Thursday, December 31, 2020

S28E05 - The Magic of Fall

Bob Ross's

The Joy of Painting


S28E05 - The Magic of Fall

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Hey, welcome back.


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Glad you could join us today.


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They are having one of

my little friends here.


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You know, I've got several letters

since I've, since I've shown these in


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previous shows, Haskin hand the world,

you go about feeding a little squirrel.


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Well, it's a very delicate operation.


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Diana has worked with me for a long time.


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Diane is the bird lady here in Muncie

who loaned me this little rascal.


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And this is how hard it is to

get a little squirrel to eat.


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That's all there is to it.


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Aren't they?


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The most precious little

characters you've ever seen.


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Yeah.


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Poor guy.


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It had nothing to eat for years.


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You could feed them 10 times a day and

they'll always be just about this hungry.


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Hey, you know, I have to go to work.


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Yeah.


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I have to go to work.


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Okay.


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All right.


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I'm going to send him right over

here and let him finish lunch.


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And while he's doing that,

we'll just get started.


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So let's start out and have him

run all the colors across the


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screen that you need to paint along

with us while they're doing that.


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Let me grab my palette here.


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And show you what I've got done up here.


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I've got my standard old pre

stretched double prime canvas.


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And today I've covered it with

a very thin coat of liquid white


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and liquid clear mixed together.


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So you have both of them today

clear and liquid white, because


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I want a translucent effect.


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So by putting the both on the liquid.


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The liquid white is very opaque.


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The liquid clear of course is clear.


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Let's start out with a little

bit of fallow blue, just a small


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amount on the old two inch brush.


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Just work a little bit into the

bristles, something about like, so


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we'll go a pin here and use our little.


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Chris cross strokes, little X patterns.


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And we just very quickly put in a

little, a little sky, very light.


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I don't want this to be very dark,

just enough to sort of tempt the sky.


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So we know that it's blue back here

in this particular painting, this


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guy is going to be very unimportant.


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We don't, we don't really care.


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Probably won't even see

much of it when we're done.


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Stop today.


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We'd do some, some big trees.


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Since we have our little squirrel

there, that's having lunch.


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Let's have a big tree that he could

play in something about like that.


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That's really all we're looking for today.


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And that's about all I'm

going to do for a sky.


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Something about like that.


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All right, now then let's

take, I want to mix up a Brown.


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Made from a lizard, Crimson and SAP

green, maybe just a little more Crimson


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than green, depending on your taste.


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What flavor you want it sorta sorta try

it and see, because everybody's different.


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And you sort of decide if you want yours

to the ready side or to the green side.


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It's up to you.


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There we'll just guess that

that's about right there.


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Pinning me wipe the whole knife off.


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We just wiped the knife on a paper towel.


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I'm gonna grab another two inch

brush and add a little color to it.


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And today, today let's just play.


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Let's just play.


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Let's take this nice Brown

color and start writing here.


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And let's just still using

little crisscross strokes.


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Let's just make the

indication on the cake.


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We'll go all the way to the top.


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What the heck?


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All I'm looking for here

are some basic shapes.


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I'm going to come back

and turn that into a tree.


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Believe it or not.


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But all we're looking for right here.


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It's just very basic shapes

when I had a little black


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right down here at the bottom.


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So we have a dark area that'll

end up being the darkest part.


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That'll be the shadows there.


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Maybe hearing there, just

indication of a little tree.


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Little bullish, whatever all we're doing

is putting in the background shape.


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We don't care cannot make a mistake.


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We really don't care.


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There is something wherever you

just sort of figure out where


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they're at and drop them in.


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That's all there is to it.


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And how we have that going.


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Shoot, tell you what

let's just go down here.


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Who I hit a little red there.


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That's all right.


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Let's not mix the color.


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Well, so we just go ahead and cover the

rest of the canvas here with just color.


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All right, but that's all there

is to putting in the background


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for this particular painting.


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Okay.


