Tuesday, December 29, 2020

S09E04 - Meadow Road

Bob Ross's

The Joy of Painting

S09E04 - Meadow Road

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,090 --> 00:00:01,860

Hi glad you could join me today.

00:00:02,070 --> 00:00:04,410

You got your oil paints, all

put out and your big glass of

00:00:04,410 --> 00:00:05,640

ice tea besides you and ready.

00:00:06,360 --> 00:00:06,540

Okay.

00:00:06,540 --> 00:00:07,050

Let's do it.

00:00:07,050 --> 00:00:10,080

Then let's start off by having them

graphically put all the colors on the

00:00:10,080 --> 00:00:13,230

screen that you need to do this painting

with me and they'll come across as

00:00:13,230 --> 00:00:16,170

usual in the same order as I have them

on the pallet, starting with a white

00:00:16,320 --> 00:00:20,040

and working around, and I was going

up here and I've already covered the

00:00:20,040 --> 00:00:23,430

canvas with a nice thin even coat of

the liquid white it's wet and slick.

00:00:23,430 --> 00:00:26,880

And it's ready to go to, so let's do

a fantastic little painting together.

00:00:27,535 --> 00:00:30,265

And I thought today, we'll start

off with, uh, the old two inch brush

00:00:31,015 --> 00:00:36,175

and the smallest little amount of a

lizard Crimson, very small amount,

00:00:36,385 --> 00:00:38,214

and just tap the brush into that.

00:00:38,425 --> 00:00:40,945

Just tap it like it,

James, go right up here.

00:00:41,655 --> 00:00:45,795

And maybe in the sky here,

there's a little bit of pink.

00:00:46,004 --> 00:00:49,695

I just want a very small

amount when you're doing this.

00:00:50,474 --> 00:00:53,084

Just use the littlest touch of paint.

00:00:53,910 --> 00:00:56,730

Because if you're not careful,

you'll set your sky right on fire

00:00:57,239 --> 00:00:58,260

and we don't want it on fire.

00:00:58,319 --> 00:01:03,029

We just want a little pinkish glow in

it when we're done, just to brighten

00:01:03,029 --> 00:01:05,670

it up, make it a very happy little sky.

00:01:06,780 --> 00:01:08,370

And that's enough, right?

00:01:08,370 --> 00:01:09,240

There is enough.

00:01:09,810 --> 00:01:10,110

Okay.

00:01:10,140 --> 00:01:14,670

Without cleaning the brush, I'm going to

go right into if little blue and the blue

00:01:14,670 --> 00:01:16,229

is so much stronger than the Crimson.

00:01:16,620 --> 00:01:18,780

You don't have to clean the

brush and go right into it.

00:01:19,380 --> 00:01:19,770

Okay.

00:01:19,800 --> 00:01:21,149

Loaded the same way by tapping.

00:01:21,179 --> 00:01:22,140

Let's go right back up here.

00:01:23,070 --> 00:01:26,730

Now use a little crisscross

stroke, start right at the

00:01:26,730 --> 00:01:28,800

top and work down to the pink.

00:01:30,330 --> 00:01:35,910

Just like little crisscross

strokes, little exes.

00:01:37,365 --> 00:01:42,225

See, they're that easy and where

these come together, you'll get

00:01:42,225 --> 00:01:44,354

sort of a, sort of a lavender color.

00:01:44,535 --> 00:01:48,345

Very pretty, very warm there.

00:01:50,655 --> 00:01:51,285

All right.

00:01:51,464 --> 00:01:52,695

Let me clean the old brush.

00:01:53,544 --> 00:01:55,955

We just wash it right here.

00:01:55,955 --> 00:01:57,634

I have a screen in the

bottom of this bucket.

00:01:58,260 --> 00:02:03,600

That has scrubbed the brush against

shake it off and then just beat

00:02:03,600 --> 00:02:06,690

the devil out of that with a clean,

dry brush and be sure it's dry.

00:02:07,170 --> 00:02:10,530

Go right back up here and blend this.

00:02:10,740 --> 00:02:12,540

You want to make the

little X's right here?

00:02:12,540 --> 00:02:14,070

Where the pink and the blue come together.

00:02:15,450 --> 00:02:16,620

Just little crisscross.

00:02:17,460 --> 00:02:18,000

Okay.

00:02:20,490 --> 00:02:23,790

And that's that gives

us a happy little sky.

00:02:24,990 --> 00:02:25,740

Tell you what let's do.

00:02:25,800 --> 00:02:28,080

Let's put some big floating

clouds up in there and I'll

00:02:28,090 --> 00:02:29,250

use the one inch brush today.

00:02:29,610 --> 00:02:33,090

Pull it through the paint, pull

it through in one direction.

00:02:34,050 --> 00:02:36,750

Maybe we'll add at least a

little touch of bright red to it.

00:02:37,740 --> 00:02:38,640

Lee's little touch.

00:02:39,360 --> 00:02:41,850

Don't want to set these

clouds on fire assay.

00:02:42,225 --> 00:02:43,185

By pulling it one direction.

00:02:43,185 --> 00:02:44,655

You round one corner of the brush.

00:02:44,805 --> 00:02:44,955

Okay.

00:02:44,955 --> 00:02:48,075

Let's go up here now with this

rounded corner toward the top,

00:02:49,125 --> 00:02:53,625

just to make little tiny circles

and create all kinds of beautiful

00:02:53,625 --> 00:02:55,185

little fluffy clouds in your sky.

00:02:57,255 --> 00:02:58,245

Keep the brush moving.

00:02:58,275 --> 00:02:59,025

Keep it moving.

00:02:59,055 --> 00:03:01,515

Little circles, little tiny circles.

00:03:02,505 --> 00:03:03,945

Don't let it stay in one place.

00:03:03,975 --> 00:03:07,575

You'll end up with big cotton

balls in the sky, and that'll

00:03:07,575 --> 00:03:08,865

sort of bother you when it's over.

00:03:10,755 --> 00:03:14,505

And see layer after layer, after

layer, just as many clouds as you want.

00:03:16,035 --> 00:03:16,845

This is your world.

00:03:17,655 --> 00:03:23,355

So you make the big decisions then

you want, maybe let's put a happy

00:03:23,355 --> 00:03:24,765

little cloud that lives right here.

00:03:25,785 --> 00:03:26,775

We don't all want all of them.

00:03:26,775 --> 00:03:28,965

On one side, we don't

have them on both sides.

00:03:31,485 --> 00:03:32,625

I like to make clouds.

00:03:32,625 --> 00:03:35,535

When I was traditional painter

clouds used to drive me crazy.

00:03:35,775 --> 00:03:37,665

Well, I'd work with him,

son of a guns all day.

00:03:38,895 --> 00:03:40,335

This is easy way to do it.

00:03:41,325 --> 00:03:41,685

Okay.

00:03:43,335 --> 00:03:47,205

Now then we'll take clean, dry a two

inch brush and come right back up here.

00:03:47,625 --> 00:03:50,235

Now see up in here, you don't

want to touch these tops.

00:03:50,565 --> 00:03:54,225

All you want to do is gently,

gently blend the bottom.

00:03:54,575 --> 00:03:56,145

Use the top corner of the brush.

00:03:56,900 --> 00:03:58,050

You use the bottom of the brush.

00:03:58,590 --> 00:04:00,060

You're not going to be able

to tell where it's hitting.

00:04:01,620 --> 00:04:03,660

You don't want to touch his nice edges.

00:04:03,900 --> 00:04:08,400

You want to save those, just

blend right up to him and stop.

00:04:08,820 --> 00:04:09,720

And don't over blend.

00:04:09,720 --> 00:04:12,770

These don't overlap Lambda.

00:04:14,420 --> 00:04:14,720

Okay.

00:04:14,780 --> 00:04:21,470

Same thing on the other side,

just barely touching now then

00:04:21,680 --> 00:04:24,680

we'll lift that up very gently.

00:04:25,950 --> 00:04:28,830

Very gently, just barely

caressing the canvas.

00:04:29,540 --> 00:04:35,810

Barely, barely touch, lift it

up and then very lightly, very

00:04:35,810 --> 00:04:37,940

lightly blend the entire sky.

00:04:38,360 --> 00:04:42,560

That'll take out all the brush marks,

blend everything together and that

00:04:42,560 --> 00:04:44,630

quick got a fantastic little sky.

00:04:45,950 --> 00:04:49,760

All right, let's do, let's do

a happy little mountain today.

00:04:50,600 --> 00:04:52,790

And for that, I'll take

that midnight black.

100

00:04:54,245 --> 00:04:56,025

A little blue, just black and blue.

101

00:04:56,145 --> 00:04:57,285

That's all I'm going to use today.

102

00:04:58,695 --> 00:05:00,495

Midnight black, a little blue.

103

00:05:03,855 --> 00:05:06,675

If you wanted to check that, put a little

white over there and just add it because

104

00:05:06,675 --> 00:05:08,235

it's hard to tell what color that is.

105

00:05:09,345 --> 00:05:11,985

Little roll paint on the

knife, right on edge.

106

00:05:12,045 --> 00:05:12,315

Okay.

107

00:05:13,095 --> 00:05:14,715

Now you have to make some big decisions.

108

00:05:15,335 --> 00:05:16,565

Where does your mountain live?

109

00:05:17,315 --> 00:05:21,365

And what's his shape kind

of put in the shape here.

110

00:05:21,910 --> 00:05:22,000

Okay.

111

00:05:25,850 --> 00:05:28,340

That mountains grow different

all over the country.

112

00:05:28,340 --> 00:05:31,040

So the mountains in URI are

different than what I paint.

113

00:05:31,520 --> 00:05:35,210

Just use the idea of how to paint

mountains to do the ones in your area.

114

00:05:35,925 --> 00:05:38,534

The principles are about the

same, no matter what Kenyon

115

00:05:38,534 --> 00:05:41,715

mountains, you're painting there.

116

00:05:43,755 --> 00:05:47,295

That's just blue in black

scrape off the excess paint.

117

00:05:48,405 --> 00:05:50,325

Now then the two inch brush.

118

00:05:50,914 --> 00:05:55,145

I'm going to begin, just tapping and

getting a little that color on the brush.

119

00:05:55,414 --> 00:05:57,335

Now I want to put a

distant mountain back here.

120

00:05:58,145 --> 00:06:03,625

So just using that color that I

picked up, just tap and look it

121

00:06:03,635 --> 00:06:07,234

there that easy, that easy, you

can create the illusion of a little

122

00:06:07,474 --> 00:06:09,245

mountain that's far in the distance.

123

00:06:10,260 --> 00:06:15,090

Yeah, we'll pull that down automatically.

124

00:06:15,120 --> 00:06:16,830

Your mountain gets

lighter toward the bottom.

125

00:06:16,830 --> 00:06:19,770

It mixes with the liquid white

and all those things happen.

126

00:06:20,610 --> 00:06:21,840

You don't have to worry about them.

