Bob Ross's

The Joy of Painting

S30E06 - Misty Foothills

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Hey, welcome back.

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Certainly glad you could join us today.

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Thought today we do a little painting.

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It's very easy and you'll

think you'll enjoy it.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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I have my regular old 18 by 24 inch

double prime pre-stretch canvas, and

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I've just covered it with a very,

very thin coat of liquid white.

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So it's all wet and slick

and it's ready to go.

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So I thought we'd just do

a, let's just do a painting.

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It's nice and wanted

to make you feel good.

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Take a little, they low blue to

start with on the old two inch brush.

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Here we go.

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Just tap a little color

right into the bristles.

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Okay.

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And we'll go right up in here

and let's just begin dancing in.

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Just a happy little sky now because

the liquid whites on the canvas,

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the blue is mixing with it and

automatically it'll blend together.

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If this was a dry canvas, fruit, be

difficult to do this, but since it's

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wet, this happens almost automatically.

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Maybe we'll just come right down.

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Like, so I was sort of

leaving a spot open.

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I think I'll have a happy little

cloud up in there when it just floats

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around, has a good time all day.

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So we're just leaving a

little place for him to live.

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All right.

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Something about like maybe

a little more of the blue.

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Yeah, what the heck we'll

have another one in here.

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Just sort of make a decision

and drop it in, drop it in.

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This is probably one of the freest

forms of painting that I've ever

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seen, because we don't do any drawing.

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No sketchings.

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We just sort of start out

with an idea in our mind.

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And off we go and you can

do this just the same.

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All right.

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Maybe I'll have a little

water in this one.

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I like water.

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So while I have that blue on the

brush, let's just go right down here.

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We've put in a little bit of water.

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This will be still water today.

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It's still, water is

always level, always level.

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So try to keep your strokes

as straight as possible.

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Cause if you're not straight, it'll look

like your water's running up or downhill

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and you just sorta disturb your eye.

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We don't want that.

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We want it to look right.

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Here we go.

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I'm going to take the same brush.

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And go into a little bit

at the midnight black.

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I just want to hear in there.

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Just darken it a little

bit, like right there.

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Just a little, little, tiny bit, and

maybe, maybe, maybe right in here.

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Just a little, just to change

the flavor in a couple of places.

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All right.

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A little bit more in the water

and we'll be in business.

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Okay.

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Notice we've left a little light area

in here for everything works just right.

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That it looks it'll look like

a sheen of light coming across.

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So water a little shimmer.

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Okay.

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Let's wash the brush.

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Let's wash the old brush.

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There's a screen in the bottom of

a bucket that we scrubbed the brush

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against that screen allows the solid

material to settle to the bottom.

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And that way your, your paint

thinner remains relatively clean

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and you can use it over and over.

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You just let it settle in off

you go right into titanium

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white with your two inch brush.

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We just use it.

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It doesn't matter.

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Okay.

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But notice mainly one corner.

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It's got a lot of paint, the

other corners just about naked.

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Let's go right up in here

and I'd take that corner.

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It has a lot of pain in it and

I'm just, I'm just going to tap

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in a basic little cloud shape.

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We're really not too concerned.

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Just a little basic shape, happy

little cloud that floats around here.

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In this case.

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There we are.

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Now, I've got several of each breast

who went here, some would get a

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nicer, dry two inch brush, and I'm

going to tap the base, the back of

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the cloud there till it disappears.

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And then very lightly, very lightly

three hairs and some air just

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very lightly blend over that.

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And that quick, we've got a happy

little cloud just floating around there.

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And we'll do the same thing one more time.

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And in our world, maybe, maybe

there's a little cloud that hangs

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around here cloud just sorta, they

sorta hang out, have a good time.

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Now you see, the reason I put the

dark in is so that light, it looks

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brighter, that little bit of black that

we added dark and the color enough.

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So the white now looks much

brighter than it would have.

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And border in order to

show light, you need dark.

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Dark is what makes this, what

makes white show or light color

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period didn't have to be white.

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It could be any color that's light,

but you need that dark contrast to

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make it jump out and sing for you.

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Otherwise it'll just sort of go away and

leave you standing there by yourself.

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Once again.

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Good.

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Dry two inch brush clean.

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Well, relatively clean.

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And then we'll fluff this up.

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Just fluff it, fluff it, fluff it.

