Bob Ross's

The Joy of Painting

S28E02 - A Warm Winter

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Hey, welcome back.

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Certainly glad you could join us today.

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And today I have one of

my little friends with me.

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I thought introduce you to, if

he's cooperative here, this is a

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little baby Fox squirrel turn around

there and let's see, isn't he the

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most gorgeous little character?

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He's just a little baby.

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He's probably all maybe

maybe four or five weeks old.

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Just a little fellow.

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He was orphaned.

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And one of the, one of the rehab

ladies here in months, he was

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taking care of him, Diana Shaffer.

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And I thought I'd share him with

you, but he's one of the most

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fantastic little characters.

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I just love these little

Rascals and my friends.

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How are you doing?

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How you doing?

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You got a fat tummy.

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Yes, you do.

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Okay.

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I guess we have to go to work.

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You ready to go to work?

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Huh?

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Yeah.

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Okay.

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We put him down because I would play

with animals through the whole show.

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So let's start out today.

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I'm gonna have him run all the

colors across the screen that you

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need to paint along with this.

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And while they're doing that, come on

up here and let me show you what I've

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got done already have my regular role.

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Pre-stretch double prime canvas and

I'm using an 18 by 24 inch, but you

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use whatever size is convenient to,

they have cutter over a lot of contact

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paper and just put it over the top.

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Then in here, we've covered

it with liquid wipe.

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That's all I thought I thought with that.

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Maybe today we just do a

gorgeous little painting.

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It's a lot of fun and

I hope you'll enjoy it.

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Let's start out with a

little bit of the CAD yellow.

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Very, very small amounts.

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Don't need much.

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Only old two inch brush and

let's go right up in here.

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Let's do a painting

that has a lot of color.

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Let's do a winter scene

that has a lot of color.

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There we go.

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I like to do winter scenes, but

sometimes they can be so cold or

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they're not very much fun to look at.

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So let's warm our exempt, cadmium yellow.

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Without cleaning the brush right

into a little bit of yellow

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ochre there, something like that.

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We just let them blend together.

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There we go.

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All there is to it.

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I like these combinations of

colors because it makes it nice.

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Glow that comes out, maybe.

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Yeah.

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Without even washing the

brush again, bright red.

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So we have cadmium yellow, yellow

ochre, and now we're into bright red.

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There we go.

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And using little crisscross

strokes, little exes.

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See if we can just blend

that right together.

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So you can't tell where one color

stops and the next color starts.

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That's exactly what we're looking for.

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And I'm going to get another brush.

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I have.

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I have several brushes, so I don't

have to spend all my time washing them.

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I I'd take a little touch of that.

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They look blue and don't want much, just

a little, maybe mad, a little black to it.

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Little midnight, black,

little they, little blue, not

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a lot of color up in here.

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We'll just complete this with

some, some blue, but I don't

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want this to be very dark.

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Just enough to give it a

little, a little blue flavor.

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And that's really about all I need.

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Okay, now we can wash and brush.

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We wash our brushes with

odorless paint thinner.

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Since these are oils and just

beat the devil out of him.

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That's really the fun part of all this.

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Let's use a little fan brush, a little

bit of white load, a lot of, a lot of

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pain on the bristles and scope in here.

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And maybe in our world, there's

this happy little cloud right there.

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I don't want one.

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That's real distinct,

just a little floater.

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That lives right up in there.

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A little bashful cloud.

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There we go.

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We can take our little blender brush and

very gently just blend this like that.

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Jess blended and that easy.

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We have a, we have a

fantastic little cloud.

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Maybe find the knife here.

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I will take some alizarin, Crimson,

SAP, green, and about equal parts.

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Maybe a little more, maybe a little

more Crimson than, than the green.

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I want this to be sort of toward the

reddish side, but it's up to you.

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Clean off the knife.

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Let's have another fan brush.

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I have several of those to a little,

little color, and let's put the indication

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of some little clouds that live right

here where these two areas come together

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using a little bit of that brownish color.

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Don't need a lot of paint.

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Little tiny circles with a corner

of the fan brush, little tiny

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circles, tiny little circles.

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There you go.

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See, just drop them in.

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Maybe over here some more.

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We'll just have them

go all the way across.

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Why not?

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Why not something about like Kevin,

wherever they're something like, so.

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Okay.

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And let's take, we'll take the little

blender brush and just begin blending.

