Bob Ross's

The Joy of Painting

S08E09 - Majestic Pine

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I'm really, really glad

you could join me today.

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Today is a very special day to me.

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And I'd like to share that special

day with you today marks a sort of an

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anniversary for us with this painting.

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We will have a 100 joy of painting shows.

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Isn't that fantastic.

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It's it's almost unbelievable to

me that we have a hundred shows now

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and I owe it to you because you've

allowed me into your home each week.

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You've called you PBS station.

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You've wrote letters.

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You've made it possible.

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And I'd like to tell you, thank you.

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And I hope you enjoy this painting.

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So let's go on up and let's get started.

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Let's see today, we'll have him run

all the colors across the screen that

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you need to do the painting, starting

with a white and working around.

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And that'll tell you everything that you

need to paint this beautiful painting.

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Let's talk a little bit as I have, or

one of the earlier shows I've taken it

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covered the canvas with contact paper.

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This is just ordinary contact paper.

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You can buy at your local hardware

store, supermarket, whatever.

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And I've just cut a design out here.

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Now, in all honesty, this design

came from a placemat off my table.

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So anything that you can find to make

a nice looking design, you can use it.

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And then I've covered the outside

of the canvas with a contact paper

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and we're ready to go and own that.

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We'll do a pretty little

painting, so let's get started.

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Okay.

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I'm going to take off with a small

amount of cadmium yellow, just the

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least little touch, least little touch.

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We'll do a bright, shiny pictures.

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Go right in here.

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And I just go across just like it,

just like, so without cleaning the

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brush, I'm go right into a little bit

of yellow ochre, same old, dirty brush.

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And just lay a little touch.

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So it blends right into that, like that.

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Once again, without cleaning the

brush, I'm going into a little bit

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of the bright, red, little bit.

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It's very, very strong.

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And I'll just put a little

layer red across there.

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Okay.

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Sorry.

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Just very gently, very gently

blend all those together.

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You don't want it to look like stripes?

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Just flame it together.

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Alrighty.

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Nah, nah, I'm gonna take a fan brush

and go right into a little touch.

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I've been midnight black, just a little

bit case go up here and I've been here.

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I'm going to bounce in some happy,

little happy little cloud shapes.

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Shininess.

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Let that brush play and just

work right down into the red.

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Keep the brush, moving little

circles, little tiny circles.

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Just let it go.

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Every which way here and there.

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Okay.

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No wash that room brush just a

little bit of paint thinner and

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very gently just going to blend

that black right here on the bottom.

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Just sort of blend it all together.

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Yeah.

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Then under the black, I'm going to go

into the dark Sienna, same old fan brush.

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Okay.

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Let's go back up here and.

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Just put in a, a little bit of

this beautiful, beautiful Brown

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color and let it play around.

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Just sort of worms at the sky.

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I have several fan brushes

going, so I don't have to spend

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a lot of time washing brushes.

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So I'll take some red and titanium

white just to make a nice pink color.

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And with that, let's go right up here.

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And we just bounce in some happy little

cloud shapes, just little tiny, tiny

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circles, keep from going, keeping going.

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And I didn't pick up

some of that under color.

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So it all mixes together.

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There were some of the Browns and a little

bit of a black with a clean, dry brush.

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Very gently.

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Very gently just blend all this together.

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You don't want to kill all the

little clouds, you know, these

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dark colors underneath here.

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Well, absolutely eat up your light colors.

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So be very careful.

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Don't want to eat them all up.

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You could make a fan tastic little sky

that easy, very gentle here, though.

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Three hairs in some air.

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And you can beat the brush in

that it removes the excess paint.

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You don't have to go through

all the cleaning procedures.

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Look at there.

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Now just gently blended and

you have an almighty sky.

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Alrighty.

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We got us a little sky.

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Let me wash this brush.

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As you know, we wash the

brushes with odorless thinner.

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Shake them off and just

beat the devil out of them.

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All right.

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Let's get the whole round brush.

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I'm go right into some Vandyke Brown,

some of the dark Sienna, maybe a

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touch of the SAF green in there too.

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Just a little bit.

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Let's drop in some, some

happy little tree shapes.