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They're sort of the way

I take care of my hair.

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I just grab it and lifted.

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Tease it a little bit off we go.

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There we are.

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So now we have another layer of clouds.

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That's easy.

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Anybody can paint clouds, shoot.

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It's working so well, maybe

there's a, maybe there's another

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little Dewar right in there.

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I don't know.

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You just, it starts working and you

start getting carried away and you just

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start playing with these little Rascals,

which is great because it gives you a

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lot of practice back to my clean brush.

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And if your brush has just a little

bit of paint on it, you can just

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beat the devil out of it like that.

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And it'll.

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It'll clean it off without going

through that entire cleaning procedure.

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Cause I'm noted for being lazy.

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And I look for ways to do

these things that are easy.

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There we are something I can access.

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Absolutely.

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Now we have another layer of clouds, so we

have a lot of depth in this guy already.

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This one, I got to wash.

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It's got too much pain on it,

so we'll just wash it off.

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Shake off the excess and just

beat the devil out of it.

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Uh, all right.

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Let's make a little happy

mountain today for that.

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I'm going to use some black pressure blue.

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We'll put some lizard, Crimson Brown,

and it's what the heck good dark color,

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but quite a bit of Crimson in there.

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And with the blue, it'll give

it sort of a lavender cast.

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Pull the paint up very flat.

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Cut off a little roll of paint.

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Must go right up in here.

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And with that little bit we could go in

here, decide where our mountain lives in.

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Let's just drop it in.

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Comes, it really doesn't matter.

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Just, just make a mountain unless

you're trying to paint a particular

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mountain, just do one that you like

that sometimes you want to paint a

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particular mountain and then you should

follow the basic shape and form of that.

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Now, a lot of times I just make them up.

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Most of the time, I just

make them up in our world.

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We can do anything that we want to do.

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So we just make up this kind

of mountain that we want.

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And I say it comes in with

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that easy scrape off the excess paint.

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Just scrape it off.

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You can probably hear it's

getting pretty, pretty strong.

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They're getting in there

and really pull it.

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And I'm going to take the big brush.

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And pull that.

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I want it to just disappeared

in the miss, down at the base.

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There we are grab that, pull it, and

then just blend it until it blends away.

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It'll look just like you said, setting

back here and floating that easy.

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All right now, just using brush strokes.

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You're beginning to be able to see them.

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You can create the illusion of

highlights and shadows in your

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mountain just by using brush strokes.

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So there, and it's a beautiful, beautiful

way of laying your whole mountain range

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out without being committed, because

you can go back and change it again.

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Now that easy.

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It is a super way though,

of giving you total freedom

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because you're not committed.

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Let's take, let's see, how

do we use here in this?

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There's some white, let's put some

black in it and make a great color.

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We would just make a gray,

maybe a little darker.

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What the heck?

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Yeah, just some gray like it, and

once again, Cut off our little

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rule of paint lives right out

there on the edge of the knife.

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And with that, we could begin

putting the indication of a

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few little highlights on here.

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Just a few, little, few, little

things that live out in here.

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Something about like,

can't just pick them out.

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Think about where the light's coming

from and then begin working with them.

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Just begin working with them.

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Most right-handed people will find it.

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It's easier and more natural to have the

light coming from the right left-handed

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people, because they've been forced to

do right-handed things their entire life.

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They may be able to do it either

way, or they may have a preference.

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There is a theory that only

left-handed people are true artists

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since I right-handed on, I don't

know if I adhere to that theory.

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Sounds good.

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All right.

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And sometimes you don't even want

to bother to put shadows in there.

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You can just take something like this,

pull it, allow it to grab a little bit of

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that color and just blend it with a knife.

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In fact, you can, you can literally paint

the entire mountain with just the knife.

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You don't ever have to

use a brush on it at all.

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And it makes some of the most interesting

effects that you've ever seen in paint.

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The entire painting.

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Using nothing, but the knife there,

it's a little hard to do in the

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timeframe that we have here, but at

home where you have unlimited time,

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you literally can go back in there

and just paint the entire painting.

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Nothing more than this old knife.

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He could put a whole kind

of deep ridges and things.

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You decide, you decide them

wherever you want them.

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Wherever.

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Okay.

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They can't ride around like that.

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Just to change the basic

shape a little bit.

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There.

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We actually have just used the

same color on the, on the back of

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the mountain here for the shed.