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It I'll be like seeing

that little squirrel.

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He's so cute.

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I said him in a little box here, but once

I woke him up, he thinks it's dinner time.

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Now a little rascal wants to be fed, so

I'll have to feed him here in a minute.

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There we go.

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I have such a fashion that fascination

for these little creatures.

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Yeah, I really like them.

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If you painted with me before, you

know, I'm almost obsessed with them.

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I'm taking a little bright red,

a little bit of white, but I like

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all of God's little creatures.

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I'm going to take at least little

touch of liquid white and add to that.

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Just to thin it of very, very

small amount, very small amount.

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Don't put too much easy, a

little bit up in here now.

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I want to come back and highlight

these clouds with that nice pinkish

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color we made nice pinkish color there.

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You want just enough of the liquid

white in there so that the color

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comes off your brush without

mixing all together up here we are.

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And you just sort of figure out

where you think light's hitting all

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these little things and drop them in.

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Just drop them in wherever,

wherever, something like that.

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There I'm going back over here and

maybe put a little bit right in here.

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Just a few indications

back to my little blender.

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This little blender brush is

very soft, very, very soft.

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My daddy used to say it's,

Tinder's a mother's love there.

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And in my case, that was very tender.

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Very tender.

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You can just wipe the brush off.

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If you collect a little pain on it, just

wipe it on a paper towel or something.

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And very gently just go across.

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That's basically all there

is to it and you can make a

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dynamite little sky that easy.

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And if you want to put little stringy

clouds, you can just touch it with

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white here and there, wherever.

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And just paint over them and it'll make

like little stringy clouds of livery

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back in the background somewhere.

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All right.

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Take a little, a little bit of that.

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Titanium white and we'll mix it

with some of that Brown we've made

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from the Crimson and the SAP green.

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I'll get a little more white.

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I want it to be light

and maybe in our world.

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Maybe back here, it lives a little soft.

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He'll be back in the distance.

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All we're going to do is just

tap in some color like that, and

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then very gently lift upward.

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Okay.

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I want this one to be very soft,

very soft, far, far away, far away.

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Very far.

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Back to her, a little blender brush tap.

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I want to blend that base outlet

just looks like it's just hanging in

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the midst of there going back to the

same color, only less white in it.

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That's still that Brown that we

made from the Crimson and the

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SAP green Crimson and SAP green.

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Let's go back up in here and maybe.

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Maybe you're right here you go.

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Maybe there's another happy

little Foothill lives right there.

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You decide.

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Don't just try to copy.

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That's what's so fantastic

about this technique.

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All we want to do is teach you how to

make effects and turn you loose on the

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world because each and every one of us

will see nature through different eyes.

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And that's what you should paint.

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What you see is what

you should capture on.

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Canvas can lift up once again,

want to make us look like

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little trees live far away.

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But do this in layers, paint in layers.

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Do the things that in your mind

is a father's to way first do

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it first and then come back.

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That way your painting will have

distance and depth in it, and that's

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what makes your painting special.

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Shoot.

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Let's get crazy.

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Yeah, why not just look at your

painting and begin to see things in it.

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Notice this one's a little darker

than the previous one, each one,

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as it gets closer to you, each one,

these little Hills should get a

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little, a little bit darker in value.

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Cover should be a little darker.

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Look at that.

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Just use the corner of the brush,

tap these in then lift Hufford.

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So there's to it.

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Got to make those little noises

or it doesn't work there.

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Say there and already it gives

an indication of thousands and

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thousands of little trees that live

far back in the distance somewhere.

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We don't even know how far they are.

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We said we was going to have winter.

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So I'm going to take a little

bit of the titanium white.

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Just load some on the fan brush, she

gets easy and let's sneak a little,

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little snow back up through here.

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I should have done this before I put

this one on here, but I keep changing

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my mind what I'm going to paint here.

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So that's okay.

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Anything we disturbed?

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We just go back and put it in no big deal.

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Because as you know, if

you painted with us before.

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We don't make mistakes here.

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We just have happy accidents.

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And by that all, we mean, is it anything

that happens here we can work with?

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We don't worry about it.

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Absolutely.

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Don't worry about it.

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See, just put that right back, lift

it up because this is our world.

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We control it.

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When I go home, the only, the only

power I have is over the garbage.

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It sits there and waits for me

to come home and take it out.

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But here I can literally move mountains.

