Bob Ross's

The Joy of Painting

S31E09 - Evergreen Valley

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd do a different

little painting using some of the

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liquid black and liquid white.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I got.

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I kept my standard old pre

stretched double prime canvas

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today taking liquid black and put

on the bottom and liquid white.

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But on the top, it just

blended them together.

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So the entire canvas is wet,

but it's dark on the bottom.

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That's the only difference liquid

black is just like liquid white only.

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It has a black pigment in it.

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And I use that a lot of times when I

know there's going to be areas that

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there's a lot of dark in the liquid

black will make it a lot easier for you.

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Let's start today with a little

bit of a loser in Crimson.

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Just a small amount when they

all two inch brush just a

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little and that's go up in here.

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I want to put a little pink in

this guy, but I don't want much.

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I just want enough to warm it up.

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So I don't want to set it on fire

it a very easy to set it on fire.

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Just want to warm it up at a Crimson

is mixing with a liquid white.

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It was a little liquid black there,

and automatically it'll get lighter

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and lighter in value that easy.

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Okay.

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And that's about all.

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I wanted the Crimson there now

without cleaning the brush, I'll

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go right into some theolo blue.

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I like the little Bluetooth.

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Beautiful, beautiful blue.

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Okay.

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Let's go up in here now.

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We'll start right at the top.

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Using their exes little

crisscross strokes.

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Go all the way across the top,

all the way across and then begin

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blending downward and be careful.

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This blue is so much

stronger than the Crimson.

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It'll eat up all the Crimson

very quickly, very quickly.

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So let's, let's just have it about

like that and then clean their

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brush and we'll take the clean

brush and blend them both together.

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Just shake it off.

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It would be to dev a lot of that really

is a fun part of this whole technique.

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I have, I have more pleasure just beating

the brush than anybody in the country.

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I have people now that write me letters

and say they have no desire to paint.

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They just bought a brush and

beat it and take out their phone.

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That's okay.

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That's okay.

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All right.

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Let's do okay.

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Let's put some mountains

in there to think.

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Shoot, it takes some pressure and blues

and black alizarin Crimson, Vandyke Brown.

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Just mix them together.

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Mix them together, make a

nice dark, dark color home.

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Put a little more Crimson in it there.

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Okay.

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Now the first thing you have to do is

decide where a mountain lives we'll

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cut off a little roll of paint there.

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You can see it.

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And let's go.

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Maybe there's a mountain was right here.

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Now the only thing we're concerned

about is the nice outside edge.

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We could care less what's going on

anywhere, except the top right in there.

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Don't worry about it.

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Don't let a mountain scare you.

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They're really one of the neatest things

to paint and this technique and still,

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probably the most popular thing we paint.

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All right, I'm going to take two

inch brush, grab it and pull because

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there's liquid white and liquid

black underneath the color will move.

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It'll it'll allow you to blend

the color right on the canvas

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and it also removes excess paint.

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So the next layer will be much

easier to apply and we'll just

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let it fade right into that.

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I can't see there.

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So there's two, it let's take white,

white, uh, grab some midnight and

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black a little bit and put in there.

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I want him, I want a

gray this a little bit.

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So we'll put a little bit of my even

touch, a bright red it's our world.

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We can do anything that we want here.

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Pull the paint out as

flat as you can get it.

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Once again are literal of paint.

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Let's go up here now that just

decide where the light's coming from.

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And if you're right-handed you

will find it's usually easier to

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have it coming from the right side.

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Left-handed try both ways.

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Left-handed people have been forced to

do right-handed things their entire life.

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So some left-handed people will

find it easier to highlight

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on the right some on the left.

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It's a very individual thing.

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There we are looters in there.

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Now I'm just going to.

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Pull a little bit of that

color down to make the shadows.

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I don't want distinct shadows in here.

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Just going to pull a little bit of

a down, maybe right over in here.

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There's a little, little bump right there.

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See that you decide, you decide where all

these little things live there and you can

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just play some darks and lights back and

forth to create all kinds of illusions.

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There you go.

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Okay.

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Now, as I say, it's your world,

you decide where you want all

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these little Rascals to live.

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Okay, we'll take a clean be sure it's

good and dry, clean, dry two inch brush.

