Bob Ross's

The Joy of Painting

S30E02 - Woodgrain View

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Hi, welcome back.

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Certainly glad you could join us

today because today I'm going to

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do something that's very unique.

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I think you'll enjoy it.

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Let's start out and have him run

all the colors across the screen

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that you will need to paint along

with this while they're doing that.

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Let me show you what I've

got going up here today.

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Today I've taken our regular old canvas.

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Please stretch double prime.

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Canvas enough painted with black Jesso.

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I've allowed the black

Jesso to dry completely.

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And then I've covered the entire

canvas with a very thin coat

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of liquid clear little, little

amount to doesn't take much.

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Then I put a little bit of

pressure and blue over it today.

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I want to show you how to make an exciting

effect on the canvas and then I'll change

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and put up a canvas that's already done

and we'll continue on and paint it.

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Paint up happy little paintings.

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Let's do that.

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As I say, I've got this covered

with liquid clear and a little

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bit of pressure and blue.

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I want a blue hue to this.

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Someone dip my brush into paint thinner.

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I'm gonna go into a little

bit of Brown little.

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This is just a little bit of a, Oh,

dark Sienna, little Brown, little blue,

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but notice how thin the paint is now.

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Paint thinner has a violent

reaction with liquid clear.

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And we're depending on that to

create some gorgeous effects.

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Okay.

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Let's go up in here.

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So let's say this is very thin

and once it hits us liquid clear,

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gorgeous things will happen.

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We'll just, we'll just do something

about like, it it'll continue to

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work sometimes, maybe 15, 20 minutes.

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That's why we're going to change canvases.

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So it has time to work in and dry, but

I want to show you how it's made, but

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by just taking this brush and doing

something like, so get nervous, you can

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make some of the most gorgeous effects

you've ever seen that easy there.

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So you just let these

colors play in dancing.

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Maybe they'd come around, can

make big old things that look

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like wood with big knots in them.

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It's up to you.

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You decide what kind of design you want.

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There take a little white here and there,

but it must be very thin, have a lot of

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paint thinner so that all these gorgeous

little things will happen for you.

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I automatically see him look at

that already beginning to work.

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As I say, the paint thinner and liquid

clear we'll have a violent reaction and

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you can turn the brush to make effects.

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Just let it, just let it

dance around on the canvas.

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And if you don't like one, you can

come back and go over it and change it.

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Because as you know, this piece of

canvas is your world and you can do

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anything that you want to do here.

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There, we are something about like

it, the blue underneath is being

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picked up and it will create a blue

hue to the whole painting there.

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And so say you can go back and forth

and add color anywhere that you want it.

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And just change this continually there.

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But that's basically all there is to it.

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You can just take paint thinner

and go back over this just

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with plain paint thinner.

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And it'll really cause it to

separate experiment a little bit

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when you're at home and you'll find

many, many different ways of doing

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this and use a multitude of colors.

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Don't just use the colors

that we use here on TV.

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Use any color that your heart

desires there, but see how, see

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how that's beginning to create

all those beautiful illusions.

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Now then.

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As I mentioned, I want to

change canvases and put one up.

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It's already dry.

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And to do that, let me just reach up here.

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Excuse me, just a second.

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Retread appear.

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Take this one off.

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And I have one here that's already been

done and I've put a little bit of contact

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paper around it, just leaving a section

open and I'll show you how you can

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take this and make a gorgeous painting.

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That's very simple and very, very easy.

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Anybody can do it.

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All right now, once again, this is dry.

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I've allowed it to dry and you

might want to lay it flat while

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it's drying, depending on how much

thinner you put on their canvas.

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When you're producing the effect.

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All right, now let's start off

and we're going to cover, okay.

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All of this with just liquid white, just

like we would on a regular painting.

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Just covered.

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Normally I have this done when we

come on the air, but I wanted you

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to see this from start to finish.

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So you can make your

own masterpiece at home.

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They're just a very thin little

coat of liquid white, just enough to

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sort of cover it up about like that.

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That's all we're looking for.

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There.

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That's all there is to putting

liquid white on the canvas.

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Okay.

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Now we get to wash the brush.