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I'm good.

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Let's at least little touch of

the bright red hair in there.

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Just to warm it.

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If all this colors in the sky,

in my mind, simply some of

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that color way down here, too.

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Something like that.

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I don't even know where

we're going with this.

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It doesn't matter.

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Doesn't matter anything we

don't like we'll change it.

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All right.

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That's all there is to it.

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Now let's have some fun.

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Let's see.

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At Brown, we might need

some of that later.

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I'm going to take Prussian blue,

midnight black, and I bought some lizard,

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Crimson, Prussian blue, midnight, black

alizarin Crimson wipe off the old knife.

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Let's see here.

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How about use the Palmer fan brush?

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You're let me wash one real quick.

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They're not as much fun to wash you.

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Don't get to beat and bang with them.

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It's a lot more fun

when you can beat that.

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Brushes scare everybody around you.

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The bristles full of fate.

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We have a good time here.

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Full of paint, maybe in our world.

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Here's your bravery

test right there lives.

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A big evergreen tree use

a corner of the brush.

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Cause you worked down the tree,

use more and more of the brush

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and push harder and harder.

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You want to force the bristles to bend

downward for this particular kind of tree.

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Sometimes we make the bristles bend up,

but today let's bring it on down there.

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How's that today we're

making them bend downward.

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Maybe there's a big tree is right there.

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And yes, I realize I'm on the contact

paper, but that way it'll look like the

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tree just continues right down there.

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00:13:34,675 --> 00:13:35,865

We pull the contact paper.

252

00:13:35,865 --> 00:13:36,075

I'll see.

253

00:13:36,075 --> 00:13:37,095

We're not worried about this side.

254

00:13:37,125 --> 00:13:39,705

Cause we're going to pull the

contact paper off, throw it away.

255

00:13:43,240 --> 00:13:43,960

Okay.

256

00:13:44,860 --> 00:13:46,270

It looks like a mom and a pop Patrik.

257

00:13:46,270 --> 00:13:47,320

We need a little treat too.

258

00:13:47,320 --> 00:13:47,950

What the heck?

259

00:13:48,250 --> 00:13:50,200

He lives in our world right there.

260

00:13:51,810 --> 00:13:54,780

So we have three little trees that

makes a happy little family out here.

261

00:13:55,710 --> 00:14:02,400

They're about like, okay,

I'm back to our fan brush.

262

00:14:02,400 --> 00:14:06,150

It has the white, we can grab

a little bit color and pull it.

263

00:14:07,685 --> 00:14:09,125

Just pull it in automatically.

264

00:14:09,125 --> 00:14:12,635

We'll, we'll create the illusion of

a little shadow right under our tree.

265

00:14:14,135 --> 00:14:19,475

Just let that blend back and right on

around, got a little hair right there.

266

00:14:19,564 --> 00:14:22,145

Just lift him off there.

267

00:14:23,735 --> 00:14:27,245

Since these are natural bristle

brushes, sometimes a little hair

268

00:14:27,245 --> 00:14:32,285

just falls off just like my hair is

sort of wild and I'm really there.

269

00:14:34,084 --> 00:14:34,895

All right.

270

00:14:36,405 --> 00:14:39,575

Now let's take, find another fan brush.

271

00:14:39,605 --> 00:14:40,445

It's not so dirty.

272

00:14:41,565 --> 00:14:45,275

Little white, little bit of the look blue.

273

00:14:45,695 --> 00:14:47,285

They look blue, such a nice warm blue.

274

00:14:47,825 --> 00:14:48,575

I'll be right back.

275

00:14:48,575 --> 00:14:50,885

I won't get a little touch

with the liquid white.

276

00:14:51,875 --> 00:14:55,715

Remember a golden rule, a thin

paint will stick to a thick paint.

277

00:14:55,715 --> 00:14:59,705

So I have titanium white, liquid,

white, a little touch it blue.

278

00:15:00,905 --> 00:15:02,795

And with that, we can come back in here.

279

00:15:03,405 --> 00:15:07,995

And we can just put the indication

of some real nice little highlights

280

00:15:07,995 --> 00:15:09,495

that live right out in the hair.

281

00:15:11,670 --> 00:15:15,710

There in my mind, I think the light's

coming from the right, so I'll

282

00:15:15,710 --> 00:15:21,440

emphasize the right side of the tree,

but maybe you want your light coming

283

00:15:21,890 --> 00:15:24,320

from another direction up to you.

