Saturday, December 26, 2020

S08E11 - Mountain Range

Bob Ross's

The Joy of Painting

S08E11 - Mountain Range

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Hi, welcome back.

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I'm glad you could join me today.

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Today.

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I have a very special treat for you.

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I'm very proud to present my son.

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Steve, Steve is a fantastic artists

that we send all over the country

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to teach the joy of painting.

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And I've asked him to come in

today and to show you what he can

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do in just a couple of minutes.

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So we're going to turn the show over

to Steve and I'll be back at the end

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of the show and see what you've done.

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Thanks damn well.

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I've already covered the canvas with

a thin even coating of liquid white.

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And the way I'm going to start out

today is just touching the brush

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into a little bit of a lizard and

Crimson and bringing it out into

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a separate space on the palette.

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Just tapping it straight down.

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Turn your brush over.

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Tap tap.

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Now when the Elizah and Crimson hits the

liquid white it'll turn a pink color.

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It won't look like it does on the palette.

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So I'm just going to start right in

using horizontal strokes, but holding the

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brush sideways instead of the traditional

flat way like this, this gives you a

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little bit more movement in your sky.

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And with that same dirty brush can get

a little bit more alizarin, Crimson,

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and maybe a touch of fellow blue.

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And I'll come right up here

to the left-hand corner.

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And you just kinda bring that right down

under the Elysium and always keep your

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corners, the darkest, because your son's

coming from the center in this painting,

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maybe a tiny bit of light blue in the sand

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and.

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A little bit more in blue,

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grew up into this corner

and make it real dark too.

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And we'll pick up a

little bit more of that.

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And throw some water in real quick

while we got it on the brush.

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It's important that you use mostly the

same colors throughout the whole painting.

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It captures the arm better.

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If you do, if you use 70 different

colors in one painting, it

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usually doesn't look too good.

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And I might even throw a little

reflection in the center there.

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Now that we've got all our shapes in here.

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I'll go back with a clean brush and just

blend that out, blend in the Elizah.

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And first, because once you hit

blue with your brush, I don't

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destroy any Elizah and it hence,

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always using that ax.

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That's what gives you that movement?

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If I was just to brush it

straight back and forth across,

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it'd just be one solid color

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And since your corners are real dark,

make sure you blend them real firmly.

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The more pressure you add on the

brush, the more the pain will move

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for you and do a little hypnotizing.

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And come down here in the water,

just pulling this all straight in.

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Okay.

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Now I'm going to use my fan brush

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and just going through a

little bit of titanium white.

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And you can add a touch

of a lizard into that.

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Maybe make your clowns kind of pink.

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Now this painting is going to have big

clouds in it to start on right here.

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Sometimes you don't want

such a bold looking cloud.

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And if you didn't, you'd use a, probably

a number three fan brush rather than

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a number six, like I'm using it's

really your choice, little clouds,

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big clowns, whichever you prefer.

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And that's what you do.

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If you get it here and your clown.

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clouds are usually real flat on the

bottom and nice and puffy on top.

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If you remember that, you

really can't go wrong on clouds

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now with my big brush,

preferably a clean one.

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I'll blend the bottom of the cloud out.

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I never touched the top of the cloud.

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That's where you want the

most of your highlight to stay

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and just pull up on a tiny bit.

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This is real light, three hairs,

and some air as my dad would say

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and hypnotize it.

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okay.

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And that about does it for the sky.

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Now I'm going to take my palette knife

and go through a little bit of Brown.

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And a little bit of a lizard and a little

bit of blue kind of Stripe them out

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like that into three different piles.

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And then take a little bit from

each one and put them together in

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the center and mix that together.

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Real good.

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Kind of gives you a dark purple

color and we'll come right up

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here and make a big bold mountain.

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Well, it's important that you don't

kind of linger around here and mess

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around with this shape too much.

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Cause it really doesn't matter.

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As long as you have three or four peaks,

uh, the highlight is what really counts.

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That's what really makes your mouth.

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Okay.

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Probably the thing I would want to tell

you to stay away from right here is

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getting too much paint on the mountain.

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You want to scrape it all the way down

to bare canvas and then go back in

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with your big brush and pull it out.

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And that way you get some

of this paint glow down here

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to mix in with the mountain.

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Sometimes, whether you do it on purpose

or not, it's good to leave a real dark

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line in back of the mountain because

that kind of makes it look like a super,

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super dark shadow when you're done

putting the highlights and shadows on.

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Sometimes that just turns

out as a happy accident.

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It usually just ends up there on purpose.

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In other words.

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Okay.

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And all I'm doing is just getting a roll

of paint on the knife, like this, just

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pull it out flat, go straight through

and you get your roll and touching.

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And just barely, this is a

light as a feather pulling,

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and I've got a tiny bit

of a lizard in there.

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Just like in the clouds

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and maybe this mountain will

have a big Valley in it.

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You ever see that show the big Valley.

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That's where this mountain comes from.

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Now I'm going to mix up a little

bit of shadow color and to do that,

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you just use the base color that you

use for the mountain a little bit.

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Yeah, white and some impression blue.

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No, you get a roll on your knife, just

like you did with a white, except this

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time you push it up into the white

a little bit and pull away from it.

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And that drag some of that line out onto

the shadow side of the mountain too.

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So it doesn't just look like it's

split directly down the center,

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push up and pull.

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It gets kind of tight, right?

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In these curves, in the

valleys right there.

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And you have to come back and

clean that up a little bit.

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Sometimes see, like

right around this edge,

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I don't want to come back.

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and maybe over here we'll

have a tiny little glacier

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and that need how you can just

decide what you want in a painting

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and just put it right in there.

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Makes it so easy.

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Just like my dad, I use a little

brushes for a long time before

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I ever started using big ones.

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And it's just, there's no

comparison at all too much, too much

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piddling around with little stuff.

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Okay.

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Throw a shadow behind that.

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And we're just about

ready to make our mist.

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And to do that, we take our

big brush, tap, tap, tap, tap

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with the angle of the mountain

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and pull up with the angle.

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And if you have a shadow crossing over.

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Uh, your light, like right here,

then you can come back and put

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one or two little strokes there.

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Cause obviously you can't have

a shadow casting highlight.

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Okay.

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Now with my one inch brush, I'll

take a little bit of our base

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color and Brown alizarin and blue.

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Okay.

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And mix those all together.

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And maybe I'll even

throw a tat a SAP green.

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Yeah.

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Yeah.

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And two that you mix white.

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Probably the ugliest color you could

get at this point, wouldn't be the

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best one to use because ugly colors

look more natural in a painting,

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then real bright flashy colors.

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You don't see what I

mean here in a minute.

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Now without destroying the mist you have

on the mountain, you just want to tap in

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and shape kind of a rolling Hills shame.

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Don't make it any harder

than it is though.

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Just as easy as it looks, just splattering

it right in and with a clean brush,

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I'll come back and lift that up.

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Just maybe a quarter of

an inch, right on the top.

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And this gives you the illusion,

a little trees in the background.

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Now, if you don't pull it straight up,

it'll look like grass and we're definitely

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too far away to be seeing grass.

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Yeah.

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And when you get down in

here, just pull all this up.

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And then take the edge of your

brush and smash in, and there's a

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creating this down at the bottom.

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You can pull that up

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now with that same dirty brush I used for

the first Foothill, I'll let a little bit

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more Brown and blue always makes your pain

on your brush so you can get a marbled.

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Effect in your car.

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If you mix it up with a knife and

you just have one flat color and you

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don't usually see that in insurance

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and try to keep your shapes a

little bit different on this one.

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And like before pull this up.

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Okay.

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You want to get really realistic about it.

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Then you should pull these trees up a

tiny bit higher than the last row, because

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they are getting a tiny bit closer to you.

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I've been traveling around teaching

classes since I was about 15 years old.

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I started out with my dad and by the time

I was 17, I was teaching my own classes.

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And I'll tell you one

of the biggest things.

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About teaching painting.

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It's not really the teaching of

it, but once you get out of the

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teaching of it, and once you get out

of the teaching of it is practice.

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Of course, when you go into a

classroom and teach people how to

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paint, you might do 30 paintings

worth of bushes or something, trying

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to show them exactly how to do it.

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So sometimes teaching

can be a way to learn.

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Now over here on the left side, I

think I'll throw in a bushy tree.

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And what trees are, is just

a lot of bushes in the one.

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So you make each individual Bush

and kind of bring them all together.

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See how this is a Bush here.

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And this is one here,

and this is one here.

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Yeah, they'll just kind

of bring a raw grass.

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That's a little bit darker

right in front of the foothills.

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And you want to kind of make it come

around like this so that when I pull

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the reflections out, it'll look like

this is around the band or something.

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It leads the eye into the painting

rather than out of the painting.

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If I had the land going up like this, then

you'd want to just have your go right out.

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Now I'm going to put in a little trunk.

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This is just using Vandyke

Brown, just touching.

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And the way I'm doing that is

just getting a tiny roll of paint.

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Okay.

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And touching the canvas real

lightly down here at the bottom.

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Of course, the trunk is going to be a

little bit fatter to hold up that top bar.

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And maybe a little bit

of highlight on that.

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I'll just use a little bit

of Brown and white together.

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Just kind of pulling across the Brown,

letting the thick areas pick up the light.

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So it'd be an old Birch tree.

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and with the same dirty brush,

he used to make the tree.

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You can go into a little bit of paint

thinner and through some cadmium

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yellow, just kind of pull him through

the paint until you start to see little

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bushes in the paint, like right there.

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And that's when you know, you're

ready to turn the brush over

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where that heals to the top.

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And come in and just barely touch.

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Sometimes it looks like we're

taking a run and jump and leap and

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smashing it in, but we're really not.

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We're just doing it real lightly.

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And remember where your

light source is coming from?

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It's coming from over here.

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So you don't want this side of

the tree over here to be darker.

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And don't bring leaves all the way

down to the bottom of the tree.

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Now with that same color.

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Well, I've already got it on my bra.

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I shall go out here and

make a few little bushes

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one here, and one there.

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You don't want to make

them all the same color.

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So I'll take a little

bit more paint thinner.

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It's still using that same dirty brush.

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You can almost get away with

not ever cleaning the brushes.

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If you do it just right.

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This is yellow ochre I'm using now.

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It's not the prettiest color, but like I

said, at the beginning of the painting,

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all colors, aren't supposed to be pretty.

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And.

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Maybe some Indian, yellow?

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No, there was a little trick that I teach

my students when I'm out traveling around.

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Uh, if you're going to put any

sort of red in your painting.

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Then do you want to put it in the center?

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Because the eyes always most

attracted to the brightest color.

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And if you put red in a painting,

then obviously it's going

244

00:21:08,400 --> 00:21:11,160

to be the brightest color.

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00:21:11,400 --> 00:21:13,800

I like to mix red and Indian yellow.

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00:21:16,080 --> 00:21:21,120

It gives you a real fire color and

you don't need, but maybe one of

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00:21:21,120 --> 00:21:25,200

these or one little teeny idea of Ram.

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00:21:30,305 --> 00:21:36,004

So you can see how much difference

that makes now, underneath all this

249

00:21:36,004 --> 00:21:42,995

stuff, hanging over the water will

drop a little land and you do that

250

00:21:43,024 --> 00:21:46,715

just by getting a role like you

did for the mountain and touching,

251

00:21:50,315 --> 00:21:51,335

and then pulling.

252

00:21:56,885 --> 00:22:00,455

And sometimes you can even pull

and then drop over like this.

253

00:22:02,014 --> 00:22:03,395

That gives a real good effect.

254

00:22:16,895 --> 00:22:19,024

Still keeping that round band luck.

255

00:22:23,810 --> 00:22:26,720

and to highlight that we'll use

that same old Brown and white color,

256

00:22:27,530 --> 00:22:29,929

maybe with a tiny bit of blue in it.

257

00:22:36,679 --> 00:22:41,000

and I'm just letting the white

pickup on the Brown where it's

258

00:22:41,000 --> 00:22:42,560

real thick and the real dance.

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00:22:44,360 --> 00:22:47,120

Well, it's important that you

let some Brown come up into your.

260

00:22:47,790 --> 00:22:48,989

Bushes and stuff too.

