Bob Ross's

The Joy of Painting

S27E12 - Forest River

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Hi, welcome back.

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Certainly glad you could join us

today because today we're going

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to have just a fantastic time.

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Let's start out and have them run

all the colors across the screen

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that you need to paint along

with us while they're doing this.

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Let me show you what's happening up here.

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I thought today I'd show you, show

you how to use black, white, and gray

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Jesso to make a fantastic effect.

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Now I've taken these three colors

of GSO and using an old liner brush

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one that didn't care anything about.

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I've just made some little tree shapes.

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That's all there is to it.

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You just pull it down with a, with a

liner brush, make a little lamb here

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and there, and then take a liner brush

sidewards and put in these little, little

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fluffy areas sort of looks like leaves,

but that's really all there is to it

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after it's totally dry, completely dry.

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I've covered the entire canvas with

a very thin coat of liquid clear.

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Now clear is transparent and you have

a tendency to put too much of it on.

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If you have any doubt in your mind and

you think you may have too much take

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a paper towel and wipe your canvas

down, what's left will be just right.

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Tell you what let's do it.

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This is a fun painting

that anybody can do.

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This is a good one.

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If it's your first or second

painting, this is wonderful.

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And if you've painted before, this is one

that will, it'll certainly excite you.

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We'll start with a little fellow blue.

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It's a beautiful, beautiful blue.

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I love it.

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Thank you.

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It's one of the nicest

colors that we have.

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Just put a little in there.

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Two inch brush.

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Let's go up in here.

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There's not a lot of paint on the brush.

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And I'm just going to start it.

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Just make my little crisscross strokes

as usual and paint right over this.

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And fantastic things will happen.

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Look at that already.

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It looks like it looks like this guys

showing right through the trees and

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this is one of the neatest effects,

and it's not limited to this.

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You can do anything with this Jesso.

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There and where the canvas is dark after

you used it, lighter Jesso and vice versa.

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Look at there.

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See already we have a basic

background in, in done.

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Ah, let's see.

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Well, I got the blue on my brush.

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I'm going to add a little more of the

Prussian blue because it's stronger.

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It'll go right over the

top and the corners.

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I'm going to dark and a little

with Prussian blue Prussian blue

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is much stronger, much deeper.

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See there, there we go.

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Just the corners though.

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And that in turn will

make this look brighter.

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If you make this darker,

this gets lighter.

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Now we've got pressure

and blue on the brush.

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I'll just sort of read the little

lip right here on the canvas.

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And I know you can't see anything.

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But when we put a little color on

there, beautiful things will happen.

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There.

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All right, ready to wash the old brush.

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That's the fun part.

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That's the fun part.

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Let's wash it.

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Let you know, we wash our brushes

with odorless paint there.

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Just scrub them off, give it a good shake

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and cover the entire studio.

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That's really the fun part of it.

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Now sometimes.

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When you're walking in the woods, which

I do quite frequently and you look out

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and you see the light coming through.

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It's so bright.

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It just, it burns right through the tree.

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Watch, watch.

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It's easier to show you.

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Take the brush.

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I'm just going to take one

corner, just one corner.

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What's a beautiful closeup there.

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One corner and get a little

titanium white on it.

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And I come up here, decide

where the sun's at back here,

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shining through all these trees.

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And very lightly just begin that

light area and begin working around.

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Notice that we're keeping that

corner in the light spot and we

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worked around and around and around.

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We go there.

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We are see there and

begin blending outward.

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Now this paint is very opaque.

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We've used transparent color up until now

and now we're getting into opaque color.

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But that sun's burning through their

lights, just zinging right through

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by blending and how to it'll become

transparent enough that you can still

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see the tree shape through there.

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And that's what we're

trying to achieve to me.

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That's what it looks like when I

see the sun shining through there.

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You can still make out the images of the

trees in there, but they're washed out.

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The same as if you're looking

at them in the woods and the sun

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shining through just my cat head.

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We can blend a little light right on

down, through here, up to you up to you.

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You decide where it lives.

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You decide there, and you could do

this several times to achieve a desired

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lightness or desired brightness.

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This is about all that I want.

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I just want that nicest.

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It's just bought shining through there.

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Strong.

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I like that when that happens.

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Okay.

