Bob Ross's
The Joy of Painting
S15E12 - Deep Forest Lake
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Hey, I'm glad to see you ready to do
another fantastic little painting.
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Super tell you what, let me tell you what
I've got going up here already today.
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I have my standard old canvas up here,
but I've taken black Jessell and I've
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painted sort of around the edges here.
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Just to give me a sort of a, sort of a
weird little shape and all of that I've
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covered then with a mixture of blue.
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SAP green and Vandyke Brown.
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Just all the way around
here and in the center.
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There's nothing here.
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It's just blank canvas.
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I've just covered that with
a little bit of liquid white.
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So I'll tell you what, let's have him
run all the colors across the screen
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that you need to paint along with me.
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And we'll go on up here and get started.
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As I say, this, this mixture here is the
little blue SAP green, and then Brown.
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I put the Brown in there just to dull it.
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Just to dull it, all we're looking
for here is just a nice, thin even
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coat of color on most of the dark area
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now, because this.
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It's so dark and the pain is transparent.
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It still looks black here,
but there is color on here.
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And when we begin putting
different things on here, you'll
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be, you'll see what happens.
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These are fantastic.
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I love these black canvases.
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Just absolutely love them.
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Tell you what, let me
grab another brush here.
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Let's put some, let's put
some more in this guy.
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I'll take a clean brush.
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I'm going to get the least little
touch of a lizard Crimson on it.
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Just a tiny little bit.
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And maybe, and then this guy, a
little bit of Crimson, maybe a
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little that'll show through and
just make some little warm places.
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Don't want it too bright.
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Just a little here and there.
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A little touch, more.
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I don't know if I really even have
some down here, very little of
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this will show and anything that
we don't like, we just covered up.
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Cause we don't make mistakes.
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We have happy accidents.
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You could even take a touch of
the yellow ochre, least little
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mouth of tiny little bit.
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And.
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You can put a little bit here and
there just to put some brightness
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in the sky, wherever, least little
type stuff, probably at this point.
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It really doesn't show
up much, but it will.
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Once we begin putting some darks
in here, see, now back to our
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color that we've covered this with,
I wanted to begin bringing this
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right down into the liquid flight.
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Now we begin making decisions.
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Maybe this is a big tree that lives
right here and his limbs, his arms hang
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right over, like, so let's see, just use
a corner of the brush and bring some of
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that color right down to the liquid white.
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It's going to get lighter and lighter
in value and that's super, and it's
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just using the corner of the brush.
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Okay.
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Since the corner of the brush
there, and you can just pick up more
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colors, you need it right off here,
maybe right in here, lives a tree.
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I don't know.
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Just sort of look around and
make a decision and drop it in.
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Maybe there's a nice tree that
goes right up through there.
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You can make him as big or as small
as you want him in your world.
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He's just a happy little
tree that lives here.
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There we go.
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Maybe over in here, there's just all
kinds of little bushes and stuff there.
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We, back in the background, it's hard
to even make out a lot of detail.
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This is one of those paintings that
will give you the indication to feel
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that you're deep, deep in the woods.
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I like those.
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Because I like to get out in the
woods and started just wander through.
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And I'm a big time Hunter.
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I carry a camera with me and I shoot them.
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Sign up for guns with a camera.
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I wouldn't hurt them.
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I'm I'm not much at shooting Bambi.
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I'd rather take a picture of it.
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There we go.
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Let's see already, you're
beginning to get the impression
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of all kinds of things happening.
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Now, then over here on this
side, let's just let some of
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these just sort of hang over.
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Always amazes me that you
can do all this detail.
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Using a great big breasts.
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Like, yes, I spent so many, so many years
of my life as a traditional painter,
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working with little tiny brushes, used
to fret over think that's a good word.
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Used to Fred over paintings would I'd
worry with them and work with them.
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Let's take some paint thinner,
and I'm going to take a little
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bit of the Bandag Brown.
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Mix it with paint thinner.
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Want it very thin.
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Okay.
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Just turn Atlanta brush in
there, get it full of pain.
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Now, then here and there, we
need us a little tree trunk.
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So let's start right in
there making a wiggly tree.
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There he is.
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But do you have an arm
or two here and there?
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St.
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There just no wiggle the tree.
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Back in here.
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Just the indication of a few
little things that are happening.
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Don't want these to be real bright
and strong, very subdued, a lot of
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little things happening back here.
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We don't know what they are.
