Bob Ross's

The Joy of Painting

S29E07 - Cypress Creek

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Hi, certainly glad you

could join us today.

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I thought maybe today we do the

little that you see in the opening.

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The little, little swamps

saying it's very, very simple.

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I think you'll enjoy it.

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Tell you what let's start out and have

him run all the colors across the screen.

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They'll come across right there

that you need to paint along

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with us and come on up here.

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Let me show you what I've got.

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Today, I've taken my standard old canvas.

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I'm using 18 by 24 inch, but you

use whatever size is convenient

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and I've taken a little gray Jesso

and I've just, just taken an old

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line or brushed an old fan brush.

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And I'm just very quickly painted

in some little indications, like

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little Palm trees back in here.

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I live in, in Florida and we see

a lot of swamp scenes like this.

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In the foreground here, I took a natural

sponge and use black Jesso and just

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dobbed in some basic shape and form.

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I've allowed that to dry completely.

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And after that dried, then I've

covered the entire canvas with a

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very, very thin coat of liquid clear.

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And if there's any doubt that if you, if

you're not sure if you have enough for

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too little put on the smallest amount

that you possibly can to the liquid clear

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and take a paper towel or something and

wipe it off because it's transparent,

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you have a tendency to put too much on.

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There's very, very little on here.

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Now thought today would

just, just have some fun.

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This is a beautiful little

painting and it works very easy.

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Let's start today with a very

small amount of yellow ochre,

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just a little bit of yellow ochre.

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Let's go right up in here.

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Now I'm gonna take the yellow ochre

and I'm just going to begin making

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little crisscross strokes and we'll

just start painting this salmon,

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like, so in that middle, in that

little animated opening, cute.

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I liked it very much with the little

painter guidance painter suit.

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We have a lot of fun making it.

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That's that's the brainchild

of a very good friend of mine.

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Who's was one of the

engineers here, Jerry Morton.

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He comes up with these crazy ideas

and between the two of us, we sort of

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put them together and then it takes a

lot of people to, to make them happen.

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So thanks, Jerry.

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That was a nice one.

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There we go.

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Just yellow ochre and we just

sort of filling it in like that.

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Okay.

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This is the hardest part of the painting.

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Shoot.

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If you can put this in

the rest of it is simple.

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Rest of it's simple, but clear is on

there just to make the canvas slick.

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It allows the color to move freely.

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If this was a dry canvas, you'd be an

agony city trying to do this and it

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wouldn't, it wouldn't move very well.

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Liquid clear just makes it work so nice.

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So easy.

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There we are.

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Now I'm intentionally allowing this

yellow ochre to go right over some of

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this severe black color that we have here.

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Very strong color.

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Just let it go right over the top of it.

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It doesn't matter.

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Doesn't matter there we are something

about like, do you make it as dark as

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you want it, or as light as you want.

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It's up to you.

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It's up to you there.

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Okay.

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Now I don't need a little more right here.

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Here we go.

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Let's take, let's take and

mix up a little bit of Brown.

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And I'm going to make

some Brown today for that.

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I'm going to use alizarin, Crimson and

SAP green in about equal proportions.

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Just about equal.

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Maybe, maybe today.

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We'll make it a little bit to the

ready side and you can make it either

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direction you want toward the green

side or toward the register side.

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I think today we'll, we'll go a little

bit toward the radish side a little bit.

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Okay.

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Wipe off the old knife.

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Now let's have some fun.

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We'll just use that same old brush.

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I'm going to add a little

bit to the two inch brush.

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This is just a very,

very warm Brown color.

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Let's go up in here.

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Now we're there.

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We're going to start on the bottom

and work upward, starting in the

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bottom and work up, up, up, and we're

going to allow it to come up to it.

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Blends right into the yellow ochre

that we have on the canvas already.

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This is a beautiful, beautiful color.

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Thank you.

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Like it.

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And as I say, you can take it

either to the ready side like we

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did here for, to the green side.

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Depends.

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Depends on your mood.

