Bob Ross's

The Joy of Painting

S28E08 - Deep Forest Falls

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Hi, welcome back.

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Certainly glad you could join us today.

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You know, I'm so crazy about this color,

just so within the black and white and

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gray Jesso that we've been using, I

thought today we'd do another little

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painting using some of that, but let's

start out first of all, and have him

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run all the colors across the screen

that you need to paint along with us

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and they'll come out right about there.

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Okay.

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While they're doing that, let

me show you what I've got today.

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Today, I've taken an oval canvas.

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Now this is, I hope you can see

it against a black background,

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but this is just a canvas that's

made in the shape of an oval.

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A lot of times we use contact paper

and make ovals on rectangular canvases.

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But today I'm using an oval canvas.

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You can pick it up in any

art store around the country.

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I've taken a little of the

black, white, and gray Jesso and

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aligner brush and probably an old

line of brush is better to use.

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And I'm just painting it in

some little tree trunk shapes.

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Very quick and then some limbs and then

took a paper towel and just dobbed in

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a little bit of little gobs of Jesso

to make it look like little leaf areas

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and allowed that to dry completely.

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Now let's go right down

here, down on the bottom.

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I've taken the Filbert

brush and I've used.

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Black Jesso and gray Jesso.

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And I've just made some little

stones the same way as we make

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stones, normally fact for it.

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So with I'll show you how to

make some above the water.

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I'm going to have water in this,

and I want to have stones underneath

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allowed the Jesso to dry completely

GSO is an acrylic base and it needs

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to dry completely after it was dry.

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Then I've covered the entire

little oval canvas with a very

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thin coat of liquid clear.

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And the clears on there just

to make it wet and slick in it.

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It allows us to actually blend

color right up here, what a long

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expo, but it's really very simple.

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And if you've never painted

this as one you can do, let's

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start out the day with a.

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We use a two inch, a small

amount of thalo blue.

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I like the little blue because

it's a very bright blue.

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It's a happy blue.

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There we go.

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And it's very transparent, but

just load a little onto the two

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inch brush Kings go up in here.

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Now.

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Now all you have to do when you have

this Jess sewed background is really

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just apply color and it's mixing with

the liquid clear that's on there.

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And what it is in reality is a glaze.

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It's just a glaze.

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It goes right over the top of that.

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And that easy.

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You can just turn this into

a gorgeous blue background.

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Now you can do this with

any transparent color.

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I've just picked blue today, but

you can do it with any color.

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It doesn't matter.

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Andy transparent color SAP green in this

particular painting would be gorgeous

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while I've got that blue on there.

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Just to just add a little more

than my brush, let's just cover

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up the rest of the canvas.

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Now already just painting over these.

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I hope you can see these little

rock indications already.

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It looks like it was water on top of them.

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I'm just going to go ahead and cover

all this with the little blue hole.

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I have it on the brush.

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Something about like cat.

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Now, when you're doing this with these

colored, jesses, it's unbelievable.

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Some of the effects you can make and

all the different transparent colors.

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If you wanted this to be green issue, you

could take like Indian, yellow, and mix

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inherited and make a green background.

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It'd be wonderful.

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Or once again, you could just use SAP

green, let your imagination go experiment.

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And you know, The very,

the very worst thing.

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The very worst thing that can

happen to this is that you take

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a little paint thinner on a

paper towel and you wipe it off.

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It doesn't hurt the Jessel at all.

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And you do it again.

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Wonderful way to practice because

you can't make a mistake here.

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Let's wash the brush.

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It's the most fun part.

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Anyway, it's the most fun part.

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Shake off the excess

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and just beat the devil out of it.

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That really is the fun part.

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Okay.

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I think maybe today we need to wait

for the water to get down here.

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I'm going to have a little

waterfall show you how easy it

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is to make a little waterfall.

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I'm going to dip my brush into

a little bit of liquid clear.

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And then we'll go through

the titanium white.

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I'll be right back and

we'll reach up here.

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Just get a little bit of thalo blue.

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I put the, I put the, uh, liquid clear

in here just to thin it a little bit.

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That's all just to thin it.

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I tell you what let's do that.

