Bob Ross's

The Joy of Painting

S29E01 - Island in the Wilderness

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 29th joy of painting series.

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If this is your first time with us, allow

me to extend a personal invitation for

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you to get your brushes and, and your

paint and paint along with us each show.

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And if you've been with us before,

please allow me to thank you.

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For inviting us back for another

series of painting shows, we'll

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use about a dozen colors of some

unorthodox brushes and each show I'll

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show you how to put some on natured

masterpieces right here on the canvas.

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So I tell you what

let's get started today.

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We'll have him run all the colors

across the screen right there

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that you need to paint along

with us while they're doing that.

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Let me tell you what I've

got going up here today.

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I'm using an 18 by 24 inch.

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Double prime pre stretched canvas, but

you use whatever size you'd like, and

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I've just covered the entire canvas

with a very thin coat of liquid white.

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The liquid white is designed just to make

the canvas wet and, and to make it slick.

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It allows us to actually blend

color right here on the canvas.

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Makes your whole painting

laugh a lot easier.

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So let's get started.

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I thought today we'd just do a very simple

little scene that I hope you'll enjoy.

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Let's start with a little two inch

brush and a touch of the lizard Crimson,

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and we just load a little bit right

into the bristles, a little pain out

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to half the bristles firmly to assure

a nice even distribution of paint

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all the way through the bristles.

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And let's go right up here.

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And we'll take this old brush

and just making little Xs

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little crisscross strokes.

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We just very quickly dropped in just

a little boring part in the sky here.

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Maybe we'll have a little pink in the sky.

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I sorta like that.

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And in our world, We can do

anything that we want to do here.

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And he opens it.

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Doesn't take too long when you're

using the brush is two inches wide.

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Okay.

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Without him clean the brush,

we'll go right into right

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into little, the little blue.

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I like blue.

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It's a very warm blue.

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Very nice.

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Once again, just have a little

color into it and let's go back

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up here and still using a loop.

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Chris cross strokes, exes.

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It's all, they are little exes.

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We'll just apply a little bit of that,

the little blue, something about like,

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so then we'll come back after we clean

the brush and blend that together.

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Now the blue is many, many times

stronger than this little pink area.

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It'll just eat it up so careful

be careful, all go away.

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Okay.

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If you wanted to make the indication

of a happy little cloud, all you do

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is just sort of tap then stringy cloud

just lives right there in the brush

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and that easy, good blending Mount.

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Have a little stringer.

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Let's see.

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Oh, we have that on there.

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Let's have some water in his painting.

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I love water and it's very

easy to paint in this style.

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Still water is always level nothing today.

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We'll have still water.

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So poor from the outside in, outside

in second about like so right.

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I have little breasts going.

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I want to darken the corners a little bit.

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I'm gonna take a little pressure

and blue and just add in the corners

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here and there a little bit up there.

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And we'll go over to the other

side and add a little more.

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And then down to the bottom,

we'll put a little down here too.

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I'm just putting a little pressure

and blue E corner to darkness.

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And then the most fun part of this

whole technique is washing the brushes.

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Since these are oil paints.

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We're washing our brushes with

odorless paint, thinner, shake off the

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excess and just beat the devil on it.

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That's really the most fun part of it.

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Now, the clean brush, and it's

relatively dry from just beating.

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It will start in the light area, which is

the pink and we'll blend it all together.

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Something about like, so.

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It's all there is to, it came down here.

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We'll just do the same thing

there, but it's that easy?

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That easy.

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What's so fantastic about this.

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Is that anybody, anybody can put a

little masterpiece on canvas with

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just a little bit of practice, a

vision in your mind and off you go.

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All right.

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That's working so well, take a little

white, a little bit of the blue and

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grab a little more of the titanium.

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White.

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I want to make a light blue color here.

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Mostly thalo blue.

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Let's just tap a little

color into the bristles.

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So two inch brush.

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We'll do marvelous things.