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What you're trying to achieve.

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It's up to you to you.

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There we are.

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Let's see where that blends to get.

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Look at that gorgeous color.

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It's nice already.

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I like these scenes that use the

gray and the black just select

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this because it takes paintings.

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That could be very complicated and

turns them into very, very simple

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little paintings that you can do.

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And you can do it with a minimum

of time and practice and effort.

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And to me, I like that very much.

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It opens the world of art to any person.

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Any person who has ever wanted to

put a dream on canvas, you can do it.

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You don't have to go to

school half your life.

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You don't have to know Leonardo

da Vinci as a personal friend,

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you can paint this there.

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And the other thing is so great about

making painting, where anybody can do it.

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Yeah.

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It has allowed millions of

people to try an art form.

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And out of that group, hundreds of

thousands of people have went forward

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to pursue an education in higher art.

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They've ended up in colleges

and universities all over

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the country because they've.

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Had some measure of success with this.

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And even if you never do anything,

but this, it can bring you tremendous

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self fulfillment and enjoyment.

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There we go.

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I'll get off my soap

box and just paint now.

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All right.

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It didn't have gorgeous already.

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There we are.

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I just love these little sayings and I'm

just blending this in very, very smoothly.

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I think we're ready now.

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The most fun part of this whole

technique as well, washing the brush.

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Hmm.

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Let's do that.

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This is the way I get eaten with

everybody who hassles me in here.

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We wash our brush as you know,

with odorless paint thinner.

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Shake off the excess and just

beat the devil out of that.

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Suggest if you're going to do this in

your living room, you, you get, uh, a

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little brush beater rack or something.

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Cause you can change the decor

of a whole room in one heartbeat.

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Be very careful.

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Now let's come in here and

begin putting in some foliage.

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I'm going to take a little SAP green.

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Do you say well, brush it doesn't matter.

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SAP green, get a little more there.

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You need some kid yellow, yellow ochre.

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Let me Indian, yellow, just

mix them together on the brush.

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Tell you what it would do.

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Reach up here and get a little

bit the midnight black owner.

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Well, yeah, there we go.

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I want a darker green.

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There in black and yellow is, you

know, makes a gorgeous green color.

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Now that I'm going to tap it, just like,

so to load the brush, see you there.

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Good shot there.

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Now go up in here.

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Let's start this whole big tree.

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Usually I saved the

big tree to last today.

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Let's do it first.

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This whole big tree.

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So we're just going to use

the corner of the brush here.

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We're just going to begin

putting in some leaves here.

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Maybe this is a big old

Cypress tree that lives here.

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As I mentioned earlier, I live in Florida

and I grew up there and my brother,

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Jim and I, and we were little, we used

to play in all these kinds of places.

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As the reason I like all

the little creatures.

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When I was a small boy,

they were my playmates.

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They were my friends.

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I didn't know till I was about half

grown that everybody didn't play

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with an alligator or have a little

squirrel for a friend because that's

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all there was where we lived there.

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All right.

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But just using the corner of the

brush to make that great, big

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old tree that lives out here.

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As you work down the tree, you want

to get darker and darker so you can

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add a little more black to your color.

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Okay.

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Just a little more black sedan in here.

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It gets darker.

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These are the shadow areas here.

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There we go.

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That's where some of that big old

creatures live, maybe a big old

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snake lives down here, who knows.

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But when we were growing up shooting,

I even played with snakes and stuff.

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Once again, that's what was around.

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So that's what you play with there.

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I'm going to add a little

more, that same color, maybe a

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little more yellow ochre in it.

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There, Dan, let's go back up here.

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Now we begin picking out little individual

bushes and shrubs and all these things

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that live out here in the water.

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There we go.

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But when you're doing this work on one

little Bush at a time, just one little

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Bush there, maybe here's another one.

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You decide you just the corner of the

brush and think about form and shape.

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Don't just throw these in at random.

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There maybe, maybe, maybe, maybe.

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Yep.

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Now this will not be an exact duplicate

of the one you see at the opening.