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Let's make a waterfall today that

maybe there's a big rock behind it.

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So if there is, let me just grab a little

bit of this van Dyke Brown real quick.

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A little dark Santa mixed

together, show you how easy it is

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to make a, maybe like a little.

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Little rocket lives right here.

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Just take the knife and sort of

pull in a little bit of Brown.

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Do the thing his father's away.

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First.

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I decided that it would be

neat to have her off back here.

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So we'll put it in first.

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Take a little white.

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Let me take a little midnight black

and put with it a little more.

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I want to make a gray color.

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A little touch of Prussian blue.

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So it makes sort of a bluish gray

color, maybe even a little dark Sienna,

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but notice we're leaving it marbled.

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We're not over mixing it.

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When we cut off with a knife and pick

it up, those same streaks or striations

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in there, we'll be right in there.

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And when you touch very

gently, just barely touch.

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All those little things will happen.

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It'll drive people crazy, trying

to figure out how in the world

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you've got all that detail in there.

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And you didn't hardly do a thing.

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That's all there is to it.

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Make it look like a little rock.

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And then we go back to our fan brush.

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Think about a waterfall.

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Water's just coming along here

having a good time and falls over.

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See that's all there is to it.

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Let it drop, try to do it in one stroke.

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Add a little more clear there,

see straight and then down.

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All right.

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I'll just keep doing that.

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We'll end up here with Niagara falls.

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They're all right.

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That's basically all we want.

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When the water gets down toward the base.

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When you use a little blender brush, tap a

very small amount of that color on there.

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I want to create splashing in the mist.

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I'm just using the little

blender because it's so soft.

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You can paint right over the top of that.

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We'll put a little, little miss

straight in there and we'll use

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the other corner, which is clean.

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I just turned it over.

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They had them just to diffuse

it a little bit, a little hair

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fell out and we just pick it off.

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No big deal there.

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These are natural bristle brushes,

which means it's real hair.

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And sometimes hair gets a little crazy,

you know, look at mine and these.

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You'd lose a hair too.

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Don't worry about it.

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Just take the corner of the

brush, like so, and lift it off.

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It's all there is to it, but

liquid gorgeous little Misty

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area that made it so easy.

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Van Dyke, Brown, dark Sienna.

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I want a good, strong dark Brown here.

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Little roll of paint once again.

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And maybe let's put a nice

rock over here on this side.

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Something to contain that waterfall.

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You just let it go wherever

you want it to go right down to

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the mist and sort of drag it.

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So it just disappears into the mist.

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We can come back and add a little

more missed on this side, too.

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Just, just to give the indication

that the mist is floating around

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there, back to our same little

colors that we use in the other

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side, let's put a top appear on this.

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Make it look sort of flat.

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Maybe, maybe a little Fox comes

right up here and looks over the

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edge and sees what's happening or

whatever little creature you want.

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There we go.

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Little baby foxes are one of

the cutest things in nature.

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One of the, one of the animal rehab people

that I work with in Florida, Carmen Shaw.

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She told me if you look in the dictionary

under cute, it'll say, see baby Fox.

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I think that's true.

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All right.

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And that gives us a nice little area.

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As I say, if you wanted to, if you

wanted to bring this missed out a

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little more, you can bring it on

this side of the rock, that easy.

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Now it just sorta floats on both sides.

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This very soft brush works great for this.

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You can intermingle these colors

without them blending, but you need

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a very, very soft brush to do that.

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Now then time to have some fun,

but take it over big brush.

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I'm going to take some midnight

black Prussian blue, put

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some alizarin Crimson in it.

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And some SAP green, just

all those dark colors.

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It doesn't matter.

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Okay.

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Let me clean off the knife

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and let's take a little bit color

right on the old two inch brush and

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I'm tapping the bristles load it,

pulling it through load, both sides,

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full of paint, and then sort of tap it.

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That makes a nice chiseled edge.

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That we can work with

and let's go up in here.

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Let's have some big green bushes and

trees that live up in here and maybe

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they start whipping here and we'll

put some dark just so we have, I have

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an area for our highlights to show

you need dark in order to see light.

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So just begin thinking about basic

shape here, just basic shapes.

