Bob Ross's
The Joy of Painting
S30E10 - Seaside Harmony
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Hey, welcome back.
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Certainly glad you could join us today.
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I thought today we'd do a little
seascape, one this real easy, and
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I believe you're going to enjoy it.
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Let's start out and hammer run
all the colors across the screen
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that you need to paint along
with us while they're doing that.
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Let me show you this crazy canvas.
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I got up here today.
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Today.
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I've taken my standard old 18 by 24
inch canvas, but I've painted the
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top with alizarin Crimson acrylic.
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Let me say that again.
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It's acrylic on top.
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And the bottom is black Jesso, then
I've covered it in thing with a
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very thin coat of the liquid clear.
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Okay.
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Down here on the bottom, I've taken
a little pressure and blue and SAP
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green and ran across just a little bit.
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And down here, a little Brown made
from a lizard Crimson and SAP green.
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So this Brown on the bottom
is sort of a blue green here.
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And this just has clear
on it and real play.
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All right.
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Just getting the introduction.
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There was a biggie.
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Let's take a little titanium white, then
I'm going to come right around here and
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get a little bit of the midnight black.
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And I'm going to make a gray color,
just white and black or black and
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white, whatever your preference.
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Now, then let's go right up in here.
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And I'm just gonna, just gonna
dance in a few little areas is here
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and there just a light gray color.
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I don't want to cover up all this
red, but here and there, I want to
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have just some little indications.
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The white is very opaque, but if
you get it thin enough, the red
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will still show through and it'll
give a reddish hue to our painting.
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At least in the sky there.
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Something about like, yeah, that's
basically what we're looking for.
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Just some little
indications here and there.
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All right.
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Once again, I don't want
to kill all this red.
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I want it to come through the color,
so you need to really thin it out.
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And because of liquid clears on there,
you can get this very thin and it'll
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work out for you very nicely there.
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Now, while I have a little rescue
in, I'm going to take a very, very
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small amount of the little blue.
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Just a little bit on the old two
inch brush, very small amount.
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I just want to tint the sky here
and there with a little thing.
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Little blue, not much, not much.
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Be careful.
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Once again, I don't want
to lose this reddish.
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Or that we have through
the entire painting.
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Just want to add a little blue hair
in there, but once again, not much,
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maybe a little right down in here, just
wherever, wherever, and we'll sort of
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play back and forth as we work now.
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Okay.
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Time to wash the old brush.
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Cause that's a fun part.
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I just really look for
excuses to wash the brush.
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Shake off the excess
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and just beat the devil out of it.
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There we go.
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That's built us today.
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A happy little cloud.
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I'm going to take a little
titanium, white red on the old
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two inch brush, same old brush.
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And let's go up in here and let's
just drop in the indication.
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I have some little clouds that
live up in here to maybe wherever
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it doesn't much matter wherever
you think they should live.
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That's exactly where they should be.
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Just some basic little shapes.
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Okay.
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I'll be right back.
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I'm going grab a, a blender brush here.
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This is a very, very soft
little blender brush.
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It allows you just to blend these
things together, that easy, that easy.
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All right.
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Let's see how easy it is to
make a fantastic little cloud.
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You can do this.
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All you need is a little
practice, the right equipment.
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And off you go.
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Hmm.
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Okay.
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So what makes this style
of painting so unique?
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So wonderful.
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Is it anybody can do it.
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You don't, you don't have to be
blessed by Michael Angelo at birth.
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You can create a beautiful painting.
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Yeah, you can do it.
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All right.
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Maybe another little happy
cloud lives right here.
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Notice we're doing them in layers though.
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Now, then back to my little blender.
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And there we are just blended
away, blended away wherever
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you want it to go there.
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See, but this keeps the edge nice.
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And from there by doing it in
layers, so don't get greedy.
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I know it gets good.
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And you don't want to stop.
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You want to do them all at one time.
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But take your time.
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Take your time.
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Just try to do one at a time there.
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Maybe just letting this
sort of dance around.