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There is no shadow color.

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It is the basic mountain color is

all we're using all we're using.

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All right.

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No pressure.

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Absolutely.

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No pressure.

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Okay.

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I think I've mentioned in other shows

when I was teaching my son, Steve,

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to paint, I used to tell him just to

pretend that he was a whisper that was

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floating across the mountain is touching.

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She had to be that gentle to make it work.

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Okay.

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We'll clean the old brush and we'll take a

little touch of titanium white on two inch

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brush, just a little bit on the bottom.

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And let's just tap in the indication

here and there and variant here of some

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Misty areas right down at the base here.

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Nice.

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Mistier maybe, maybe a cloud just fell

out this guidance laying down here.

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Well, it could happen.

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Maybe, but just, uh, I want a

very soft little miss teary here.

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Very, very soft.

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Quiet little Misty area.

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See how easy that is to do the little

titanium white, just barely touching.

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You can create that illusion there.

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Okay.

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Let me grab a clean brush.

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Make sure it's dry

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and I want to really

beat the bottom to death.

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Just beat it up.

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So will you take out all your

frustrations and hostilities?

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It's better than going home and kicking

the dog around and there's probably get

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bit, if you do that anyway, there we are.

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Okay.

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All right.

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Maybe let's see here.

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Let's take some of that

mountain color a little bit.

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Widen it, a little SAF green in it.

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Ooh.

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I like it.

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Color.

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Nice color, sort of a greenish tint to it,

but not a lot literal with paint and maybe

250

00:14:21,785 --> 00:14:26,465

up in here, maybe there's some, maybe

there's some little, little mountains,

251

00:14:26,475 --> 00:14:28,505

little foothills that are right here.

252

00:14:31,320 --> 00:14:32,310

Decide where they are.

253

00:14:35,310 --> 00:14:35,700

Okay.

254

00:14:36,570 --> 00:14:41,570

Right there, but just drop them in

wherever you think they should live.

255

00:14:44,450 --> 00:14:44,840

Go.

256

00:14:48,020 --> 00:14:52,820

I like to paint mountains lived in Alaska

for over a dozen years and there's so

257

00:14:52,820 --> 00:14:54,890

many gorgeous, gorgeous mountains there.

258

00:14:55,100 --> 00:14:58,040

You can't help it just

become captivated by them.

259

00:14:59,700 --> 00:15:04,710

They're just rubbing the

base of that very firmly.

260

00:15:06,330 --> 00:15:07,050

There we go.

261

00:15:11,750 --> 00:15:13,010

June, something like, so

262

00:15:18,800 --> 00:15:21,410

there, and that's about all.

263

00:15:21,410 --> 00:15:24,320

We need to make the indication of some

little footy Hills that lived there.

264

00:15:25,580 --> 00:15:27,560

Pick some mountain color.

265

00:15:28,530 --> 00:15:33,720

We'll tap it a little bit, right down here

at the base, right down here at the base.

266

00:15:35,700 --> 00:15:42,210

Maybe this little area, maybe this,

a little plane out here, a little met

267

00:15:42,210 --> 00:15:45,510

over something, something out there.

268

00:15:45,510 --> 00:15:50,730

We'll take a little SAP

green, a little bit of yellow.

269

00:15:50,730 --> 00:15:55,110

Mix them together, make

a nice green color.

270

00:15:55,350 --> 00:15:56,790

Tap a little bit into the bristles.

271

00:15:57,840 --> 00:15:59,520

Go head up and here.

272

00:16:00,645 --> 00:16:07,875

And just barely tapping, like, so we'll

just put the indication of some little

273

00:16:07,875 --> 00:16:09,435

green things that live back here.

274

00:16:09,525 --> 00:16:14,865

As I say, this might be a little meadow

or something, he back ready to foothills.

275

00:16:15,645 --> 00:16:16,155

It's up to you.

276

00:16:16,155 --> 00:16:18,795

You decide, you decide.

277

00:16:21,150 --> 00:16:21,630

Oh, I see.

278

00:16:21,839 --> 00:16:22,170

Okay.

279

00:16:22,290 --> 00:16:22,709

Okay.

280

00:16:22,979 --> 00:16:26,819

Is Kevin to me, as you paint,

you'll see these things.

281

00:16:27,239 --> 00:16:28,020

You could extend it.