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If it's not dry, it will dilute

the paint and make it too soft.

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So be sure it's dry.

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Follow the basic angles in these

mountains and tap are we doing?

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And just trying to take out the

little tap marks and blend everything

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together and then lift up or down.

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See smooth it right out.

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And it creates that illusion

of mist right down at the base.

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Sometimes that's a little

too straight for me.

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I don't want to put a

little dude or right there.

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That's all you gotta do.

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You can change your mind.

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And it just makes it a

little more interesting.

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Ready to get the brief.

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Let's do it.

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That little mountain went so well.

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It's really easy to bravery test.

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Let's have a big mountain that

lives right up here, right up here.

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Maybe there's a little bump right there.

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Don't be afraid of these mountains.

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Shoot.

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Once you make friends with this

knife, you're one of the neatest

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things you can make and you do

need to make friends with a knife.

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It takes a little time,

takes a little time.

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It's like anything else when you do it

at first, it's a little foreign to you.

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It takes a little while

to make friends with it.

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Right.

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But very quickly with a little practice,

you'll be doing things with the knife.

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You just.

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You couldn't believe.

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Okay.

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There, here in the studio, we just had a

couple of, of my young friends come in.

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Yeah.

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And they were only about, Oh one was

six and one was younger than that.

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And they brought me some paints,

things that they're doing.

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It's unreal.

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What young people can do with this too.

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They were fantastic.

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Okay.

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Now we're just going to blend that.

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Just let it go.

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Read them off.

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Well, he said he was going

to make a big mountain.

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We went and kitten once again,

our little roll of paint.

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Touch.

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No pressure.

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Absolutely.

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No pressure.

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Just let the paint glide

read along on there.

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Let it glide.

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You wanted to bring it.

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Now the words have all these holes in it.

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That's what makes it look interesting?

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Maybe it's a little light

zinging right on there, wherever.

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That's up to you.

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Painting gives you freedom

gives you creative freedom.

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Let's take some pressure and blue

with some white little black in it.

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Just to dull it down.

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Some there I'll make us a little

shadow color, small roller paint.

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And once again, just let it

just glide right along there.

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I can, maybe out here it's a

little highlight right there.

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We just sort of let them come together.

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Just let your imagination take you

to any place that you want to go.

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Look at that there.

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But just let it go and let her just

slide right down through there.

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No pressure.

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I know you get tired of hearing that,

but it's so important and it's, I'll be

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the single biggest mistake that people

make is they apply too much pressure.

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No pressure.

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I'm going to put some little bumps

and stuff in here and we can do that.

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Put them anywhere that we want them.

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There just some little, maybe

there's a dirt lives over here.

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Mountains grill every which

way, just let them grow.

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Let them go where everything wants.

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Be they're

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little things down here.

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Take a little more of her shadow color.

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There, but that creates the illusion

of all kinds of little doodles.

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And when you're at home and have

unlimited time, shoot, you can do much

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better than this much, much better.

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I know you can.

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There we are

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wherever ever.

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Okay.

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Something about like him.

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Now let's get her brushes.

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Nice and dry, and let's

just blend this very gently.

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Just blend it for tapping.

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Following those angles.

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Notice the angles are

coming down like that.

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And we follow those angles.

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We follow.

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Okay.

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A little bit of shadow right

here, behind this little rest.

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Cool.

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Don't want him left out?

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We can bring all that together.

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Lift upward takes out the tap marks

brings everything together like that.

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I tell you the best mountain

painted in this technique.

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It was probably my son,

Steve, or that rascal.

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He can paint some mountains.

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Maybe we'll get him on here for this.

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Aries is over.

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He travels and teaches

all over the country.

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But if we can, if we can get

that little rascal in here, we'll

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have him come and do a show.

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Maybe I'll get into paint your mountain.

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Cause he can think mountains.

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Of course, I sound like a proud

daddy just to hack into, and

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there's some truth to that.

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There is some truth.

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Perfect.

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Okay.

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That'll give us a pretty

good little mountain.

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You want to have time to do

some other things in this?

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Let's take oppression, blue,

yellow, green, black, Brown.

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Oh, really throw about any

old dark color in there.

