Bob Ross's
The Joy of Painting
S31E03 - Winding Stream
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Hi, welcome back.
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Certainly glad you could join us today
because I think that they will do a
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painting that you'll certainly enjoy.
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Let's start out and have him run
all the colors across the screen
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that you need to paint along
with us while they're doing that.
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Let me show you what I've got done today.
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I have my standard old pre-stretch
double prime canvas, but today I've
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taken as you can plainly see on
the bottom, I've put liquid black.
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And on the top liquid white, and then
I've just sort of blend them together.
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So there's just a graduation of,
from solid black to solid white.
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And I think we'll just have some fun.
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I, liquid black is exactly the
same thing as liquid white.
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The only difference is, is the pigment
in it is black rather than white.
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And it, it allows you to create
some beautiful, beautiful effects.
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All right, let's start today.
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Let's use stay low blue.
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It's a fantastic day here and I
hope it is wherever you're at.
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And fatal blue is just such a.
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Beautiful.
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Beautiful color.
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It's a warm, warm blue, and let's go right
up in here making our little Xs and Chris
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cross these strokes and let's just put
in a happy little sky, just, just one.
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That's a lot of fun there.
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Something like, so.
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That's all there is to it, but
make these little crisscross
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strokes, it blends better.
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And it leaves little actions in your
sky that it looks like there's beautiful
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things happening very, very easily.
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And this truly is the
lazy man's way to paint.
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Yeah.
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We work with big brushes and fantastic
colors and we try to make painting as
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simple as possible, but yet to look
like, to look like a real painting.
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All right.
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A little more of that blue
color, maybe right in here.
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We'll just put this tap.
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I'm just going to tap in some
basic little cloud shapes
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there, something about like, so.
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We'll just let our imagination take
us wherever we want to go today.
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Just all kinds of little shapes and forms
appear in this guy, because on this piece
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of canvas, you truly are the creator.
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You can make any illusion that you desire.
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All right, I'm going to take a little,
this is a very soft blending brush
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and I'm begin blending this, working
with it, just playing, having fun.
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All right.
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Blend this out.
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That it's a very, very soft, very gentle.
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And this brush, as I mentioned
earlier, is very soft, very, very soft.
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You can blend right over color without,
without disturbing it too much.
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All right.
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The color red on that brush.
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I'm just using still the fatal blue.
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That's all.
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And we'll just put in all kinds of little
indications there and I'm using just
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the corner at times, just to blend it,
to sort of stirred up, to mix it up.
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Try different effects because as you
know, we, we don't make any mistakes.
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We just have happy accidents.
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So anything that happens
here, you can work with it.
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You really truly can work with it.
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There.
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Something about like that.
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It's like, we're just creating all kinds
of illusions and you decide how many
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clouds live in your world for health?
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You maybe you don't want any clouds.
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That's okay, too, because you can do
anything that you desire on this canvas.
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All right.
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And Dan in here where we're beginning
to touch the black with just begin
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blending color together here and there.
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I'm gonna take a little fight, just
a little titanium, right, right.
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On the same brush and begin blending
in pretty little areas right in there.
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Still using just the blender brush.
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It creates a whole different plane there.
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Right there in the sky, just by
putting a little white on there,
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make some beautiful effects.
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This liquid black can do great things
for you, especially in areas where
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you're gonna, you know, there's
going to be a lot of dark color.
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Or if you want a gray of painting,
traditionally painters use a lot of gray.
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This will do it automatically for you.
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Okay.
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Automatically that's cool.
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Wherever you want.
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Some little light areas.
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Just drop them in the little white
there that's something though that you
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could, you can create a skylight kit
in just a matter of a minute or two.
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You can do it.
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You can do it.
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There, and this is a nice guy.
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If you wanted to put rays of
light, be very easy to do.
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I don't like we'll do that today,
but be very easy practice, doing
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some little things like that and
see what kind of affects you get.
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There are tech, a little blue gum from
that cloud up a little right in there.
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Just make that little
cloud a little stronger.
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All right.
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Something about like, so,
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and that's really where that
liquid black in there and
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liquid that's really about all.