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And if you painted with me before, you

know, that's my most favorite thing

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on here is washing the old brush.

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Actually, it's my way of getting,

even with a crew for picking on me.

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All right.

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Shake off the excess and just

beat the devil out of it.

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And you can cover everything

in a, in about a 10 foot

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radius, if you're not careful.

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Okay, let's go into a little bit

of a lizard Crimson, just a small

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amount on the two inch brush the

painting I'm going to do today.

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Let's just do a very simple

little painting, easy little

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painting, because it's really the

background that I want you to.

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I want you to practice with

and try and, and fall in love

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with, because it is so much fun.

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I'll put a little lizard

in Crimson right there.

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Well, can't let me go right

into a little depression, blue,

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same old breasts, depression.

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Blue is so much stronger than the Crimson.

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You can do that without washing the brush.

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Go back up in here.

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We'll just start with our little

Chris crosses little Xs, little

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Xs, something about like that.

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They're okay.

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I'll tell you what.

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We will have a little water in this one.

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You know me?

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I love water.

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So maybe we'll put just a tiny

bit down here at the bottom.

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There we are.

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And with that, we can,

we can turn this in.

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I think to a very nice little

painting, this wash the old brush

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again, I just want an excuse to.

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Just one, the excuse to

wash the brush there.

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All right.

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Fantastic.

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We got it.

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Now what you would just use that

same brush it's working pretty good.

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I'm going to run into titanium

white, just tap it very firmly.

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Tap it right into some titanium.

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And we'll go up in here and

maybe in our world their lives.

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Yep.

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You're right.

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A happy little cloud.

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It just floats around here and has

a good time all day about like cat

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it's easiest way I've ever found just

to make a little cloud, just tap it.

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I haven't gotten several two inch brushes.

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Go on.

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Let me get her clean one here.

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So I can just gently blend this very

lightly three hairs and some air.

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She has to lift to blend it.

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I can't, I want another cloud in our

world and he's going to live right down

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here, do one cloud at a time though.

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Don't get greedy.

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I know it starts working.

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And you say, well, I'm just going to

put in a whole, whole colony of clouds.

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Do one of them there.

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I can't, we'll just let it

float on way plane rush.

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And once again, just sort

of blend it a little bit.

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It's just enough to bring it together

like that, but didn't have a simple way of

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making some very effective little clouds.

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It works and you can do it.

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You can do it.

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Yeah.

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Right now I get to wash the brush.

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One more time.

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One more time.

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All right.

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We wash our brushes with

odorless paint thinner.

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Kicked the bucket there.

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Okay.

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Now then let's do a happy little mountain.

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We'll use some black pression blue

Vandyke Brown and alizarin Crimson.

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We just mix them together.

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That was black, blue Crimson Vandyke.

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All right.

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It will cut off a little roll of paint.

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See it, Liz ride out there

in the age of the knife.

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Let's go up in here, got to

make a decision in our world.

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The mountain lived right there.

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Right here.

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There it comes just to

just a little mountain.

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He's got a little bump.

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Right there, something like, so

hit that in the matter of mountains

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are so fantastic to paint and

it'll teach you to use the knife.

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And if you can use this knife,

right friends with shoot, you

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can do entire paintings with,

with nothing but the knife.

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Two inch brush.

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We're going to grab that and pull it,

just pull it, blend that color down.

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Cause they canvas is wet.

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You can do that.

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Has the liquid whiter

underneath you can move color.

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Okay.

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He'll just slide right on.

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If you were working on a drag

canvas, we'd be an agony city

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about now, but because it's wet,

we can literally move that paint.

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We'll use some titanium white, we'll put

a little touch with midnight black in it.

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Just a grade, a little bit, maybe

even the least little touch of bright

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red there, but don't, overmix it.

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I want to leave it marbled once again,

our little roll of paint lives right

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out there on the edge of the knife.

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Let's go up in here and

now we come in here.

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No pressure, no pressure at all.

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Just barely grazed the canvas.

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Just let the knife float.

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Let it float.

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Just let it slide right down the

canvas there, maybe over there.

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Yep.

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A little bit of light

striking right over in there.

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You decide that's what's so

fantastic about painting.

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You make the big decisions.