284

00:15:25,580 --> 00:15:29,000

Darker, darker, darker down here

toward the base, dark, darker, darker.

285

00:15:31,160 --> 00:15:32,450

And this one up here.

286

00:15:34,555 --> 00:15:36,385

That goes right off the contact paper.

287

00:15:37,704 --> 00:15:40,395

There he is darker, darker, darker shoot.

288

00:15:40,425 --> 00:15:46,005

You know, me, if you had a lovely place

like this, You'd have to live here.

289

00:15:46,005 --> 00:15:47,595

So if you go live here,

you need a little house.

290

00:15:47,655 --> 00:15:49,175

Let's us build this little cabin.

291

00:15:49,545 --> 00:15:53,535

He lives right there to

scrape out a basic shape.

292

00:15:53,745 --> 00:15:54,945

I really find it easier.

293

00:15:55,515 --> 00:15:59,805

If you use a knife and scrape out

a basic shape, does two things.

294

00:16:00,705 --> 00:16:04,815

It allows you to lay out your shape

of your cabin without being committed.

295

00:16:05,865 --> 00:16:09,855

But more importantly, you can

hear I'm getting quite firm.

296

00:16:10,515 --> 00:16:10,605

Okay.

297

00:16:11,040 --> 00:16:13,590

More importantly, it

removes the excess paint.

298

00:16:13,650 --> 00:16:15,480

So it's easier for the

next layer to go on.

299

00:16:16,530 --> 00:16:21,209

Our Brown was made from

SAP green lizard Crimson.

300

00:16:22,610 --> 00:16:23,900

We'll just continue to use it.

301

00:16:23,900 --> 00:16:24,199

Brown.

302

00:16:24,199 --> 00:16:25,310

That's a wonderful Brown.

303

00:16:26,959 --> 00:16:28,819

Very, very nice chocolate Brown.

304

00:16:30,260 --> 00:16:31,189

I like that color.

305

00:16:32,260 --> 00:16:33,680

Cut off our little roll of paint.

306

00:16:34,740 --> 00:16:36,110

That's go up in here.

307

00:16:36,525 --> 00:16:38,955

We'll put a little back Eve the park.

308

00:16:38,985 --> 00:16:40,575

Once again, it's farthest away from me.

309

00:16:43,355 --> 00:16:44,615

Don't worry much about the bottom.

310

00:16:44,615 --> 00:16:46,085

We'll cut it off right now.

311

00:16:46,085 --> 00:16:48,665

We're just putting in

some dark Brown paint.

312

00:16:50,135 --> 00:16:54,335

So our little cabin will have a place to,

or have some fronts and backs on them.

313

00:16:55,475 --> 00:16:58,115

We'll take a little Brown, little

white mix it together here.

314

00:16:58,505 --> 00:16:59,495

That same Brown color.

315

00:16:59,495 --> 00:17:04,025

We were using a little white once

again, our little roller of paint.

316

00:17:05,325 --> 00:17:07,185

This is your delicacy test right here.

317

00:17:07,575 --> 00:17:08,315

Barely touch.

318

00:17:08,745 --> 00:17:10,635

You might want to use

the small knife for this.

319

00:17:11,954 --> 00:17:15,855

Sometimes it's a little easier to get

in there, but the cat looks like all

320

00:17:15,855 --> 00:17:22,155

wood and over in this side, darker,

just a hint, just to hand over here.

321

00:17:23,385 --> 00:17:24,704

Let me wipe off the old knife.

322

00:17:25,275 --> 00:17:25,815

Take a little bit of.

323

00:17:26,820 --> 00:17:30,000

The dark paint and we can just come

along and touch and it'll make it look

324

00:17:30,000 --> 00:17:31,710

like old boards that live in there.

325

00:17:33,920 --> 00:17:34,490

Sneaky.

326

00:17:35,360 --> 00:17:39,710

Now we can do a cabin ectomy on the base

and just take out whatever we don't want.

327

00:17:40,880 --> 00:17:41,660

Clean it all up.

328

00:17:42,230 --> 00:17:43,400

Get our perspective, right.

329

00:17:45,500 --> 00:17:46,520

We need to fix the roof.

330

00:17:47,510 --> 00:17:49,370

This fella didn't have

a roof on his cabin.

