Bob Ross's

The Joy of Painting

S29E13 - Woodman's Retreat

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Welcome back.

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I'm certainly glad you could join a STAM.

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I'm standing here talking

to my little friend, mr.

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Jay.

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He's a little blue Jay,

just a little baby.

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And I wanted to show him to you today.

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There is a very special day.

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This is the last show of the

29th, the joy of painting series.

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So I thought mr.

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J who to come out here

and get to meet everybody.

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Oh, man.

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Say hello, say hi.

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Hi.

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He's a little tiny blue Jay.

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Just a few weeks old.

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Yeah.

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Yes he is.

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It needs something though.

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He's just as cute as he can be.

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All right.

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You ready to go over here

and play for a little bit?

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Huh?

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I got to go to work.

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All right.

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I'm going to sit him right over here

while I'm setting him over here.

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Let's run the colors across the

screen that you need to paint along

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with us while they're doing that.

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Let me show you what

I've got done up here.

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Have my standard old canvas up here.

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They, but today I've taken.

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Done something, just a little different.

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Actually I've taken a black Jessalyn

paint, a little line here on each side.

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Didn't have covered that

line with masking tape.

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Now on each side, I put

liquid clear on each side.

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And in the middle here, I've just

covered that with liquid white.

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You remember?

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I think he was in the last series.

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We did, uh, we did a little

painting that had like wood grain

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in it and it was just beautiful.

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Everybody liked it and I've got

hundreds of letters about it.

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Okay.

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Wanting to see more.

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So let's do something like yet.

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I'm going to take a little CEP

green little lizard, Crimson, and

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about equal parts and mix them

together and make a nice Brown color.

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Hmm, as I say in about equal parts, you

can take it to the roadside, the green

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side, or just make a very nice chocolate

Brown, whether it's up to you there.

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That's good enough.

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Now then.

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Let's take our one, two inch

brush, put a little color on it,

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and I'm just going to paint this.

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Literally just painted, just

like you were painting the barn.

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They're just using that

beautiful Brown color we made.

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Something like about so that you

can make it lighter, darker, you can

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do it in any color that you want.

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The transparent color seemed to work a

little better, but basically any color

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that you want, something like that.

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All right.

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Let's do the same basic thing on

the other side, we'll just paint it.

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These are very pretty done

in a blue, gray color, too.

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Beautiful.

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I really like it in that blue, gray trite.

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You'll be amazed at how easy it is to

make a Woodgreen effect and how effective.

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So I say we did this in the

last series and I didn't realize

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how popular it was going to be.

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We've just been bombarded with

letters, wanting to see more of that.

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And that's really all there is to it.

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And we washed the brush.

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Well, almost all there is to it.

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That's all there is to put in the color,

eat the brush out and wouldn't dry.

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Now then let's take an old fan brush

here, take the fan brush, and I'm

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going to dip it into paint thinner

and just loosely shake off the excess.

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And with that, I'm just going

to take an touch wiggle and

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just let it slide down here.

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Paint thinner and liquid clear.

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Have a violent reaction.

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Uh, violent reaction and all

these beautiful woodgrain

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effects can happen that easy.

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Now you can take your time and you can

really put some gorgeous things in there.

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We're just doing a quickie and

you can do it just like that.

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What ever you want it to be?

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Uh, this will continue to

work for a few minutes.

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So as the painting progresses, you're

going to see this change a little bit.

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All right.

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Over on this side.

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And you don't have to make all

you would greens just straight.

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They can, they can be

an every which angle.

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Cause look at wood, the patterns in

wood are not always just perfect.

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That's what makes it so beautiful

and different woods have different

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grain patterns there about like yet.

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Does that say that will continue to

work probably throughout the show?

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Let's just let that continue.

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As I say, it, there's a paint

thinner in the liquid clear

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mix and they work together.

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All these things will, will continue

to happen while that's going on.

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Let's just do a quick

little painting here.

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Doesn't matter.

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We just do something nice and simple

that, that you can do without any problem.