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That's all we're looking for.

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Ooh, covered up on the

little trees back here.

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But we know that there maybe there's

a happy little Bush lives right here.

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I'm using basically just

the corner of the brush.

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You could do this with a two inch brush

with a one inch brush round brush.

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It doesn't matter.

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Maybe we will.

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We will use a one inch brush just

to show you how it works too.

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I usually prefer to use

the big brush down here.

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It doesn't take a whole lot,

cause the black Jessel was gonna.

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Create that illusion for us on

the other side, you know, me.

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Let's have another big Bush.

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It lives right here.

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It comes right up over the top of there.

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Maybe it hangs out right here.

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Wouldn't this be a wonderful place

for Bush to live and has all the

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water wants what a fantastic view.

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And with this much water churning, it'd

be the humidity would be very high here.

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It'd be wonderful for bushes and trees.

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There, bring it down

right about like, yeah.

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We're about in business.

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Okay.

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Let me find a one inch brush today.

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We'll use it to make

all these little things.

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I'll just go through.

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Let's go through the color.

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We put the background in with,

take it through the yellows.

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And once in a while, we'll touch

a little bright red just to

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dull it, but the tap same way.

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See that little Ridge

of paint right there.

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That's a fantastic closeup right there.

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But look at that.

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There's one just like it right

on here on the end of the brush.

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And that's what we're going to paint with.

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So pull it to load it and

tap it's all there is to it.

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Namaskar appeared and use it.

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Take us little one inch brush.

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He was just the corner and began

picking out little individual

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highlights, little things that you see

up in there wherever you want them,

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but do one little thing at a time.

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Don't get greedy.

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It gets working good and it feels good.

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And off you go.

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Next thing you know, you've covered up

all your dark and have nothing left.

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If you have trouble making a

stick at the least little touch

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of paint, thinner to your brush.

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Then paint will stick to the

thick paint then the thick there.

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Okay.

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And reload frequently when it stops coming

off the brush, easy, just reload it there

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once again, think about shape and form and

all the little things that live in there.

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Darker, darker, darker

down here toward the base.

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It's got to be a quiet place in there for

the little bunny rabbit to live there.

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Maybe there's a happy little

Bush lives right here.

246

00:13:29,895 --> 00:13:34,395

Once again, you could do this with

a two inch brush, the one inch brush

247

00:13:34,395 --> 00:13:39,345

like I'm using here, uh, the half

round brush or the full size round, any

248

00:13:39,345 --> 00:13:40,905

one of them would work just as well.

249

00:13:42,735 --> 00:13:45,015

They had just thought I would

show you this little brush,

250

00:13:45,345 --> 00:13:48,285

but it's up to you up to you.

251

00:13:48,585 --> 00:13:49,005

Maybe.

252

00:13:49,725 --> 00:13:50,985

There's a little thing.

253

00:13:50,985 --> 00:13:52,335

It just hangs right over the side.

254

00:13:52,335 --> 00:13:53,475

There we go.

255

00:13:53,925 --> 00:13:55,935

Bushy thing, just sort of hangs over.

256

00:13:58,545 --> 00:14:02,505

Add a little paint, thinner to my brush,

a little more SAP green, a little more

257

00:14:02,505 --> 00:14:06,795

of the yellow come right down in here.

258

00:14:07,635 --> 00:14:11,325

Maybe there's a huge big Bush bullshit

lives or tree that lives here.

259

00:14:13,545 --> 00:14:16,935

Yeah, I think, but just

think about the individuals.

260

00:14:17,765 --> 00:14:19,955

This is not difficult at all to do.

261

00:14:20,915 --> 00:14:24,455

Probably once again, the biggest mistake

made is it begins working and you cover

262

00:14:24,455 --> 00:14:29,045

up all the dark and then you lose the

definition between each little clump.

263

00:14:30,515 --> 00:14:33,185

That's probably a better word in

clump, but I don't know what it is.

264

00:14:34,875 --> 00:14:36,485

Little individual, huh?

265

00:14:36,545 --> 00:14:40,325

Lights spend some time

studying trees and bushes.

266

00:14:41,699 --> 00:14:43,589

Go ahead and yard and

make friends with a tree.

