Bob Ross's
The Joy of Painting
S28E05 - The Magic of Fall
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Hey, welcome back.
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Glad you could join us today.
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They are having one of
my little friends here.
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You know, I've got several letters
since I've, since I've shown these in
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previous shows, Haskin hand the world,
you go about feeding a little squirrel.
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Well, it's a very delicate operation.
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Diana has worked with me for a long time.
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Diane is the bird lady here in Muncie
who loaned me this little rascal.
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And this is how hard it is to
get a little squirrel to eat.
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That's all there is to it.
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Aren't they?
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The most precious little
characters you've ever seen.
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Yeah.
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Poor guy.
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It had nothing to eat for years.
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You could feed them 10 times a day and
they'll always be just about this hungry.
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Hey, you know, I have to go to work.
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Yeah.
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I have to go to work.
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Okay.
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All right.
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I'm going to send him right over
here and let him finish lunch.
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And while he's doing that,
we'll just get started.
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So let's start out and have him
run all the colors across the
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screen that you need to paint along
with us while they're doing that.
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Let me grab my palette here.
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And show you what I've got done up here.
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I've got my standard old pre
stretched double prime canvas.
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And today I've covered it with
a very thin coat of liquid white
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and liquid clear mixed together.
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So you have both of them today
clear and liquid white, because
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I want a translucent effect.
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So by putting the both on the liquid.
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The liquid white is very opaque.
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The liquid clear of course is clear.
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Let's start out with a little
bit of fallow blue, just a small
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amount on the old two inch brush.
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Just work a little bit into the
bristles, something about like, so
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we'll go a pin here and use our little.
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Chris cross strokes, little X patterns.
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And we just very quickly put in a
little, a little sky, very light.
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I don't want this to be very dark,
just enough to sort of tempt the sky.
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So we know that it's blue back here
in this particular painting, this
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guy is going to be very unimportant.
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We don't, we don't really care.
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Probably won't even see
much of it when we're done.
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Stop today.
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We'd do some, some big trees.
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Since we have our little squirrel
there, that's having lunch.
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Let's have a big tree that he could
play in something about like that.
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That's really all we're looking for today.
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And that's about all I'm
going to do for a sky.
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Something about like that.
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All right, now then let's
take, I want to mix up a Brown.
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Made from a lizard, Crimson and SAP
green, maybe just a little more Crimson
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than green, depending on your taste.
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What flavor you want it sorta sorta try
it and see, because everybody's different.
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And you sort of decide if you want yours
to the ready side or to the green side.
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It's up to you.
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There we'll just guess that
that's about right there.
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Pinning me wipe the whole knife off.
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We just wiped the knife on a paper towel.
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I'm gonna grab another two inch
brush and add a little color to it.
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And today, today let's just play.
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Let's just play.
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Let's take this nice Brown
color and start writing here.
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And let's just still using
little crisscross strokes.
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Let's just make the
indication on the cake.
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We'll go all the way to the top.
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What the heck?
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All I'm looking for here
are some basic shapes.
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I'm going to come back
and turn that into a tree.
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Believe it or not.
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But all we're looking for right here.
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It's just very basic shapes
when I had a little black
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right down here at the bottom.
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So we have a dark area that'll
end up being the darkest part.
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That'll be the shadows there.
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Maybe hearing there, just
indication of a little tree.
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Little bullish, whatever all we're doing
is putting in the background shape.
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We don't care cannot make a mistake.
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We really don't care.
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There is something wherever you
just sort of figure out where
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they're at and drop them in.
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That's all there is to it.
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And how we have that going.
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Shoot, tell you what
let's just go down here.
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Who I hit a little red there.
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That's all right.
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Let's not mix the color.
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Well, so we just go ahead and cover the
rest of the canvas here with just color.
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All right, but that's all there
is to putting in the background
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for this particular painting.
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Okay.
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Then we can take our liner, brush
a little paint center, a little
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bit of that same Brown color.