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We need something like that to
decide where, how far down it comes.
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Okay.
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Let's wash your brush.
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That's the fun part.
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A little blender brush is not
as much fun to wash is a big two
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inch brush, but it's not bad.
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It doesn't splash as far.
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Take weapon.
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I've got a dirty two inch brush here.
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Just so we can get, even with a crew.
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I'll watch you too.
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All right.
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That's better.
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That's much better, a lot more fun.
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Now let's take us a little fan brush.
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I'm on use.
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I'll use number three, fan brush,
take a little white, a little bit
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of the little bit of the blue,
maybe a touch, a Crimson in it.
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Ooh, nice color.
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Nice color.
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I like that.
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A little more blue dark NetApp.
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Just to me a bit more.
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The hair.
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Nice color.
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Maybe we back here in the
background, maybe their lives,
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just a happy little mountain.
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Let's see if that's dark
enough to stand out.
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We just want it to stand out from the sky.
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It was far away, far, far away.
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Little bump right there is to it.
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I want this to be a quiet,
quiet little mountain.
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Just barely can say
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something about like, so
that's all we're looking for.
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I'm going to highlight that a little bit
and I'll continue to use a fan brush.
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Let me wash it off.
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Good enough.
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We'll take a little bit of the
titanium white and just load a
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little loan to the fan brush.
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Like, so once again, this is a
number three fan brush, but you
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could use a number six, whatever.
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It doesn't matter.
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I just want to highlight that a little.
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So it stands out.
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All right.
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See how easy that is.
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It gives the impression of a little
mountain that's far, far away.
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I spend a lot of time in Japan and in
Japan, there's a lot of paintings of
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Mount Fuji that looks similar to this.
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Of course, this doesn't look like now,
Fuji, but I mean painted this way and
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it's a super, super way of doing it.
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It's very simple.
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Even if you've never painted
a mountain, this is very easy.
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You can do that.
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See maybe there's a
little dude right there.
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It's up to you up to you where you
want them, but I want this one to be
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so far away that you can't see any
detail, just that there's a mountain
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that lives we back in the distance.
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All right.
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Adam let's have some fun.
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Let's take our old two inch brushes.
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We have the black up here, liquid black.
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We don't need to put
some dark color in first.
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Like we normally would normally
would put dark color in.
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So I'm just going to take a little
bit of SAP green, a little of the
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yellows, mix them together and just
mix them all together on the brush.
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That way you get layers of
color within the bristles.
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You couldn't do this intentionally
if you tried, but the brush work.
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Okay.
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Let's go up in here maybe right back
here, the base of our mountain, we can
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begin to see just some little things
that grow right up the side here.
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I can't say they're all there is to it.
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Just follow the angles in the
mountain and will push that mountain.
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We far away, a little bit of bright
red Nan into just to get a little too
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much there just to flavor it, just
to flavor it a little more color.
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Okay.
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Let's see, it's picking up, it's picking
up that liquid black it's under there
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and it grays, all the colors makes
them look very soft and very muted
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creates wonderful effects there, but
you can make Hills and valleys, little
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Plains, Meadows, anything that you want
back here, your world, you can create
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any illusion that makes you happy.
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There we go.
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But just at least a little touch
of paint, thinner on the brush.
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If you have trouble making
the paint, stick at least
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little touch of paint thinner.
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There we go.
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We can thinking about the lay of the
land, how it flows, how it curves in here.
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Cause that's very simple to do.
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And it's it makes your painting there.
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Something about like, so
where ever tell you what me?
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I love trees.
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I think this is a good
place to let's have a tree.
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Let me find another fan brush.
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There is a fan, make some
midnight black Prussian blue
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Prussian blue is much stronger.
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Maybe a little van Dyke, a little Crimson
to the SAP, green, all the dark colors.
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Basically just mix them together
like that, but it should
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look very dark, almost black.
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You put a little white with it.
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You'll see it has a blue base, but
it should look black on the palette.
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Let's take our fan brush loaded,
full of color, both sides.
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Both sides.