127

00:06:22,800 --> 00:06:23,340

Shoot.

128

00:06:23,400 --> 00:06:24,690

Maybe that was so much fun.

129

00:06:24,690 --> 00:06:26,820

Maybe there's another one over

here, wherever you want them.

130

00:06:27,810 --> 00:06:30,330

You can have another little

thing that lives right there.

131

00:06:31,740 --> 00:06:33,090

Pick up a little that color.

132

00:06:34,410 --> 00:06:39,720

See, they're not super, you can

just worry a little paint from

133

00:06:39,720 --> 00:06:40,860

this mountain and make another one.

134

00:06:41,790 --> 00:06:43,290

You can do anything in your world.

135

00:06:45,900 --> 00:06:46,290

Okay.

136

00:06:47,490 --> 00:06:47,640

Right.

137

00:06:47,640 --> 00:06:48,510

That camera over.

138

00:06:50,295 --> 00:06:54,405

Just like, so, and then we'll

blend it right down to nothing.

139

00:06:58,575 --> 00:07:03,555

And that gives us a nice base shape

for a little mountain nano that

140

00:07:04,515 --> 00:07:05,825

let's put some no on that mountain.

141

00:07:05,825 --> 00:07:11,855

So we go right into the titanium white,

pull it out in very flat, just as flat

142

00:07:11,855 --> 00:07:15,455

as you can get it, really get tough

with it and then cut across and get

143

00:07:15,455 --> 00:07:16,715

that little roll of paint on the knife.

144

00:07:16,895 --> 00:07:17,825

Let's go right up here.

145

00:07:18,630 --> 00:07:21,420

Now at the point of the knife,

right at the pointy mountain.

146

00:07:21,900 --> 00:07:28,130

And just let it literally float

right down the mountain a little

147

00:07:28,130 --> 00:07:32,390

bit more right in here and begin

creating the shape of your mountain.

148

00:07:32,780 --> 00:07:33,170

Okay.

149

00:07:34,400 --> 00:07:35,000

No pressure.

150

00:07:36,080 --> 00:07:38,030

Very, very light.

151

00:07:39,050 --> 00:07:45,530

Maybe, I guess when it comes down like

that delicate touch, delicate touch.

152

00:07:48,690 --> 00:07:51,630

And this is where you really,

really need to have a firm paint.

153

00:07:51,630 --> 00:07:57,510

If you have a soupy paint, you're going

to become a mud mixer and we'll take

154

00:07:57,510 --> 00:07:58,980

a little that black and blue color.

155

00:08:00,120 --> 00:08:06,990

Mix it with some titanium white and

make a shadow color out like that.

156

00:08:08,460 --> 00:08:09,570

Let me clean my knife here.

157

00:08:10,965 --> 00:08:11,385

Tell you what?

158

00:08:11,385 --> 00:08:12,675

I'll get the small knife for that.

159

00:08:12,675 --> 00:08:14,475

It sneaks into those little places better.

160

00:08:14,565 --> 00:08:16,755

Kennys go right up in here now.

161

00:08:16,755 --> 00:08:19,665

They don't, I don't want to just put the

indication of some shadows here and there.

162

00:08:20,655 --> 00:08:22,905

Touch it, pull it down.

163

00:08:24,645 --> 00:08:30,705

Just put down all kinds of

happy little shadows there.

164

00:08:32,895 --> 00:08:37,425

We'll put one right in there for wherever

you think there should be a shadow.

165

00:08:37,919 --> 00:08:41,760

That's where to where to be over in here.

166

00:08:42,539 --> 00:08:43,770

Pull these down a little bit.

167

00:08:46,360 --> 00:08:48,510

You can go back and pick up

a little bit dark and where

168

00:08:48,510 --> 00:08:49,830

the shadows are really deep.

169

00:08:50,700 --> 00:08:51,120

Look at there.

170

00:08:51,530 --> 00:08:51,990

Look at that.

171

00:08:53,610 --> 00:08:57,390

See, you can just spend all day just

playing with mountains are so much fun.

172

00:08:58,290 --> 00:09:01,170

When I was learning and

practicing all the time.

173

00:09:01,740 --> 00:09:03,750

I used to take a canvas and

paint mountains from me.

174

00:09:04,125 --> 00:09:07,995

Top to bottom from floor to ceiling

on it, and then just scrape them off.

175

00:09:08,355 --> 00:09:09,255

Start over again.

176

00:09:10,185 --> 00:09:11,655

You never waste a canvas.

177

00:09:11,655 --> 00:09:13,485

You can clean it over and over and over.

178

00:09:14,535 --> 00:09:18,225

And when your paint's wet, you

can just take, scrape it off.

179

00:09:18,225 --> 00:09:22,545

Take a little paint, thinner, wash it

down and use it again over and over.

180

00:09:22,545 --> 00:09:26,985

If your paint's dry, you can take a little

sandpaper, sand off, any bumps that you

181

00:09:26,985 --> 00:09:31,965

have, cover it with a little liquid white

and you're back in business again, easy.

182

00:09:32,505 --> 00:09:33,765

Canvas never goes bad.

183

00:09:34,185 --> 00:09:37,785

Just paint right over King.

184

00:09:37,785 --> 00:09:42,405

Let's play some more with that

mountain, a little bit more of the

185

00:09:42,405 --> 00:09:44,265

white and let's come right in here.

186

00:09:44,625 --> 00:09:48,045

And maybe there's another little

thing and he lives right there.

187

00:09:49,365 --> 00:09:50,115

Wherever you want them.

188

00:09:50,655 --> 00:09:52,725

You can just put layer after layer.

189

00:09:56,040 --> 00:09:57,150

You can just keep going.

190

00:09:57,240 --> 00:10:00,329

Like I say, do you cover up the

whole canvas with mountains?

191

00:10:01,109 --> 00:10:03,390

And that's one of the best ways

that I know of to practice.

192

00:10:04,500 --> 00:10:09,329

Don't be afraid to, to practice if

there's a secret to this or to any style

193

00:10:09,329 --> 00:10:15,790

of painting, it is practice just like

tying your shoe first time you tried it.

194

00:10:15,870 --> 00:10:16,890

It wasn't so easy.

195

00:10:18,260 --> 00:10:18,930

Wasn't so easy.

196

00:10:18,930 --> 00:10:21,360

Now you can just, you don't even

have to look and you can do it.

197

00:10:22,290 --> 00:10:22,560

Of course.

198

00:10:22,560 --> 00:10:25,140

I told that to a lady in class one

day and she looked down and she said,

199

00:10:25,140 --> 00:10:26,400

how come you still wearing loafers?

200

00:10:28,560 --> 00:10:29,250

There we go.

201

00:10:30,930 --> 00:10:35,670

But I know you can do it better

than I now that'll get it that dark

202

00:10:35,940 --> 00:10:37,350

just sort of play it here and there.

203

00:10:38,430 --> 00:10:41,850

See how it sets that Frank's back in

there and create some deep shadows.

204

00:10:42,570 --> 00:10:43,080

Super.

205

00:10:45,750 --> 00:10:54,620

Now, back to our clean dry brush,

just tap that creates all that missed.

206

00:10:58,695 --> 00:11:04,065

We got a tremendous big mountain here, and

maybe I'm just going to tap some of the

207

00:11:04,065 --> 00:11:07,905

same colors and let's begin doing this.

208

00:11:08,145 --> 00:11:09,225

Just tapping downward.

209

00:11:10,455 --> 00:11:12,525

Just let this sort of

work right on out here.

210

00:11:13,095 --> 00:11:13,875

Very gentle.

211

00:11:16,725 --> 00:11:19,395

Maybe this just comes over

and Dan's right there.

212

00:11:20,865 --> 00:11:21,525

There we go.

213

00:11:21,645 --> 00:11:26,085

So at all those little things just

sort of happen and you've created

214

00:11:26,085 --> 00:11:27,425

another layer in your mountain.

215

00:11:27,495 --> 00:11:29,775

You can just keep going on and on and on.

216

00:11:30,495 --> 00:11:31,485

There's no limit to it.

217

00:11:33,195 --> 00:11:34,215

That's what makes it fun.

218

00:11:34,215 --> 00:11:35,865

We've got a little

highlight right in there.

219

00:11:37,215 --> 00:11:39,825

Now with a clean one inch

brush, I'm going to grab this.

220

00:11:40,560 --> 00:11:44,790

And make very short, little strokes, tiny

little strokes, quarter of an inch type

221

00:11:44,790 --> 00:11:49,949

strokes, and just lift that up and it'll

make it look like little trees that are

222

00:11:49,949 --> 00:11:55,050

growing right up the side of the mountain

far, far away, too far to see any detail.

223

00:11:58,069 --> 00:11:59,930

Yeah, little tiny strokes.

224

00:11:59,959 --> 00:12:00,980

Can't say that enough.

225

00:12:01,250 --> 00:12:02,569

You let those strokes get too big.

226

00:12:02,569 --> 00:12:06,410

You're varying the illusion over here.

227

00:12:06,410 --> 00:12:08,449

Maybe there's some little,

little things going on.

228

00:12:09,720 --> 00:12:10,199

Like, so

229

00:12:13,510 --> 00:12:16,800

I we'll just that right out.

230

00:12:17,640 --> 00:12:21,780

So you have soft and gentle that easy.

231

00:12:23,840 --> 00:12:26,130

We bet covers up the whole

canvas with mountains here.

232

00:12:26,655 --> 00:12:27,405

But that's all right.

233

00:12:27,945 --> 00:12:31,125

If you learn how to make fun mountain,

then you can make a thousand mountains

234

00:12:32,295 --> 00:12:35,355

and you can do, you can do anything.

235

00:12:37,575 --> 00:12:38,145

All right.

236

00:12:38,235 --> 00:12:38,745

All right.

237

00:12:39,855 --> 00:12:41,205

Let's just use this same old brush.

238

00:12:41,805 --> 00:12:44,955

I'm going to go right into some

of this black and blue right here.

239

00:12:45,195 --> 00:12:50,535

Pick up a little, little, the

white, just tap it in there.

240

00:12:51,675 --> 00:12:53,835

So we have staying woke

colors, black, blue, and little

241

00:12:53,835 --> 00:12:55,575

white kids go right up here.

242

00:12:56,745 --> 00:12:58,814

Let's make a little footy Hill, same.

243

00:12:59,085 --> 00:13:03,944

There he is just using the corner of the

brush and he lives right there comes right

244

00:13:03,944 --> 00:13:05,865

on down as each layer gets closer to you.

245

00:13:06,405 --> 00:13:12,314

I had to get a little bit darker, a little

bit darker, clean dry two inch brush.

246

00:13:13,515 --> 00:13:14,535

Just tack the base.

247

00:13:15,585 --> 00:13:16,905

We want to have the mist in here.

248

00:13:21,915 --> 00:13:23,235

Just a little bit of mist.

249

00:13:23,775 --> 00:13:24,495

There we go.