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We want this to be very thin, very,
very thin something about my kid.
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Almost the consistency of eight, right?
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Let's go up in here.
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Now, back in here, there's going
to be fueled tree trunks and limbs
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and sticks wherever you want them.
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You decide where they live.
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If your paint's thin enough,
though, it'll literally just slide
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right over there and we're going
to put leaves and stuff on here.
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So don't worry about a lot of detail.
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A few of them will show through, but
we don't, we don't worry about much.
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They're saying something about
like him and maybe right there,
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their lives, another little rascal,
wherever you think they should be.
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Just as many or as few as you want.
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Like cat.
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Okay.
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A few little indications over in here.
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Once again, I'm not looking
for a lot of detail here.
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All we're looking for just indications.
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This is going to be in the
background too far away to really
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worry about it too far away there.
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Just the indication.
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Would you like that little squirrel?
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Isn't he a miss?
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You know, it's, it's fantastic.
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There's people like Diana Shaffer
that I've mentioned here in Muncie,
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but people like her all over the
country that take care of these
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animals injured and orphaned animals.
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And they do it strictly out of love.
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There's absolutely no
financial reward to it.
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In fact, most of them supported out
of their own pocket and it's done.
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It's done strictly and
completely out of here.
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It's just, it's just for love of
these creatures and to Diana and
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all the people around the country
who take care of these animals.
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I tilt my hat because I think you're
the most fantastic people there is.
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All right.
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I'm going to use a little round brush
and we'll go into a little bit of the
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yellows, all the yellows, a little
bit of the bright red here and there.
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Ooh, nice color, but
just tap it to load it.
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It's all you're doing.
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Just tapping.
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And by going through these colors, there's
actually layers of colors on your brush.
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All different colors in there.
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I can just go up in here
now then comes the fun part.
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Let's begin picking out our tree.
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All we need was a little background.
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How we can go in here, begin
picking out all the little
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individual shapes to make this tree.
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An individual this little, this
little small round brush is fantastic.
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It's we have, uh, around versus pig
in one, the small, this is a small
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one, but you could use either one,
whichever one you have doesn't matter.
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Doesn't matter.
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Okay, but just think
about shape and form here.
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Build individual bushes in there.
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Now you're sort of seeing it
from a different angle than I am.
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So it might look a little different
when we get a straight on shot.
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It'll look right to you and
we're burying the colors.
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Just.
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Just sort of varying the
flavors a little bit.
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There comes one.
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Just pick them out, pick them
out, pick them out there.
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They live all back here, all
back here, wherever you want.
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Here's a happy little tree.
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In my world.
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Everything's happy there.
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Once in a while I met and a little bit
of that Brown to the color that he used.
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Just to keep it though, be better.
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The bright red
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you decide, you decide.
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All right.
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And we don't want this one left out.
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We'll put a little bit over in here,
but I'm tapping with the top corner
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of the brush top corner, the brush.
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They're all right.
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I hear my little squirrel over there.
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On the other side of the studio, he's
still looking for the rest of his dinner.
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I don't think he got it all.
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And in reality, there's four squirrels
in the box, so they wouldn't be lonely.
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So they're just having
a good time over there.
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Looking for lunch there.
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Ken's a little bushy.
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So see, by varying the flavor a
little bit or the color, you can
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make them stand out from one another.
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Try to leave some dark at the bottom.
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Try to leave a little
dark down at the bottom.
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That way the next one will show up,
work in layers, doing the bushes, a
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tree that you think is the father's to
way and work forward, forward forward.
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Always working forward.
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And begin thinking about the
lay of the land or planes,
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whatever you want to call them.
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It doesn't matter, but the way
the land flows, that's what we
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have to start working on there.
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Shoot, let's get us over two inch
brush here and go into some nice same
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colors, the yellows and all of those.
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A little bit of bright red here
and there, but just tap, push.