261

00:22:53,840 --> 00:22:56,689

So I can come back with a fan

brush and a little bit of yellow,

262

00:23:01,909 --> 00:23:04,459

maybe a drop of paint

center to sing that down

263

00:23:08,780 --> 00:23:10,040

and make some grasses.

264

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now I take my big brush and pull

just a tiny bit of this out.

265

00:23:32,449 --> 00:23:36,679

Just barely grabbing the edge of the

land and see as the land gets bigger.

266

00:23:36,679 --> 00:23:38,750

So does a reflection naturally.

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00:23:42,980 --> 00:23:45,860

So when you get all the way over here,

pull it all the way down to the bottom,

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00:23:49,070 --> 00:23:53,389

and then you can use a clean

brush or a semi clean in this case

269

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to go back and forth, make

it look more like water.

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And now I'm ready to make

my dreaded waterline.

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00:24:08,700 --> 00:24:11,550

This is where I run into more problems.

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When I'm teaching, everybody has

problems with their water line,

273

00:24:16,920 --> 00:24:21,330

you pull it out flat like I did

there and you cut across it.

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00:24:22,260 --> 00:24:25,290

And what you're doing is just

getting a real fine line of

275

00:24:25,740 --> 00:24:27,210

white on the edge of your knife.

276

00:24:28,620 --> 00:24:30,210

And then you're cutting it straight in.

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00:24:31,020 --> 00:24:33,150

Almost like you're trying to

cut a hole through the canvas.

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00:24:36,495 --> 00:24:38,895

Can keep it straight all

the way around the band.

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I know that sounds hard.

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00:24:41,895 --> 00:24:45,735

And you'll have a tendency to want

to put in a sideways line, but don't

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ever do it always keep it straight.

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Okay.

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And maybe right over here, we'll

have one big, huge pine tree

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and pine trees are real easy.

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You just kind of make them

in a, in a zigzag shape.

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00:25:23,255 --> 00:25:27,635

Same, it's kind of zigzag it right down.

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00:25:28,980 --> 00:25:32,160

A lady in one of my dad's

classes used to call the Z trees.

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00:25:32,160 --> 00:25:33,990

Cause you make it basically like a Z

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00:25:46,370 --> 00:25:48,860

and down here, maybe a Bush or two.

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00:25:56,324 --> 00:25:59,324

Now with that same dirty fan run,

she can go in and put a little bit of

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00:25:59,324 --> 00:26:05,504

highlight when your tree and see how

that dirty color you had on there.

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00:26:05,534 --> 00:26:10,024

Mixes with the yellow and makes kind of

a green that's what you're looking for.

293

00:26:11,165 --> 00:26:15,185

And not every branch, but maybe every

third branch or every second branch.

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00:26:15,185 --> 00:26:23,254

You want a little bit of highlight

and a small trunk, maybe.

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00:26:25,305 --> 00:26:25,665

Let's see,

296

00:26:31,265 --> 00:26:35,645

and to finish it up some

real bright bushes up front.

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00:26:38,375 --> 00:26:40,025

Well that Steve's

finishing this painting up.

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I would just like to come in here

and thank Steve very much for

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00:26:43,445 --> 00:26:45,545

demonstrating the joy of painting today.

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00:26:46,025 --> 00:26:47,585

And we look forward to seeing you again.

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00:26:47,795 --> 00:26:51,455

So from Steven, a happy

painting and God bless bye-bye.

End .srt file.

S08E10 - Cactus at Sunset

Bob Ross's

The Joy of Painting

S08E10 - Cactus at Sunset

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,210 --> 00:00:00,900

Welcome back.

00:00:00,960 --> 00:00:02,070

Glad you could join me today.

00:00:02,430 --> 00:00:02,700

Today.

00:00:02,700 --> 00:00:04,230

I thought we'd do a fun little painting.

00:00:04,260 --> 00:00:05,580

I think you'll really enjoy this one.

00:00:05,910 --> 00:00:08,430

So let's start out and have them

graphically run all the colors

00:00:08,430 --> 00:00:11,460

across your screen that you need

to do this painting along with me.

00:00:11,760 --> 00:00:14,490

And as usual they'll come across in

the same order as I have them on the

00:00:14,490 --> 00:00:17,820

pallet, starting with a white working

around while they're doing that,

00:00:17,820 --> 00:00:20,070

let's go up here and talk a little

bit about what I've done already.

00:00:20,700 --> 00:00:22,920

As you can see today,

we have a black canvas.

00:00:23,490 --> 00:00:27,330

And we make these black canvases

by coding them with just a thin

00:00:27,330 --> 00:00:30,510

coat of black acrylic paint and

allowing that to drag completely.

00:00:30,960 --> 00:00:34,680

This one's a little bit different

because this time I started with a

00:00:34,680 --> 00:00:38,400

yellow, I used in the yellow at acrylic

right in here, and that took a little

00:00:38,400 --> 00:00:41,940

contact paper and cut out a little

circle and glued it on to the yellow.

00:00:42,210 --> 00:00:43,500

And then I painted it black.

00:00:43,890 --> 00:00:44,700

Then I let it dry.

00:00:45,360 --> 00:00:48,730

And just before we started this, I

covered the entire canvas with a thin

00:00:48,730 --> 00:00:50,310

even coat of a lizard and Crimson.

00:00:50,985 --> 00:00:54,765

Now Crimson is a very, very

transparent color that still looks

00:00:54,765 --> 00:00:56,775

black because it's so transparent.

00:00:56,925 --> 00:00:59,025

Now we're ready to start

off and have some fun.

00:00:59,894 --> 00:01:02,684

This particular painting I'm

going to do today came to me.

00:01:02,714 --> 00:01:06,285

The idea did in the form of a

postcard from a young man in Arizona.

00:01:06,285 --> 00:01:08,475

So if you're watching,

thanks, you know who you are.

00:01:08,475 --> 00:01:11,565

You're med 11, 12 years old,

and we write each other.

00:01:12,185 --> 00:01:18,664

I'm going to start out with a little bit

of white and I'm going to go read into.

00:01:19,620 --> 00:01:22,200

CAD yellow, white and yellow hub.

00:01:22,220 --> 00:01:24,390

Put the white in there just to make

the yellow a little bit brighter.

00:01:26,760 --> 00:01:27,420

There we go.

00:01:28,440 --> 00:01:31,860

Really low that brush full look at it.

00:01:32,030 --> 00:01:33,020

A lot of pain in the brush.

00:01:33,080 --> 00:01:34,580

Can you just go right up here now?

00:01:34,580 --> 00:01:35,780

This is going to be our son.

00:01:35,780 --> 00:01:38,030

We're going to have a beautiful sunset.

00:01:38,655 --> 00:01:39,615

So this is the sun.

00:01:39,645 --> 00:01:41,535

So we'll start from here and work outward.

00:01:41,535 --> 00:01:44,385

We want this area to be the

brightest part of our painting.

00:01:44,535 --> 00:01:44,715

Okay.

00:01:44,715 --> 00:01:45,075

Ready?

00:01:45,615 --> 00:01:49,365

Let's just go in here, hit

it and begin doing this.

00:01:49,665 --> 00:01:50,535

Oh my gosh.

00:01:51,975 --> 00:01:54,075

And just start, look at that.

00:01:54,375 --> 00:01:57,435

See that way automatically it gets

darker, darker, darker, darker,

00:01:58,185 --> 00:01:59,535

as it works out from the side.

00:01:59,865 --> 00:02:01,575

Look at there at it.

00:02:01,665 --> 00:02:06,645

The problem is you need to clean

that brush between every loading.

00:02:07,650 --> 00:02:12,330

You don't want to ever take this

dark color back into the sun, back

00:02:12,330 --> 00:02:17,970

into our yellow and white with the

brush really full, really full can.

00:02:17,970 --> 00:02:19,950

Let's do that again right into here.

00:02:20,040 --> 00:02:20,579

Boom.

00:02:21,450 --> 00:02:22,950

Take out all your frustrations.

00:02:23,340 --> 00:02:29,100

Just ready, socket, spin that brush

and begin working on some basic shapes.

00:02:30,300 --> 00:02:33,090

No, in Arizona, New Mexico, they

have some of the most beautiful

00:02:33,090 --> 00:02:34,800

sunsets anywhere in the country.

00:02:36,210 --> 00:02:37,650

I have a lot of friends that live there.

00:02:39,570 --> 00:02:40,230

There we go.

00:02:40,590 --> 00:02:40,800

Okay.

00:02:40,800 --> 00:02:41,850

Clean the brush again.

00:02:42,240 --> 00:02:50,970

I'm back into my white in CAD yellow

lewd that'll brush for all right

00:02:51,030 --> 00:02:52,770

now that maybe boom right here.

00:02:53,460 --> 00:02:54,390

There it counters here.

00:02:54,480 --> 00:02:58,440

There's another, just big

alarms coming out from here.

00:03:00,810 --> 00:03:03,510

Just make all these beautiful shakes,

but you could see how this yellow.

00:03:03,915 --> 00:03:07,545

It's picking up at Crimson underneath

and don't stay in one place and

00:03:07,545 --> 00:03:09,285

keep grinding it and move it.

00:03:09,405 --> 00:03:12,705

Keep moving, washing the brush again.

00:03:13,605 --> 00:03:15,135

I bet we're out of fan brush here.

00:03:17,015 --> 00:03:17,315

Hello?

00:03:20,195 --> 00:03:23,135

Okay, let's go right in here

and hit it again this time.

00:03:23,525 --> 00:03:24,455

We'll just bring this one.

00:03:25,325 --> 00:03:26,375

Maybe it just works, right.

00:03:26,375 --> 00:03:31,205

I don't often hear just like, so

maybe this is happy little things

00:03:31,205 --> 00:03:32,345

floating around here and there.

00:03:33,720 --> 00:03:36,720

Wherever you want wherever.

00:03:37,049 --> 00:03:41,040

And right along in here, let's

just do some little stringy.

00:03:41,040 --> 00:03:41,519

Thanks.

00:03:43,769 --> 00:03:47,489

You can just put a few of those

and a few little fluffy ones,

00:03:49,739 --> 00:03:51,390

just as many of these as you want.

00:03:53,130 --> 00:03:53,790

There we go.

00:03:55,410 --> 00:03:55,950

Okay.

00:03:56,579 --> 00:04:01,020

Now then, If you just tried blending

all this chances are, it would just

00:04:01,020 --> 00:04:03,000

mush up and you'd end up with a mess.

00:04:03,390 --> 00:04:08,220

I'm going to take the knife and very

lightly just zip off some of the

00:04:08,220 --> 00:04:13,500

heavier areas where there's a lot of

paint that color remains in the canvas.

00:04:13,500 --> 00:04:14,280

Don't worry about it.

00:04:14,850 --> 00:04:18,300

See there, just zip it right off.

00:04:20,370 --> 00:04:21,810

I hope you wear your sunglasses today.

00:04:21,810 --> 00:04:23,130

This is going to be a bright painting.

00:04:25,050 --> 00:04:25,710

There we go.

00:04:26,430 --> 00:04:31,380

And when you're doing these black

canvases, you can do the base color with

00:04:31,380 --> 00:04:38,010

any of the transparent colors, the blues,

the greens, they all work just as well.

00:04:38,250 --> 00:04:39,870

So experiment have some fun.

00:04:40,470 --> 00:04:43,650

All right, let's take the two

inch brush and now very gently.

00:04:44,400 --> 00:04:45,540

Let's just begin blending.

00:04:45,540 --> 00:04:48,330

Start in the light area and work outward.

00:04:49,080 --> 00:04:49,560

Look at there.

00:04:51,075 --> 00:04:55,065

Look, are there all kinds

of beautiful effects?

100

00:04:55,665 --> 00:04:57,015

What just happen automatically?

101

00:04:57,435 --> 00:04:58,785

These are our happy accidents.

102

00:04:58,935 --> 00:04:59,745

Don't fight them.

103

00:05:01,005 --> 00:05:02,145

Don't really try to play them.

104

00:05:02,155 --> 00:05:05,475

This just, just sort of do

it and see what happens.

105

00:05:07,845 --> 00:05:08,235

Okay.

