Bob Ross's

The Joy of Painting

S28E09 - Winter's Grace

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Hi, I'm glad you could join us today.

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I thought today would just do a fantastic

little scene that I think you'll enjoy.

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So let's start out and have run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I got up here.

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I have my plain old 18 to

24 inch double prime canvas.

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And today I've just covered

the entire canvas with a little

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thin coat of liquid white.

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That's really all we have on there.

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Just little liquid white.

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And I thought maybe today

would do a little winter scene.

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Now, personally, I like winter scenes

that are quite warm and I have a tendency

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to paint them that way, but I've got a

lot of letters from people saying, Hey,

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I like the ones that are very cold.

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So I want to show you how to do a scene.

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That's very, very cold.

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You may have to put your

coat on for this one's over.

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So let's just have some fun today.

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Let's start out with a small amount

of thalo blue, just a little bit.

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I'm going to use a very limited palette

today by that that all of us mean

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it's just very few colors to do this.

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Mostly just blue, black, and white.

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Now then let's just take

a little bit of this.

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They low blue.

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And we'll just start in like this making

little, little Xs, little crisscross,

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but I'm going to start and work outward.

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So it gets larger about like

Kevin, I like the yellow blue.

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It's a very warm blue, probably

has a little green in it.

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A very nice blue though.

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Now we have a little blue

circle up here in the sky.

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Let's take.

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Without even cleaning the

brush and I'm going to go into

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Prussian blue and Prussian blue

is many, many times stronger.

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It's a very dark strong, rich blue,

this load, a little color and bit, and

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we'll go right up in here, still using

the little crisscross strokes, something

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about my cat, boom, touch more there.

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And then I'll just bring

it right down into that.

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They load blue, just let

them sort of blend together.

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Like, so we'll come back and blend it

a little more in a minute there, but

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basically that's all we're looking for,

but the paint goes on easily because

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we have the liquid white on here.

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It just blends right on here.

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We're working on a draft canvas.

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You'd probably be an agony city by now.

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Probably be upset with me.

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And we want this to work for you.

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I'm going to take some pressure

and blue and some black each layer.

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As we go away from the lightest

areas, getting darker and

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darker, darker, and darker.

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There we go.

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This is Prussian blue and midnight black

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and out here on the very end.

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We'll just go.

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And to block there, there is a little

blue on the brush, so it'll mix

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with the black that we put on there.

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Okay.

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Shoot.

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We just about having, we might as

well just fill the whole canvas up.

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It didn't matter.

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We're going to do a little winter pitcher.

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Any of this blue that ends up down in

the snow will just turn into shadows.

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It's okay.

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You don't worry about it.

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Now.

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The most fun part of the whole

technique that's washing the brush.

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There we go.

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Shake off the excess

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and here we are now let's take the old two

inch brush and then we'll take one corner.

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Just one corner and go into a little

bit of titanium white I, a beautiful

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closeup there, but you can see just

one corner is hitting the paint.

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Can let's go back up here.

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Now decide where you light sources.

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Yeah.

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And in my painting, I think it's

going to be right here in your world.

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You may want it somewhere else, but take

that one corner, one corner that has

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the paint on it and start around going

around, round it around and doing it.

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Let we go there here.

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I see.

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So there's to it and just

begin working outward.

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You want this to be the lightest

brightest part of the painting there.

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And you can do this as many times

as you want, but if you get your

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brush contaminated with blue, I would

suggest that you clean your brush.

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Before you go back into the white.

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There we are.

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I'm going to clean the brush

and do it one more time just

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to get a little bit brighter.

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Actually, I was just looking for

an excuse to clean the brush.

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One more time right here and work outward.

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There we go.

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As I say, you can do this several

times to achieve a desired lightness.

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Now, then we can just blend the

rest of the canvas together.

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Just blended too.

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You can't tell her one color

stops and the next color starts.

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It can be very smooth and you can

have a graduation of color, quite

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dark down to almost pure white.

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All right.

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And then very lightly

three hairs in some air.

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I'll just blend all the way across it.

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Just to take out the little brush marks

and everything and bring it all together.

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Okay.

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And that's about all I'm going

to do for that little sky.

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Let's have some fun.

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I'm going to take a little bit of blue

and some white and mix it together.