250

00:13:25,770 --> 00:13:29,820

Now that use the same old,

dirty brush, same old color.

251

00:13:31,320 --> 00:13:32,310

Make it a little darker.

252

00:13:32,460 --> 00:13:33,390

Just tap it.

253

00:13:34,890 --> 00:13:37,200

I'll tell you what we'll add

tiniest little bit of Vandyke Brown.

254

00:13:37,200 --> 00:13:39,150

We want to start getting

this a little closer.

255

00:13:40,260 --> 00:13:40,470

Okay.

256

00:13:40,500 --> 00:13:41,310

Let's go back up here.

257

00:13:41,850 --> 00:13:43,890

And maybe there's another

little Foothill that we can see.

258

00:13:43,920 --> 00:13:44,730

Ooh, there he is.

259

00:13:44,970 --> 00:13:45,660

There he is.

260

00:13:47,400 --> 00:13:48,330

He knew he was there

261

00:13:51,810 --> 00:13:53,310

and he just goes right on up, like, yeah.

262

00:13:54,120 --> 00:13:56,490

See how you can just

create layer after layer.

263

00:13:59,010 --> 00:13:59,670

Tap that one.

264

00:14:00,180 --> 00:14:02,760

There's a little bit of mist

is the only thing that we have

265

00:14:02,760 --> 00:14:04,650

in here to separate all these.

266

00:14:06,750 --> 00:14:07,080

Okay.

267

00:14:07,170 --> 00:14:11,640

I'll tell you what, let's add a tiniest

little bit of SAP green to that same

268

00:14:11,640 --> 00:14:14,460

color, because it's getting closer.

269

00:14:14,490 --> 00:14:16,260

Now we're going to

begin to see more color.

270

00:14:16,650 --> 00:14:16,800

Okay.

271

00:14:16,800 --> 00:14:20,280

Let's go back here and maybe we'll

have a footie Hill that comes.

272

00:14:20,785 --> 00:14:21,885

Right down here.

273

00:14:23,535 --> 00:14:24,015

Look at that.

274

00:14:26,835 --> 00:14:29,135

See, and I'm just using

just the corner of his soul.

275

00:14:29,165 --> 00:14:29,735

Two inch, bro.

276

00:14:31,265 --> 00:14:39,245

Barely touching, barely

touching, clean, dry two inch.

277

00:14:44,745 --> 00:14:46,395

Give it a little bit of brief pull.

278

00:14:49,005 --> 00:14:51,435

We just got all kinds of

things happening in there.

279

00:14:53,795 --> 00:14:54,335

Okay.

280

00:14:54,335 --> 00:14:55,565

Let me watch just brush.

281

00:14:56,315 --> 00:14:58,565

So we'll have a clean, I've

got all my brushes dirty.

282

00:15:01,505 --> 00:15:02,925

We have to splatter the camera man.

283

00:15:02,925 --> 00:15:04,385

There was I'll make sure he's awake.

284

00:15:05,435 --> 00:15:10,595

I'm going to go ride into some van Dyke

Brown, a little bit of dark Sienna.

285

00:15:10,655 --> 00:15:11,825

Just mix them on the brush here.

286

00:15:12,435 --> 00:15:13,275

Let's have some fun.

287

00:15:14,295 --> 00:15:15,225

Let's go right in here.

288

00:15:15,314 --> 00:15:15,824

Do this.

289

00:15:18,765 --> 00:15:22,665

We just, we just cover

the whole canvas here.

290

00:15:22,694 --> 00:15:23,625

Oh, we're looking for here.

291

00:15:24,615 --> 00:15:25,185

Yes, I'm good.

292

00:15:25,215 --> 00:15:27,495

Dark color, good face color.

293

00:15:29,995 --> 00:15:30,715

Like it

294

00:15:35,025 --> 00:15:37,245

gives us a nice, nice color to work with.

295

00:15:39,015 --> 00:15:39,405

Fair

296

00:15:48,245 --> 00:15:52,385

take the same old brush and I'm

gonna go right into my CAD yellow.

297

00:15:53,510 --> 00:15:57,090

Little bit of yellow ochre, reach

up here and grab some SAP green.

298

00:15:57,540 --> 00:15:59,340

And I'm just going to

tap this into the brush.

299

00:15:59,520 --> 00:16:00,300

Just tap it.

300

00:16:00,990 --> 00:16:05,220

Or these yellows are a little bit

thinner than the other colors, so

301

00:16:05,220 --> 00:16:06,630

they, they stick a little easier.

302

00:16:06,660 --> 00:16:07,740

Now let's go right in here.

303

00:16:08,580 --> 00:16:08,910

Let's see.

304

00:16:09,000 --> 00:16:09,630

Just touch.

305

00:16:10,390 --> 00:16:13,260

If your color won't stick

at a little bit of it.

306

00:16:13,575 --> 00:16:15,885

The liquid clear, a little,

little paint thinner to it.

307

00:16:16,575 --> 00:16:17,385

That'll thin it down.

308

00:16:17,385 --> 00:16:22,545

So it'll stick for, if you want

your color to be brighter, add

309

00:16:22,545 --> 00:16:23,775

a little bit of liquid white.

310

00:16:25,605 --> 00:16:26,325

There we go.

311

00:16:27,195 --> 00:16:30,855

Now maybe, maybe there's

a, another little thing.

312

00:16:30,975 --> 00:16:31,875

It lives right there.

313

00:16:34,795 --> 00:16:35,295

See there.

314

00:16:35,295 --> 00:16:37,695

How you could just create

layer after layer after layer.

315

00:16:39,525 --> 00:16:40,275

There we are.

316

00:16:42,870 --> 00:16:43,590

I tell you what?

317

00:16:44,070 --> 00:16:44,880

Let's have some fun.

318

00:16:44,880 --> 00:16:46,380

Let me find a little fan brush here.

319

00:16:48,570 --> 00:16:49,620

Oh, fan brush.

320

00:16:49,980 --> 00:16:56,580

I'll take some, some black,

blue and SAP green tape with

321

00:16:56,580 --> 00:16:57,870

this mix up a bunch of that.

322

00:16:57,870 --> 00:16:58,800

Cause we're going to use it.

323

00:17:00,450 --> 00:17:01,440

Ooh, that is a bunch.

324

00:17:01,440 --> 00:17:05,579

It should look black, just

black, blue, SAP green.

325

00:17:06,870 --> 00:17:07,560

There we go.

326

00:17:07,950 --> 00:17:09,090

Clean the knife off.

327

00:17:10,964 --> 00:17:13,754

Now with a fan brush, just

pull it right through there.

328

00:17:13,994 --> 00:17:15,224

A lot of paint on the brush.

329

00:17:16,125 --> 00:17:17,145

All right, let's go up here.

330

00:17:17,655 --> 00:17:19,935

Maybe there's some happy

little evergreens at live.

331

00:17:20,984 --> 00:17:21,524

There he is.

332

00:17:22,545 --> 00:17:27,974

And all we're going to do is

just tap, go back and forth.

333

00:17:29,264 --> 00:17:31,305

Like, so see there, there he is.

334

00:17:31,665 --> 00:17:32,325

There he is.

335

00:17:33,524 --> 00:17:34,575

Let's give him a little friend.

336

00:17:35,504 --> 00:17:39,195

You know what me, I think everybody

has to have a friend, friends

337

00:17:39,195 --> 00:17:42,045

are so important, so important.

338

00:17:46,235 --> 00:17:46,855

That's one thing.

339

00:17:47,435 --> 00:17:51,215

So fantastic about painting

for you on television.

340

00:17:51,695 --> 00:17:55,775

I've made thousands and

thousands of beautiful, beautiful

341

00:17:55,775 --> 00:17:57,965

friends that I've never had.

342

00:17:57,965 --> 00:18:01,325

If I hadn't done this and

I thank you very much.

343

00:18:03,680 --> 00:18:04,890

What makes us so special

344

00:18:08,250 --> 00:18:10,530

and that quick, we got

four happy little trees.

345

00:18:12,630 --> 00:18:17,820

We'll take a little bit of the dark Sienna

and I'm just going to put just indication

346

00:18:17,820 --> 00:18:19,260

of a little trunk or two in here.

347

00:18:20,430 --> 00:18:21,060

There we go.

348

00:18:21,150 --> 00:18:24,960

I see just the tiniest little indication.

349

00:18:25,905 --> 00:18:27,794

Then with the brush,

it has the color on it.

350

00:18:27,794 --> 00:18:30,735

I'm going to go back in here and

grab a little bit of that dark color.

351

00:18:31,004 --> 00:18:34,004

Just grab it for the corner

of the brush and pull it down.

352

00:18:34,155 --> 00:18:40,185

See there makes a shadow

that easy and easy.

353

00:18:42,090 --> 00:18:44,159

Man let's begin playing.

354

00:18:44,159 --> 00:18:47,370

I'm going to grab a little more

of the green and the yellows.

355

00:18:48,179 --> 00:18:51,629

I got all the yellows go in

here and in the yellow, yellow

356

00:18:51,629 --> 00:18:53,429

ochre, CAD yellow, just whatever.

357

00:18:53,939 --> 00:18:54,300

Okay.

358

00:18:55,080 --> 00:18:58,500

Now maybe, maybe, yeah, you're right.

359

00:18:59,399 --> 00:19:01,350

There's another little Hill right there.

360

00:19:02,970 --> 00:19:05,340

So you can make as many of

these as you want in your world

361

00:19:05,340 --> 00:19:06,810

horse view, it's up to you.

362

00:19:07,620 --> 00:19:08,370

It's up to you.

363

00:19:09,629 --> 00:19:12,990

Get a little bit of the bright

red, just a tiniest little bit.

364

00:19:14,910 --> 00:19:15,570

There we go.

365

00:19:15,900 --> 00:19:16,110

Hmm.

366

00:19:16,650 --> 00:19:20,430

Firecracker, let pretty

make another little Hill

367

00:19:23,580 --> 00:19:23,790

there.

368

00:19:25,590 --> 00:19:25,920

Okay.

369

00:19:26,070 --> 00:19:28,080

And if you wanted that to stand

out a little brighter, you can

370

00:19:28,080 --> 00:19:30,810

handle a little bit of yellow,

either drop it right on top.

371

00:19:32,130 --> 00:19:33,210

Just zings.

372

00:19:34,050 --> 00:19:34,620

All right.

373

00:19:35,790 --> 00:19:37,110

I'm going to get a one inch brush here.

374

00:19:38,550 --> 00:19:41,700

Let's pull that right through

this dark color, pull it through.

375

00:19:41,850 --> 00:19:42,390

Wiggle it.

376

00:19:43,530 --> 00:19:45,480

Wiggle it, that brings

it to a nice sharp point.

377

00:19:45,660 --> 00:19:46,650

Can I just go back up here?

378

00:19:47,520 --> 00:19:49,740

Maybe there's a happy liver, green.

379

00:19:50,940 --> 00:19:51,210

Ooh.

