21:47,510

up, make some little Seaoats out here.

408

00:21:49,310 --> 00:21:50,120

There we are.

409

00:21:51,170 --> 00:21:53,300

See you just pull that

color red on out of there.

410

00:21:54,585 --> 00:21:55,605

We'll do some dark color.

411

00:21:55,605 --> 00:21:57,525

First we're using green and Brown here.

412

00:21:58,935 --> 00:21:59,715

Just pull them out.

413

00:22:00,905 --> 00:22:01,505

All right.

414

00:22:02,435 --> 00:22:03,545

A little more paint thinner.

415

00:22:04,205 --> 00:22:08,855

If your paint won't flow at war

paint thinner to it, there we go.

416

00:22:10,475 --> 00:22:11,045

And he would do it.

417

00:22:11,045 --> 00:22:14,855

Let alone this one and the next

one and whatever, take your brush.

418

00:22:15,845 --> 00:22:18,335

And you can literally grab a

little bit of that base color

419

00:22:18,365 --> 00:22:19,805

and let it become the shadows.

420

00:22:21,165 --> 00:22:21,584

See you there.

421

00:22:21,615 --> 00:22:22,725

Just let it mix right in there.

422

00:22:22,725 --> 00:22:23,355

It's all right.

423

00:22:23,385 --> 00:22:23,955

It's all right.

424

00:22:25,455 --> 00:22:31,084

That'll become your shadows at green and

Brown makes nice little shadows there.

425

00:22:33,845 --> 00:22:36,274

I want to kill all those nice colors

you picked up from underneath.

426

00:22:36,754 --> 00:22:41,554

They become your good friend now,

but all these little Rascals in

427

00:22:43,625 --> 00:22:48,514

all right, wherever I'm going

to go in now to yellow ochre.

428

00:22:50,520 --> 00:22:52,560

And just pop some right

over the top of it.

429

00:22:53,760 --> 00:22:55,889

Now, when you're at home and

you have unlimited time, you can

430

00:22:55,889 --> 00:23:00,480

really play with these and put

all kinds of gorgeous things here.

431

00:23:00,480 --> 00:23:02,970

If I go over 30 minutes,

I got a mean old director.

432

00:23:02,970 --> 00:23:04,649

She has no sense of humor at all.

433

00:23:06,389 --> 00:23:07,070

That's okay.

434

00:23:08,570 --> 00:23:10,370

We'll just put something

in here real quick.

435

00:23:12,104 --> 00:23:14,235

And sometimes there's little

things out here on the end.

436

00:23:15,314 --> 00:23:17,905

It's up to you now.

437

00:23:17,935 --> 00:23:23,354

No little seascape would be complete

without a happy little Palm tree in it.

438

00:23:23,385 --> 00:23:27,405

So we'll just use the fan brush, go

into some Vandyke Brown, little black.

439

00:23:29,250 --> 00:23:31,620

Just to have a little dark

color to make his trunk.

440

00:23:32,190 --> 00:23:34,140

And he lives in our world.

441

00:23:34,530 --> 00:23:40,860

He lives right there and just put a little

crooked down at the bottom old Palm trees

442

00:23:40,860 --> 00:23:45,960

have a tendency to sort of get banned on

the end there something about like him.

443

00:23:47,475 --> 00:23:50,145

And dip the brush into a

little bit of paint, thinner,

444

00:23:50,335 --> 00:23:51,525

still using Brown and black.

445

00:23:51,525 --> 00:23:55,655

I want to thin the paint, just a

little, just a little, and let's

446

00:23:55,655 --> 00:23:59,105

put in just some basic ideas here.

447

00:24:02,375 --> 00:24:04,535

I, some little leaves on his Palm tree.

448

00:24:06,815 --> 00:24:07,385

There they go.

449

00:24:08,135 --> 00:24:11,735

Wherever, wherever, maybe

there's one down here.

450

00:24:12,915 --> 00:24:14,805

I want to have one that's

coming right toward me.

451

00:24:15,255 --> 00:24:17,355

So we're just sorta hanging

out there like that.

452

00:24:18,735 --> 00:24:19,785

Here's the one behind him.

453

00:24:22,125 --> 00:24:23,235

There's a nice little one.

454

00:24:25,155 --> 00:24:25,635

Okay.

455

00:24:25,905 --> 00:24:29,265

Take a little bit of, a

little bit of Brown and white.

456

00:24:29,625 --> 00:24:31,875

This one, touch this edge just a little,

457

00:24:34,905 --> 00:24:38,085

and I'm going to take a fan brush

and grab that and pull it around.

458

00:24:38,085 --> 00:24:40,185

So it makes the trunk look around.

459

00:24:41,865 --> 00:24:42,465

All right.

460

00:24:44,265 --> 00:24:48,945

Take a little touch of yellow

and green mixed together.

461

00:24:49,755 --> 00:24:57,585

And let's just take and highlight these

just a little, just a little there.

462

00:24:58,125 --> 00:24:58,785

Here we go.

463

00:24:58,875 --> 00:25:01,925

Something about my kid

shoot with that way back.

464

00:25:01,965 --> 00:25:04,755

Got a little Palm tree, but I

wanted that limb to look like it

465

00:25:04,755 --> 00:25:06,255

comes right straight up toward me.

466

00:25:07,155 --> 00:25:09,375

You can use a liner brush,

make a lot more detail.

467

00:25:09,405 --> 00:25:09,675

Okay.

468

00:25:11,400 --> 00:25:11,910

Thank you for that.

469

00:25:11,940 --> 00:25:13,890

We'll call this little

painting, finished hope.

470

00:25:13,890 --> 00:25:14,580

You've enjoyed it.

471

00:25:14,760 --> 00:25:16,800

And from all of us here, I'd

like to wish you happy painting.

472

00:25:17,310 --> 00:25:18,390

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E09 - Storm on the Horizon

Bob Ross's

The Joy of Painting

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