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I like to throw a little bit,

they look green and it give some

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like some evergreens and just

gives them a nice, nice color.

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All right.

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Today to make some

evergreens, let's grab us.

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So we'll use a fan brush.

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We use the old fan brush.

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You could use a one inch brush,

whatever it doesn't matter.

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Anything.

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It works.

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Look both sides with a lot of paint.

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Let's go up in here and let's just tap

in the basic indication of some little

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evergreens that live far way back here.

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They're far away.

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They live right down the

bottom of this mountain.

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One of the easiest ways I've

ever seen it to, to create the

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illusion of a lot of little trees.

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Very simply very, very simply.

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But now one of the things that

happens a lot, sometimes there's

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too much distance between them and

they begin looking like fence posts.

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If that should happen, all you need

to do is put a few more in there.

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Just fill up the area there

because they're too far away.

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You're not going to see a lot of detail.

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Things that are far away.

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You see only basic shape,

form and basic color.

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That's really about all, everyone of him

coming over here to, and to create that

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illusion of distance in your painting,

avoid having too much detail when

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things are supposed to be far, far away.

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Yeah, I know it sounds crazy.

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Don't put too much detail.

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Sometimes we can absolutely put too much.

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Here we are.

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And we just sort of smashing down.

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With the old fan brush.

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These fan brushes are marvelous.

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They'll do wonderful,

wonderful things for you.

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Paint the entire painting,

using nothing, but to fan brush.

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00:13:51,329 --> 00:13:56,910

Maybe we'll do that in one of the shows

sometime just to show you, we can, the

255

00:13:56,910 --> 00:14:00,359

big thing is time tap the base of that.

256

00:14:03,599 --> 00:14:05,459

So here we are.

257

00:14:05,810 --> 00:14:06,660

I'm going to lift up.

258

00:14:06,719 --> 00:14:08,670

I just smooth everything out.

259

00:14:09,464 --> 00:14:10,755

Blends it right into the painting.

260

00:14:12,045 --> 00:14:12,735

There we are.

261

00:14:12,824 --> 00:14:16,365

Now we have a whole Ridge of just

little trees that live there.

262

00:14:16,755 --> 00:14:16,935

Hmm.

263

00:14:17,474 --> 00:14:17,865

Okay.

264

00:14:17,925 --> 00:14:19,275

We'll just use that same old brush.

265

00:14:19,574 --> 00:14:25,245

It's got put some SAP green in it and it

has a little bit of that pine tree color.

266

00:14:25,245 --> 00:14:29,535

So when we touch yellow, we're going

to get beautiful, beautiful greens.

267

00:14:30,165 --> 00:14:30,255

Okay.

268

00:14:30,755 --> 00:14:33,995

Little Indian, yellow, man.

269

00:14:34,055 --> 00:14:38,675

And then I'll touch a little bit bright

red, bright red actually builds the color.

270

00:14:39,814 --> 00:14:40,775

I know it sounds crazy.

271

00:14:40,785 --> 00:14:42,995

Put bright red, but

written green make Brown.

272

00:14:43,354 --> 00:14:47,435

So when you put them together,

It does the color mad it?

273

00:14:48,244 --> 00:14:52,204

Yeah, maybe I notice I didn't have

to put any dark color in there

274

00:14:52,204 --> 00:14:54,694

because we use the liquid black.

275

00:14:54,785 --> 00:14:56,045

That's what it's great for.

276

00:14:56,135 --> 00:14:58,084

I knew there was going to

be a lot of dark in there.

277

00:14:58,114 --> 00:15:02,045

I didn't know exactly where, and

it doesn't much matter, but I knew

278

00:15:02,045 --> 00:15:03,275

there was going to be a lot in there.

279

00:15:05,795 --> 00:15:12,665

So let's just take and begin tapping

into indication of all kinds of little

280

00:15:12,665 --> 00:15:14,104

things that are happening back here.

281

00:15:15,930 --> 00:15:17,420

Wherever they are.

282

00:15:17,420 --> 00:15:20,490

They are just little happy, dude.

283

00:15:22,650 --> 00:15:23,490

I make up words.

284

00:15:24,000 --> 00:15:25,020

I'm very bad about that.