380

00:19:51,510 --> 00:19:54,120

That's going to be a happy, big

evergreen take just the corner

381

00:19:54,120 --> 00:19:57,000

of the brush back and forth.

382

00:19:57,450 --> 00:19:57,960

Look at that.

383

00:19:58,980 --> 00:20:04,470

See, they live right there in that

one inch brush, just like you're doing

384

00:20:04,470 --> 00:20:08,430

a fan brush or the two inch brush.

385

00:20:10,260 --> 00:20:12,170

There we go, just let him come around.

386

00:20:12,180 --> 00:20:14,130

Or that rule, we just

killed my little tree there.

387

00:20:15,510 --> 00:20:16,080

That's all right.

388

00:20:16,080 --> 00:20:16,980

We know he's back here.

389

00:20:18,690 --> 00:20:23,220

We ain't know he's there killed

my mountain up there too.

390

00:20:23,280 --> 00:20:26,310

Well, I'm just, I'm just running

everything that I did, but as

391

00:20:26,310 --> 00:20:28,950

long as you learn how to do it,

that's, what's so important.

392

00:20:30,990 --> 00:20:32,610

Just so he learned how to do it.

393

00:20:33,930 --> 00:20:35,370

Let's make that one a little bit taller.

394

00:20:35,370 --> 00:20:35,940

There we go.

395

00:20:37,920 --> 00:20:42,930

There another happy

little tree down in here.

396

00:20:42,930 --> 00:20:44,760

We could care less just anywhere.

397

00:20:44,910 --> 00:20:45,450

Doesn't matter.

398

00:20:47,070 --> 00:20:48,690

You separate these with highlights.

399

00:20:49,230 --> 00:20:49,980

There is another one.

400

00:20:55,700 --> 00:20:57,260

You decide how many trees you want?

401

00:20:57,620 --> 00:21:00,080

10 trees, maybe there's

a whole forest there.

402

00:21:00,950 --> 00:21:05,000

Put them in every tree you do

gives you that much more practice.

403

00:21:06,620 --> 00:21:10,399

And the more practice you have, the

better your tree is going to get here.

404

00:21:10,399 --> 00:21:11,420

I'm just adding some color.

405

00:21:13,530 --> 00:21:14,340

Adding some color.

406

00:21:16,139 --> 00:21:18,510

I can, let's put a tree on the other side.

407

00:21:18,510 --> 00:21:22,260

We wouldn't want one that side over

there to be left out and feel lonely.

408

00:21:23,310 --> 00:21:24,659

There he is right there.

409

00:21:27,750 --> 00:21:28,590

All right.

410

00:21:32,219 --> 00:21:33,000

Big old tree

411

00:21:37,350 --> 00:21:37,679

there.

412

00:21:39,419 --> 00:21:40,919

Just let him fall right out of there.

413

00:21:47,100 --> 00:21:49,890

And once again, Dan, in here,

we could really care less.

414

00:21:49,890 --> 00:21:51,480

What's happening all we're

looking for down here.

415

00:21:51,960 --> 00:21:56,460

It's just a nice dark color, maybe.

416

00:21:57,630 --> 00:21:57,870

Yep.

417

00:21:58,110 --> 00:21:58,770

You're right.

418

00:21:59,280 --> 00:22:02,280

We don't have another happy

little tree is right there.

419

00:22:02,730 --> 00:22:04,140

Can we just let him work right on down?

420

00:22:08,040 --> 00:22:10,440

And does it match where she

trees lives right there?

421

00:22:10,620 --> 00:22:11,129

I remember.

422

00:22:15,659 --> 00:22:18,740

Nice little tree shoot.

423

00:22:18,750 --> 00:22:19,980

Head brush is too slow.

424

00:22:20,190 --> 00:22:20,639

Let's get her.

425

00:22:20,879 --> 00:22:22,080

Let's get a two inch brush here.

426

00:22:22,770 --> 00:22:24,240

I can just drop in some little things.

427

00:22:29,250 --> 00:22:34,350

A little bit of the dark Sienna gave us an

indication of a tree trunk here and there.

428

00:22:35,985 --> 00:22:40,745

Wherever, maybe there's even

one in this Bush over here.

429

00:22:42,065 --> 00:22:42,875

Same, same.

430

00:22:43,895 --> 00:22:48,995

I want to leave him out and you can

just take the point of the knife

431

00:22:48,995 --> 00:22:51,395

and scrape a little things in here.

432

00:22:55,025 --> 00:22:55,295

Okay.

433

00:22:55,595 --> 00:22:58,985

Let me just take the brush

that has the yellow on it.

434

00:22:59,615 --> 00:23:02,165

And SAP green loaded four.

435

00:23:03,854 --> 00:23:05,175

Okay, let's go right back up here.

436

00:23:05,865 --> 00:23:12,064

Now that she is pop in a few little

highlights on these trees, don't let it

437

00:23:12,064 --> 00:23:13,985

get too light and keep it quite dark.

438

00:23:14,195 --> 00:23:16,834

Evergreens are usually a

little darker than other trees.

439

00:23:18,304 --> 00:23:18,965

There we go.

440

00:23:21,155 --> 00:23:21,935

Fantastic.

441

00:23:23,615 --> 00:23:27,814

There these little trees back

here, they need a little touch too.

442

00:23:28,560 --> 00:23:31,530

There this old tree.

443

00:23:31,560 --> 00:23:36,629

He don't want to be left out a

little bit in there and that's

444

00:23:36,629 --> 00:23:38,370

enough to give us some indications.

445

00:23:40,550 --> 00:23:43,489

Alrighty, tell you what, let me get,

446

00:23:46,820 --> 00:23:50,239

let's take some yellow, a little bit

of Sam green on the one inch brush.

447

00:23:50,479 --> 00:23:51,560

Put it in one direction.

448

00:23:53,120 --> 00:23:55,550

Let's put some happy little

bushes right up in here.

449

00:23:56,550 --> 00:23:57,090

There they are.

450

00:23:58,429 --> 00:23:58,790

There.

451

00:23:58,830 --> 00:23:59,189

They are.

452

00:23:59,550 --> 00:24:03,659

Look at all those little things,

all kinds of little bushes.

453

00:24:03,689 --> 00:24:05,070

This is just yellow and green.

454

00:24:11,040 --> 00:24:16,500

These are the kinds of paintings

that really make you happy and

455

00:24:16,560 --> 00:24:17,969

touch a paint thinner to my pain.

456

00:24:18,540 --> 00:24:20,070

There's so much paint here.

457

00:24:20,129 --> 00:24:22,469

You need a very thin paint to

get it, to stick to all of this.

458

00:24:24,524 --> 00:24:28,625

There and put some shape and

some form until you Busch.

459

00:24:28,625 --> 00:24:30,814

Don't just, don't just throw

this up there at random.

460

00:24:31,655 --> 00:24:32,284

Think about it.

461

00:24:33,425 --> 00:24:34,324

Think like a Bush.

462

00:24:36,665 --> 00:24:37,324

Here we go.

463

00:24:39,905 --> 00:24:39,995

Good.

464

00:24:39,995 --> 00:24:43,804

One of the previous series I told a story

about, and as a kid, my uncle told me

465

00:24:43,804 --> 00:24:49,415

if I wanted to catch a rabbit, I stood

behind should stand behind the tree and.

466

00:24:49,950 --> 00:24:51,150

Make a noise, like a carrot.

467

00:24:51,150 --> 00:24:54,960

And when he came by grabbing and he

was just saying, catch me rabbits.

468

00:24:56,160 --> 00:24:56,490

Okay.

469

00:24:56,490 --> 00:24:58,350

Back with a two inch brush into the color.

470

00:25:00,090 --> 00:25:04,830

Let's come right along in here

and just happy in all kinds of

471

00:25:04,830 --> 00:25:06,840

little happy little grassy areas.

472

00:25:08,880 --> 00:25:10,530

This is where the little

bunny rabbit live.

473

00:25:10,530 --> 00:25:11,670

He'd hide right up in here.

474

00:25:14,190 --> 00:25:15,210

That's where he'd live.

475

00:25:15,945 --> 00:25:18,585

And just sort of bounce back

and forth with your color.

476

00:25:21,845 --> 00:25:22,985

Let's go on the other side.

477

00:25:24,245 --> 00:25:24,735

There it is.

478

00:25:24,755 --> 00:25:26,135

You just cut it off wherever you want it.

479

00:25:28,175 --> 00:25:28,655

Look at that.

480

00:25:28,715 --> 00:25:30,155

See how it pushes everything back.

481

00:25:30,155 --> 00:25:35,795

The wind creates a layer after layer and

that's what makes your painting look deep.

482

00:25:35,795 --> 00:25:37,295

And like, it has a lot of distance.

483

00:25:41,129 --> 00:25:42,960

We could have another

rabbit over on this side.

484

00:25:43,600 --> 00:25:46,379

They have rabbits everywhere in

this, and this is where it's.

485

00:25:49,080 --> 00:25:49,710

All right.

486

00:25:50,490 --> 00:25:52,919

Tell you what catch up a little

rabbit that lives back here.

487

00:25:52,919 --> 00:25:54,690

We need a, we need a little path.

488

00:25:55,580 --> 00:25:59,250

I'm gonna go right into some

Vandyke Brown, little dark

489

00:25:59,250 --> 00:26:01,860

Sienna with the old fan brush.

490

00:26:01,950 --> 00:26:03,240

Just pull it through there.

491

00:26:03,690 --> 00:26:05,250

Like so, okay.

492

00:26:05,730 --> 00:26:07,020

Maybe the little path lives.

493

00:26:07,470 --> 00:26:10,350

And just back and forth strokes.

494

00:26:11,100 --> 00:26:13,679

See you just put the little

path wherever you want it.

495

00:26:14,970 --> 00:26:17,040

Just like, so there he is.

496

00:26:18,990 --> 00:26:19,470

Look at that.

497

00:26:22,050 --> 00:26:25,500

And that quick, you got a happy little

path that just sort of smoothing off

498

00:26:30,189 --> 00:26:30,870

the point of the knife.

499

00:26:30,899 --> 00:26:32,939

Let's just go in here, put

in a few little sticks.

500

00:26:34,020 --> 00:26:36,750

The old clock on the wall was

telling me I got to go for this time.

501

00:26:37,830 --> 00:26:39,629

So I think we'll call

this painting finished.

502

00:26:40,350 --> 00:26:42,690

We're wrapping it up in this

week from all of us here.

503

00:26:42,690 --> 00:26:43,409

Happy painting.

504

00:26:43,620 --> 00:26:44,310

We got blessed.

End .srt file.

S09E03 - Red Sunset

Bob Ross's

The Joy of Painting

S09E03 - Red Sunset

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,060 --> 00:00:01,050

Hi, welcome back.

00:00:01,120 --> 00:00:02,580

Certainly glad you could join me today.

00:00:02,970 --> 00:00:03,240

Today.

00:00:03,240 --> 00:00:05,400

I thought we'd do a

fantastic little painting.

