Thursday, December 31, 2020

S31E03 - Winding Stream

Bob Ross's

The Joy of Painting


S31E03 - Winding Stream

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Hi, welcome back.


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Certainly glad you could join us today

because I think that they will do a


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painting that you'll certainly enjoy.


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Let's start out and have him run

all the colors across the screen


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that you need to paint along

with us while they're doing that.


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Let me show you what I've got done today.


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I have my standard old pre-stretch

double prime canvas, but today I've


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taken as you can plainly see on

the bottom, I've put liquid black.


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And on the top liquid white, and then

I've just sort of blend them together.


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So there's just a graduation of,

from solid black to solid white.


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And I think we'll just have some fun.


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I, liquid black is exactly the

same thing as liquid white.


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The only difference is, is the pigment

in it is black rather than white.


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And it, it allows you to create

some beautiful, beautiful effects.


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All right, let's start today.


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Let's use stay low blue.


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It's a fantastic day here and I

hope it is wherever you're at.


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And fatal blue is just such a.


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Beautiful.


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Beautiful color.


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It's a warm, warm blue, and let's go right

up in here making our little Xs and Chris


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cross these strokes and let's just put

in a happy little sky, just, just one.


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That's a lot of fun there.


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Something like, so.


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That's all there is to it, but

make these little crisscross


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strokes, it blends better.


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And it leaves little actions in your

sky that it looks like there's beautiful


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things happening very, very easily.


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And this truly is the

lazy man's way to paint.


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Yeah.


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We work with big brushes and fantastic

colors and we try to make painting as


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simple as possible, but yet to look

like, to look like a real painting.


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All right.


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A little more of that blue

color, maybe right in here.


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We'll just put this tap.


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I'm just going to tap in some

basic little cloud shapes


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there, something about like, so.


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We'll just let our imagination take

us wherever we want to go today.


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Just all kinds of little shapes and forms

appear in this guy, because on this piece


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of canvas, you truly are the creator.


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You can make any illusion that you desire.


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All right, I'm going to take a little,

this is a very soft blending brush


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and I'm begin blending this, working

with it, just playing, having fun.


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All right.


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Blend this out.


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That it's a very, very soft, very gentle.


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And this brush, as I mentioned

earlier, is very soft, very, very soft.


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You can blend right over color without,

without disturbing it too much.


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All right.


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The color red on that brush.


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I'm just using still the fatal blue.


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That's all.


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And we'll just put in all kinds of little

indications there and I'm using just


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the corner at times, just to blend it,

to sort of stirred up, to mix it up.


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Try different effects because as you

know, we, we don't make any mistakes.


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We just have happy accidents.


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So anything that happens

here, you can work with it.


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You really truly can work with it.


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There.


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Something about like that.


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It's like, we're just creating all kinds

of illusions and you decide how many


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clouds live in your world for health?


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You maybe you don't want any clouds.


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That's okay, too, because you can do

anything that you desire on this canvas.


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All right.


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And Dan in here where we're beginning

to touch the black with just begin


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blending color together here and there.


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I'm gonna take a little fight, just

a little titanium, right, right.


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On the same brush and begin blending

in pretty little areas right in there.


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Still using just the blender brush.


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It creates a whole different plane there.


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Right there in the sky, just by

putting a little white on there,


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make some beautiful effects.


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This liquid black can do great things

for you, especially in areas where


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you're gonna, you know, there's

going to be a lot of dark color.


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Or if you want a gray of painting,

traditionally painters use a lot of gray.


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This will do it automatically for you.


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Okay.


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Automatically that's cool.


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Wherever you want.


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Some little light areas.


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Just drop them in the little white

there that's something though that you


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could, you can create a skylight kit

in just a matter of a minute or two.


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You can do it.


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You can do it.


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There, and this is a nice guy.


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If you wanted to put rays of

light, be very easy to do.


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I don't like we'll do that today,

but be very easy practice, doing


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some little things like that and

see what kind of affects you get.


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There are tech, a little blue gum from

that cloud up a little right in there.


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Just make that little

cloud a little stronger.


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All right.