106

00:05:08,505 --> 00:05:09,675

Now I'm going to wash the brush.

107

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I'm beginning to pick up a little

bit more paint than I want.

108

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So wash your brush

109

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at least by the time you finished

his painting, you're going

110

00:05:21,195 --> 00:05:22,635

to be an expert brush washer.

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00:05:23,085 --> 00:05:25,455

Let's go up in here and continue to bland.

112

00:05:26,055 --> 00:05:29,685

Anytime you go back to this light

area, always have a clean brush.

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00:05:30,435 --> 00:05:34,005

Whether it's a fan brush, two

inch brush makes no difference.

114

00:05:34,034 --> 00:05:35,325

Always a clean brush in there.

115

00:05:36,615 --> 00:05:40,094

Look at all the beautiful red

color sitter just shining.

116

00:05:45,135 --> 00:05:47,925

That is one fantastic sky.

117

00:05:49,395 --> 00:05:50,715

And they're very easy to do.

118

00:05:51,565 --> 00:05:55,575

As I said earlier, when you, when you're

trying this at home experiment, a little

119

00:05:56,025 --> 00:06:01,215

try, all kinds of different colors,

try some of the, all like they low blue

120

00:06:01,245 --> 00:06:03,015

is very transparent pressure and blue.

121

00:06:04,484 --> 00:06:06,315

All the greens are very transparent.

122

00:06:07,484 --> 00:06:11,265

You can just make some unbelievable

effects on these black canvas.

123

00:06:12,724 --> 00:06:19,924

Now let's have some more fun, take

the same color, same color, and

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00:06:19,924 --> 00:06:21,155

load it back on the fan brush.

125

00:06:21,815 --> 00:06:25,085

And let's just put, let's put some more

of these little stringy clouds in here.

126

00:06:25,205 --> 00:06:25,715

I like him.

127

00:06:27,635 --> 00:06:29,075

They're sort of close to the horizon.

128

00:06:30,424 --> 00:06:32,224

I'm sure there's a proper

name for these clouds.

129

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I just call them.

130

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Little stringy claps.

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I'm bad about making up words.

132

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So don't go to your dictionary

and try to find half of them.

133

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There we go.

134

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Just, just little happy

things here and there.

135

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Okay.

136

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Now very gently.

137

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Just blend these.

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See, they're not easy.

139

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And easy.

140

00:07:01,095 --> 00:07:01,365

Yeah.

141

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Let's have some fun.

142

00:07:05,075 --> 00:07:09,125

Well, let's come up here and

let's remove this piece of contact

143

00:07:09,125 --> 00:07:11,885

paper that I have here and I'll

show you what's underneath it.

144

00:07:11,885 --> 00:07:13,145

So let's come right in here.

145

00:07:13,925 --> 00:07:17,885

Watch just take the knife,

pick up the edge, grab it.

146

00:07:19,325 --> 00:07:19,925

And look there.

147

00:07:22,205 --> 00:07:22,865

Look at that.

148

00:07:24,035 --> 00:07:27,425

Isn't that a super easy way

to put in a happy little son.

149

00:07:29,610 --> 00:07:34,680

Can now then let me find a clean fan

brush, and I'm going to bring a little

150

00:07:34,680 --> 00:07:39,390

bit of that color over just to bring

the edges together with, to soften

151

00:07:39,390 --> 00:07:42,510

it, just to soften it all together.

152

00:07:42,900 --> 00:07:43,380

Look at that.

153

00:07:46,350 --> 00:07:46,830

See there.

154

00:07:47,190 --> 00:07:48,540

Maybe there's a happy little cloud.

155

00:07:48,540 --> 00:07:49,740

It just sort of floats across there.

156

00:07:49,740 --> 00:07:51,030

You can just pick up

a little bit of color.

157

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And bring it right across

158

00:07:56,719 --> 00:07:59,210

and you can make a beautiful

moon this way, too.

159

00:07:59,479 --> 00:08:00,500

It didn't have to be the sun.

160

00:08:00,500 --> 00:08:01,280

It could be the moon.

161

00:08:02,359 --> 00:08:05,119

Now then we'll take a little more

of that bright, yellow color.

162

00:08:05,150 --> 00:08:06,770

That's white with a little caddy, yellow.

163

00:08:07,099 --> 00:08:08,390

Maybe there's a little cloud or two.

164

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It just, just literally

floats right across.

165

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I can't remember.

166

00:08:17,390 --> 00:08:17,719

You want.

167

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And with a clean, dry two inch brush,

very gently just blend all that together.

168

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That easy.

169

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Okay.

170

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Hidden Nana.

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Isn't that a sneaky little way of

making a beautiful, beautiful sky.

172

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Very easily.

173

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I thought you'd like, yeah,

let's have some more fun.

174

00:08:40,710 --> 00:08:46,050

We'll take some Vandyke

Brown, some dark Sienna.

175

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Throw in a little black, too.

176

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What the heck?

177

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We're just looking mainly for dark colors.

178

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We can throw in some cribs and whatever

you got to start dropping in there.

179

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Load that brush full of paint.

180

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Look at all the paint.

181

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Can us go right up in here?

182

00:09:03,260 --> 00:09:05,780

And maybe there's a, maybe

there's a happy little mountain.

183

00:09:06,650 --> 00:09:09,950

We're going to have a small mountain in

this cause we want it to be far, far away.

184

00:09:10,850 --> 00:09:13,580

And I'm just going to use the,

just the corner of the fan

185

00:09:13,580 --> 00:09:15,200

brush to put in our basic shape.

186

00:09:17,145 --> 00:09:20,565

Why does that say it, New Mexico

and Arizona and all those?

187

00:09:20,955 --> 00:09:24,705

They have some of the most beautiful,

beautiful mountain formations.

188

00:09:25,515 --> 00:09:30,645

Certainly not like the mountains that I

grew up with in Alaska, but beautiful.

189

00:09:34,355 --> 00:09:34,535

Okay.

190

00:09:34,535 --> 00:09:38,765

Maybe we'll have this one, grow

a little bit to have some of

191

00:09:38,765 --> 00:09:41,105

the most unique rock formations.

192

00:09:42,905 --> 00:09:43,535

There we go.

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00:09:45,569 --> 00:09:46,079

See that,

194

00:09:49,560 --> 00:09:52,890

Oh, I know what the stoop must have

some fun right underneath here.

195

00:09:53,010 --> 00:09:56,069

I'm going to take some of the

same yellowish color and pull it

196

00:09:56,069 --> 00:09:58,170

straight down like a reflection.

197

00:09:59,220 --> 00:10:04,770

See, pull it straight down, straight

down and we'll take a big brush.

198

00:10:04,800 --> 00:10:05,189

Grab it.

199

00:10:05,640 --> 00:10:06,209

Pull hard.

200

00:10:06,970 --> 00:10:09,060

See, we're going to pass

them the light under there.

201

00:10:13,620 --> 00:10:20,790

See, now we have a little light area and

our little mountain color, same color.

202

00:10:20,820 --> 00:10:22,470

We can just pull that right on down.

203

00:10:22,480 --> 00:10:26,730

It goes right off into there

wherever we don't know where it goes.

204

00:10:26,830 --> 00:10:27,570

Don't really care.

205

00:10:30,690 --> 00:10:32,670

Okay, let me, let me grab it.

206

00:10:32,670 --> 00:10:33,420

Another fan brush.

207

00:10:33,420 --> 00:10:35,640

I have several fan brushes

going, so I don't have to spend

208

00:10:35,640 --> 00:10:37,170

all my time cleaning them.

209

00:10:37,380 --> 00:10:45,330

Go into a little yellow, little

bright red, yellow ochre,

210

00:10:47,700 --> 00:10:48,540

and little Indian, yellow.

211

00:10:48,550 --> 00:10:50,970

Just, just sorta mix all

these colors up on the brush.

212

00:10:50,970 --> 00:10:53,490

I'm going to reach up here and grab

a little bit of the dark Sienna to

213

00:10:54,660 --> 00:10:57,180

there, there maybe a little more red.

214

00:10:59,715 --> 00:11:00,345

Okay.

215

00:11:00,645 --> 00:11:02,955

And we have a multitude of

colors going on with that brush.

216

00:11:02,955 --> 00:11:04,185

He was not just one color.

217

00:11:04,345 --> 00:11:05,385

You can see it a little better.

218

00:11:05,415 --> 00:11:06,615

Look at a hold of things happening.

219

00:11:07,485 --> 00:11:11,895

Could let's go up here now,

then here's our light source.

220

00:11:12,045 --> 00:11:17,535

So we're going to touch and begin

creating the illusion of all kinds

221

00:11:17,535 --> 00:11:19,155

of beautiful little rock formations.

222

00:11:19,185 --> 00:11:22,935

I'm just using the, just

the corner of the fan brush.

223

00:11:25,125 --> 00:11:25,905

Look at all those.

224

00:11:27,660 --> 00:11:33,420

It's a super nice, easy way to make

some of the beautiful mountains, some

225

00:11:33,420 --> 00:11:36,600

of the fantastic rock colors that

you see in that part of the country.

226

00:11:39,380 --> 00:11:39,560

Hm.

227

00:11:41,540 --> 00:11:43,430

I know there's an old

coyote sitting out there.

228

00:11:45,290 --> 00:11:46,400

I can just sort of feel it.

229

00:11:48,140 --> 00:11:50,449

He said, and we're down here

to bass looking up at the moon

230

00:11:52,790 --> 00:11:53,870

and he's singing his song.

231

00:11:56,730 --> 00:12:02,780

There we are maybe a little touch over

in here doing too much, doing too much.

232

00:12:04,250 --> 00:12:08,000

And anywhere you want, you can go

back with the dark and shadow it.

233

00:12:09,650 --> 00:12:11,600

You can change these as often as you want.

234

00:12:16,190 --> 00:12:21,160

So now they come back, put a

little more red right in there.

235

00:12:21,170 --> 00:12:21,890

All they left that one.

236

00:12:22,785 --> 00:12:23,925

Rarely sing

237

00:12:27,724 --> 00:12:32,974

that Neato that you can do

them that easy can come grab a

238

00:12:32,974 --> 00:12:34,084

little touch, more of the red.

239

00:12:34,145 --> 00:12:41,165

That looks a good, but some

there too, just throwing all

240

00:12:41,165 --> 00:12:42,454

kinds of little highlights.

241

00:12:45,545 --> 00:12:48,175

We get some of the most fantastic

letters from our friends and

242

00:12:48,665 --> 00:12:49,655

in this part of the country.

243

00:12:51,885 --> 00:12:53,115

No, it's, it's unreal.

244

00:12:53,205 --> 00:12:59,685

Uh, in some parts of some parts of the

country in Arizona, specifically, they're

245

00:12:59,685 --> 00:13:03,495

playing our show is as much as an hour

and a half a day, three shows a day.

246

00:13:04,815 --> 00:13:06,165

That's that's unbelievable.

247

00:13:06,405 --> 00:13:06,645

Cut.

248

00:13:06,645 --> 00:13:07,635

I thank you very much.

249

00:13:10,415 --> 00:13:12,455

And if you're not playing the

show, as often as you'd like in

250

00:13:12,455 --> 00:13:15,515

your area, call your station, let

them know what you'd like to see.

251

00:13:16,745 --> 00:13:17,765

They like to hear from you.

252

00:13:18,810 --> 00:13:19,170

Okay.

253

00:13:19,950 --> 00:13:22,410

Sometimes I get to talk in

here and forget to paint.

254

00:13:22,410 --> 00:13:26,430

So with paint, we'll go back and

then we'll get right into her

255

00:13:26,430 --> 00:13:31,680

dark CN and little Vandyke Brown

tap a little color in there.

256

00:13:32,230 --> 00:13:32,460

Kidding.

257

00:13:32,460 --> 00:13:33,210

Let's go right up here.

258

00:13:33,900 --> 00:13:34,080

Now.

259

00:13:34,080 --> 00:13:36,450

Then we begin to worry

about the lay of the land.

260

00:13:38,580 --> 00:13:40,860

Jessica, again, picking up some little.

261

00:13:41,280 --> 00:13:41,820

Thanks here.

262

00:13:41,830 --> 00:13:43,020

Don't want to kill this

little bright area.