00:00:05,400 --> 00:00:08,400

That's very warm and very

bright is such a good day.

00:00:08,790 --> 00:00:09,750

Let's do a good painting.

00:00:10,080 --> 00:00:11,190

So let's go up here at the canvas.

00:00:11,220 --> 00:00:12,450

Let me tell you what I've already done.

00:00:13,050 --> 00:00:13,140

Now.

00:00:13,140 --> 00:00:15,630

This is probably going to look

sort of green to you right in here.

00:00:15,660 --> 00:00:19,230

And the reason for that is, is it

because I've covered this black canvas

00:00:19,770 --> 00:00:23,880

with Indian yellow right here, which

is a very transparent yellow, but black

00:00:23,880 --> 00:00:25,740

and yellow, as, you know, make green.

00:00:26,130 --> 00:00:29,310

When we start putting color on here,

that'll go away right above that.

00:00:29,700 --> 00:00:33,560

Is a strip of alizarin Crimson, and

then above that is a little bit of

00:00:33,570 --> 00:00:35,370

halo blue, same thing on the bottom.

00:00:35,880 --> 00:00:39,330

And I've just blended the entire canvas

with a big brush and it's all ready.

00:00:39,870 --> 00:00:42,300

So let's have him run all the

colors across the screen that you

00:00:42,300 --> 00:00:43,560

need to do this painting with me.

00:00:43,890 --> 00:00:45,930

And we going to appear and

get started and have some fun.

00:00:46,860 --> 00:00:50,880

Now, first thing let's talk about for a

second is how do you get the canvas black?

00:00:51,390 --> 00:00:52,980

The best way that I've

found is get some black.

00:00:52,980 --> 00:00:56,790

Jessel how black Jesso is made to

have paint, adhere to it a little

00:00:56,790 --> 00:00:59,010

better than just black house paint.

00:00:59,250 --> 00:01:01,680

So I think you'll, you'll need

some of that cover the canvas

00:01:01,680 --> 00:01:03,420

and let the black dry completely.

00:01:04,020 --> 00:01:05,310

You want that to be totally dry.

00:01:05,310 --> 00:01:08,400

And then you put these transparent

colors over the black Jesso.

00:01:08,925 --> 00:01:09,735

And go from there.

00:01:09,794 --> 00:01:12,494

Don't let the, don't let the

transparent colors dry on you though.

00:01:12,494 --> 00:01:13,785

We want to keep those nice and wet.

00:01:13,785 --> 00:01:15,975

So we put, I'm going to

put white in here, I think.

00:01:15,975 --> 00:01:18,044

And let's just see what happens.

00:01:18,664 --> 00:01:20,315

Let's start off with

the old fan brush today.

00:01:21,155 --> 00:01:25,835

I'm going to go right in two

titanium, white and load, a lot

00:01:25,835 --> 00:01:28,054

of paint into the brush today.

00:01:28,294 --> 00:01:31,175

We're going to teach you how to be

a brush washer going to get to wash

00:01:31,175 --> 00:01:32,554

the brush a whole bunch of times.

00:01:33,485 --> 00:01:35,014

All right, let's go

right up to the canvas.

00:01:36,390 --> 00:01:38,280

You have to make a big

decision right off here.

00:01:38,550 --> 00:01:39,539

Where's your horizon.

00:01:39,630 --> 00:01:41,250

And where's the brightest

spot going to be.

00:01:41,250 --> 00:01:42,539

This is going to be like a sunset.

00:01:43,020 --> 00:01:47,910

So maybe right in here, right in this

area here, we'll have a nice bright area.

00:01:47,970 --> 00:01:50,699

So you take your fan brush

fully loaded with paint and do.

00:01:51,645 --> 00:01:52,425

Get mean with it.

00:01:52,905 --> 00:01:56,175

This is where you take out all

your frustrations and hostilities.

00:01:56,955 --> 00:01:59,445

This is better than going home

and kicking the dog around.

00:02:00,315 --> 00:02:00,735

Look at that.

00:02:00,735 --> 00:02:02,565

What's happening now.

00:02:02,565 --> 00:02:08,235

See, as you work up, are you picking up

all that color underneath all kinds of

00:02:08,235 --> 00:02:11,205

beautiful colors in here, the Crimson.

00:02:11,205 --> 00:02:13,905

And now you're going to get up in here

where there's some blue and Crimson,

00:02:13,905 --> 00:02:15,975

which will make a nice lavender color.

00:02:19,065 --> 00:02:19,395

Okay.

00:02:19,665 --> 00:02:20,055

Now then.

00:02:21,195 --> 00:02:21,975

Wash your brush.

00:02:22,875 --> 00:02:28,845

Every time you wash your brush,

dry it off, back into the

00:02:28,845 --> 00:02:31,575

white, back into the white.

00:02:31,815 --> 00:02:36,105

And when you're doing this at home, try

it with numerous transparent colors.

00:02:37,395 --> 00:02:40,055

And I know the first question

is how do I tell if a color

00:02:40,055 --> 00:02:41,765

is transparent, the best way.

00:02:41,765 --> 00:02:43,685

If you have a black canvas is

just take a little bit of the

00:02:43,685 --> 00:02:45,515

color and put it on the canvas.

00:02:45,515 --> 00:02:47,735

If it still looks black, then

it's transparent enough to

00:02:47,735 --> 00:02:48,725

do what we're doing here.

00:02:49,350 --> 00:02:53,550

Okay, let's go right back up here,

back to the light spot, bang that right

00:02:53,550 --> 00:02:59,220

in there and just begin creating some

beautiful little, little cloud formation.

00:02:59,250 --> 00:03:01,200

Let that brush dance, let it play.

00:03:02,520 --> 00:03:04,829

All kinds of little things are going on.

00:03:06,390 --> 00:03:09,060

This is where you just sort of

let your imagination go crazy.

00:03:10,350 --> 00:03:11,880

All these little things just happen.

00:03:14,130 --> 00:03:17,490

And if you wanted to show a little more

blue up here, you could certainly do that.

00:03:17,970 --> 00:03:21,030

Sometimes it's pretty to have

a nice stable blue up there.

00:03:22,170 --> 00:03:25,350

I've mixed blue and Crimson together

to make it more of a lavender color.

00:03:26,100 --> 00:03:28,290

But in your world, you

put whatever you want.

00:03:28,740 --> 00:03:33,300

Low this brush up again, back

in here, always back to that,

00:03:34,520 --> 00:03:36,180

the light area and work outward.

00:03:36,825 --> 00:03:40,665

And let's just dance that brush

by dancing it, turn it, spin it.

00:03:42,135 --> 00:03:43,965

That all those little things just happen.

00:03:43,995 --> 00:03:44,475

Ooh, isn't it.

00:03:44,475 --> 00:03:45,105

Pretty right there.

00:03:46,785 --> 00:03:47,025

Okay.

00:03:47,255 --> 00:03:48,095

We'll wash the brush.

00:03:48,095 --> 00:03:51,965

Have you told you you're going to

be an expert and brush washer by the

00:03:51,965 --> 00:03:56,465

time this one's over, but you never,

never, never want to take this dirty

00:03:56,465 --> 00:03:57,905

brush back into the light area.

00:03:59,165 --> 00:04:01,505

It takes a little time to do all this

brush washing, but it'll pay your

00:04:01,505 --> 00:04:03,965

dividends back into the light area.

00:04:06,209 --> 00:04:11,730

Dan South, some of this color maybe just

goes right on off the canvas and sort

00:04:11,730 --> 00:04:13,620

of wanders back right there, whatever.

00:04:16,289 --> 00:04:17,670

Just let your imagination go

00:04:24,300 --> 00:04:27,510

a little more of the white

at some places in here.

00:04:27,930 --> 00:04:29,909

I want to show a little

more distinct clouds.

00:04:29,909 --> 00:04:32,250

So I'm just going to add a little

bit of white right in here.

00:04:32,250 --> 00:04:33,539

So it'll be a little bit brighter.

00:04:34,800 --> 00:04:41,250

A little bit brighter in places,

light striking and carrying on.

00:04:41,970 --> 00:04:44,790

I know by now you saying boy, that

Bob's really messed up this time.

00:04:45,660 --> 00:04:46,530

You may be right.

100

00:04:48,270 --> 00:04:48,930

There we go.

101

00:04:48,990 --> 00:04:50,640

Just let all these little things happen.

102

00:04:51,840 --> 00:04:52,620

Have fun with it.

103

00:04:53,460 --> 00:04:57,150

Now then if you was to take and try

to blend all that in, then chances

104

00:04:57,150 --> 00:05:01,410

are, if you blended that with a big

brush, it would just make a happy mess.

105

00:05:02,790 --> 00:05:05,130

Let me show you one other thing

here before we get too far along,

106

00:05:08,850 --> 00:05:10,020

I want to make this even brighter.

107

00:05:10,110 --> 00:05:12,240

I'm going to add some more

pure white right in here.

108

00:05:13,650 --> 00:05:14,130

Look at that.

109

00:05:14,880 --> 00:05:15,780

Very bright.

110

00:05:17,760 --> 00:05:21,420

Okay, Matt, as I was saying, if you

tried to blend all this chances are it

111

00:05:21,420 --> 00:05:24,540

would smear and you'd be a mud mixer,

and we don't want any button mixing.

112

00:05:24,990 --> 00:05:27,930

So take your knife and very

gently, just barely touch it.

113

00:05:30,090 --> 00:05:35,789

Scrape off that excess paint, wipe

your knife each time you scrape.

114

00:05:35,789 --> 00:05:38,830

Otherwise, when you go back

here, you'll put a big line of

115

00:05:38,880 --> 00:05:43,169

color each time, wipe it off.

116

00:05:43,200 --> 00:05:46,349

Very careful because you

don't want to smear this color

117

00:05:46,349 --> 00:05:47,520

all over the black canvas.

118

00:05:49,580 --> 00:05:51,120

We really have got a mess now.

119

00:05:53,955 --> 00:05:57,675

Yeah, we'll take a clean dry.

120

00:05:57,735 --> 00:06:00,225

Let me repeat, try to inspiration.

121

00:06:00,235 --> 00:06:01,035

Go right up in here.

122

00:06:01,095 --> 00:06:04,605

Be sure this brush is dry and very gently.

123

00:06:05,415 --> 00:06:06,165

Very gently.

124

00:06:07,685 --> 00:06:12,615

Just start blending this,

wearing your sunglasses today.

125

00:06:12,885 --> 00:06:13,905

This is a bright one.

126

00:06:14,715 --> 00:06:18,975

This is such a fantastic day and it's

such a super nice little happy mood.

127

00:06:18,975 --> 00:06:20,415

I thought we'd do a bright painting.

128

00:06:21,960 --> 00:06:22,680

Right paintings.

129

00:06:22,680 --> 00:06:23,610

They make you feel good.

130

00:06:25,230 --> 00:06:25,740

Look at that.