331

00:17:50,300 --> 00:17:55,070

I'll just use titanium white,

see her little roller paint and.

332

00:17:55,380 --> 00:17:56,430

Let's go right up in here.

333

00:17:57,630 --> 00:18:00,300

Just sort of outline the edges that

you want to be nice and straight.

334

00:18:01,140 --> 00:18:02,820

That's cheating, but it works well.

335

00:18:03,120 --> 00:18:06,300

And then pull it works well.

336

00:18:06,510 --> 00:18:07,260

And I'm lazy.

337

00:18:07,290 --> 00:18:09,420

I look for things at work easy.

338

00:18:10,680 --> 00:18:13,290

Now we need a little snow over

here on the other side of the roof.

339

00:18:13,890 --> 00:18:14,970

Don't want him lift out.

340

00:18:16,440 --> 00:18:20,460

There something like, so I have

taken a little bit of blue and white,

341

00:18:20,669 --> 00:18:23,370

same blue I use on tree and I just

want to put a little on the edge.

342

00:18:23,850 --> 00:18:26,600

It makes it snow look

deeper on your little cabin.

343

00:18:28,340 --> 00:18:32,929

Like, like it's been here

for a long time, right?

344

00:18:34,250 --> 00:18:35,330

I'll grab the small knife.

345

00:18:36,560 --> 00:18:39,590

Now we need a door, got to

have a way to get in and out.

346

00:18:39,919 --> 00:18:41,030

So we just take a little dark.

347

00:18:42,405 --> 00:18:46,475

Put us in a little door, but it'll

highlight around the edge of the door.

348

00:18:47,285 --> 00:18:49,685

And that's all there is

to making a little cabin.

349

00:18:51,035 --> 00:18:52,745

And that's just a very

simple little cabin.

350

00:18:52,745 --> 00:18:56,525

You could go into much more detail

and you could turn it into a

351

00:18:56,975 --> 00:19:02,135

chalet here or hotel or whatever

you want to do your world there.

352

00:19:03,245 --> 00:19:06,605

All you need is a little

imagination practice, a little bit.

353

00:19:07,725 --> 00:19:11,205

And allow this to take you anywhere

that you want to be anywhere.

354

00:19:12,345 --> 00:19:14,054

You can do this everyday.

355

00:19:14,054 --> 00:19:18,675

I received letters from fantastic

people all over the world who tell me

356

00:19:18,675 --> 00:19:22,965

their fourth grade art teacher told

them they had no talent and they never

357

00:19:22,965 --> 00:19:24,794

painted, but they always wanted to.

358

00:19:25,895 --> 00:19:29,165

And then some crazy fuzzy haired guy

came on TV and said, you can do it.

359

00:19:29,455 --> 00:19:32,215

And they tried it and guess what?

360

00:19:32,725 --> 00:19:33,325

Guess what?

361

00:19:34,165 --> 00:19:34,915

They can do it.

362

00:19:35,425 --> 00:19:39,085

And if you can do this, you

could do anything in your life

363

00:19:39,145 --> 00:19:40,345

that you believe you can do.

364

00:19:40,525 --> 00:19:43,465

And you're willing to

practice and work at anything.

365

00:19:44,275 --> 00:19:44,805

Anything.

366

00:19:44,935 --> 00:19:48,685

I believe that with all my heart, my

son, Steve, I'm always telling him

367

00:19:48,685 --> 00:19:50,035

he can have anything that he wants.

368

00:19:50,695 --> 00:19:52,045

If he's willing to pay the price.

369

00:19:53,565 --> 00:19:56,745

Okay, let me find let's

use a one inch brush.

370

00:19:57,915 --> 00:19:58,635

Let's have some fun.

371

00:19:58,755 --> 00:19:59,625

Let's go into Brown.

372

00:20:00,645 --> 00:20:01,335

This is at Brown.

373

00:20:01,335 --> 00:20:04,545

We made from the SAP and the lizard.

374

00:20:05,295 --> 00:20:06,315

Pull it in one direction.

375

00:20:06,735 --> 00:20:07,395

Turn it over.

376

00:20:08,085 --> 00:20:10,395

Like that we want that

rounded corner toward the top.

377

00:20:10,465 --> 00:20:11,175

Let's go up in here.

378

00:20:12,225 --> 00:20:15,465

Let's put in some little bushes

and stuff that live in our world.