285

00:15:25,020 --> 00:15:30,600

So often wondered we have, the show is

playing in numerous foreign countries.

286

00:15:30,600 --> 00:15:33,329

Now often wonder how

they translate duties.

287

00:15:36,709 --> 00:15:37,459

There we are.

288

00:15:40,520 --> 00:15:41,390

All right.

289

00:15:43,689 --> 00:15:44,949

I like to go to Mexico.

290

00:15:45,730 --> 00:15:49,449

She has been playing in Mexico for

several years, Mexico city, especially.

291

00:15:50,380 --> 00:15:52,630

And it's unbelievable.

292

00:15:52,780 --> 00:15:55,870

Some of the paintings that are

Mexican instructors are coming up with

293

00:15:56,560 --> 00:16:02,170

unbelievable, because they've adapted this

to the scenery that they see in Mexico.

294

00:16:03,449 --> 00:16:06,780

And now we have a lot of

instructors in Japan and they're

295

00:16:06,780 --> 00:16:08,490

doing exactly the same thing.

296

00:16:08,910 --> 00:16:10,290

So they're teaching me now.

297

00:16:11,579 --> 00:16:15,630

That's nice when you can have, it gets

a lazy that let somebody else do it

298

00:16:15,630 --> 00:16:18,300

and let them teach you here we are.

299

00:16:19,560 --> 00:16:21,390

Let's see how that land flows downward.

300

00:16:21,449 --> 00:16:25,380

I want it to look like a little metal

back here where the land is flow.

301

00:16:26,150 --> 00:16:30,319

It just flows down very soft.

302

00:16:32,030 --> 00:16:32,720

There we are.

303

00:16:34,670 --> 00:16:36,710

You make the decision

how far down it goes.

304

00:16:37,100 --> 00:16:37,910

I tell you what I tell you.

305

00:16:38,930 --> 00:16:39,350

I'm sorry.

306

00:16:39,350 --> 00:16:40,069

I get crazy.

307

00:16:42,260 --> 00:16:45,470

I just, when you, when you paint like

this, for any length of time, you

308

00:16:45,470 --> 00:16:47,270

begin seeing things in your painting.

309

00:16:47,810 --> 00:16:51,410

When you see these things take advantage

of them, take advantage of them.

310

00:16:51,410 --> 00:16:51,860

Use them.

311

00:16:51,860 --> 00:16:53,510

They're like, they're like gifts.

312

00:16:54,030 --> 00:16:54,600

Use them.

313

00:16:55,350 --> 00:16:57,420

I want to, yeah, I just do it.

314

00:16:57,480 --> 00:16:58,350

I just want to put that.

315

00:16:59,040 --> 00:17:01,560

Maybe there's some more evergreens here.

316

00:17:03,060 --> 00:17:03,330

Yeah.

317

00:17:03,480 --> 00:17:05,280

I'll put a whole line here.

318

00:17:06,690 --> 00:17:06,990

Yeah.

319

00:17:07,350 --> 00:17:08,310

I need all these trees.

320

00:17:08,310 --> 00:17:10,380

Cause my little squirrel

needs a place to hide.

321

00:17:11,204 --> 00:17:14,024

I think, tell you what, I got

another little piece of film here.

322

00:17:14,024 --> 00:17:17,435

I want to show you about my

little . He is just the cutest

323

00:17:17,435 --> 00:17:18,814

little devil you've ever seen.

324

00:17:19,625 --> 00:17:21,845

And how can you not fall in

love with something like that?

325

00:17:22,385 --> 00:17:23,345

Isn't he precious?

326

00:17:24,514 --> 00:17:26,044

This is my little squirrel Peapod.

327

00:17:26,524 --> 00:17:27,304

He lives with me.

328

00:17:28,379 --> 00:17:30,929

Well, actually he lives outside

and he just, cause I've turned

329

00:17:30,929 --> 00:17:32,520

him loose quite a while back.

330

00:17:33,719 --> 00:17:35,219

He's, uh, he's full grown now.

331

00:17:35,280 --> 00:17:40,830

He was just sort of a baby there, but he

still comes back every day, every day.

332

00:17:42,405 --> 00:17:43,125

And I feed him.

