Bob Ross's

The Joy of Painting

S08E10 - Cactus at Sunset

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Welcome back.

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Glad you could join me today.

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Today.

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I thought we'd do a fun little painting.

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I think you'll really enjoy this one.

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So let's start out and have them

graphically run all the colors

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across your screen that you need

to do this painting along with me.

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And as usual they'll come across in

the same order as I have them on the

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pallet, starting with a white working

around while they're doing that,

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let's go up here and talk a little

bit about what I've done already.

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As you can see today,

we have a black canvas.

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And we make these black canvases

by coding them with just a thin

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coat of black acrylic paint and

allowing that to drag completely.

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This one's a little bit different

because this time I started with a

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yellow, I used in the yellow at acrylic

right in here, and that took a little

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contact paper and cut out a little

circle and glued it on to the yellow.

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And then I painted it black.

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Then I let it dry.

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And just before we started this, I

covered the entire canvas with a thin

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even coat of a lizard and Crimson.

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Now Crimson is a very, very

transparent color that still looks

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black because it's so transparent.

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Now we're ready to start

off and have some fun.

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This particular painting I'm

going to do today came to me.

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The idea did in the form of a

postcard from a young man in Arizona.

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So if you're watching,

thanks, you know who you are.

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You're med 11, 12 years old,

and we write each other.

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I'm going to start out with a little bit

of white and I'm going to go read into.

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CAD yellow, white and yellow hub.

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Put the white in there just to make

the yellow a little bit brighter.

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There we go.

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Really low that brush full look at it.

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A lot of pain in the brush.

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Can you just go right up here now?

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This is going to be our son.

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We're going to have a beautiful sunset.

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So this is the sun.

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So we'll start from here and work outward.

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We want this area to be the

brightest part of our painting.

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Okay.

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Ready?

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Let's just go in here, hit

it and begin doing this.

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Oh my gosh.

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And just start, look at that.

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See that way automatically it gets

darker, darker, darker, darker,

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as it works out from the side.

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Look at there at it.

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The problem is you need to clean

that brush between every loading.

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You don't want to ever take this

dark color back into the sun, back

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into our yellow and white with the

brush really full, really full can.

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Let's do that again right into here.

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Boom.

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Take out all your frustrations.

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Just ready, socket, spin that brush

and begin working on some basic shapes.

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No, in Arizona, New Mexico, they

have some of the most beautiful

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sunsets anywhere in the country.

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I have a lot of friends that live there.

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There we go.

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Okay.

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Clean the brush again.

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I'm back into my white in CAD yellow

lewd that'll brush for all right

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now that maybe boom right here.

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There it counters here.

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There's another, just big

alarms coming out from here.

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Just make all these beautiful shakes,

but you could see how this yellow.

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It's picking up at Crimson underneath

and don't stay in one place and

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keep grinding it and move it.

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Keep moving, washing the brush again.

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I bet we're out of fan brush here.

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Hello?

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Okay, let's go right in here

and hit it again this time.

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We'll just bring this one.

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Maybe it just works, right.

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I don't often hear just like, so

maybe this is happy little things

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floating around here and there.

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Wherever you want wherever.

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And right along in here, let's

just do some little stringy.

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Thanks.

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You can just put a few of those

and a few little fluffy ones,

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just as many of these as you want.

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There we go.

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Okay.

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Now then, If you just tried blending

all this chances are, it would just

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mush up and you'd end up with a mess.

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I'm going to take the knife and very

lightly just zip off some of the

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heavier areas where there's a lot of

paint that color remains in the canvas.

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Don't worry about it.

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See there, just zip it right off.

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I hope you wear your sunglasses today.

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This is going to be a bright painting.

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There we go.

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And when you're doing these black

canvases, you can do the base color with

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any of the transparent colors, the blues,

the greens, they all work just as well.

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So experiment have some fun.

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All right, let's take the two

inch brush and now very gently.