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Take a little, they love blue.

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It's a pretty color and let's go right up

in here using little crisscross strokes.

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And I don't want the blue to get

over into my wood looking area.

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We keep it on this side

of the masking tape.

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We'll just quickly drop in.

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Little sky that easy, no big

deal, no big deal at all.

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So I say, this is the last show

of the 29th series, and it's

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always sort of a sad time for me.

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When the last year rolls around, there

are 29 series of the joy of painting.

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Each series has 13 shows.

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It must be nearly my man.

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It's not too good to date.

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Probably.

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From your 375 shows or so.

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And if you haven't got a chance to

see all of them, give you a station, a

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cough, we'll get them to them one way

or the other, if they need them there.

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I think we'll just do a little

mountain of scene a day.

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Something very simple and easy.

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What I really want to show is

the effect that this side makes.

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Okay.

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And you can do this with

anything it's gorgeous to do

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like old driftwood looking stuff.

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And then paint will seascape

in it should try that.

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We should've done that.

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I didn't even think about

it until just now there.

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All right.

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Let's watch the old brush.

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I just like to wash the brush there.

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She says, beat the devil out of it.

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All right.

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Happy little cloud with just tap

in a little bit of titanium white,

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just using the corner of the brush.

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Okay.

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Scope in here, decide where the

middle cloud lives in your world.

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Doesn't matter.

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Clouds are so free.

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They just sort of float around.

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Have a good time.

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Do you ask sort of pick out a little area.

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I don't want real distinct clouds,

this one, some little basic shapes,

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wherever, wherever up to you, you

decide when you have this much power,

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you have to make decisions world.

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I'm going to grab a little

blender brush, just very lightly.

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It's a little blended brushes

as my father used to say,

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it's tenders of mother's love.

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And I certainly know in

my case, that was true.

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There SI just some little floaters

that live up there in the sky.

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Have a good time.

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They just take life easy.

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Hmm.

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All right.

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Past midnight, black oppression,

blue lizard Crimson Bandag

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grandma doesn't matter.

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Sounds like a good color combination.

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Pull it out.

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Very flat.

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Cut across.

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I get her a little roll of paint.

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And I tell you what I changed my mind.

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See, it's my world.

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I can do that.

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Maybe we'll have a mountain of ms.

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Far away.

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I'm going to add some

white to that same color.

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Let's do.

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First of all, their little

role, let's just play.

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Let's just play while we're

waiting for this woodgrain effect

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over here to work, we can play.

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We'll have some good Tyler.

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We'll just put a little indication of,

uh, Far away mountain first, that'll help.

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That'll help create that illusion of

depth and distance in the painting there.

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Something about like far away, little

devil, quiet, very, very quiet.

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Now let's go back to that dark color

we had, and maybe in our war room.

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Right here, right there.

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There's a big, huge, strong

mountain, giant of a mountain there.

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Something like that little peak

right there, wherever you want.

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You just make the decision to drop it

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back to her.

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Two inch brush, grab

it firmly and pull it.

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Give it a little pull

right up to the edge there.

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What I want to do is remove

excess paint and blended out.

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So that automatically, it looks

lighter toward the bottom.

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Does the top say there that easy?

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Okay.

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Like it doesn't matter.

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Okay, let's take, let's take titanium

white, and then we'll put the least

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little touch of bright red at it.

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Just to move, to sort of warm it.

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I don't want it to be noticeable

even, but it will warm it.

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Little roll of paint and

we can go right up in here.

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Touch no pressure, no

pressure, no pressure.

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And let it go something about

like an absolutely no pressure.

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I hear my little bird over

there and inside the studio,

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he thinks it's dinner time.

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As soon as we finish this,

I'll have to feed him.

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He did so well, little Rascals.

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You have to feed them.

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It seems like about every 20 minutes.

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It's a fabulous lady that lives

close to me in Orlando, Florida

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named man young and Anne raises and

releases by herself, basically almost

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2000 songbirds every single year.