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Something about like, so,


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and that's really where that

liquid black in there and


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liquid that's really about all.


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We need something like that to

decide where, how far down it comes.


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Okay.


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Let's wash your brush.


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That's the fun part.


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A little blender brush is not

as much fun to wash is a big two


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inch brush, but it's not bad.


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It doesn't splash as far.


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Take weapon.


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I've got a dirty two inch brush here.


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Just so we can get, even with a crew.


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I'll watch you too.


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All right.


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That's better.


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That's much better, a lot more fun.


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Now let's take us a little fan brush.


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I'm on use.


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I'll use number three, fan brush,

take a little white, a little bit


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of the little bit of the blue,

maybe a touch, a Crimson in it.


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Ooh, nice color.


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Nice color.


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I like that.


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A little more blue dark NetApp.


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Just to me a bit more.


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The hair.


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Nice color.


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Maybe we back here in the

background, maybe their lives,


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just a happy little mountain.


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Let's see if that's dark

enough to stand out.


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We just want it to stand out from the sky.


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It was far away, far, far away.


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Little bump right there is to it.


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I want this to be a quiet,

quiet little mountain.


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Just barely can say


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something about like, so

that's all we're looking for.


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I'm going to highlight that a little bit

and I'll continue to use a fan brush.


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Let me wash it off.


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Good enough.


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We'll take a little bit of the

titanium white and just load a


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little loan to the fan brush.


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Like, so once again, this is a

number three fan brush, but you


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could use a number six, whatever.


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It doesn't matter.


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I just want to highlight that a little.


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So it stands out.


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All right.


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See how easy that is.


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It gives the impression of a little

mountain that's far, far away.


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I spend a lot of time in Japan and in

Japan, there's a lot of paintings of


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Mount Fuji that looks similar to this.


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Of course, this doesn't look like now,

Fuji, but I mean painted this way and


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it's a super, super way of doing it.


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It's very simple.


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Even if you've never painted

a mountain, this is very easy.


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You can do that.


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See maybe there's a

little dude right there.


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It's up to you up to you where you

want them, but I want this one to be


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so far away that you can't see any

detail, just that there's a mountain


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that lives we back in the distance.


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All right.


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Adam let's have some fun.


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Let's take our old two inch brushes.


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We have the black up here, liquid black.


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We don't need to put

some dark color in first.


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Like we normally would normally

would put dark color in.


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So I'm just going to take a little

bit of SAP green, a little of the


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yellows, mix them together and just

mix them all together on the brush.


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That way you get layers of

color within the bristles.


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You couldn't do this intentionally

if you tried, but the brush work.


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Okay.


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Let's go up in here maybe right back

here, the base of our mountain, we can


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begin to see just some little things

that grow right up the side here.


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I can't say they're all there is to it.


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Just follow the angles in the

mountain and will push that mountain.


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We far away, a little bit of bright

red Nan into just to get a little too


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much there just to flavor it, just

to flavor it a little more color.


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Okay.


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Let's see, it's picking up, it's picking

up that liquid black it's under there


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and it grays, all the colors makes

them look very soft and very muted


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creates wonderful effects there, but

you can make Hills and valleys, little


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Plains, Meadows, anything that you want

back here, your world, you can create


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any illusion that makes you happy.


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There we go.


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But just at least a little touch

of paint, thinner on the brush.


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If you have trouble making

the paint, stick at least


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little touch of paint thinner.


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There we go.


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We can thinking about the lay of the

land, how it flows, how it curves in here.


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Cause that's very simple to do.


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And it's it makes your painting there.


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Something about like, so

where ever tell you what me?


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I love trees.


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I think this is a good

place to let's have a tree.


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Let me find another fan brush.


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There is a fan, make some

midnight black Prussian blue


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Prussian blue is much stronger.


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Maybe a little van Dyke, a little Crimson

to the SAP, green, all the dark colors.


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Basically just mix them together

like that, but it should


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look very dark, almost black.


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You put a little white with it.


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You'll see it has a blue base, but

it should look black on the palette.


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Let's take our fan brush loaded,

full of color, both sides.