267

00:14:44,160 --> 00:14:45,959

People they'll look at you.

268

00:14:45,959 --> 00:14:47,939

Like you're a little weird, but

just tell them you're an artist.

269

00:14:48,420 --> 00:14:52,860

They'll understand because as

artists we're allowed to be a little

270

00:14:52,860 --> 00:14:55,770

different, we see things differently.

271

00:14:57,569 --> 00:15:01,410

We appreciate nature more than

most people do enjoy that.

272

00:15:03,180 --> 00:15:03,810

There we go.

273

00:15:04,439 --> 00:15:08,040

Something like so little

devil lives right there.

274

00:15:10,470 --> 00:15:13,460

There wherever you want them.

275

00:15:14,030 --> 00:15:15,440

You make the decision.

276

00:15:15,620 --> 00:15:22,970

Little Indian, yellow, Nan, their

little touch of the bright red too fair.

277

00:15:23,120 --> 00:15:24,470

Ooh, that's a nice little color.

278

00:15:26,150 --> 00:15:27,140

Shiny little color.

279

00:15:27,530 --> 00:15:27,950

Okay.

280

00:15:28,040 --> 00:15:31,730

Other side, other side, we

don't want him left out.

281

00:15:31,850 --> 00:15:36,320

Here's a happy little Bush and we'll

change the color a little bit right there.

282

00:15:37,650 --> 00:15:40,800

Yeah, that's better, a little

more yellow ochre in that Bush.

283

00:15:41,550 --> 00:15:42,449

He lives up here in it.

284

00:15:43,290 --> 00:15:45,270

He watches a waterfall as it goes by.

285

00:15:46,949 --> 00:15:49,650

He's got the best view in town there.

286

00:15:52,110 --> 00:15:52,530

Okay.

287

00:15:53,400 --> 00:15:55,740

But once again, don't

get greedy with this.

288

00:15:56,750 --> 00:15:57,949

Just take your time.

289

00:15:57,949 --> 00:15:59,480

Do one little rascal of time.

290

00:15:59,480 --> 00:16:01,490

Think about that big

arm at hangs over here.

291

00:16:03,839 --> 00:16:06,630

Maybe this one comes right

out in front of the waterfall.

292

00:16:07,109 --> 00:16:09,000

Allow some of them to come

in from the waterfall.

293

00:16:09,030 --> 00:16:11,819

It will push the waterfall back

and make it look farther away.

294

00:16:13,050 --> 00:16:19,819

It'll make your painting look deeper,

much deeper there, something about my kid.

295

00:16:21,829 --> 00:16:23,900

Got it onto these old trees and save them.

296

00:16:25,489 --> 00:16:27,260

Not only they're beautiful,

but they're beneficial.

297

00:16:27,729 --> 00:16:28,550

They make oxygen.

298

00:16:28,550 --> 00:16:29,270

And I like that.

299

00:16:33,069 --> 00:16:38,329

There, like I get a lot of,

I get a lot of mail even.

300

00:16:38,540 --> 00:16:41,599

I think even the utility company

sends all these advertisements in the

301

00:16:41,599 --> 00:16:45,170

mail, had to cut down a tree to make.

302

00:16:45,469 --> 00:16:50,959

So my big thing is now I put them back in

the envelope and send them back to them

303

00:16:50,959 --> 00:16:53,000

with a check, let them dispose of them.

304

00:16:53,900 --> 00:16:54,829

They get enough of them back.

305

00:16:54,829 --> 00:16:55,640

They'll quit sending them.

306

00:16:56,235 --> 00:17:00,765

There I do that to everybody that

sends me all kinds of junk mail.

307

00:17:02,715 --> 00:17:03,315

There we go.

308

00:17:04,125 --> 00:17:07,545

Now let's put some land down here.

309

00:17:08,685 --> 00:17:09,585

We'll take a little bit of that.

310

00:17:09,585 --> 00:17:11,505

Vandyke Brown, dark

sand, and mixed together.

311

00:17:13,065 --> 00:17:14,925

A little roll of paint, right

on the edge of the knife.

312

00:17:14,925 --> 00:17:21,345

Don't need a lot, maybe, maybe an

hour while there's just a little.