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We'd never can do an exact one again,

but I'm gonna show you how it was made.

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It'll give you an idea.

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And when you do your little swamp scene,

you change it any way that you want.

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Add at least little touch to

the bright red to it, just

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to, just to change the flavor.

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Ooh, I like it.

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Okay.

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All right.

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There we go.

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Maybe another little happy Bush

right here, wherever, wherever there.

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Okay.

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Here we go.

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I had a little touch of paint thinner.

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If you have trouble making the paint

stick as I was there, add a little bit

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of the paint thinner because a thin

paint will stick to a thick paint Seder,

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and then it just drops right off there.

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So easy.

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There we go.

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Just to understand your paint.

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And how it works.

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And that comes with

just a little practice.

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It is most important and most,

most important that you use

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a very dry from oil paint.

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Traditional oil paints are about

the consistency of face cream.

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They're very soft and like warm butter.

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They will not, absolutely

will not work for this.

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Too soft.

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You need a firm paint over here.

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Here's another little right there.

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He just lives right there.

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Pick out little individual bushes

and trees in your world and that

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easy you can drop them in there.

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And in your mind, think about the little

creatures that might live in here.

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There may be pea pod,

the little pockets grow.

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Maybe he lives right out here.

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Who knows?

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I know he's lived in my

backyard, but it sounds good.

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Certainly one of his relatives is here.

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All right.

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That like him now.

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And that easy.

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We can basically put in some,

some happy little things.

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All right.

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You ready for your bravery test already?

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Tell you what let's do it.

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I mean, it was a little Filbert

brush go right into we'll use

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Vandyke Brown and dark Sienna.

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I wouldn't just go mix

them on the brush here.

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Just mix them together.

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But a lot of paint, lots of paint.

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And we had a big Cypress

tree in our world.

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And he lives.

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Ooh, right through my little Palm tree.

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There he comes.

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I want this paint to be

very thick on the canvas.

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So when we highlight this,

the highlights will be picked

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up by the heavy thick areas.

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There we go.

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There they come be Eagle, Cypress tree.

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Okay.

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And Florida, where I live.

255

00:12:56,120 --> 00:13:01,410

If you see Cypress trees, Chances

are that's some very, very wet

256

00:13:01,410 --> 00:13:03,300

property, at least part of the year.

257

00:13:05,550 --> 00:13:08,699

That's the kind, they make jokes

about selling you some land in Florida

258

00:13:09,959 --> 00:13:14,310

because in the, in the rainy season, you

might not be able to get to it there.

259

00:13:15,510 --> 00:13:19,740

My best friend when I was growing and

growing up, bought some of that property.

260

00:13:20,805 --> 00:13:21,855

And we all laughed at him.

261

00:13:21,855 --> 00:13:25,785

And a few days later, a bunch of

developers came in, turned it into some

262

00:13:25,785 --> 00:13:31,595

great big subdivision and he made a lot

of money and he laughed at us there.

263

00:13:31,775 --> 00:13:32,944

I'll get another tree right here.

264

00:13:34,564 --> 00:13:41,885

There we are say there, but just

really, really add some paint in here.

265

00:13:42,095 --> 00:13:44,194

Don't be afraid to put

some paint on the canvas.

266

00:13:45,875 --> 00:13:48,454

That thickness is what will

make it gorgeous when it's done.

267

00:13:49,635 --> 00:13:51,765

I ride Cypress trees.

268

00:13:51,765 --> 00:13:57,195

And normally they're quite large at

the bottom, big, strong foots on them.

269

00:13:59,955 --> 00:14:04,995

And you always have little ones

that are coming up, like, so

270

00:14:07,035 --> 00:14:11,745

there, Sam, once again, do not be

afraid to put some pain on them.

271

00:14:12,720 --> 00:14:14,070

On the brush and on the canvas.

272

00:14:14,070 --> 00:14:14,730

There's another one.

273

00:14:14,730 --> 00:14:21,710

They're just little small baby

ones that are coming up there.