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Both sides.


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All right, let's go up

in here to have some fun.


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Maybe back here in our world.


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There's a little, little stand

of trees live right in here.


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This is a very, very easy way of making

the indication of a lot of trees.


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Load the brush, totes very

sharp toes to a chisel edge.


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See there, and then it'll make, it

looks like individual little trees


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that just hide back here somewhere.


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Decide where they, how far

down the Hill they go there.


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Okay.


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We got to decide how

far up the Hill they go.


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You have to make all these big

decisions when you have power there.


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All right.


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We have a whole stand

of trees, group of them.


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Maybe I tell you what maybe

far away, right back in here,


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you can see the indication of

some that live far, far away.


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These aren't as dark.


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And they're not as distinct.


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So weight to your brush is almost

out of paint and then do those


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and do those little Rascals.


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Now we can go back.


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Let me find a, here's a clean brush.


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I want to lift upper decks.


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That'll just smooth, the pain

out and make it sort of fit


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together back to my little brush.


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It has our separate green

and all the yellows on it.


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Load a little more color, a little more

color, and that's go right in here.


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Then you decide where the bottom of

the stand of trees is, and you just


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sorta cut it off, but you didn't

know you had so much power in it.


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You, you really can do this.


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Can move mountains, trees, mighty rivers,

speak good place to put a little river.


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There as you paint, you

begin to see things.


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Don't worry about what

you're going to paint.


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Just start painting.


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I have a general idea in your mind.


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All you need to know is the time of

day and the, and the time of the year,


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you need to know the time of year.


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So you'll know whether this snow

or whether it's spring time.


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It's all you really have to know.


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I just have a basic idea in your mind.


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Take off Joe.


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Do it all right.


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Yeah.


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I'll put a big tree right there.


241

00:14:12,175 --> 00:14:13,405

It says your brave retest.


242

00:14:14,275 --> 00:14:17,425

I like big trees, a lot

of paint on the brush.


243

00:14:17,755 --> 00:14:18,475

A lot of paint.


244

00:14:20,035 --> 00:14:21,235

Let's go right up in here.


245

00:14:22,015 --> 00:14:24,745

You ready about right there?


246

00:14:26,069 --> 00:14:26,880

Big tree.


247

00:14:27,550 --> 00:14:28,709

I mean, that's a big tree.


248

00:14:28,979 --> 00:14:32,400

Let's do a little push-up tree today

where we push them a little branches


249

00:14:32,430 --> 00:14:37,630

upward in some parts of the country,

evergreens grow with branches that


250

00:14:37,829 --> 00:14:41,240

lift up and other parts hang down.


251

00:14:41,329 --> 00:14:44,089

It just sort of depends on where

you're, where you happen to be.


252

00:14:44,089 --> 00:14:45,620

And you can do it either

way that you want to.


253

00:14:45,650 --> 00:14:46,160

It's up to you.


254

00:14:47,390 --> 00:14:50,449

We just want to show you as many

ways as possible to create effects.


255

00:14:51,140 --> 00:14:51,229

Okay.


256

00:14:51,365 --> 00:14:52,084

And then you do it.


257

00:14:52,084 --> 00:14:56,074

How ever you want, because painting

is a very individual thing.


258

00:14:57,454 --> 00:15:03,125

As I've mentioned over and over on this

show, each of us, each and every one of


259

00:15:03,125 --> 00:15:06,515

us will see nature through different eyes.


260

00:15:07,655 --> 00:15:10,535

And that's what you are to paint

is what you see and the way you see


261

00:15:10,535 --> 00:15:14,765

it, art is an expression of self.


262

00:15:15,705 --> 00:15:16,755

Express yourself.


263

00:15:16,965 --> 00:15:17,805

Enjoy it.


264

00:15:19,065 --> 00:15:19,815

Enjoy it.


265

00:15:21,165 --> 00:15:24,705

The only rule that I adhered to

in painting is that it should make


266

00:15:24,705 --> 00:15:26,445

you happy and you should enjoy it.


267

00:15:28,785 --> 00:15:33,225

If you comply with that rule,

then how can you go wrong there?