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Watch here, watch out, watch out it's

fun corner of the brush and just pull

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down something about like so straight

down, straight down, I'll make it

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look like a little distance trees the

far back in the distance, more color.

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And we'll just have it.

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I don't know, right there in your world,

you create any illusion that you want.

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There, but I want to

keep the bottom light.

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So it looks like mist.

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You could even take another two-inch

brush and I have several and tap

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it, really get in there and tap it.

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And then lift upward.

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It'll help create that illusion

of mist right down at the bottom.

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Sometimes sometimes it's a lot

of fun to put several layers.

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It helps create depth in your painting.

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And for them, we'll add a little more

blue, but we make it a little darker.

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I had a little bit of pressure

and Bluetooth make it a little

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darker, but the same thing.

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And we'll come back and let's put

another little layer in here just

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touching and pulling downward.

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That's all we're doing really all.

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We're doing something about like it

there, we don't know where that goes.

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It doesn't matter at this point.

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And bacteria.

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They're two inch brush.

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We will tap this.

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I want to create mist again, notice this

separation it's caused because of the

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difference in color difference in value.

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And that Misty area turns out

to be your very best friend.

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Take care of it.

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Treasure it's there.

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Okay.

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Let's have some more fun.

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Hmm.

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Let's see, that takes some

black, some pressure and blue.

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And little Tayloe blue.

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It doesn't matter.

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We just throw it on their Crimson too.

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What the heck?

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Be brave.

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Be brave.

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I hope it's green in there too.

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It's getting close enough.

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We should begin seeing some color.

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A little bit of white.

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Don't want it totally dark yet there.

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Perfect.

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Okay.

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Let me wipe the old knife off

and let's get us fan brush.

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We'll use a fan brush.

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Loaded full of color,

both sides, both sides.

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Okay.

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Let's go up in here and maybe in

our world, their lives does now

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some little trees back in here.

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Now these are a little closer.

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You're seeing a little more

detail, a little more distinct

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there, and we just drop them in.

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We don't know where they

go, wherever you want.

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That's exactly.

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Exactly where they should live.

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Don't put too much detail in here.

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It's too far away.

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You're not going to see a lot of detail.

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You see detail and it's very close

to you and things are far away.

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You make up form shape, basic color.

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That's all.

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So be detailed to the foreground.

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The lack of detail helps also

create that illusion of distance

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and depth in your painting.

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It's very, very important, very important.

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Okay, I'm going to tap a little of that.

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That'll help create that

illusion of miss down there too.

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There lift slightly upward

lightly just to a little bit.

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See, now then, you know, when

that is traditional painter, one

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of the hardest things to make

effectively was reflections.

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What are easy?

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I'll take some at same color.

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We'll take a two inch brush touch and

pull down, just pull straight down.

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It's most important that it goes

straight down, something like

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so straight down because of the

noises and very lightly for cross.

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There and instantly we

have some nice reflections.

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That's simple.

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Now here's something that's funny.

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Take a little, let me

just use a little white.

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If you want to create another plane

in your painting, take a little

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white and lift upward and it'll make

little areas back here that looks

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like a whole different plane and the

light will end up looking like little

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trunks and those trees there and easy.

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Let's put a little water line for that.

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We use liquid white, probably

down, out the very flat flat

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as you can get it cut across.

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Okay.

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And we can go right up in here and

we can just drop in just a little

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waterline, just happy little water

around this back in here somewhere.

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We don't know where it is.

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Don't know that we even care.

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Just let your imagination

take you anywhere.

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You want to go.

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A lot of times I started painting and

have nothing in mind, but the time of day

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and the time of year, and from that, you

can paint some fantastic little scenes.

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Don't worry about it.

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You don't always have to have a perfect

vision in your mind of what it is you're

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going to paint imagination is it's,

it's like any other muscle in your

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body or like your muscle in your body.

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The more you practice.

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The better.

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It becomes it.

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Take some black depression, blue.

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I'm going to put some things,

a little green in there.