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All right, let's go up
in here to have some fun.
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Maybe back here in our world.
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There's a little, little stand
of trees live right in here.
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This is a very, very easy way of making
the indication of a lot of trees.
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Load the brush, totes very
sharp toes to a chisel edge.
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See there, and then it'll make, it
looks like individual little trees
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that just hide back here somewhere.
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Decide where they, how far
down the Hill they go there.
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Okay.
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We got to decide how
far up the Hill they go.
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You have to make all these big
decisions when you have power there.
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All right.
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We have a whole stand
of trees, group of them.
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Maybe I tell you what maybe
far away, right back in here,
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you can see the indication of
some that live far, far away.
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These aren't as dark.
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And they're not as distinct.
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So weight to your brush is almost
out of paint and then do those
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and do those little Rascals.
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Now we can go back.
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Let me find a, here's a clean brush.
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I want to lift upper decks.
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That'll just smooth, the pain
out and make it sort of fit
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together back to my little brush.
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It has our separate green
and all the yellows on it.
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Load a little more color, a little more
color, and that's go right in here.
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Then you decide where the bottom of
the stand of trees is, and you just
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sorta cut it off, but you didn't
know you had so much power in it.
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You, you really can do this.
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Can move mountains, trees, mighty rivers,
speak good place to put a little river.
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There as you paint, you
begin to see things.
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Don't worry about what
you're going to paint.
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Just start painting.
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I have a general idea in your mind.
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All you need to know is the time of
day and the, and the time of the year,
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you need to know the time of year.
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So you'll know whether this snow
or whether it's spring time.
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It's all you really have to know.
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I just have a basic idea in your mind.
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Take off Joe.
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Do it all right.
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Yeah.
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I'll put a big tree right there.
241
00:14:12,175 --> 00:14:13,405
It says your brave retest.
242
00:14:14,275 --> 00:14:17,425
I like big trees, a lot
of paint on the brush.
243
00:14:17,755 --> 00:14:18,475
A lot of paint.
244
00:14:20,035 --> 00:14:21,235
Let's go right up in here.
245
00:14:22,015 --> 00:14:24,745
You ready about right there?
246
00:14:26,069 --> 00:14:26,880
Big tree.
247
00:14:27,550 --> 00:14:28,709
I mean, that's a big tree.
248
00:14:28,979 --> 00:14:32,400
Let's do a little push-up tree today
where we push them a little branches
249
00:14:32,430 --> 00:14:37,630
upward in some parts of the country,
evergreens grow with branches that
250
00:14:37,829 --> 00:14:41,240
lift up and other parts hang down.
251
00:14:41,329 --> 00:14:44,089
It just sort of depends on where
you're, where you happen to be.
252
00:14:44,089 --> 00:14:45,620
And you can do it either
way that you want to.
253
00:14:45,650 --> 00:14:46,160
It's up to you.
254
00:14:47,390 --> 00:14:50,449
We just want to show you as many
ways as possible to create effects.
255
00:14:51,140 --> 00:14:51,229
Okay.
256
00:14:51,365 --> 00:14:52,084
And then you do it.
257
00:14:52,084 --> 00:14:56,074
How ever you want, because painting
is a very individual thing.
258
00:14:57,454 --> 00:15:03,125
As I've mentioned over and over on this
show, each of us, each and every one of
259
00:15:03,125 --> 00:15:06,515
us will see nature through different eyes.
260
00:15:07,655 --> 00:15:10,535
And that's what you are to paint
is what you see and the way you see
261
00:15:10,535 --> 00:15:14,765
it, art is an expression of self.
262
00:15:15,705 --> 00:15:16,755
Express yourself.
263
00:15:16,965 --> 00:15:17,805
Enjoy it.
264
00:15:19,065 --> 00:15:19,815
Enjoy it.
265
00:15:21,165 --> 00:15:24,705
The only rule that I adhered to
in painting is that it should make
266
00:15:24,705 --> 00:15:26,445
you happy and you should enjoy it.
267
00:15:28,785 --> 00:15:33,225
If you comply with that rule,
then how can you go wrong there?