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I want to make a light blue.

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That's pretty good.

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They low a little depression

and a little white.

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Okay.

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Let me clean off the old knife.

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We just wiped the knife on a paper towel.

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Hands wiped on the pants.

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There you go.

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I'm gonna take the fan brush, put a

little bit of puts more white in there.

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Put a little bit on the bristles.

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I don't need a lot of

paint, but it's very light.

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In fact, it's almost the color of the

sky and we can hold it up here and check.

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It may not be, this may be, you

know, it's gotta be a little darker.

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You're not going to see it,

but just sort of test it.

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Oh, that's good.

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There.

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And maybe back in here,

there's a little Hill.

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Once again, I want this

almost the color of this guy.

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So you really have to, you have

to sort of study to even find it.

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This is going to end up being

just the indication of little

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Hills that live far away.

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We back in the distance.

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Now we can take a two inch brush,

grab that and just gently pull it.

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Very gently and just blend it

together, land it together.

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Sassy.

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I want that to be far away,

quiet little devil there.

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Very tranquil serene there.

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Just to just an indication of

something going on back here.

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Brush too slow.

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Let's get the two inch brush here.

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I'm going to take a

little bit of the blue.

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Ooh, let them impression Bluetooth.

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They low impression both.

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Now tap the brush and push it.

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Get a little bit on the right

on the end of the bristles.

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Let's go up in here and maybe

see if that's a little darker.

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Yep.

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Each one of these little foothills

that we put in here, I want them to

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get a little, little darker foothills,

little, little mountains, whatever,

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if it goes all the way up to there,

add a little more color to my brush.

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Oh way up pan, maybe it goes over here.

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I don't know.

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It's up to you.

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You make these big decisions for all

these little things live in your world.

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Now I'm going to take it and lift

upward, just lifted straight up.

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So it looks like little trees

that live far, far away.

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We back in the distance somewhere.

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We don't know where they

are too far away there.

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Laptop burden.

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There sounds believable that you can make

such delicate looking little things with

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a brush this big, but you really can.

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Maybe something comes down

right on out through here.

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Just let your imagination go.

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It'll take you anywhere that you want

to be anywhere that you want to be.

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Just all kinds of little things and

grow down the side of the Hill there.

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This is a very simple little painting.

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You should have no problem with it.

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If you're just beginning to learn this

technique, this is one that you can do.

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It's very easy and it

uses very few colors.

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Very, very few colors.

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All right.

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Let's again, lift up.

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Make sure these little lines go straight

up or look like the wind's blowing and

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bet a million miles an hour in your world.

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And all the trees have

been blown over nearly.

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Okay.

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So make sure that goes straight

up, something like, so, okay.

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But didn't that a simple, simple

way of making a very effective

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little Hill that you can see all the

little things growing down on works.

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That's what's so great

about this technique.

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It works maybe over here, it's

a little C just lift up or.

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Make all kinds of little

doers, wherever you want them.

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Let's take us a fan brush, a

little bit of titanium white.

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We said this was winter.

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So we'll put a little snow in there.

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Just load some white right on the brush.

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Okay.

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Now you have to start

making some decisions.

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Maybe there's a little bit

of snow laying back in here.

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We want this to indicate that

it just sorta climbs right up

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the side of the mountain there.

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That it just disappeared.

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We don't know where it goes back here.

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Don't know that we even care

don't know that we even care.

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There, but just sort of pay

attention to the angles and how

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they, how they flow in your world.

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All right.

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See all that blue color is under there.

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It doesn't matter.

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It now comes out to be beautiful shadows.

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It's one of those happy accidents.

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We liked those there.

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Wherever you want this to go?

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already, it looks like you could take your

dog sled and just travel we back in there

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or your snow machine or whatever you have.

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I lived in Alaska long time, so I'm

used to people having dog sleds.

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That's still a big sport

in Fairbanks where I lived.

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And they have big dog sled races up there

every year, right in the middle of town.

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Sometimes they have the little rod,

which is, I think about a 1500 mile dog

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grace or that's, it takes a tough person.

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And I think it's been won by

a lady in the last few years.

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Hmm.

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Hmm.

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Okay.

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Let's go back to our little fan brush.

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It had the blue on it and we'll

take some white and some blue since

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that's all I have is white and blue.