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Actually, I just wanted

to clean the brush again.

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All right.

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We're in business.

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Now we have to make some big decisions.

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What's happening here in our world.

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Let's take some black.

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And some pression blue I'll be right back.

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I'm get a little Crimson put in there

to tell you what, maybe even a little

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SAP green, a little Brown, a little

van Dyke, just all the dark colors.

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It doesn't matter.

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Okay.

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Let's go up here.

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And my mind, I see back in here.

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Maybe a little grassy area that

lives right underneath these trees.

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So I'll just have one little

dark don't need much because

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the black Jessa was created.

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Most of it.

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We don't have to worry about it.

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Felt like it.

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That's all we're looking for there.

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Just let it disappear back in there.

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Okay.

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Same brush and go right into some

CAD yellow, some yellow ochre.

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Let's just load some

color on the brush here.

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Tap it, push it to give it a little.

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Hmm.

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See that little Ridge

of paint right there.

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That's what we're looking for.

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Let's go back up here.

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Now we can come back with this beautiful

green color and just begin tapping

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into indication of some little grassy

areas that live far away, far away,

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very soft, very soft there, sneak

them around some of those trees there.

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Reload the brush as you need it.

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All right.

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But very gently.

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All you doing is barely touching.

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The canvas color shows up.

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It seems like a hundred times

better, stronger on a blank canvas.

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And it does on a white canvas.

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It's amazing what happens

to kids color there wherever

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you want them to be wherever.

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Maybe, maybe be a little, little.

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Projection sticks out right there.

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Maybe, maybe, maybe we can make

a little bump just by doing that,

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whatever you want, you decide.

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All right.

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I'm grabbing another two inch brush.

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I have several of them make

sure it's good and dry, small

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amount of titanium white on it.

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Now we put color on here, even though

it didn't, it doesn't look like it.

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There's a little bit of that blue

that we put on very gently pull down.

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Don't put a lot of color on here.

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It shows up once again.

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So bright.

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You need very, very little

white to do this very little.

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And it's important that you pull

it straight down, straight down.

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Okay.

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Then we'd go across.

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Just enough to make it look like

a little watery area into here.

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Now you could just as easily have

painted those trees with a, just

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so in the water and reflected them.

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I think in the last series or series

before sort of lose track of them.

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I think we'd done that and it's gorgeous.

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You can do it.

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You can do it.

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Yeah.

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Shoot.

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That worked pretty good.

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Go back and get some dark that

was black and blue and Crimson.

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Whatever.

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I want another one over here.

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I like that one so, well, okay.

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Here we just put us another little.

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Little projection that comes

right out through here.

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Little dark color in there, there K.

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Back into our yellows, Indian,

yellow ochre, cadmium yellow.

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Once in a while, I hit

a little bright red.

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Believe it or not, red will dull the

color cause red and green make Brown.

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Sorry, I'm going to smile.

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I hit a little bit of the bright

red and sometimes more to doll.

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Then to make things bright

there, Jess begin forming this

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chest, begin working with it.

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Think about the lay of the land.

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Just drop those little devils in there.

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They're everywhere there, but didn't

that Jesso just, it's one of the most

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fantastic ideas we've ever come up with.

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really wonderful.

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There.

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Don't know why we didn't

do this a long time ago.

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It makes life so much

easier when you're painting.

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And you can put things in like,

like if you wanted to paint a

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little house or a building, you

could do it all with the GSO.

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And then basically all you need to do

is just take it out, put some clear

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over it, come back with a little color.

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And it's there that quick,

take a little bit of that.

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A little bit of that titanium white and

I'm put a touch of reflection under here.

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Just a touch to rest and touch.

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And one, a lot.

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I want to keep this pretty dark.

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So that light area back

here really shines.

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There we go about like that.

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Then once again, just go across.

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She has to go across

that's all there is to it.

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Not easy.

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I know you'd like this one.

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I think it's one of my favorite

paintings in the whole series.

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And it's so easy.

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It's great for people who are

just beginning to paint and just

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beginning to experience the joy

of painting, he has a commercial.

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All right.

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Let's put some stones in there.

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We'll put some little stones.

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I don't take some, it takes a black, a

little Vandyke ground and put it in there.

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Just mix it up.

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Real good with dark Sienna too.