379

00:20:15,735 --> 00:20:16,304

Just touch.

380

00:20:16,335 --> 00:20:19,215

Give the brush a little, a

little band, push it upward.

381

00:20:19,215 --> 00:20:19,425

See.

382

00:20:19,605 --> 00:20:23,745

So all you want to do, maybe

right here, you decide.

383

00:20:24,245 --> 00:20:29,165

You decide, I want this to come

right over this guy like me.

384

00:20:29,165 --> 00:20:31,835

He don't maintain his yard very well.

385

00:20:33,035 --> 00:20:33,755

There we go.

386

00:20:35,855 --> 00:20:36,545

All right.

387

00:20:37,445 --> 00:20:40,115

I leave my yard natural.

388

00:20:40,955 --> 00:20:42,115

So the animals will live here.

389

00:20:42,115 --> 00:20:42,395

At least.

390

00:20:42,395 --> 00:20:45,305

That's what I tell my

neighbors when they yell at me.

391

00:20:45,840 --> 00:20:49,379

I don't know, that's taken

dip a one inch brush into a

392

00:20:49,379 --> 00:20:51,240

little bit of the liquid white.

393

00:20:51,540 --> 00:20:52,860

I'm going to go into yellow ochre.

394

00:20:53,340 --> 00:20:56,669

It's a nice gold color, yellow ochre.

395

00:20:56,730 --> 00:20:58,139

Maybe even touch the bright red.

396

00:20:58,169 --> 00:21:01,290

Not much, mostly just yellow ochre.

397

00:21:02,040 --> 00:21:03,480

Once again, pull it in one direction.

398

00:21:03,510 --> 00:21:03,870

Turn it.

399

00:21:03,870 --> 00:21:04,620

That's beautiful.

400

00:21:04,620 --> 00:21:05,189

Closeups.

401

00:21:05,189 --> 00:21:07,290

As Kathy's doing here,

aren't they gorgeous?

402

00:21:07,320 --> 00:21:08,010

Let's go up in here.

403

00:21:09,090 --> 00:21:11,220

I got some fantastic camera people here.

404

00:21:11,490 --> 00:21:14,340

They've worked with me for

some of them for over 10 years.

405

00:21:15,554 --> 00:21:17,715

They know how to paint these

paintings better than I do.

406

00:21:17,715 --> 00:21:21,554

I think they're a little

highlight here and there.

407

00:21:23,385 --> 00:21:25,185

Just wherever we want

them on these things.

408

00:21:25,875 --> 00:21:26,564

There we go.

409

00:21:27,764 --> 00:21:32,655

Maybe over here, this will really,

really shine against this color.

410

00:21:33,675 --> 00:21:36,284

Really shine a little bit more paint.

411

00:21:36,615 --> 00:21:38,205

Don't be afraid to reload your brush.

412

00:21:39,165 --> 00:21:42,195

If you have enough paint and it's

thin enough, remember it needs to

413

00:21:42,195 --> 00:21:43,425

be thinner than what's up here.

414

00:21:43,935 --> 00:21:47,865

All you have to do is just touch the

canvas and the canvas will pull the paint

415

00:21:47,865 --> 00:21:50,385

off the brush and the proper amount.

416

00:21:51,375 --> 00:21:54,285

It takes a little practice to

get the consistency, right.

417

00:21:54,315 --> 00:21:57,495

But very quickly you can do

it without any problem at all.

418

00:21:58,665 --> 00:22:01,065

Just practice a little, little bit.

419

00:22:03,765 --> 00:22:04,395

Okay.

420

00:22:04,815 --> 00:22:05,895

Sapper liner brush.

421

00:22:07,635 --> 00:22:08,655

I think we need a tree.

422

00:22:09,405 --> 00:22:12,075

No, not a big tree, not a

big tree, just a small tree.

423

00:22:12,075 --> 00:22:14,205

Did they take our liner brush?

424

00:22:14,535 --> 00:22:17,235

Get the paint very thin

with paint thinner.

425

00:22:17,360 --> 00:22:18,650

Twist the bristles turn.

426

00:22:18,650 --> 00:22:21,650

It brings it to a very

nice short point there.

427

00:22:21,650 --> 00:22:25,870

You can see it scoping here,

maybe in our world, their lives

428

00:22:25,900 --> 00:22:27,730

through just a small tree.