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I want to push up that little Ridge
of paint, then we can come back
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in here and we can begin laying
in little, little indications
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once again of the lay of the land.
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Maybe something about my cat
there, but just very the colors.
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Maybe this is a little fall scene.
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They're
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all there is to it.
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Just something about like him
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seeing that dark under color.
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Automatically it picks that up.
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So it's brighter out here, then
it is there that the canvas and
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the paint work for you shoot.
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So the lazy man's way of painting here.
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There, I look for ways
to, to make it easier.
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Let's take a clean brush because
we have liquid clear under
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there and it's transparent.
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It'll begin looking lighter in color.
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And if you have a little paint
thinner on your brush, it'll cause
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the liquid clear to begin to react.
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There cause liquid
color and paint thinner.
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Have a violent reaction.
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Now we can just use this brush.
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What the heck and put in another
little Bush, they're using this
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top corner of the two-inch brush.
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Put a little brighter color on the
brush and highlight that one a little.
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So it stands out.
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See Sollars too, it didn't stand
out, change the color a little bit.
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And then it stands right
out as an individual.
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Take our liner, brush a little bit
of Brown and here and there and
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there, and here we can put in the
indication of few, little sticks
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and twigs wherever you want them.
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See that's about all we need
just some here and there.
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Not too many.
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Don't want it to look too busy, may be
here right in here, but that helps create
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the illusion of distance because it
shows once again more planes and you're
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painting more areas that it moves back.
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All right.
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You ready for your brave retest it's time.
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Let's use a little Filbert today.
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Check out your bravery.
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We use at Brown, we made from
SAP green and lizard Crimson, a
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load, a lot of paint on the brush.
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Just a lot of paint because go up
here on a big tree, maybe old big
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tree lives right there, right there.
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Let's let's really make a big tree.
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I like let's give him a lot of arms.
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I like trees with character.
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Okay, why not?
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This is our world.
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We can do anything here that we want to
do in anything here that we want to do.
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My little squirrels need a
place to, to really play shoot.
242
00:14:04,425 --> 00:14:08,295
This is just like, this is like
going to the F to the carnival forum.
243
00:14:08,805 --> 00:14:10,155
They can run up and down this tree.
244
00:14:11,505 --> 00:14:12,765
Have more fun.
245
00:14:15,165 --> 00:14:16,035
All right.
246
00:14:16,065 --> 00:14:21,975
Maybe wherever you decide where you
limbs live on this tree, big old tree,
247
00:14:23,295 --> 00:14:29,655
maybe right over in here even does not
matter just about any way you can paint
248
00:14:29,655 --> 00:14:33,615
a tree seems like somewhere there's
one that looks just about like cat.
249
00:14:35,085 --> 00:14:37,125
That's the nice thing
about doing landscapes.
250
00:14:38,580 --> 00:14:41,640
If you paint a portrait of somebody and
you put the eyes in their own place,
251
00:14:41,640 --> 00:14:43,110
chances are, are they going to notice?
252
00:14:45,150 --> 00:14:48,600
Chances are, but if you paint a
tree wrong, somebody will come along
253
00:14:48,600 --> 00:14:50,520
and say, Hey, I know that tree.
254
00:14:50,550 --> 00:14:51,420
He's an old friend.
255
00:14:51,420 --> 00:14:53,640
He lives in my front
yard has for many years.
256
00:14:55,050 --> 00:14:56,370
So he can't hardly do him wrong.
257
00:14:56,400 --> 00:14:57,810
I'll take a little white,
a little bit of that.
258
00:14:57,810 --> 00:14:58,530
Same Brown.
259
00:14:58,710 --> 00:15:00,060
Just mix them right here on the brush.
260
00:15:00,480 --> 00:15:01,170
No big deal.
261
00:15:01,690 --> 00:15:06,140
So he just sort of makes them think
about her life it's coming from.
262
00:15:06,140 --> 00:15:08,180
Maybe we haven't really
determined this painting.