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I have no idea how this woman

has, she's able to do that.

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It's one of the most unbelievable

feats I have ever seen, but she does.

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The airway are.

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What let me see.

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Let's take a little, a little bit

of where you stayed over the day.

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So wonderful day here.

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I hope it is wherever you're at.

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So they don't.

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Blue is such a, it's a happy color.

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Once again, or a little

roll of paint in with that.

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No pressure once again.

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See, no, put that one in first and

then we can, we can make decisions.

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Watch, watch, watch.

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Here he goes going push back.

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So immediately we pushed him

into the background in our world.

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We can push mountains around.

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Okay.

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Now that.

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I want to change this very

straight angle and we can do that.

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See you there.

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We can just go right back.

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Just drop in a little projection lives

right here on the side of this mountain,

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wherever you think it should be.

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But the secret to it is it needs

to have its own shadow or it won't

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play needs its own private shadows.

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He had popped out when we put that shadow.

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It has to be there each highlight

each highlight, not just own the

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shadow or it just won't work.

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Okay.

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Maybe over in here just

to weed a little bit.

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That's something like, so, and

anywhere you want to create a

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projection that projects up from

the mountain, all you need to do

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is put a shit or wonder that easy.

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You really do have unlimited power here.

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Good clean dry two inch brush.

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Following the angles that you painted in

your mountain, tap the base of it, and

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then pull gently upward at removes the

tap marks blends, everything together,

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creates mist at the base over here.

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We follow these angles something about

like, so don't get a little crazier.

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Okay.

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Let's do it.

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Let's take some of that dark color.

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And let's put another nother

little mountain that lives

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right down here at the base.

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This will create a whole different

plane in your painting, and it just

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helps improve that illusion of depth

in it, which if you've painted with

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me through this series and through

many more, you know, depth is

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very important to me in painting.

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I work very hard to create paintings

that have a lot of depth in them.

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There.

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And that's what makes you happy

is when you do paintings that

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you can see clean off forever.

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There are no limits in it and

take some of that same white.

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I was using come right back in here.

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And just very quickly throw in

some highlights on this mountain.

255

00:13:45,150 --> 00:13:46,980

Let's see how you can just

put layer after layer.

256

00:13:47,010 --> 00:13:50,640

You could do the whole canvas

this way, and it's a wonderful,

257

00:13:50,700 --> 00:13:52,710

wonderful way to practice.

258

00:13:53,250 --> 00:13:56,150

Don't be afraid of practice there.

259

00:13:58,340 --> 00:13:58,820

There we go.

260

00:13:59,120 --> 00:14:00,050

Nothing's free.

261

00:14:00,470 --> 00:14:04,460

And the price you pay for painting,

or I believe anything else you do

262

00:14:04,670 --> 00:14:07,130

that you do well, it's just practice.

263

00:14:09,015 --> 00:14:09,675

There we go.

264

00:14:12,495 --> 00:14:12,915

Okay.

265

00:14:13,875 --> 00:14:17,505

Wherever we can just put

all kinds of other tutors in

266

00:14:17,505 --> 00:14:21,375

there that easy back to her.

267

00:14:22,590 --> 00:14:26,790

Clean dry, almost clean,

dry two-inch brush.

268

00:14:28,020 --> 00:14:33,210

Tap in just a touch lift

blend, bring it together.

269

00:14:35,780 --> 00:14:37,430

We have three ranges now of mountains.

270

00:14:37,430 --> 00:14:38,870

That's the reason I

decided to put in that one.

271

00:14:39,020 --> 00:14:41,000

It just, it makes a

whole different planet.

272

00:14:41,000 --> 00:14:42,230

It makes your painting deeper.

273

00:14:42,915 --> 00:14:43,515

Deeper deeper.

274

00:14:43,515 --> 00:14:47,745

I know nobody's interested in that

half the book, but if you're out

275

00:14:47,745 --> 00:14:51,015

selling paintings, it's these kinds

of little things, the depth in your

276

00:14:51,015 --> 00:14:55,574

painting that will cause your painting

to sell before anybody else's does.