282

00:16:28,319 --> 00:16:31,050

You do get excited there.

283

00:16:32,060 --> 00:16:32,390

I see.

284

00:16:32,420 --> 00:16:35,930

Let me grab a number three fan

brush, a little bit of Brown on it.

285

00:16:36,439 --> 00:16:37,189

I try it right here.

286

00:16:37,189 --> 00:16:37,609

Right here.

287

00:16:37,670 --> 00:16:41,839

There it is a little, maybe there's a

little path, a little road or something

288

00:16:42,439 --> 00:16:44,300

that goes, we back up in there.

289

00:16:44,300 --> 00:16:45,620

A little dark sat on it today.

290

00:16:46,425 --> 00:16:48,345

Vandyke, dark sand mixed together.

291

00:16:50,115 --> 00:16:53,445

There comes C all right.

292

00:16:53,475 --> 00:16:58,845

Take a little, little touch of white,

red on the same brush and you go right

293

00:16:58,845 --> 00:17:00,105

back in, highlight a little of that.

294

00:17:00,105 --> 00:17:02,535

Don't want much just enough to

make it sparkle here and there.

295

00:17:04,115 --> 00:17:04,565

Fair.

296

00:17:05,615 --> 00:17:06,245

All right.

297

00:17:07,055 --> 00:17:07,145

Okay.

298

00:17:08,910 --> 00:17:13,100

Little blue mountain or little

Sam green, all those nice

299

00:17:13,100 --> 00:17:15,620

colors we have let's have water.

300

00:17:17,600 --> 00:17:19,550

What makes them make some reflections?

301

00:17:20,900 --> 00:17:21,500

There we go.

302

00:17:21,590 --> 00:17:23,510

Just pull straight down

to make reflections.

303

00:17:24,530 --> 00:17:27,830

Reflections are one of the easiest

things that happened in this technique.

304

00:17:28,340 --> 00:17:32,260

One of the easiest shoe has

traditional painter reflections

305

00:17:32,280 --> 00:17:33,350

used to drive me crazy.

306

00:17:34,044 --> 00:17:34,615

Hard to do.

307

00:17:34,645 --> 00:17:37,975

Sometimes I'd even turn the canvas

upside down and try to repaint things.

308

00:17:39,415 --> 00:17:43,135

This, all you do is pull it down,

go across and you instantly have it

309

00:17:45,145 --> 00:17:47,155

that easy already looks like water.

310

00:17:47,155 --> 00:17:48,175

We hadn't even done anything.

311

00:17:49,514 --> 00:17:50,054

Okay.

312

00:17:50,504 --> 00:17:55,395

Let's take Prussian blue,

black, Brown Crimson Sabbath.

313

00:17:55,425 --> 00:17:56,264

Mix them together.

314

00:17:57,615 --> 00:17:59,834

All right, let me wipe the whole knife.

315

00:18:00,764 --> 00:18:02,625

I just wiped the knife on a paper towel.

316

00:18:04,185 --> 00:18:08,145

Fan brush number six, a lot of color.

317

00:18:09,555 --> 00:18:13,395

And maybe, maybe there's some

little distant trees back in here.

318

00:18:15,135 --> 00:18:15,705

There they are.

319

00:18:16,515 --> 00:18:17,055

There.

320

00:18:17,055 --> 00:18:21,915

They are just some little indications.

321

00:18:22,965 --> 00:18:23,535

There they come.

322

00:18:25,845 --> 00:18:27,315

Maybe they come right on down.

323

00:18:28,020 --> 00:18:33,120

They real small, you can just do

like cat and lift up that easy.

324

00:18:35,430 --> 00:18:38,520

That'll give us an indication of some

little background trees far away.

325

00:18:39,615 --> 00:18:41,505

Of course I've missed the

bottom of the grass up there.

326

00:18:42,675 --> 00:18:43,635

Very hard to correct.

327

00:18:43,635 --> 00:18:46,185

We don't have to do all of that.

328

00:18:47,745 --> 00:18:48,825

We don't make mistakes.

329

00:18:48,855 --> 00:18:51,285

Hoot can do easy.

330

00:18:52,935 --> 00:18:54,705

I'll tell you what I want a big tree.

331

00:18:55,215 --> 00:18:55,785

You know, me?

332

00:18:55,815 --> 00:18:56,655

I like big trees.