274

00:14:21,710 --> 00:14:26,150

They come up from the roots

and they just keep spreading.

275

00:14:26,150 --> 00:14:27,920

You start with one and they

just spread pretty soon.

276

00:14:27,920 --> 00:14:32,870

They take over the whole swamp, but

it's a wonderful place for the birds

277

00:14:32,870 --> 00:14:35,080

and they build a nest and they're eager.

278

00:14:35,090 --> 00:14:38,810

It's all the fantastic

birds that live there.

279

00:14:39,500 --> 00:14:39,890

There.

280

00:14:41,215 --> 00:14:43,395

See there, you just decide where they are.

281

00:14:45,975 --> 00:14:48,855

Wherever something about my kid.

282

00:14:50,835 --> 00:14:52,305

It gives us some basic shapes.

283

00:14:53,670 --> 00:14:58,080

Let's take another two inch brush

and we'll put a small, small amount

284

00:14:58,920 --> 00:15:03,530

of titanium white let's begin

deciding here where the water is

285

00:15:03,620 --> 00:15:04,730

a little bit of water around here.

286

00:15:05,480 --> 00:15:09,860

Very small amount of titanium white

don't want much because it's opaque and

287

00:15:09,860 --> 00:15:11,180

I don't want to lose this transparent.

288

00:15:11,210 --> 00:15:17,720

Let's see, just pull down gently,

straight down, straight down.

289

00:15:18,605 --> 00:15:24,515

Let's say there, there, see it just enough

to give it a little watery appearance.

290

00:15:25,025 --> 00:15:30,875

Once again, very, very little of

the titanium white, just enough.

291

00:15:32,324 --> 00:15:35,324

And then go across like that.

292

00:15:36,974 --> 00:15:44,765

Man went back to my Filbert, back to my

Browns and maybe over here, like this

293

00:15:44,765 --> 00:15:49,324

old Cypress tree, maybe he's put out some

roots and there's another one coming here.

294

00:15:49,714 --> 00:15:50,704

Now these are called.

295

00:15:51,705 --> 00:15:55,665

These are called Cypress knees,

just like the knee on your leg.

296

00:15:56,805 --> 00:15:59,415

And that's what, that's

what they're called.

297

00:15:59,415 --> 00:16:05,295

When I was a young boy, we used to go out

in the swamps and collect these and lamps

298

00:16:05,295 --> 00:16:07,005

were made out of them to sell the tourist.

299

00:16:07,005 --> 00:16:10,005

When they came to Florida,

they may still be doing that.

300

00:16:10,005 --> 00:16:14,495

I don't know now gonna take

some Brown, a little bitter.

301

00:16:14,895 --> 00:16:16,875

Titanium height and we

just mix them on the brush.

302

00:16:16,875 --> 00:16:17,475

It doesn't matter.

303

00:16:18,675 --> 00:16:19,005

Okay.

304

00:16:19,065 --> 00:16:20,055

Let's go right up in here.

305

00:16:20,895 --> 00:16:23,145

Now we can begin adding

highlights on this tree.

306

00:16:25,085 --> 00:16:30,365

Now, a lot paint on the brush and

just barely touch and let it just

307

00:16:30,845 --> 00:16:33,455

pull off what it wants on those

highest spots that you've made.

308

00:16:34,355 --> 00:16:35,825

Just let it pour some of it.

309

00:16:36,895 --> 00:16:40,055

Little more of the color on there we go.

310

00:16:41,255 --> 00:16:42,005

No pressure.

311

00:16:42,065 --> 00:16:42,935

Absolutely.

312

00:16:42,935 --> 00:16:43,595

No pressure.

313

00:16:44,760 --> 00:16:47,160

It's just, it's just literally

bouncing right along there.

314

00:16:47,250 --> 00:16:50,360

It's all there is to it there.

315

00:16:53,090 --> 00:16:53,600

Okay.

316

00:16:53,600 --> 00:16:55,310

And this one over here, he needs some too.