277

00:14:56,535 --> 00:14:57,194

There we go.

278

00:14:57,615 --> 00:15:00,464

I'm going to take some black

oppression, blue SAP, green, and

279

00:15:00,464 --> 00:15:04,574

a little van Dyke Brown, and just

throw them all together here.

280

00:15:05,235 --> 00:15:06,615

Just throw them all together.

281

00:15:08,025 --> 00:15:12,225

So I'm gonna make a very dark color

that basically it looks black,

282

00:15:13,995 --> 00:15:15,375

but there's a lot happening in it.

283

00:15:15,615 --> 00:15:17,385

And you don't have to overmix the color.

284

00:15:19,245 --> 00:15:20,295

Just throw it on there.

285

00:15:20,835 --> 00:15:21,615

Then off we go.

286

00:15:23,460 --> 00:15:25,410

See both sides full of color.

287

00:15:25,740 --> 00:15:26,310

Go up in here.

288

00:15:26,970 --> 00:15:34,650

Let's have right there, a little evergreen

tree, just a happy little tree, use

289

00:15:34,650 --> 00:15:40,500

a corner of the brush, work back and

forth, forth, and back, back and forth.

290

00:15:40,500 --> 00:15:44,130

There you go there something like, so

291

00:15:47,520 --> 00:15:48,060

tell you what.

292

00:15:49,479 --> 00:15:53,949

I think I want to put, I want to put

some little background things in there.

293

00:15:53,949 --> 00:15:55,390

I should have done that beforehand.

294

00:15:55,989 --> 00:15:59,979

And I didn't want to put a little

footy Hill lives right there.

295

00:16:01,089 --> 00:16:03,880

Just want to cover up the base of that

mountain, but that's all you got to

296

00:16:03,880 --> 00:16:05,979

do is just drop it in no big deal.

297

00:16:06,670 --> 00:16:09,219

We'll lift upward, make it look

like a little distant trees.

298

00:16:11,619 --> 00:16:17,680

Take a little, a little bit of color,

pull down, make us a reflection back here.

299

00:16:18,845 --> 00:16:19,775

See, I changed my mind.

300

00:16:19,775 --> 00:16:24,215

Again, this has been, this has been a

wonderful painting for changing your mind.

301

00:16:24,215 --> 00:16:29,375

I'm taking a little liquid light,

a little liquid light, and just put

302

00:16:29,375 --> 00:16:37,775

in just a little waterline there,

something about like that, wherever

303

00:16:37,775 --> 00:16:43,115

you want to say, I really should have

done that for a, that tree, but I just

304

00:16:43,385 --> 00:16:44,855

decided this was where it should be.

305

00:16:47,220 --> 00:16:49,590

And on your painting like

this, you can change your mind.

306

00:16:51,120 --> 00:16:52,530

It's legal, it's authorized.

307

00:16:52,920 --> 00:16:54,330

Cause you can do anything in your world.

308

00:16:55,050 --> 00:17:02,160

And, and, and as you know, we

don't make any mistakes there.

309

00:17:04,530 --> 00:17:07,230

Now you'd never even know

which one in first or last

310

00:17:07,710 --> 00:17:10,079

set that simple, that simple.

311

00:17:11,145 --> 00:17:15,345

Some of the earlier series is I

had my son, Steve, and at times my

312

00:17:15,345 --> 00:17:17,714

good friend, Dana jester with me.

313

00:17:18,735 --> 00:17:20,085

And we showed you how to correct.

314

00:17:20,085 --> 00:17:21,175

Era's maybe.

315

00:17:21,175 --> 00:17:21,315

Yeah.

316

00:17:21,585 --> 00:17:26,835

Maybe in the next series, we'll show

that again, come out with some shows

317

00:17:26,835 --> 00:17:28,995

that go into correcting the stakes.