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Then we can take our liner, brush

a little paint center, a little


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bit of that same Brown color.


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We want this to be very thin, very,

very thin something about my kid.


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Almost the consistency of eight, right?


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Let's go up in here.


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Now, back in here, there's going

to be fueled tree trunks and limbs


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and sticks wherever you want them.


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You decide where they live.


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If your paint's thin enough,

though, it'll literally just slide


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right over there and we're going

to put leaves and stuff on here.


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So don't worry about a lot of detail.


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A few of them will show through, but

we don't, we don't worry about much.


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They're saying something about

like him and maybe right there,


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their lives, another little rascal,

wherever you think they should be.


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Just as many or as few as you want.


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Like cat.


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Okay.


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A few little indications over in here.


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Once again, I'm not looking

for a lot of detail here.


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All we're looking for just indications.


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This is going to be in the

background too far away to really


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worry about it too far away there.


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Just the indication.


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Would you like that little squirrel?


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Isn't he a miss?


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You know, it's, it's fantastic.


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There's people like Diana Shaffer

that I've mentioned here in Muncie,


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but people like her all over the

country that take care of these


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animals injured and orphaned animals.


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And they do it strictly out of love.


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There's absolutely no

financial reward to it.


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In fact, most of them supported out

of their own pocket and it's done.


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It's done strictly and

completely out of here.


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It's just, it's just for love of

these creatures and to Diana and


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all the people around the country

who take care of these animals.


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I tilt my hat because I think you're

the most fantastic people there is.


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All right.


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I'm going to use a little round brush

and we'll go into a little bit of the


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yellows, all the yellows, a little

bit of the bright red here and there.


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Ooh, nice color, but

just tap it to load it.


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It's all you're doing.


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Just tapping.


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And by going through these colors, there's

actually layers of colors on your brush.


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All different colors in there.


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I can just go up in here

now then comes the fun part.


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Let's begin picking out our tree.


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All we need was a little background.


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How we can go in here, begin

picking out all the little


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individual shapes to make this tree.


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An individual this little, this

little small round brush is fantastic.


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It's we have, uh, around versus pig

in one, the small, this is a small


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one, but you could use either one,

whichever one you have doesn't matter.


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Doesn't matter.


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Okay, but just think

about shape and form here.


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Build individual bushes in there.


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Now you're sort of seeing it

from a different angle than I am.


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So it might look a little different

when we get a straight on shot.


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It'll look right to you and

we're burying the colors.


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Just.


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Just sort of varying the

flavors a little bit.


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There comes one.


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Just pick them out, pick them

out, pick them out there.


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They live all back here, all

back here, wherever you want.


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Here's a happy little tree.


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In my world.


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Everything's happy there.


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Once in a while I met and a little bit

of that Brown to the color that he used.


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Just to keep it though, be better.


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The bright red


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you decide, you decide.


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All right.


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And we don't want this one left out.


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We'll put a little bit over in here,

but I'm tapping with the top corner


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of the brush top corner, the brush.


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They're all right.


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I hear my little squirrel over there.


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On the other side of the studio, he's

still looking for the rest of his dinner.


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I don't think he got it all.


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And in reality, there's four squirrels

in the box, so they wouldn't be lonely.


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So they're just having

a good time over there.


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Looking for lunch there.


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Ken's a little bushy.


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So see, by varying the flavor a

little bit or the color, you can


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make them stand out from one another.


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Try to leave some dark at the bottom.


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Try to leave a little

dark down at the bottom.


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That way the next one will show up,

work in layers, doing the bushes, a


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tree that you think is the father's to

way and work forward, forward forward.


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Always working forward.


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And begin thinking about the

lay of the land or planes,


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whatever you want to call them.


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It doesn't matter, but the way

the land flows, that's what we


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have to start working on there.


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Shoot, let's get us over two inch

brush here and go into some nice same


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colors, the yellows and all of those.


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A little bit of bright red here

and there, but just tap, push.