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You can create any kind

of illusion that you want.

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I'm using a little pressure and

blue and white mix it together and

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we'll make a little shadow color

for a mountain blue and white.

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That's good enough for what we're doing.

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As I say, we're just going to

a very simple little painting,

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literally paint, simple painting.

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It probably won't be any challenge

at all for you, but I want

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to show you this background.

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When you do your painting, you

can make it much more complicated.

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Here.

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We have limited time and a

director with no sense of humor.

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So we'll just do something simple.

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All right.

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Maybe we will put a little dude or right

there just to break up a shape, then

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go back, follow the shadow in there.

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Shoot that here.

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We got a little mountain, little mountain

that lives right there on our canvas.

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Nice clean, dry two inch brush.

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It really needs to be dry now

because you'll destroy your paint.

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If it's not dry.

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Didn't blend up or did we taken

out the tap Mark sort of bringing

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everything together when we do that,

always following the ankles that

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are in your mountain most important.

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See there.

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Maybe we can just bring it on

down a little bit further there.

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See like that that's all there is to it.

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Give it a little upward lift

shoot we're in business.

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It gives us a little mountain.

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It looks like it's far away.

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We're not, we're not too

worried about it today.

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Let's take, what do we use?

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Let's take pressure and blue.

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It's a midnight black damn

we'll take titanium white.

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I want to make several

different values of this.

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Good.

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Make some little, some little

foothills that live Lee back

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in the distance, a little trees

that are growing far, far away.

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So we'll put some white in

there about like, okay, let

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me clean off the old knife.

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It's grab us.

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Uh, we'll use a number six fan brush

today, blue and black little white load.

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A lot of color into the brush.

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And let's go right up in here and maybe,

maybe, yeah, some of the little evergreens

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baby, maybe those evergreens, I don't

know what they are, whatever they are.

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They live far away.

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You decide what they are in your world.

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You want it just dark enough so that

it stands out from the background.

250

00:13:17,444 --> 00:13:18,314

That's all you're looking for.

251

00:13:19,635 --> 00:13:23,535

As light as you can get it and it's still

make it stand out from the background.

252

00:13:25,275 --> 00:13:28,454

I think we'll put several layers, so

be sure this is as light as you can

253

00:13:28,454 --> 00:13:31,125

get it so we can get progressively

darker as we move forward.

254

00:13:32,834 --> 00:13:38,985

Clean dry two inch brush, little miss down

here at the base, just tapping on at least

255

00:13:38,985 --> 00:13:40,515

a little bit of titanium white to that.

256

00:13:40,545 --> 00:13:42,584

I'm going to be a little more Misty.

257

00:13:44,160 --> 00:13:47,520

Then lift up or just left to

take out the tap Mark sort

258

00:13:47,520 --> 00:13:48,689

of bring everything together.

259

00:13:50,370 --> 00:13:55,530

There was a say we can put

several little layers in here.

260

00:13:55,530 --> 00:13:56,699

Maybe it was another layer.

261

00:13:56,969 --> 00:13:57,510

Yeah.

262

00:13:57,660 --> 00:13:58,380

Was right there.

263

00:13:58,589 --> 00:13:59,099

There he is.

264

00:14:01,560 --> 00:14:03,900

You decide painting.

265

00:14:04,050 --> 00:14:05,339

Painting offers freedom.

266

00:14:06,704 --> 00:14:08,685

On this canvas, you can move mountains.

267

00:14:08,685 --> 00:14:10,334

You can do anything on this canvas.

268

00:14:11,475 --> 00:14:13,035

Maybe I'll have a little

reflection right there.

269

00:14:13,035 --> 00:14:13,964

So we just pull it down.

270

00:14:15,405 --> 00:14:20,985

Grab road, two inch brush again,

pull straight now, go across shoot.

271

00:14:21,015 --> 00:14:22,425

We got instant reflections.

272

00:14:22,515 --> 00:14:27,675

Take a little liquid white, put a

little liquid, hide out here, pull

273

00:14:27,675 --> 00:14:32,204

it out very flat, like so flat

as I can get it, then cut across.

274

00:14:32,745 --> 00:14:34,905

So there's a little bit of paint

right up on top of the knife.