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I like the little green,

maybe a little Crimson.

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Here we go.

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All right.

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Let me wipe off the knife.

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I just wiped the knife on a

little, little paper towel.

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I would just use that brush a

little fan brush, load, some color

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into it, both sides of the brush,

both side of the scope in here.

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Let's have, let's have

a little evergreen tree.

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He lives right there.

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I see.

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Just make a line, take the corner of the

brush, make a touch, make another one.

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And just sort of work

from the center out there.

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It goes, it's easier to do them

fast than it is slow though.

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Here, they kind of just

sort of back and forth.

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I had a lady in class one time told

me it was like making Zs the letter Z.

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She called them Z trees.

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So I guess that's as good

of an analogy as any.

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From the center out of the center

of the tree should be the thickest

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darkest strongest part of the tree,

because you have leaves on the back.

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You have a trunk in the middle

and you have leaves on this side.

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We'll have one more in there.

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There we go.

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I have a little family of trees.

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No, if you've painted with me before,

I think everybody should have a friend,

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even a tree, even the tree needs a friend.

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Now, if you wanted to reflect

those, just pop in some general

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indications of where they are.

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No big deal, because we

don't make mistakes here.

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We have happy accidents very quickly.

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You learn to work with anything.

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It happens.

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Take the big brush, pull down straight

down once again, and then go across

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and we have instant reflections.

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I just use that same fan brush.

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It has that color.

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We made the tree out of it and I'll go

through CAD yellow and blue, yellow ochre.

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Immediately.

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We have green.

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There we are.

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Let's go up in here and

we can take it green.

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Let's go back and put some highlights

on our little evergreen trees.

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There they go.

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All right.

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So tree here.

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He's saying don't leave me out.

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I need some too.

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There we are here.

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We are.

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Here we are.

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All right.

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Now I had a little liquid white

right on that same brush because

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I want to lighten the color and

make it a little thinner, but then

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paint will stick to a thick paint.

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We mix them back up again.

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Let's go back up here and we can just

take this brush and let's just pop in the

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indication of some little bushes that live

down here right down in this little foot,

253

00:12:36,965 --> 00:12:39,155

something about like it has happened.

254

00:12:40,220 --> 00:12:41,250

It looks like a little Island.

255

00:12:41,280 --> 00:12:42,300

Let's put some dirt there.

256

00:12:43,140 --> 00:12:47,550

Let's take some white, a little

dark Sienna, mix them together.

257

00:12:47,610 --> 00:12:48,750

Cut off a little roll of paint.

258

00:12:49,280 --> 00:12:50,120

Let's go up in here.

259

00:12:51,620 --> 00:12:52,430

It will take this.

260

00:12:52,910 --> 00:12:57,110

And we just put the indication here,

a little bit of soil, some dirt,

261

00:12:57,110 --> 00:12:58,699

some kinds, kind of have a place.

262

00:12:58,699 --> 00:13:00,620

If this is a little Island

for all this to settle.

263

00:13:02,360 --> 00:13:02,960

All right.

264

00:13:04,069 --> 00:13:06,590

Say, they're all there is to.

265

00:13:07,785 --> 00:13:08,535

Okay.

266

00:13:10,745 --> 00:13:12,485

They got to figure out something

to do on the other side.

267

00:13:12,485 --> 00:13:13,415

Now let's have some fun.

268

00:13:14,075 --> 00:13:17,405

Let's have some fun, you know,

if you paint with me before,

269

00:13:17,405 --> 00:13:19,085

I like, I like old big trees.

270

00:13:20,525 --> 00:13:22,625

Let's take a little bit

of that color right there.

271

00:13:23,345 --> 00:13:24,095

Go right up in here.

272

00:13:24,824 --> 00:13:26,145

This is your brave retest.

273

00:13:26,385 --> 00:13:29,954

Take the corner of the old two

inch brush and let's just begin

274

00:13:29,954 --> 00:13:31,275

laying in a basic shape here.