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Basically we'll throw a

little black unit to this.

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Painting is really more

of an exercise in values.

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The intensity of the color.

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Let me wipe off the knife there.

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We'll load a little led on the fan brush

and maybe, maybe, maybe in our world here.

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Okay.

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We'll just check out your bravery

right in front of this mountain.

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Maybe their lives, maybe a little standup

trees or a little grouping of trees there.

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Not like

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just let them wander down the side.

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We don't know where they go.

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Don't know that we even care.

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It doesn't matter.

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We'll figure that out next right now.

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We just want to drop some in there.

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Let's see.

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Maybe we just go on down here and

just let them start to disappear in

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a teeny little trees back up in here.

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I don't know where they'll go.

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It doesn't matter at this

point, really doesn't matter.

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I'll take a two inch brush.

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I'm going to tap that just a little more.

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If the base of these trees to

be a little softer than the top.

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So all I'm gonna do is just tap

and then lift upward like that

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and go back and smooth,

snow out, say easily.

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That is, and we're back in business.

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And back to my little fan brush, we'll

have some snow going right up in here.

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Just sort of let it creep right

up to the base of these trees.

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So it looks like it was a little

incline there, a little Hill

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there, something about like, yeah.

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We don't know, don't know

that we care right now.

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We're just putting in little

angles and stuff and then

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we'll begin to look at them.

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See what we have back to the fan brush.

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It has the tree color on it.

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And maybe there's some happy little

bushes that live right in there.

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Just touch, lift up or make it look

like little, little grassy areas

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back in there, here and there and

there and here wherever you want.

249

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All right.

250

00:15:01,605 --> 00:15:03,525

Maybe in Arab world, get the small one.

251

00:15:03,755 --> 00:15:06,125

I'll just use some that same

blue color that we were using

252

00:15:08,735 --> 00:15:13,385

maybe in our world, back in here.

253

00:15:14,645 --> 00:15:19,295

Maybe there's a little while it

could be a little, might be a little

254

00:15:19,295 --> 00:15:20,765

river or something back in here.

255

00:15:22,055 --> 00:15:23,255

Just take very gently.

256

00:15:24,635 --> 00:15:25,444

It's far away.

257

00:15:27,255 --> 00:15:30,015

Far away, just laying

some basic shapes here.

258

00:15:31,815 --> 00:15:33,975

Then we'll come back and blend it

and I'm just laying it Reynolds.

259

00:15:36,485 --> 00:15:40,805

Then we can take our two inch

brush and very gently blend this.

260

00:15:40,805 --> 00:15:41,885

It'll smooth it all out.

261

00:15:45,125 --> 00:15:45,215

Okay.

262

00:15:45,395 --> 00:15:48,095

But see, it looks like it goes

back a million miles in the snows.

263

00:15:49,985 --> 00:15:50,195

Hmm.

264

00:15:51,245 --> 00:15:52,295

But a little obstacle there.

265

00:15:52,295 --> 00:15:54,515

So if they couldn't have a dog

race, it won't be too easy.

266

00:15:55,905 --> 00:16:02,195

All right now I need something right here.

267

00:16:02,525 --> 00:16:03,545

So we'll just drop him.

268

00:16:04,955 --> 00:16:10,205

Maybe there's another little stand

of trees far back here to lift up

269

00:16:11,735 --> 00:16:14,975

and lifting these a little higher

than I lifted the ones above it.

270

00:16:14,975 --> 00:16:19,625

Because to my mind, they're

a little closer to me, but

271

00:16:19,625 --> 00:16:21,935

just a little higher there.

272

00:16:23,790 --> 00:16:28,530

Say there back to our fan

brush with a white on it.

273

00:16:30,960 --> 00:16:32,490

We can clean the base of it up.

274

00:16:35,189 --> 00:16:35,819

All right.

275

00:16:39,030 --> 00:16:40,970

Now let's take.

276

00:16:42,345 --> 00:16:47,055

Let me we'll take our colors since we have

such a large selections and fellow blues

277

00:16:47,055 --> 00:16:52,155

and pressure and blue and some black, a

little bit of white, it doesn't matter.

278

00:16:53,595 --> 00:16:56,805

Or there is a little white

in there and of course it's

279

00:16:56,805 --> 00:16:59,985

predominantly blue predominantly.