263
00:15:08,210 --> 00:15:09,920
Maybe, maybe it's coming
from the left today.
264
00:15:10,790 --> 00:15:11,390
Doesn't matter.
265
00:15:11,600 --> 00:15:12,110
It's up to you.
266
00:15:12,680 --> 00:15:15,350
So we'll put a little highlight over
here on the left side of the tree.
267
00:15:16,370 --> 00:15:19,070
Just let the little Filbert
brush just bounce along in place
268
00:15:19,070 --> 00:15:21,080
so that the paint's thick here.
269
00:15:21,080 --> 00:15:23,780
Let the highlights pick up the paint.
270
00:15:24,140 --> 00:15:26,750
Just let the highlights
or the hottest spots.
271
00:15:26,750 --> 00:15:27,260
I'm sorry.
272
00:15:27,320 --> 00:15:29,120
I said highlights high spots on the paint.
273
00:15:29,120 --> 00:15:29,630
Pick up the.
274
00:15:30,750 --> 00:15:37,350
Color sometime when you get my
age, that tongue gets over the IP
275
00:15:37,380 --> 00:15:38,310
and you can't see what you see.
276
00:15:39,680 --> 00:15:42,620
They're all right.
277
00:15:45,350 --> 00:15:46,280
Something like that.
278
00:15:49,520 --> 00:15:50,150
Oh, okay.
279
00:15:50,930 --> 00:15:54,050
But that's, that's a nice
little way of making a tree.
280
00:15:54,989 --> 00:15:56,760
And you can really spend
some time and make one.
281
00:15:56,760 --> 00:16:02,010
That's got a lot of detail in it and
we need to put a few little arms on it.
282
00:16:03,839 --> 00:16:05,729
I'm going to put some leaves
on him, so it doesn't reach.
283
00:16:06,000 --> 00:16:07,050
It doesn't much matter.
284
00:16:07,439 --> 00:16:10,770
It doesn't much matter
any area of the tree.
285
00:16:10,770 --> 00:16:12,359
You don't like, he just put leaves on it.
286
00:16:12,810 --> 00:16:15,780
The areas that you do,
like you leave them naked.
287
00:16:16,469 --> 00:16:18,479
Let the limb show through.
288
00:16:20,640 --> 00:16:21,300
There we go.
289
00:16:24,030 --> 00:16:25,890
And each painting will be different.
290
00:16:26,040 --> 00:16:27,840
Everybody's painting will be different.
291
00:16:30,160 --> 00:16:31,280
That's the beauty of it.
292
00:16:31,280 --> 00:16:35,180
Then there let's say wherever.
293
00:16:35,990 --> 00:16:36,080
Okay.
294
00:16:36,170 --> 00:16:37,910
Just want to put a few
indications once again.
295
00:16:37,940 --> 00:16:39,530
I'm going to cover this
up with a bunch of leaves.
296
00:16:39,530 --> 00:16:41,600
So most of this will disappear.
297
00:16:43,510 --> 00:16:46,500
A little of it's going to show
through and people will thank you.
298
00:16:46,829 --> 00:16:47,819
Work for weeks.
299
00:16:47,819 --> 00:16:49,380
Try to put this rascal together.
300
00:16:51,349 --> 00:16:51,920
All right.
301
00:16:53,630 --> 00:16:54,439
Tell you what let's use.
302
00:16:54,439 --> 00:16:56,270
Just a plain old one inch brush.
303
00:16:57,795 --> 00:17:00,405
I'm going to take a little bit
of yellow ochre, a little bit of
304
00:17:00,405 --> 00:17:04,185
that Brown color and made a little
bright red, mix it together.
305
00:17:05,595 --> 00:17:06,525
A bit more yellow ochre.
306
00:17:07,425 --> 00:17:07,755
Yeah.
307
00:17:07,964 --> 00:17:08,505
That's nice.
308
00:17:09,045 --> 00:17:10,545
Just contact the brush into it.