263

00:13:43,020 --> 00:13:45,660

I want it to look like is a little light

shining through there when we're finished.

264

00:13:47,190 --> 00:13:49,150

Leave some of those

little soft Misty areas.

265

00:13:54,660 --> 00:14:01,170

I want this back here to be very dark

now, but I touch just a little bit

266

00:14:01,170 --> 00:14:06,240

of that same color that we use to

highlight the mountain here and begin

267

00:14:06,240 --> 00:14:07,680

playing a little of that here and there.

268

00:14:07,950 --> 00:14:09,450

Just to where I think

a light, what strike.

269

00:14:10,694 --> 00:14:11,535

Don't overdo.

270

00:14:12,225 --> 00:14:15,584

Don't overdo there.

271

00:14:16,275 --> 00:14:17,895

That just work right down into there.

272

00:14:18,944 --> 00:14:21,645

See that little, little soft

area still stays in there.

273

00:14:22,185 --> 00:14:23,204

That's what we're looking for.

274

00:14:25,965 --> 00:14:26,475

Okay.

275

00:14:28,015 --> 00:14:29,895

Maybe there's another

little Hill right here.

276

00:14:32,954 --> 00:14:35,625

So you could just begin

creating all kinds of illusions.

277

00:14:38,084 --> 00:14:38,685

There we go.

278

00:14:41,505 --> 00:14:43,635

That is one fantastic sky.

279

00:14:43,935 --> 00:14:46,755

I hope you enjoy this guy

and I really hope you try it.

280

00:14:52,410 --> 00:14:56,310

As I said earlier, a young

friend sent me postcards.

281

00:14:56,680 --> 00:14:59,430

It really gave me the

idea for this painting.

282

00:15:01,200 --> 00:15:05,250

We get so many of our ideas from, from

cards and photographs that people say.

283

00:15:05,250 --> 00:15:05,430

And

284

00:15:08,760 --> 00:15:13,320

so if you have something you'd like,

you'd like to see painting, same card.

285

00:15:15,960 --> 00:15:16,980

I'd love to hear from you.

286

00:15:24,944 --> 00:15:31,295

Maybe over here, little Hill coming

down here, I'm back to my dark color.

287

00:15:32,415 --> 00:15:33,495

Just dropping that in.

288

00:15:37,895 --> 00:15:40,175

I'll tell you what that looks

just like a natural place.

289

00:15:40,175 --> 00:15:41,555

There would be a happy little path.

290

00:15:42,395 --> 00:15:43,445

We will do that in a minute.

291

00:15:43,565 --> 00:15:44,765

We will put a little path in there.

292

00:15:44,855 --> 00:15:45,305

Why not?

293

00:15:48,365 --> 00:15:50,825

We'll let your color get too

bright on these canvases, these

294

00:15:50,825 --> 00:15:52,835

black canvases show color.

295

00:15:52,835 --> 00:15:55,625

It seems like a hundred times

more than a white canvas.

296

00:15:56,345 --> 00:15:57,365

So be careful with them.

297

00:15:57,575 --> 00:15:58,205

Be careful.

298

00:15:58,475 --> 00:15:58,925

Be careful.

299

00:16:01,235 --> 00:16:06,035

What stands out on, let's take a,

let's take that fan brush here,

300

00:16:07,085 --> 00:16:11,465

and I'm just going to very lightly

come right in here and just sort

301

00:16:11,465 --> 00:16:14,215

of work it back and forth increase.

302

00:16:14,225 --> 00:16:15,305

He just that easy.

303

00:16:15,425 --> 00:16:18,125

You can create the

illusion of a little path.

304

00:16:19,265 --> 00:16:19,685

Okay.

305

00:16:19,685 --> 00:16:22,355

I already had to have a way to walk up

and get up on this mountain so he could

306

00:16:23,015 --> 00:16:26,495

sing to the moon or the sun, whatever.

307

00:16:26,615 --> 00:16:29,765

I think we said this was a sunset again,

it looked like a moon scene to me though.

308

00:16:32,145 --> 00:16:32,565

Look at that.

309

00:16:32,685 --> 00:16:37,155

See, can you see that path just

coming right in there that easy.

310

00:16:39,475 --> 00:16:40,835

It sort of goes around the corner.

311

00:16:41,015 --> 00:16:43,355

Try to avoid having your

path perfectly straight.

312

00:16:43,415 --> 00:16:44,645

It really looks a little better.

313

00:16:45,095 --> 00:16:47,225

It's got a little, Oh,

and a little band in it.

314

00:16:50,475 --> 00:16:55,025

A gentleman, Ben, that sounds

like a good name for a TV show.

315

00:16:55,085 --> 00:16:55,475

Gentlemen.

316

00:16:57,545 --> 00:16:58,415

I have to remember that.

317

00:17:00,525 --> 00:17:08,585

There we go now then back to my, back

to my two inch brush and let's just

318

00:17:08,585 --> 00:17:10,504

tap in a little bit more at this color.

319

00:17:13,264 --> 00:17:13,504

Yes.

320

00:17:13,925 --> 00:17:16,234

This, this is yellow ochre.

321

00:17:16,655 --> 00:17:19,714

That'll Indian, yellow, little CAD

yellow, and it's on that dirty brush.

322

00:17:19,714 --> 00:17:20,734

It has the Brown in it.

323

00:17:21,155 --> 00:17:23,885

So just allow these colors

to all mix on the brush.

324

00:17:23,915 --> 00:17:24,514

Just tap it.

325

00:17:25,079 --> 00:17:25,349

Okay.

326

00:17:26,129 --> 00:17:28,139

And you have to sort of

make big decisions here.

327

00:17:28,200 --> 00:17:30,480

Where's where's your next

little Hill going to be there.

328

00:17:30,480 --> 00:17:30,810

It is.

329

00:17:31,320 --> 00:17:36,899

See, and you can create plane after

plane, after plane, just that easy,

330

00:17:38,100 --> 00:17:46,950

that easy and fantastic that you can

make such effects so quickly darker,

331

00:17:46,950 --> 00:17:51,659

darker, darker, darker, darker, and

that sort of closes that little path.

332

00:17:51,689 --> 00:17:51,840

Yeah.

333

00:17:53,685 --> 00:17:54,284

There we go.

334

00:17:58,295 --> 00:18:00,485

This is Arizona, New Mexico, Indiana.

335

00:18:00,485 --> 00:18:02,345

We got to put a cactus

in this son of a gun.

336

00:18:02,375 --> 00:18:04,415

We can't, we got to have a cactus.

337

00:18:05,315 --> 00:18:07,565

Now I gotta admit to you

where I live in Alaska.

338

00:18:07,565 --> 00:18:09,095

There's not a whole bunch of cactus.

339

00:18:09,995 --> 00:18:13,325

They're sort of rare,

but I'll do my best here.

340

00:18:15,365 --> 00:18:16,245

I'll do my best.

341

00:18:18,254 --> 00:18:21,495

So if the characters don't look just

like it does in your yard, if you live in

342

00:18:21,495 --> 00:18:24,794

that area, uh, pretend there's no on it.

343

00:18:25,665 --> 00:18:26,235

There we go.

344

00:18:27,855 --> 00:18:28,304

Okay.

345

00:18:28,995 --> 00:18:29,865

See that easy.

346

00:18:30,585 --> 00:18:35,385

We got some nice little Hills here

and it creates a lot of distance by

347

00:18:35,385 --> 00:18:37,004

having all of these different planes.

348

00:18:37,395 --> 00:18:39,165

You can see we back in there.

349

00:18:40,395 --> 00:18:41,415

They're all right.

350

00:18:42,255 --> 00:18:44,625

Let's have some fun

with some, some cactus.

351

00:18:46,035 --> 00:18:49,935

I'm going to go over right into the

liquid black with a liner brush.

352

00:18:50,025 --> 00:18:51,435

Just, just dip it right in.

353

00:18:52,275 --> 00:18:52,605

Okay.

354

00:18:53,805 --> 00:18:58,575

Maybe there's a little cacti and then

what you call them cacti, or maybe

355

00:18:58,575 --> 00:19:02,235

that's more than one he lives with

back in the distance right there.

356

00:19:03,465 --> 00:19:04,425

And he's got arm.

357

00:19:05,355 --> 00:19:07,515

See there, get a little more paint.

358

00:19:09,415 --> 00:19:10,335

Give him another arm.

359

00:19:11,835 --> 00:19:12,285

Look at there.

360

00:19:12,745 --> 00:19:17,525

Maybe you can just see the

indication of a third one there.

361

00:19:20,705 --> 00:19:22,475

Golly, that's not a bad

looking little cactus.

362

00:19:25,115 --> 00:19:27,785

I have one right here in front

of the moon will make us even

363

00:19:27,785 --> 00:19:29,435

farther back, farther back.

364

00:19:29,435 --> 00:19:33,245

He's tiny little cactus, tiny

365

00:19:36,245 --> 00:19:37,504

just using the ladder brush.

366

00:19:39,000 --> 00:19:40,770

There we'll give him a

little arm right there.

367

00:19:42,060 --> 00:19:42,389

Okay.

368

00:19:42,929 --> 00:19:45,379

Now then let's have a big cactus.

369

00:19:45,379 --> 00:19:46,669

We need a big, strong cactus.

370

00:19:46,669 --> 00:19:51,320

He, he really got a lot of

light and life was good to him.

371

00:19:51,350 --> 00:19:56,300

So let's, let's build a big

one, big cactus, a lot of black.

372

00:19:57,440 --> 00:19:59,540

I think his big cactus is going to live.

373

00:20:00,889 --> 00:20:04,429

He certainly is right now, right there.

374

00:20:05,419 --> 00:20:05,929

Right there.

375

00:20:07,665 --> 00:20:10,875

There, this is just

straight midnight black.

376

00:20:12,885 --> 00:20:13,365

Okay.

377

00:20:13,455 --> 00:20:14,145

Bye cat.

378

00:20:15,375 --> 00:20:16,844

We'll just make it with a fan brush.

379

00:20:17,354 --> 00:20:19,514

Let's give him a big arm right here.

380

00:20:24,905 --> 00:20:28,084

it comes right down and bins.

381

00:20:28,564 --> 00:20:29,225

Just like it.

382

00:20:31,655 --> 00:20:32,284

There we are.

383

00:20:34,185 --> 00:20:38,985

Give him a big strong, or he stands

out here and waves at everybody

384

00:20:38,985 --> 00:20:43,175

that goes by, bring it around.

385

00:20:44,105 --> 00:20:47,135

Like, does that look like a cactus

386

00:20:50,435 --> 00:20:51,035

or Waco

387

00:20:56,015 --> 00:20:56,735

down here?

388

00:20:57,515 --> 00:20:58,805

I need a big strong bottom.

389

00:20:58,805 --> 00:21:00,395

So it holds up all these arms.

390

00:21:02,625 --> 00:21:06,495

And maybe we can just see the

indication here of a third arm.

391

00:21:07,574 --> 00:21:08,715

It comes right out here.

392

00:21:10,345 --> 00:21:11,385

Comes right on down.

393

00:21:11,385 --> 00:21:12,524

Just use your fan brush.

394

00:21:13,034 --> 00:21:13,544

Look it there.

395

00:21:14,475 --> 00:21:18,645

See how this cactus has three arms.

396

00:21:19,365 --> 00:21:20,715

Be hard to make a sweater for him.

397

00:21:23,024 --> 00:21:23,774

There we go.

398

00:21:23,925 --> 00:21:27,014

Now we can begin getting the

shape all the way we want it.

399

00:21:29,145 --> 00:21:29,774

All right.

400

00:21:32,850 --> 00:21:34,470

I came a little bigger

down here at the base.

401

00:21:34,470 --> 00:21:36,870

He needs a strong foot

to hold all that weight.

402

00:21:38,670 --> 00:21:45,090

And sometimes, sometimes there's

just little cactuses that little

403

00:21:45,090 --> 00:21:47,820

barrel cactuses are look like.

404

00:21:47,820 --> 00:21:48,090

Yeah.

405

00:21:48,330 --> 00:21:50,400

They look like the little post

stuck in the ground nearly.

406

00:21:51,090 --> 00:21:51,520

They're pretty.