131

00:06:26,040 --> 00:06:26,550

Look at that.

132

00:06:27,780 --> 00:06:31,650

All these colors just come alive and

you'll notice on a black canvas that

133

00:06:31,650 --> 00:06:35,430

color sometimes look so much stronger

than it does on a white canvas.

134

00:06:38,040 --> 00:06:40,470

And then very lightly just

take out the breast strokes.

135

00:06:42,780 --> 00:06:43,290

Okay.

136

00:06:44,580 --> 00:06:50,550

Now, when I wash my brush, I'm going

to go right back into white here.

137

00:06:51,690 --> 00:06:57,120

If once again now, maybe in here we all

make a little cloud is just a little bit

138

00:06:57,120 --> 00:07:00,510

more distinct, a little bit brighter.

139

00:07:01,380 --> 00:07:04,560

So just take a little that white

and bounce it around in there.

140

00:07:05,580 --> 00:07:08,219

Maybe, maybe right here, wherever

you think you ought to be

141

00:07:11,310 --> 00:07:15,840

saying that helps create the illusion

of distance in your sky perspective.

142

00:07:17,664 --> 00:07:19,575

There we go, man.

143

00:07:21,945 --> 00:07:22,935

Good, dry brush.

144

00:07:23,985 --> 00:07:29,505

And then blend, blend, barely,

barely touching the canvas.

145

00:07:34,215 --> 00:07:35,925

Mix it up a little bit, then blended it.

146

00:07:37,215 --> 00:07:38,355

Just barely touching.

147

00:07:40,515 --> 00:07:41,115

There we go.

148

00:07:42,555 --> 00:07:43,155

Very soft.

149

00:07:48,855 --> 00:07:51,075

And we get the rest of the painting

and here, this guy won't look

150

00:07:51,075 --> 00:07:52,395

near as bright as it does now.

151

00:07:54,165 --> 00:07:54,615

Right now.

152

00:07:54,615 --> 00:07:55,545

That's a firecracker.

153

00:07:55,545 --> 00:07:55,755

Isn't it.

154

00:07:57,975 --> 00:07:58,515

There we go.

155

00:07:59,865 --> 00:08:03,165

Let's see, this is Indian, yellow,

before it looks sort of green against

156

00:08:03,165 --> 00:08:06,225

the black, but once you put the

white with it, it's opaque and that

157

00:08:06,225 --> 00:08:07,755

yellow just jumps right out at you.

158

00:08:10,495 --> 00:08:10,905

Okay.

159

00:08:11,970 --> 00:08:13,620

Yeah, we'll just use the

same old, dirty brush.

160

00:08:14,430 --> 00:08:18,960

I'm going to go right into some

midnight black and reach over here.

161

00:08:19,800 --> 00:08:23,670

Grab a little bit of a lizard Crimson

to just mix these on the brush.

162

00:08:23,760 --> 00:08:24,450

No big deal.

163

00:08:25,140 --> 00:08:26,820

Just pull the brush

right through that color.

164

00:08:27,300 --> 00:08:31,200

Just pull it can just go up here

and maybe there's some happy

165

00:08:31,200 --> 00:08:32,220

little foothills that live.

166

00:08:32,220 --> 00:08:33,059

We back here.

167

00:08:33,690 --> 00:08:35,820

Take the brush, touch,

just use the corner.

168

00:08:37,679 --> 00:08:39,000

Crimson and black.

169

00:08:40,620 --> 00:08:45,030

See, this is where you have to

make this big decision right here.

170

00:08:47,010 --> 00:08:54,330

Little more of the Crimson and the black

strap, the sand, wherever you think your

171

00:08:54,330 --> 00:08:56,790

little Foothill lives, it's where he goes.

172

00:09:00,030 --> 00:09:03,870

Pretty scene that sets that sky off.

173

00:09:06,480 --> 00:09:10,770

A lot of times, if you're out

selling paintings, a lot of

174

00:09:10,770 --> 00:09:15,210

times people buy paintings for

color as much as for content.

175

00:09:15,690 --> 00:09:18,570

And if you have an old doll room around

your house, you put this one in there.

176

00:09:19,860 --> 00:09:21,060

You have to wear sunglasses.

177

00:09:21,060 --> 00:09:23,820

When you go in, this will

brighten up a doll room.

178

00:09:25,410 --> 00:09:26,430

That's wash the brush.

179

00:09:31,725 --> 00:09:34,785

It's a lot more fun to watch these

big versus it is a little videos.

180

00:09:35,415 --> 00:09:37,515

Now I want to reflect some

of that into the water.

181

00:09:38,655 --> 00:09:41,775

Just going to take this brush and

tap it right into some titanium.

182

00:09:41,805 --> 00:09:43,485

White, just tap a little bit of color.

183

00:09:43,965 --> 00:09:44,565

Let's go up here.

184

00:09:45,075 --> 00:09:47,415

A decide where water

and land meet back here.

185

00:09:47,475 --> 00:09:52,425

All you do is touch and pull

straight down, touch and pull down.

186

00:09:53,835 --> 00:09:55,485

So you start in the lightest area.

187

00:09:55,935 --> 00:09:58,814

And work outward that way automatically.

188

00:09:58,875 --> 00:10:01,185

It gets darker, darker, darker.

189

00:10:01,245 --> 00:10:01,785

See there.

190

00:10:02,895 --> 00:10:03,135

Okay.

191

00:10:03,194 --> 00:10:07,564

Now back over here,

touch and work outward.

192

00:10:09,755 --> 00:10:13,385

All we're doing here is just laying

some color on the canvas, but this

193

00:10:13,385 --> 00:10:16,834

too is picking up all those beautiful,

transparent colors that are underneath,

194

00:10:17,344 --> 00:10:18,995

and this all happens automatically.

195

00:10:19,625 --> 00:10:21,155

Now, wash the brush one more time.

196

00:10:24,150 --> 00:10:25,410

Do you have a scrubbing off

197

00:10:30,390 --> 00:10:31,360

and beat the devil out.

198

00:10:31,770 --> 00:10:33,960

Now this time, we're going

to use a firm pressure.

199

00:10:35,280 --> 00:10:40,320

Bend that brush, snap it, pull

it, just pull it right down.

200

00:10:40,590 --> 00:10:44,040

Look at their beautiful colors.

201

00:10:44,940 --> 00:10:45,090

Now.

202

00:10:45,120 --> 00:10:46,920

Very lightly, very lightly.

203

00:10:47,550 --> 00:10:48,180

Go across it.

204

00:10:51,390 --> 00:10:55,770

And you can, you can push this,

look, see, push it that way, that

205

00:10:55,770 --> 00:10:57,210

way, wherever you want to go.

206

00:10:59,460 --> 00:11:04,290

And it creates the illusion

of water that simple.

207

00:11:05,699 --> 00:11:08,600

All right, let's take the knife.

208

00:11:09,680 --> 00:11:11,480

We're we'll take a little bit of height.

209

00:11:12,660 --> 00:11:14,579

Touch it that bright red.

210

00:11:14,579 --> 00:11:17,189

And I'm going to take

some dark CNNs to that.

211

00:11:18,839 --> 00:11:20,219

Make a color about my cat.

212

00:11:20,760 --> 00:11:21,510

Cut across it.

213

00:11:21,800 --> 00:11:22,890

Little tiny roller of paint.

214

00:11:22,949 --> 00:11:24,599

Let's go up here now.

215

00:11:24,599 --> 00:11:28,500

I want to put an indication of a,

just a happy little water line here.

216

00:11:29,939 --> 00:11:31,859

So we just let that

play out of it in here.

217

00:11:33,959 --> 00:11:34,439

Stay there.

218

00:11:35,520 --> 00:11:35,819

Okay.

219

00:11:38,625 --> 00:11:39,495

Just drop that here.

220

00:11:40,035 --> 00:11:42,345

And maybe there's a few little

sparklers out here on the

221

00:11:42,345 --> 00:11:45,525

water wherever you want them.

222

00:11:47,025 --> 00:11:51,765

Now, the ones that are directly directly

under this bright area, I'm going to

223

00:11:51,765 --> 00:11:55,305

add a little touch of yellow to them,

make them really, really stand out.

224

00:11:55,635 --> 00:11:59,685

Cause they're going to be a little

brighter, few little things like that.

225

00:12:00,885 --> 00:12:01,365

All right.

226

00:12:04,425 --> 00:12:06,724

Yeah, we can come into the

foreground and play a little bit.

227

00:12:07,204 --> 00:12:08,495

And I think it is foreground here.

228

00:12:08,584 --> 00:12:12,484

We'll have some nice big trees and

bushes, and we'll just see what happens.

229

00:12:13,745 --> 00:12:17,194

We'll take some midnight black

let's mix up a bunch of paint.

230

00:12:17,495 --> 00:12:20,704

There's black and Crimson.

231

00:12:21,844 --> 00:12:22,115

Shoot.

232

00:12:22,115 --> 00:12:25,204

Let's take some Vandyke Browns and

dark sand with throw it all in there.

233

00:12:27,094 --> 00:12:27,755

Very dark.

234

00:12:27,785 --> 00:12:29,405

It should look black.

235

00:12:30,480 --> 00:12:31,110

Very dark.

236

00:12:31,110 --> 00:12:32,100

I put the color in there.

237

00:12:32,100 --> 00:12:36,030

So when we add highlight, you'll get

little sparkles and you don't have

238

00:12:36,030 --> 00:12:38,400

to overmix this about like, yeah.

239

00:12:38,490 --> 00:12:39,600

Can we clean the knife off?

240

00:12:43,040 --> 00:12:46,250

yeah, one thing of interest I'd like to

pass on, we get a lot of cards saying,

241

00:12:46,640 --> 00:12:49,020

how do I get all the paint out of a tube?

242

00:12:49,020 --> 00:12:52,700

Because when you're using a very firm

paint, sometimes it's a son of a gun to

243

00:12:52,700 --> 00:12:54,170

get all the paint out and you wasted it.

244

00:12:54,930 --> 00:12:55,620

I want to show you this.

245

00:12:55,620 --> 00:12:57,390

This is one of the neatest little devices.

246

00:12:57,810 --> 00:13:01,290

This is called a two bringer

and this little two bringer.

247

00:13:02,130 --> 00:13:07,560

All you do is just you stick you too

bright in there and crank his handle.

248

00:13:08,160 --> 00:13:08,880

That son of a gun.

249

00:13:08,880 --> 00:13:10,439

We'll take out every little bit of pain.

250

00:13:10,589 --> 00:13:12,510

Well, that's a, that's a lifesaver there.

251

00:13:12,569 --> 00:13:13,530

You already have one of those.

252

00:13:14,849 --> 00:13:15,270

Okay.

253

00:13:16,170 --> 00:13:16,979

Not talking here.

254

00:13:17,189 --> 00:13:18,150

Let's load a brush.

255

00:13:18,359 --> 00:13:18,870

We'll use it.