275

00:13:32,974 --> 00:13:33,275

Tree.

276

00:13:33,285 --> 00:13:36,365

It lives right there, right there.

277

00:13:37,355 --> 00:13:39,995

Big old tree, but he's a nice tree.

278

00:13:44,015 --> 00:13:45,094

I got that brush going.

279

00:13:45,720 --> 00:13:46,260

Tell you what?

280

00:13:46,260 --> 00:13:53,880

Maybe let's do something about like,

yes, we just have been all kinds of

281

00:13:53,880 --> 00:13:56,430

little, little bushy looking areas.

282

00:13:57,660 --> 00:14:00,870

You have to decide what

lives here, how far it goes.

283

00:14:00,870 --> 00:14:01,620

How tall is it?

284

00:14:01,620 --> 00:14:03,150

How short is it's fat, skinny.

285

00:14:03,900 --> 00:14:06,360

In-between it's your world.

286

00:14:07,650 --> 00:14:13,199

And in your world, you may call the

decisions, all the decisions there we are.

287

00:14:14,490 --> 00:14:15,959

See, we just put in some dark in here.

288

00:14:15,959 --> 00:14:20,880

So later on our light color

will show this grandpa.

289

00:14:21,599 --> 00:14:22,020

Oops.

290

00:14:22,770 --> 00:14:23,250

Grabbing him.

291

00:14:23,280 --> 00:14:24,630

There's a fan brush right there.

292

00:14:25,069 --> 00:14:29,550

Take a little white, a little

bit of the dark Sienna.

293

00:14:29,670 --> 00:14:32,550

Just want to make the indication

here, maybe a little tree trunk,

294

00:14:32,550 --> 00:14:33,959

maybe a little more dark scene.

295

00:14:34,650 --> 00:14:35,250

That's nice.

296

00:14:36,720 --> 00:14:38,100

Okay right here.

297

00:14:40,220 --> 00:14:41,300

I just want some indications.

298

00:14:41,300 --> 00:14:42,890

I want to put some happy

little leaves on there.

299

00:14:42,890 --> 00:14:44,540

So we're going to cover most of those up.

300

00:14:46,280 --> 00:14:50,240

Most of them won't show we'll

go right into that little SAP

301

00:14:50,270 --> 00:14:52,580

green, a little bit of the yellow.

302

00:14:53,630 --> 00:14:55,370

We just put a red on this two inch brush.

303

00:14:55,670 --> 00:14:56,540

Give a little push.

304

00:14:56,870 --> 00:14:57,560

Good shot there.

305

00:14:57,560 --> 00:14:58,130

You can see that.

306

00:14:58,130 --> 00:15:01,250

Well, Hey, let's go up in here now.

307

00:15:01,250 --> 00:15:02,630

I want to put some leaves on here.

308

00:15:04,665 --> 00:15:08,055

He was chest the corner of the

brush, just the corner of the brush.

309

00:15:09,425 --> 00:15:10,145

There we go.

310

00:15:10,865 --> 00:15:14,735

See all there is to it, just the corner.

311

00:15:14,735 --> 00:15:20,075

Think about shape and form drop

these little Rascals and wherever

312

00:15:20,075 --> 00:15:23,855

you want, wherever you really are.

313

00:15:23,855 --> 00:15:27,395

The creator on this piece of

canvas, you can do anything, can

314

00:15:27,395 --> 00:15:32,225

move rivers, mountains, create

any illusion that you want here.

315

00:15:34,680 --> 00:15:35,310

And I go home.

316

00:15:35,310 --> 00:15:37,469

The only power I have is

over the garbage check.

317

00:15:37,709 --> 00:15:38,790

I can take it to the street.

318

00:15:38,790 --> 00:15:41,420

I'll buy it myself, but

here I can do anything.

319

00:15:42,680 --> 00:15:45,979

Absolutely anything I decided

I wanted to Bush right there.