333

00:18:57,195 --> 00:18:59,595

I think I'll put a big tree.

334

00:19:00,405 --> 00:19:00,945

Right there.

335

00:19:02,054 --> 00:19:05,175

One of the ways of making a big

tree, you can just use the knife.

336

00:19:05,205 --> 00:19:06,014

What does she use knife?

337

00:19:06,875 --> 00:19:10,595

I like to make these trees with a

knife because when they're, when they

338

00:19:10,595 --> 00:19:15,995

get dry, they're very thick and they

literally, they stand off the canvas.

339

00:19:16,955 --> 00:19:17,675

Very neat.

340

00:19:18,875 --> 00:19:19,685

Very neat.

341

00:19:21,004 --> 00:19:23,554

If you try to do this with a brush,

I just don't think it would work.

342

00:19:23,554 --> 00:19:23,855

Right.

343

00:19:24,845 --> 00:19:27,875

You can take that knife and

make these beautiful trees.

344

00:19:28,830 --> 00:19:29,460

That easy.

345

00:19:30,660 --> 00:19:32,040

They live right there in the month.

346

00:19:33,090 --> 00:19:34,800

You got to do a shit,

sort of shake them out.

347

00:19:37,020 --> 00:19:37,380

Okay.

348

00:19:37,440 --> 00:19:45,030

So maybe back to my fan brush, maybe I

want a few more little trees right here.

349

00:19:48,240 --> 00:19:53,010

You decide, and you can change your

mind at any time that you desire

350

00:19:54,150 --> 00:19:55,860

and your time that you desire.

351

00:19:57,270 --> 00:19:59,250

Maybe Dan in here, take a little Brown.

352

00:20:01,530 --> 00:20:05,400

Maybe there's maybe there's some, all

kinds of little things living in there.

353

00:20:05,430 --> 00:20:05,790

Oops.

354

00:20:06,150 --> 00:20:07,590

Let's get a little

Deuter hanging off here.

355

00:20:09,450 --> 00:20:10,380

There we go.

356

00:20:12,760 --> 00:20:13,890

All kinds of things

357

00:20:18,540 --> 00:20:19,620

maybe over in here.

358

00:20:22,320 --> 00:20:22,650

Yeah.

359

00:20:22,710 --> 00:20:23,250

Why not?

360

00:20:23,430 --> 00:20:24,480

We'll put a tree right there.

361

00:20:25,439 --> 00:20:27,030

We showed you how to

make one with a knife.

362

00:20:27,060 --> 00:20:29,909

Now you could make, make

them with a fan brush.

363

00:20:30,389 --> 00:20:31,560

One inch burst two inch.

364

00:20:31,620 --> 00:20:32,250

It doesn't matter.

365

00:20:32,340 --> 00:20:34,620

You can really make trees

with just about any old thing.

366

00:20:36,629 --> 00:20:39,899

Shoot, we'll put, we'll put

several trees right here.

367

00:20:41,580 --> 00:20:45,300

There they can trap making

those trees with knife though.

368

00:20:45,300 --> 00:20:46,470

You'd be shocked.

369

00:20:46,810 --> 00:20:50,820

What you end up with, you could make

some gorgeous, gorgeous effects.

370

00:20:51,915 --> 00:20:54,975

And once again, you could

paint the entire painting using

371

00:20:54,975 --> 00:20:56,145

nothing but the painting knife.

372

00:20:56,715 --> 00:21:01,935

If you want to, if you want to, it's

just a way of giving you more options to

373

00:21:01,935 --> 00:21:07,665

paint in the more ways that you can find

the paint, the happier it'll make you.

374

00:21:10,245 --> 00:21:11,895

Maybe that comes right

on down to there we go.

375

00:21:11,895 --> 00:21:12,075

Now

376

00:21:15,695 --> 00:21:17,735

I'll take a little more of that Brown.

377

00:21:19,065 --> 00:21:23,525

So you can just put all Cairns

a little duties in there in

378

00:21:23,525 --> 00:21:27,065

that NATO really can do that.

379

00:21:28,115 --> 00:21:28,415

Okay.

380

00:21:28,505 --> 00:21:31,055

Now let's have a little

fun here for just a second.

381

00:21:31,535 --> 00:21:35,465

The tree that's made with knife show you

how to, you can highlight it with a knife.