309
00:17:10,875 --> 00:17:12,525
Something like, so I'm
just looking for color.
310
00:17:12,555 --> 00:17:14,085
It's a little darker.
311
00:17:14,819 --> 00:17:15,720
Then if I don't want the house.
312
00:17:15,780 --> 00:17:16,470
Yeah, that's good.
313
00:17:16,560 --> 00:17:17,280
That'll work fine.
314
00:17:18,000 --> 00:17:21,720
I'm just going to tap in
some basic little shapes.
315
00:17:22,770 --> 00:17:26,849
This is the absolute easiest way I know
of putting a lot of leaves on a tree.
316
00:17:27,270 --> 00:17:28,919
Just tap in some basic shapes.
317
00:17:28,919 --> 00:17:29,669
That's all we're doing.
318
00:17:31,110 --> 00:17:31,889
Just tap.
319
00:17:31,980 --> 00:17:32,850
Don't worry about it.
320
00:17:35,300 --> 00:17:36,560
Don't worry about it.
321
00:17:38,270 --> 00:17:42,980
We're going to come back and
highlight it and put the, put the
322
00:17:42,980 --> 00:17:45,350
nice colors on the outside of it.
323
00:17:45,350 --> 00:17:46,970
That's what really makes it sparkle.
324
00:17:48,409 --> 00:17:49,790
This is just dark color.
325
00:17:49,790 --> 00:17:53,320
So our light will show up because
you can't, you can't have light in
326
00:17:53,330 --> 00:17:54,919
a painting unless you have dark.
327
00:17:55,850 --> 00:17:58,490
So I've mentioned before, it's
just like in life, you really.
328
00:17:58,960 --> 00:18:00,399
You really can't know happiness.
329
00:18:00,790 --> 00:18:03,190
I don't believe unless you've
known a little sorrow in your life.
330
00:18:05,050 --> 00:18:07,120
Otherwise you wouldn't know
when the happy times come.
331
00:18:08,649 --> 00:18:08,950
Yeah.
332
00:18:09,040 --> 00:18:09,850
We'll take another.
333
00:18:10,890 --> 00:18:12,120
Another one inch brush.
334
00:18:12,130 --> 00:18:16,830
I had several put a little bit of the
little bit of the liquid wide on it
335
00:18:17,030 --> 00:18:20,930
because you know, our golden rule at
thin paint was stick to a thick paint.
336
00:18:20,930 --> 00:18:23,390
So I'm sending this just a small
amount and the yellows are a
337
00:18:23,390 --> 00:18:24,650
little thinner than other colors.
338
00:18:24,650 --> 00:18:28,010
Anyway, I want him even
thinner, a lot of paint.
339
00:18:28,100 --> 00:18:28,760
Look on the end.
340
00:18:29,060 --> 00:18:29,660
A lot of paint.
341
00:18:29,750 --> 00:18:30,320
Let's go up here.
342
00:18:31,530 --> 00:18:36,270
Now then I'm just going to very
carefully pick out the highlights here
343
00:18:36,270 --> 00:18:42,750
by just touching, just by touching
once again, this is absolutely
344
00:18:42,750 --> 00:18:44,370
the easiest way I've ever seen.
345
00:18:44,490 --> 00:18:49,139
I'm putting a lot of little leaf
indications on a big tree without
346
00:18:49,139 --> 00:18:58,649
doing a lot of work, just to reload the
brush frequently there just frequently.
347
00:19:01,364 --> 00:19:03,975
But in all your little highlights,
wherever you want them to live,
348
00:19:05,774 --> 00:19:11,084
whatever you want them to live
there, hope you enjoy all the little
349
00:19:11,084 --> 00:19:12,524
critters that we've put over the show.
350
00:19:13,905 --> 00:19:17,175
If you've painted with me before,
been with me before, you know,
351
00:19:17,354 --> 00:19:20,475
that they, they really do make up
a very important part of my life.