333

00:17:43,125 --> 00:17:48,285

I'm soft touch, but it'd be something

I'll always have a lot of scratches

334

00:17:48,285 --> 00:17:51,315

on my hands and stuff and playing with

them because they have very sharp claws.

335

00:17:53,415 --> 00:17:56,955

The one thing that I'd like to say

over and over, we do not advocate

336

00:17:57,375 --> 00:17:59,715

making these wild creatures, pets.

337

00:18:00,135 --> 00:18:02,025

I only raised them and

I turned them loose.

338

00:18:03,495 --> 00:18:06,645

Because wild creatures,

that's where they belong.

339

00:18:06,915 --> 00:18:07,905

They should be wild.

340

00:18:09,555 --> 00:18:13,755

If you want to keep the creature,

get a domestic animal, doggy her cat.

341

00:18:14,265 --> 00:18:15,075

There are a lot of fun.

342

00:18:15,285 --> 00:18:19,515

They're a lot of company, but

wild creatures are to be wild.

343

00:18:20,235 --> 00:18:21,855

It's the way God intended them to be.

344

00:18:23,715 --> 00:18:24,345

There we are.

345

00:18:25,485 --> 00:18:27,285

But sometimes they need a little help.

346

00:18:28,550 --> 00:18:30,980

Anything to jump right in there.

347

00:18:31,250 --> 00:18:38,060

I like to play with them, like to watch

them grow and these little squirrels,

348

00:18:38,060 --> 00:18:42,140

when I get them, a lot of times they're

so small that their eyes aren't even open.

349

00:18:42,320 --> 00:18:44,930

And then you have to get up at

night and just like, just like you.

350

00:18:45,410 --> 00:18:49,670

Well, like I did with Steve when he was

tiny little baby, and you have to feed

351

00:18:49,670 --> 00:18:51,680

them two or three times every night.

352

00:18:53,265 --> 00:18:54,975

Of course, Steve's not so tiny anymore.

353

00:18:54,975 --> 00:19:00,045

He's over six, five, almost

six, six must've fading.

354

00:19:00,045 --> 00:19:00,435

Good.

355

00:19:02,055 --> 00:19:02,535

Yeah.

356

00:19:02,995 --> 00:19:04,815

Rascal certainly grew.

357

00:19:04,815 --> 00:19:05,655

He outgrew me.

358

00:19:06,875 --> 00:19:07,965

I'm gonna take a little bit of white.

359

00:19:09,585 --> 00:19:11,895

I want to create the illusion of

a little mess down here at the

360

00:19:11,895 --> 00:19:13,935

base of these I'll show you why.

361

00:19:13,935 --> 00:19:18,705

I just decided I'll put some it's more

distinct and this little Misty area here.

362

00:19:19,500 --> 00:19:22,830

This little Misty area would turn

out to be your best friend, because

363

00:19:22,830 --> 00:19:26,790

this'll be your separator and you

can just bang it in, in your way.

364

00:19:26,790 --> 00:19:29,250

And then we'll just tap it

until it blends together.

365

00:19:30,870 --> 00:19:34,030

Makes the base of the trees

look very soft and gentle shit.

366

00:19:34,030 --> 00:19:36,340

There, there.

367

00:19:38,159 --> 00:19:43,740

And most of this will disappear, but here

and there and there, and here we want

368

00:19:43,939 --> 00:19:47,699

to put a more distinct tree, a bigger

tree, but a little more paint on here.

369

00:19:49,139 --> 00:19:50,580

Get all that fatal green there.

370

00:19:51,060 --> 00:19:55,080

I can't Brown Crimson.

371

00:19:55,800 --> 00:19:56,939

I'll put some SAP in there too.

372

00:19:56,939 --> 00:20:00,629

I didn't have much, they low and I

wanted to have a green tint to it.

373

00:20:02,700 --> 00:20:03,300

Okay.

374

00:20:04,740 --> 00:20:05,910

Let's see what we got here.

375

00:20:07,440 --> 00:20:12,590

Maybe, you know, Bobby got to

have a big tree in here somewhere.

376

00:20:14,090 --> 00:20:15,470

Gotta have a big old tree.

377

00:20:15,470 --> 00:20:18,470

Here comes there.