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What the heck?

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A little more DC Ana.

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Okay.

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And I'm going to go over here

and get some paint thinner.

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And I'm going to send this paint

down to it's a very thin, remember

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our golden rule, a thin paint

will stick to a thick paint.

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We'll send that down there.

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That's good.

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That's good.

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Let me clean the knife.

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We'll take some white, uh, we'll use a

little dark Sienna a little bit like Brown

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and make a highlight color for the rocks.

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Ooh, I like that.

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That's good.

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It's not too bright.

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Okay.

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Do the same thing again.

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I'm going to thin this paint with paint

thinner us pretty thin, really thin.

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It's about the consistency

of soft face cream.

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Over butter that you've left out.

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You know, sometimes you leave the

butter out, it gets real soft and gooey.

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That's what we're looking for.

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Okay.

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Let me clean off my knife and probably

the easiest way I've ever found of

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making very effective little stones

is using the little Filbert brush.

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You let's go through the dark color first.

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Both sides.

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Okay.

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Stay right there and

I'll bring the light up.

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We have both sides full of

dark, and I'm gonna take only

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one side and go through light.

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So we have light, dark eye dark.

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Now we can go back in here and you

have to make big decisions where,

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whereas all these little rocks and

stones live in your world, you can put

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a million of them in or one or two.

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It's up to you.

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00:12:51,120 --> 00:12:53,340

I like little stones and

this is the easiest way.

258

00:12:54,285 --> 00:12:56,355

There he is that I know

of to put them in there.

259

00:12:57,675 --> 00:13:01,694

Maybe over here, they're getting a

little bigger people rock, but in

260

00:13:01,694 --> 00:13:04,574

one stroke you can put the top and

the bottom of the rock in that easy.

261

00:13:05,474 --> 00:13:06,525

Let's put some of the other side.

262

00:13:06,555 --> 00:13:10,064

We don't want him left out there.

263

00:13:11,084 --> 00:13:12,285

Look at all those little rocks.

264

00:13:13,275 --> 00:13:17,324

I used to agonize over rocks, trying to

get them in there, work myself to death

265

00:13:19,125 --> 00:13:21,645

and you see how easy it is if you want.

266

00:13:21,645 --> 00:13:22,605

Great big rocks.

267

00:13:23,415 --> 00:13:27,224

Then use our little, little oval brush

when it just jumps right in there.

268

00:13:28,515 --> 00:13:32,714

And we'll take a little liner brush a

little bit of white, a little blue in it,

269

00:13:32,714 --> 00:13:38,954

and it'll take a little blue in it, mostly

white instead of using the knife today,

270

00:13:38,954 --> 00:13:43,365

I'm just going to take the liner brush

and just here and there sort of work a

271

00:13:43,365 --> 00:13:44,775

little waterline right around the store.

272

00:13:45,635 --> 00:13:48,005

Bye Kat, look it there.

273

00:13:48,064 --> 00:13:51,935

Just let it wander around

wherever you want it.

274

00:13:53,850 --> 00:13:58,850

Where ever you want to, it's just

cleans up the edge and the bottom of

275

00:13:58,850 --> 00:14:04,760

these little rocks there, you sit there

and they can come on out through here.

276

00:14:04,760 --> 00:14:06,079

There can be a few little things.

277

00:14:07,370 --> 00:14:08,360

You could do this with knife.

278

00:14:08,360 --> 00:14:08,810

If you want to.

279

00:14:08,810 --> 00:14:10,670

I thought today we just do

it with a little liner brush,

280

00:14:10,699 --> 00:14:11,930

but you need a thin paint.

281

00:14:13,670 --> 00:14:15,079

So it'll just zip right over there.

282

00:14:16,790 --> 00:14:17,300

There we go.

283

00:14:19,200 --> 00:14:23,400

Something I can, when you do your, take

your time and really, really build a nice,

284

00:14:24,710 --> 00:14:26,240

we're a little pressed for time here.

285

00:14:26,360 --> 00:14:30,890

So I have to do it a little quicker,

but when you do it, just enjoy it.

286

00:14:31,730 --> 00:14:32,380

Enjoy.

287

00:14:33,560 --> 00:14:38,420

All right, we've got to put

something in your foreground here.