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Maybe it comes right out here
wherever we're going to have
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some big clouds in the sky today.
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So you just decide where you want them
and drop them in really that easy.
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Just tap them in.
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Maybe there's even a little
bit goes off in here somewhere
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back to her, a little blender.
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That's all I'm doing.
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Just picking up the blender and then
we'll begin putting these together.
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Just blend them away.
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Very softly.
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We're going to have a
monster sky in this one.
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I can tell they're a little
blender brush though.
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It's so soft.
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You can go right over the
paint without mixing it all up.
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There we go.
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I want to just feather
those edges out too.
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They're very quiet.
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You almost don't see them.
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They just sort of disappear.
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There we are.
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That's all we need.
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That's all we need.
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Alrighty.
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That's looking like a
pretty nice little sky.
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I like to do skies like you, sir,
a lot of fun, a little more white.
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I'm not stopping yet.
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I think we'll just put another
happy little cloud in there.
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Maybe it comes around.
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My cat goes off.
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You would make a decision in your world.
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You decide where everything relieves
the clouds, escaping little birds there.
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I'm just going to put another
cloud here, you know, in one of
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the earlier shows, couple of early
shows, I showed one of my little baby
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squirrels that I'm raising right now.
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We've had so many people write
and say, I want to see him again.
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So I'm gonna put up a little bit
of footage here and let you just
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check out my little squirrel.
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This is the one we call Peapod
junior because he sorta likes
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to live in my, in my shirt too.
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Yeah.
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Isn't he a mess?
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I love these little Rascals.
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They're so much fun to feed into.
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To play with and to work with creates
a whole new awareness of nature.
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When you work with little animals by
kiss, probably in every town, nearly
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in that country, there are people who
work with injured and orphaned animals.
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And this is, this is where I get all
these little animals that you see.
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I try to work with these people
and help them out any way I can
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make their life a little easier.
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And they allowed me to share.
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Just what you see right there.
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Some of God's little creatures,
isn't he adorable by the time you
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see this, he'll be living out in
our backyard because we do not.
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We do not keep these little animals.
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These are wild animals.
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And they're meant to live outside
and that's where we put them, but
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hopefully he'll hang around in the
backyard and allow me to continue to,
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to share his world for a little while.
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Look at there.
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He not the neatest eater in the
world is he, but that's okay.
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Every year I raise several of these
little Rascals and turn them loose.
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They're just gives you a good feeling.
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All I'm doing is just putting in
some clouds while you watching
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little Peapod junior there.
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All right.
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He wouldn't share either.
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You notice that that's totally
his, none of that's for me.
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Okay.
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I think we have, we about
have a little scar finish.
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I hope you enjoy watching
those little critters.
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Cause they really are fun and
they're very important in my life.
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Except tuck a little touch of that.
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They look blue, it just added right there.
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Just a little touch.
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All right.
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Yeah.
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I have a little piece of masking tape
here just to protect my horizon line.
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But that's the only reason it's there a
little touch, more that they love blue.
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I already have white on this
little blender, so they'll
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just sort of mix together.
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Isn't that a wild sky?
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I bet there's a storm coming here.
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All right.
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Now that I get to wash the old brush
again, that's really all I wanted to do.
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We'd wash our brushes as you know, and
odorless paint, thinner, shake off the
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excess and just beat the devil out of it.
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Okay.
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I'm going to take off this
little piece of masking tape.
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See, now that way my horizon line is
nice and straight and very human and
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that was suppression blue and SAP green.
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Okay.
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I want to have just a touch more
where the piece of tape was there.
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Just adding a little bit more
like, okay, we're in business.
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I thought today let's play a little bit.
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Seascapes, give some people a hard time.
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They're not the easiest
thing in the world to paint.
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So let's make a smack a seascape.
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It's a little easier to do today.
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We're going to use the small knife
a lot, and I'm gonna take a little
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roll of paint and I'm going to start
out by just figuring out basically
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here where my major wave will be.
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I want one big crash or
wave it comes right up here.
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Maybe it bends over like that.