378

00:20:18,470 --> 00:20:18,830

We are.

379

00:20:20,990 --> 00:20:23,060

We'll put some highlights

on there and separated them.

380

00:20:23,870 --> 00:20:25,640

That'll be separated right apart.

381

00:20:26,120 --> 00:20:26,840

Let's give him a friend.

382

00:20:28,110 --> 00:20:30,960

There we go right there.

383

00:20:31,710 --> 00:20:34,350

I know it's hard to see right

now, but it'll, we'll separate it.

384

00:20:35,490 --> 00:20:36,960

We'll separate it, maybe here and there.

385

00:20:36,960 --> 00:20:41,640

We can put the indication of a few more,

a little closer to us, a little bigger,

386

00:20:41,820 --> 00:20:47,970

a little more detail, and that little

Misty area will help separate them.

387

00:20:49,710 --> 00:20:50,850

We just put a few in here.

388

00:20:51,120 --> 00:20:52,920

You decide in your world

how many there are.

389

00:20:55,950 --> 00:20:56,730

There we go.

390

00:20:57,675 --> 00:20:58,605

Something like that.

391

00:21:00,845 --> 00:21:01,815

Any point down here?

392

00:21:03,885 --> 00:21:05,115

Just right there.

393

00:21:06,765 --> 00:21:07,395

Okay.

394

00:21:08,505 --> 00:21:12,485

Now, without, without doing anything

dead brush, except going through yellow,

395

00:21:12,515 --> 00:21:14,465

because it has blue and black in it.

396

00:21:15,065 --> 00:21:16,685

You'll make a beautiful green color.

397

00:21:18,125 --> 00:21:20,255

That'll that'll give us a highlight.

398

00:21:20,645 --> 00:21:20,915

Okay.

399

00:21:21,005 --> 00:21:21,845

Let's go back up here.

400

00:21:21,905 --> 00:21:22,685

Same old brush.

401

00:21:24,555 --> 00:21:25,185

There we are.

402

00:21:25,785 --> 00:21:27,525

And we can put in a few little highlights.

403

00:21:28,035 --> 00:21:29,475

Don't kill all your dark color.

404

00:21:30,645 --> 00:21:31,095

I know it.

405

00:21:31,155 --> 00:21:34,635

I know it's tempting, little yellow,

ochre and yellow, just mixed in there.

406

00:21:34,635 --> 00:21:38,805

Change of flavor, but don't

kill all the dark evergreens

407

00:21:38,805 --> 00:21:41,085

are normally pretty dark trees.

408

00:21:41,625 --> 00:21:42,425

Leave them that way.

409

00:21:43,895 --> 00:21:44,315

There.

410

00:21:45,905 --> 00:21:46,865

A little over in here.

411

00:21:47,525 --> 00:21:48,725

I'm just bopping around here.

412

00:21:48,725 --> 00:21:53,225

Trying to get these put in

quick as I can put a few more

413

00:21:53,225 --> 00:21:54,305

little things in this painting.

414

00:21:54,305 --> 00:21:55,055

It's a lot of fun.

415

00:21:55,325 --> 00:21:56,165

This liquid blag.

416

00:21:56,195 --> 00:21:59,045

Try it, try it.

417

00:21:59,045 --> 00:21:59,765

I thank you.

418

00:22:00,035 --> 00:22:04,025

I think you'll find it does

wonderful things now then maybe.

419

00:22:05,655 --> 00:22:06,615

Yeah, why not?

420

00:22:07,545 --> 00:22:08,175

Let's start.

421

00:22:09,435 --> 00:22:12,555

We'll put in some, some little

grassy areas here and there.

422

00:22:13,915 --> 00:22:17,895

Little yellow dip the brush into at

least a little touch of paint, thinner.

423

00:22:18,735 --> 00:22:21,075

Just enough to tend to paint a tiny bit.

424

00:22:22,035 --> 00:22:24,675

We're getting, we're getting

quite a buildup of paint on here.

425

00:22:25,665 --> 00:22:32,205

So we need the paint us a little

thinner there, but look at all

426

00:22:32,205 --> 00:22:33,554

the layers in this painting.