320

00:15:49,400 --> 00:15:53,000

Tell you what let's get crazy.

321

00:15:53,180 --> 00:15:56,630

You know, me, if you painted

with me before I like.

322

00:15:57,194 --> 00:16:00,824

Big trees and we have

one living in our world.

323

00:16:02,225 --> 00:16:02,735

Right there.

324

00:16:03,814 --> 00:16:04,685

There he comes.

325

00:16:05,765 --> 00:16:07,355

We should have done this

with a two inch brush.

326

00:16:07,355 --> 00:16:08,435

You'd been a lot faster.

327

00:16:09,965 --> 00:16:10,775

There we go.

328

00:16:11,525 --> 00:16:15,185

Just drop it in wherever

you think it should be.

329

00:16:16,925 --> 00:16:17,675

All right.

330

00:16:20,010 --> 00:16:20,939

Well, I said big tree.

331

00:16:20,939 --> 00:16:21,689

I wasn't kidding.

332

00:16:22,260 --> 00:16:26,130

This is a monster tree, huge tree.

333

00:16:27,030 --> 00:16:31,080

And you could have done it with a two

inch brush, just as easy but much quicker.

334

00:16:32,220 --> 00:16:33,240

I like the whole fan brush.

335

00:16:33,240 --> 00:16:34,620

It gives you a little more detail.

336

00:16:36,240 --> 00:16:39,120

Here we go with my smaller tree.

337

00:16:39,120 --> 00:16:42,600

Cause I think he needs a friend there.

338

00:16:43,680 --> 00:16:44,280

Okay.

339

00:16:44,340 --> 00:16:48,390

Let's drop it then all we're

doing once again, it's putting

340

00:16:48,390 --> 00:16:49,560

in the background color.

341

00:16:50,430 --> 00:16:53,130

You could put this in

with, with a paint roller.

342

00:16:53,189 --> 00:16:53,790

It doesn't matter.

343

00:16:54,900 --> 00:16:56,070

As long as the shape was right.

344

00:16:56,730 --> 00:17:00,960

They'll come back and separate all

of this with some nice highlights.

345

00:17:00,960 --> 00:17:02,130

There's little Brown and white.

346

00:17:04,079 --> 00:17:07,859

Let me put the indication just

here and there of a trunk.

347

00:17:08,310 --> 00:17:12,349

Just what you can see here and

there, there, you don't see it all

348

00:17:12,440 --> 00:17:14,240

because you have leaves on this side.

349

00:17:15,560 --> 00:17:16,910

Go back to our little thing in brush.

350

00:17:17,569 --> 00:17:22,250

Go right through the CAD yellow,

yellow ochre load, some color into it.

351

00:17:22,829 --> 00:17:27,569

Let's go back up in here and let's

put a highlight or two on here.

352

00:17:28,379 --> 00:17:32,370

Every greens are normally

darker than other trees.

353

00:17:32,399 --> 00:17:35,820

So don't, don't kill all the dark

area in you and you evergreen.

354

00:17:36,330 --> 00:17:37,320

It happens sometime.

355

00:17:37,379 --> 00:17:40,950

It gets feeling good and you

don't know when to stop there.

356

00:17:42,270 --> 00:17:47,700

And the base of the tree should be darker

than the top big shadow areas underneath.

357

00:17:48,784 --> 00:17:54,155

And those shadows areas of where all my

little friends live in previous shows.

358

00:17:54,155 --> 00:17:58,145

We've had like Peapod the pocket squirrel,

my little squirrel that lives with me.

359

00:17:58,985 --> 00:18:02,604

We've had it on the show, but this

is kind of places that he likes.

360

00:18:03,594 --> 00:18:06,925

Let's take a little bit of color.

361

00:18:07,135 --> 00:18:10,764

Let's use the, let's use the one

inch brush and we'll go through some,

362

00:18:11,245 --> 00:18:14,784

get some Sapp greens, some yellow

load, a lot of color into the brush.