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And we're going to put in some little

background trees, just tapping,

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just tapping know, as I said, at

the beginning of the show, this is a

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very, very special show to me because

it marks 100 joy of painting shows.

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As far as we know, as of

the filming of this show.

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That's gosh, I said most painting

shows any series has ever had.

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That's a real, and there's been a

lot of fantastic people that have

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helped make all of this possible.

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A lot of fantastic people.

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And I would like to, I'd like to

dedicate this painting to a couple

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of people that have really made

the joy of painting possible.

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There's been several that I'd

really like to, to mention by name.

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First of all, my wife, Jane she's stood

by hired listen and kept this thing going.

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And it takes a special lady to

live with a crazy man and two other

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people that have really, really

been super my business partners and

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closest friends without them, there

would have been no joy of painting.

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And I'd like to publicly say, thank you.

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Very much.

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I want to take a little Brown here.

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This is the dark Sienna van tag, and

let's begin putting in some happy

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little things right along here.

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This is where we begin

creating the lay of the land.

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They're so easy.

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That is

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maybe right over here.

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All this dark is just, just

to give us a base color.

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So the light was showing we put it on top.

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There we go.

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All right.

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All right.

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I'm going to take the liner brush a

little bit of paint thinner on it.

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Make that pain, as thin as

water, turn that brush, pull it.

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And let's put some, let's put a few

indications of some little tree trunks.

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We back in way back in the distance.

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There's one boy.

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He just came right up above the trees.

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See there, Katie, and you can put as many

or as few as you want in your painting.

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There we go.

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Start all over now, let's start putting

some highlights on there and I'll just

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go back into this old round brush.

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Same old, dirty brush.

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I haven't cleaned it.

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What's happened some yellows,

grab a little green SAP

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green and we just tap it in.

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We get some yellow ochre, CAD

yellow, little Indian, yellow.

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Okay, let's go up here just using

the very top corner of the brush.

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Just.

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Put in some happy little shapes.

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Don't kill all your dark areas.

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Don't kill my mom.

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Like a dad.

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If you put too much detail, then

it's going to look too close.

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So we want this to look like it's

far, far away and very quiet, soft.

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I had a little bit of the

bright red to that color.

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Oh, look it there.

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There's a nice one.

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Nice one.

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Okay.

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All right.

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There all kinds of things and work in

layers layer after layer, after layer.

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And that's what will create

the deft in your painting.

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Okay.

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And we can come down here, put in

a little more of the dark and we

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can start putting into highlights.

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Does that say, this is where you really

began figuring out the lay of the land.

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once we have this dark area

there, then we're ready.

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So same old, dirty brush.

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I'm going to go right

into some of the yellows

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and tap it.

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See, just tap it.

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Okay.

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Let's go right up here now

then just begin touching

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very gentle, like so, and you can

make layer after layer after layer.

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When you're doing this, if you have

trouble getting your paint to stick,

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add a little bit of the liquid wipe or

a small amount of paint thinner, just

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to make your paint a little thinner.

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They're added to touch

her the bright red there.

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Just to get it to stand out a little, see

how you can just make a layer after layer.

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go anywhere you want to.

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He'll just put a little bright

area and he creates the illusion

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of a, of a happy little Hill there.

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Another one there and that

it worked right on that.

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Just let your imagination go when

you're doing these at home and

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here, we'll just pull that across.

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We'll come back and play with that later.

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What's here.

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Now we'll take a fan brush.

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And very gently with a fan brush and let's

make the indication of just, just a happy

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little path that lives right up here.

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All you're doing is grabbing a little

bit of that color and just pulling

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it if you want to here and there,

you can add a little bit of Brown

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just to make it look more like dirt,

but allow it to grab these colors.

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Just pull it right on now.

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You got a little path that easy

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touch of titanium white.

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They're just a.

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I could look like there's a

little sun play on through there.

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Just a little sunshine.

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Okay.

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We can take the knife and just scratch

in that indication of a few little

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trunks back in these distant trees in

the background, trees just tearing there.

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Now then let me find my fan brush.

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We'll go into some Brown.

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And some of the midnight black

let's build a little tree.

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Let's have some fun, a

lot of paint on the brush.

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Just go right up here.

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Yeah.

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Maybe their lives right here, right here.

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Just a happy little evergreen tree.