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And maybe there's a little dude
there and off sort of like it.
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That's really about all we're looking for.
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It's just a shape to tell us where the
old big waves going to live in our world.
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And back here, maybe
there's a little wave.
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It lives.
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They're putting a lot of pressure
on the knife, bending it, bending.
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If you can get too crazy.
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It's nice.
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Pretty strong.
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You're not going to break it now.
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I will take a number three
fan brush, and we're using the
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small one today and very gently.
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I just want to blend
that back a little bit.
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Just enough, just enough to do that.
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See, we don't want to lose
it's the dark area right here.
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This important.
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Don't lose it.
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Hang on to it's a good friend.
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Just blend a little
bit of that color back.
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Just a little, so you don't get too crazy.
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I know, I know it gets, it gets
nice and a little bit in here a
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little bit there now to tell you
what I have a little brush going.
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I'll take a little more titanium white
and back in here and just kind of put some
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little indications of some little strokes
that will make it look like a little
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distant, where he was far, far away.
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Something about like, so we're
not too worried about these.
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We'll sort of put them together
with the liner brush and we'll
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put detail in there, there, but
that's really about all we need.
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It gives the indication that
something's happening back here.
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Other than that, not too worried there.
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Now then let's have some fun.
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Let's have some fun.
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We'll take some more little titanium
white and I'm getting a little roll of
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paint on the knife right down to the edge.
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It lives.
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We out there.
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Now we said that this water was
it's going to come around here.
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Like, yes.
245
00:12:21,620 --> 00:12:27,560
So all we're going to do just touch and
give a little pull, give a little pull.
246
00:12:28,939 --> 00:12:29,390
I can't.
247
00:12:31,365 --> 00:12:34,155
There that's going to
be the top of that way.
248
00:12:35,055 --> 00:12:39,015
Grab a little number three fan brush
again, and I'm just going to barely
249
00:12:39,015 --> 00:12:43,245
touch this and give it a little
tiny pull over, like, so, and that's
250
00:12:43,245 --> 00:12:44,415
about all I'm going to do to that.
251
00:12:46,560 --> 00:12:53,250
Now we need an, I am the wave or is
this commonly known the pretty part?
252
00:12:54,990 --> 00:12:58,560
We'll take a little titanium
height and go right up in here and
253
00:12:58,560 --> 00:13:00,000
just begin rubbing with a knife.
254
00:13:00,510 --> 00:13:03,300
Just rub it like that.
255
00:13:05,190 --> 00:13:07,210
See, all you have to do is rub it in.
256
00:13:07,230 --> 00:13:08,760
It'll get as smooth.
257
00:13:09,540 --> 00:13:10,650
We'll take a little bit of the.
258
00:13:12,329 --> 00:13:16,079
Cadmium yellow, little white,
and then we'll put a little touch
259
00:13:16,109 --> 00:13:20,280
right in here and rub that there.
260
00:13:20,400 --> 00:13:22,650
It looks like sunlight just
zipping right through there.
261
00:13:26,550 --> 00:13:31,770
Just like, so that already it's beginning
to give the impression of a wave.
262
00:13:32,939 --> 00:13:33,630
It's that easy.
263
00:13:36,150 --> 00:13:36,600
Okay.
264
00:13:37,890 --> 00:13:43,590
Take a little fellow blue alizarin,
Crimson proportionally much, much more
265
00:13:43,590 --> 00:13:46,110
Crimson, much more Crimson than the blue.
266
00:13:47,640 --> 00:13:48,420
All right.
267
00:13:49,200 --> 00:13:52,020
Grab a little white and put it in
there so I can see what color of gut.
268
00:13:52,470 --> 00:13:53,400
Ooh, I like that.
269
00:13:54,360 --> 00:13:54,450
Okay.
270
00:13:55,200 --> 00:13:56,130
I like that color.
271
00:13:56,190 --> 00:13:56,760
Nice one.
272
00:13:57,360 --> 00:13:59,550
Sometimes it just works wonderful.