363

00:18:15,330 --> 00:18:16,170

More SAP green.

364

00:18:17,520 --> 00:18:18,090

That's nice.

365

00:18:19,170 --> 00:18:19,830

All right.

366

00:18:19,890 --> 00:18:23,280

Then we can go up here and we

can begin picking out individual

367

00:18:23,280 --> 00:18:27,930

bushes one at a time, one at a

time there's happy, little Bush.

368

00:18:27,930 --> 00:18:28,770

He lives right there.

369

00:18:29,430 --> 00:18:30,180

Do you know he was there?

370

00:18:30,180 --> 00:18:30,540

Didn't you?

371

00:18:32,400 --> 00:18:34,320

And he's got a little friend name.

372

00:18:34,590 --> 00:18:36,240

Clyde is right over here.

373

00:18:36,540 --> 00:18:37,140

There he is.

374

00:18:38,850 --> 00:18:40,230

So you can give all these things.

375

00:18:40,230 --> 00:18:42,540

Names, personalities, shoot.

376

00:18:42,780 --> 00:18:43,260

Okay.

377

00:18:44,610 --> 00:18:47,189

I'll take the little oval brush

dip in some paint thinner.

378

00:18:48,450 --> 00:18:53,189

We'll go through some midnight

black and some Brown, or once I

379

00:18:53,189 --> 00:18:59,450

download it full of color, I can,

then I'm gonna take the other side.

380

00:18:59,450 --> 00:18:59,750

I'm going to go.

381

00:18:59,810 --> 00:19:01,580

I, some light Brown I made earlier.

382

00:19:01,639 --> 00:19:05,389

I'm just going to go through,

see like that, put a little black

383

00:19:05,389 --> 00:19:06,050

in it, make it a little bit.

384

00:19:06,169 --> 00:19:07,010

Ooh, that's nice.

385

00:19:07,580 --> 00:19:11,659

Now with that, I just want to come

up here and make the indication.

386

00:19:11,750 --> 00:19:12,500

We can't see them.

387

00:19:13,004 --> 00:19:19,425

Too much of them, uh, some rocks that live

up here, just some happy little rocks.

388

00:19:19,814 --> 00:19:27,104

Maybe there's one there, something

wherever, just some indications.

389

00:19:27,705 --> 00:19:30,975

Then we'll come back with a brush.

390

00:19:30,975 --> 00:19:35,804

We were making the bushes with and we'll

settle those right down into the painting.

391

00:19:37,230 --> 00:19:41,190

They're now see, they

become part of the painting.

392

00:19:42,450 --> 00:19:43,170

There we go.

393

00:19:44,520 --> 00:19:49,220

Like, so, and we'll make all kinds of

little bushes and trees and happy little

394

00:19:49,220 --> 00:19:51,290

things that live here in our world.

395

00:19:53,450 --> 00:19:54,170

All right.

396

00:19:57,165 --> 00:19:59,645

Okay, shoot.

397

00:19:59,855 --> 00:20:02,135

We had such a places that

I'd have to go fish in there.

398

00:20:02,705 --> 00:20:03,485

I like to fish.

399

00:20:04,555 --> 00:20:07,235

I'm not a very good Fisher, but I

catch a little fish and take the

400

00:20:07,235 --> 00:20:10,865

hook carefully out of his mouth and

put a band-aid on him, little CPR.

401

00:20:11,315 --> 00:20:13,175

Patty wanted to too, and

put him back in the water.

402

00:20:13,745 --> 00:20:18,605

Go back, catch him again another day, but

we'd have to have a way to get up here.

403

00:20:18,605 --> 00:20:21,575

If we going to catch that fish would

take a little of the Vandyke Brown

404

00:20:22,415 --> 00:20:23,915

and let's have us a little path.

405

00:20:25,695 --> 00:20:28,304

We had to walk all through these

bushes, mosquitoes have get us.

406

00:20:28,304 --> 00:20:33,435

So let's have us a little path

that we can walk back in here.