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So you just sorta just sort of visualize
this in your mind and drop it in
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there wherever you think it should be.
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That's exactly where they should be.
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There we go.
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Some we own up in here too big,
tall, skinny trees up in here.
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Trees are like people.
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They come in all sizes and all
shapes, different personalities.
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That's what makes them all beautiful.
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Just like people there.
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Well already, we've got a
forest to go in there today.
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Let's just use a little one inch brush.
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Just use a little one inch brush,
pick up a little bit of green.
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Little yellow, reach over here
and get some yellow ochre,
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whatever, little bright, red,
little touch, the Indian, yellow.
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I want to mix a lot of
different colors on this brush.
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A lot of different colors.
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So there's, there's not
just one Oh, dead color.
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It's a lot of things happening here.
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There's life.
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It's interesting.
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It's fun looking at here.
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And now we just use a corner of the brush.
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You come right in here.
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I don't want much color back here.
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This is too far away, too far away.
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I don't want to lose the illusion
of depth and distance here.
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This is deep in the
woods and it's far back.
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These things over on each side
are going to be closer to us.
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Those will make brighter.
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They'll stand out strong.
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These they're far away, quiet,
little happy things back here.
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There way are little
squirrel sets right there.
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He watches everything that's going on.
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Maybe just the indication here and there.
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Okay.
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Like that about the shape
you want your treat?
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I'll just hit it, rammed up.
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Don't get it random.
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I know you get tired of hearing
me say that, but I want you to be
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happy with what you've accomplished.
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If your trees just look like
they've been hitted, Rhonda, you're
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not going to be happy with them.
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There we are.
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And it's important to me that
you're satisfied with what you do.
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See, look at that little tree
or he just that nice tree.
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He just sits right out there
and here and there, you can just
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put individual little bushes.
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We don't know where they're at.
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Pick up a little more of the Indian,
yellow, little, a little bit of
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the red, maybe right over in here.
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There's a nice little Bush, right?
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Little summer, again,
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think of one Bush at a
time, one Bush at a time.
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I know sometimes when you watch, it
looks like we take a running start and
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just socking bunch of them at once.
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But one Bush at a time.
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Are you a great, great dividends?
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If paintings will be much nicer.
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I think of each one as an
individual there and work in layers.
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So you complete the most distant layer
and keep coming forward forward forward.
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There we are now that now
that must have some fun today.
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We'll take a two inch brush.
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I'm gonna go right into the
small amount of titanium.
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White, just a little
bit, just a little bit.
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Maybe there's some water into here.
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Got to make your first major
decision, just touch and pull
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straight down, straight down.
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See there's color on the canvas.
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And when you put the
white, it comes alive.
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Look at that and you can make
this as bright as you want it.
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The more whites you add,
the brighter it'll become.
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00:10:03,265 --> 00:10:06,285
You want it to be subdued,
then use very, very little.
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This is strictly an individual preference.
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Look at it and make it the way
we want it comes right across.
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But see these little bright marks or
you can push them, you can push them
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from like I'm wiggle, like all kinds
of beautiful, beautiful effects.
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That's sneaky.
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Isn't it.
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Let's take some Vandyke Brown,
just plain old van Dyke Brown,
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pull it up, very flat, cut across.
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And there's our little roll
of paint that we always use.
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Maybe back in here.
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There's some land that lives here and
I have something for all these little
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bushes and trees and everything to settle.
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Don't want him to fall off in the
water, make a big splash pad there.
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Okay.
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I won't use a little white put the
least little bit of, they love blue
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into at least a little touch of blue.
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That's it just titanium white
with a little blue cut across.
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And once again, we get the
smallest little roll of painting.
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I already see it, Tony, with
a roll of paint and I'm going
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to do just touch the canvas.
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The canvas will put off what it wants.
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Just touch.
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You don't have to do
anything, but just touch.
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It's a tiny little waterline underneath
there, little Brown and white.
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And we can come back in here.
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Put the indication here in the river,
a little highlight on some of those
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rocks and stones back in there.
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Yeah, mate, no, pick up
a one inch brush again.
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Maybe over here.
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Something else is happening.
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Let me show you a trick.
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We go back to this big, dirty brush.
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This is the same color that we used to
fill all this in and watch her watch her.
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She had a look at this
tapping a little dark.
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We need that dark star light or
chill, but look how that pushes
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that back already, already.