382

00:21:36,575 --> 00:21:42,245

We'll take a little green, just touch

and barely go over it so that it

383

00:21:42,245 --> 00:21:43,985

just picks up on those high points.

384

00:21:44,675 --> 00:21:45,095

Say there.

385

00:21:46,545 --> 00:21:47,415

It's all there is to it.

386

00:21:49,295 --> 00:21:51,845

Then on the other side, they

wouldn't be as much light.

387

00:21:51,845 --> 00:21:55,235

It'll be a darker green seeing

put a few little indications.

388

00:21:55,235 --> 00:21:56,045

Not as many though.

389

00:21:56,105 --> 00:21:57,815

You want that side to remain darker.

390

00:21:59,010 --> 00:22:05,300

But just like that you can

make a tree, you can do it

391

00:22:05,300 --> 00:22:06,469

the normal way that we do it.

392

00:22:06,469 --> 00:22:12,050

We'll take a little step green, some

of the yellows mix them together

393

00:22:13,340 --> 00:22:18,080

and we can make a nice green and

come back and highlight either way.

394

00:22:19,580 --> 00:22:21,260

Just want to show you a

couple of different ways.

395

00:22:21,260 --> 00:22:23,959

You can make very effective little trees.

396

00:22:23,959 --> 00:22:24,469

There he is.

397

00:22:25,159 --> 00:22:25,250

Okay.

398

00:22:26,115 --> 00:22:30,285

There he is just a few

little tutors there.

399

00:22:30,625 --> 00:22:34,485

Then we'll bring this

one right down in front.

400

00:22:35,625 --> 00:22:36,225

There we go.

401

00:22:37,695 --> 00:22:39,525

Darker, darker, darker as it works down.

402

00:22:40,785 --> 00:22:48,635

All right, we'll take some of that yellow

and green that we had there on the knife.

403

00:22:49,955 --> 00:22:52,595

And you can put the indication

of just little grassy

404

00:22:52,595 --> 00:22:54,905

things, just using the knife.

405

00:22:56,760 --> 00:23:02,660

There just let some of these little things

just work your way right through there.

406

00:23:04,790 --> 00:23:05,510

There we are.

407

00:23:06,860 --> 00:23:08,090

Wherever you want them to be.

408

00:23:08,690 --> 00:23:08,780

Okay.

409

00:23:11,540 --> 00:23:15,470

Let's take a little dark Sienna, a

little liquid white mix them together.

410

00:23:15,920 --> 00:23:16,010

Okay.

411

00:23:18,830 --> 00:23:21,980

And to that, we can come in

here, put the indication of.

412

00:23:22,575 --> 00:23:26,085

A little water line there, a little

bit of dirt, right at the edge,

413

00:23:27,915 --> 00:23:35,115

something about like, so there we

go, wherever you want them to live.

414

00:23:36,524 --> 00:23:43,635

All right, let me take this plane

liquid wine and just a little of it.

415

00:23:43,895 --> 00:23:47,504

I want to put the indication, just

a small amount, a little watery

416

00:23:47,504 --> 00:23:48,915

line lives right down the bottom.

417

00:23:55,250 --> 00:23:57,070

Shoot, maybe there's a

little stone right there.

418

00:23:57,110 --> 00:24:00,290

Put a little, take a

little Brown and white.

419

00:24:02,300 --> 00:24:07,550

You can highlight it or ask a little

bit, and you're in business that easy

420

00:24:08,000 --> 00:24:12,350

can make a happy little rocket lives

there and your world, you decide.

421

00:24:13,889 --> 00:24:14,459

There we go.

422

00:24:15,149 --> 00:24:18,239

And with that, I think we

better get a finished painting.

423

00:24:18,510 --> 00:24:20,729

We'll sign this little

rascal, call it done.

424

00:24:22,110 --> 00:24:26,399

Take a little bit of red, a little

paint thinner and we'll sign it.

425

00:24:26,729 --> 00:24:28,409

I really hope you've enjoyed

this little painting.

426

00:24:29,639 --> 00:24:30,600

We'd love to hear from you.

427

00:24:30,600 --> 00:24:35,010

If you have time to drop us a line

until then from all of us here, I'd

428

00:24:35,010 --> 00:24:36,270

like to wish you happy painting.

429

00:24:36,959 --> 00:24:38,189

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S30E06 - Misty Foothills

Bob Ross's

The Joy of Painting

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