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All I'm doing is just barely touching

the canvas and I take the corner of the

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brush and give it a little upward push.

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See, give it a little, Oh, we've put

some little Liam's out here on here.

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Just like, so make his Trump message

strong, give him a little foot.

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So he's got to have something to

stand on something to stand on.

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Okay.

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Maybe he's got a friend that

lives right there, right there is.

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Freedom's a little

bigger, a little stronger.

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Maybe he's got two friends, like yeah.

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Now then on these they're a little closer,

so you'd see a little more detailed.

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I'll take a little white on another

fan brush and just very gently, very

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gently come along this edge and put

a little bit of highlight just to

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make him stand out a little better.

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And you can take your script liner,

brush a little bit of the liquid black

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and put a little veil here and there.

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Say there.

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Just a couple of happy little limbs.

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In fact, her two inch brush and just sort

of blamed his little foot right into the

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front, into the little grassy areas that

easy back to our black and Brown mixture.

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Let's go up here and

maybe, yeah, there we are.

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It's a happy little leaf, little

Liam's little leaves on these trees.

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Just live right about there,

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man.

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Same old brush.

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I'll go right into a little bit of

yellow because there's black on there.

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When you hit that yellow it's

couldn't turn a beautiful green color

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loaded full let's go back up here.

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You can come back and

just put some highlights.

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Don't want to cover all the dark.

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Maybe I'll make it a little bit brighter

so you can see it a little more there.

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It shows up a little better for you.

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They're nice leaves there.

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And maybe there's even a few Shannon.

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Okay.

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This one back here.

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He's father where you're not

going to see as much detail on it.

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All right.

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I think we're, I think we're coming.

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Let alone here right now.

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Then let's have some fun spring

the camera right up close here.

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This is where the fun starts.

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You grab this contact paper.

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Take us off.

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Look at that.

252

00:15:53,910 --> 00:15:58,339

Little kit that isn't that fantastic.

253

00:15:58,670 --> 00:15:59,390

See it already.

254

00:15:59,390 --> 00:16:02,569

You have all your nice borders and

around here, and what's really fun

255

00:16:02,569 --> 00:16:03,560

when you're doing this at home.

256

00:16:03,800 --> 00:16:07,699

You might want to paint this all

like a nice tan color or a very

257

00:16:07,699 --> 00:16:10,099

light like chalk powder blue.

258

00:16:10,730 --> 00:16:12,020

You can do all kinds of things.

259

00:16:12,020 --> 00:16:14,390

So it looks like borders looks

like it's mad at, around there.

260

00:16:14,390 --> 00:16:15,290

When you get all finished.

261

00:16:15,825 --> 00:16:18,735

I get, I get excited about

these are a lot of fun.

262

00:16:19,545 --> 00:16:19,935

Okay.

263

00:16:20,205 --> 00:16:24,195

We can go right into some Elysium

Crimson, a little bit of that.

264

00:16:24,195 --> 00:16:29,235

They little blue proportionately,

much more Crimson, and the

265

00:16:29,235 --> 00:16:31,275

blue, much more Crimson.

266

00:16:31,335 --> 00:16:32,655

Just tap that big brush in there.

267

00:16:32,895 --> 00:16:33,525

Round brush.

268

00:16:34,305 --> 00:16:34,395

Okay.

269

00:16:34,724 --> 00:16:35,895

Ah, here we go.

270

00:16:37,365 --> 00:16:38,444

This is what's fun to me.

271

00:16:38,474 --> 00:16:42,584

I like to come out of these borders

that we created and let the painting

272

00:16:42,734 --> 00:16:44,655

actually extend right out of the borders.

273

00:16:45,944 --> 00:16:49,484

And all we're doing here is just tapping

in some very basic little shapes where

274

00:16:49,484 --> 00:16:52,214

we want some happy little things to be.

275

00:16:54,495 --> 00:16:55,245

Just like, so

276

00:16:59,455 --> 00:17:01,395

we're totally killing this border.

277

00:17:03,255 --> 00:17:03,885

Okay.

278

00:17:04,994 --> 00:17:06,615

Now then I'll just use the same old brush.

279

00:17:06,655 --> 00:17:09,885

We'll go right into some Vandyke Brown.

280

00:17:10,214 --> 00:17:11,175

It's a dark Sienna.