268
00:15:34,425 --> 00:15:38,535
Well, that is a big tree until you
let me mix up a little more paint.
269
00:15:38,535 --> 00:15:39,525
I think he needs a friend.
270
00:15:40,180 --> 00:15:44,080
You know me, I think everybody
needs a friend, same colors.
271
00:15:44,080 --> 00:15:48,070
Again, I don't want that
old tree to get lonely.
272
00:15:49,870 --> 00:15:53,820
Let's give him a little, little
friend that lives right here.
273
00:15:54,270 --> 00:15:54,840
All right there.
274
00:15:56,430 --> 00:15:57,420
Just like, so.
275
00:15:58,905 --> 00:16:02,235
There he comes in this liquid black Leto.
276
00:16:03,735 --> 00:16:07,265
Once again, if you have paintings that
in your mind, you think it's going to
277
00:16:07,265 --> 00:16:11,645
be a lot of dark areas, or you just
want a gray, the overall tone of the
278
00:16:11,645 --> 00:16:15,845
painting, the liquid black will do
wonderful, wonderful things for you.
279
00:16:16,290 --> 00:16:21,200
That are very difficult to do
without it, it takes a lot of work
280
00:16:21,200 --> 00:16:22,850
to do what it will do automatically.
281
00:16:22,850 --> 00:16:28,280
Basically wait, now, then let's
take a little dark Sienna, a
282
00:16:28,280 --> 00:16:29,780
little Bandak little white.
283
00:16:30,590 --> 00:16:31,430
I'll mix it together.
284
00:16:31,430 --> 00:16:32,750
Get a little roll of paint.
285
00:16:33,920 --> 00:16:37,520
It's put the indication here and
there of a little tree trunk.
286
00:16:38,210 --> 00:16:39,170
You won't see all of it.
287
00:16:39,170 --> 00:16:41,840
So don't worry about
it just here and there.
288
00:16:42,740 --> 00:16:43,700
Just here in there.
289
00:16:45,675 --> 00:16:49,335
We'll take a little bit of that
tree color, mix it with a yellows
290
00:16:49,875 --> 00:16:52,025
and instantly we'll have green.
291
00:16:54,485 --> 00:16:59,615
And with that a little bit more
there, I make this quite dark.
292
00:16:59,645 --> 00:17:00,575
Quite dark.
293
00:17:00,965 --> 00:17:03,215
Evergreens are pretty dark and value.
294
00:17:04,265 --> 00:17:04,715
All right.
295
00:17:04,715 --> 00:17:06,005
Now we can go right along in here.
296
00:17:06,975 --> 00:17:08,714
And let's just put in a few highlights.
297
00:17:08,954 --> 00:17:09,825
Let's do the tree.
298
00:17:09,825 --> 00:17:13,635
That's I think that trees in the
background, so it'll do it first
299
00:17:14,175 --> 00:17:18,795
and then we'll come back, change the
flavor, change the color just a wee bit.
300
00:17:19,875 --> 00:17:21,194
And let's go right up in here.
301
00:17:23,310 --> 00:17:25,230
And put some highlights
on this whole tree.
302
00:17:25,410 --> 00:17:28,500
We don't want him left
out, but just push upward.
303
00:17:28,500 --> 00:17:33,000
You think about where the limbs and
branches would live and just drop them
304
00:17:33,000 --> 00:17:35,340
in, drop them and don't turn all the dark.
305
00:17:35,879 --> 00:17:41,850
I know sometimes he gets feeling good
and just, you don't want to stop.
306
00:17:42,660 --> 00:17:44,370
I could I get letters all the time.
307
00:17:44,370 --> 00:17:47,129
Say I covered up my entire evergreen tree.
308
00:17:47,639 --> 00:17:50,610
Leave a lot of dark in
evergreen, a lot of dark.
309
00:17:52,440 --> 00:17:54,720
The hair darker, darker
down toward the base.
310
00:17:55,140 --> 00:17:58,200
And that should happen automatically
because your brush is picking up this dark
311
00:17:58,200 --> 00:17:59,520
color and you're running out of paint.