407

00:21:55,490 --> 00:21:56,060

There we go.

408

00:22:12,335 --> 00:22:12,575

okay.

409

00:22:12,635 --> 00:22:14,735

That gives us a basic

shape for a little cactus.

410

00:22:14,764 --> 00:22:15,275

Let me wash it.

411

00:22:15,275 --> 00:22:15,965

Fan brush here.

412

00:22:19,235 --> 00:22:22,385

And in your painting, you put

as many cactuses you want, or as

413

00:22:22,385 --> 00:22:25,235

few cactus and normally green.

414

00:22:26,235 --> 00:22:26,324

Okay.

415

00:22:26,385 --> 00:22:30,165

So I'm going to go right into the

black, poor little black right

416

00:22:30,165 --> 00:22:32,594

there, and a touch of the yellow.

417

00:22:32,925 --> 00:22:33,854

Say just a touch.

418

00:22:35,284 --> 00:22:39,814

When you mix black and yellow, it makes

a beautiful green and I'm going to tap.

419

00:22:40,115 --> 00:22:43,264

I want to tap the brush and

remove any of the excess paint.

420

00:22:43,324 --> 00:22:46,354

Maybe it'll show up a little bit,

allied, at least little touch of white.

421

00:22:47,405 --> 00:22:49,264

When you're painting yours, maybe

you don't want to add the white.

422

00:22:49,294 --> 00:22:50,794

I just want you to be

able to see it better.

423

00:22:51,574 --> 00:22:52,955

Tap out that excess paint.

424

00:22:55,350 --> 00:22:56,790

There let's just go back up here.

425

00:22:57,510 --> 00:23:00,360

I want to make us look like he was a

whole bunch of little sticky things on it.

426

00:23:01,230 --> 00:23:06,450

So just touch, see, and start on the

edge because here's your light coming

427

00:23:06,450 --> 00:23:12,870

from, coming from the moon over here,

the sun, and just begin tapping.

428

00:23:14,340 --> 00:23:18,350

So you start at the bright

edge and work around that way.

429

00:23:18,350 --> 00:23:21,620

It'll get darker, darker, darker

as it works around the cactus.

430

00:23:21,620 --> 00:23:22,760

And it makes it look around.

431

00:23:23,955 --> 00:23:27,465

And that sorta nice things, square

cactuses, and they're sort of rare.

432

00:23:29,565 --> 00:23:30,195

There we go.

433

00:23:30,545 --> 00:23:32,205

Either just tap, tap, tap,

434

00:23:36,465 --> 00:23:38,985

and it gives the feeling of

around this to your cactus.

435

00:23:41,535 --> 00:23:50,085

Maybe, maybe right out here, lights plan

through, and you can see a little bit

436

00:23:50,085 --> 00:23:51,825

of fuzzy things right out on the edge.

437

00:23:54,030 --> 00:23:54,930

The middle fuzzy things.

438

00:23:54,930 --> 00:23:58,200

What's sticking your finger when

you touch them, make you go.

439

00:23:58,240 --> 00:24:00,150

Ooh, here,

440

00:24:03,360 --> 00:24:04,170

there we go.

441

00:24:04,350 --> 00:24:06,480

Just, just a tiny weight.

442

00:24:06,510 --> 00:24:08,250

We don't want this arm

over here to be left out.

443

00:24:08,250 --> 00:24:10,320

So can you see what's happening there?

444

00:24:10,320 --> 00:24:11,640

All we're doing is just touching.

445

00:24:12,450 --> 00:24:16,020

Just touch, start with the

outside edge, do it first.

446

00:24:16,020 --> 00:24:19,860

So it'll automatically be the

brightest and then tap, tap,

447

00:24:19,860 --> 00:24:21,150

tap right on around my cat.

448

00:24:24,180 --> 00:24:25,440

Maybe a touch bar right there.

449

00:24:25,440 --> 00:24:30,230

We'll let him know we're going to really

let some light drop her right in, but

450

00:24:30,230 --> 00:24:34,970

could there have been lights right through

here that want to stand out nicely?

451

00:24:36,320 --> 00:24:39,350

If you want to keep that one looking

like it's in the back, I'll take my

452

00:24:39,350 --> 00:24:42,440

dark paint, pull it distinctly over it.

453

00:24:42,770 --> 00:24:45,350

So that way it makes that

arm stay around that side.

454

00:24:45,350 --> 00:24:48,320

If you don't watch it, these alarms

will sneak around on this side on you.

455

00:24:49,835 --> 00:24:50,865

Sneaky little dudes.

456

00:24:51,195 --> 00:24:51,555

Okay.

457

00:24:52,365 --> 00:24:53,685

This little round cactus here.

458

00:24:53,685 --> 00:24:56,264

We want some most

highlight right on the top.

459

00:24:57,514 --> 00:25:02,345

Like yet I didn't just gently,

gently come down the side.

460

00:25:02,585 --> 00:25:03,155

Same way.

461

00:25:04,504 --> 00:25:09,785

Just barely, barely tapping

lighter, lighter, lighter.

462

00:25:09,935 --> 00:25:12,155

So it gets darker, darker

as it comes around.

463

00:25:14,585 --> 00:25:15,725

We'll let it come right on out.

464

00:25:18,135 --> 00:25:18,765

There we go.

465

00:25:22,785 --> 00:25:26,555

And I hope this, she had a nice idea.

466

00:25:26,585 --> 00:25:31,565

I hope my friends like this

in Arizona, New Mexico.

467

00:25:31,565 --> 00:25:35,855

Cause they broke me several letters,

wanting to have some paintings that

468

00:25:35,855 --> 00:25:37,565

showed their part of the country.

469

00:25:37,565 --> 00:25:43,085

They're very proud of their part

and it is some of the prettiest

470

00:25:43,475 --> 00:25:45,395

prettiest country in the world.

471

00:25:48,885 --> 00:25:50,385

I went to the grand Canyon one time.

472

00:25:50,925 --> 00:25:53,324

I've never seen such a hole in the ground.

473

00:25:53,595 --> 00:25:53,895

Good.

474

00:25:53,985 --> 00:25:54,824

Gosh, that's beautiful.

475

00:25:56,975 --> 00:25:57,754

All right.

476

00:25:58,324 --> 00:25:58,745

Okay.

477

00:25:58,834 --> 00:26:01,385

Now we can just put on a few

little highlights here and there.

478

00:26:02,014 --> 00:26:03,485

Well, brighten these up a little.

479

00:26:03,544 --> 00:26:07,985

I'm using just a yellow Grandy and

yellow touch with the bright red,

480

00:26:08,014 --> 00:26:11,794

just to touch, sharpen those up.

481

00:26:12,695 --> 00:26:13,955

Be careful with that Ray.

482

00:26:14,790 --> 00:26:17,220

When that son of a gun will eat

up your whole world in a second.

483

00:26:19,130 --> 00:26:19,640

There we are.

484

00:26:22,280 --> 00:26:22,760

Okay.

485

00:26:22,790 --> 00:26:25,730

I think we're getting the feeling

of a nice deserty type thing.

486

00:26:26,010 --> 00:26:26,130

Yeah.

487

00:26:29,120 --> 00:26:33,350

Now, one of the things that worked very

well was this light area that we've put

488

00:26:33,350 --> 00:26:35,930

in here that really, really does help.

489

00:26:36,980 --> 00:26:39,770

Let's take a little bit of red,

well, sign this one and call it done.

490

00:26:41,210 --> 00:26:42,140

I hope you've enjoyed it.

491

00:26:43,170 --> 00:26:45,300

And I look forward to

seeing you again next week.

492

00:26:47,190 --> 00:26:50,730

So from all of us here, I'd

like to wish you happy painting.

493

00:26:51,330 --> 00:26:51,930

Got this.

End .srt file.

S08E09 - Majestic Pine

Bob Ross's

The Joy of Painting

S08E09 - Majestic Pine

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:29,775 --> 00:00:32,115

I'm really, really glad

you could join me today.

00:00:32,445 --> 00:00:34,305

Today is a very special day to me.

00:00:34,605 --> 00:00:38,265

And I'd like to share that special

day with you today marks a sort of an

00:00:38,265 --> 00:00:40,035

anniversary for us with this painting.

00:00:40,335 --> 00:00:43,125

We will have a 100 joy of painting shows.

00:00:43,305 --> 00:00:44,415

Isn't that fantastic.

00:00:44,894 --> 00:00:48,614

It's it's almost unbelievable to

me that we have a hundred shows now

00:00:49,185 --> 00:00:53,114

and I owe it to you because you've

allowed me into your home each week.

00:00:53,385 --> 00:00:54,825

You've called you PBS station.

00:00:54,825 --> 00:00:55,695

You've wrote letters.

00:00:56,385 --> 00:00:57,405

You've made it possible.

00:00:57,644 --> 00:00:58,845

And I'd like to tell you, thank you.

00:00:59,355 --> 00:01:00,555

And I hope you enjoy this painting.

00:01:00,555 --> 00:01:02,445

So let's go on up and let's get started.

00:01:03,495 --> 00:01:06,135

Let's see today, we'll have him run

all the colors across the screen that

00:01:06,135 --> 00:01:09,195

you need to do the painting, starting

with a white and working around.

00:01:10,155 --> 00:01:13,485

And that'll tell you everything that you

need to paint this beautiful painting.

00:01:14,255 --> 00:01:19,325

Let's talk a little bit as I have, or

one of the earlier shows I've taken it

00:01:19,325 --> 00:01:21,725

covered the canvas with contact paper.

00:01:21,785 --> 00:01:23,585

This is just ordinary contact paper.

00:01:23,585 --> 00:01:26,465

You can buy at your local hardware

store, supermarket, whatever.

00:01:27,390 --> 00:01:29,250

And I've just cut a design out here.

00:01:29,280 --> 00:01:32,970

Now, in all honesty, this design

came from a placemat off my table.

00:01:33,539 --> 00:01:37,320

So anything that you can find to make

a nice looking design, you can use it.

00:01:38,009 --> 00:01:41,729

And then I've covered the outside

of the canvas with a contact paper

00:01:42,210 --> 00:01:43,410

and we're ready to go and own that.

00:01:43,440 --> 00:01:45,570

We'll do a pretty little

painting, so let's get started.

00:01:46,259 --> 00:01:46,350

Okay.

00:01:46,640 --> 00:01:51,500

I'm going to take off with a small

amount of cadmium yellow, just the

00:01:51,500 --> 00:01:54,380

least little touch, least little touch.

00:01:54,380 --> 00:01:55,820

We'll do a bright, shiny pictures.

00:01:56,714 --> 00:01:57,585

Go right in here.

00:01:58,755 --> 00:02:04,785

And I just go across just like it,

just like, so without cleaning the

00:02:04,785 --> 00:02:10,785

brush, I'm go right into a little bit

of yellow ochre, same old, dirty brush.

00:02:12,270 --> 00:02:13,380

And just lay a little touch.

00:02:14,340 --> 00:02:17,430

So it blends right into that, like that.

00:02:19,520 --> 00:02:23,210

Once again, without cleaning the

brush, I'm going into a little bit

00:02:23,210 --> 00:02:25,610

of the bright, red, little bit.

00:02:25,640 --> 00:02:26,810

It's very, very strong.

00:02:27,510 --> 00:02:32,549

And I'll just put a little

layer red across there.

00:02:36,120 --> 00:02:36,600

Okay.

00:02:39,240 --> 00:02:39,600

Sorry.

00:02:39,900 --> 00:02:43,050

Just very gently, very gently

blend all those together.

00:02:44,280 --> 00:02:45,750

You don't want it to look like stripes?

00:02:45,900 --> 00:02:46,829

Just flame it together.

00:02:48,500 --> 00:02:49,100

Alrighty.

00:02:49,160 --> 00:02:55,760

Nah, nah, I'm gonna take a fan brush

and go right into a little touch.

00:02:56,400 --> 00:03:02,310

I've been midnight black, just a little

bit case go up here and I've been here.

00:03:02,820 --> 00:03:06,120

I'm going to bounce in some happy,

little happy little cloud shapes.

00:03:07,410 --> 00:03:07,980

Shininess.