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Let's just begin blending.

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Start in the light area and work outward.

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Look at there.

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Look, are there all kinds

of beautiful effects?

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What just happen automatically?

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These are our happy accidents.

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Don't fight them.

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Don't really try to play them.

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This just, just sort of do

it and see what happens.

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Okay.

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Now I'm going to wash the brush.

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I'm beginning to pick up a little

bit more paint than I want.

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So wash your brush

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at least by the time you finished

his painting, you're going

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to be an expert brush washer.

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Let's go up in here and continue to bland.

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Anytime you go back to this light

area, always have a clean brush.

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Whether it's a fan brush, two

inch brush makes no difference.

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Always a clean brush in there.

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Look at all the beautiful red

color sitter just shining.

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That is one fantastic sky.

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And they're very easy to do.

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As I said earlier, when you, when you're

trying this at home experiment, a little

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try, all kinds of different colors,

try some of the, all like they low blue

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is very transparent pressure and blue.

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All the greens are very transparent.

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You can just make some unbelievable

effects on these black canvas.

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Now let's have some more fun, take

the same color, same color, and

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load it back on the fan brush.

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And let's just put, let's put some more

of these little stringy clouds in here.

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I like him.

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They're sort of close to the horizon.

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I'm sure there's a proper

name for these clouds.

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I just call them.

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Little stringy claps.

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I'm bad about making up words.

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So don't go to your dictionary

and try to find half of them.

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There we go.

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Just, just little happy

things here and there.

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Okay.

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Now very gently.

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Just blend these.

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See, they're not easy.

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And easy.

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Yeah.

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Let's have some fun.

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Well, let's come up here and

let's remove this piece of contact

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paper that I have here and I'll

show you what's underneath it.

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So let's come right in here.

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Watch just take the knife,

pick up the edge, grab it.

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And look there.

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Look at that.

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Isn't that a super easy way

to put in a happy little son.

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Can now then let me find a clean fan

brush, and I'm going to bring a little

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bit of that color over just to bring

the edges together with, to soften

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it, just to soften it all together.

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Look at that.

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See there.

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Maybe there's a happy little cloud.

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It just sort of floats across there.

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You can just pick up

a little bit of color.

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And bring it right across

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and you can make a beautiful

moon this way, too.

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It didn't have to be the sun.

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It could be the moon.

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Now then we'll take a little more

of that bright, yellow color.

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That's white with a little caddy, yellow.

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Maybe there's a little cloud or two.

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It just, just literally

floats right across.

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I can't remember.

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You want.

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And with a clean, dry two inch brush,

very gently just blend all that together.

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That easy.

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Okay.

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Hidden Nana.

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Isn't that a sneaky little way of

making a beautiful, beautiful sky.

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Very easily.

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I thought you'd like, yeah,

let's have some more fun.

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We'll take some Vandyke

Brown, some dark Sienna.

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Throw in a little black, too.

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What the heck?

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We're just looking mainly for dark colors.

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We can throw in some cribs and whatever

you got to start dropping in there.

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Load that brush full of paint.

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Look at all the paint.

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Can us go right up in here?

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And maybe there's a, maybe

there's a happy little mountain.

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We're going to have a small mountain in

this cause we want it to be far, far away.

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And I'm just going to use the,

just the corner of the fan

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brush to put in our basic shape.

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Why does that say it, New Mexico

and Arizona and all those?

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They have some of the most beautiful,

beautiful mountain formations.

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Certainly not like the mountains that I

grew up with in Alaska, but beautiful.

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Okay.

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Maybe we'll have this one, grow

a little bit to have some of

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the most unique rock formations.

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There we go.

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See that,

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Oh, I know what the stoop must have

some fun right underneath here.

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I'm going to take some of the

same yellowish color and pull it

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straight down like a reflection.

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See, pull it straight down, straight

down and we'll take a big brush.

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Grab it.