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I want to push up that little Ridge

of paint, then we can come back


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in here and we can begin laying

in little, little indications


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once again of the lay of the land.


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Maybe something about my cat

there, but just very the colors.


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Maybe this is a little fall scene.


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They're


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all there is to it.


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Just something about like him


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seeing that dark under color.


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Automatically it picks that up.


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So it's brighter out here, then

it is there that the canvas and


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the paint work for you shoot.


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So the lazy man's way of painting here.


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There, I look for ways

to, to make it easier.


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Let's take a clean brush because

we have liquid clear under


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there and it's transparent.


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It'll begin looking lighter in color.


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And if you have a little paint

thinner on your brush, it'll cause


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the liquid clear to begin to react.


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There cause liquid

color and paint thinner.


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Have a violent reaction.


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Now we can just use this brush.


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What the heck and put in another

little Bush, they're using this


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top corner of the two-inch brush.


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Put a little brighter color on the

brush and highlight that one a little.


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So it stands out.


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See Sollars too, it didn't stand

out, change the color a little bit.


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And then it stands right

out as an individual.


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Take our liner, brush a little bit

of Brown and here and there and


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there, and here we can put in the

indication of few, little sticks


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and twigs wherever you want them.


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See that's about all we need

just some here and there.


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Not too many.


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Don't want it to look too busy, may be

here right in here, but that helps create


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the illusion of distance because it

shows once again more planes and you're


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painting more areas that it moves back.


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All right.


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You ready for your brave retest it's time.


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Let's use a little Filbert today.


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Check out your bravery.


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We use at Brown, we made from

SAP green and lizard Crimson, a


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load, a lot of paint on the brush.


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Just a lot of paint because go up

here on a big tree, maybe old big


234

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tree lives right there, right there.


235

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Let's let's really make a big tree.


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I like let's give him a lot of arms.


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I like trees with character.


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Okay, why not?


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This is our world.


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We can do anything here that we want to

do in anything here that we want to do.


241

00:13:59,955 --> 00:14:04,125

My little squirrels need a

place to, to really play shoot.


242

00:14:04,425 --> 00:14:08,295

This is just like, this is like

going to the F to the carnival forum.


243

00:14:08,805 --> 00:14:10,155

They can run up and down this tree.


244

00:14:11,505 --> 00:14:12,765

Have more fun.


245

00:14:15,165 --> 00:14:16,035

All right.


246

00:14:16,065 --> 00:14:21,975

Maybe wherever you decide where you

limbs live on this tree, big old tree,


247

00:14:23,295 --> 00:14:29,655

maybe right over in here even does not

matter just about any way you can paint


248

00:14:29,655 --> 00:14:33,615

a tree seems like somewhere there's

one that looks just about like cat.


249

00:14:35,085 --> 00:14:37,125

That's the nice thing

about doing landscapes.


250

00:14:38,580 --> 00:14:41,640

If you paint a portrait of somebody and

you put the eyes in their own place,


251

00:14:41,640 --> 00:14:43,110

chances are, are they going to notice?


252

00:14:45,150 --> 00:14:48,600

Chances are, but if you paint a

tree wrong, somebody will come along


253

00:14:48,600 --> 00:14:50,520

and say, Hey, I know that tree.


254

00:14:50,550 --> 00:14:51,420

He's an old friend.


255

00:14:51,420 --> 00:14:53,640

He lives in my front

yard has for many years.


256

00:14:55,050 --> 00:14:56,370

So he can't hardly do him wrong.


257

00:14:56,400 --> 00:14:57,810

I'll take a little white,

a little bit of that.


258

00:14:57,810 --> 00:14:58,530

Same Brown.


259

00:14:58,710 --> 00:15:00,060

Just mix them right here on the brush.


260

00:15:00,480 --> 00:15:01,170

No big deal.


261

00:15:01,690 --> 00:15:06,140

So he just sort of makes them think

about her life it's coming from.


262

00:15:06,140 --> 00:15:08,180

Maybe we haven't really

determined this painting.