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Now we go into her, but a one
inch brushed happened some color.
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Tap in some color.
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Okay.
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Now then watch here.
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See, here's the happy little bushes
pips right there, right there.
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And he's got a friend, maybe
this is his girlfriend here.
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There we are.
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They're that easy though.
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Just put them Rascals
where ever you want to.
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And all we're doing is
just tapping with a corner.
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Of the one inch brush.
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There we go.
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And we can just go wherever, wherever,
pick up a little more SAP green here,
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maybe back in here, old dark Bush.
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He's hiding back in here in the shadows.
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There he lives right there.
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Now then let's have some.
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Let's have some land here.
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Let's see how that pushes
that son of a gun back.
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00:13:09,495 --> 00:13:11,505
Maybe there's some big
stones that live right here.
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Just put in your dark.
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This is straight Vandyke Brown.
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Maybe there's a Ooh, big
old stone, huge stone.
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Just sorta see these things in your mind.
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Drop them in, drop them
in big, bold stone.
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There.
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Okay now to bring this out and
make it part of the painting.
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We need a little reflection under,
so I take a little more of the white
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and watch right here, touch right
underneath it and pull straight down.
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It's important on these reflections
that you go straight there.
242
00:13:45,425 --> 00:13:54,814
Yeah, there, see there straight down
and we let them get darker, darker,
243
00:13:54,814 --> 00:13:57,875
darker as they get back over here in my
mind, the lights coming through there.
244
00:13:58,594 --> 00:13:58,685
Okay.
245
00:13:59,085 --> 00:14:03,255
So over here, it's going
to be much darker there.
246
00:14:03,465 --> 00:14:07,815
Very gently go across that easy.
247
00:14:08,775 --> 00:14:09,975
We have instant water.
248
00:14:10,285 --> 00:14:15,015
We use a small knife, take some
dark Sienna, use a touch of Prussian
249
00:14:15,045 --> 00:14:16,635
blue, and I want it to be darker.
250
00:14:19,485 --> 00:14:23,355
Dark sanded, a little precious blue and
white, maybe a little more of the Sienna.
251
00:14:23,895 --> 00:14:25,025
Oh, that's what I'm looking for.
252
00:14:25,064 --> 00:14:26,655
But leave it all marbly.
253
00:14:26,655 --> 00:14:32,535
Like it cut off our little roll of
paint and let's go up here and let's
254
00:14:32,535 --> 00:14:37,095
just sort of bounce in a little, little
highlight on these rocks and stones.
255
00:14:37,095 --> 00:14:38,564
Give him some shape and some form.
256
00:14:40,690 --> 00:14:43,590
But by not over mixing the
color that comes out exactly
257
00:14:43,590 --> 00:14:44,850
the same way on your knife.
258
00:14:45,630 --> 00:14:50,150
So you get all of these little
happenings, all those little
259
00:14:50,150 --> 00:14:51,380
colors just sorta happened.
260
00:14:52,790 --> 00:14:58,040
Maybe over here as I wanted, wherever
in your world, just sort of look
261
00:14:58,040 --> 00:15:01,310
around and see where you want a
stone and a rock and all those
262
00:15:01,310 --> 00:15:06,560
next things and drop them in there.
263
00:15:08,444 --> 00:15:10,215
Okay, now then we can take her white.
264
00:15:11,055 --> 00:15:13,155
I think we used the little,
the little blue in it.
265
00:15:15,015 --> 00:15:16,095
Pull it up very flat.
266
00:15:16,125 --> 00:15:18,074
I tiniest little roll of painter.
267
00:15:19,095 --> 00:15:20,084
I would come back in here.
268
00:15:22,275 --> 00:15:25,814
Just put the indication of a
little water line into here.
269
00:15:27,074 --> 00:15:31,694
Barely, barely touching the
canvas will pull off on it once.
270
00:15:32,324 --> 00:15:33,645
Give you back.
271
00:15:33,675 --> 00:15:34,245
What's left.
272
00:15:35,084 --> 00:15:35,415
Okay.
273
00:15:35,415 --> 00:15:36,314
Now we can get in here.
274
00:15:36,840 --> 00:15:37,800
And really get crazy.
275
00:15:40,830 --> 00:15:43,380
I'll take a little bit of, this
is just the Brown and the white
276
00:15:43,860 --> 00:15:46,260
little paint, thinner liner brush.