288

00:14:40,700 --> 00:14:41,690

I just go back to our brush.

289

00:14:41,690 --> 00:14:42,710

It's got dark on it.

290

00:14:42,710 --> 00:14:44,990

We had blue and black and some Brown.

291

00:14:46,530 --> 00:14:48,750

See SAP, green lizard Crimson.

292

00:14:49,844 --> 00:14:50,655

Bravery test.

293

00:14:52,694 --> 00:14:56,505

Maybe an arrow comes right across my cat.

294

00:14:59,115 --> 00:15:05,115

Just tap that in, just

tap it in, fill it up.

295

00:15:08,025 --> 00:15:11,084

Lot of dark color in there.

296

00:15:18,595 --> 00:15:24,745

Okay, let's go into our yellow,

same thing as we did before.

297

00:15:24,805 --> 00:15:26,245

I'm just going to do the same basic thing.

298

00:15:26,305 --> 00:15:30,115

Get some green here are taking

a color we had on the brush and

299

00:15:30,115 --> 00:15:31,795

going into yellow automatically.

300

00:15:32,455 --> 00:15:36,985

We get green, and then we can

begin just putting all kinds of

301

00:15:36,985 --> 00:15:38,635

little grassy areas back in here.

302

00:15:39,985 --> 00:15:40,555

There they come.

303

00:15:41,190 --> 00:15:41,910

There they count.

304

00:15:43,350 --> 00:15:46,560

If you just take your time and you

keep tapping this it'll get so smooth.

305

00:15:47,220 --> 00:15:48,570

You almost can't believe it.

306

00:15:50,880 --> 00:15:53,910

They're just little soft grassy areas.

307

00:15:55,020 --> 00:15:55,680

There they go.

308

00:15:56,070 --> 00:15:59,820

Right on out there.

309

00:15:59,820 --> 00:16:01,080

A little more paint on the brush.

310

00:16:03,690 --> 00:16:04,650

All right.

311

00:16:05,550 --> 00:16:07,530

Just keep working it

back and forth though.

312

00:16:13,285 --> 00:16:13,765

Okay.

313

00:16:15,675 --> 00:16:18,015

Just just start to let

your imagination go.

314

00:16:18,375 --> 00:16:22,905

Painting is so great because your

imagination on a piece of canvas can

315

00:16:22,905 --> 00:16:26,655

become reality, can become reality.

316

00:16:26,655 --> 00:16:30,135

And sometimes we all need to

escape from reality, and this

317

00:16:30,135 --> 00:16:31,695

is the place to do it here.

318

00:16:32,145 --> 00:16:33,765

Everything's peaceful and quiet.

319

00:16:36,705 --> 00:16:37,875

There's no bad things here.

320

00:16:38,625 --> 00:16:40,035

These are happy places here.

321

00:16:41,944 --> 00:16:42,125

Yeah.

322

00:16:42,275 --> 00:16:43,115

Watch your watch your watch.

323

00:16:43,175 --> 00:16:44,464

Sometimes they'll come right up in here.

324

00:16:44,765 --> 00:16:48,604

Sometimes it's fun to take

the side brush, put it up here

325

00:16:48,635 --> 00:16:49,925

and give it a little upward.

326

00:16:49,925 --> 00:16:50,645

Push watch.

327

00:16:51,844 --> 00:16:55,564

See that little grassy area,

bloop, bloop, bloop, bloop.

328

00:16:55,834 --> 00:16:56,555

It's all there is to it.

329

00:16:56,824 --> 00:16:58,564

You got to make those

noises or it doesn't work.

330

00:17:00,084 --> 00:17:01,525

They're just like, yeah.

331

00:17:02,454 --> 00:17:06,415

Maybe the grass over here is a little

taller and you work in layers there

332

00:17:07,135 --> 00:17:08,905

and we can go back to just tapping.

333

00:17:11,685 --> 00:17:12,194

I can't.

334

00:17:16,685 --> 00:17:17,284

Yep, you're right.

335

00:17:17,284 --> 00:17:20,524

There's another little

glassy area right there.

336

00:17:21,754 --> 00:17:22,504

Wherever you want them.

337

00:17:25,564 --> 00:17:27,274

And over here, it's much softer.

338

00:17:28,700 --> 00:17:30,800

Much much softer over here

is where you'd want to.