263

00:15:08,210 --> 00:15:09,920

Maybe, maybe it's coming

from the left today.


264

00:15:10,790 --> 00:15:11,390

Doesn't matter.


265

00:15:11,600 --> 00:15:12,110

It's up to you.


266

00:15:12,680 --> 00:15:15,350

So we'll put a little highlight over

here on the left side of the tree.


267

00:15:16,370 --> 00:15:19,070

Just let the little Filbert

brush just bounce along in place


268

00:15:19,070 --> 00:15:21,080

so that the paint's thick here.


269

00:15:21,080 --> 00:15:23,780

Let the highlights pick up the paint.


270

00:15:24,140 --> 00:15:26,750

Just let the highlights

or the hottest spots.


271

00:15:26,750 --> 00:15:27,260

I'm sorry.


272

00:15:27,320 --> 00:15:29,120

I said highlights high spots on the paint.


273

00:15:29,120 --> 00:15:29,630

Pick up the.


274

00:15:30,750 --> 00:15:37,350

Color sometime when you get my

age, that tongue gets over the IP


275

00:15:37,380 --> 00:15:38,310

and you can't see what you see.


276

00:15:39,680 --> 00:15:42,620

They're all right.


277

00:15:45,350 --> 00:15:46,280

Something like that.


278

00:15:49,520 --> 00:15:50,150

Oh, okay.


279

00:15:50,930 --> 00:15:54,050

But that's, that's a nice

little way of making a tree.


280

00:15:54,989 --> 00:15:56,760

And you can really spend

some time and make one.


281

00:15:56,760 --> 00:16:02,010

That's got a lot of detail in it and

we need to put a few little arms on it.


282

00:16:03,839 --> 00:16:05,729

I'm going to put some leaves

on him, so it doesn't reach.


283

00:16:06,000 --> 00:16:07,050

It doesn't much matter.


284

00:16:07,439 --> 00:16:10,770

It doesn't much matter

any area of the tree.


285

00:16:10,770 --> 00:16:12,359

You don't like, he just put leaves on it.


286

00:16:12,810 --> 00:16:15,780

The areas that you do,

like you leave them naked.


287

00:16:16,469 --> 00:16:18,479

Let the limb show through.


288

00:16:20,640 --> 00:16:21,300

There we go.


289

00:16:24,030 --> 00:16:25,890

And each painting will be different.


290

00:16:26,040 --> 00:16:27,840

Everybody's painting will be different.


291

00:16:30,160 --> 00:16:31,280

That's the beauty of it.


292

00:16:31,280 --> 00:16:35,180

Then there let's say wherever.


293

00:16:35,990 --> 00:16:36,080

Okay.


294

00:16:36,170 --> 00:16:37,910

Just want to put a few

indications once again.


295

00:16:37,940 --> 00:16:39,530

I'm going to cover this

up with a bunch of leaves.


296

00:16:39,530 --> 00:16:41,600

So most of this will disappear.


297

00:16:43,510 --> 00:16:46,500

A little of it's going to show

through and people will thank you.


298

00:16:46,829 --> 00:16:47,819

Work for weeks.


299

00:16:47,819 --> 00:16:49,380

Try to put this rascal together.


300

00:16:51,349 --> 00:16:51,920

All right.


301

00:16:53,630 --> 00:16:54,439

Tell you what let's use.


302

00:16:54,439 --> 00:16:56,270

Just a plain old one inch brush.


303

00:16:57,795 --> 00:17:00,405

I'm going to take a little bit

of yellow ochre, a little bit of


304

00:17:00,405 --> 00:17:04,185

that Brown color and made a little

bright red, mix it together.


305

00:17:05,595 --> 00:17:06,525

A bit more yellow ochre.


306

00:17:07,425 --> 00:17:07,755

Yeah.


307

00:17:07,964 --> 00:17:08,505

That's nice.


308

00:17:09,045 --> 00:17:10,545

Just contact the brush into it.