281

00:17:12,045 --> 00:17:15,105

And we'll put up another

little tree there's right here.

282

00:17:16,425 --> 00:17:18,105

Just all kinds of little trees.

283

00:17:20,685 --> 00:17:22,035

See all those little things happening.

284

00:17:22,695 --> 00:17:23,745

Maybe there's a happy Bush.

285

00:17:23,865 --> 00:17:24,765

That's right here.

286

00:17:30,975 --> 00:17:32,805

These are really fun paintings.

287

00:17:32,955 --> 00:17:36,735

I hope you try some of them

they're so, so effective.

288

00:17:37,935 --> 00:17:43,545

Maybe that comes right on down wherever

you want it to go wherever over here.

289

00:17:43,545 --> 00:17:46,035

Not much color it like a vignette.

290

00:17:46,095 --> 00:17:49,275

Just let it get softer and softer and

softer over here toward the edges.

291

00:17:50,775 --> 00:17:51,465

There we go.

292

00:17:52,305 --> 00:17:56,445

All right, now that

we'll take a liner brush.

293

00:17:58,830 --> 00:18:03,300

Let's put some paint thinner on it and

go right into our Brown, turn that brush.

294

00:18:03,330 --> 00:18:05,460

Bring it to a nice sharp point.

295

00:18:06,060 --> 00:18:06,330

Okay.

296

00:18:06,990 --> 00:18:12,450

Now then let's go right up in here

and here's some nice tree limbs.

297

00:18:12,899 --> 00:18:16,500

Let's set them true to right

out onto the pure white canvas.

298

00:18:18,629 --> 00:18:23,340

Say there, look at them

just here and there.

299

00:18:25,680 --> 00:18:29,700

Just here and there, wherever

there is some weed over there.

300

00:18:32,610 --> 00:18:33,090

Look at there.

301

00:18:33,240 --> 00:18:35,660

You can just make all kinds

of happy little limbs.

302

00:18:36,290 --> 00:18:38,030

This is just Brown with the paint thinner.

303

00:18:38,420 --> 00:18:39,380

So it flows.

304

00:18:41,750 --> 00:18:42,350

There we go.

305

00:18:43,670 --> 00:18:45,050

She had to make big decisions here.

306

00:18:45,050 --> 00:18:46,610

How many Liam's live in your painting?

307

00:18:48,590 --> 00:18:49,640

Just however many you want.

308

00:18:50,960 --> 00:18:51,440

That's all.

309

00:18:53,534 --> 00:18:53,834

Okay.

310

00:18:55,084 --> 00:18:59,824

And maybe down here, just to change

things a little bit, maybe, maybe this

311

00:18:59,824 --> 00:19:04,625

tree has a white trunk, so I'll just

use a little bit of the liquid white and

312

00:19:04,625 --> 00:19:06,995

we'll put a little white trunk in there.

313

00:19:07,864 --> 00:19:08,554

It's that easy.

314

00:19:09,485 --> 00:19:13,715

I like to turn that brush it, picks

up all those under colors and makes

315

00:19:13,774 --> 00:19:17,975

beautiful little effects right there.

316

00:19:18,604 --> 00:19:19,834

See how that stands out though.

317

00:19:21,495 --> 00:19:24,915

If you put dark against dark, you

wouldn't have a whole bunch, but when

318

00:19:24,915 --> 00:19:29,504

you put this light against the dark,

Oh, they stand out and shine for you.

319

00:19:29,895 --> 00:19:30,254

There.

320

00:19:31,514 --> 00:19:33,014

Maybe there's a little one right here.

321

00:19:33,014 --> 00:19:33,855

However many you want.

322

00:19:33,885 --> 00:19:34,485

That's up to you.

323

00:19:37,055 --> 00:19:38,285

Now we can have some fun.

324

00:19:40,565 --> 00:19:45,245

Let's take the old two inch brush and

we'll go right into some color here.

325

00:19:45,274 --> 00:19:49,295

This is yellow and green

and I'm just tapping it.

326

00:19:51,405 --> 00:19:56,655

Like, so I can just go up here now,

then right along in here, just barely

327

00:19:56,925 --> 00:20:01,605

touching the canvas, just put in a

happy little leaf here, there, and

328

00:20:01,605 --> 00:20:06,945

let some of them extend out over your

dark under color that helps create

329

00:20:06,945 --> 00:20:08,805

the illusion of a, of a vignette.

330

00:20:11,325 --> 00:20:11,835

Say there.

331

00:20:15,780 --> 00:20:17,160

These paintings really excite me.

332

00:20:17,160 --> 00:20:21,270

This is, this is the reason

I chose to do this type of

333

00:20:21,270 --> 00:20:24,360

painting on such a special day.

334

00:20:26,790 --> 00:20:28,710

I'm really glad you

joined me for the status.

335

00:20:28,950 --> 00:20:32,040

As I say it, you just can't

believe how special this is for

336

00:20:32,040 --> 00:20:34,890

me and you've made it possible.

337

00:20:36,240 --> 00:20:38,760

There, there we go.

338

00:20:39,255 --> 00:20:41,115

Yeah, let's put some, let's

put some things in here.

339

00:20:41,955 --> 00:20:43,035

I'll go back to the round brush.

340

00:20:43,035 --> 00:20:43,725

It's a lot of fun.

341

00:20:44,025 --> 00:20:47,505

I'm just tapping into a little

yellow ochre and a little green

342

00:20:48,195 --> 00:20:49,665

reach over here and get it.

343

00:20:49,745 --> 00:20:52,145

Touch the bright red, just a touch.

344

00:20:52,205 --> 00:20:53,015

It's very strong.

345

00:20:53,345 --> 00:20:54,455

Very strong.

346

00:20:55,265 --> 00:20:59,045

You just go up here now, then

just using the top corner.

347

00:21:00,245 --> 00:21:01,415

Just the very top.

348

00:21:03,135 --> 00:21:05,915

Just tap in all kinds

of little leafy effects.

349

00:21:07,530 --> 00:21:08,550

After your paint, won't stick.

350

00:21:08,550 --> 00:21:09,810

I've said it over and over.

351

00:21:09,900 --> 00:21:14,340

Add a little bit of the liquid white or

a little bit of thinner and I'm just come

352

00:21:14,340 --> 00:21:19,590

right on because at the end, paint will

stick to a thick paint then the thick.

353

00:21:21,180 --> 00:21:26,640

So probably our golden rule say middle of

this project, right on, out past the dark.

354

00:21:27,630 --> 00:21:28,890

There's another happy little Bush.

355

00:21:28,920 --> 00:21:29,580

That's right there.

356

00:21:29,940 --> 00:21:31,170

See, I knew he was there.

357

00:21:32,010 --> 00:21:32,580

You did too.

358

00:21:32,580 --> 00:21:32,880

Didn't he?

359

00:21:34,455 --> 00:21:35,685

You knew he was there.

360

00:21:39,225 --> 00:21:39,945

There we go.

361

00:21:40,935 --> 00:21:43,215

There's another little

push he lives right there.

362

00:21:45,314 --> 00:21:46,004

Okay.

363

00:21:47,324 --> 00:21:48,405

Coming right on forward.

364

00:21:48,435 --> 00:21:49,185

Ooh, there's one.

365

00:21:49,215 --> 00:21:50,925

He's it looks like he's

got little flowers on him.

366

00:21:52,695 --> 00:21:53,385

Happy Bush.

367

00:21:53,895 --> 00:21:55,665

It's the only kind of flashes we can make.

368

00:21:55,725 --> 00:21:56,715

They're always happy.

369

00:21:58,245 --> 00:22:01,875

And we'll just sort of let some

little things just, just graduate out.

370

00:22:02,324 --> 00:22:06,104

And to here, just let the

color just sort of disappear.

371

00:22:07,635 --> 00:22:10,925

Chantal, Chantal, light touch, stay there.

372

00:22:13,625 --> 00:22:15,245

These are very soft little paintings.

373

00:22:18,125 --> 00:22:20,344

These make excellent gifts

for all your friends.

374

00:22:21,274 --> 00:22:22,625

People really love these.

375

00:22:22,625 --> 00:22:25,324

And when you frame them, Oh, you

can't believe how pretty they are.

376

00:22:26,375 --> 00:22:27,125

Can't believe.

377

00:22:27,425 --> 00:22:31,145

And your friends will say you didn't pay

that, but you know, you did, and you can.

378

00:22:31,455 --> 00:22:32,324

You can do it.

379

00:22:35,715 --> 00:22:39,314

Take just a clean point, a knife and

scrape down a few little sticks and

380

00:22:39,314 --> 00:22:40,725

trunk indications here and there.

381

00:22:41,415 --> 00:22:42,074

Just like, so

382

00:22:45,915 --> 00:22:51,284

you know me, I'm not happy when we paint,

unless we have a big tree in there.

383

00:22:52,185 --> 00:22:53,145

So let's put a big tree.

384

00:22:53,745 --> 00:23:00,195

I don't go right into the midnight

black and the Vandyke Brown.

385

00:23:02,045 --> 00:23:03,245

No, no, no, no, no, no, no.

386

00:23:03,615 --> 00:23:04,635

Just be happy.

387

00:23:04,665 --> 00:23:05,655

Mix up all these colors.

388

00:23:05,655 --> 00:23:06,365

Look at all the paint.

389

00:23:06,555 --> 00:23:07,935

Brush his, go up here.

390

00:23:09,555 --> 00:23:11,685

I said I wanted a big tree,

so let's do a big one.

391

00:23:12,135 --> 00:23:15,045

I think my big tree

lives don't yell at me.

392

00:23:15,225 --> 00:23:15,975

Don't yell at me.

393

00:23:16,845 --> 00:23:17,775

He lives right there.

394

00:23:17,955 --> 00:23:18,555

There he comes.

395

00:23:19,425 --> 00:23:20,715

Oh goodness.

396

00:23:22,005 --> 00:23:22,665

Big old tree.

397

00:23:22,695 --> 00:23:24,645

He goes right off the canvas.

398

00:23:25,965 --> 00:23:28,695

Strong tree, big tree.

399

00:23:30,585 --> 00:23:33,255

Be brave, be brave.

400

00:23:33,315 --> 00:23:38,565

Maybe he's got a big foot to comes right

down here, like that make old foot.

401

00:23:40,065 --> 00:23:40,665

All right.

402

00:23:40,695 --> 00:23:42,825

Now I've got another fan

brush and I used earlier.

403

00:23:42,825 --> 00:23:46,545

It's got white on it, so we'll just

take it and we'll come right down

404

00:23:46,545 --> 00:23:53,655

the side here, come right down the

outside edge first and tap, just tap.

405

00:23:53,685 --> 00:23:55,575

This makes the tree bark

looks sort of fuzzy.

406

00:23:57,419 --> 00:24:03,179

And that to me is the way, the way

old evergreen trees look to sort of

407

00:24:03,210 --> 00:24:08,639

textured bark, Ruff, maybe right in here.

408

00:24:08,669 --> 00:24:12,480

See how you can divide that tree up

and create a little hollow in there.

409

00:24:13,500 --> 00:24:14,189

Shoot desperate.

410

00:24:14,370 --> 00:24:16,290

That's where some little

creature lives right in there.

411

00:24:16,600 --> 00:24:17,580

He needs a little house.

412

00:24:19,530 --> 00:24:19,770

Yeah.

413

00:24:19,780 --> 00:24:24,030

Then liner brush right into some

of the liquid black and let's

414

00:24:24,030 --> 00:24:26,100

take and put a limb right there.

415

00:24:27,495 --> 00:24:29,294

Right there.

416

00:24:29,325 --> 00:24:32,264

So you can put as many

limbs as you want in yours.

417

00:24:33,555 --> 00:24:38,264

We just put a few in just to show you

how this is just straight liquid black.

418

00:24:40,504 --> 00:24:41,075

There we go.

419

00:24:43,055 --> 00:24:48,455

We have some in there that are broken off

evergreens, especially where they ha they

420

00:24:48,455 --> 00:24:50,315

have a lot of Williams to get broke off.

421

00:24:51,995 --> 00:24:54,905

And this is where all the little

squirrels Kevin set in the play.

422

00:24:56,355 --> 00:24:59,505

They have to have a good time too now.

423

00:25:00,245 --> 00:25:01,835

Oh, we have this liquid black going here.

424

00:25:02,405 --> 00:25:03,785

Let's just work on, look at there.