275

00:14:36,300 --> 00:14:40,079

And we can go back in here and figure out

a little water lines that live in here.

276

00:14:41,870 --> 00:14:42,620

There they come.

277

00:14:43,340 --> 00:14:45,740

They're just a little indication.

278

00:14:45,740 --> 00:14:47,000

That's all we're looking for.

279

00:14:48,829 --> 00:14:49,939

Something about like yet.

280

00:14:51,890 --> 00:14:54,350

They're all right.

281

00:14:55,430 --> 00:14:58,430

Uh, we can just continually move

forward and make it a little darker.

282

00:14:58,430 --> 00:14:59,750

Same color, just darker.

283

00:14:59,750 --> 00:15:02,150

I'm just taking a little, the dark

going right into the light with it.

284

00:15:03,405 --> 00:15:06,315

So each layer is just a little bit darker.

285

00:15:06,705 --> 00:15:13,845

This one bravery test maybe comes all

the way up here, all the way up there.

286

00:15:14,985 --> 00:15:15,585

There we go.

287

00:15:16,845 --> 00:15:20,615

I want to push those mountains so far

back that they look like they're we

288

00:15:20,635 --> 00:15:25,305

back in the distance somewhere, just

hiding back here, having a good time.

289

00:15:27,375 --> 00:15:28,215

There we are.

290

00:15:30,780 --> 00:15:31,530

There they come.

291

00:15:31,560 --> 00:15:32,850

Maybe you come right on down.

292

00:15:34,980 --> 00:15:35,550

We don't know.

293

00:15:35,580 --> 00:15:38,700

Maybe down in here somewhere, push

up, give it a little upward lift.

294

00:15:40,740 --> 00:15:41,490

All right.

295

00:15:42,180 --> 00:15:45,350

See, I usually those little distance

trees are to make, and you can make

296

00:15:45,350 --> 00:15:46,670

the layer after layer, after layer.

297

00:15:46,670 --> 00:15:50,480

It'll make your painting

very deep, very deep.

298

00:15:50,540 --> 00:15:53,690

I have depth in a lot of depth.

299

00:15:54,290 --> 00:15:55,520

It takes some at same color.

300

00:15:57,020 --> 00:15:57,740

Let's pull it down.

301

00:15:59,520 --> 00:16:01,860

Make us a little, little

reflection right there.

302

00:16:03,390 --> 00:16:08,040

Go across bacteria, liquid white.

303

00:16:08,640 --> 00:16:09,600

I guess we better get some on there.

304

00:16:11,060 --> 00:16:19,760

They're like, so just put in another

little waterline Liz like there, and

305

00:16:19,760 --> 00:16:24,590

maybe I tell you, I can tell you what

let's have one more, just one more.

306

00:16:26,160 --> 00:16:27,930

Go into a much darker color.

307

00:16:27,930 --> 00:16:33,330

Now it's almost a pure color, got a little

white, but almost the pure dark we made.

308

00:16:34,680 --> 00:16:36,630

And with that, see how that stands out.

309

00:16:37,230 --> 00:16:40,470

Each layer though needs to

get progressively darker

310

00:16:40,560 --> 00:16:41,610

as it comes towards you.

311

00:16:42,960 --> 00:16:47,490

That's what gives a landscape

depth and distance most important

312

00:16:47,860 --> 00:16:48,870

can be your best friend.

313

00:16:52,310 --> 00:16:52,400

Okay.

314

00:16:54,704 --> 00:16:56,234

Some little daughters live out there.

315

00:16:56,714 --> 00:16:58,005

Once again, let's have a reflection.

316

00:16:58,005 --> 00:17:03,285

I like reflection so much, so much

and reflections are one of the nicest,

317

00:17:03,375 --> 00:17:05,895

easiest things to do in this technique.

318

00:17:07,125 --> 00:17:09,135

And as traditional painter

East to drive me crazy.

319

00:17:09,135 --> 00:17:11,175

But in here you see how

easy they are to do.

320

00:17:12,704 --> 00:17:13,375

All right.

321

00:17:13,474 --> 00:17:14,865

Take a little more of the liquid white.