309

00:17:10,875 --> 00:17:12,525

Something like, so I'm

just looking for color.


310

00:17:12,555 --> 00:17:14,085

It's a little darker.


311

00:17:14,819 --> 00:17:15,720

Then if I don't want the house.


312

00:17:15,780 --> 00:17:16,470

Yeah, that's good.


313

00:17:16,560 --> 00:17:17,280

That'll work fine.


314

00:17:18,000 --> 00:17:21,720

I'm just going to tap in

some basic little shapes.


315

00:17:22,770 --> 00:17:26,849

This is the absolute easiest way I know

of putting a lot of leaves on a tree.


316

00:17:27,270 --> 00:17:28,919

Just tap in some basic shapes.


317

00:17:28,919 --> 00:17:29,669

That's all we're doing.


318

00:17:31,110 --> 00:17:31,889

Just tap.


319

00:17:31,980 --> 00:17:32,850

Don't worry about it.


320

00:17:35,300 --> 00:17:36,560

Don't worry about it.


321

00:17:38,270 --> 00:17:42,980

We're going to come back and

highlight it and put the, put the


322

00:17:42,980 --> 00:17:45,350

nice colors on the outside of it.


323

00:17:45,350 --> 00:17:46,970

That's what really makes it sparkle.


324

00:17:48,409 --> 00:17:49,790

This is just dark color.


325

00:17:49,790 --> 00:17:53,320

So our light will show up because

you can't, you can't have light in


326

00:17:53,330 --> 00:17:54,919

a painting unless you have dark.


327

00:17:55,850 --> 00:17:58,490

So I've mentioned before, it's

just like in life, you really.


328

00:17:58,960 --> 00:18:00,399

You really can't know happiness.


329

00:18:00,790 --> 00:18:03,190

I don't believe unless you've

known a little sorrow in your life.


330

00:18:05,050 --> 00:18:07,120

Otherwise you wouldn't know

when the happy times come.


331

00:18:08,649 --> 00:18:08,950

Yeah.


332

00:18:09,040 --> 00:18:09,850

We'll take another.


333

00:18:10,890 --> 00:18:12,120

Another one inch brush.


334

00:18:12,130 --> 00:18:16,830

I had several put a little bit of the

little bit of the liquid wide on it


335

00:18:17,030 --> 00:18:20,930

because you know, our golden rule at

thin paint was stick to a thick paint.


336

00:18:20,930 --> 00:18:23,390

So I'm sending this just a small

amount and the yellows are a


337

00:18:23,390 --> 00:18:24,650

little thinner than other colors.


338

00:18:24,650 --> 00:18:28,010

Anyway, I want him even

thinner, a lot of paint.


339

00:18:28,100 --> 00:18:28,760

Look on the end.


340

00:18:29,060 --> 00:18:29,660

A lot of paint.


341

00:18:29,750 --> 00:18:30,320

Let's go up here.


342

00:18:31,530 --> 00:18:36,270

Now then I'm just going to very

carefully pick out the highlights here


343

00:18:36,270 --> 00:18:42,750

by just touching, just by touching

once again, this is absolutely


344

00:18:42,750 --> 00:18:44,370

the easiest way I've ever seen.


345

00:18:44,490 --> 00:18:49,139

I'm putting a lot of little leaf

indications on a big tree without


346

00:18:49,139 --> 00:18:58,649

doing a lot of work, just to reload the

brush frequently there just frequently.


347

00:19:01,364 --> 00:19:03,975

But in all your little highlights,

wherever you want them to live,


348

00:19:05,774 --> 00:19:11,084

whatever you want them to live

there, hope you enjoy all the little


349

00:19:11,084 --> 00:19:12,524

critters that we've put over the show.


350

00:19:13,905 --> 00:19:17,175

If you've painted with me before,

been with me before, you know,


351

00:19:17,354 --> 00:19:20,475

that they, they really do make up

a very important part of my life.