339

00:17:31,190 --> 00:17:33,770

You wouldn't take your shoes off and

run through there with naked foots.

340

00:17:35,060 --> 00:17:35,780

That'd be fun.

341

00:17:36,410 --> 00:17:38,870

I like the feel of grass on

the bottom of my feet with no

342

00:17:38,870 --> 00:17:41,750

shoes on that gets neat feeling.

343

00:17:43,005 --> 00:17:47,835

There we were kids, my brother, Jim

and I, we used to run all through

344

00:17:47,835 --> 00:17:52,365

the woods in Florida and shoot.

345

00:17:52,365 --> 00:17:52,875

We were tough.

346

00:17:52,875 --> 00:17:56,745

We didn't even wear shoes back here,

probably because we didn't have

347

00:17:56,745 --> 00:18:02,955

any or little grassy areas there.

348

00:18:03,915 --> 00:18:09,525

Just as many as you want, you know

what we need, you know, don't, you.

349

00:18:11,100 --> 00:18:11,909

We need a tree.

350

00:18:13,730 --> 00:18:16,459

Let's take some, Vandag a

little dark sand and mix them

351

00:18:16,459 --> 00:18:17,990

together with the old fan brush.

352

00:18:19,189 --> 00:18:20,899

And let's have a bravery test right now.

353

00:18:23,570 --> 00:18:24,290

Here we go.

354

00:18:25,100 --> 00:18:25,699

I'm on a tree.

355

00:18:25,699 --> 00:18:26,540

It lives right there.

356

00:18:26,929 --> 00:18:28,340

Oh, right through the pretty rocks.

357

00:18:28,820 --> 00:18:29,300

It's okay.

358

00:18:29,360 --> 00:18:30,320

We know they're back there.

359

00:18:31,879 --> 00:18:32,750

Just pull it through.

360

00:18:34,909 --> 00:18:37,520

I can't big, strong tree.

361

00:18:40,260 --> 00:18:41,430

So he just keeps growing.

362

00:18:42,360 --> 00:18:43,500

You can always make them bigger.

363

00:18:43,530 --> 00:18:45,720

Sometimes it's son, again,

to try to make them smaller.

364

00:18:46,770 --> 00:18:50,940

You can always make them bigger, put

a big old four foot on him out here.

365

00:18:50,940 --> 00:18:56,580

So he has a, something to stand up there

and let's just use a little Filbert.

366

00:18:57,990 --> 00:19:01,680

We would take a little white,

a little Brown and just.

367

00:19:02,910 --> 00:19:04,500

Just let type work right down the edge.

368

00:19:04,710 --> 00:19:05,340

It's too bright.

369

00:19:05,550 --> 00:19:06,750

I don't like that too bright.

370

00:19:06,780 --> 00:19:09,810

Let me darken it up a little too bright.

371

00:19:09,960 --> 00:19:11,100

Oh, that's much better.

372

00:19:11,730 --> 00:19:12,720

That's much better.

373

00:19:13,290 --> 00:19:16,200

So if you don't like something,

change it in your world.

374

00:19:16,740 --> 00:19:18,120

You have that kind of power.

375

00:19:18,180 --> 00:19:18,629

You can do that.

376

00:19:18,710 --> 00:19:23,750

Anything, anything there?

377

00:19:23,900 --> 00:19:26,270

So can you say impression

the whole rough mean tree?

378

00:19:26,270 --> 00:19:26,990

It lives out here.

379

00:19:27,230 --> 00:19:27,410

Huh?

380

00:19:29,445 --> 00:19:30,014

There he is.

381

00:19:30,824 --> 00:19:32,205

We need some arms on our tree.

382

00:19:33,705 --> 00:19:37,245

We wiped that color off Lander brush.

383

00:19:37,485 --> 00:19:42,604

There he is now little paint

thinner for van Dyke Brown.

384

00:19:44,584 --> 00:19:45,245

There we go.

385

00:19:45,995 --> 00:19:49,294

And in our world, there's

an arm lives on his tree.

386

00:19:50,195 --> 00:19:50,645

Right there.

387

00:19:52,084 --> 00:19:52,655

There he is.