318

00:17:30,435 --> 00:17:33,315

If you'd like to see a show, like,

let me know, tell me what you want.

319

00:17:33,855 --> 00:17:34,275

Shoot.

320

00:17:34,275 --> 00:17:40,155

If I can't do it or don't know how, which

is very possible, very, very possible.

321

00:17:40,395 --> 00:17:41,775

We will find somebody that does.

322

00:17:43,400 --> 00:17:47,960

I've had guest artists do

just about everything there.

323

00:17:50,060 --> 00:17:50,690

All right.

324

00:17:50,720 --> 00:17:52,190

Let's reflect that

right down to the water.

325

00:17:53,360 --> 00:17:53,900

There we go.

326

00:17:56,720 --> 00:18:00,830

Wherever you want to say, all we

need here is just a very basic shape.

327

00:18:01,430 --> 00:18:02,389

Very, very basic.

328

00:18:02,480 --> 00:18:03,110

We don't care.

329

00:18:03,560 --> 00:18:04,940

I don't pull it down with a big brush.

330

00:18:05,270 --> 00:18:06,139

Put it all together.

331

00:18:07,310 --> 00:18:08,900

All right, let's grab a big brush.

332

00:18:09,560 --> 00:18:11,360

Touch post straight down.

333

00:18:11,820 --> 00:18:15,360

It's important that to go

straight down there, we are

334

00:18:15,600 --> 00:18:19,500

go across instant reflections.

335

00:18:20,810 --> 00:18:20,960

Yeah.

336

00:18:20,960 --> 00:18:22,670

They probably get that color on the brush.

337

00:18:24,440 --> 00:18:25,430

Let's go.

338

00:18:25,700 --> 00:18:28,370

I'll put a little paint thinner, cause I'm

going to be right over that big mountain.

339

00:18:28,370 --> 00:18:31,160

I think little paint thinner.

340

00:18:31,940 --> 00:18:32,450

Here we go.

341

00:18:33,580 --> 00:18:33,950

Comes up.

342

00:18:34,010 --> 00:18:36,110

Big strong tree.

343

00:18:37,340 --> 00:18:40,130

The big tree, big tree.

344

00:18:42,929 --> 00:18:43,379

There

345

00:18:46,860 --> 00:18:48,270

let's see, put a little paint thinner.

346

00:18:48,270 --> 00:18:49,860

If you know, you're going

to go over a lot of paint.

347

00:18:50,760 --> 00:18:53,070

How's a thin paint will stick

to thick paint and that way you

348

00:18:53,070 --> 00:18:54,300

can go right over the top of it.

349

00:18:57,030 --> 00:18:57,419

Okay.

350

00:18:57,570 --> 00:18:57,899

Okay.

351

00:18:57,929 --> 00:18:58,950

We will just go while I'm down here.

352

00:18:58,950 --> 00:18:59,520

It doesn't matter.

353

00:19:01,320 --> 00:19:02,189

It doesn't matter.

354

00:19:04,980 --> 00:19:07,439

Maybe the other one right there.

355

00:19:08,655 --> 00:19:09,495

All right.

356

00:19:09,885 --> 00:19:14,865

Something about like cat

right along in there.

357

00:19:17,925 --> 00:19:18,345

Okay.

358

00:19:20,085 --> 00:19:23,565

However many trees you want in your

world, you just drop them where

359

00:19:23,655 --> 00:19:24,855

ever you think they should be.

360

00:19:26,085 --> 00:19:26,895

Let's get a big brush.

361

00:19:26,895 --> 00:19:29,565

We take a two inch brush, pull

it right through the color,

362

00:19:29,985 --> 00:19:30,975

right through the color.

363

00:19:30,975 --> 00:19:33,315

Like it, see load a lot of pain in there.

364

00:19:35,665 --> 00:19:36,735

See one direction.

365

00:19:39,555 --> 00:19:39,825

Okay.

366

00:19:40,905 --> 00:19:46,545

Touch, push to create maybe

some little bushes right here.