317

00:16:56,180 --> 00:17:03,770

I kept a little bit on there, but they're

all big trees and that's something.

318

00:17:05,310 --> 00:17:10,050

There are some fantastic, gorgeous,

beautiful swamps in Louisiana and Georgia.

319

00:17:10,050 --> 00:17:13,950

Also, if you've ever, if you've ever

been there at the Okefenokee swamp,

320

00:17:14,550 --> 00:17:19,200

Oh, beautiful places, beautiful places.

321

00:17:20,430 --> 00:17:23,430

And it's where the whole ecosystem

starts is in these swamps.

322

00:17:24,660 --> 00:17:27,650

They've got to take care

of these Rascals there.

323

00:17:29,030 --> 00:17:30,770

This one over here don't

want, have left out.

324

00:17:32,775 --> 00:17:33,855

Something about my cat.

325

00:17:35,525 --> 00:17:38,375

And if you want to make the indication

of one in front I got to do is just

326

00:17:38,435 --> 00:17:39,755

sort of highlight him a little bit.

327

00:17:40,925 --> 00:17:44,915

They didn't come down a little bit

lower shoot at easy we're in business.

328

00:17:46,565 --> 00:17:50,885

Something about like cat, take a

script liner, brush paint, thinner,

329

00:17:50,915 --> 00:17:52,535

a little bit of the Vandyke Brown.

330

00:17:54,005 --> 00:17:57,305

And I want to thin this paintless,

almost the consistency of ink.

331

00:17:58,409 --> 00:18:01,040

Turning the bristles liner

brush has very long bristles.

332

00:18:01,040 --> 00:18:03,600

So you can load a lot of painted there.

333

00:18:03,600 --> 00:18:04,080

You can see it.

334

00:18:04,290 --> 00:18:05,280

All right, let's go pear.

335

00:18:06,230 --> 00:18:10,520

And maybe our old Cypress tree, maybe

he's got an old lamb, ER, hangs out there.

336

00:18:10,560 --> 00:18:11,720

Couldn't make noises like it.

337

00:18:13,040 --> 00:18:15,139

We don't know where the

limbs live on this tree.

338

00:18:17,360 --> 00:18:23,990

They're big old birds got to have a place

to sit up here so he can look down and see

339

00:18:23,990 --> 00:18:27,020

the little minnow running around there.

340

00:18:27,020 --> 00:18:27,409

We are.

341

00:18:28,650 --> 00:18:28,830

No.

342

00:18:28,830 --> 00:18:32,850

If you get to Florida and you have a

chance to see the Everglades down in

343

00:18:32,850 --> 00:18:36,690

Southern Florida, they're one of the most

beautiful places that you've ever seen.

344

00:18:36,690 --> 00:18:39,150

And there's this whole

much wildlife there.

345

00:18:39,150 --> 00:18:46,220

It's about the only place left, where

there is any, but it is gorgeous there.

346

00:18:47,930 --> 00:18:49,100

And we have to take care of it.

347

00:18:49,130 --> 00:18:51,380

It is such a fragile system.

348

00:18:52,010 --> 00:18:52,850

So fragile.

349

00:18:54,225 --> 00:18:54,795

There we go.

350

00:18:57,545 --> 00:19:01,535

Maybe when I have a little brisk going

here and there and there, and here we can

351

00:19:01,535 --> 00:19:03,665

put the indication metal stick in a twig.

352

00:19:05,315 --> 00:19:06,485

You decide where they live.

353

00:19:08,105 --> 00:19:08,855

There we are.

354

00:19:10,055 --> 00:19:10,715

All right.

355

00:19:12,035 --> 00:19:15,695

And maybe over in here, the

sun, they live everywhere.

356

00:19:15,725 --> 00:19:17,495

You just put them wherever

you think they should be.

357

00:19:19,385 --> 00:19:19,955

All right.

358

00:19:22,140 --> 00:19:26,340

I just realized I didn't put any

highlights on these little Cypress knees

359

00:19:26,340 --> 00:19:30,420

over here and they need something to,

with our lights coming from up here.