427

00:22:33,584 --> 00:22:39,314

I mean, it's just, it goes on and on

and on and you can do it so simple.

428

00:22:41,175 --> 00:22:41,745

There we are.

429

00:22:44,295 --> 00:22:44,895

Okay.

430

00:22:44,895 --> 00:22:46,815

You don't want to be a little touch

of the bright red hair in there.

431

00:22:47,835 --> 00:22:48,375

I like it.

432

00:22:50,055 --> 00:22:51,315

I like it red in there.

433

00:22:51,525 --> 00:22:52,514

It does nice things.

434

00:22:55,395 --> 00:22:55,935

Okay.

435

00:22:56,655 --> 00:22:57,675

We need a little path there.

436

00:22:57,675 --> 00:22:59,835

Let me take a little dark

Sienna van Dyke Brown.

437

00:23:00,735 --> 00:23:01,965

I've got to have a way to get in there.

438

00:23:04,075 --> 00:23:06,195

Just put us a little path right in there.

439

00:23:07,125 --> 00:23:07,215

Okay.

440

00:23:07,995 --> 00:23:13,635

Mostly dark Sienna, a little

bit of handbag, and we'll let it

441

00:23:13,635 --> 00:23:15,225

wander right on out through there.

442

00:23:16,844 --> 00:23:21,344

Little Brown, little light, just

enough to put the indication

443

00:23:21,344 --> 00:23:22,455

of a little highlight on there.

444

00:23:23,715 --> 00:23:26,985

There, see, it's that easy?

445

00:23:27,165 --> 00:23:29,294

Just let it just like you

putting the snow in the mountain.

446

00:23:30,044 --> 00:23:30,135

Okay.

447

00:23:30,705 --> 00:23:37,575

Maybe I know let's take a little

black, maybe come right up in here.

448

00:23:37,815 --> 00:23:40,305

Maybe there's just a little

stone is right there.

449

00:23:41,175 --> 00:23:42,105

Happy little stone.

450

00:23:43,965 --> 00:23:51,014

We'll put in dark first and we'll come

back with some Brown, white, little black

451

00:23:51,014 --> 00:23:56,055

in it, and let's put a little highlight

on it just enough to make it interesting.

452

00:23:57,315 --> 00:24:01,185

Just enough to see a little

bit down, not much on left.

453

00:24:02,655 --> 00:24:03,225

All right.

454

00:24:04,755 --> 00:24:07,275

Then some little grassy

areas red around this foot.

455

00:24:09,135 --> 00:24:13,965

Bring the path hall

into the painting there.

456

00:24:15,675 --> 00:24:20,265

All right, got just a minute left to

tell you what I need a tree in here.

457

00:24:21,105 --> 00:24:22,095

I need a little tree.

458

00:24:24,105 --> 00:24:27,165

My producer right now is going

to kill me for doing this Sue

459

00:24:27,165 --> 00:24:28,305

right there as a little tree.

460

00:24:29,955 --> 00:24:39,014

And we'll take a little light color and

just tap the side here, give it some

461

00:24:39,014 --> 00:24:44,145

highlight, grab a liner brush, put a

couple of little tree branches on it.

462

00:24:44,175 --> 00:24:48,525

This whole trees did this

whole tree had a bad day.

463

00:24:51,105 --> 00:24:52,004

Evergreen tree.

464

00:24:52,065 --> 00:24:56,415

You can just see some of the lambs

hanging out through there wherever.

465

00:24:57,690 --> 00:24:58,590

Not many left.

466

00:25:00,000 --> 00:25:00,840

Just a few.

467

00:25:04,280 --> 00:25:04,340

Yeah.

468

00:25:04,610 --> 00:25:05,960

But that's really all there is to it.

469

00:25:07,440 --> 00:25:09,020

Hope you've enjoyed this little painting.

470

00:25:09,920 --> 00:25:13,010

It's something different shows

you how to use the liquid black.

471

00:25:13,490 --> 00:25:17,780

And I believe it'll bring you

fantastic results from all of us here.

472

00:25:17,870 --> 00:25:19,310

I'd like to wish you happy painting.

473

00:25:19,760 --> 00:25:20,990

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E09 - Evergreen Valley

Bob Ross's

The Joy of Painting

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