322

00:17:16,514 --> 00:17:18,944

We just put the indication

of a little waterline there

323

00:17:19,815 --> 00:17:21,014

and have something like, so.

324

00:17:23,025 --> 00:17:30,375

All right, but doesn't that create a lot

of depth in there that easy, that easy.

325

00:17:30,965 --> 00:17:34,805

Now then I'll tell you what I want to pull

the contact paper off and show you what

326

00:17:34,805 --> 00:17:40,055

we have show you that gorgeous background

that we made and how well it works.

327

00:17:41,555 --> 00:17:42,035

Look at that.

328

00:17:42,695 --> 00:17:46,235

Wonderful makes a beautiful

little painting when you do that.

329

00:17:47,225 --> 00:17:47,975

But you know me.

330

00:17:50,145 --> 00:17:51,014

You know me?

331

00:17:51,405 --> 00:17:52,065

Shoot.

332

00:17:52,065 --> 00:17:53,655

I got, I got to get a little crazy.

333

00:17:53,655 --> 00:17:54,165

Let's take it.

334

00:17:54,615 --> 00:17:59,385

Let's take a little bit of black with

some Vandyke Brown, a little dark sand.

335

00:17:59,385 --> 00:18:01,095

We just mix them all

together on the brush here.

336

00:18:01,965 --> 00:18:03,764

It will give you a real bravery test.

337

00:18:04,995 --> 00:18:06,105

I like big trees.

338

00:18:06,405 --> 00:18:10,545

If you're paying with me

before, you know, I do like big

339

00:18:10,545 --> 00:18:12,605

old trees and here comes one.

340

00:18:12,755 --> 00:18:17,075

Maybe it comes off here and back down.

341

00:18:17,285 --> 00:18:18,935

I don't know wherever you want it to go.

342

00:18:20,675 --> 00:18:21,875

Or there is a big tree.

343

00:18:22,925 --> 00:18:26,765

It goes all the way off

the canvas monster tree.

344

00:18:27,525 --> 00:18:30,845

That's kind of chase you across

a yard if you're not good.

345

00:18:31,865 --> 00:18:33,515

Yeah, there we are.

346

00:18:35,015 --> 00:18:37,295

Big old tree strong tree.

347

00:18:38,909 --> 00:18:39,659

Okay.

348

00:18:40,980 --> 00:18:45,320

Something like, so, yeah, but look at

this background, isn't that fantastic.

349

00:18:45,320 --> 00:18:46,129

What it looks like.

350

00:18:47,149 --> 00:18:50,629

It's one of the neatest things that

we've come up with, as I say, I've

351

00:18:50,629 --> 00:18:53,449

mentioned it earlier in this show,

tried in a multitude of colors.

352

00:18:53,600 --> 00:18:57,230

You just can't believe what

you can make a partner.

353

00:18:57,230 --> 00:19:00,139

Annette Kowalski is going to do some

flowers on backgrounds, like is she

354

00:19:00,139 --> 00:19:02,149

paints gorgeous, gorgeous flowers.

355

00:19:02,449 --> 00:19:04,250

Well, why don't you minus

R in the last series.

356

00:19:05,265 --> 00:19:06,795

Little room of paint, black and white.

357

00:19:08,595 --> 00:19:13,515

I can't wait to see flowers on this,

and I'm just going to touch, just put a

358

00:19:13,515 --> 00:19:22,995

little highlight on this rascal about my

cat, something about my cat, and we'll

359

00:19:23,005 --> 00:19:26,205

just put the indication of highlight.

360

00:19:26,235 --> 00:19:31,485

We don't want to go into too much

detail just to show you how it's done.

361

00:19:32,820 --> 00:19:38,850

Then set you loose on the whole world

because once you learn this, you

362

00:19:38,940 --> 00:19:42,300

experienced freedom, canvas and paint.

363

00:19:43,080 --> 00:19:44,340

Oh, what you can do with it.

364

00:19:45,800 --> 00:19:49,040

You can create any illusion that you want.

365

00:19:49,520 --> 00:19:53,810

Just literally any illusion, a

little pure black on out of this

366

00:19:53,810 --> 00:19:56,929

side here and would just sort of

bring them together a little bit.