352

00:19:23,264 --> 00:19:24,764

And I like to share them with everyone.


353

00:19:26,685 --> 00:19:30,945

Because I think it brings into awareness,

these little critters, we got to take


354

00:19:30,945 --> 00:19:32,925

care of them, get on my soap box here.


355

00:19:32,925 --> 00:19:35,555

But I think we have taken

care of these little Rascals.


356

00:19:35,865 --> 00:19:38,355

I'd like for my great, great

grandchildren to be able to see


357

00:19:38,355 --> 00:19:43,125

animals and not just in zoos.


358

00:19:44,745 --> 00:19:45,014

There


359

00:19:48,524 --> 00:19:49,995

I left my little squirrel.


360

00:19:50,115 --> 00:19:52,274

You've probably remembering

Peapod the pocket squirrel


361

00:19:52,544 --> 00:19:53,715

that was with me for so long.


362

00:19:54,195 --> 00:19:55,004

I turned him loose.


363

00:19:55,004 --> 00:19:58,605

Cause I don't keep any of these

animals, but he hangs around the house.


364

00:19:58,965 --> 00:20:04,544

He stays there and every day when I

walk you out, he comes around into me.


365

00:20:06,045 --> 00:20:08,264

And we just have a good time together.


366

00:20:09,555 --> 00:20:16,665

Anyway, let's just take

something like, so we just take


367

00:20:16,665 --> 00:20:17,715

a little brush and tap it here.


368

00:20:20,385 --> 00:20:22,754

I'm going to put a little color

in it, but not a great deal.


369

00:20:24,435 --> 00:20:27,885

The color that we have on the canvas

here, we'll do most of it for us.


370

00:20:29,415 --> 00:20:31,305

Just a little indication here and there.


371

00:20:33,095 --> 00:20:33,795

Bright red.


372

00:20:38,850 --> 00:20:45,120

Take a fan brush, use a little bit of that

light Brown, same color we use for the


373

00:20:45,120 --> 00:20:47,550

background of that tree leaves up here.


374

00:20:48,270 --> 00:20:49,920

Just gently, gently.


375

00:20:49,920 --> 00:20:52,570

Just want to put the indication

of a little, maybe there's


376

00:20:52,580 --> 00:20:53,490

a little path right there.


377

00:20:53,490 --> 00:20:54,750

It looks like a natural place.


378

00:20:56,160 --> 00:21:01,590

A little, little light color, a little

bit of white, not much just enough


379

00:21:01,590 --> 00:21:02,970

to make it stand out a little better.


380

00:21:06,015 --> 00:21:06,365

Yeah.


381

00:21:09,365 --> 00:21:13,505

So it gives the indication that maybe,

maybe somebody walked back here into the


382

00:21:13,505 --> 00:21:22,985

woods, had a good time, a Filbert put some

Brown on it, put Brown on both sides and


383

00:21:22,985 --> 00:21:29,015

all that one side, just one side only I'm

going to put light color C so it's darker.


384

00:21:29,015 --> 00:21:31,835

One side light on the other dark light.


385

00:21:33,045 --> 00:21:36,915

And maybe in our world their lives,

this is your brave retest for you,


386

00:21:40,335 --> 00:21:40,605

right.


387

00:21:40,605 --> 00:21:41,085

About there.


388

00:21:43,875 --> 00:21:48,345

Maybe there's an old fence what's

left of it goes right on out.


389

00:21:49,425 --> 00:21:49,905

Make Kevin A.


390

00:21:49,905 --> 00:21:50,595

Little darker.


391

00:21:52,695 --> 00:21:58,125

Maybe, maybe they had maybe this old fence

had some, a lot of little arms in it.


392

00:21:58,155 --> 00:22:00,014

Maybe they patched it up a lot of times.


393

00:22:01,919 --> 00:22:07,889

See it comes across like, so this is

just a double loaded Filbert brush.


394

00:22:08,100 --> 00:22:09,030

Very easy to do.