280

00:17:00,105 --> 00:17:01,574

Let me grab another fan brush.

281

00:17:01,605 --> 00:17:03,555

I have several going here, so

I don't have to spend all my

282

00:17:03,555 --> 00:17:05,775

time just washing fan brushes.

283

00:17:07,274 --> 00:17:10,425

There, you know, when you're

painting a lot of times it pays

284

00:17:11,444 --> 00:17:13,125

in each brush to have two of each.

285

00:17:13,125 --> 00:17:17,805

So you can have one for dark color

and one for light, it saves you from

286

00:17:17,805 --> 00:17:19,454

having to wash the brush continually.

287

00:17:20,310 --> 00:17:25,770

He was just the corner of the brush here,

just the corner and began working down.

288

00:17:25,770 --> 00:17:29,190

I think we'll pop in a little,

a little evergreen tree that

289

00:17:29,190 --> 00:17:32,310

lives right here, right there.

290

00:17:32,340 --> 00:17:34,800

I've got to cover up that little

area, so we'll just drop him.

291

00:17:34,910 --> 00:17:35,150

Okay.

292

00:17:36,800 --> 00:17:37,310

There.

293

00:17:38,870 --> 00:17:45,410

And you know, me, I think everybody

deserves a friend, got to have a friend.

294

00:17:46,020 --> 00:17:48,929

There is one thing

painting has brought me.

295

00:17:49,080 --> 00:17:53,540

I never suspected when I first started

as a multitude of the most wonderful

296

00:17:53,540 --> 00:17:59,330

friends in the entire world, I've

met people all over the country.

297

00:18:00,290 --> 00:18:05,870

Some of them have turned out to be like

flung friends, but they're all fantastic.

298

00:18:08,490 --> 00:18:12,570

People from every walk of

life, seem to enjoy painting.

299

00:18:14,430 --> 00:18:16,500

And that night as we travel

around the country, doing

300

00:18:16,500 --> 00:18:18,150

demonstrations and putting on shows.

301

00:18:19,020 --> 00:18:21,900

We've had the opportunity to meet people.

302

00:18:22,170 --> 00:18:27,300

As I say, from basically every walk of

life, to some of the biggest celebrities

303

00:18:27,720 --> 00:18:33,240

in the country and you know, what

they all share a love of painting.

304

00:18:33,300 --> 00:18:36,030

It makes no difference there.

305

00:18:36,990 --> 00:18:39,810

In fact, just the other day to me,

one of the greatest celebrities in the

306

00:18:39,810 --> 00:18:42,330

country, in Western music industry, mr.

307

00:18:42,330 --> 00:18:47,310

Hank snow, I met him through painting

and we remained friends to this day.

308

00:18:48,449 --> 00:18:52,379

And I just think he's one of the

neatest people that I've ever met,

309

00:18:53,010 --> 00:18:54,659

whether he was a celebrity or not.

310

00:18:55,350 --> 00:18:56,580

He's just a nice man.

311

00:18:57,870 --> 00:18:58,439

All right.

312

00:18:58,439 --> 00:19:02,879

I want to take a little bit of

they little blue, a little white.

313

00:19:03,360 --> 00:19:04,379

Oh, I'll be right back.

314

00:19:04,379 --> 00:19:08,340

I'm gonna get a little touch of the liquid

white too, just to thin the color down.

315

00:19:08,490 --> 00:19:12,870

Cause you know, our golden rule,

then pain stick to a thick paint and

316

00:19:12,870 --> 00:19:14,250

now we have a much thinner paint.

317

00:19:14,370 --> 00:19:17,040

So it'll stick right over

the top of this thick paint.

318

00:19:17,940 --> 00:19:22,260

And let's just use that to

indicate some highlights.

319

00:19:22,260 --> 00:19:27,660

I don't want too many

don't want too many there.

320

00:19:27,930 --> 00:19:31,320

And when you're doing yours, you decide

how many highlights you want on your tree.

321

00:19:31,890 --> 00:19:33,000

Maybe you want them brighter.

322

00:19:33,330 --> 00:19:34,650

Maybe you want to leave them darker.