277
00:15:46,740 --> 00:15:52,260
Maybe in here, we can just
make up indication here and
278
00:15:52,260 --> 00:15:54,900
there have a little tree trunk.
279
00:15:54,900 --> 00:15:56,520
I'm not looking for a
lot of detail in here.
280
00:15:56,550 --> 00:15:59,520
Most of this is going to be covered
up, but maybe here and there,
281
00:15:59,520 --> 00:16:00,810
we can see a little bit of that.
282
00:16:02,880 --> 00:16:03,720
Just a little.
283
00:16:06,074 --> 00:16:11,775
Maybe a little touch over in here
somewhere, wherever you want them there.
284
00:16:11,865 --> 00:16:16,005
If I say 99% of this is going to
disappear, but you might see a couple
285
00:16:16,005 --> 00:16:19,755
of them and it'll look like we really
worked a long time to put them in
286
00:16:19,755 --> 00:16:22,155
there and that's our secret and shit.
287
00:16:23,080 --> 00:16:23,880
Don't tell him about it.
288
00:16:25,170 --> 00:16:25,470
Okay.
289
00:16:25,500 --> 00:16:30,210
Let's go back into our yellows,
little green, yellow ochre.
290
00:16:30,930 --> 00:16:34,370
All those beautiful colors started
working on these big trees.
291
00:16:35,660 --> 00:16:39,200
I just let him son of a gun just
shine out here in the sunlight.
292
00:16:39,810 --> 00:16:41,850
Was still just using
the corner of the brush.
293
00:16:41,850 --> 00:16:42,510
Nothing else.
294
00:16:43,140 --> 00:16:44,370
Just the corner of the brush.
295
00:16:46,199 --> 00:16:51,420
I began putting in all kinds of little,
little happy things here and there.
296
00:16:54,150 --> 00:16:58,920
Once again, think about the shape
and form and all the little things
297
00:16:58,920 --> 00:17:00,210
that are going on inside of here.
298
00:17:02,340 --> 00:17:03,030
There we are.
299
00:17:05,744 --> 00:17:06,795
That's fantastic.
300
00:17:08,264 --> 00:17:09,135
And you can do it.
301
00:17:10,095 --> 00:17:11,444
You really can do it
302
00:17:17,625 --> 00:17:19,244
by covering this with the black chair.
303
00:17:19,264 --> 00:17:22,635
So you've done half your painting
already before you start.
304
00:17:24,745 --> 00:17:29,745
Shoot, you can also use the liquid
black and get the same basic
305
00:17:29,745 --> 00:17:32,535
effect either way works well.
306
00:17:33,765 --> 00:17:39,075
Like Jesso might be a little easier
to handle because it's dry there.
307
00:17:41,835 --> 00:17:42,465
Okay.
308
00:17:42,465 --> 00:17:42,945
Maybe.
309
00:17:44,025 --> 00:17:46,455
Make up a dark, dark
green, maybe down in here.
310
00:17:46,455 --> 00:17:49,275
There's a few dark Bush's head down here.
311
00:17:51,855 --> 00:17:52,575
That's really hard.
312
00:17:52,575 --> 00:17:55,365
Buggers live be a creature in there.
313
00:17:57,855 --> 00:17:58,485
All right.
314
00:17:59,415 --> 00:18:00,555
Can you just go from the other side?
315
00:18:03,345 --> 00:18:06,254
It's going the other side here, little
yellow ochre, a little bright red.
316
00:18:07,920 --> 00:18:10,860
Just there, there comes another truck.
317
00:18:13,580 --> 00:18:16,550
When you do just, just sort
of let your imagination go.
318
00:18:18,740 --> 00:18:20,090
Let your imagination go.
319
00:18:22,129 --> 00:18:24,200
Think about all the happy little trees.
320
00:18:27,450 --> 00:18:30,020
I think I mentioned maybe in
one of the other shows, I got a
321
00:18:30,020 --> 00:18:33,649
letter from somebody here a while
back, and they said everything
322
00:18:33,649 --> 00:18:35,210
in your world seems to be happy.
323
00:18:36,855 --> 00:18:37,665
That's for sure.
324
00:18:38,765 --> 00:18:43,025
That's why I paint just because I can
create the kind of world that I want and I
325
00:18:43,025 --> 00:18:45,555
can make this world as happy as I want it.
326
00:18:47,015 --> 00:18:47,315
Shoot.
327
00:18:47,315 --> 00:18:48,935
If you want bad stuff, watch the news.