367

00:19:46,605 --> 00:19:46,935

Okay.

368

00:19:49,005 --> 00:19:50,685

We're not too concerned.

369

00:19:50,865 --> 00:19:56,955

Just whatever, something

about like him, right.

370

00:19:57,870 --> 00:20:01,290

We to take a little white,

a little bit of dark Sienna.

371

00:20:02,640 --> 00:20:03,600

Let's mix them together.

372

00:20:04,260 --> 00:20:05,550

Didn't work got into the blue.

373

00:20:07,260 --> 00:20:08,040

Start over again.

374

00:20:09,090 --> 00:20:11,820

Wait, little bit of dark Sienna.

375

00:20:13,260 --> 00:20:14,100

Mix them together.

376

00:20:15,360 --> 00:20:23,400

But the indication here in their little

tree trunks, wherever doesn't matter.

377

00:20:25,440 --> 00:20:26,670

Just some indications.

378

00:20:28,170 --> 00:20:28,560

All right.

379

00:20:29,450 --> 00:20:32,600

We'll take our fan brush that had

the dark color on it and we'd go

380

00:20:32,600 --> 00:20:35,690

right through some yellow because

it had blue and black in it.

381

00:20:36,290 --> 00:20:37,820

When we hit that it'll turn green.

382

00:20:38,420 --> 00:20:38,600

Yep.

383

00:20:39,680 --> 00:20:44,570

We'll come right up in

here and just highlight.

384

00:20:44,570 --> 00:20:46,520

So not too much, not too much.

385

00:20:46,550 --> 00:20:47,180

Don't kill it all.

386

00:20:48,290 --> 00:20:49,730

Don't kill it all.

387

00:20:50,510 --> 00:20:53,870

Cause it'll go away and leave you there.

388

00:20:54,645 --> 00:20:55,754

Something about like, yeah.

389

00:20:58,185 --> 00:20:59,145

All right.

390

00:21:00,524 --> 00:21:01,304

Over in there.

391

00:21:03,344 --> 00:21:04,094

Okay.

392

00:21:04,185 --> 00:21:05,084

This big one here.

393

00:21:05,115 --> 00:21:08,985

We need some stuff, some green stuff.

394

00:21:10,064 --> 00:21:10,665

There we go.

395

00:21:10,695 --> 00:21:12,584

Darker, darker, darker

down toward the base.

396

00:21:13,215 --> 00:21:13,304

Okay.

397

00:21:13,845 --> 00:21:14,985

A little bit right in there.

398

00:21:16,485 --> 00:21:22,515

And off we go, I'm going to grab

a one inch brush, dip it into

399

00:21:22,515 --> 00:21:23,415

a little bit of paint thing.

400

00:21:24,815 --> 00:21:29,285

We're going to some SAP green

and right through the yellow, all

401

00:21:29,285 --> 00:21:35,075

the yellows, one direction load,

a lot of paint, create a curve.

402

00:21:35,105 --> 00:21:38,705

It goes to the top with that,

we'll go right up in here.

403

00:21:39,554 --> 00:21:42,104

And we'll begin picking out

little individual bushes.

404

00:21:42,195 --> 00:21:43,995

They live all over our world.

405

00:21:44,445 --> 00:21:46,155

Some were tall, some are short.

406

00:21:47,504 --> 00:21:51,044

There we are, wherever

you think they should be.

407

00:21:52,215 --> 00:21:53,235

That's where they should be.

408

00:21:53,544 --> 00:21:54,375

And that comes to mind.

409

00:21:55,274 --> 00:21:57,645

We'll just drop a little

reflection down here in the water.

410

00:21:58,034 --> 00:22:00,225

Doesn't have to be perfect because

we're going to smoosh it up.

411

00:22:00,225 --> 00:22:03,645

As Steve says, mushi,

mushi it up a little bit.

412

00:22:04,735 --> 00:22:06,225

Take a clean brush touch.

413

00:22:06,870 --> 00:22:10,050

Fairly lightly go down and across.

414

00:22:10,140 --> 00:22:16,070

We have instant, instant reflections

on I'm finishing this painting up here.

415

00:22:16,760 --> 00:22:21,110

I really truly would like to thank

you for allowing us into your

416

00:22:21,110 --> 00:22:23,120

homes for these painting shows.

417

00:22:23,840 --> 00:22:25,100

It's very special to me.

418

00:22:25,550 --> 00:22:26,630

Very, very special.

419

00:22:27,770 --> 00:22:32,420

You've made an old man's dream come true

to be able to share his art with literally

420

00:22:32,420 --> 00:22:34,730

millions of people from coast to coast.

421

00:22:35,715 --> 00:22:40,275

And I think it's whatever artist

craves the most, as far as your

422

00:22:40,275 --> 00:22:42,075

work to be seen and accepted.

423

00:22:44,835 --> 00:22:49,905

I appreciate it from the very

bottom of my heart there.

424

00:22:51,645 --> 00:22:53,505

I'm just putting a little

layers of bushes in here.

425

00:22:54,645 --> 00:22:57,465

This is a simple painting that if you've

painted with me before, you can probably

426

00:22:57,465 --> 00:23:02,355

do very easily there just want to.

427

00:23:03,480 --> 00:23:07,650

Throw something in real quick,

put a few little sticks and twigs,

428

00:23:09,420 --> 00:23:12,420

wherever I need a little Brown.

429

00:23:13,860 --> 00:23:18,780

Let's put a little, little soil

right in there and I still hear

430

00:23:18,780 --> 00:23:19,950

my little blue Jay over there.

431

00:23:21,510 --> 00:23:24,720

He thought I was going to feed him when

I let him out of his cage and he's angry

432

00:23:24,720 --> 00:23:27,150

now he wants to be fed immediately.

433

00:23:28,920 --> 00:23:30,930

A little bit, a little liquid white.

434

00:23:32,160 --> 00:23:34,560

I really do hope you enjoy

seeing all the little animals.

435

00:23:36,150 --> 00:23:40,350

Cause as I've mentioned before, they play

a very, very important part in my life.

436

00:23:41,310 --> 00:23:42,300

And I like to share them.

437

00:23:44,940 --> 00:23:48,120

I still have midnight, the Crow,

the little Crow that was shocked

438

00:23:48,990 --> 00:23:50,340

that can never be turned loose.

439

00:23:51,150 --> 00:23:53,100

He can't fly his wings all messed up.

440

00:23:54,570 --> 00:23:58,130

We take care of midnight and

he'll be with us forever.

441

00:23:58,670 --> 00:23:59,030

Okay.

442

00:23:59,390 --> 00:24:00,290

Let's pull the tape off

443

00:24:03,650 --> 00:24:09,440

something about like that and just leaves

a black line to sort of divide that.

444

00:24:10,640 --> 00:24:14,510

Now, if you take this painting and around

the borders, you just take a piece of

445

00:24:14,510 --> 00:24:17,600

flat black, black wood and nail it on.

446

00:24:18,470 --> 00:24:23,669

I think if you go to the lumberyard

JS for lattice, It w just make a

447

00:24:23,669 --> 00:24:30,409

gorgeous painting, assign this little

rascal, call it done once again.

448

00:24:30,440 --> 00:24:34,430

I'd like to thank you for being with

us for this entire painting series

449

00:24:36,050 --> 00:24:41,690

from myself, my partners Walton in

it, Kowalski and the entire staff

450

00:24:41,690 --> 00:24:43,100

here at the television station.

451

00:24:43,610 --> 00:24:47,060

We would like to thank you for, for

joining us and for supporting the

452

00:24:47,060 --> 00:24:49,430

joy of painting from all of us here.

453

00:24:49,669 --> 00:24:51,110

We'd like to wish you happy painting.

454

00:24:51,865 --> 00:24:53,024

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E13 - Woodman's Retreat

Bob Ross's

The Joy of Painting

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