273
00:14:00,180 --> 00:14:04,740
It will come right in here and we'll
put a little, little indication, maybe
274
00:14:05,280 --> 00:14:09,690
a shadow there and just rub it in.
275
00:14:10,590 --> 00:14:11,760
It's going to mix with that color.
276
00:14:11,760 --> 00:14:14,490
That's on the canvas automatically.
277
00:14:15,310 --> 00:14:18,280
Automatically this old crasher way.
278
00:14:18,280 --> 00:14:21,430
He comes right up here
and breaks the horizon.
279
00:14:22,690 --> 00:14:23,320
There we go.
280
00:14:24,310 --> 00:14:30,130
Just splash it up in the sky about like,
yeah, we don't know where it's going yet.
281
00:14:30,160 --> 00:14:31,780
We'll make a decision in a little while.
282
00:14:33,160 --> 00:14:37,390
Take a little thing, a little
blue, a little bit of a wipe.
283
00:14:41,505 --> 00:14:43,925
Yeah, it would just make
a nice bluish color.
284
00:14:43,925 --> 00:14:45,095
Maybe a little darker than that.
285
00:14:47,105 --> 00:14:47,795
About my kit.
286
00:14:47,885 --> 00:14:48,635
That's pretty nice.
287
00:14:48,635 --> 00:14:49,355
I like it color.
288
00:14:51,305 --> 00:14:54,305
All right there.
289
00:14:54,305 --> 00:14:59,915
Now we have several different values we
can use and we could begin thinking about.
290
00:15:00,945 --> 00:15:09,255
Maybe there's a little Deuter comes right
there and I didn't make any sense yet.
291
00:15:09,855 --> 00:15:12,375
Watch, watch, watch, watch.
292
00:15:12,555 --> 00:15:13,125
It'll come.
293
00:15:13,565 --> 00:15:17,415
It'll come here comes the
water coming right down.
294
00:15:18,705 --> 00:15:20,775
We can just put all kinds
of little things in there.
295
00:15:22,680 --> 00:15:23,819
Just blend them together.
296
00:15:23,970 --> 00:15:25,980
This knife will do fantastic things.
297
00:15:25,980 --> 00:15:29,569
If you just give it a chance, just rub it.
298
00:15:31,910 --> 00:15:35,990
I like to do entire paintings using
nothing but the knife when I'm at home,
299
00:15:37,430 --> 00:15:42,110
but that's hard to do on television
with the limited timeframe that we have,
300
00:15:43,760 --> 00:15:48,620
but you can do the entire painting with
nothing but tonight you really can.
301
00:15:50,520 --> 00:15:54,990
All right, take a little
bit of the titanium.
302
00:15:54,990 --> 00:15:55,530
White.
303
00:15:58,410 --> 00:16:02,910
Just want to make it look like a
water beginning to fall over something
304
00:16:02,910 --> 00:16:08,450
about like, so now then let's take,
I'm just using the knife here and
305
00:16:08,450 --> 00:16:13,860
I'm just going to touch it and let
that water splashing churn crashes.
306
00:16:13,860 --> 00:16:14,550
It comes over.
307
00:16:15,885 --> 00:16:18,195
Just boom, make little sound effects.
308
00:16:18,195 --> 00:16:20,475
When you do this, it really
helps get you in the mood.
309
00:16:20,475 --> 00:16:23,835
Think about being like
about it to hit the ocean.
310
00:16:26,355 --> 00:16:29,625
If you don't live close to the
ocean, then just sort of imagine
311
00:16:29,625 --> 00:16:31,935
it painting is his imagination.
312
00:16:31,965 --> 00:16:39,485
Anyway, it's imagination that you can
see there, but that easily you can make
313
00:16:39,485 --> 00:16:42,395
an indication of just a happy little.
314
00:16:43,215 --> 00:16:46,035
Foam wave crashing, churning.
315
00:16:49,935 --> 00:16:50,475
All right.
316
00:16:50,505 --> 00:16:53,505
We need something for that
to be, be a hip Noam there.