328
00:18:51,635 --> 00:18:52,475
There we go.
329
00:18:56,015 --> 00:18:57,425
This is a tranquil place here.
330
00:18:57,455 --> 00:18:59,015
We don't allow any bad stuff in our hands.
331
00:19:01,475 --> 00:19:02,285
Don't allow it.
332
00:19:03,990 --> 00:19:07,170
Yeah, there we are
333
00:19:12,450 --> 00:19:13,770
just layer after layer though.
334
00:19:17,475 --> 00:19:18,165
Sign up again.
335
00:19:18,615 --> 00:19:19,695
Let me find a big brush.
336
00:19:20,715 --> 00:19:23,235
I don't place more games here
and we'll take some more.
337
00:19:23,235 --> 00:19:25,455
That dark color is the same
color I put on the canvas.
338
00:19:25,455 --> 00:19:28,665
When we started, it's a
mixture of SAPRA green.
339
00:19:29,294 --> 00:19:32,865
We had some blue and some Brown and
we'll come right down through here.
340
00:19:34,814 --> 00:19:35,024
Look.
341
00:19:35,024 --> 00:19:36,855
So we'll put a little peninsula over here.
342
00:19:38,545 --> 00:19:40,125
Little peninsula, right there.
343
00:19:40,665 --> 00:19:42,585
Take some of her colors, same old colors.
344
00:19:42,585 --> 00:19:44,445
We're going to use the
same colors over and over.
345
00:19:44,865 --> 00:19:45,915
Tap a little in the brush.
346
00:19:47,835 --> 00:19:48,675
Come right out here.
347
00:19:49,155 --> 00:19:49,575
Look at that.
348
00:19:49,754 --> 00:19:50,145
Look at that.
349
00:19:54,284 --> 00:19:57,555
Even after thousands of paintings,
I still get excited over this.
350
00:19:58,735 --> 00:19:59,774
Still get excited.
351
00:20:02,175 --> 00:20:03,435
Just layer after layer though.
352
00:20:04,995 --> 00:20:05,985
Layer after layer.
353
00:20:10,595 --> 00:20:12,095
Why there would be a
mosquito in there too?
354
00:20:12,095 --> 00:20:12,905
There is no doubt.
355
00:20:12,905 --> 00:20:18,245
In my mind, I was born in Florida and used
to see places like yes, when I was a kid.
356
00:20:18,274 --> 00:20:21,095
And you can bet there was, there was
a happy mosquito living in there.
357
00:20:21,514 --> 00:20:25,955
Let's put some reflections
under there, straight down
358
00:20:26,945 --> 00:20:30,425
the street down, come across.
359
00:20:32,340 --> 00:20:34,740
It's not easy.
360
00:20:34,740 --> 00:20:35,700
We've got to reflection.
361
00:20:39,420 --> 00:20:41,129
I think this is a good day to get crazy.
362
00:20:42,150 --> 00:20:42,990
I'm going to take the knife.
363
00:20:43,770 --> 00:20:46,830
It's loaded, full of Vandyke Brown,
have a big roll of paint on it.
364
00:20:47,700 --> 00:20:52,740
And maybe in my world, their
lives, you know, me, I think
365
00:20:52,890 --> 00:20:57,540
their lives a big tree right here.
366
00:20:59,190 --> 00:20:59,879
Big tree.
367
00:21:02,085 --> 00:21:02,595
Big tree.
368
00:21:02,595 --> 00:21:07,245
And he's got an arm that's right
out over here and you could put this
369
00:21:07,245 --> 00:21:09,165
on with a fan brush or whatever.
370
00:21:09,225 --> 00:21:10,635
I just thought today we'd use a knife.
371
00:21:12,365 --> 00:21:12,935
There we go.
372
00:21:16,775 --> 00:21:25,835
When I say big tree, I meant a big tree
and he continues to grow over there.
373
00:21:27,420 --> 00:21:28,440
Nice Oak tree.
374
00:21:29,610 --> 00:21:33,570
Maybe while I have that Brown going,
we just put some stones and some
375
00:21:33,570 --> 00:21:38,580
rocks and dirt, all those good things
down here for that tree to sit on.
376
00:21:38,910 --> 00:21:41,940
He needs some big things for him.
377
00:21:43,020 --> 00:21:44,250
That one falls over in the water.
378
00:21:44,250 --> 00:21:46,050
He's going to make one devil of a splash.