323

00:19:36,210 --> 00:19:40,350

Personally, I like to leave

evergreen trees pretty dark to me.

324

00:19:40,350 --> 00:19:44,700

They look, look darker

than most trees there.

325

00:19:45,825 --> 00:19:50,715

And since we're only working with values

in this painting, basically we need

326

00:19:50,715 --> 00:19:56,295

the contrast there back to my little

fan brush that has the white on it.

327

00:19:58,815 --> 00:20:00,855

Maybe right there.

328

00:20:00,885 --> 00:20:02,175

Be brave to it.

329

00:20:03,785 --> 00:20:05,075

We'll just drop right in there.

330

00:20:06,150 --> 00:20:10,140

Bring it right up, something like that.

331

00:20:12,330 --> 00:20:13,320

And just smoothed that out.

332

00:20:13,970 --> 00:20:17,420

You could really put this snow

in for the two inch brush.

333

00:20:17,420 --> 00:20:18,650

You'd go in just as well.

334

00:20:18,980 --> 00:20:24,320

I just thought today we'd use the yellow

fan brush doesn't matter does not matter.

335

00:20:26,250 --> 00:20:32,030

Any way that you can apply it only

rule that I respect in painting

336

00:20:32,959 --> 00:20:35,870

is the painting make you happy and

that you enjoy what you're doing.

337

00:20:37,459 --> 00:20:39,139

Other than that, it's up to you.

338

00:20:40,370 --> 00:20:40,459

Okay.

339

00:20:40,760 --> 00:20:43,699

Up to you any way you can create

an effect that you want to, your

340

00:20:43,699 --> 00:20:46,129

satisfaction has to be wonderful.

341

00:20:47,780 --> 00:20:48,620

Has to be.

342

00:20:50,090 --> 00:20:51,469

I'm just cleaning up the base of that.

343

00:20:53,430 --> 00:20:58,830

Sometimes you can take a little of the

shadow color and you can just put all

344

00:20:58,830 --> 00:21:01,920

kinds of little, maybe there's a little

stone that lives under there somewhere.

345

00:21:02,880 --> 00:21:03,780

Take a big brush.

346

00:21:04,020 --> 00:21:11,190

Landy Mount SI at big brushes, zips

right along here, wipe off some of that

347

00:21:16,460 --> 00:21:19,550

there, something about

like, I know what we need.

348

00:21:20,010 --> 00:21:20,399

Hm.

349

00:21:21,239 --> 00:21:24,090

If you painted with me before,

you know, what's coming, Bob's

350

00:21:24,090 --> 00:21:25,439

got to have his big tree in here.

351

00:21:27,270 --> 00:21:28,500

I like big trees.

352

00:21:30,060 --> 00:21:32,879

I lived in Alaska for a long

time and everything's bigger,

353

00:21:34,739 --> 00:21:36,750

same color, same blues.

354

00:21:37,139 --> 00:21:40,260

But this time darker has

very little white in it.

355

00:21:40,979 --> 00:21:41,399

You're ready.

356

00:21:43,379 --> 00:21:43,949

Okay.

357

00:21:43,979 --> 00:21:45,179

Here's your brave retest.

358

00:21:45,959 --> 00:21:47,070

Don't put it right in the center.

359

00:21:48,300 --> 00:21:52,830

At bothers the eye, but it to one

side or the other little bit, I have

360

00:21:52,830 --> 00:21:56,370

chosen to go a little bit to the

left side, but in your world, you may

361

00:21:56,370 --> 00:21:58,140

want to go to the right or wherever.

362

00:21:58,350 --> 00:22:02,490

Just I'd recommend not putting

it dead in the center there.

363

00:22:04,620 --> 00:22:06,180

I said, big tree here.

364

00:22:06,180 --> 00:22:10,770

He comes, big old tree Creek, big tree.

365

00:22:10,770 --> 00:22:12,900

If you have trouble making

the paint stick, as you come

366

00:22:12,900 --> 00:22:13,920

down over all this white.

367

00:22:15,195 --> 00:22:16,635

Add a little paint thinner.

368

00:22:16,935 --> 00:22:18,254

I might do that myself.

369

00:22:18,855 --> 00:22:21,075

Just dip the brush into a little

paint under then go through the

370

00:22:21,075 --> 00:22:25,575

paint, but let me repeat the

word little, you don't need much.