268

00:15:34,425 --> 00:15:38,535

Well, that is a big tree until you

let me mix up a little more paint.


269

00:15:38,535 --> 00:15:39,525

I think he needs a friend.


270

00:15:40,180 --> 00:15:44,080

You know me, I think everybody

needs a friend, same colors.


271

00:15:44,080 --> 00:15:48,070

Again, I don't want that

old tree to get lonely.


272

00:15:49,870 --> 00:15:53,820

Let's give him a little, little

friend that lives right here.


273

00:15:54,270 --> 00:15:54,840

All right there.


274

00:15:56,430 --> 00:15:57,420

Just like, so.


275

00:15:58,905 --> 00:16:02,235

There he comes in this liquid black Leto.


276

00:16:03,735 --> 00:16:07,265

Once again, if you have paintings that

in your mind, you think it's going to


277

00:16:07,265 --> 00:16:11,645

be a lot of dark areas, or you just

want a gray, the overall tone of the


278

00:16:11,645 --> 00:16:15,845

painting, the liquid black will do

wonderful, wonderful things for you.


279

00:16:16,290 --> 00:16:21,200

That are very difficult to do

without it, it takes a lot of work


280

00:16:21,200 --> 00:16:22,850

to do what it will do automatically.


281

00:16:22,850 --> 00:16:28,280

Basically wait, now, then let's

take a little dark Sienna, a


282

00:16:28,280 --> 00:16:29,780

little Bandak little white.


283

00:16:30,590 --> 00:16:31,430

I'll mix it together.


284

00:16:31,430 --> 00:16:32,750

Get a little roll of paint.


285

00:16:33,920 --> 00:16:37,520

It's put the indication here and

there of a little tree trunk.


286

00:16:38,210 --> 00:16:39,170

You won't see all of it.


287

00:16:39,170 --> 00:16:41,840

So don't worry about

it just here and there.


288

00:16:42,740 --> 00:16:43,700

Just here in there.


289

00:16:45,675 --> 00:16:49,335

We'll take a little bit of that

tree color, mix it with a yellows


290

00:16:49,875 --> 00:16:52,025

and instantly we'll have green.


291

00:16:54,485 --> 00:16:59,615

And with that a little bit more

there, I make this quite dark.


292

00:16:59,645 --> 00:17:00,575

Quite dark.


293

00:17:00,965 --> 00:17:03,215

Evergreens are pretty dark and value.


294

00:17:04,265 --> 00:17:04,715

All right.


295

00:17:04,715 --> 00:17:06,005

Now we can go right along in here.


296

00:17:06,975 --> 00:17:08,714

And let's just put in a few highlights.


297

00:17:08,954 --> 00:17:09,825

Let's do the tree.


298

00:17:09,825 --> 00:17:13,635

That's I think that trees in the

background, so it'll do it first


299

00:17:14,175 --> 00:17:18,795

and then we'll come back, change the

flavor, change the color just a wee bit.


300

00:17:19,875 --> 00:17:21,194

And let's go right up in here.


301

00:17:23,310 --> 00:17:25,230

And put some highlights

on this whole tree.


302

00:17:25,410 --> 00:17:28,500

We don't want him left

out, but just push upward.


303

00:17:28,500 --> 00:17:33,000

You think about where the limbs and

branches would live and just drop them


304

00:17:33,000 --> 00:17:35,340

in, drop them and don't turn all the dark.


305

00:17:35,879 --> 00:17:41,850

I know sometimes he gets feeling good

and just, you don't want to stop.


306

00:17:42,660 --> 00:17:44,370

I could I get letters all the time.


307

00:17:44,370 --> 00:17:47,129

Say I covered up my entire evergreen tree.


308

00:17:47,639 --> 00:17:50,610

Leave a lot of dark in

evergreen, a lot of dark.


309

00:17:52,440 --> 00:17:54,720

The hair darker, darker

down toward the base.


310

00:17:55,140 --> 00:17:58,200

And that should happen automatically

because your brush is picking up this dark


311

00:17:58,200 --> 00:17:59,520

color and you're running out of paint.


312

00:17:59,910 --> 00:18:02,640

It should automatically get

darker down toward the base.


313

00:18:04,080 --> 00:18:08,190

Let the let the natural action of the

brush and everything work for you.


314

00:18:09,270 --> 00:18:11,280

Let's take a little bit

of this green color.


315

00:18:12,510 --> 00:18:14,040

And Oh, I know, I know.


316

00:18:14,250 --> 00:18:14,520

I know.


317

00:18:14,550 --> 00:18:14,940

I see it.


318

00:18:15,600 --> 00:18:15,930

I see it.


319

00:18:15,930 --> 00:18:16,740

I'm taking little Brown.


320

00:18:16,950 --> 00:18:17,400

Excuse me.


321

00:18:17,400 --> 00:18:18,060

I get excited.


322

00:18:18,060 --> 00:18:19,380

I see things happening in here.


323

00:18:20,280 --> 00:18:22,770

Take a little Brown, little

black, mix it together.


324

00:18:23,010 --> 00:18:23,580

A little white.


325

00:18:26,820 --> 00:18:27,720

All right, let's go.


326

00:18:29,149 --> 00:18:30,409

We said there could be a river there.


327

00:18:30,800 --> 00:18:35,179

I think in my world today, I'm going

to have a little, maybe a little


328

00:18:35,179 --> 00:18:37,399

path just goes right back to there.


329

00:18:38,450 --> 00:18:43,040

We just take the fan brush,

drop the dam that easy.


330

00:18:44,629 --> 00:18:45,740

We don't know where it goes.


331

00:18:46,760 --> 00:18:47,659

Don't care.


332

00:18:47,689 --> 00:18:51,620

Now back to my two inch brush had

the, had the grassy colors on it.


333

00:18:52,065 --> 00:18:59,925

And maybe see there it is maybe, maybe

put a little liquid white on there.


334

00:18:59,925 --> 00:19:03,885

I want to brighten the color and

thin it at the same time, the liquid


335

00:19:03,885 --> 00:19:05,085

height will brighten the color.


336

00:19:05,085 --> 00:19:06,524

See a little bit brighter.


337

00:19:08,205 --> 00:19:09,975

I'm just using the corner of the brush.


338

00:19:10,574 --> 00:19:11,534

Just the corner.


339

00:19:13,004 --> 00:19:13,754

That's all you need.


340

00:19:14,355 --> 00:19:15,675

Darker, darker, darker.


341

00:19:17,834 --> 00:19:18,495

All right.


342

00:19:18,824 --> 00:19:19,905

Maybe over in here.


343

00:19:22,274 --> 00:19:23,084

It smiling, man.


344

00:19:23,115 --> 00:19:24,345

A little bright red.


345

00:19:25,935 --> 00:19:28,034

Maybe see, we'll just, there you go.


346

00:19:28,425 --> 00:19:29,804

That comes right out from behind the tree.


347

00:19:32,264 --> 00:19:33,495

You just make the decision.


348

00:19:33,495 --> 00:19:36,195

You decide where all

these little planes live.


349

00:19:36,730 --> 00:19:37,480

You can just cue.


350

00:19:38,410 --> 00:19:39,460

I I'm sorry.


351

00:19:39,460 --> 00:19:42,910

I get excited because it's so many

things you can create and you can see


352

00:19:42,920 --> 00:19:50,830

in your painting as you work with this

there, my son, Steve, well, he he's a


353

00:19:50,830 --> 00:19:56,020

dynamite painter and he just he's so young

and, and he gets so excited over this.


354

00:19:56,020 --> 00:19:59,980

It's nice to see young people get

excited over something like this.


355

00:20:01,780 --> 00:20:03,430

He's 27 years old.


356

00:20:04,980 --> 00:20:07,020

And he's been painting since he was 12.


357

00:20:07,020 --> 00:20:08,850

He sold his first painting when he was 12.


358

00:20:10,770 --> 00:20:12,090

I don't think he's ever worked again.


359

00:20:14,190 --> 00:20:17,970

He found out that that painting

can be fun and he can make a


360

00:20:17,970 --> 00:20:19,320

happy buck or two off of it.


361

00:20:20,280 --> 00:20:20,850

All right.


362

00:20:22,320 --> 00:20:26,640

So you can just create layer after layer,

after layer, but it's picking up the


363

00:20:26,640 --> 00:20:29,250

black it's on the canvas and it'll gray.


364

00:20:29,280 --> 00:20:30,870

Everything automatically.


365

00:20:31,365 --> 00:20:32,774

It makes a very nice effect.


366

00:20:33,945 --> 00:20:37,725

Let's go back to her little fan

brush, where we were making a path.


367

00:20:38,504 --> 00:20:41,385

Maybe this whole path just

sneaks right around here.


368

00:20:42,945 --> 00:20:46,425

Eric comes here, comes see there.


369

00:20:47,115 --> 00:20:48,705

You can have it just go anywhere you want.


370

00:20:50,129 --> 00:20:51,780

But that's just a great color on top.


371

00:20:51,780 --> 00:20:56,850

So it shows and you can sort of give

it a, a band like that to make it look


372

00:20:56,850 --> 00:20:59,240

like it's recessed any way you want to.


373

00:21:00,440 --> 00:21:01,280

Absolutely.


374

00:21:01,280 --> 00:21:02,210

Any way that you want to.


375

00:21:02,720 --> 00:21:05,360

Now, maybe over here on this

side, we need something.


376

00:21:06,080 --> 00:21:07,070

Let's have another tree or two.


377

00:21:08,690 --> 00:21:12,560

No, that little tree there.


378

00:21:14,385 --> 00:21:20,445

Okay, just give it a little upward, push

something about like, so just decide


379

00:21:20,445 --> 00:21:22,125

where the little tree lives drop it down.


380

00:21:23,535 --> 00:21:24,405

Drop him in.


381

00:21:26,055 --> 00:21:26,895

There we go.


382

00:21:29,085 --> 00:21:30,615

And you can make any

kind of tree you want.


383

00:21:30,615 --> 00:21:31,515

Maybe you want to treat it.


384

00:21:32,085 --> 00:21:33,405

Maybe you want a maple tree here.


385

00:21:33,435 --> 00:21:34,095

That's okay.


386

00:21:34,515 --> 00:21:40,155

You decide, you decide I'm going

to put another one right there.


387

00:21:42,284 --> 00:21:46,034

Right, right over my little

mountain where you could have a


388

00:21:46,034 --> 00:21:47,385

little naked spot in your tree.


389

00:21:48,284 --> 00:21:50,985

So you could still see some

of your mountain plus trees.


390

00:21:50,985 --> 00:21:52,155

Don't always grow perfect.


391

00:21:52,844 --> 00:21:59,024

They're like this people, we

have some faults, at least a few.


392

00:22:01,140 --> 00:22:05,550

Tree reminds me of my little squirrel

pea pod that you've seen so many times


393

00:22:06,030 --> 00:22:07,920

that'd be a perfect place for him to live.


394

00:22:09,030 --> 00:22:10,920

In fact, today I've got

him in my pocket here.


395

00:22:12,060 --> 00:22:14,129

It was a little chilly when

we were filming this show.


396

00:22:14,129 --> 00:22:17,790

So I left him at home and I brought,

I brought his little cartoon


397

00:22:18,510 --> 00:22:21,390

equal here and he missed as pod.


398

00:22:21,390 --> 00:22:22,200

The pocket squirrel.


399

00:22:23,775 --> 00:22:26,685

There we finally turned

him into a cartoon.


400

00:22:27,375 --> 00:22:32,525

He became so popular, especially with

my young friends that we've, we've


401

00:22:32,525 --> 00:22:34,235

actually made a cartoon at rascal.


402

00:22:35,520 --> 00:22:39,540

Here we are a few little

highlights on there.


403

00:22:40,290 --> 00:22:47,480

Let's have some fun, let's take,

I'm going to take some black, just


404

00:22:47,600 --> 00:22:50,630

plain, old, midnight, black, maybe

a little band, Dyke Brown in it.