00:03:08,220 --> 00:03:11,100

Let that brush play and just

work right down into the red.

00:03:12,030 --> 00:03:15,330

Keep the brush, moving little

circles, little tiny circles.

00:03:16,320 --> 00:03:16,890

Just let it go.

00:03:16,890 --> 00:03:20,420

Every which way here and there.

00:03:22,370 --> 00:03:22,790

Okay.

00:03:23,549 --> 00:03:29,450

No wash that room brush just a

little bit of paint thinner and

00:03:30,290 --> 00:03:34,700

very gently just going to blend

that black right here on the bottom.

00:03:34,940 --> 00:03:36,290

Just sort of blend it all together.

00:03:39,920 --> 00:03:40,100

Yeah.

00:03:40,100 --> 00:03:45,739

Then under the black, I'm going to go

into the dark Sienna, same old fan brush.

00:03:46,339 --> 00:03:46,640

Okay.

00:03:46,670 --> 00:03:48,560

Let's go back up here and.

00:03:49,440 --> 00:03:52,980

Just put in a, a little bit of

this beautiful, beautiful Brown

00:03:52,980 --> 00:03:55,230

color and let it play around.

00:04:01,040 --> 00:04:02,510

Just sort of worms at the sky.

00:04:03,970 --> 00:04:06,380

I have several fan brushes

going, so I don't have to spend

00:04:06,380 --> 00:04:08,209

a lot of time washing brushes.

00:04:08,359 --> 00:04:15,440

So I'll take some red and titanium

white just to make a nice pink color.

00:04:15,890 --> 00:04:17,930

And with that, let's go right up here.

00:04:18,899 --> 00:04:25,620

And we just bounce in some happy little

cloud shapes, just little tiny, tiny

00:04:25,620 --> 00:04:28,650

circles, keep from going, keeping going.

00:04:31,680 --> 00:04:33,450

And I didn't pick up

some of that under color.

00:04:33,450 --> 00:04:34,710

So it all mixes together.

00:04:36,360 --> 00:04:43,410

There were some of the Browns and a little

bit of a black with a clean, dry brush.

00:04:46,020 --> 00:04:46,860

Very gently.

00:04:47,430 --> 00:04:50,190

Very gently just blend all this together.

00:04:50,220 --> 00:04:52,320

You don't want to kill all the

little clouds, you know, these

00:04:52,320 --> 00:04:53,580

dark colors underneath here.

00:04:54,090 --> 00:04:56,400

Well, absolutely eat up your light colors.

00:04:56,430 --> 00:04:57,450

So be very careful.

00:04:58,230 --> 00:04:59,190

Don't want to eat them all up.

00:05:01,080 --> 00:05:08,340

You could make a fan tastic little sky

that easy, very gentle here, though.

00:05:08,450 --> 00:05:09,720

Three hairs in some air.

00:05:11,775 --> 00:05:16,185

And you can beat the brush in

that it removes the excess paint.

00:05:16,185 --> 00:05:18,344

You don't have to go through

all the cleaning procedures.

00:05:22,545 --> 00:05:23,055

Look at there.

00:05:23,085 --> 00:05:28,215

Now just gently blended and

you have an almighty sky.

00:05:29,645 --> 00:05:30,215

Alrighty.

00:05:30,665 --> 00:05:31,745

We got us a little sky.

00:05:32,105 --> 00:05:33,125

Let me wash this brush.

00:05:34,095 --> 00:05:36,545

As you know, we wash the

brushes with odorless thinner.

00:05:37,715 --> 00:05:42,165

Shake them off and just

beat the devil out of them.

00:05:43,215 --> 00:05:43,575

All right.

00:05:44,505 --> 00:05:45,705

Let's get the whole round brush.

00:05:46,425 --> 00:05:51,525

I'm go right into some Vandyke Brown,

some of the dark Sienna, maybe a

00:05:51,525 --> 00:05:53,175

touch of the SAF green in there too.

00:05:53,295 --> 00:05:54,045

Just a little bit.

00:05:55,215 --> 00:05:57,855

Let's drop in some, some

happy little tree shapes.

00:05:58,919 --> 00:06:01,710

And we're going to put in some little

background trees, just tapping,

100

00:06:04,200 --> 00:06:09,570

just tapping know, as I said, at

the beginning of the show, this is a

101

00:06:09,570 --> 00:06:15,390

very, very special show to me because

it marks 100 joy of painting shows.

102

00:06:16,020 --> 00:06:18,179

As far as we know, as of

the filming of this show.

103

00:06:18,330 --> 00:06:23,039

That's gosh, I said most painting

shows any series has ever had.

104

00:06:24,330 --> 00:06:30,180

That's a real, and there's been a

lot of fantastic people that have

105

00:06:30,180 --> 00:06:31,860

helped make all of this possible.

106

00:06:33,000 --> 00:06:34,560

A lot of fantastic people.

107

00:06:36,719 --> 00:06:40,770

And I would like to, I'd like to

dedicate this painting to a couple

108

00:06:40,770 --> 00:06:44,580

of people that have really made

the joy of painting possible.

109

00:06:46,409 --> 00:06:50,340

There's been several that I'd

really like to, to mention by name.

110

00:06:51,539 --> 00:06:57,810

First of all, my wife, Jane she's stood

by hired listen and kept this thing going.

111

00:06:59,370 --> 00:07:04,470

And it takes a special lady to

live with a crazy man and two other

112

00:07:04,470 --> 00:07:08,520

people that have really, really

been super my business partners and

113

00:07:08,520 --> 00:07:14,640

closest friends without them, there

would have been no joy of painting.

114

00:07:15,300 --> 00:07:18,990

And I'd like to publicly say, thank you.

115

00:07:19,755 --> 00:07:20,385

Very much.

116

00:07:22,305 --> 00:07:23,625

I want to take a little Brown here.

117

00:07:23,895 --> 00:07:29,745

This is the dark Sienna van tag, and

let's begin putting in some happy

118

00:07:29,745 --> 00:07:31,125

little things right along here.

119

00:07:32,865 --> 00:07:35,385

This is where we begin

creating the lay of the land.

120

00:07:38,685 --> 00:07:39,674

They're so easy.

121

00:07:39,674 --> 00:07:40,005

That is

122

00:07:43,305 --> 00:07:44,655

maybe right over here.

123

00:07:45,794 --> 00:07:49,604

All this dark is just, just

to give us a base color.

124

00:07:50,114 --> 00:07:51,974

So the light was showing we put it on top.

125

00:07:55,065 --> 00:07:55,695

There we go.

126

00:07:57,284 --> 00:07:57,765

All right.

127

00:07:58,484 --> 00:07:59,234

All right.

128

00:07:59,505 --> 00:08:03,015

I'm going to take the liner brush a

little bit of paint thinner on it.

129

00:08:05,685 --> 00:08:08,925

Make that pain, as thin as

water, turn that brush, pull it.

130

00:08:10,185 --> 00:08:13,815

And let's put some, let's put a few

indications of some little tree trunks.

131

00:08:13,815 --> 00:08:16,545

We back in way back in the distance.

132

00:08:17,685 --> 00:08:18,495

There's one boy.

133

00:08:18,525 --> 00:08:20,115

He just came right up above the trees.

134

00:08:21,525 --> 00:08:27,495

See there, Katie, and you can put as many

or as few as you want in your painting.

135

00:08:28,935 --> 00:08:29,474

There we go.

136

00:08:31,590 --> 00:08:36,570

Start all over now, let's start putting

some highlights on there and I'll just

137

00:08:36,570 --> 00:08:38,130

go back into this old round brush.

138

00:08:38,490 --> 00:08:39,450

Same old, dirty brush.

139

00:08:39,450 --> 00:08:40,200

I haven't cleaned it.

140

00:08:41,159 --> 00:08:44,970

What's happened some yellows,

grab a little green SAP

141

00:08:44,970 --> 00:08:47,250

green and we just tap it in.

142

00:08:48,840 --> 00:08:52,140

We get some yellow ochre, CAD

yellow, little Indian, yellow.

143

00:08:52,650 --> 00:08:56,910

Okay, let's go up here just using

the very top corner of the brush.

144

00:08:58,710 --> 00:08:59,130

Just.

145

00:08:59,775 --> 00:09:01,395

Put in some happy little shapes.

146

00:09:02,055 --> 00:09:03,465

Don't kill all your dark areas.

147

00:09:03,615 --> 00:09:04,475

Don't kill my mom.

148

00:09:06,635 --> 00:09:07,145

Like a dad.

149

00:09:10,085 --> 00:09:12,305

If you put too much detail, then

it's going to look too close.

150

00:09:12,305 --> 00:09:17,375

So we want this to look like it's

far, far away and very quiet, soft.

151

00:09:20,015 --> 00:09:21,845

I had a little bit of the

bright red to that color.

152

00:09:22,055 --> 00:09:22,785

Oh, look it there.

153

00:09:24,125 --> 00:09:24,875

There's a nice one.

154

00:09:26,585 --> 00:09:27,095

Nice one.

155

00:09:32,040 --> 00:09:32,550

Okay.

156

00:09:38,100 --> 00:09:38,400

All right.

157

00:09:38,400 --> 00:09:47,220

There all kinds of things and work in

layers layer after layer, after layer.

158

00:09:48,270 --> 00:09:50,130

And that's what will create

the deft in your painting.

159

00:09:51,390 --> 00:09:51,900

Okay.

160

00:09:52,730 --> 00:09:56,270

And we can come down here, put in

a little more of the dark and we

161

00:09:56,270 --> 00:09:57,680

can start putting into highlights.

162

00:09:59,355 --> 00:10:02,145

Does that say, this is where you really

began figuring out the lay of the land.

163

00:10:09,225 --> 00:10:09,495

164

00:10:18,525 --> 00:10:20,865

once we have this dark area

there, then we're ready.

165

00:10:23,735 --> 00:10:25,205

So same old, dirty brush.

166

00:10:25,445 --> 00:10:27,515

I'm going to go right

into some of the yellows

167

00:10:30,755 --> 00:10:31,535

and tap it.

168

00:10:31,805 --> 00:10:33,095

See, just tap it.

169

00:10:33,965 --> 00:10:34,355

Okay.

170

00:10:34,535 --> 00:10:38,315

Let's go right up here now

then just begin touching

171

00:10:41,735 --> 00:10:48,425

very gentle, like so, and you can

make layer after layer after layer.

172

00:10:49,410 --> 00:10:52,350

When you're doing this, if you have

trouble getting your paint to stick,

173

00:10:52,650 --> 00:10:57,900

add a little bit of the liquid wipe or

a small amount of paint thinner, just

174

00:10:57,900 --> 00:10:59,100

to make your paint a little thinner.

175

00:11:03,600 --> 00:11:06,840

They're added to touch

her the bright red there.

176

00:11:07,080 --> 00:11:12,180

Just to get it to stand out a little, see

how you can just make a layer after layer.

177

00:11:23,965 --> 00:11:25,775

go anywhere you want to.

178

00:11:25,775 --> 00:11:28,715

He'll just put a little bright

area and he creates the illusion

179

00:11:28,715 --> 00:11:30,365

of a, of a happy little Hill there.

180

00:11:40,860 --> 00:11:42,540

Another one there and that

it worked right on that.

181

00:11:44,590 --> 00:11:49,200

Just let your imagination go when

you're doing these at home and

182

00:11:49,200 --> 00:11:50,580

here, we'll just pull that across.

183

00:11:54,870 --> 00:11:56,460

We'll come back and play with that later.

184

00:11:58,380 --> 00:11:58,830

What's here.

185

00:11:58,830 --> 00:12:00,660

Now we'll take a fan brush.

186

00:12:01,515 --> 00:12:07,065

And very gently with a fan brush and let's

make the indication of just, just a happy

187

00:12:07,065 --> 00:12:08,445

little path that lives right up here.

188

00:12:08,775 --> 00:12:12,405

All you're doing is grabbing a little

bit of that color and just pulling

189

00:12:12,405 --> 00:12:16,245

it if you want to here and there,

you can add a little bit of Brown

190

00:12:16,515 --> 00:12:19,995

just to make it look more like dirt,

but allow it to grab these colors.

191

00:12:22,455 --> 00:12:23,745

Just pull it right on now.