429

00:22:28,360 --> 00:22:28,990

I get letters.

430

00:22:28,990 --> 00:22:32,170

Sometimes people say, why

did you put that big tree?

431

00:22:32,170 --> 00:22:36,850

And right at the end, you don't have

to put a big tree in your painting.

432

00:22:39,280 --> 00:22:40,540

I just sort of liked to do that.

433

00:22:40,540 --> 00:22:44,680

I like big trees in my world,

but everybody's different.

434

00:22:45,370 --> 00:22:46,510

Everybody's different.

435

00:22:47,820 --> 00:22:49,379

There we go, few little arms.

436

00:22:49,590 --> 00:22:51,300

Maybe he's got a little free in here.

437

00:22:51,899 --> 00:22:52,770

Just a little guy.

438

00:22:54,750 --> 00:22:59,189

We don't know sticks and twigs

always growing out of their shoot.

439

00:22:59,220 --> 00:23:01,770

Maybe there's even a

little E right in there.

440

00:23:02,159 --> 00:23:03,149

It doesn't make any difference.

441

00:23:05,250 --> 00:23:09,840

Something like, so maybe over

in here, we want this side left

442

00:23:09,840 --> 00:23:13,610

out just a few little things.

443

00:23:16,004 --> 00:23:21,555

Clean off her a little brush, man,

this one's almost white and we can

444

00:23:21,555 --> 00:23:25,275

sneak back in here and just begin.

445

00:23:26,415 --> 00:23:28,485

I guess we got to wash them

then here's another one.

446

00:23:28,485 --> 00:23:28,965

Here's one.

447

00:23:28,965 --> 00:23:29,385

That's white.

448

00:23:29,715 --> 00:23:31,004

That one had too much color on them.

449

00:23:32,325 --> 00:23:37,275

They're back in here and pull a

little bit of that Bush color down.

450

00:23:37,275 --> 00:23:42,014

So it makes shadows in your

snow there, something like that.

451

00:23:44,065 --> 00:23:44,985

That's fantastic.

452

00:23:45,075 --> 00:23:46,575

Snow is so easy to paint.

453

00:23:47,475 --> 00:23:48,855

So very easy to paint.

454

00:23:49,125 --> 00:23:52,745

You can do it with a two inch brush there.

455

00:23:52,815 --> 00:23:55,725

Few little things back in

here, clean the bottoms up.

456

00:23:57,375 --> 00:23:57,855

Shoot.

457

00:24:00,150 --> 00:24:00,990

Let's find her knife.

458

00:24:01,650 --> 00:24:04,800

We can go back in here and they're

just scratching an indication

459

00:24:04,800 --> 00:24:05,970

of some sticks and twigs.

460

00:24:07,470 --> 00:24:08,490

I think we're about to the point.

461

00:24:08,490 --> 00:24:10,560

We can pull the contact

paper off, see what we have.

462

00:24:11,010 --> 00:24:11,820

So here we go.

463

00:24:13,680 --> 00:24:14,550

Let's just take that off.

464

00:24:14,730 --> 00:24:16,050

And isn't that fantastic.

465

00:24:17,370 --> 00:24:19,919

I love these ovals now, then

let's go back to our brush.

466

00:24:19,919 --> 00:24:24,530

It has a dark color on it and let's

take this tree and let's project

467

00:24:24,540 --> 00:24:26,310

him right out of the painting.

468

00:24:27,210 --> 00:24:35,040

I like to do those something

about like it C factor burst.

469

00:24:35,040 --> 00:24:36,360

It has that they low blue on it.

470

00:24:38,430 --> 00:24:44,420

And we can put some highlights on

this tree that easy it's there.

471

00:24:45,490 --> 00:24:45,810

True.

472

00:24:45,980 --> 00:24:46,850

I think we're about to get it.

473

00:24:47,540 --> 00:24:52,880

Take our liner a little bit of red

paint and assign this one right here.

474

00:24:53,870 --> 00:24:55,250

I hope you've enjoyed this painting.

475

00:24:55,820 --> 00:24:56,810

It's very easy.

476

00:24:57,800 --> 00:25:00,560

You'll be surprised with the results.

477

00:25:01,250 --> 00:25:04,190

So from all of us here, I'd

like to wish you happy painting.

478

00:25:04,950 --> 00:25:06,030

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E02 - A Warm Winter

Bob Ross's

The Joy of Painting

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