405

00:22:51,620 --> 00:22:54,110

And I'm going to with paint thinner.


406

00:22:55,340 --> 00:22:56,780

I want to make it very, very thin.


407

00:22:56,810 --> 00:22:58,550

Just, just put paint thinner in it.


408

00:23:01,190 --> 00:23:01,790

And.


409

00:23:03,840 --> 00:23:07,930

What makes a big stones, then

we'll take some white and mixed


410

00:23:07,930 --> 00:23:08,780

with a little bit of that.


411

00:23:08,780 --> 00:23:10,160

So we have two different values.


412

00:23:10,230 --> 00:23:14,090

We've got the same basic color.


413

00:23:14,120 --> 00:23:15,620

Only one of them has white in it.


414

00:23:17,690 --> 00:23:20,210

And that way we can have

a highlight and a shadow.


415

00:23:21,800 --> 00:23:23,330

Let me grab a little

black and put it in there.


416

00:23:23,420 --> 00:23:23,720

Ooh.


417

00:23:23,750 --> 00:23:24,860

Yeah, it looks good.


418

00:23:26,360 --> 00:23:27,620

But the pain is very thin.


419

00:23:29,605 --> 00:23:31,945

Yeah, we'll take our little oval brush.


420

00:23:32,185 --> 00:23:36,865

I'm going to load both sides

with a dark lot of dark color.


421

00:23:38,275 --> 00:23:44,215

Once again, this is very thin one side

and one side only through the light color.


422

00:23:44,845 --> 00:23:45,835

And maybe we'd go out here.


423

00:23:47,970 --> 00:23:51,090

And maybe there's, uh, some big

old stones that live out here.


424

00:23:51,510 --> 00:23:58,270

You decide, you decide, or they left

shoot, maybe right here at the base of


425

00:23:59,010 --> 00:24:00,720

this old tree, there's a stone or two.


426

00:24:02,340 --> 00:24:04,180

And you could put these

things anywhere you want.


427

00:24:05,490 --> 00:24:06,210

Just like him.


428

00:24:07,530 --> 00:24:10,140

It's a neat way to make a stone

and it can make the highlight


429

00:24:10,140 --> 00:24:11,730

and the shadow all in one stroke.


430

00:24:13,050 --> 00:24:17,580

Then we'll put some little grassy areas

right around here, something about


431

00:24:17,580 --> 00:24:23,690

like, so, but that easy, you can do.


432

00:24:24,440 --> 00:24:25,520

Unbelievable things.


433

00:24:25,879 --> 00:24:27,889

Maybe we've got a second left here.


434

00:24:28,550 --> 00:24:28,639

Okay.


435

00:24:28,670 --> 00:24:32,389

If you want to change your mind,

see this tree here, let's bring


436

00:24:32,389 --> 00:24:33,830

it all the way down to the bottom.


437

00:24:33,830 --> 00:24:34,879

So it's in the foreground.


438

00:24:36,149 --> 00:24:36,870

It's that easy.


439

00:24:37,740 --> 00:24:39,720

You can do it a little highlight on it.


440

00:24:42,250 --> 00:24:42,770

That easy.


441

00:24:42,770 --> 00:24:47,690

You pull that tree right here

into the foreground shoot.


442

00:24:47,690 --> 00:24:49,190

I think we about have a finished painting.


443

00:24:50,690 --> 00:24:52,040

This liquid black is wonderful.


444

00:24:52,040 --> 00:24:52,790

I hope you try it.


445

00:24:52,970 --> 00:24:56,180

If you have time, take a photograph

of your work, send it to us.


446

00:24:56,510 --> 00:24:57,830

We'd love to see what you're doing.


447

00:24:59,210 --> 00:25:03,740

We'll sign this one

and call it done there.


448

00:25:06,465 --> 00:25:08,205

With that we have a finished painting.


449

00:25:08,205 --> 00:25:10,785

And from all of us here, I'd

like to wish you happy painting.


450

00:25:11,595 --> 00:25:12,675

And God bless my friend.


End .srt file.



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