379
00:21:46,230 --> 00:21:47,280
We'll take some white.
380
00:21:48,165 --> 00:21:52,365
Some bright red, we all
sparkle that son of a gun.
381
00:21:52,395 --> 00:21:56,565
Take some dark Sienna and mix it.
382
00:21:56,565 --> 00:21:57,545
So it's marbled.
383
00:21:58,365 --> 00:21:59,745
See, it's all different colors in there.
384
00:22:00,525 --> 00:22:02,055
What cut off at little roll of painting.
385
00:22:03,015 --> 00:22:07,335
Let's come right down this tree
right down this tree skews my arm.
386
00:22:09,795 --> 00:22:12,195
Just let it greys and slide.
387
00:22:12,965 --> 00:22:13,305
See there.
388
00:22:14,145 --> 00:22:16,005
You're just barely, barely touching them.
389
00:22:17,265 --> 00:22:20,865
Barely touching, let the knife
just, just barely touch him.
390
00:22:21,855 --> 00:22:24,345
If you've made mountains with me and
some of the other paintings, then
391
00:22:24,345 --> 00:22:25,665
you know how to do this already.
392
00:22:27,795 --> 00:22:30,645
That's why mountains are
so great for teaching yet.
393
00:22:30,945 --> 00:22:32,895
They teach you how to use the knife.
394
00:22:33,915 --> 00:22:37,575
I'm gonna take a little touch of
pure, white, least little touch
395
00:22:37,605 --> 00:22:39,135
and go right down this edge.
396
00:22:40,140 --> 00:22:41,910
I want that edge to jump out at you.
397
00:22:43,080 --> 00:22:48,840
And it does a little bit of the oppression
blue and white will come right down
398
00:22:48,840 --> 00:22:50,970
the other side, just here and there.
399
00:22:51,780 --> 00:22:54,210
Put the indication of a
little reflected light.
400
00:22:54,780 --> 00:22:58,470
See right in there, right in there.
401
00:22:59,790 --> 00:23:03,920
Now I'm going back to my paint,
thinner, a little bit of, a
402
00:23:04,340 --> 00:23:05,520
little bit of the Bandag Brown.
403
00:23:05,520 --> 00:23:06,780
We just put a layer of hair in there.
404
00:23:06,780 --> 00:23:08,370
This, that maybe this old trees did.
405
00:23:10,185 --> 00:23:12,375
Maybe, maybe he's dead.
406
00:23:13,845 --> 00:23:16,784
So here and there, there's
still an old lamb is trying
407
00:23:16,784 --> 00:23:20,145
to hang on, trying to hang on.
408
00:23:22,845 --> 00:23:23,504
There we go.
409
00:23:24,284 --> 00:23:26,715
But most of them, most of
them have already fell off.
410
00:23:28,335 --> 00:23:29,564
So we had one or two there.
411
00:23:31,515 --> 00:23:31,905
Okay.
412
00:23:31,905 --> 00:23:33,165
Back to my one inch brush.
413
00:23:33,405 --> 00:23:35,955
I can go right into a little bit
more of the color, just a tiny
414
00:23:35,955 --> 00:23:37,785
bit of color, tiny bit of color.
415
00:23:38,445 --> 00:23:39,645
And I'm going to come right into here.
416
00:23:40,935 --> 00:23:44,205
Put a few little things underneath
his foot that sort of sets him right
417
00:23:44,205 --> 00:23:50,385
down and all those nice grassy things,
a little bit of Brown and white, and
418
00:23:50,385 --> 00:23:52,035
just let it jiggle down through there.
419
00:23:55,535 --> 00:23:57,605
There are.
420
00:23:58,560 --> 00:24:03,500
See, there's a happy little stone
lives there wherever you want it.
421
00:24:04,129 --> 00:24:05,420
Where ever you want it?
422
00:24:06,410 --> 00:24:11,030
A little bit of blue and white create a
little waterline, right, right in there.
423
00:24:12,980 --> 00:24:13,460
Look at that.
424
00:24:14,570 --> 00:24:20,420
Just let the knife bounce bouncing, play
right through there wherever you want it.
425
00:24:22,610 --> 00:24:23,000
Okay.
426
00:24:23,030 --> 00:24:24,350
Maybe two.
427
00:24:24,900 --> 00:24:25,740
Let's keep going here.