313

00:17:22,830 --> 00:17:24,690

Peninsula comes out here.

314

00:17:24,690 --> 00:17:26,100

A little bit of land lives out here.

315

00:17:27,450 --> 00:17:28,740

We don't know wherever you want it.

316

00:17:30,750 --> 00:17:36,870

Dark Sienna, van Brown, or maybe over in

this side is even a little, not a lot.

317

00:17:39,210 --> 00:17:43,350

Now go back to my little one inch brush.

318

00:17:43,380 --> 00:17:46,260

I'm going to add some more SAP

green, make it a little darker.

319

00:17:46,860 --> 00:17:47,130

Ooh.

320

00:17:47,160 --> 00:17:48,360

And I started green color.

321

00:17:48,960 --> 00:17:49,050

Okay.

322

00:17:49,439 --> 00:17:53,639

Once again, a tap to get our little,

little Ridge of pain in there

323

00:17:54,540 --> 00:17:59,520

about like it adjust the flavor

till it's the way you want it now.

324

00:18:00,600 --> 00:18:04,770

Right up in here, there lives

a little Bush right there.

325

00:18:06,010 --> 00:18:06,990

Little grassy area.

326

00:18:06,990 --> 00:18:11,990

See, I usually just to make you a little

grassy areas, just sort of tap, tap, tap.

327

00:18:14,389 --> 00:18:18,050

There is much faster to do

with the two inch brush.

328

00:18:19,365 --> 00:18:24,375

But this is, I just wanted to show you

it'll work with either brush on the

329

00:18:24,375 --> 00:18:29,265

other side, over here, there's some

little grassy areas and some people will

330

00:18:29,265 --> 00:18:30,915

find they like the little brush better.

331

00:18:31,275 --> 00:18:32,685

Might give you a little more control.

332

00:18:34,955 --> 00:18:35,525

There we go.

333

00:18:35,645 --> 00:18:35,735

Okay.

334

00:18:36,175 --> 00:18:39,545

No, I think the big brush has

more bristles that you're using

335

00:18:39,695 --> 00:18:44,465

and maybe that's why I prefer it,

but it's a very individual thing.

336

00:18:44,495 --> 00:18:47,555

I want to show you as many different

ways of doing things as possible.

337

00:18:48,270 --> 00:18:50,130

And then what you do is up to you.

338

00:18:51,660 --> 00:18:52,830

Totally and completely.

339

00:18:53,490 --> 00:18:57,000

I want to take a little, a little bit of

Brown, a little bit of white and little

340

00:18:57,000 --> 00:19:01,980

paint thinner on the old liner brush

and maybe here and there and there, and

341

00:19:01,980 --> 00:19:07,280

here we can make out the indication of

fuel tree trunks that live in there.

342

00:19:08,990 --> 00:19:10,130

Just some stems.

343

00:19:10,550 --> 00:19:12,680

We don't know what that I don't

even know what's hooked to him.

344

00:19:12,680 --> 00:19:14,840

If anything, maybe this

tree died years ago.

345

00:19:16,065 --> 00:19:17,895

And just sort of left a skeleton out here.

346

00:19:19,605 --> 00:19:26,835

I like old trees there wherever

you think they should live.

347

00:19:29,205 --> 00:19:34,455

That's exactly where they should be,

but see those give different dimensions

348

00:19:34,455 --> 00:19:38,145

and planes and your painting creates the

illusion of a little depth and distance.

349

00:19:38,145 --> 00:19:39,465

You can have a few over here too.

350

00:19:39,495 --> 00:19:40,095

It doesn't matter.

351

00:19:41,185 --> 00:19:41,865

Just wherever.

352

00:19:45,465 --> 00:19:46,575

Time to have some fun here.

353

00:19:48,544 --> 00:19:51,155

Let's take, we clean off a spot to work.

354

00:19:53,195 --> 00:19:55,835

Got the biggest pallet in town

and I still use it all up.

355

00:19:55,835 --> 00:19:57,305

I think I'm just a messy painter.

356

00:19:59,764 --> 00:20:06,245

Let's take some black and some

Vandyke Brown mixed together.

357

00:20:08,405 --> 00:20:11,585

We just mix it up and I'm going

to add some paint thinner.

358

00:20:12,855 --> 00:20:14,625

I want to thin this down very thin.

359

00:20:16,485 --> 00:20:18,135

So I'm just adding paint thinner to it.

360

00:20:18,135 --> 00:20:18,524

That's all.

361

00:20:19,395 --> 00:20:23,055

No big deal, because remember

our golden rule of thin paint

362

00:20:24,105 --> 00:20:25,365

will stick to a thick paint.

363

00:20:26,235 --> 00:20:30,555

So if then this down, then I'm going to

make one more color and thin it down.

364

00:20:30,945 --> 00:20:32,715

Then we'll paint some

little rocks in our water.

365

00:20:34,500 --> 00:20:35,970

They're just wiped the knife.

366

00:20:37,370 --> 00:20:42,110

We're gonna take some nice gray color we

used earlier was we'll put it in there.

367

00:20:43,190 --> 00:20:48,350

Some white we'll put a little black

with it to make a gray, maybe a

368

00:20:48,350 --> 00:20:54,410

little touch up something you decide.

369

00:20:54,800 --> 00:20:55,490

That's too bright.

370

00:20:56,000 --> 00:20:57,020

We a little more black to it.

371

00:20:58,520 --> 00:21:00,620

They're just getting better now.

372

00:21:02,640 --> 00:21:03,030

Okay.

373

00:21:03,090 --> 00:21:07,140

Now I want to add paint

thinner to that once again.

374

00:21:07,170 --> 00:21:09,390

So he thinks all I'm doing

is just stealing the paint.

375

00:21:09,420 --> 00:21:13,500

That's all just getting the paint

because our paint is very dry.

376

00:21:13,590 --> 00:21:20,000

Very firm it's much thicker than

traditional oil paints there.

377

00:21:20,020 --> 00:21:26,220

Now we have two piles of thin

paint, one very dark, one light.

378

00:21:26,310 --> 00:21:26,700

That's fine.

379

00:21:26,700 --> 00:21:27,450

A little Filbert.

380

00:21:29,070 --> 00:21:32,610

There let's take the Filbert and

we'll go through the dark first,

381

00:21:32,879 --> 00:21:34,889

both sides load both sides.

382

00:21:35,850 --> 00:21:40,050

Now I'll bring the light up here and

pull just one side through the light.

383

00:21:41,040 --> 00:21:46,639

So I have light on one side darker than

the other light dark there you might be.

384

00:21:46,639 --> 00:21:49,669

I can see that better light dark can.

385

00:21:49,669 --> 00:21:51,139

Now then sure.

386

00:21:51,139 --> 00:21:55,730

The light sides to the top, you can

go up in here and just begin to decide

387

00:21:56,000 --> 00:21:57,680

where little rocks and stones live.

388

00:21:58,770 --> 00:21:59,820

Let's see, I've turned this waiting.

389

00:21:59,820 --> 00:22:01,080

See it, touch it.

390

00:22:01,080 --> 00:22:07,320

Just make a little, just a little,

little stone, just like it.

391

00:22:09,330 --> 00:22:10,110

There we go.

392

00:22:10,410 --> 00:22:12,210

And you decide how many

live in your world?

393

00:22:14,490 --> 00:22:14,880

Okay.

394

00:22:15,090 --> 00:22:16,650

Let's put a few on the other side too.

395

00:22:17,910 --> 00:22:22,530

Maybe there's one right out in the end

here and you can make them big little.

396

00:22:22,530 --> 00:22:23,220

It doesn't matter.

397

00:22:24,090 --> 00:22:25,230

Some of them live up in here.

398

00:22:28,170 --> 00:22:30,540

Do you ever think you could paint

so many little rocks so easy?

399

00:22:31,110 --> 00:22:34,170

He can, this makes it very simple.

400

00:22:34,710 --> 00:22:34,950

Shoot.

401

00:22:34,980 --> 00:22:36,360

Maybe it was a big one over in here.

402

00:22:36,930 --> 00:22:37,379

I don't know.