317
00:16:54,585 --> 00:16:57,795
Just take some of our Browns,
Vandyke, dark Santa mixed together.
318
00:16:59,565 --> 00:17:01,575
Throw us black in there to own it's dark.
319
00:17:03,285 --> 00:17:06,944
Maybe, yeah, let's put us
a mass rock right here.
320
00:17:08,565 --> 00:17:12,254
There, it is just a big old happy rock.
321
00:17:12,795 --> 00:17:14,895
Kind of have something
for all this to splash on.
322
00:17:16,890 --> 00:17:18,030
There I go making him noise again.
323
00:17:18,060 --> 00:17:18,480
I'm sorry.
324
00:17:18,480 --> 00:17:19,950
I get carried away making noises.
325
00:17:21,540 --> 00:17:23,640
If you wish to record me at
home, when I'm painting by
326
00:17:23,640 --> 00:17:25,560
myself, people think you're nuts.
327
00:17:25,910 --> 00:17:31,260
I sit around all by myself in a
big old empty house and make weird
328
00:17:31,260 --> 00:17:35,700
little noises, but they say, you
know, you know that Bob he's a
329
00:17:35,700 --> 00:17:38,640
painter painters are sort of strange.
330
00:17:38,730 --> 00:17:38,970
So.
331
00:17:40,169 --> 00:17:44,610
So it's okay to take a little
black, little white, little
332
00:17:44,610 --> 00:17:48,350
Brown mixed all together there.
333
00:17:49,370 --> 00:17:52,550
Now I want to come right in here and
I'm just still just using the knife.
334
00:17:53,929 --> 00:17:56,690
Just going to sort of put the
indication of a stone here.
335
00:17:59,090 --> 00:18:00,860
I have to keep wiping the knife off.
336
00:18:00,860 --> 00:18:02,419
Just wipe off the excess paint.
337
00:18:03,465 --> 00:18:08,745
Then just by, just by rubbing it, you
can begin to create the illusion of
338
00:18:08,745 --> 00:18:10,575
all kinds of things happening here.
339
00:18:12,015 --> 00:18:14,525
Painting is nothing more
than games of illusion.
340
00:18:14,555 --> 00:18:17,885
That's really all it is on a flat surface.
341
00:18:17,885 --> 00:18:20,495
You make it look like
there's depth and dimension.
342
00:18:22,175 --> 00:18:23,345
That's what it's all about.
343
00:18:25,175 --> 00:18:27,305
We will take a little height,
a little touch of that.
344
00:18:27,635 --> 00:18:30,815
Blue, not much and very gently.
345
00:18:31,515 --> 00:18:37,665
Very gently just begin bringing these
two together, just churning and fighting,
346
00:18:37,755 --> 00:18:39,195
crashing, and carrying on there.
347
00:18:40,825 --> 00:18:41,685
There we are
348
00:18:44,775 --> 00:18:45,975
something about my kid.
349
00:18:47,805 --> 00:18:50,835
All right now, that's fine.
350
00:18:51,135 --> 00:18:55,755
Here's one, we'll take a little
Indian, yellow, some white,
351
00:18:57,795 --> 00:18:58,755
and just mix them together.
352
00:18:58,755 --> 00:19:00,645
Indian yellow is a very bright yellow.
353
00:19:01,635 --> 00:19:02,355
Let's go up in here.
354
00:19:03,075 --> 00:19:07,125
Maybe, maybe, maybe right there.
355
00:19:08,175 --> 00:19:09,885
We'll put some reflection
right in the water.
356
00:19:13,074 --> 00:19:13,675
I like it.
357
00:19:14,335 --> 00:19:17,304
Now, if you start in the brightest
area in workout automatically, it'll
358
00:19:17,304 --> 00:19:22,014
pick up a color underneath and get
starker and darker as it works out
359
00:19:22,695 --> 00:19:25,215
a little more color lightest area.
360
00:19:27,524 --> 00:19:30,345
And then we work outward, outward
out, whatever it's that easy.