395

00:22:09,810 --> 00:22:16,409

In fact, maybe, maybe back in here,

let me see that fence just code.


396

00:22:16,409 --> 00:22:22,080

And we often the distance somewhere,

just an indication comes round the tree.


397

00:22:22,200 --> 00:22:22,620

How's that?


398

00:22:24,060 --> 00:22:24,629

It's our world.


399

00:22:24,659 --> 00:22:25,500

We can do anything.


400

00:22:27,480 --> 00:22:29,190

A couple of boards that live right there.


401

00:22:31,605 --> 00:22:39,735

There we go out down there, but

didn't have a neat way of making


402

00:22:39,735 --> 00:22:42,695

an old fence works very easily.


403

00:22:43,175 --> 00:22:46,055

I'll take a little bit of the

color, just all the colors we use.


404

00:22:47,045 --> 00:22:50,585

Put a little indication around his foot

down here, have some shadows coming back.


405

00:22:52,395 --> 00:22:53,475

Just a few little things.


406

00:22:53,475 --> 00:22:54,165

We don't want a lot.


407

00:22:59,625 --> 00:23:03,945

This is just a very peaceful little

woodsy scene that it's easy to do.


408

00:23:04,845 --> 00:23:05,385

We had time.


409

00:23:05,385 --> 00:23:07,784

It'd be neat to paint a couple little

kids or something, walking down


410

00:23:07,784 --> 00:23:13,564

here, going fishing, or maybe back

in the woods, let's go back to her


411

00:23:13,564 --> 00:23:15,665

little Filbert with some Brown on it.


412

00:23:16,445 --> 00:23:16,534

Okay.


413

00:23:16,950 --> 00:23:21,060

Uh, well, let's see, not a

big tree, just maybe it was an


414

00:23:21,060 --> 00:23:23,310

old tree or lives right there.


415

00:23:24,330 --> 00:23:25,860

You thought I was going

to a great big tree.


416

00:23:27,889 --> 00:23:28,879

Just a little tree.


417

00:23:30,110 --> 00:23:34,310

Maybe this treats did get some,

a warms hanging out here though,


418

00:23:36,530 --> 00:23:41,870

there something, but I can,

it's a pitiful looking old tree.


419

00:23:42,860 --> 00:23:43,820

He had a rough life.


420

00:23:43,879 --> 00:23:44,600

He's like me.


421

00:23:46,065 --> 00:23:52,135

There we are, you know, I travel around

and meet a lot of the people who, who


422

00:23:52,145 --> 00:23:53,615

watched the show across the country.


423

00:23:53,625 --> 00:23:59,405

One of the things they always are

surprised about is that I look


424

00:23:59,405 --> 00:24:02,135

taller and relaxing and do on TV.


425

00:24:03,395 --> 00:24:06,905

If you've seen my son on here, the

one we call shorty, he's nearly six


426

00:24:06,905 --> 00:24:09,815

foot six and I'm nearly six two.


427

00:24:10,415 --> 00:24:12,485

So we're, we're pretty tall.


428

00:24:12,485 --> 00:24:13,055

Rascals.


429

00:24:15,285 --> 00:24:18,615

There put a few little weeds

and sticks around some of these


430

00:24:18,615 --> 00:24:23,885

things and shoot, whereabouts

point, have a finished painting.


431

00:24:24,965 --> 00:24:26,945

I think we'll take a little red sign.


432

00:24:26,945 --> 00:24:28,655

This one, call it done.


433

00:24:29,885 --> 00:24:31,535

I really hope you've enjoyed

this little painting.


434

00:24:31,565 --> 00:24:36,035

It's very simple something you

can do and it'll make you happy.


435

00:24:36,575 --> 00:24:38,255

Bring a lot of joy to your painting life.


436

00:24:39,215 --> 00:24:42,515

So from all of us here, we'd

like to wish you happy painting.


437

00:24:43,505 --> 00:24:44,595

God bless my friend.


End .srt file.



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