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Pull hard.

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See, we're going to pass

them the light under there.

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See, now we have a little light area and

our little mountain color, same color.

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We can just pull that right on down.

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It goes right off into there

wherever we don't know where it goes.

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Don't really care.

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Okay, let me, let me grab it.

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Another fan brush.

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I have several fan brushes

going, so I don't have to spend

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all my time cleaning them.

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Go into a little yellow, little

bright red, yellow ochre,

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and little Indian, yellow.

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Just, just sorta mix all

these colors up on the brush.

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I'm going to reach up here and grab

a little bit of the dark Sienna to

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there, there maybe a little more red.

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Okay.

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And we have a multitude of

colors going on with that brush.

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He was not just one color.

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You can see it a little better.

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Look at a hold of things happening.

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Could let's go up here now,

then here's our light source.

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So we're going to touch and begin

creating the illusion of all kinds

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of beautiful little rock formations.

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I'm just using the, just

the corner of the fan brush.

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Look at all those.

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It's a super nice, easy way to make

some of the beautiful mountains, some

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of the fantastic rock colors that

you see in that part of the country.

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Hm.

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I know there's an old

coyote sitting out there.

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I can just sort of feel it.

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He said, and we're down here

to bass looking up at the moon

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and he's singing his song.

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There we are maybe a little touch over

in here doing too much, doing too much.

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And anywhere you want, you can go

back with the dark and shadow it.

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You can change these as often as you want.

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So now they come back, put a

little more red right in there.

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All they left that one.

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Rarely sing

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that Neato that you can do

them that easy can come grab a

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little touch, more of the red.

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That looks a good, but some

there too, just throwing all

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kinds of little highlights.

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We get some of the most fantastic

letters from our friends and

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in this part of the country.

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No, it's, it's unreal.

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Uh, in some parts of some parts of the

country in Arizona, specifically, they're

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playing our show is as much as an hour

and a half a day, three shows a day.

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That's that's unbelievable.

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Cut.

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I thank you very much.

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And if you're not playing the

show, as often as you'd like in

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your area, call your station, let

them know what you'd like to see.

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They like to hear from you.

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Okay.

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Sometimes I get to talk in

here and forget to paint.

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So with paint, we'll go back and

then we'll get right into her

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dark CN and little Vandyke Brown

tap a little color in there.

256

00:13:32,230 --> 00:13:32,460

Kidding.

257

00:13:32,460 --> 00:13:33,210

Let's go right up here.

258

00:13:33,900 --> 00:13:34,080

Now.

259

00:13:34,080 --> 00:13:36,450

Then we begin to worry

about the lay of the land.

260

00:13:38,580 --> 00:13:40,860

Jessica, again, picking up some little.

261

00:13:41,280 --> 00:13:41,820

Thanks here.

262

00:13:41,830 --> 00:13:43,020

Don't want to kill this

little bright area.

263

00:13:43,020 --> 00:13:45,660

I want it to look like is a little light

shining through there when we're finished.

264

00:13:47,190 --> 00:13:49,150

Leave some of those

little soft Misty areas.

265

00:13:54,660 --> 00:14:01,170

I want this back here to be very dark

now, but I touch just a little bit

266

00:14:01,170 --> 00:14:06,240

of that same color that we use to

highlight the mountain here and begin

267

00:14:06,240 --> 00:14:07,680

playing a little of that here and there.

268

00:14:07,950 --> 00:14:09,450

Just to where I think

a light, what strike.

269

00:14:10,694 --> 00:14:11,535

Don't overdo.

270

00:14:12,225 --> 00:14:15,584

Don't overdo there.

271

00:14:16,275 --> 00:14:17,895

That just work right down into there.

272

00:14:18,944 --> 00:14:21,645

See that little, little soft

area still stays in there.

273

00:14:22,185 --> 00:14:23,204

That's what we're looking for.

274

00:14:25,965 --> 00:14:26,475

Okay.

275

00:14:28,015 --> 00:14:29,895

Maybe there's another

little Hill right here.

276

00:14:32,954 --> 00:14:35,625

So you could just begin

creating all kinds of illusions.

277

00:14:38,084 --> 00:14:38,685

There we go.

278

00:14:41,505 --> 00:14:43,635

That is one fantastic sky.

279

00:14:43,935 --> 00:14:46,755

I hope you enjoy this guy

and I really hope you try it.

280

00:14:52,410 --> 00:14:56,310

As I said earlier, a young

friend sent me postcards.

281

00:14:56,680 --> 00:14:59,430

It really gave me the

idea for this painting.

282

00:15:01,200 --> 00:15:05,250

We get so many of our ideas from, from

cards and photographs that people say.

283

00:15:05,250 --> 00:15:05,430

And

284

00:15:08,760 --> 00:15:13,320

so if you have something you'd like,

you'd like to see painting, same card.

285

00:15:15,960 --> 00:15:16,980

I'd love to hear from you.

286

00:15:24,944 --> 00:15:31,295

Maybe over here, little Hill coming

down here, I'm back to my dark color.

287

00:15:32,415 --> 00:15:33,495

Just dropping that in.

288

00:15:37,895 --> 00:15:40,175

I'll tell you what that looks

just like a natural place.

289

00:15:40,175 --> 00:15:41,555

There would be a happy little path.

290

00:15:42,395 --> 00:15:43,445

We will do that in a minute.

291

00:15:43,565 --> 00:15:44,765

We will put a little path in there.

292

00:15:44,855 --> 00:15:45,305

Why not?

293

00:15:48,365 --> 00:15:50,825

We'll let your color get too

bright on these canvases, these

294

00:15:50,825 --> 00:15:52,835

black canvases show color.

295

00:15:52,835 --> 00:15:55,625

It seems like a hundred times

more than a white canvas.

296

00:15:56,345 --> 00:15:57,365

So be careful with them.

297

00:15:57,575 --> 00:15:58,205

Be careful.

298

00:15:58,475 --> 00:15:58,925

Be careful.

299

00:16:01,235 --> 00:16:06,035

What stands out on, let's take a,

let's take that fan brush here,

300

00:16:07,085 --> 00:16:11,465

and I'm just going to very lightly

come right in here and just sort

301

00:16:11,465 --> 00:16:14,215

of work it back and forth increase.

302

00:16:14,225 --> 00:16:15,305

He just that easy.

303

00:16:15,425 --> 00:16:18,125

You can create the

illusion of a little path.

304

00:16:19,265 --> 00:16:19,685

Okay.

305

00:16:19,685 --> 00:16:22,355

I already had to have a way to walk up

and get up on this mountain so he could

306

00:16:23,015 --> 00:16:26,495

sing to the moon or the sun, whatever.

307

00:16:26,615 --> 00:16:29,765

I think we said this was a sunset again,

it looked like a moon scene to me though.

308

00:16:32,145 --> 00:16:32,565

Look at that.

309

00:16:32,685 --> 00:16:37,155

See, can you see that path just

coming right in there that easy.

310

00:16:39,475 --> 00:16:40,835

It sort of goes around the corner.

311

00:16:41,015 --> 00:16:43,355

Try to avoid having your

path perfectly straight.

312

00:16:43,415 --> 00:16:44,645

It really looks a little better.

313

00:16:45,095 --> 00:16:47,225

It's got a little, Oh,

and a little band in it.

314

00:16:50,475 --> 00:16:55,025

A gentleman, Ben, that sounds

like a good name for a TV show.

315

00:16:55,085 --> 00:16:55,475

Gentlemen.

316

00:16:57,545 --> 00:16:58,415

I have to remember that.

317

00:17:00,525 --> 00:17:08,585

There we go now then back to my, back

to my two inch brush and let's just

318

00:17:08,585 --> 00:17:10,504

tap in a little bit more at this color.