425

00:25:03,845 --> 00:25:07,025

We'll just have a big old

root just come right on down.

426

00:25:07,385 --> 00:25:10,055

Just sort of hangs

right on off the canvas.

427

00:25:10,415 --> 00:25:10,565

Yeah.

428

00:25:12,365 --> 00:25:13,775

And there's one right there.

429

00:25:16,085 --> 00:25:20,405

And maybe, maybe there's one

that comes over the other way.

430

00:25:21,075 --> 00:25:22,535

Just use your imagination here.

431

00:25:22,565 --> 00:25:23,755

Let some of these little things just.

432

00:25:24,360 --> 00:25:25,140

Sorta happened.

433

00:25:26,970 --> 00:25:27,270

Okay.

434

00:25:27,300 --> 00:25:30,780

We can go right into a touch

of the liquid white and put a

435

00:25:30,780 --> 00:25:32,070

little highlight right out here.

436

00:25:32,610 --> 00:25:36,480

Just like, yeah, just my cat.

437

00:25:38,160 --> 00:25:38,910

Isn't that something.

438

00:25:41,190 --> 00:25:44,430

And that's something I like these little

paintings and I really hope you do.

439

00:25:45,900 --> 00:25:50,220

And I'm glad that you've been with

me today to share this special day.

440

00:25:52,245 --> 00:25:54,075

Thank you very much for

being with me today.

441

00:25:56,565 --> 00:26:00,705

I like for all my friends to, to

enjoy special days with me and I

442

00:26:00,705 --> 00:26:05,445

have so many beautiful friends all

over the country that the painting

443

00:26:05,445 --> 00:26:06,875

shows have allowed me to meet.

444

00:26:09,425 --> 00:26:09,695

Right.

445

00:26:11,405 --> 00:26:12,725

Let's go back to her brush.

446

00:26:12,725 --> 00:26:13,745

It has the black in it.

447

00:26:15,695 --> 00:26:17,435

This is just midnight black.

448

00:26:17,985 --> 00:26:21,315

Let's go right up in here

and let's put in there.

449

00:26:21,315 --> 00:26:27,525

They are, should have some beautiful

little leaves on this big evergreen tree

450

00:26:27,555 --> 00:26:28,785

wherever you think they should live.

451

00:26:31,215 --> 00:26:33,915

See, now I like this here because

it breaks the border there, but

452

00:26:33,915 --> 00:26:35,415

leaves it there so you can see it.

453

00:26:36,735 --> 00:26:38,055

That's one of them happy accidents.

454

00:26:38,055 --> 00:26:43,605

We're always talking about, learn to use

them, learn to make friends with them.

455

00:26:46,040 --> 00:26:50,700

It'll be enough to show what I

want to show they're right there.

456

00:26:50,700 --> 00:26:51,060

Right there.

457

00:26:51,210 --> 00:26:51,780

There we go.

458

00:26:51,900 --> 00:26:52,320

There we go.

459

00:26:53,490 --> 00:26:53,850

Okay.

460

00:26:53,910 --> 00:26:57,060

Now then take another fan brush.

461

00:26:57,210 --> 00:27:02,790

We'll use yellow and SAP

green, yellow, green, Lulu.

462

00:27:02,940 --> 00:27:04,560

Lot of color on the brush.

463

00:27:05,640 --> 00:27:09,480

Okay, let's go right back up here

now, then come right along in here

464

00:27:10,380 --> 00:27:11,820

and highlight these, just put.

465

00:27:12,465 --> 00:27:17,205

Some happy little highlights

right in there that easy and

466

00:27:17,205 --> 00:27:19,005

it'll make your painting complete.

467

00:27:20,565 --> 00:27:24,525

So if you've painted along with me, all

you need right now is to say on your

468

00:27:24,525 --> 00:27:26,685

masterpiece and it will be finished.

469

00:27:27,075 --> 00:27:29,595

And we're going to call this

one finished once again.

470

00:27:29,655 --> 00:27:30,885

Thanks for being with me today.

471

00:27:30,945 --> 00:27:32,535

Happy painting and God bless.

472

00:28:01,095 --> 00:28:02,205

Um,

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E09 - Majestic Pine

Bob Ross's

The Joy of Painting

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