352
00:19:23,264 --> 00:19:24,764
And I like to share them with everyone.
353
00:19:26,685 --> 00:19:30,945
Because I think it brings into awareness,
these little critters, we got to take
354
00:19:30,945 --> 00:19:32,925
care of them, get on my soap box here.
355
00:19:32,925 --> 00:19:35,555
But I think we have taken
care of these little Rascals.
356
00:19:35,865 --> 00:19:38,355
I'd like for my great, great
grandchildren to be able to see
357
00:19:38,355 --> 00:19:43,125
animals and not just in zoos.
358
00:19:44,745 --> 00:19:45,014
There
359
00:19:48,524 --> 00:19:49,995
I left my little squirrel.
360
00:19:50,115 --> 00:19:52,274
You've probably remembering
Peapod the pocket squirrel
361
00:19:52,544 --> 00:19:53,715
that was with me for so long.
362
00:19:54,195 --> 00:19:55,004
I turned him loose.
363
00:19:55,004 --> 00:19:58,605
Cause I don't keep any of these
animals, but he hangs around the house.
364
00:19:58,965 --> 00:20:04,544
He stays there and every day when I
walk you out, he comes around into me.
365
00:20:06,045 --> 00:20:08,264
And we just have a good time together.
366
00:20:09,555 --> 00:20:16,665
Anyway, let's just take
something like, so we just take
367
00:20:16,665 --> 00:20:17,715
a little brush and tap it here.
368
00:20:20,385 --> 00:20:22,754
I'm going to put a little color
in it, but not a great deal.
369
00:20:24,435 --> 00:20:27,885
The color that we have on the canvas
here, we'll do most of it for us.
370
00:20:29,415 --> 00:20:31,305
Just a little indication here and there.
371
00:20:33,095 --> 00:20:33,795
Bright red.
372
00:20:38,850 --> 00:20:45,120
Take a fan brush, use a little bit of that
light Brown, same color we use for the
373
00:20:45,120 --> 00:20:47,550
background of that tree leaves up here.
374
00:20:48,270 --> 00:20:49,920
Just gently, gently.
375
00:20:49,920 --> 00:20:52,570
Just want to put the indication
of a little, maybe there's
376
00:20:52,580 --> 00:20:53,490
a little path right there.
377
00:20:53,490 --> 00:20:54,750
It looks like a natural place.
378
00:20:56,160 --> 00:21:01,590
A little, little light color, a little
bit of white, not much just enough
379
00:21:01,590 --> 00:21:02,970
to make it stand out a little better.
380
00:21:06,015 --> 00:21:06,365
Yeah.
381
00:21:09,365 --> 00:21:13,505
So it gives the indication that maybe,
maybe somebody walked back here into the
382
00:21:13,505 --> 00:21:22,985
woods, had a good time, a Filbert put some
Brown on it, put Brown on both sides and
383
00:21:22,985 --> 00:21:29,015
all that one side, just one side only I'm
going to put light color C so it's darker.
384
00:21:29,015 --> 00:21:31,835
One side light on the other dark light.
385
00:21:33,045 --> 00:21:36,915
And maybe in our world their lives,
this is your brave retest for you,
386
00:21:40,335 --> 00:21:40,605
right.
387
00:21:40,605 --> 00:21:41,085
About there.
388
00:21:43,875 --> 00:21:48,345
Maybe there's an old fence what's
left of it goes right on out.
389
00:21:49,425 --> 00:21:49,905
Make Kevin A.
390
00:21:49,905 --> 00:21:50,595
Little darker.
391
00:21:52,695 --> 00:21:58,125
Maybe, maybe they had maybe this old fence
had some, a lot of little arms in it.
392
00:21:58,155 --> 00:22:00,014
Maybe they patched it up a lot of times.
393
00:22:01,919 --> 00:22:07,889
See it comes across like, so this is
just a double loaded Filbert brush.
394
00:22:08,100 --> 00:22:09,030
Very easy to do.