312
00:17:59,910 --> 00:18:02,640
It should automatically get
darker down toward the base.
313
00:18:04,080 --> 00:18:08,190
Let the let the natural action of the
brush and everything work for you.
314
00:18:09,270 --> 00:18:11,280
Let's take a little bit
of this green color.
315
00:18:12,510 --> 00:18:14,040
And Oh, I know, I know.
316
00:18:14,250 --> 00:18:14,520
I know.
317
00:18:14,550 --> 00:18:14,940
I see it.
318
00:18:15,600 --> 00:18:15,930
I see it.
319
00:18:15,930 --> 00:18:16,740
I'm taking little Brown.
320
00:18:16,950 --> 00:18:17,400
Excuse me.
321
00:18:17,400 --> 00:18:18,060
I get excited.
322
00:18:18,060 --> 00:18:19,380
I see things happening in here.
323
00:18:20,280 --> 00:18:22,770
Take a little Brown, little
black, mix it together.
324
00:18:23,010 --> 00:18:23,580
A little white.
325
00:18:26,820 --> 00:18:27,720
All right, let's go.
326
00:18:29,149 --> 00:18:30,409
We said there could be a river there.
327
00:18:30,800 --> 00:18:35,179
I think in my world today, I'm going
to have a little, maybe a little
328
00:18:35,179 --> 00:18:37,399
path just goes right back to there.
329
00:18:38,450 --> 00:18:43,040
We just take the fan brush,
drop the dam that easy.
330
00:18:44,629 --> 00:18:45,740
We don't know where it goes.
331
00:18:46,760 --> 00:18:47,659
Don't care.
332
00:18:47,689 --> 00:18:51,620
Now back to my two inch brush had
the, had the grassy colors on it.
333
00:18:52,065 --> 00:18:59,925
And maybe see there it is maybe, maybe
put a little liquid white on there.
334
00:18:59,925 --> 00:19:03,885
I want to brighten the color and
thin it at the same time, the liquid
335
00:19:03,885 --> 00:19:05,085
height will brighten the color.
336
00:19:05,085 --> 00:19:06,524
See a little bit brighter.
337
00:19:08,205 --> 00:19:09,975
I'm just using the corner of the brush.
338
00:19:10,574 --> 00:19:11,534
Just the corner.
339
00:19:13,004 --> 00:19:13,754
That's all you need.
340
00:19:14,355 --> 00:19:15,675
Darker, darker, darker.
341
00:19:17,834 --> 00:19:18,495
All right.
342
00:19:18,824 --> 00:19:19,905
Maybe over in here.
343
00:19:22,274 --> 00:19:23,084
It smiling, man.
344
00:19:23,115 --> 00:19:24,345
A little bright red.
345
00:19:25,935 --> 00:19:28,034
Maybe see, we'll just, there you go.
346
00:19:28,425 --> 00:19:29,804
That comes right out from behind the tree.
347
00:19:32,264 --> 00:19:33,495
You just make the decision.
348
00:19:33,495 --> 00:19:36,195
You decide where all
these little planes live.
349
00:19:36,730 --> 00:19:37,480
You can just cue.
350
00:19:38,410 --> 00:19:39,460
I I'm sorry.
351
00:19:39,460 --> 00:19:42,910
I get excited because it's so many
things you can create and you can see
352
00:19:42,920 --> 00:19:50,830
in your painting as you work with this
there, my son, Steve, well, he he's a
353
00:19:50,830 --> 00:19:56,020
dynamite painter and he just he's so young
and, and he gets so excited over this.
354
00:19:56,020 --> 00:19:59,980
It's nice to see young people get
excited over something like this.
355
00:20:01,780 --> 00:20:03,430
He's 27 years old.
356
00:20:04,980 --> 00:20:07,020
And he's been painting since he was 12.
357
00:20:07,020 --> 00:20:08,850
He sold his first painting when he was 12.
358
00:20:10,770 --> 00:20:12,090
I don't think he's ever worked again.