367

00:19:57,919 --> 00:20:01,190

What that tree to be very

strong looking tuffle tree.

368

00:20:02,745 --> 00:20:03,314

There we are.

369

00:20:03,764 --> 00:20:05,294

It's just a big, old, tough tree.

370

00:20:06,635 --> 00:20:06,754

Okay.

371

00:20:06,754 --> 00:20:10,504

We'll take our script

liner, brush paint thinner.

372

00:20:12,514 --> 00:20:13,955

We get quite a bit of paint thinner here.

373

00:20:14,014 --> 00:20:17,794

Put it right in the black, right in

the black, make this paint very thin,

374

00:20:17,824 --> 00:20:20,675

almost like ink again, very thin.

375

00:20:21,274 --> 00:20:25,235

And let's go up in here and let's

put some limb, some arms on our tree.

376

00:20:27,885 --> 00:20:28,334

See there.

377

00:20:29,245 --> 00:20:32,355

If you have trouble making that flow,

all you need to do is add a little

378

00:20:32,355 --> 00:20:33,705

more paint than, or two your paint.

379

00:20:35,225 --> 00:20:38,495

They're big go rascal.

380

00:20:38,504 --> 00:20:40,294

He just lives out here

and has a good time.

381

00:20:42,095 --> 00:20:45,455

And when you're at home and have

unlimited time, you can just put details,

382

00:20:45,455 --> 00:20:48,004

details, details in this it's gorgeous.

383

00:20:49,834 --> 00:20:54,064

Absolutely gorgeous there wherever.

384

00:20:55,830 --> 00:20:56,159

Okay.

385

00:20:56,340 --> 00:21:03,530

Something about like kit and we just let

them go, let them go some over in here,

386

00:21:04,850 --> 00:21:07,310

but I like paintings that have borders.

387

00:21:07,310 --> 00:21:10,939

And then you break the borders there.

388

00:21:11,419 --> 00:21:14,209

Since we've introduced the use

of contact paper and painting.

389

00:21:14,899 --> 00:21:16,580

I think it's almost become a standard.

390

00:21:16,610 --> 00:21:18,469

I see artists all over

the country doing that.

391

00:21:20,750 --> 00:21:23,120

It just opens so many

doors to the imagination.

392

00:21:23,670 --> 00:21:27,360

And that's what art's

all about is imagination.

393

00:21:28,260 --> 00:21:30,240

They're all right.

394

00:21:32,420 --> 00:21:33,860

We need something for that tree to sit on.

395

00:21:33,860 --> 00:21:37,370

He's just sort of hanging out

there and air, which is all right,

396

00:21:37,400 --> 00:21:38,990

but we'll put something on Lou.

397

00:21:38,990 --> 00:21:43,040

We use some Brown, blue, black,

little SAP green in there too.

398

00:21:44,300 --> 00:21:48,530

A little bit, a little bit of color

on the brush and the scope in here.

399

00:21:49,830 --> 00:21:53,040

And we need to put, as I say

some ground here, maybe there's

400

00:21:53,040 --> 00:21:54,180

a little Bush lids right there.

401

00:21:54,240 --> 00:21:55,650

Just happy little Bush.

402

00:21:57,330 --> 00:21:58,620

Maybe there's a couple of them.

403

00:21:58,710 --> 00:21:59,940

I don't know wherever you want it.

404

00:22:01,500 --> 00:22:07,020

Something about like,

yeah, though there take it.

405

00:22:07,020 --> 00:22:10,230

Same brush, dip it into a little

bit of paint, thinner to thin

406

00:22:10,230 --> 00:22:11,610

it go right into the yellow.

407

00:22:12,750 --> 00:22:15,690

And we have instant green,

little yellow ochre.

408

00:22:15,690 --> 00:22:16,230

I'll hit some.

409

00:22:17,070 --> 00:22:18,330

Indian yellow once in a while.

410

00:22:18,990 --> 00:22:22,470

Hey, we're so often a little

bit of bright red there.

411

00:22:22,919 --> 00:22:26,610

And by that, let's just start

making the indication of some happy

412

00:22:26,610 --> 00:22:28,020

little bushes that live down here.