395
00:22:09,810 --> 00:22:16,409
In fact, maybe, maybe back in here,
let me see that fence just code.
396
00:22:16,409 --> 00:22:22,080
And we often the distance somewhere,
just an indication comes round the tree.
397
00:22:22,200 --> 00:22:22,620
How's that?
398
00:22:24,060 --> 00:22:24,629
It's our world.
399
00:22:24,659 --> 00:22:25,500
We can do anything.
400
00:22:27,480 --> 00:22:29,190
A couple of boards that live right there.
401
00:22:31,605 --> 00:22:39,735
There we go out down there, but
didn't have a neat way of making
402
00:22:39,735 --> 00:22:42,695
an old fence works very easily.
403
00:22:43,175 --> 00:22:46,055
I'll take a little bit of the
color, just all the colors we use.
404
00:22:47,045 --> 00:22:50,585
Put a little indication around his foot
down here, have some shadows coming back.
405
00:22:52,395 --> 00:22:53,475
Just a few little things.
406
00:22:53,475 --> 00:22:54,165
We don't want a lot.
407
00:22:59,625 --> 00:23:03,945
This is just a very peaceful little
woodsy scene that it's easy to do.
408
00:23:04,845 --> 00:23:05,385
We had time.
409
00:23:05,385 --> 00:23:07,784
It'd be neat to paint a couple little
kids or something, walking down
410
00:23:07,784 --> 00:23:13,564
here, going fishing, or maybe back
in the woods, let's go back to her
411
00:23:13,564 --> 00:23:15,665
little Filbert with some Brown on it.
412
00:23:16,445 --> 00:23:16,534
Okay.
413
00:23:16,950 --> 00:23:21,060
Uh, well, let's see, not a
big tree, just maybe it was an
414
00:23:21,060 --> 00:23:23,310
old tree or lives right there.
415
00:23:24,330 --> 00:23:25,860
You thought I was going
to a great big tree.
416
00:23:27,889 --> 00:23:28,879
Just a little tree.
417
00:23:30,110 --> 00:23:34,310
Maybe this treats did get some,
a warms hanging out here though,
418
00:23:36,530 --> 00:23:41,870
there something, but I can,
it's a pitiful looking old tree.
419
00:23:42,860 --> 00:23:43,820
He had a rough life.
420
00:23:43,879 --> 00:23:44,600
He's like me.
421
00:23:46,065 --> 00:23:52,135
There we are, you know, I travel around
and meet a lot of the people who, who
422
00:23:52,145 --> 00:23:53,615
watched the show across the country.
423
00:23:53,625 --> 00:23:59,405
One of the things they always are
surprised about is that I look
424
00:23:59,405 --> 00:24:02,135
taller and relaxing and do on TV.
425
00:24:03,395 --> 00:24:06,905
If you've seen my son on here, the
one we call shorty, he's nearly six
426
00:24:06,905 --> 00:24:09,815
foot six and I'm nearly six two.
427
00:24:10,415 --> 00:24:12,485
So we're, we're pretty tall.
428
00:24:12,485 --> 00:24:13,055
Rascals.
429
00:24:15,285 --> 00:24:18,615
There put a few little weeds
and sticks around some of these
430
00:24:18,615 --> 00:24:23,885
things and shoot, whereabouts
point, have a finished painting.
431
00:24:24,965 --> 00:24:26,945
I think we'll take a little red sign.
432
00:24:26,945 --> 00:24:28,655
This one, call it done.
433
00:24:29,885 --> 00:24:31,535
I really hope you've enjoyed
this little painting.
434
00:24:31,565 --> 00:24:36,035
It's very simple something you
can do and it'll make you happy.
435
00:24:36,575 --> 00:24:38,255
Bring a lot of joy to your painting life.
436
00:24:39,215 --> 00:24:42,515
So from all of us here, we'd
like to wish you happy painting.
437
00:24:43,505 --> 00:24:44,595
God bless my friend.
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