428
00:24:26,940 --> 00:24:27,600
Let's keep going.
429
00:24:27,600 --> 00:24:28,650
Let me clean off a spot.
430
00:24:29,700 --> 00:24:30,660
We'll take some more Brown.
431
00:24:30,990 --> 00:24:33,930
Maybe over here in this
corner lives a big old stone.
432
00:24:34,610 --> 00:24:35,840
Great big old rock.
433
00:24:36,890 --> 00:24:40,100
He sits out here in the
water has a good time.
434
00:24:40,170 --> 00:24:42,140
Maybe a little Beaver lives
out here and he comes and
435
00:24:42,140 --> 00:24:43,760
sits on this rock and watches.
436
00:24:43,760 --> 00:24:44,270
What all is here.
437
00:24:47,630 --> 00:24:47,990
Okay.
438
00:24:48,500 --> 00:24:50,690
And maybe there's a point
out here on this rock.
439
00:24:50,690 --> 00:24:52,940
So just take a little bit of the white.
440
00:24:53,460 --> 00:24:57,900
Pull down like the indication of a tiny
little reflection that was right there.
441
00:24:58,890 --> 00:25:00,300
Now that'll show up in just a second.
442
00:25:00,330 --> 00:25:00,930
Bear with me.
443
00:25:02,460 --> 00:25:04,200
Take a little of the highlight color.
444
00:25:05,780 --> 00:25:06,230
Sit here.
445
00:25:06,350 --> 00:25:06,770
Now.
446
00:25:08,390 --> 00:25:08,870
See there.
447
00:25:10,140 --> 00:25:12,560
We can just begin putting
some highlights on the stones.
448
00:25:14,240 --> 00:25:16,820
There is some shaped metal rock.
449
00:25:18,705 --> 00:25:19,905
They bounce around in there.
450
00:25:22,575 --> 00:25:24,375
They'll touch your color over in here.
451
00:25:24,645 --> 00:25:30,045
Like, so there are, what has some
mean looking old rockets, that's
452
00:25:30,045 --> 00:25:34,155
out there in the water watches,
everything happened, but we'll
453
00:25:34,155 --> 00:25:35,625
touch you the blue and the white.
454
00:25:38,535 --> 00:25:39,135
There we go.
455
00:25:40,785 --> 00:25:45,345
Just sort of let these colors work
together, make it rock strong.
456
00:25:48,165 --> 00:25:51,855
And maybe, maybe there's a seed
or two that has dropped out here.
457
00:25:52,575 --> 00:25:54,825
And a little bit of grass is
growing out here on the stone.
458
00:25:56,595 --> 00:25:59,955
It's a nice place for
a little weed heresy.
459
00:26:00,585 --> 00:26:02,055
He lives out there on
the edge of this stone.
460
00:26:03,255 --> 00:26:07,155
That way the Beaver sets up here, his
foots don't get old to the heart stone.
461
00:26:07,205 --> 00:26:10,155
He's got a nice soft spot to
put his foot's there we are.
462
00:26:10,155 --> 00:26:10,715
There we are.
463
00:26:10,745 --> 00:26:11,095
There we are.
464
00:26:12,375 --> 00:26:15,675
And we can take our blue and
white come right back up in here.
465
00:26:16,380 --> 00:26:22,620
I had a little indication of a
waterline right in there, like so clean.
466
00:26:22,620 --> 00:26:22,830
Nice.
467
00:26:23,220 --> 00:26:24,450
I'm just want to go here and there.
468
00:26:25,740 --> 00:26:29,310
Scratch the indication of a little stick,
little twig, wherever you want them.
469
00:26:29,310 --> 00:26:36,210
Maybe a few over here, just so I
think we bet have a finished painting.
470
00:26:37,710 --> 00:26:40,860
I'm gonna take the liner
brush right into the red ms.
471
00:26:40,860 --> 00:26:41,580
Come right in here.
472
00:26:42,000 --> 00:26:42,750
Sign this one.
473
00:26:44,095 --> 00:26:45,045
Hope you've enjoyed it.
474
00:26:45,195 --> 00:26:50,085
This is one of the most fantastic
little scenes and it'll work for you.
475
00:26:50,595 --> 00:26:54,615
Give it a shot, then take a picture
of it and send me, let me see
476
00:26:54,615 --> 00:26:56,145
how you do from all of us here.
477
00:26:56,205 --> 00:26:58,185
Happy painting had got blessed.
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