359
00:20:14,190 --> 00:20:17,970
He found out that that painting
can be fun and he can make a
360
00:20:17,970 --> 00:20:19,320
happy buck or two off of it.
361
00:20:20,280 --> 00:20:20,850
All right.
362
00:20:22,320 --> 00:20:26,640
So you can just create layer after layer,
after layer, but it's picking up the
363
00:20:26,640 --> 00:20:29,250
black it's on the canvas and it'll gray.
364
00:20:29,280 --> 00:20:30,870
Everything automatically.
365
00:20:31,365 --> 00:20:32,774
It makes a very nice effect.
366
00:20:33,945 --> 00:20:37,725
Let's go back to her little fan
brush, where we were making a path.
367
00:20:38,504 --> 00:20:41,385
Maybe this whole path just
sneaks right around here.
368
00:20:42,945 --> 00:20:46,425
Eric comes here, comes see there.
369
00:20:47,115 --> 00:20:48,705
You can have it just go anywhere you want.
370
00:20:50,129 --> 00:20:51,780
But that's just a great color on top.
371
00:20:51,780 --> 00:20:56,850
So it shows and you can sort of give
it a, a band like that to make it look
372
00:20:56,850 --> 00:20:59,240
like it's recessed any way you want to.
373
00:21:00,440 --> 00:21:01,280
Absolutely.
374
00:21:01,280 --> 00:21:02,210
Any way that you want to.
375
00:21:02,720 --> 00:21:05,360
Now, maybe over here on this
side, we need something.
376
00:21:06,080 --> 00:21:07,070
Let's have another tree or two.
377
00:21:08,690 --> 00:21:12,560
No, that little tree there.
378
00:21:14,385 --> 00:21:20,445
Okay, just give it a little upward, push
something about like, so just decide
379
00:21:20,445 --> 00:21:22,125
where the little tree lives drop it down.
380
00:21:23,535 --> 00:21:24,405
Drop him in.
381
00:21:26,055 --> 00:21:26,895
There we go.
382
00:21:29,085 --> 00:21:30,615
And you can make any
kind of tree you want.
383
00:21:30,615 --> 00:21:31,515
Maybe you want to treat it.
384
00:21:32,085 --> 00:21:33,405
Maybe you want a maple tree here.
385
00:21:33,435 --> 00:21:34,095
That's okay.
386
00:21:34,515 --> 00:21:40,155
You decide, you decide I'm going
to put another one right there.
387
00:21:42,284 --> 00:21:46,034
Right, right over my little
mountain where you could have a
388
00:21:46,034 --> 00:21:47,385
little naked spot in your tree.
389
00:21:48,284 --> 00:21:50,985
So you could still see some
of your mountain plus trees.
390
00:21:50,985 --> 00:21:52,155
Don't always grow perfect.
391
00:21:52,844 --> 00:21:59,024
They're like this people, we
have some faults, at least a few.
392
00:22:01,140 --> 00:22:05,550
Tree reminds me of my little squirrel
pea pod that you've seen so many times
393
00:22:06,030 --> 00:22:07,920
that'd be a perfect place for him to live.
394
00:22:09,030 --> 00:22:10,920
In fact, today I've got
him in my pocket here.
395
00:22:12,060 --> 00:22:14,129
It was a little chilly when
we were filming this show.
396
00:22:14,129 --> 00:22:17,790
So I left him at home and I brought,
I brought his little cartoon
397
00:22:18,510 --> 00:22:21,390
equal here and he missed as pod.
398
00:22:21,390 --> 00:22:22,200
The pocket squirrel.
399
00:22:23,775 --> 00:22:26,685
There we finally turned
him into a cartoon.
400
00:22:27,375 --> 00:22:32,525
He became so popular, especially with
my young friends that we've, we've
401
00:22:32,525 --> 00:22:34,235
actually made a cartoon at rascal.
402
00:22:35,520 --> 00:22:39,540
Here we are a few little
highlights on there.
403
00:22:40,290 --> 00:22:47,480
Let's have some fun, let's take,
I'm going to take some black, just
404
00:22:47,600 --> 00:22:50,630
plain, old, midnight, black, maybe
a little band, Dyke Brown in it.