371

00:22:26,534 --> 00:22:27,185

Don't need much.

372

00:22:27,205 --> 00:22:30,645

Keep your paints as firm

and dry as you possibly can.

373

00:22:32,355 --> 00:22:32,955

Okay.

374

00:22:32,985 --> 00:22:33,375

Yeah.

375

00:22:33,375 --> 00:22:34,395

He needs a friend too.

376

00:22:36,705 --> 00:22:40,064

Just a little further up there.

377

00:22:41,804 --> 00:22:43,725

These trees just live

right in your fan brush.

378

00:22:43,725 --> 00:22:45,284

All you gotta do is just

sort of shake them out.

379

00:22:45,764 --> 00:22:48,104

They're in there, they're in there.

380

00:22:49,274 --> 00:22:51,425

Then I'm going back to my brush.

381

00:22:51,425 --> 00:22:54,665

It has the little blue, the liquid

white and little titanium white on it.

382

00:22:54,665 --> 00:22:57,395

Remember the liquid Weitzner

only to thin the paint.

383

00:22:59,235 --> 00:23:00,764

I only to the color.

384

00:23:03,425 --> 00:23:03,995

Nice though.

385

00:23:06,425 --> 00:23:10,324

I was just coming here and drop

in a few happy little highlights

386

00:23:10,864 --> 00:23:14,104

wherever you want them there.

387

00:23:14,495 --> 00:23:18,635

This little tree has got to have

something too, just because he's small

388

00:23:18,635 --> 00:23:20,014

doesn't mean he wants to be left out.

389

00:23:20,675 --> 00:23:24,155

He's got the same needs and desires

as the big tree, just like we do.

390

00:23:26,040 --> 00:23:28,260

They're okay.

391

00:23:29,330 --> 00:23:34,400

They sort of bringing it all together,

down here, just running back and

392

00:23:34,400 --> 00:23:35,780

forth between the fan brushes.

393

00:23:35,810 --> 00:23:38,810

Maybe to just pop it up.

394

00:23:39,350 --> 00:23:42,950

Maybe there's some little bushy

things that live right in there.

395

00:23:43,040 --> 00:23:51,830

Come out wherever, wherever,

wherever you just touch it.

396

00:23:51,860 --> 00:23:52,370

Lift up.

397

00:23:53,670 --> 00:23:54,690

Just touch, lift up.

398

00:23:54,900 --> 00:23:55,710

There's one over here.

399

00:23:55,710 --> 00:23:57,180

I'm sorry to jump around so much.

400

00:23:58,770 --> 00:24:04,200

I just keep seeing things drives at

me and I'll direct her crazy though

401

00:24:04,200 --> 00:24:06,620

when I do that, but it's good for it.

402

00:24:06,620 --> 00:24:07,530

Keeps her on her toes

403

00:24:11,720 --> 00:24:12,470

about like cap.

404

00:24:14,870 --> 00:24:16,850

So you can just sort of

work these things together.

405

00:24:18,270 --> 00:24:21,360

And it gives the indication of

big old tree sitting out here

406

00:24:21,360 --> 00:24:24,870

overlooking a little river that

maybe it's froze up for the winter.

407

00:24:25,350 --> 00:24:26,730

We eat back over there somewhere.

408

00:24:28,230 --> 00:24:29,300

That's about all you need.

409

00:24:29,930 --> 00:24:30,290

Shoot.

410

00:24:31,580 --> 00:24:32,899

I think we got to finish painting.

411

00:24:33,740 --> 00:24:34,820

Take a little paint thinner.

412

00:24:35,240 --> 00:24:39,710

I put a little red out here just for

the signature and the side and this

413

00:24:39,710 --> 00:24:41,240

little rascal, maybe right here.

414

00:24:42,379 --> 00:24:43,550

Hope you've enjoyed this one.

415

00:24:43,550 --> 00:24:46,940

If you'll give it a try, it'll give you

a lot of experience using the equipment.

416

00:24:47,564 --> 00:24:50,355

And building confidence and

that's what it's all about.

417

00:24:51,345 --> 00:24:56,985

So until next time I'd like to wish you

happy painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E09 - Winter's Grace

Bob Ross's

The Joy of Painting

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