407

00:20:34,425 --> 00:20:39,615

Catch that big old trout or bass,

whatever it is it lives in here there.

408

00:20:39,824 --> 00:20:45,615

Take a little middle of a science,

quiet little dark Sienna mixed together

409

00:20:46,064 --> 00:20:47,294

to make a little highlight color.

410

00:20:48,044 --> 00:20:49,155

Just barely touching.

411

00:20:49,455 --> 00:20:50,834

Barely let it graze.

412

00:20:51,135 --> 00:20:51,794

Let it graze.

413

00:20:52,169 --> 00:21:01,050

That easy, that easy

out, like, so okay there.

414

00:21:01,830 --> 00:21:01,949

Yeah.

415

00:21:02,030 --> 00:21:02,179

Yeah.

416

00:21:02,209 --> 00:21:03,739

Let's put something on this side.

417

00:21:05,780 --> 00:21:07,489

You have something on the

other side of the path.

418

00:21:08,620 --> 00:21:09,949

Now let's go on this side.

419

00:21:10,909 --> 00:21:12,409

Once again, I'm taking a one inch brush.

420

00:21:13,310 --> 00:21:15,979

Notice that it's straight down and

I'm pulling it in one direction.

421

00:21:16,100 --> 00:21:17,810

It's most, most important.

422

00:21:19,200 --> 00:21:21,840

That loads, a lot of paint

and see it rounds one edge.

423

00:21:22,020 --> 00:21:25,200

You want to turn it, put

that rounded edge to the top.

424

00:21:25,680 --> 00:21:26,550

That's most important.

425

00:21:27,210 --> 00:21:29,220

And then we take that and

we go right up in here.

426

00:21:30,350 --> 00:21:34,250

No pressure, hardly just enough to

get the brush, to touch the canvas.

427

00:21:34,910 --> 00:21:38,210

And we began working on shape

and form, and we create a Bush

428

00:21:38,450 --> 00:21:39,980

or tree that lives right there.

429

00:21:40,905 --> 00:21:41,715

That's all there is to it.

430

00:21:42,735 --> 00:21:45,975

And there's another one,

but do one at a time.

431

00:21:46,485 --> 00:21:46,875

I know.

432

00:21:46,935 --> 00:21:47,325

I know.

433

00:21:48,165 --> 00:21:49,305

Sometimes it starts working.

434

00:21:49,335 --> 00:21:53,505

You get greedy, do one

at a time, one at a time.

435

00:21:53,745 --> 00:21:55,215

Put a little bright red on there.

436

00:21:55,755 --> 00:21:56,865

Maybe here's one right here.

437

00:21:57,015 --> 00:21:57,405

Oh yeah.

438

00:21:57,435 --> 00:21:58,005

It's got little.

439

00:21:58,245 --> 00:22:00,765

I don't know if you can see them and

got little red flowers on the tip.

440

00:22:01,905 --> 00:22:02,415

Sneaky.

441

00:22:03,795 --> 00:22:04,245

There.

442

00:22:05,975 --> 00:22:11,345

And we can go back over in here and we

can begin adding in just little things

443

00:22:11,345 --> 00:22:12,695

that come from out here on the path.

444

00:22:12,815 --> 00:22:14,735

Well, about my cat.

445

00:22:16,475 --> 00:22:21,275

All right, you got your brushes

warmed up yet, and then you're ready.

446

00:22:21,395 --> 00:22:22,235

You can do this.

447

00:22:23,585 --> 00:22:24,605

You can do this.

448

00:22:24,605 --> 00:22:25,385

I know you can.

449

00:22:26,135 --> 00:22:29,165

I get letters every day from

people all over the country.

450

00:22:30,930 --> 00:22:33,450

That said they never believed they

could paint and they're doing it.

451

00:22:34,230 --> 00:22:36,420

Their friends and neighbors don't

believe it when they look at their

452

00:22:36,420 --> 00:22:40,470

paintings, but they are doing it there.

453

00:22:40,500 --> 00:22:42,060

I'm gonna put a little

stickers right there.

454

00:22:42,180 --> 00:22:48,540

A little tree, maybe, maybe, maybe

this little tree died and he's naked

455

00:22:48,540 --> 00:22:50,340

now, just a skeleton hanging out here.

456

00:22:52,020 --> 00:22:54,690

And that happens in nature there.

457

00:22:54,690 --> 00:22:57,450

So we can put little arms owning

that are still hanging out.

458

00:22:59,685 --> 00:23:00,045

Right.

459

00:23:02,285 --> 00:23:05,705

All kinds of little

doodles, maybe over in here.

460

00:23:06,455 --> 00:23:10,145

And these little details are what make

your painting look a little more finished.

461

00:23:10,175 --> 00:23:13,775

Take your time when you're doing these

and just drop them in here and there

462

00:23:13,775 --> 00:23:19,385

and there, wherever, take a little

light Brown with paint tenor on it.

463

00:23:19,865 --> 00:23:21,905

And when you mix this, get it very thin.

464

00:23:21,965 --> 00:23:23,495

This, this should be almost like him.

465

00:23:24,449 --> 00:23:25,889

Almost ain't consistency.

466

00:23:26,520 --> 00:23:29,010

Turn the bristle set to bring

it to a very sharp point.

467

00:23:29,399 --> 00:23:30,500

There, there, you can see it.

468

00:23:30,540 --> 00:23:31,439

Good against that dark.

469

00:23:32,250 --> 00:23:32,669

All right.

470

00:23:33,300 --> 00:23:34,409

And where it's very dark.

471

00:23:34,470 --> 00:23:36,300

Then we make little light

trees where it's light.

472

00:23:36,300 --> 00:23:40,500

We make dark trees because

they're both exist in nature.

473

00:23:40,649 --> 00:23:44,040

So you can put little there's

a little tree lives back here.

474

00:23:44,310 --> 00:23:45,330

It just has a good time.

475

00:23:46,980 --> 00:23:49,580

Looks out over the

water, talks to the fish.

476

00:23:51,590 --> 00:23:52,520

That's all he was doing.

477

00:23:53,760 --> 00:23:57,090

Another way of making little sticks and

twigs, take your knife, just a clean,

478

00:23:57,390 --> 00:24:01,520

clean knife, and you can reach up in

here and just scrape right through the

479

00:24:01,520 --> 00:24:06,620

paint and that'll make all kinds of

little sticks and let's come down here.

480

00:24:06,860 --> 00:24:06,950

Okay.

481

00:24:06,950 --> 00:24:10,850

A few more in here, wherever

you decide where they live.

482

00:24:11,840 --> 00:24:14,870

Sometimes he's aware of her greens

here have old dead limbs hanging

483

00:24:14,870 --> 00:24:18,650

off of, and you can do that just

with a little flick of the knife.

484

00:24:20,190 --> 00:24:21,000

And shoot with that.

485

00:24:21,000 --> 00:24:22,530

I think we're about to

have a finished painting.

486

00:24:23,850 --> 00:24:24,570

It's that easy.

487

00:24:24,900 --> 00:24:27,840

Let's take a little bit of the

paint, thinner, a little bright red,

488

00:24:28,290 --> 00:24:32,490

and we'll sign this little rascal

really hope you've enjoyed it.

489

00:24:33,240 --> 00:24:35,640

It's a very simple

painting that you can do.

490

00:24:36,600 --> 00:24:39,390

And if you try it, I'd love to see

some photographs of what you're doing.

491

00:24:39,390 --> 00:24:43,200

So if you have time, take a photographs

into us, let us hear from you.

492

00:24:43,605 --> 00:24:46,995

Until then from all of us here,

I'd like to wish you happy

493

00:24:46,995 --> 00:24:49,275

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E01 - Island in the Wilderness

Bob Ross's

The Joy of Painting

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