403

00:22:38,970 --> 00:22:44,370

Now a little bit of liquid clear,

and then back to my breasts, it has

404

00:22:44,370 --> 00:22:47,879

the little blue, the titanium white

and a little liquid clear on it.

405

00:22:48,960 --> 00:22:53,399

Once again, the liquid clear is on

there only, only to thin the paint.

406

00:22:53,909 --> 00:22:54,210

Okay.

407

00:22:54,870 --> 00:22:55,620

Let's go up in here.

408

00:22:56,399 --> 00:23:00,240

Now we got to think about a

few little ripples on here.

409

00:23:00,300 --> 00:23:03,210

Don't want a lot, just a few little

ripples running across the water.

410

00:23:04,500 --> 00:23:06,930

I'm to wipe off some of

the color I had there.

411

00:23:08,940 --> 00:23:10,350

Just let that play through there.

412

00:23:11,460 --> 00:23:13,350

You want to keep this transparency?

413

00:23:13,500 --> 00:23:17,490

So maybe there's a

little too little water.

414

00:23:17,490 --> 00:23:18,389

He fall right there.

415

00:23:18,735 --> 00:23:20,024

Little splash at the bottom.

416

00:23:22,635 --> 00:23:26,495

Can you can literally look through the

water and see the rocks underneath.

417

00:23:27,215 --> 00:23:29,345

And to me, that's fantastic.

418

00:23:29,675 --> 00:23:33,485

I tried for a long time before we

developed the liquid clear to come up

419

00:23:33,485 --> 00:23:35,165

with a way of doing this wet on wet.

420

00:23:36,544 --> 00:23:40,175

And this is one of the easiest,

nicest ways that I've ever seen.

421

00:23:40,355 --> 00:23:40,955

It works.

422

00:23:42,754 --> 00:23:45,125

Take the liquid clear in the

black Jesso put together.

423

00:23:45,814 --> 00:23:46,415

It's unreal.

424

00:23:46,415 --> 00:23:47,314

What you can do with it.

425

00:23:48,660 --> 00:23:51,900

But isn't that neat that you

can see through this water and

426

00:23:51,900 --> 00:23:54,330

see the rocks underneath there?

427

00:23:55,260 --> 00:24:01,320

I think that's a fantastic, I won't take

my little, my small knife, a little white,

428

00:24:01,630 --> 00:24:03,180

little black and Brown mixed together.

429

00:24:05,510 --> 00:24:06,200

There we go.

430

00:24:06,440 --> 00:24:07,400

One more black in there.

431

00:24:11,210 --> 00:24:14,510

I just want to define this age a little

bit bothers me that it doesn't show up

432

00:24:14,540 --> 00:24:16,790

quite as much as I want it to there.

433

00:24:17,115 --> 00:24:18,135

That's all I'm going to do to it.

434

00:24:18,285 --> 00:24:20,715

Just so it stands out and you

can see it nice and plain.

435

00:24:21,605 --> 00:24:23,975

And I think with that shoot,

I've got to finish painting.

436

00:24:25,595 --> 00:24:30,485

This is a painting that you can do once

again, even if you've never painted this,

437

00:24:30,485 --> 00:24:34,715

when you can do every day, I get letters

from people that tell me their third or

438

00:24:34,715 --> 00:24:39,275

fourth grade art teacher told him they

had no talent and they've all their life.

439

00:24:39,275 --> 00:24:41,255

They've hit this desire wanting to paint.

440

00:24:41,855 --> 00:24:42,875

This is one you can do.

441

00:24:43,295 --> 00:24:44,915

Let's sign this little

painting right here.

442

00:24:46,615 --> 00:24:47,685

We'll call it finished.

443

00:24:50,675 --> 00:24:54,185

If you do this one, take time,

take a photograph and send to me.

444

00:24:54,185 --> 00:24:56,554

Let me see, let me see your

results of what you're doing.

445

00:24:56,615 --> 00:24:59,405

I'd love to hear from you and

from all of us here, I'd like

446

00:24:59,405 --> 00:25:00,455

to wish you happy painting.

447

00:25:01,115 --> 00:25:02,254

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E08 - Deep Forest Falls

Bob Ross's

The Joy of Painting

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