361
00:19:32,254 --> 00:19:34,125
It gets darker and darker automatically.
362
00:19:34,215 --> 00:19:36,495
And that will go across just
like with making reflections.
363
00:19:37,409 --> 00:19:38,399
Because that's what it is.
364
00:19:38,730 --> 00:19:42,480
It's just reflected color already.
365
00:19:42,480 --> 00:19:43,200
It looks wet.
366
00:19:44,580 --> 00:19:49,679
I can't have them time to
start having some fun here.
367
00:19:50,460 --> 00:19:58,500
Take a little white little blue and
maybe from pressure right along in here.
368
00:20:00,510 --> 00:20:03,570
My cap from, from pressure.
369
00:20:06,030 --> 00:20:10,290
There we go really get
in there and work it.
370
00:20:11,520 --> 00:20:13,710
We didn't have a neat way to
make a little seascape man.
371
00:20:14,780 --> 00:20:18,590
And as I say, if you've had trouble with
seascapes before, this might be the answer
372
00:20:18,590 --> 00:20:22,340
to your problem because it's very simple.
373
00:20:22,430 --> 00:20:22,820
It works.
374
00:20:25,490 --> 00:20:29,870
Put another little dude
right there from pressure.
375
00:20:29,870 --> 00:20:31,670
I want that nice edge to be there.
376
00:20:34,455 --> 00:20:39,725
And you do to wipe tonight,
continually get the paint off there,
377
00:20:42,425 --> 00:20:46,355
right on around something like
cat, a few of these little neuters.
378
00:20:46,355 --> 00:20:52,535
We can bring them, see it's up to you
to make the decisions you make the
379
00:20:52,535 --> 00:20:55,655
decisions wherever you want them to be.
380
00:20:58,695 --> 00:20:59,075
Right.
381
00:21:05,625 --> 00:21:08,025
Just all kinds of little
things happening in here.
382
00:21:08,745 --> 00:21:13,215
Pick up a little bit colored,
bring it down a Crete, the way the
383
00:21:13,215 --> 00:21:16,815
water is going to flow that easy.
384
00:21:19,425 --> 00:21:20,205
All right.
385
00:21:20,655 --> 00:21:22,755
I get carried away when I do
these, because I like them.
386
00:21:24,165 --> 00:21:27,165
I like to do these little Rascals
and I like to paint with a knife.
387
00:21:28,695 --> 00:21:33,585
It's really, as I say, when you're at
home, you can paint entire paintings
388
00:21:33,915 --> 00:21:35,655
using nothing, but the knife try it.
389
00:21:36,675 --> 00:21:37,455
You'll like it.
390
00:21:37,995 --> 00:21:41,955
I'll take a little more of
the blue and white once again,
391
00:21:41,955 --> 00:21:42,735
our little roll of paint.
392
00:21:42,735 --> 00:21:45,465
I want one more of those little
looters there's right here.
393
00:21:46,995 --> 00:21:48,044
Something about like yet.
394
00:21:48,044 --> 00:21:51,075
So it just goes right on off the
canvas gives us a little more depth.
395
00:21:54,270 --> 00:21:56,340
And put a few little things.
396
00:21:56,880 --> 00:22:02,640
Now we can take our little fan brush and
very gently just grab that and pull it
397
00:22:02,640 --> 00:22:06,570
back right across the, the water there.
398
00:22:07,110 --> 00:22:09,090
See, just pull it back.
399
00:22:09,840 --> 00:22:10,830
Just grab that color.
400
00:22:11,970 --> 00:22:13,200
That needs to go pretty straight.
401
00:22:13,200 --> 00:22:16,470
You don't want your water to
look like it's running up side
402
00:22:16,470 --> 00:22:17,490
of a mountain or something.
403
00:22:17,580 --> 00:22:18,840
It needs to go fairly straight.
404
00:22:20,340 --> 00:22:21,060
All right.
405
00:22:23,070 --> 00:22:27,330
But it not a super simple little way
of making a very effective seascape.
406
00:22:28,670 --> 00:22:29,590
Thank you like that one.