192

00:12:28,890 --> 00:12:30,720

You got a little path that easy

193

00:12:34,860 --> 00:12:36,120

touch of titanium white.

194

00:12:36,120 --> 00:12:36,569

They're just a.

195

00:12:37,455 --> 00:12:39,585

I could look like there's a

little sun play on through there.

196

00:12:41,415 --> 00:12:42,585

Just a little sunshine.

197

00:12:45,375 --> 00:12:46,125

Okay.

198

00:12:47,325 --> 00:12:50,895

We can take the knife and just scratch

in that indication of a few little

199

00:12:50,895 --> 00:12:57,795

trunks back in these distant trees in

the background, trees just tearing there.

200

00:12:59,505 --> 00:13:02,685

Now then let me find my fan brush.

201

00:13:03,585 --> 00:13:05,655

We'll go into some Brown.

202

00:13:07,050 --> 00:13:11,100

And some of the midnight black

let's build a little tree.

203

00:13:11,370 --> 00:13:13,760

Let's have some fun, a

lot of paint on the brush.

204

00:13:13,800 --> 00:13:14,340

Just go right up here.

205

00:13:14,360 --> 00:13:14,570

Yeah.

206

00:13:15,230 --> 00:13:17,900

Maybe their lives right here, right here.

207

00:13:18,500 --> 00:13:20,510

Just a happy little evergreen tree.

208

00:13:22,190 --> 00:13:27,770

All I'm doing is just barely touching

the canvas and I take the corner of the

209

00:13:27,770 --> 00:13:29,780

brush and give it a little upward push.

210

00:13:30,200 --> 00:13:34,100

See, give it a little, Oh, we've put

some little Liam's out here on here.

211

00:13:35,745 --> 00:13:38,925

Just like, so make his Trump message

strong, give him a little foot.

212

00:13:38,925 --> 00:13:44,535

So he's got to have something to

stand on something to stand on.

213

00:13:45,074 --> 00:13:45,285

Okay.

214

00:13:45,305 --> 00:13:53,655

Maybe he's got a friend that

lives right there, right there is.

215

00:13:53,655 --> 00:13:55,605

Freedom's a little

bigger, a little stronger.

216

00:13:56,324 --> 00:14:00,735

Maybe he's got two friends, like yeah.

217

00:14:03,000 --> 00:14:08,160

Now then on these they're a little closer,

so you'd see a little more detailed.

218

00:14:08,189 --> 00:14:12,540

I'll take a little white on another

fan brush and just very gently, very

219

00:14:12,540 --> 00:14:17,430

gently come along this edge and put

a little bit of highlight just to

220

00:14:17,430 --> 00:14:18,689

make him stand out a little better.

221

00:14:20,490 --> 00:14:24,090

And you can take your script liner,

brush a little bit of the liquid black

222

00:14:24,750 --> 00:14:26,370

and put a little veil here and there.

223

00:14:27,750 --> 00:14:28,140

Say there.

224

00:14:29,385 --> 00:14:30,974

Just a couple of happy little limbs.

225

00:14:33,614 --> 00:14:38,265

In fact, her two inch brush and just sort

of blamed his little foot right into the

226

00:14:38,354 --> 00:14:45,665

front, into the little grassy areas that

easy back to our black and Brown mixture.

227

00:14:46,084 --> 00:14:49,415

Let's go up here and

maybe, yeah, there we are.

228

00:14:49,444 --> 00:14:53,944

It's a happy little leaf, little

Liam's little leaves on these trees.

229

00:14:57,345 --> 00:14:58,905

Just live right about there,

230

00:15:03,194 --> 00:15:03,655

man.

231

00:15:03,675 --> 00:15:04,335

Same old brush.

232

00:15:04,335 --> 00:15:06,915

I'll go right into a little bit of

yellow because there's black on there.

233

00:15:07,485 --> 00:15:10,245

When you hit that yellow it's

couldn't turn a beautiful green color

234

00:15:11,085 --> 00:15:12,735

loaded full let's go back up here.

235

00:15:13,574 --> 00:15:16,425

You can come back and

just put some highlights.

236

00:15:16,455 --> 00:15:17,745

Don't want to cover all the dark.

237

00:15:18,675 --> 00:15:22,064

Maybe I'll make it a little bit brighter

so you can see it a little more there.

238

00:15:22,095 --> 00:15:23,415

It shows up a little better for you.

239

00:15:25,255 --> 00:15:28,275

They're nice leaves there.

240

00:15:29,765 --> 00:15:31,235

And maybe there's even a few Shannon.

241

00:15:31,235 --> 00:15:31,325

Okay.

242

00:15:31,365 --> 00:15:32,075

This one back here.

243

00:15:32,075 --> 00:15:34,325

He's father where you're not

going to see as much detail on it.

244

00:15:35,645 --> 00:15:36,245

All right.

245

00:15:36,755 --> 00:15:38,795

I think we're, I think we're coming.

246

00:15:38,885 --> 00:15:40,805

Let alone here right now.

247

00:15:40,805 --> 00:15:44,015

Then let's have some fun spring

the camera right up close here.

248

00:15:45,335 --> 00:15:46,925

This is where the fun starts.

249

00:15:47,255 --> 00:15:48,635

You grab this contact paper.

250

00:15:50,575 --> 00:15:51,995

Take us off.

251

00:15:52,535 --> 00:15:53,015

Look at that.

252

00:15:53,910 --> 00:15:58,339

Little kit that isn't that fantastic.

253

00:15:58,670 --> 00:15:59,390

See it already.

254

00:15:59,390 --> 00:16:02,569

You have all your nice borders and

around here, and what's really fun

255

00:16:02,569 --> 00:16:03,560

when you're doing this at home.

256

00:16:03,800 --> 00:16:07,699

You might want to paint this all

like a nice tan color or a very

257

00:16:07,699 --> 00:16:10,099

light like chalk powder blue.

258

00:16:10,730 --> 00:16:12,020

You can do all kinds of things.

259

00:16:12,020 --> 00:16:14,390

So it looks like borders looks

like it's mad at, around there.

260

00:16:14,390 --> 00:16:15,290

When you get all finished.

261

00:16:15,825 --> 00:16:18,735

I get, I get excited about

these are a lot of fun.

262

00:16:19,545 --> 00:16:19,935

Okay.

263

00:16:20,205 --> 00:16:24,195

We can go right into some Elysium

Crimson, a little bit of that.

264

00:16:24,195 --> 00:16:29,235

They little blue proportionately,

much more Crimson, and the

265

00:16:29,235 --> 00:16:31,275

blue, much more Crimson.

266

00:16:31,335 --> 00:16:32,655

Just tap that big brush in there.

267

00:16:32,895 --> 00:16:33,525

Round brush.

268

00:16:34,305 --> 00:16:34,395

Okay.

269

00:16:34,724 --> 00:16:35,895

Ah, here we go.

270

00:16:37,365 --> 00:16:38,444

This is what's fun to me.

271

00:16:38,474 --> 00:16:42,584

I like to come out of these borders

that we created and let the painting

272

00:16:42,734 --> 00:16:44,655

actually extend right out of the borders.

273

00:16:45,944 --> 00:16:49,484

And all we're doing here is just tapping

in some very basic little shapes where

274

00:16:49,484 --> 00:16:52,214

we want some happy little things to be.

275

00:16:54,495 --> 00:16:55,245

Just like, so

276

00:16:59,455 --> 00:17:01,395

we're totally killing this border.

277

00:17:03,255 --> 00:17:03,885

Okay.

278

00:17:04,994 --> 00:17:06,615

Now then I'll just use the same old brush.

279

00:17:06,655 --> 00:17:09,885

We'll go right into some Vandyke Brown.

280

00:17:10,214 --> 00:17:11,175

It's a dark Sienna.

281

00:17:12,045 --> 00:17:15,105

And we'll put up another

little tree there's right here.

282

00:17:16,425 --> 00:17:18,105

Just all kinds of little trees.

283

00:17:20,685 --> 00:17:22,035

See all those little things happening.

284

00:17:22,695 --> 00:17:23,745

Maybe there's a happy Bush.

285

00:17:23,865 --> 00:17:24,765

That's right here.

286

00:17:30,975 --> 00:17:32,805

These are really fun paintings.

287

00:17:32,955 --> 00:17:36,735

I hope you try some of them

they're so, so effective.

288

00:17:37,935 --> 00:17:43,545

Maybe that comes right on down wherever

you want it to go wherever over here.

289

00:17:43,545 --> 00:17:46,035

Not much color it like a vignette.

290

00:17:46,095 --> 00:17:49,275

Just let it get softer and softer and

softer over here toward the edges.

291

00:17:50,775 --> 00:17:51,465

There we go.

292

00:17:52,305 --> 00:17:56,445

All right, now that

we'll take a liner brush.

293

00:17:58,830 --> 00:18:03,300

Let's put some paint thinner on it and

go right into our Brown, turn that brush.

294

00:18:03,330 --> 00:18:05,460

Bring it to a nice sharp point.

295

00:18:06,060 --> 00:18:06,330

Okay.

296

00:18:06,990 --> 00:18:12,450

Now then let's go right up in here

and here's some nice tree limbs.

297

00:18:12,899 --> 00:18:16,500

Let's set them true to right

out onto the pure white canvas.

298

00:18:18,629 --> 00:18:23,340

Say there, look at them

just here and there.

299

00:18:25,680 --> 00:18:29,700

Just here and there, wherever

there is some weed over there.

300

00:18:32,610 --> 00:18:33,090

Look at there.

301

00:18:33,240 --> 00:18:35,660

You can just make all kinds

of happy little limbs.

302

00:18:36,290 --> 00:18:38,030

This is just Brown with the paint thinner.

303

00:18:38,420 --> 00:18:39,380

So it flows.

304

00:18:41,750 --> 00:18:42,350

There we go.

305

00:18:43,670 --> 00:18:45,050

She had to make big decisions here.

306

00:18:45,050 --> 00:18:46,610

How many Liam's live in your painting?

307

00:18:48,590 --> 00:18:49,640

Just however many you want.

308

00:18:50,960 --> 00:18:51,440

That's all.

309

00:18:53,534 --> 00:18:53,834

Okay.

310

00:18:55,084 --> 00:18:59,824

And maybe down here, just to change

things a little bit, maybe, maybe this

311

00:18:59,824 --> 00:19:04,625

tree has a white trunk, so I'll just

use a little bit of the liquid white and

312

00:19:04,625 --> 00:19:06,995

we'll put a little white trunk in there.

313

00:19:07,864 --> 00:19:08,554

It's that easy.

314

00:19:09,485 --> 00:19:13,715

I like to turn that brush it, picks

up all those under colors and makes

315

00:19:13,774 --> 00:19:17,975

beautiful little effects right there.

316

00:19:18,604 --> 00:19:19,834

See how that stands out though.

317

00:19:21,495 --> 00:19:24,915

If you put dark against dark, you

wouldn't have a whole bunch, but when

318

00:19:24,915 --> 00:19:29,504

you put this light against the dark,

Oh, they stand out and shine for you.

319

00:19:29,895 --> 00:19:30,254

There.

320

00:19:31,514 --> 00:19:33,014

Maybe there's a little one right here.

321

00:19:33,014 --> 00:19:33,855

However many you want.

322

00:19:33,885 --> 00:19:34,485

That's up to you.

323

00:19:37,055 --> 00:19:38,285

Now we can have some fun.

324

00:19:40,565 --> 00:19:45,245

Let's take the old two inch brush and

we'll go right into some color here.

325

00:19:45,274 --> 00:19:49,295

This is yellow and green

and I'm just tapping it.

326

00:19:51,405 --> 00:19:56,655

Like, so I can just go up here now,

then right along in here, just barely

327

00:19:56,925 --> 00:20:01,605

touching the canvas, just put in a

happy little leaf here, there, and

328

00:20:01,605 --> 00:20:06,945

let some of them extend out over your

dark under color that helps create

329

00:20:06,945 --> 00:20:08,805

the illusion of a, of a vignette.

330

00:20:11,325 --> 00:20:11,835

Say there.

331

00:20:15,780 --> 00:20:17,160

These paintings really excite me.

332

00:20:17,160 --> 00:20:21,270

This is, this is the reason

I chose to do this type of

333

00:20:21,270 --> 00:20:24,360

painting on such a special day.

334

00:20:26,790 --> 00:20:28,710

I'm really glad you

joined me for the status.

335

00:20:28,950 --> 00:20:32,040

As I say it, you just can't

believe how special this is for

336

00:20:32,040 --> 00:20:34,890

me and you've made it possible.

337

00:20:36,240 --> 00:20:38,760

There, there we go.

338

00:20:39,255 --> 00:20:41,115

Yeah, let's put some, let's

put some things in here.

339

00:20:41,955 --> 00:20:43,035

I'll go back to the round brush.

340

00:20:43,035 --> 00:20:43,725

It's a lot of fun.

341

00:20:44,025 --> 00:20:47,505

I'm just tapping into a little

yellow ochre and a little green

342

00:20:48,195 --> 00:20:49,665

reach over here and get it.

343

00:20:49,745 --> 00:20:52,145

Touch the bright red, just a touch.

344

00:20:52,205 --> 00:20:53,015

It's very strong.

345

00:20:53,345 --> 00:20:54,455

Very strong.

346

00:20:55,265 --> 00:20:59,045

You just go up here now, then

just using the top corner.

347

00:21:00,245 --> 00:21:01,415

Just the very top.

348

00:21:03,135 --> 00:21:05,915

Just tap in all kinds

of little leafy effects.

349

00:21:07,530 --> 00:21:08,550

After your paint, won't stick.

350

00:21:08,550 --> 00:21:09,810

I've said it over and over.

351

00:21:09,900 --> 00:21:14,340

Add a little bit of the liquid white or

a little bit of thinner and I'm just come

352

00:21:14,340 --> 00:21:19,590

right on because at the end, paint will

stick to a thick paint then the thick.

353

00:21:21,180 --> 00:21:26,640

So probably our golden rule say middle of

this project, right on, out past the dark.

354

00:21:27,630 --> 00:21:28,890

There's another happy little Bush.

355

00:21:28,920 --> 00:21:29,580

That's right there.

356

00:21:29,940 --> 00:21:31,170

See, I knew he was there.

357

00:21:32,010 --> 00:21:32,580

You did too.

358

00:21:32,580 --> 00:21:32,880

Didn't he?

359

00:21:34,455 --> 00:21:35,685

You knew he was there.

360

00:21:39,225 --> 00:21:39,945

There we go.

361

00:21:40,935 --> 00:21:43,215

There's another little

push he lives right there.

362

00:21:45,314 --> 00:21:46,004

Okay.

363

00:21:47,324 --> 00:21:48,405

Coming right on forward.

364

00:21:48,435 --> 00:21:49,185

Ooh, there's one.

365

00:21:49,215 --> 00:21:50,925

He's it looks like he's

got little flowers on him.

366

00:21:52,695 --> 00:21:53,385

Happy Bush.

367

00:21:53,895 --> 00:21:55,665

It's the only kind of flashes we can make.

368

00:21:55,725 --> 00:21:56,715

They're always happy.

369

00:21:58,245 --> 00:22:01,875

And we'll just sort of let some

little things just, just graduate out.

370

00:22:02,324 --> 00:22:06,104

And to here, just let the

color just sort of disappear.

371

00:22:07,635 --> 00:22:10,925

Chantal, Chantal, light touch, stay there.

372

00:22:13,625 --> 00:22:15,245

These are very soft little paintings.

373

00:22:18,125 --> 00:22:20,344

These make excellent gifts

for all your friends.

374

00:22:21,274 --> 00:22:22,625

People really love these.

375

00:22:22,625 --> 00:22:25,324

And when you frame them, Oh, you

can't believe how pretty they are.

376

00:22:26,375 --> 00:22:27,125

Can't believe.

377

00:22:27,425 --> 00:22:31,145

And your friends will say you didn't pay

that, but you know, you did, and you can.

378

00:22:31,455 --> 00:22:32,324

You can do it.

379

00:22:35,715 --> 00:22:39,314

Take just a clean point, a knife and

scrape down a few little sticks and

380

00:22:39,314 --> 00:22:40,725

trunk indications here and there.

381

00:22:41,415 --> 00:22:42,074

Just like, so

382

00:22:45,915 --> 00:22:51,284

you know me, I'm not happy when we paint,

unless we have a big tree in there.

383

00:22:52,185 --> 00:22:53,145

So let's put a big tree.

384

00:22:53,745 --> 00:23:00,195

I don't go right into the midnight

black and the Vandyke Brown.

385

00:23:02,045 --> 00:23:03,245

No, no, no, no, no, no, no.

386

00:23:03,615 --> 00:23:04,635

Just be happy.

387

00:23:04,665 --> 00:23:05,655

Mix up all these colors.

388

00:23:05,655 --> 00:23:06,365

Look at all the paint.

389

00:23:06,555 --> 00:23:07,935

Brush his, go up here.

390

00:23:09,555 --> 00:23:11,685

I said I wanted a big tree,

so let's do a big one.

391

00:23:12,135 --> 00:23:15,045

I think my big tree

lives don't yell at me.

392

00:23:15,225 --> 00:23:15,975

Don't yell at me.

393

00:23:16,845 --> 00:23:17,775

He lives right there.

394

00:23:17,955 --> 00:23:18,555

There he comes.

395

00:23:19,425 --> 00:23:20,715

Oh goodness.

396

00:23:22,005 --> 00:23:22,665

Big old tree.

397

00:23:22,695 --> 00:23:24,645

He goes right off the canvas.

398

00:23:25,965 --> 00:23:28,695

Strong tree, big tree.

399

00:23:30,585 --> 00:23:33,255

Be brave, be brave.

400

00:23:33,315 --> 00:23:38,565

Maybe he's got a big foot to comes right

down here, like that make old foot.

401

00:23:40,065 --> 00:23:40,665

All right.

402

00:23:40,695 --> 00:23:42,825

Now I've got another fan

brush and I used earlier.

403

00:23:42,825 --> 00:23:46,545

It's got white on it, so we'll just

take it and we'll come right down

404

00:23:46,545 --> 00:23:53,655

the side here, come right down the

outside edge first and tap, just tap.

405

00:23:53,685 --> 00:23:55,575

This makes the tree bark

looks sort of fuzzy.

406

00:23:57,419 --> 00:24:03,179

And that to me is the way, the way

old evergreen trees look to sort of

407

00:24:03,210 --> 00:24:08,639

textured bark, Ruff, maybe right in here.

408

00:24:08,669 --> 00:24:12,480

See how you can divide that tree up

and create a little hollow in there.

409

00:24:13,500 --> 00:24:14,189

Shoot desperate.

410

00:24:14,370 --> 00:24:16,290

That's where some little

creature lives right in there.

411

00:24:16,600 --> 00:24:17,580

He needs a little house.

412

00:24:19,530 --> 00:24:19,770

Yeah.

413

00:24:19,780 --> 00:24:24,030

Then liner brush right into some

of the liquid black and let's

414

00:24:24,030 --> 00:24:26,100

take and put a limb right there.

415

00:24:27,495 --> 00:24:29,294

Right there.

416

00:24:29,325 --> 00:24:32,264

So you can put as many

limbs as you want in yours.

417

00:24:33,555 --> 00:24:38,264

We just put a few in just to show you

how this is just straight liquid black.

418

00:24:40,504 --> 00:24:41,075

There we go.

419

00:24:43,055 --> 00:24:48,455

We have some in there that are broken off

evergreens, especially where they ha they

420

00:24:48,455 --> 00:24:50,315

have a lot of Williams to get broke off.

421

00:24:51,995 --> 00:24:54,905

And this is where all the little

squirrels Kevin set in the play.

422

00:24:56,355 --> 00:24:59,505

They have to have a good time too now.

423

00:25:00,245 --> 00:25:01,835

Oh, we have this liquid black going here.

424

00:25:02,405 --> 00:25:03,785

Let's just work on, look at there.

425

00:25:03,845 --> 00:25:07,025

We'll just have a big old

root just come right on down.

426

00:25:07,385 --> 00:25:10,055

Just sort of hangs

right on off the canvas.

427

00:25:10,415 --> 00:25:10,565

Yeah.

428

00:25:12,365 --> 00:25:13,775

And there's one right there.

429

00:25:16,085 --> 00:25:20,405

And maybe, maybe there's one

that comes over the other way.

430

00:25:21,075 --> 00:25:22,535

Just use your imagination here.

431

00:25:22,565 --> 00:25:23,755

Let some of these little things just.

432

00:25:24,360 --> 00:25:25,140

Sorta happened.

433

00:25:26,970 --> 00:25:27,270

Okay.

434

00:25:27,300 --> 00:25:30,780

We can go right into a touch

of the liquid white and put a

435

00:25:30,780 --> 00:25:32,070

little highlight right out here.

436

00:25:32,610 --> 00:25:36,480

Just like, yeah, just my cat.

437

00:25:38,160 --> 00:25:38,910

Isn't that something.

438

00:25:41,190 --> 00:25:44,430

And that's something I like these little

paintings and I really hope you do.

439

00:25:45,900 --> 00:25:50,220

And I'm glad that you've been with

me today to share this special day.

440

00:25:52,245 --> 00:25:54,075

Thank you very much for

being with me today.

441

00:25:56,565 --> 00:26:00,705

I like for all my friends to, to

enjoy special days with me and I

442

00:26:00,705 --> 00:26:05,445

have so many beautiful friends all

over the country that the painting

443

00:26:05,445 --> 00:26:06,875

shows have allowed me to meet.

444

00:26:09,425 --> 00:26:09,695

Right.

445

00:26:11,405 --> 00:26:12,725

Let's go back to her brush.

446

00:26:12,725 --> 00:26:13,745

It has the black in it.

447

00:26:15,695 --> 00:26:17,435

This is just midnight black.

448

00:26:17,985 --> 00:26:21,315

Let's go right up in here

and let's put in there.

449

00:26:21,315 --> 00:26:27,525

They are, should have some beautiful

little leaves on this big evergreen tree

450

00:26:27,555 --> 00:26:28,785

wherever you think they should live.

451

00:26:31,215 --> 00:26:33,915

See, now I like this here because

it breaks the border there, but

452

00:26:33,915 --> 00:26:35,415

leaves it there so you can see it.

453

00:26:36,735 --> 00:26:38,055

That's one of them happy accidents.

454

00:26:38,055 --> 00:26:43,605

We're always talking about, learn to use

them, learn to make friends with them.

455

00:26:46,040 --> 00:26:50,700

It'll be enough to show what I

want to show they're right there.

456

00:26:50,700 --> 00:26:51,060

Right there.

457

00:26:51,210 --> 00:26:51,780

There we go.

458

00:26:51,900 --> 00:26:52,320

There we go.

459

00:26:53,490 --> 00:26:53,850

Okay.

460

00:26:53,910 --> 00:26:57,060

Now then take another fan brush.

461

00:26:57,210 --> 00:27:02,790

We'll use yellow and SAP

green, yellow, green, Lulu.

462

00:27:02,940 --> 00:27:04,560

Lot of color on the brush.

463

00:27:05,640 --> 00:27:09,480

Okay, let's go right back up here

now, then come right along in here

464

00:27:10,380 --> 00:27:11,820

and highlight these, just put.

465

00:27:12,465 --> 00:27:17,205

Some happy little highlights

right in there that easy and

466

00:27:17,205 --> 00:27:19,005

it'll make your painting complete.

467

00:27:20,565 --> 00:27:24,525

So if you've painted along with me, all

you need right now is to say on your

468

00:27:24,525 --> 00:27:26,685

masterpiece and it will be finished.

469

00:27:27,075 --> 00:27:29,595

And we're going to call this

one finished once again.

470

00:27:29,655 --> 00:27:30,885

Thanks for being with me today.

471

00:27:30,945 --> 00:27:32,535

Happy painting and God bless.

472

00:28:01,095 --> 00:28:02,205

Um,

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E11 - Mountain Range

Bob Ross's

The Joy of Painting

S08E10 - Cactus at Sunset

Bob Ross's

The Joy of Painting

S08E09 - Majestic Pine

Bob Ross's

The Joy of Painting

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