405
00:22:51,620 --> 00:22:54,110
And I'm going to with paint thinner.
406
00:22:55,340 --> 00:22:56,780
I want to make it very, very thin.
407
00:22:56,810 --> 00:22:58,550
Just, just put paint thinner in it.
408
00:23:01,190 --> 00:23:01,790
And.
409
00:23:03,840 --> 00:23:07,930
What makes a big stones, then
we'll take some white and mixed
410
00:23:07,930 --> 00:23:08,780
with a little bit of that.
411
00:23:08,780 --> 00:23:10,160
So we have two different values.
412
00:23:10,230 --> 00:23:14,090
We've got the same basic color.
413
00:23:14,120 --> 00:23:15,620
Only one of them has white in it.
414
00:23:17,690 --> 00:23:20,210
And that way we can have
a highlight and a shadow.
415
00:23:21,800 --> 00:23:23,330
Let me grab a little
black and put it in there.
416
00:23:23,420 --> 00:23:23,720
Ooh.
417
00:23:23,750 --> 00:23:24,860
Yeah, it looks good.
418
00:23:26,360 --> 00:23:27,620
But the pain is very thin.
419
00:23:29,605 --> 00:23:31,945
Yeah, we'll take our little oval brush.
420
00:23:32,185 --> 00:23:36,865
I'm going to load both sides
with a dark lot of dark color.
421
00:23:38,275 --> 00:23:44,215
Once again, this is very thin one side
and one side only through the light color.
422
00:23:44,845 --> 00:23:45,835
And maybe we'd go out here.
423
00:23:47,970 --> 00:23:51,090
And maybe there's, uh, some big
old stones that live out here.
424
00:23:51,510 --> 00:23:58,270
You decide, you decide, or they left
shoot, maybe right here at the base of
425
00:23:59,010 --> 00:24:00,720
this old tree, there's a stone or two.
426
00:24:02,340 --> 00:24:04,180
And you could put these
things anywhere you want.
427
00:24:05,490 --> 00:24:06,210
Just like him.
428
00:24:07,530 --> 00:24:10,140
It's a neat way to make a stone
and it can make the highlight
429
00:24:10,140 --> 00:24:11,730
and the shadow all in one stroke.
430
00:24:13,050 --> 00:24:17,580
Then we'll put some little grassy areas
right around here, something about
431
00:24:17,580 --> 00:24:23,690
like, so, but that easy, you can do.
432
00:24:24,440 --> 00:24:25,520
Unbelievable things.
433
00:24:25,879 --> 00:24:27,889
Maybe we've got a second left here.
434
00:24:28,550 --> 00:24:28,639
Okay.
435
00:24:28,670 --> 00:24:32,389
If you want to change your mind,
see this tree here, let's bring
436
00:24:32,389 --> 00:24:33,830
it all the way down to the bottom.
437
00:24:33,830 --> 00:24:34,879
So it's in the foreground.
438
00:24:36,149 --> 00:24:36,870
It's that easy.
439
00:24:37,740 --> 00:24:39,720
You can do it a little highlight on it.
440
00:24:42,250 --> 00:24:42,770
That easy.
441
00:24:42,770 --> 00:24:47,690
You pull that tree right here
into the foreground shoot.
442
00:24:47,690 --> 00:24:49,190
I think we about have a finished painting.
443
00:24:50,690 --> 00:24:52,040
This liquid black is wonderful.
444
00:24:52,040 --> 00:24:52,790
I hope you try it.
445
00:24:52,970 --> 00:24:56,180
If you have time, take a photograph
of your work, send it to us.
446
00:24:56,510 --> 00:24:57,830
We'd love to see what you're doing.
447
00:24:59,210 --> 00:25:03,740
We'll sign this one
and call it done there.
448
00:25:06,465 --> 00:25:08,205
With that we have a finished painting.
449
00:25:08,205 --> 00:25:10,785
And from all of us here, I'd
like to wish you happy painting.
450
00:25:11,595 --> 00:25:12,675
And God bless my friend.
End .srt file.
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