388

00:19:53,790 --> 00:19:56,280

But a few arms, let's put some

leaves on this tree, so we

389

00:19:56,280 --> 00:19:57,450

don't have to put many arms.

390

00:19:58,170 --> 00:20:04,370

Maybe there's one that hangs off here that

there let's put a few leaves on there.

391

00:20:04,380 --> 00:20:11,370

We'll get a fan brush, take some dark

color, black, blue, maybe a little,

392

00:20:11,820 --> 00:20:13,710

little SAP green and Crimson it too.

393

00:20:16,110 --> 00:20:19,800

And our, where on there, it is

pushing a little dark first.

394

00:20:22,110 --> 00:20:29,760

They're going to cover up all that trunk,

but some of it, there we go, gives us

395

00:20:29,760 --> 00:20:32,970

an idea of where some nice limbs are

going to go right into the yellow.

396

00:20:33,000 --> 00:20:35,669

Would that color, since it had blue

in, it will have instant green.

397

00:20:37,460 --> 00:20:41,310

And push up for it again, sometime

we push down sometime upward.

398

00:20:42,500 --> 00:20:43,860

We get a little more color out here.

399

00:20:44,580 --> 00:20:45,180

It's up to you.

400

00:20:47,240 --> 00:20:51,740

Eric comes, I don't want to

get too much of this in here.

401

00:20:53,630 --> 00:20:57,620

Just enough to make his whole tree

stand up and sing in the sunshine.

402

00:20:57,770 --> 00:20:58,220

Right there.

403

00:20:59,210 --> 00:20:59,780

There it is.

404

00:21:03,345 --> 00:21:04,034

Okay.

405

00:21:05,805 --> 00:21:09,585

We can take our old number two

inch brush right here and put

406

00:21:09,585 --> 00:21:10,905

a little grass around his foot.

407

00:21:12,675 --> 00:21:13,665

I'm still feeling crazy.

408

00:21:13,665 --> 00:21:14,685

And I got a minute left.

409

00:21:15,795 --> 00:21:19,965

I like to do this because it, it upsets my

director when we're getting low on time.

410

00:21:19,965 --> 00:21:23,534

And I do something like my

regional tree fell down.

411

00:21:25,575 --> 00:21:30,585

It's the whole tree just felt that it

was tired, either a tired, old tree.

412

00:21:31,035 --> 00:21:34,935

And I can relate to that a little

highlight along his edge here.

413

00:21:35,955 --> 00:21:37,215

Just she, a little Brown and white.

414

00:21:39,285 --> 00:21:40,395

That was just Vandyke Brown.

415

00:21:40,395 --> 00:21:42,875

We made him with just like the

ones that standing up this one.

416

00:21:43,475 --> 00:21:47,285

That's when he's laying down on

the job, laying down on the job.

417

00:21:48,965 --> 00:21:49,655

That's okay.

418

00:21:50,195 --> 00:21:53,435

You had a long life and

now he wants to rest.

419

00:21:54,000 --> 00:21:55,950

We put a fuel limbs

that are still on here.

420

00:21:56,790 --> 00:22:00,810

So I'm coming out from the

side and going out there.

421

00:22:00,810 --> 00:22:04,050

If you have trouble making this

slide, all you gotta do is just add

422

00:22:04,050 --> 00:22:05,340

a little more paint thinner to it.

423

00:22:07,050 --> 00:22:10,650

They're seeing whole lambs are

just, just hanging around out here.

424

00:22:12,170 --> 00:22:19,220

There we are go into a little bit

of white Brown, like a lighter

425

00:22:19,220 --> 00:22:22,250

color, and we can highlight those

a little just so they stand out.

426

00:22:23,520 --> 00:22:32,850

Something like that, their hair, old

trees just laying out they're asleep now

427

00:22:32,850 --> 00:22:36,389

then let's go back and get our brush.

428

00:22:36,389 --> 00:22:37,560

It's got the dark color on it.

429

00:22:38,939 --> 00:22:39,480

I want a little.

430

00:22:40,020 --> 00:22:41,550

I want a little Bush living right here.

431

00:22:41,610 --> 00:22:43,740

So I'll put one in, then do your world.

432

00:22:44,850 --> 00:22:48,960

You put them in anywhere you

want them put some Garcon, go

433

00:22:48,960 --> 00:22:49,770

into a little bit of light.

434

00:22:49,800 --> 00:22:53,280

I'm going to use her into the

yellow ochre side, a little touch,

435

00:22:55,290 --> 00:22:56,310

more yellow ochre than that.

436

00:22:58,159 --> 00:22:59,540

If you're not happy with it, change it.

437

00:23:00,260 --> 00:23:01,200

Oh, that's better now.

438

00:23:01,200 --> 00:23:01,850

I'm happier.

439

00:23:03,470 --> 00:23:04,129

There we go.

440

00:23:06,470 --> 00:23:07,070

Here we go.

441

00:23:07,159 --> 00:23:08,600

Oh, kinds of little things.

442

00:23:09,524 --> 00:23:15,435

I can see, you can put these

in anywhere that you want them.

443

00:23:16,185 --> 00:23:19,725

Just any old place just to make

it look like there's a little

444

00:23:19,725 --> 00:23:20,955

Bush right here on the edge.

445

00:23:21,075 --> 00:23:22,304

He goes right off the canvas.

446

00:23:23,925 --> 00:23:24,825

Happy little Bush.

447

00:23:26,815 --> 00:23:27,465

Okay.

448

00:23:29,534 --> 00:23:34,605

Back to our little liner, brush, little

light Brown color on it in here and there.

449

00:23:34,605 --> 00:23:36,825

And there, we can put in a sticker twig.

450

00:23:38,520 --> 00:23:47,390

Whatever you think just a couple

and rocks on the other side.

451

00:23:47,390 --> 00:23:48,830

Let me go back to my Filbert.

452

00:23:49,010 --> 00:23:52,010

Had rock color on it and maybe over here.

453

00:23:52,010 --> 00:23:54,080

And there's a rocker to

the lives on this side.

454

00:23:55,550 --> 00:23:58,310

I know that side's better, but all

the rocks didn't move over there.

455

00:23:58,550 --> 00:24:02,000

I'm still a couple here, still a couple.

456

00:24:02,690 --> 00:24:03,260

Where do they live?

457

00:24:03,290 --> 00:24:04,580

Here's one right up against the tree.

458

00:24:05,480 --> 00:24:05,570

Okay.

459

00:24:06,465 --> 00:24:13,025

Yeah, wherever you want them, you decide

there maybe right down here at the base

460

00:24:13,025 --> 00:24:14,555

of that big tree lives a little stone.

461

00:24:16,115 --> 00:24:16,475

You make it.

462

00:24:16,505 --> 00:24:16,655

Yeah.

463

00:24:16,805 --> 00:24:18,785

You make the decision, but

he may live right there.

464

00:24:19,315 --> 00:24:19,955

That's okay.

465

00:24:21,065 --> 00:24:21,335

Shoot.

466

00:24:21,335 --> 00:24:22,655

I think we're about ready for a second.

467

00:24:22,715 --> 00:24:26,645

Turn on this one, take a little

paint, thinner, a little bit of

468

00:24:26,645 --> 00:24:29,135

the bright red and we'll sign it.

469

00:24:30,975 --> 00:24:32,025

I have people write.

470

00:24:32,025 --> 00:24:33,555

And I say, do you have to sign with Ray?

471

00:24:33,825 --> 00:24:34,665

Absolutely not.

472

00:24:34,665 --> 00:24:36,885

You signed with any color that you want.

473

00:24:37,635 --> 00:24:42,165

I've just sort of got in the habit of

signing with red and I'll always do it.

474

00:24:42,165 --> 00:24:46,275

It's sort of become the trademark, but

you sign in any color that you want.

475

00:24:47,865 --> 00:24:48,585

There we are.

476

00:24:48,915 --> 00:24:51,195

I think we're going to call

that one finished hope.

477

00:24:51,195 --> 00:24:51,885

You've enjoyed it.

478

00:24:52,365 --> 00:24:55,605

I'd like to hear from me if you try this

black and white and gray Jesso, because it

479

00:24:55,605 --> 00:24:58,155

does fantastic things from all of us here.

480

00:24:58,455 --> 00:24:59,805

I'd like to wish you happy painting.

481

00:25:00,615 --> 00:25:01,725

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E12 - Forest River

Bob Ross's

The Joy of Painting

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