360

00:19:31,620 --> 00:19:33,780

We'll just maybe highlight

them on this side.

361

00:19:34,620 --> 00:19:37,590

Something like, so there we are.

362

00:19:39,120 --> 00:19:41,550

And just put in the indication,

few, little Rascals.

363

00:19:42,675 --> 00:19:46,455

There now I would just use this brush.

364

00:19:46,635 --> 00:19:48,765

I'm going to take some black.

365

00:19:50,655 --> 00:19:51,945

He was black in the be right back.

366

00:19:51,945 --> 00:19:54,615

Get some SAP green there.

367

00:19:54,645 --> 00:19:57,375

We just mix on the brush

is black SAP green.

368

00:19:58,605 --> 00:20:03,045

Give it a push let's scope

in here and let's have.

369

00:20:03,565 --> 00:20:06,345

Some nice green areas on

these whole Cypress trees.

370

00:20:07,965 --> 00:20:11,145

Ken's arm hanging out here like that.

371

00:20:12,735 --> 00:20:13,605

There we are.

372

00:20:15,690 --> 00:20:17,310

Oh, covering up all my tree branches.

373

00:20:17,340 --> 00:20:18,120

That's okay though.

374

00:20:18,420 --> 00:20:21,720

We know they're under there and

they're needed to hold all this up.

375

00:20:22,440 --> 00:20:23,160

So they're there.

376

00:20:23,190 --> 00:20:31,770

When we know that there maybe right in

here lives a big old place like that.

377

00:20:32,550 --> 00:20:33,330

There we are.

378

00:20:34,320 --> 00:20:36,960

Who knows, who knows?

379

00:20:37,665 --> 00:20:40,395

So our world is we can do

anything here that we want to do.

380

00:20:42,065 --> 00:20:42,485

All right.

381

00:20:42,515 --> 00:20:47,465

Let's use that same break, go into a

little bit of the yellows and both CAD

382

00:20:47,465 --> 00:20:53,105

yellow, yellow ochre, and Danielle get a

little roll of paint right out of there.

383

00:20:53,285 --> 00:20:55,325

And that brush let's go back up in here.

384

00:20:56,555 --> 00:20:57,455

Just check that out.

385

00:20:57,995 --> 00:21:02,285

And we'll put a few leaves up here on

this big old rascal, just using the

386

00:21:02,285 --> 00:21:04,445

corner of the brush, just the corner.

387

00:21:06,075 --> 00:21:11,895

Something about like, there don't

cover up all your dark, leave

388

00:21:11,895 --> 00:21:13,425

him, leave him dark in places.

389

00:21:13,425 --> 00:21:18,405

So there's shadows, swamps

have a lot of very dark areas.

390

00:21:18,495 --> 00:21:18,945

Ooh.

391

00:21:20,265 --> 00:21:24,435

They go ELLs live up in the trees open.

392

00:21:24,435 --> 00:21:26,145

When I look at you in the daytime.

393

00:21:28,440 --> 00:21:32,190

There my brother and I used to go

out and we would look for ELLs in

394

00:21:32,190 --> 00:21:37,410

the tree there and they're there.

395

00:21:38,190 --> 00:21:38,820

They're there.

396

00:21:38,820 --> 00:21:41,910

They live where he up in these trees and

that's where they sleep in the daytime.

397

00:21:43,410 --> 00:21:44,190

All right.

398

00:21:45,780 --> 00:21:47,130

Tell you what, let's have some fun.

399

00:21:48,600 --> 00:21:51,630

Let me grab a little, maybe we're

using number three, fan brush.

400

00:21:52,470 --> 00:21:54,390

I'm going to take some paint thinner.

401

00:21:55,590 --> 00:21:59,190

And some white in our reach over

here and grew up some midnight

402

00:21:59,240 --> 00:22:00,660

black and just mix them together.

403

00:22:01,950 --> 00:22:02,700

Something like that.