407
00:22:29,610 --> 00:22:29,960
Try it.
408
00:22:30,890 --> 00:22:34,670
And I'd love to hear from you, you
know, if you have time drop me a line,
409
00:22:35,240 --> 00:22:36,920
send me a photograph of your paintings.
410
00:22:38,210 --> 00:22:40,760
Ah, gosh, we get some of the
most beautiful photographs.
411
00:22:41,325 --> 00:22:42,915
People are doing all over the country.
412
00:22:43,455 --> 00:22:45,555
Marvelous, marvelous paintings.
413
00:22:46,185 --> 00:22:47,025
I want to brighten that.
414
00:22:47,025 --> 00:22:47,895
So it stands out.
415
00:22:49,295 --> 00:22:50,935
Looks like the water's
coming over a little bit.
416
00:22:53,735 --> 00:22:56,645
They're in there up to you.
417
00:22:56,645 --> 00:22:58,745
You decide where all
these little Rascals live.
418
00:22:59,225 --> 00:22:59,285
Yeah.
419
00:23:02,975 --> 00:23:05,075
And splash a few little
more things up in here.
420
00:23:05,135 --> 00:23:08,855
Don't get this too crazy up in here.
421
00:23:09,335 --> 00:23:09,605
There.
422
00:23:11,730 --> 00:23:12,420
All right.
423
00:23:13,920 --> 00:23:18,080
As I mentioned, we can take the script,
Lander brush, little paint, thinner.
424
00:23:19,850 --> 00:23:25,130
I'm using white with a touch,
just a touch of fatal blue in it.
425
00:23:26,150 --> 00:23:28,460
And here and there, and there, you
could get in here and put in some
426
00:23:28,460 --> 00:23:33,050
details, just put in all kinds
of little waves and things that
427
00:23:33,050 --> 00:23:35,870
make your seascape really special.
428
00:23:35,960 --> 00:23:37,130
Fantastic looking.
429
00:23:38,430 --> 00:23:42,480
But that easy, just in the paint
down with paint thinner, and
430
00:23:42,480 --> 00:23:43,920
then it'll slide right over here.
431
00:23:47,960 --> 00:23:48,050
Okay.
432
00:23:48,770 --> 00:23:52,880
Once again, I think this is one of the
easiest seascapes we've ever come up with.
433
00:23:54,260 --> 00:23:57,290
It's a lot of fun to do, and
you really can do this one.
434
00:23:58,370 --> 00:24:03,050
We'll have a little dirt just comes right
down the wave here anywhere you want.
435
00:24:05,150 --> 00:24:05,900
There we go.
436
00:24:08,610 --> 00:24:12,180
And you could put as much detail in
your world as you want, or you can
437
00:24:12,180 --> 00:24:14,250
stop right there, you know, right.
438
00:24:14,250 --> 00:24:17,040
Where it was, take a little
of that lavender color.
439
00:24:18,630 --> 00:24:22,170
And I just want to highlight right
around the edge of that, that little
440
00:24:22,170 --> 00:24:24,030
dark line will help set everything off.
441
00:24:26,160 --> 00:24:30,660
And even under here, if you put a
dark line, it'll make it project up.
442
00:24:31,304 --> 00:24:34,215
Just put a dark line under all
those little things, right?
443
00:24:34,215 --> 00:24:39,544
Like it, and I think we'll take
a little red and we'll sign this
444
00:24:39,544 --> 00:24:41,824
one, going to call it finished.
445
00:24:42,544 --> 00:24:42,784
Hope.
446
00:24:42,784 --> 00:24:46,564
You've enjoyed this little seascape
and it's a lot of fun and I'd
447
00:24:46,564 --> 00:24:47,824
love to see what you're doing.
448
00:24:48,034 --> 00:24:52,385
If you do have time, send me a picture
until next time from all of us here.
449
00:24:52,804 --> 00:24:54,185
I'd like to wish you happy painting.
450
00:24:55,054 --> 00:24:56,165
And God bless my friend.
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