413

00:22:28,710 --> 00:22:32,159

These are outside of the little,

little rectangle that we made there,

414

00:22:33,810 --> 00:22:39,899

there maybe there's some nice little

grassy area so that they come there

415

00:22:39,899 --> 00:22:41,730

they go wherever you want them.

416

00:22:42,480 --> 00:22:43,530

It's where they should be.

417

00:22:45,495 --> 00:22:49,155

There something about like an all right.

418

00:22:49,805 --> 00:22:50,455

Take the knife.

419

00:22:50,465 --> 00:22:56,075

You'd would take a little Vandyke,

dark Sienna, maybe put the indication

420

00:22:56,075 --> 00:23:01,355

of a small amount of soil dirt

down in here, a little Brown and

421

00:23:01,355 --> 00:23:08,195

white touch it, kid coming back.

422

00:23:09,510 --> 00:23:11,640

I'm dipping a brush into a

smaller amount of pink than her.

423

00:23:11,640 --> 00:23:14,940

Once again, just to make the

paint a little bit thinner.

424

00:23:15,150 --> 00:23:17,370

So it'll stick on top of

here without any problem.

425

00:23:18,360 --> 00:23:21,590

As you know, a thin paint,

take two, a thick paint.

426

00:23:22,940 --> 00:23:23,180

There.

427

00:23:23,180 --> 00:23:28,010

We are see there

something about like that.

428

00:23:32,030 --> 00:23:32,960

Isn't that fantastic.

429

00:23:32,960 --> 00:23:34,850

You can do a little painting that quick.

430

00:23:36,600 --> 00:23:38,990

All right, don't get crazy.

431

00:23:39,530 --> 00:23:40,280

Got a minute left.

432

00:23:40,400 --> 00:23:43,580

Vandyke Brown, dark Sienna mixed together.

433

00:23:45,890 --> 00:23:48,680

You ready right here too?

434

00:23:49,190 --> 00:23:52,790

Maybe, maybe just what remains of

a piece of an old fence that used

435

00:23:52,790 --> 00:23:58,250

to live out here, but it's about

go and it's about, it's like me.

436

00:23:58,250 --> 00:24:01,850

It's had a hard, tough

whole life tired old fence.

437

00:24:01,880 --> 00:24:04,070

Maybe there's one more

little post right there.

438

00:24:05,280 --> 00:24:12,659

Something like so, and a little

rail still left there and maybe

439

00:24:12,659 --> 00:24:14,100

even one there, I don't know.

440

00:24:14,399 --> 00:24:14,970

It's up to you.

441

00:24:15,209 --> 00:24:20,010

Dark Sienna, a little white

to make a light Brown.

442

00:24:21,000 --> 00:24:21,689

Just touch.

443

00:24:22,770 --> 00:24:26,220

Let some of that, just show a little

bit, little highlight here and there.

444

00:24:28,050 --> 00:24:32,010

Little on this one and that

little baby when they're.

445

00:24:33,360 --> 00:24:35,909

Take a little red, a little red on top.

446

00:24:36,179 --> 00:24:38,959

Just a little sparkler shoot.

447

00:24:38,959 --> 00:24:41,479

I think we got to finish painting,

gonna call that one done.

448

00:24:42,409 --> 00:24:44,750

We'll take a little paint, thinner,

a little bit of the bright red

449

00:24:46,010 --> 00:24:47,240

let's sign this little rascal.

450

00:24:47,240 --> 00:24:48,560

We'll sign him right down in here.

451

00:24:49,979 --> 00:24:50,540

Like it.

452

00:24:52,639 --> 00:24:53,389

All right.

453

00:24:53,939 --> 00:24:55,100

Hope you've enjoyed this one.

454

00:24:55,129 --> 00:24:57,135

And once again, Give us a try.

455

00:24:57,165 --> 00:25:01,455

There's so many, many different things

that you can do with this basic idea

456

00:25:01,455 --> 00:25:05,565

of a black canvas and liquid clear

until next time from all of us here,

457

00:25:05,595 --> 00:25:07,785

I'd like to wish you happy painting it.

458

00:25:07,785 --> 00:25:08,805

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S30E02 - Woodgrain View

Bob Ross's

The Joy of Painting

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