404

00:22:03,220 --> 00:22:10,560

Just basically gray or making hand a scope

in here and here and there we'll have

405

00:22:10,560 --> 00:22:13,020

some old Spanish Boston hangs off there.

406

00:22:14,240 --> 00:22:19,410

They're a little more color and just

think in your world where it would hang.

407

00:22:20,264 --> 00:22:22,854

It's that easy, but a thin paint

will just slide right over.

408

00:22:23,804 --> 00:22:25,034

Maybe let's go up in here.

409

00:22:25,304 --> 00:22:28,965

It's always lost hanging out

of these old Cypress trees.

410

00:22:30,405 --> 00:22:36,044

I can't, when we were kids, we used

to collect this Moss and they used to

411

00:22:36,044 --> 00:22:37,665

use it for stuffing and upholstery.

412

00:22:38,340 --> 00:22:43,260

They would boil it and it has a little

black center and it looks like wire.

413

00:22:43,830 --> 00:22:49,020

And if you find old over furniture that

has that in it, chances are it's Spanish

414

00:22:49,020 --> 00:22:51,300

Moss, but that's how we made extra money.

415

00:22:51,330 --> 00:22:55,500

When we were young, as we would

collect this and sell it, got

416

00:22:55,500 --> 00:22:59,940

about a nickel, a truckload to

let's go from this big tree there.

417

00:22:59,940 --> 00:23:06,000

We need some over in here and there

just at random here and there, wherever.

418

00:23:08,159 --> 00:23:13,350

Wherever, even down in here, some

of these little low trees, the Moss

419

00:23:13,350 --> 00:23:15,180

falls out and it hangs on everything.

420

00:23:16,440 --> 00:23:17,730

It's a parasite.

421

00:23:18,240 --> 00:23:21,000

So Spanish most it's just a parasite.

422

00:23:22,230 --> 00:23:27,389

Okay, take a little bit of greens,

green and yellow, and I'm just going

423

00:23:27,389 --> 00:23:32,000

to touch in, make it look like a

little grassy things that are growing

424

00:23:32,000 --> 00:23:33,470

in the water down through here.

425

00:23:35,030 --> 00:23:36,050

Little things like that.

426

00:23:36,949 --> 00:23:46,370

They're just at the foot of these little

Cypress knees, grab another fan brush.

427

00:23:46,370 --> 00:23:50,449

We'll put some black and some SAP green

on it, and that's, let's just quickly

428

00:23:50,449 --> 00:23:57,830

pop in some little things around the

base of this big old tree group of trees.

429

00:23:59,149 --> 00:24:00,530

She made there's one right here, too.

430

00:24:02,504 --> 00:24:08,625

And let's have one right here, just

wherever, back to her fan brush.

431

00:24:08,625 --> 00:24:11,175

It has the grass color on it.

432

00:24:12,375 --> 00:24:18,014

And we'll put in a few, little, few,

little grassy areas, something like that.

433

00:24:20,344 --> 00:24:25,504

There take a little bit of the

dark, sand and white mixed together.

434

00:24:26,475 --> 00:24:30,764

We'll put the indication of just a

middle soil right around the base of it.

435

00:24:32,145 --> 00:24:36,495

Just a little, this is some of that soil

that you don't want to really step on.

436

00:24:36,495 --> 00:24:39,375

You probably sink right through

it, just here and there.

437

00:24:41,285 --> 00:24:41,615

There.

438

00:24:43,230 --> 00:24:43,710

And shoot.

439

00:24:43,710 --> 00:24:47,490

I think for that, we got a pretty mean

looking a little swamp scene, and that's

440

00:24:47,490 --> 00:24:51,210

basically the way we made the little scene

that you see in the beginning of the show.

441

00:24:51,240 --> 00:24:53,310

Hope you enjoyed it from all of us here.

442

00:24:53,370 --> 00:24:54,720

I'd like to wish you happy painting.

443

00:24:55,200 --> 00:24:56,310

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E07 - Cypress Creek

Bob Ross's

The Joy of Painting

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