319

00:17:13,264 --> 00:17:13,504

Yes.

320

00:17:13,925 --> 00:17:16,234

This, this is yellow ochre.

321

00:17:16,655 --> 00:17:19,714

That'll Indian, yellow, little CAD

yellow, and it's on that dirty brush.

322

00:17:19,714 --> 00:17:20,734

It has the Brown in it.

323

00:17:21,155 --> 00:17:23,885

So just allow these colors

to all mix on the brush.

324

00:17:23,915 --> 00:17:24,514

Just tap it.

325

00:17:25,079 --> 00:17:25,349

Okay.

326

00:17:26,129 --> 00:17:28,139

And you have to sort of

make big decisions here.

327

00:17:28,200 --> 00:17:30,480

Where's where's your next

little Hill going to be there.

328

00:17:30,480 --> 00:17:30,810

It is.

329

00:17:31,320 --> 00:17:36,899

See, and you can create plane after

plane, after plane, just that easy,

330

00:17:38,100 --> 00:17:46,950

that easy and fantastic that you can

make such effects so quickly darker,

331

00:17:46,950 --> 00:17:51,659

darker, darker, darker, darker, and

that sort of closes that little path.

332

00:17:51,689 --> 00:17:51,840

Yeah.

333

00:17:53,685 --> 00:17:54,284

There we go.

334

00:17:58,295 --> 00:18:00,485

This is Arizona, New Mexico, Indiana.

335

00:18:00,485 --> 00:18:02,345

We got to put a cactus

in this son of a gun.

336

00:18:02,375 --> 00:18:04,415

We can't, we got to have a cactus.

337

00:18:05,315 --> 00:18:07,565

Now I gotta admit to you

where I live in Alaska.

338

00:18:07,565 --> 00:18:09,095

There's not a whole bunch of cactus.

339

00:18:09,995 --> 00:18:13,325

They're sort of rare,

but I'll do my best here.

340

00:18:15,365 --> 00:18:16,245

I'll do my best.

341

00:18:18,254 --> 00:18:21,495

So if the characters don't look just

like it does in your yard, if you live in

342

00:18:21,495 --> 00:18:24,794

that area, uh, pretend there's no on it.

343

00:18:25,665 --> 00:18:26,235

There we go.

344

00:18:27,855 --> 00:18:28,304

Okay.

345

00:18:28,995 --> 00:18:29,865

See that easy.

346

00:18:30,585 --> 00:18:35,385

We got some nice little Hills here

and it creates a lot of distance by

347

00:18:35,385 --> 00:18:37,004

having all of these different planes.

348

00:18:37,395 --> 00:18:39,165

You can see we back in there.

349

00:18:40,395 --> 00:18:41,415

They're all right.

350

00:18:42,255 --> 00:18:44,625

Let's have some fun

with some, some cactus.

351

00:18:46,035 --> 00:18:49,935

I'm going to go over right into the

liquid black with a liner brush.

352

00:18:50,025 --> 00:18:51,435

Just, just dip it right in.

353

00:18:52,275 --> 00:18:52,605

Okay.

354

00:18:53,805 --> 00:18:58,575

Maybe there's a little cacti and then

what you call them cacti, or maybe

355

00:18:58,575 --> 00:19:02,235

that's more than one he lives with

back in the distance right there.

356

00:19:03,465 --> 00:19:04,425

And he's got arm.

357

00:19:05,355 --> 00:19:07,515

See there, get a little more paint.

358

00:19:09,415 --> 00:19:10,335

Give him another arm.

359

00:19:11,835 --> 00:19:12,285

Look at there.

360

00:19:12,745 --> 00:19:17,525

Maybe you can just see the

indication of a third one there.

361

00:19:20,705 --> 00:19:22,475

Golly, that's not a bad

looking little cactus.

362

00:19:25,115 --> 00:19:27,785

I have one right here in front

of the moon will make us even

363

00:19:27,785 --> 00:19:29,435

farther back, farther back.

364

00:19:29,435 --> 00:19:33,245

He's tiny little cactus, tiny

365

00:19:36,245 --> 00:19:37,504

just using the ladder brush.

366

00:19:39,000 --> 00:19:40,770

There we'll give him a

little arm right there.

367

00:19:42,060 --> 00:19:42,389

Okay.

368

00:19:42,929 --> 00:19:45,379

Now then let's have a big cactus.

369

00:19:45,379 --> 00:19:46,669

We need a big, strong cactus.

370

00:19:46,669 --> 00:19:51,320

He, he really got a lot of

light and life was good to him.

371

00:19:51,350 --> 00:19:56,300

So let's, let's build a big

one, big cactus, a lot of black.

372

00:19:57,440 --> 00:19:59,540

I think his big cactus is going to live.

373

00:20:00,889 --> 00:20:04,429

He certainly is right now, right there.

374

00:20:05,419 --> 00:20:05,929

Right there.

375

00:20:07,665 --> 00:20:10,875

There, this is just

straight midnight black.

376

00:20:12,885 --> 00:20:13,365

Okay.

377

00:20:13,455 --> 00:20:14,145

Bye cat.

378

00:20:15,375 --> 00:20:16,844

We'll just make it with a fan brush.

379

00:20:17,354 --> 00:20:19,514

Let's give him a big arm right here.

380

00:20:24,905 --> 00:20:28,084

it comes right down and bins.

381

00:20:28,564 --> 00:20:29,225

Just like it.

382

00:20:31,655 --> 00:20:32,284

There we are.

383

00:20:34,185 --> 00:20:38,985

Give him a big strong, or he stands

out here and waves at everybody

384

00:20:38,985 --> 00:20:43,175

that goes by, bring it around.

385

00:20:44,105 --> 00:20:47,135

Like, does that look like a cactus

386

00:20:50,435 --> 00:20:51,035

or Waco

387

00:20:56,015 --> 00:20:56,735

down here?

388

00:20:57,515 --> 00:20:58,805

I need a big strong bottom.

389

00:20:58,805 --> 00:21:00,395

So it holds up all these arms.

390

00:21:02,625 --> 00:21:06,495

And maybe we can just see the

indication here of a third arm.

391

00:21:07,574 --> 00:21:08,715

It comes right out here.

392

00:21:10,345 --> 00:21:11,385

Comes right on down.

393

00:21:11,385 --> 00:21:12,524

Just use your fan brush.

394

00:21:13,034 --> 00:21:13,544

Look it there.

395

00:21:14,475 --> 00:21:18,645

See how this cactus has three arms.

396

00:21:19,365 --> 00:21:20,715

Be hard to make a sweater for him.

397

00:21:23,024 --> 00:21:23,774

There we go.

398

00:21:23,925 --> 00:21:27,014

Now we can begin getting the

shape all the way we want it.

399

00:21:29,145 --> 00:21:29,774

All right.

400

00:21:32,850 --> 00:21:34,470

I came a little bigger

down here at the base.

401

00:21:34,470 --> 00:21:36,870

He needs a strong foot

to hold all that weight.

402

00:21:38,670 --> 00:21:45,090

And sometimes, sometimes there's

just little cactuses that little

403

00:21:45,090 --> 00:21:47,820

barrel cactuses are look like.

404

00:21:47,820 --> 00:21:48,090

Yeah.

405

00:21:48,330 --> 00:21:50,400

They look like the little post

stuck in the ground nearly.

406

00:21:51,090 --> 00:21:51,520

They're pretty.

407

00:21:55,490 --> 00:21:56,060

There we go.

408

00:22:12,335 --> 00:22:12,575

okay.

409

00:22:12,635 --> 00:22:14,735

That gives us a basic

shape for a little cactus.

410

00:22:14,764 --> 00:22:15,275

Let me wash it.

411

00:22:15,275 --> 00:22:15,965

Fan brush here.

412

00:22:19,235 --> 00:22:22,385

And in your painting, you put

as many cactuses you want, or as

413

00:22:22,385 --> 00:22:25,235

few cactus and normally green.

414

00:22:26,235 --> 00:22:26,324

Okay.

415

00:22:26,385 --> 00:22:30,165

So I'm going to go right into the

black, poor little black right

416

00:22:30,165 --> 00:22:32,594

there, and a touch of the yellow.

417

00:22:32,925 --> 00:22:33,854

Say just a touch.

418

00:22:35,284 --> 00:22:39,814

When you mix black and yellow, it makes

a beautiful green and I'm going to tap.

419

00:22:40,115 --> 00:22:43,264

I want to tap the brush and

remove any of the excess paint.

420

00:22:43,324 --> 00:22:46,354

Maybe it'll show up a little bit,

allied, at least little touch of white.

421

00:22:47,405 --> 00:22:49,264

When you're painting yours, maybe

you don't want to add the white.

422

00:22:49,294 --> 00:22:50,794

I just want you to be

able to see it better.

423

00:22:51,574 --> 00:22:52,955

Tap out that excess paint.

424

00:22:55,350 --> 00:22:56,790

There let's just go back up here.

425

00:22:57,510 --> 00:23:00,360

I want to make us look like he was a

whole bunch of little sticky things on it.

426

00:23:01,230 --> 00:23:06,450

So just touch, see, and start on the

edge because here's your light coming

427

00:23:06,450 --> 00:23:12,870

from, coming from the moon over here,

the sun, and just begin tapping.

428

00:23:14,340 --> 00:23:18,350

So you start at the bright

edge and work around that way.

429

00:23:18,350 --> 00:23:21,620

It'll get darker, darker, darker

as it works around the cactus.

430

00:23:21,620 --> 00:23:22,760

And it makes it look around.

431

00:23:23,955 --> 00:23:27,465

And that sorta nice things, square

cactuses, and they're sort of rare.

432

00:23:29,565 --> 00:23:30,195

There we go.

433

00:23:30,545 --> 00:23:32,205

Either just tap, tap, tap,

434

00:23:36,465 --> 00:23:38,985

and it gives the feeling of

around this to your cactus.

435

00:23:41,535 --> 00:23:50,085

Maybe, maybe right out here, lights plan

through, and you can see a little bit

436

00:23:50,085 --> 00:23:51,825

of fuzzy things right out on the edge.

437

00:23:54,030 --> 00:23:54,930

The middle fuzzy things.

438

00:23:54,930 --> 00:23:58,200

What's sticking your finger when

you touch them, make you go.

439

00:23:58,240 --> 00:24:00,150

Ooh, here,

440

00:24:03,360 --> 00:24:04,170

there we go.

441

00:24:04,350 --> 00:24:06,480

Just, just a tiny weight.

442

00:24:06,510 --> 00:24:08,250

We don't want this arm

over here to be left out.

443

00:24:08,250 --> 00:24:10,320

So can you see what's happening there?

444

00:24:10,320 --> 00:24:11,640

All we're doing is just touching.

445

00:24:12,450 --> 00:24:16,020

Just touch, start with the

outside edge, do it first.

446

00:24:16,020 --> 00:24:19,860

So it'll automatically be the

brightest and then tap, tap,

447

00:24:19,860 --> 00:24:21,150

tap right on around my cat.

448

00:24:24,180 --> 00:24:25,440

Maybe a touch bar right there.

449

00:24:25,440 --> 00:24:30,230

We'll let him know we're going to really

let some light drop her right in, but

450

00:24:30,230 --> 00:24:34,970

could there have been lights right through

here that want to stand out nicely?

451

00:24:36,320 --> 00:24:39,350

If you want to keep that one looking

like it's in the back, I'll take my

452

00:24:39,350 --> 00:24:42,440

dark paint, pull it distinctly over it.

453

00:24:42,770 --> 00:24:45,350

So that way it makes that

arm stay around that side.

454

00:24:45,350 --> 00:24:48,320

If you don't watch it, these alarms

will sneak around on this side on you.

455

00:24:49,835 --> 00:24:50,865

Sneaky little dudes.

456

00:24:51,195 --> 00:24:51,555

Okay.

457

00:24:52,365 --> 00:24:53,685

This little round cactus here.

458

00:24:53,685 --> 00:24:56,264

We want some most

highlight right on the top.

459

00:24:57,514 --> 00:25:02,345

Like yet I didn't just gently,

gently come down the side.

460

00:25:02,585 --> 00:25:03,155

Same way.

461

00:25:04,504 --> 00:25:09,785

Just barely, barely tapping

lighter, lighter, lighter.

462

00:25:09,935 --> 00:25:12,155

So it gets darker, darker

as it comes around.

463

00:25:14,585 --> 00:25:15,725

We'll let it come right on out.

464

00:25:18,135 --> 00:25:18,765

There we go.

465

00:25:22,785 --> 00:25:26,555

And I hope this, she had a nice idea.

466

00:25:26,585 --> 00:25:31,565

I hope my friends like this

in Arizona, New Mexico.

467

00:25:31,565 --> 00:25:35,855

Cause they broke me several letters,

wanting to have some paintings that

468

00:25:35,855 --> 00:25:37,565

showed their part of the country.

469

00:25:37,565 --> 00:25:43,085

They're very proud of their part

and it is some of the prettiest

470

00:25:43,475 --> 00:25:45,395

prettiest country in the world.

471

00:25:48,885 --> 00:25:50,385

I went to the grand Canyon one time.

472

00:25:50,925 --> 00:25:53,324

I've never seen such a hole in the ground.

473

00:25:53,595 --> 00:25:53,895

Good.

474

00:25:53,985 --> 00:25:54,824

Gosh, that's beautiful.

475

00:25:56,975 --> 00:25:57,754

All right.

476

00:25:58,324 --> 00:25:58,745

Okay.

477

00:25:58,834 --> 00:26:01,385

Now we can just put on a few

little highlights here and there.

478

00:26:02,014 --> 00:26:03,485

Well, brighten these up a little.

479

00:26:03,544 --> 00:26:07,985

I'm using just a yellow Grandy and

yellow touch with the bright red,

480

00:26:08,014 --> 00:26:11,794

just to touch, sharpen those up.

481

00:26:12,695 --> 00:26:13,955

Be careful with that Ray.

482

00:26:14,790 --> 00:26:17,220

When that son of a gun will eat

up your whole world in a second.

483

00:26:19,130 --> 00:26:19,640

There we are.

484

00:26:22,280 --> 00:26:22,760

Okay.

485

00:26:22,790 --> 00:26:25,730

I think we're getting the feeling

of a nice deserty type thing.

486

00:26:26,010 --> 00:26:26,130

Yeah.

487

00:26:29,120 --> 00:26:33,350

Now, one of the things that worked very

well was this light area that we've put

488

00:26:33,350 --> 00:26:35,930

in here that really, really does help.

489

00:26:36,980 --> 00:26:39,770

Let's take a little bit of red,

well, sign this one and call it done.

490

00:26:41,210 --> 00:26:42,140

I hope you've enjoyed it.

491

00:26:43,170 --> 00:26:45,300

And I look forward to

seeing you again next week.

492

00:26:47,190 --> 00:26:50,730

So from all of us here, I'd

like to wish you happy painting.

493

00:26:51,330 --> 00:26:51,930

Got this.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E10 - Cactus at Sunset

Bob Ross's

The Joy of Painting

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