256

00:13:19,349 --> 00:13:20,250

We'll use this brush.

257

00:13:21,270 --> 00:13:21,359

Okay.

258

00:13:21,944 --> 00:13:24,405

And this whole two inch brush and

I'm going right into this paint.

259

00:13:24,855 --> 00:13:28,665

Pull it, give it a wiggle, just wiggle it.

260

00:13:29,925 --> 00:13:32,595

That pulls the paint down

to the end of the bristles.

261

00:13:32,985 --> 00:13:38,385

Pull it, give it a wiggle and then sharpen

it just like you would find a knife.

262

00:13:38,985 --> 00:13:43,155

Now this brush, let me turn it

seeing, see, look at how sharp it is.

263

00:13:45,045 --> 00:13:46,035

Very sharp.

264

00:13:46,365 --> 00:13:47,265

Okay, let's go right up here.

265

00:13:48,525 --> 00:13:50,055

Now you got to make some big decisions.

266

00:13:50,715 --> 00:13:52,845

In your world, where does the tree live?

267

00:13:52,845 --> 00:13:57,885

I think right there, all you

do is touch the canvas and take

268

00:13:57,885 --> 00:13:59,265

just the corner of the brush.

269

00:13:59,475 --> 00:14:02,175

I don't be afraid of this

brush because it's big.

270

00:14:03,555 --> 00:14:05,715

It will do fantastic things for you.

271

00:14:05,835 --> 00:14:12,795

Just use the corner, pushed down and sort

of worked back and forth, back and forth.

272

00:14:14,729 --> 00:14:15,240

I had to go.

273

00:14:16,560 --> 00:14:18,329

All you're looking for

right here is a silhouette.

274

00:14:18,959 --> 00:14:21,630

We'll come back and we'll put a few

little highlights on these trees.

275

00:14:23,630 --> 00:14:24,410

Okay.

276

00:14:24,800 --> 00:14:25,910

You don't want him to get lonely?

277

00:14:25,910 --> 00:14:30,740

Let's give him a little friend that

lives right there, right there.

278

00:14:31,729 --> 00:14:32,930

Just the corner of the brush.

279

00:14:35,460 --> 00:14:37,950

Do you ever think you could make

such a beautiful little tree

280

00:14:38,940 --> 00:14:40,380

using a big old two inch brush?

281

00:14:40,410 --> 00:14:46,290

You can, you can, you can

do anything and everything.

282

00:14:48,450 --> 00:14:53,760

At least on this piece of canvas, this is

your world and your creation right here.

283

00:14:54,690 --> 00:14:56,370

Do you want us to let's have another one.

284

00:14:57,390 --> 00:15:00,240

Let's have another one right there.

285

00:15:01,229 --> 00:15:03,089

We'll let him really shine

out here in the light.

286

00:15:04,319 --> 00:15:08,130

He'll stand out beautifully

against all that light color.

287

00:15:09,420 --> 00:15:10,199

There he comes.

288

00:15:10,790 --> 00:15:12,180

He lives right there in that brush.

289

00:15:12,209 --> 00:15:13,170

Just tap him out.

290

00:15:14,969 --> 00:15:15,750

There we go.

291

00:15:17,550 --> 00:15:17,760

Hmm.

292

00:15:18,479 --> 00:15:19,829

We got a whole family of trees.

293

00:15:19,829 --> 00:15:21,780

Now we go to mom and

a pop in a little one.

294

00:15:23,819 --> 00:15:24,150

Okay.

295

00:15:24,180 --> 00:15:26,130

I'm bringing it back to a nice sharp edge.

296

00:15:26,490 --> 00:15:27,540

Let's go right back up here.

297

00:15:28,530 --> 00:15:35,790

Maybe over here, we have an uncle

that aunt see trees or trees, or

298

00:15:35,790 --> 00:15:37,620

like people, they have personalities.

299

00:15:37,740 --> 00:15:38,880

Everyone is different.

300

00:15:40,080 --> 00:15:41,250

Each one's an individual,

301

00:15:44,760 --> 00:15:45,960

you know, I'm a little nuts.

302

00:15:45,960 --> 00:15:51,150

I go out in the woods and my camera take

pictures of trees and I've even been known

303

00:15:51,150 --> 00:15:55,590

to sit around and talk to trees, but don't

tell anybody that that's a secret, right?

304

00:15:56,880 --> 00:15:57,810

People think you're crazy.

305

00:15:57,810 --> 00:16:03,150

If you talk to trees, what's worse

is when they start answering you.

306

00:16:04,680 --> 00:16:05,280

There we go.

307

00:16:08,430 --> 00:16:08,910

There.

308

00:16:10,230 --> 00:16:11,880

We got a whole family of trees.

309

00:16:15,510 --> 00:16:16,020

Okay.

310

00:16:17,010 --> 00:16:17,340

All right.

311

00:16:17,340 --> 00:16:17,880

Let's make some.

312

00:16:18,224 --> 00:16:19,155

Let's make some more things.

313

00:16:19,545 --> 00:16:22,484

Use the same brush and the same

old color, and I'm going to pull it

314

00:16:22,484 --> 00:16:24,224

through the paint in one direction.

315

00:16:24,255 --> 00:16:29,025

Look how that brush is bending

one direction, one direction.

316

00:16:29,954 --> 00:16:30,255

Okay.

317

00:16:30,314 --> 00:16:34,574

By pulling it in one direction, you'll

round one corner as he has surrounded

318

00:16:34,574 --> 00:16:38,805

on the top, but that rounded corner

to the top, get us go right up here.

319

00:16:39,875 --> 00:16:42,785

Now then decide where you

want a happy Bush to live.

320

00:16:43,324 --> 00:16:43,685

Push.

321

00:16:44,070 --> 00:16:44,790

And bend it.

322

00:16:45,870 --> 00:16:46,710

Bend the brush.

323

00:16:47,400 --> 00:16:50,100

You need to bend it,

avoid letting it slide.

324

00:16:50,130 --> 00:16:51,120

Don't let it do that.

325

00:16:51,210 --> 00:16:51,990

See the difference.

326

00:16:53,130 --> 00:16:53,580

Bend it.

327

00:16:54,300 --> 00:16:59,070

If it slides you're going to have

a that she worked for a mess.

328

00:17:00,870 --> 00:17:01,290

Okay.

329

00:17:01,920 --> 00:17:04,980

Just decide where you want little

bushes to live or big bushes.

330

00:17:06,870 --> 00:17:09,839

We'll put one right there and down

in here, this is already dark.

331

00:17:09,839 --> 00:17:11,210

So you don't have to worry too much.

332

00:17:11,250 --> 00:17:12,420

Just throw in a little color.

333

00:17:14,160 --> 00:17:15,510

Can us go over the other side here?

334

00:17:15,510 --> 00:17:18,300

Maybe there's a happy Bush that lives.

335

00:17:18,630 --> 00:17:18,780

Yep.

336

00:17:18,920 --> 00:17:19,220

Right.

337

00:17:19,220 --> 00:17:19,460

There

338

00:17:23,819 --> 00:17:24,080

we go.

339

00:17:24,290 --> 00:17:26,810

Well, we just got a canvas full of bushes.

340

00:17:26,810 --> 00:17:27,020

Now.

341

00:17:28,700 --> 00:17:33,290

See how easy it is to just

drop those in nothing to it.

342

00:17:37,040 --> 00:17:38,840

Let's put some little

tree trunks in there now.

343

00:17:39,780 --> 00:17:43,290

For that let's take some of

the dark Sienna, pull it up,

344

00:17:43,350 --> 00:17:46,230

very flat, cut across it.

345

00:17:46,350 --> 00:17:49,800

So you have a little roller paint

right on the edge of the knife there.

346

00:17:49,800 --> 00:17:50,850

You can see it right there.

347

00:17:51,450 --> 00:17:51,720

Okay.

348

00:17:52,620 --> 00:17:58,550

Now that let's go right up in here

and we'll put the indication of a

349

00:17:58,550 --> 00:18:06,200

little trunk, just like, so this

tree said he wants to Trump too.

350

00:18:08,715 --> 00:18:09,015

There,

351

00:18:12,575 --> 00:18:15,965

you know, we travel all over the

country doing demonstrations in

352

00:18:15,975 --> 00:18:21,875

shows for PBS stations and, and

other fundraising activities.

353

00:18:23,615 --> 00:18:29,765

And that's so fantastic because I get an

opportunity to, to meet Oh, unbelievable

354

00:18:29,795 --> 00:18:31,235

painters from all over the country.

355

00:18:32,915 --> 00:18:33,905

We really enjoyed it.

356

00:18:33,935 --> 00:18:34,205

So.

357

00:18:34,530 --> 00:18:37,110

If we get to your area, I

look forward to seeing you.

358

00:18:37,530 --> 00:18:40,800

Maybe we can spend some time

together and talk and, and look

359

00:18:40,800 --> 00:18:42,870

at paintings and really get crazy.

360

00:18:42,900 --> 00:18:42,990

Yeah.

361

00:18:45,980 --> 00:18:48,110

If you would like to be notified

that we're going to be in the

362

00:18:48,110 --> 00:18:50,960

area, drop me a line and just

give me your name and address.

363

00:18:51,830 --> 00:18:53,000

I'll put you on our mailing list.

364

00:18:53,000 --> 00:18:56,870

We have a, we have a little mailing

list and we send out notices and tell

365

00:18:56,870 --> 00:18:58,400

people we're going to be in your area.

366

00:18:59,120 --> 00:19:02,700

So if you'd like to be notified,

Just drop me a card with

367

00:19:02,700 --> 00:19:03,720

your name and address on it.

368

00:19:03,720 --> 00:19:05,250

And I'll do that for you.

369

00:19:06,230 --> 00:19:11,490

I'm taking a little Brown, white

touch of the bright red, just a touch

370

00:19:12,510 --> 00:19:14,010

once again, that small roller paint.

371

00:19:15,140 --> 00:19:21,590

Now, if your light's coming from here,

just here and there, maybe a little

372

00:19:21,590 --> 00:19:24,350

lights, just twing zipping through there.

373

00:19:24,530 --> 00:19:25,970

Okay, let's go on the

other side over here.

374

00:19:26,660 --> 00:19:29,900

Now here, the light would

hit on the opposite side.

375

00:19:33,415 --> 00:19:37,175

Just let it Zane through there.

376

00:19:37,895 --> 00:19:39,725

And that just sort of makes

them stand out a little bit.

377

00:19:39,784 --> 00:19:40,774

It makes them a little prettier.

378

00:19:42,034 --> 00:19:42,514

Okay.

379

00:19:44,314 --> 00:19:46,084

Take a two inch brush.

380

00:19:46,094 --> 00:19:47,135

Let's put some highlight on there.

381

00:19:47,165 --> 00:19:51,274

Almost put some of that dark color

back on here and then go right

382

00:19:51,304 --> 00:19:55,955

into the bright red right into it.

383

00:19:56,135 --> 00:19:58,264

I want a dark, dark red here.

384

00:19:59,639 --> 00:20:04,350

Very dark, put at least a little

touch, a yellow ochre to that too.

385

00:20:05,790 --> 00:20:06,240

Look at that.

386

00:20:06,300 --> 00:20:09,810

Bring it brushed back to

a very, very sharp edge.

387

00:20:10,139 --> 00:20:10,520

Sharp.

388

00:20:10,620 --> 00:20:10,830

Yes.

389

00:20:11,580 --> 00:20:15,540

And come on back up here

now, then we sit over here.

390

00:20:15,540 --> 00:20:16,919

The light's coming from this direction.

391

00:20:16,919 --> 00:20:19,770

So the left side of the

tree will be the brightest.

392

00:20:21,270 --> 00:20:26,699

Don't overdo here just enough to show

a little light coming through there.

393

00:20:27,210 --> 00:20:32,300

I want to keep it quite

dark, quite dark there.

394

00:20:34,310 --> 00:20:35,629

This is almost a silhouette.

395

00:20:37,820 --> 00:20:38,300

Okay.

396

00:20:38,840 --> 00:20:39,169

Yeah.

397

00:20:39,169 --> 00:20:42,620

That little bit more right in here.

398

00:20:42,770 --> 00:20:43,310

There it is.

399

00:20:43,389 --> 00:20:45,530

There it is a darker, darker,

darker as it goes down.

400

00:20:47,855 --> 00:20:51,075

This little tree to standing

out here, just shining.

401

00:20:52,455 --> 00:20:54,045

He's going to be a pretty

little sad of a guy.

402

00:20:56,195 --> 00:20:58,025

Look at that and come right on down.

403

00:20:58,595 --> 00:21:04,685

Like, so, and this little train, now, this

one will be highlighted more on the right.

404

00:21:06,995 --> 00:21:10,295

They're easy.

405

00:21:11,580 --> 00:21:12,450

Shop even there.

406

00:21:15,360 --> 00:21:15,930

Look at that.

407

00:21:16,380 --> 00:21:17,400

I knew you could do it.

408

00:21:20,010 --> 00:21:20,550

Okay.

409

00:21:22,170 --> 00:21:26,100

Now then in here, let's have some

individual little bushes, so I'm

410

00:21:26,100 --> 00:21:30,540

going to take a one inch brush and

I dipped it into a small amount of

411

00:21:30,600 --> 00:21:32,760

paint thinner just a little bit.

412

00:21:32,810 --> 00:21:34,140

Then I'm going to pull

it through the color.

413

00:21:34,170 --> 00:21:38,250

We'll use some of the red, a

little bit of yellow ochre.

414

00:21:38,699 --> 00:21:39,060

Shoot.

415

00:21:39,060 --> 00:21:43,679

We can add some cadmium yellow to

that, maybe a little more of the

416

00:21:43,679 --> 00:21:45,090

CAD yellow, one, a little brighter.

417

00:21:45,090 --> 00:21:48,179

So you can see it one direction, pull it.

418

00:21:48,899 --> 00:21:51,240

So you get that curve and

the brush curved to the top.

419

00:21:51,659 --> 00:21:51,929

Okay.

420

00:21:52,500 --> 00:21:58,800

Now right up in here, touch just barely

touch the canvas, bend it a little bit

421

00:22:00,330 --> 00:22:04,350

and begin forming little individual

trees and bushes and all those happy

422

00:22:04,350 --> 00:22:05,610

little things that live in here.

423

00:22:07,110 --> 00:22:10,860

If you have trouble making your

paint stick, add a little bit of

424

00:22:10,860 --> 00:22:15,209

paint thinner or a little bit of the

liquid clear either one, either one.

425

00:22:17,040 --> 00:22:17,669

There we go.

426

00:22:19,139 --> 00:22:20,790

Happy little Bushmills right there.

427

00:22:21,719 --> 00:22:29,639

You knew that there is little friend

and work on one Bush at a time.

428

00:22:30,900 --> 00:22:33,600

I know, sometimes it looks like I

take her run and start across a room

429

00:22:33,600 --> 00:22:38,310

and just Sakis and 88 bushes appear,

but they're done one at a time.

430

00:22:38,340 --> 00:22:39,720

Each one's a little individual.

431

00:22:39,720 --> 00:22:46,170

He has his own personality, just like

trees don't get in too big of hurry.

432

00:22:46,320 --> 00:22:48,990

Speed will come

automatically with practice.

433

00:22:50,190 --> 00:22:52,560

First thing you want to

do is learn how to do it.

434

00:22:53,400 --> 00:22:54,210

And then the speed.

435

00:22:54,795 --> 00:22:55,545

It just comes.

436

00:22:56,005 --> 00:22:57,135

There's a nice little push.

437

00:22:58,005 --> 00:23:01,485

This is still basically the

yellow ochre and bright red

438

00:23:04,845 --> 00:23:09,285

and just layers here that all those

little things just drop right on down.

439

00:23:10,215 --> 00:23:12,345

I tell you what shoot.

440

00:23:12,345 --> 00:23:13,215

That's so pretty.

441

00:23:14,115 --> 00:23:15,585

I'm going to take some Vandyke Brown.

442

00:23:16,365 --> 00:23:17,235

Let's go right in here.

443

00:23:17,655 --> 00:23:19,455

I'm going to put a happy

little cabin right here.

444

00:23:20,175 --> 00:23:20,745

There we go.

445

00:23:20,925 --> 00:23:21,945

There's one side of the roof.

446

00:23:23,055 --> 00:23:27,615

There's other side and we're the Brown,

all we're doing is just blocking it in

447

00:23:27,615 --> 00:23:31,395

right now, giving the front and the side.

448

00:23:33,105 --> 00:23:37,845

Now we can take some Brown and some whites

and we put a little highlight on there.

449

00:23:38,865 --> 00:23:44,115

Barely grazing the CA this is just exactly

like breaking the snow on the mountain.

450

00:23:44,595 --> 00:23:46,335

It's a very delicate little touch.

451

00:23:47,445 --> 00:23:49,245

And maybe over here,

there's a little window.

452

00:23:51,030 --> 00:23:52,399

But you can't hardly see him inside.

453

00:23:52,399 --> 00:23:53,520

It's very dark.

454

00:23:53,639 --> 00:23:57,780

Now we'll take a little bit, a

little bit of this reddish color.

455

00:23:59,010 --> 00:24:01,500

So it'll stand out here and

just let it bounce right down.

456

00:24:01,500 --> 00:24:03,850

This roof line, just blip, blip,

blip, blip, blip, blip, blip, blip.

457

00:24:04,080 --> 00:24:04,649

There it goes.

458

00:24:05,939 --> 00:24:06,720

There, it goes.

459

00:24:07,439 --> 00:24:12,689

Make it a little brighter so you can

see it then a little bit over in here.

460

00:24:14,189 --> 00:24:16,620

Now let's take a little white.

461

00:24:18,044 --> 00:24:21,225

In a touch of the red and let's

just bark all this little roof.

462

00:24:21,335 --> 00:24:22,754

See, it'll really stand out.

463

00:24:22,754 --> 00:24:28,665

See there, like a deck

jumps right out at you now.

464

00:24:29,355 --> 00:24:31,905

So Brown will put a door in there.

465

00:24:31,905 --> 00:24:36,225

We need a little door,

then we'll just cut it in.

466

00:24:37,544 --> 00:24:39,195

We'll make this old slabs.

467

00:24:40,200 --> 00:24:42,960

Just cut in a few little indications

of some boards here and there.

468

00:24:43,679 --> 00:24:45,990

And that quick, it gives

you a happy little cabin.

469

00:24:47,610 --> 00:24:49,200

Hey, what we need to pay off here?

470

00:24:49,649 --> 00:24:53,879

Just like so little path got to

have a way to get to that cabin.

471

00:24:54,270 --> 00:24:57,870

This is just Vandyke Brown

to, to the dark Sienna.

472

00:24:58,610 --> 00:25:05,629

Maybe, maybe, maybe, maybe

from this guy's door out there.

473

00:25:06,440 --> 00:25:08,210

Should we just make all

canned a little paths?

474

00:25:10,020 --> 00:25:12,830

Now we can take a little bit of

the Brown and the white, barely

475

00:25:12,830 --> 00:25:15,560

touching, barely touching barely.

476

00:25:17,690 --> 00:25:18,649

And just graze it.

477

00:25:18,860 --> 00:25:21,350

Just graze it like is a little

light striking there thing.

478

00:25:26,240 --> 00:25:26,570

Yeah.

479

00:25:26,570 --> 00:25:32,240

Then back to my rids and yellow

ochre, let's go back up in here.

480

00:25:33,300 --> 00:25:35,100

He would put some happy

little bushes, right?

481

00:25:36,510 --> 00:25:38,520

There's one that lives

back behind the cabin.

482

00:25:41,690 --> 00:25:42,440

This one right here.

483

00:25:42,450 --> 00:25:46,040

Now this one let's just have it

sort of fall right over the path.

484

00:25:46,460 --> 00:25:47,600

That'll push it back.

485

00:25:50,210 --> 00:25:50,629

See you there.

486

00:25:53,389 --> 00:25:54,370

That's fantastic.

487

00:25:54,379 --> 00:25:55,639

The way you can just drop these in.

488

00:25:57,379 --> 00:25:58,040

There we go.

489

00:25:58,129 --> 00:26:00,230

This one is in front of

the cabin, so just let it.

490

00:26:00,780 --> 00:26:04,379

Push it back, even farther

right down by the path.

491

00:26:06,870 --> 00:26:07,320

Look at there.

492

00:26:08,310 --> 00:26:10,620

See, and here I'm using the

brace sideways and just pushing

493

00:26:10,620 --> 00:26:11,940

up or just bend that brush.

494

00:26:13,379 --> 00:26:14,129

Unbelievable.

495

00:26:14,129 --> 00:26:20,430

What you can do now, just take the clean

point of the knife, scrape in a few little

496

00:26:20,430 --> 00:26:22,260

sticks and little twigs here and there.

497

00:26:24,930 --> 00:26:26,100

That helps create depth.

498

00:26:26,520 --> 00:26:27,690

If that's how I'm coming over.

499

00:26:29,145 --> 00:26:30,824

Well, I think we're about

ready to sign that one.

500

00:26:31,155 --> 00:26:35,475

Take a little liquid clear, a little

bright red we'll sign this one.

501

00:26:35,504 --> 00:26:36,495

I hope you've enjoyed it.

502

00:26:37,514 --> 00:26:38,925

This one is a lot of fun.

503

00:26:39,735 --> 00:26:43,155

So from all of us here, I'd

like to wish you happy painting.

504

00:26:43,665 --> 00:26:44,205

God bless.

505

00:26:44,205 --> 00:26:45,014

We'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E04 - Meadow Road

Bob Ross's

The Joy of Painting

S09E03 - Red Sunset

Bob Ross's

The Joy of Painting

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse