Friday, December 25, 2020

S08E03 - Warm Winter Day

Bob Ross's

The Joy of Painting


S08E03 - Warm Winter Day

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All right.


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Glad you could join me today.


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Today.


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I thought we'd do a nice,

beautiful little winter scene.


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It's sort of warm and has a

beautiful little glue in, I


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think it will make you happy.


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So let's have him start off and run

all the colors across the screen


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that you need to do this painting

and they'll come across in the same


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order as I have them on my palette.


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Now I've already covered the

canvas with a thin coat of the


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liquid white it's wet and slick.


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It's all ready to go.


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Let's have some fun.


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Okay.


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Start today with a little one inch brush,

go into a little bit of CAD yellow.


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And the tiniest, tiniest little amount

of the bright, red, tiny little amount.


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Can you say that enough?


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Just work a little bit into the bristles.


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Screw it up here.


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I'm going to have a son in this painting,

so we'll have the sun right about there.


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Okay.


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Well, we started off just

making a little circle.


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So you got to do like, so, okay.


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Now I'm going to wash the brush.


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And we, you wash her brushes and odorless

thinner, just beat the devil out of it.


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Okay.


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Now then I'm going to go into

titanium white and we'll come right


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down here and get a little touch.


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Of a lizard Crimson, just like, so, okay.


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Ask her right up in here.


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And we'll work this in using little,

little crisscross strokes, a little Xs


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after you'll use these little crisscross

strokes rather than drawing a big circle.


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It's much, much easier to blend

all of these colors together.


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I'd really recommend use

these little strokes.


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Like, so maybe I'll add the least little

touch here, Crimson here and make it a


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little bit brighter so you can see it

better on, you said anytime some of these


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colors are so soft, it's hard to see.


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We'll bring it right on out like that.


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Normally, when we're doing these

paintings for television, do you paint


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a little brighter than we would at home?


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So when you're painting at home, do you

paint in any way that makes you happy?


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Like, okay, I'm going to

go to a two inch Bryce.


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It's a little bit faster now

go right into the Crimson


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tiniest little bit tiny, so bed.


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And I'm going to add just a small amount.


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Of the dark Sienna to the Crimson,

make a very warm Brown case.


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Go back up here.


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Yeah, very lightly.


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Right around here.


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Still making the little crisscross

strokes, very soft, quiet, gentle


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little sky, but it's very effective.


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Very effective.


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This was a type painting that

people put in their living rooms.


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Just make it look warm.


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They're good sellers.


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If you're interested in selling paintings.


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So many people write and tell me that

they're selling paintings, that they


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didn't believe they could paint with.


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It really makes me happy when people write

and tell me that, and it's not the money.


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The money is not important.


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It's what it does to your ego and inside

here, because if somebody is willing


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to pay you for something you painted

with your hand, Oh, makes you want to


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go home and paint 10 more paintings.


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That's what's important.


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It's not the money going

right into Vandyke Brown.


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Sometimes I talk too much.


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I have to hush get excited.


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Vandyke Brown, still

making a little crisscross.


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Now this is mixing with the liquid white

and all of these beautiful little things.


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Just happen a little

bit more of the Brown.


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And right there, right there.


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Look at that


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looks just like an egg cook this morning.


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Bad news.


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I'm not much of a cook.


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I'll take lay a little tiny bit of

this Brown is covered out in here


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and without, including the brush,

at least little touch of the little


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blue daddy, tiniest little mountain.


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Okay.


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And we'll just lay off

a little bit of that.


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Just hearing, just hearing there.


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Then you can add others in Crimson.


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I'm just putting some colors down here.


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Don't worry about blending them

together or mixing them at this point.


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All right.


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Let's lay that brush down.


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And I have several of these two inch

brushes going, and I'm going to go


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right up here and again, blending,

still using little crisscross strokes,


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and you really want to blend this out.


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Blended blended working outward.


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You don't want to bring the

dark color in toward the center.


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and you want to blend this too.


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You can't tell where one color

stops and the next one starts


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very soft and very gentle.


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Maybe very lightly just

take out the breast strokes.


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And if you happen to get a hair on the

canvas, like I did there to take the


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corner of the brush and pop it off.


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Now, then now let's have some fun.


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We'll put a sun up in here and for

that, I'm going to use my finger.


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Let's go right here, take a little white

and I'm just gonna rub it right in.


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Just make a little circle.


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Sun looks a little better.


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If it's round and square

sun sort of bother you.


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There you go see you just

push that right in there.


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Make a little circle.


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And if you tried blending

that it would smear.


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So take your knife.


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Come right up here and watch, take your

knife and just go take it right off.


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What's the value or the

color remains in the canvas.


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Now you can come along here and see,

you can blame that and head easy, easy.


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You have a happy little side.


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All right.


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And had complete source guy.


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Now we can have some fun and

begin painting, or you have


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to make a decision here.


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Okay, I'm going to use the round

brush, go into van Dyke, Brown,


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little dark Sienna, and I'm just

going to mix them on the brush.


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Just tap it.


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Just tap.


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There we go.


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Let's go ahead.


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Up here.


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Maybe there's a happy little

tree that lives right here.


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And then we'll start at the base

of this tree and work upwards.


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So automatically, automatically,

it's going to mix with the liquid


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white and it's going to be darker

at the bottom and it is on the top.


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And you have your shadows

without even trying.


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Darker darker, darker

down towards the bottom.


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There we go.


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Maybe there's a happy little tree

or Bush that lives there begin


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thinking about the lay of the land

or the way that the ground flows.


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I'm going to have a little Hill here.


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So that's what I'm going to be working on.


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We're not worried a great deal

about detail at this point.


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But all we're interested in is

the general lay of the land.


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Oh, there's another one.


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So you just put these little things,

just sort of fall out of your brush.


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They live in there.


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Sometimes you have to tap them

out a little bit, but they live in


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there and we'll pull a little bit

of that color down just the bottom.


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Cause that'll end up being

our shadows in the snow.


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See fuse, all these things

where you got so dark cover on


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the brush, you can use it now.


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Then I am going to take, put a little bit

of a liquid blackout here on my palette.


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Take my liner brush, add a little

paint thinner, and then work at


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brush in there and turn it, turn

it, bring it to a super sharp point.


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Let's look at that.


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Very sharp.


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All right.


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Now that in here.


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In here for just the indication

of a few you little trunks, little


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stems, whatever you want to call

them, Liam's arms, whatever.


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Okay.


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Now, one of the questions I get

asked a great deal is, do you


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pull it down or do you go up?


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It doesn't matter.


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Try it both ways.


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And most people will find it works

better one way than it does the other.


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Uh, normally I pulled down because

it's easier for you to see it that way.


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When I'm painting at home, a

lot of times I'll pull it up.


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I don't think there's any rule.


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You just sort of practice and find

which way works for you there.


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We try to show you as many

ways as possible and then


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turn you loose on the world.


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Okay.


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Now then I'm going to take.


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They will round brush and dip it

right into a little touch of a


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liquid white, just a little touch.


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I'm going to add the least, least little

touch, bright red here at the tire.


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And he is a little bit tapped up.


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Brush, tap it, Tampa.


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Tap it.


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Okay, let's go up here now, then

let's put some beautiful little


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highlights up here on these trees.


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Just use just the top corner

of the brush and begin tapping.


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See you there.


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But think about shapes in here.


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Don't just throw this on at random.


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Leave some of those

nice dark areas in here.


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See the patterns.


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That's what gives you tree shape and form.


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Now, if you have trouble making

it stick, add a little bit


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more of the liquid white to it.


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I'll put a little more red in

there wanting to stand out.


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Oh, there we go.


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There we go.


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Beautiful.


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You can see that much better.


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I think.


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Okay, just go right along

here, make some decisions.


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How many trees, how many bushes?


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Oops.


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There's wide river right there.


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See layer that creates depth.


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This is where the little bunny

rabbit hides is behind that Bush.


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And then up here all winter long,

the little tree or chin stays.


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I bet you wonder how to treat your Junius.


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That's what I call a little squirrel.


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I have a big Walnut tree in my

yard and the little squirrels come


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and they eat walnuts and we have

little, little power struggles over.


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Who's going to get to walnuts,

be at a squirrel guess who wins?


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Squirrels, got a nest full of nuts.


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And I have none growing up here.


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There.


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I got one in little Rascals.


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It decided he liked my garage better.


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He did out during a cold,

he moved into my garage.


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Can you get that little devil out?


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So I put some moth balls in his nest.


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Now it stinks.


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Now once again, while I have this.


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All my brush.


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I'm going to begin pulling in some basic

shapes and I'm not worried at this point


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about much of anything, except the labels,


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just like soccer.


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All right now, then we can take

the old fan brush the whole fan


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brush with a little white on

it, and we can begin working on


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some nice shapes and stuff here.


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This is where again, laying in the

snow and you can go into a tiny little


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bit of the blue and add shadows.


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It doesn't matter.


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In fact, it's desirable.


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If you pick up a little bit of this Brown

and begin working it in here, here we go.


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Always, always paying attention

to the lay of the land and


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thanked where the light would hit.


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Snow is very real or really smooth.


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It has little bumps, colors, rocks,

and stones, and all kinds of little


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happy things that are underneath this.


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No, you may not see them, but

they, they call it bumps into snow.


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Okay, maybe tell you

what must go right here.


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Push in there.


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It was a happy little, little grassy area.


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It just runs right down the Hill

there and just make all kinds


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of little things happen here.


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All right.


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I like to do these little winter scenes.


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There's a lot of fun.


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Easy.


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Thank you.


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Happy.


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Okay.


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Are you what?


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Maybe years ago, old trapper.


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Maybe he built him a little,

a little house right there.


245

00:12:51,645 --> 00:12:55,515

So I'll take some, some of the

Vandyke Brown cut across and get a


246

00:12:55,515 --> 00:12:56,745

little roll of paint on the knife.


247

00:12:57,270 --> 00:12:59,610

There you can see right out

on the edge is most important.


248

00:12:59,610 --> 00:13:00,810

It's right out on the edge of the knife.


249

00:13:00,840 --> 00:13:01,440

Let's go up here.


250

00:13:02,460 --> 00:13:02,730

Okay.


251

00:13:03,060 --> 00:13:06,120

Maybe the little house lives does now.


252

00:13:06,180 --> 00:13:07,020

Right there.


253

00:13:07,500 --> 00:13:08,130

There it is.


254

00:13:08,550 --> 00:13:11,220

I see paint that little backy first.


255

00:13:12,540 --> 00:13:15,330

I tell you what to put a front on him.


256

00:13:18,720 --> 00:13:23,460

Fred, on the other side, say,

just sort of in your mind, think,


257

00:13:24,180 --> 00:13:25,440

think what a house looks like.


258

00:13:26,205 --> 00:13:30,995

And he needs a little

side over here too, or


259

00:13:35,745 --> 00:13:37,295

take a little white and a little Brown.


260

00:13:40,655 --> 00:13:44,095

Get us a little roll of paint and

that's, let's put that at least


261

00:13:44,105 --> 00:13:45,455

little touch, a highlight on there.


262

00:13:46,145 --> 00:13:50,825

Barely touching, barely

touching, just caress the canvas.


263

00:13:52,535 --> 00:13:52,955

Okay.


264

00:13:52,985 --> 00:13:53,225

Now.


265

00:13:55,185 --> 00:13:56,985

See, we can see that the

light's coming from here.


266

00:13:56,985 --> 00:13:58,425

So this side is going to be a brighter.


267

00:13:58,724 --> 00:14:02,714

This one over here, this one's going

to be almost dark, almost pure Brown.


268

00:14:02,805 --> 00:14:04,545

Don't worry about too

much color over that.


269

00:14:04,545 --> 00:14:09,285

Say boy, that guy lives in

there is freezing because


270

00:14:09,285 --> 00:14:10,635

there is no roof on his house.


271

00:14:11,175 --> 00:14:14,415

Let's give him a roof and

let's give him a roof.


272

00:14:15,015 --> 00:14:15,704

There we go.


273

00:14:17,865 --> 00:14:18,645

Just that easy.


274

00:14:19,545 --> 00:14:20,594

Now he's got a half a roof.


275

00:14:20,729 --> 00:14:23,449

Um, let's feel sorry for him.


276

00:14:23,459 --> 00:14:24,229

Give him the other half.


277

00:14:27,209 --> 00:14:28,380

Don't want him to freeze.


278

00:14:30,270 --> 00:14:30,719

Okay.


279

00:14:30,780 --> 00:14:32,010

A little snow on the other side.


280

00:14:32,040 --> 00:14:36,479

Just sort of bring all that

together and that easy.


281

00:14:36,870 --> 00:14:40,199

She got a little cabin door.


282

00:14:40,439 --> 00:14:44,189

Don't want him to get locked in there

and can't get out all winter here.


283

00:14:44,189 --> 00:14:48,479

You got a little door, take a

little white, go around edges.


284

00:14:50,100 --> 00:14:51,840

They're making the rascal stand down.


285

00:14:52,620 --> 00:14:53,790

I'm gonna take the small knife.


286

00:14:53,790 --> 00:14:57,480

Now we'll put a little window right there.


287

00:14:57,510 --> 00:15:02,070

Just a little blue and white,

just to give the indication of


288

00:15:02,070 --> 00:15:05,750

a happy little window like that.


289

00:15:08,950 --> 00:15:12,770

Chimney, we use a small edge

of the small knife again.


290

00:15:13,770 --> 00:15:16,950

Put a little chimney, take a

little tiniest little touch to the


291

00:15:16,950 --> 00:15:18,420

bright red skews more on there.


292

00:15:20,310 --> 00:15:24,180

Maybe he don't have his fireplace lit a

little snow lane up here on his chimney.


293

00:15:25,020 --> 00:15:25,590

Here we go.


294

00:15:26,010 --> 00:15:26,460

That easy.


295

00:15:27,510 --> 00:15:31,470

I'll tell you what I think a little

bit of the liquid black, maybe


296

00:15:31,920 --> 00:15:34,050

that's what remains of an old fence.


297

00:15:34,800 --> 00:15:35,700

And it went right.


298

00:15:35,700 --> 00:15:37,260

I don't know care.


299

00:15:37,270 --> 00:15:38,850

This is just straight liquid black.


300

00:15:39,600 --> 00:15:40,290

There it goes.


301

00:15:41,550 --> 00:15:41,910

There.


302

00:15:43,905 --> 00:15:46,005

And there's a few old rails left on it.


303

00:15:47,745 --> 00:15:53,305

I don't know, off into the

distance that need to do, do to


304

00:15:57,365 --> 00:15:58,115

wash the brush.


305

00:16:00,035 --> 00:16:01,805

I take a little bit of

the liquid white out.


306

00:16:01,865 --> 00:16:04,025

Look at their little snow

laying up here on his fence.


307

00:16:06,575 --> 00:16:07,655

A little up here on top.


308

00:16:08,735 --> 00:16:08,945

There.


309

00:16:12,210 --> 00:16:13,890

And you can just make all

turns a little things.


310

00:16:16,400 --> 00:16:21,890

All right, here, we can take the fan brush

and grab just a touch that blended here.


311

00:16:23,450 --> 00:16:23,930

All right.


312

00:16:23,960 --> 00:16:26,330

Now we can fix up the foot of this cabin.


313

00:16:26,870 --> 00:16:28,490

Take it and work on your perspective.


314

00:16:28,520 --> 00:16:28,970

Look at there.


315

00:16:29,060 --> 00:16:31,280

You can just cut it right

off wherever you want it.


316

00:16:33,110 --> 00:16:33,740

However you want it.


317

00:16:35,970 --> 00:16:37,410

Take a little white little touch.


318

00:16:37,410 --> 00:16:38,310

It blew into it.


319

00:16:39,900 --> 00:16:42,300

And the camera down here, and

there's a big, old bunch of


320

00:16:42,300 --> 00:16:43,860

snow land right along in there.


321

00:16:48,210 --> 00:16:50,240

even created the illusion.


322

00:16:50,630 --> 00:16:52,910

He's been walking right here and

the shoes and the little, little,


323

00:16:52,910 --> 00:16:55,460

tiny, tiny bit, if were blue light.


324

00:16:59,390 --> 00:17:01,850

Yeah, we go back to her pink, her colors.


325

00:17:01,850 --> 00:17:03,020

It's got a little pink in there.


326

00:17:03,380 --> 00:17:04,850

They begin building all this sand.


327

00:17:06,825 --> 00:17:10,875

Still paying very close

attention to the lay of the land.


328

00:17:13,014 --> 00:17:16,474

Most important that you always keep in

mind the way you want this land to flow.


329

00:17:19,385 --> 00:17:23,254

If you don't, they will get away from

you front right out of your paving.


330

00:17:23,885 --> 00:17:26,194

Pretty soon you'll have land

going in every which direction.


331

00:17:26,194 --> 00:17:27,244

So pay attention to that.


332

00:17:27,244 --> 00:17:28,745

That's that's important.


333

00:17:28,745 --> 00:17:32,975

So little details that make you think

your paintings better make you happier.


334

00:17:34,365 --> 00:17:37,365

And when you get done with your

painting, it's nice to step back and


335

00:17:37,365 --> 00:17:40,215

look at it and feel good about it.


336

00:17:40,965 --> 00:17:42,045

You want to feel good about it?


337

00:17:44,865 --> 00:17:45,795

Just put that right back.


338

00:17:45,795 --> 00:17:46,005

Yeah.


339

00:17:47,025 --> 00:17:49,785

See, got to get a little larger down here.


340

00:17:49,785 --> 00:17:52,845

Cause perspective wise,

it's getting closer to you.


341

00:17:53,925 --> 00:17:54,435

All right.


342

00:17:56,055 --> 00:17:56,625

All right.


343

00:17:56,625 --> 00:17:58,965

Let me get one side done here.


344

00:18:06,210 --> 00:18:06,600

Okay.


345

00:18:07,040 --> 00:18:08,060

Let's get serious.


346

00:18:09,310 --> 00:18:10,250

Let's get serious.


347

00:18:10,250 --> 00:18:10,640

Fine law.


348

00:18:11,010 --> 00:18:14,070

Round brush here and let's put something

over here on the other side and have


349

00:18:14,070 --> 00:18:19,020

some fun back into my dark Sienna,

Vandyke Brown tap pedal brush in there.


350

00:18:19,460 --> 00:18:21,770

So you're really beat that son of a gun.


351

00:18:21,890 --> 00:18:23,570

This is where you take

out all your frustrations.


352

00:18:24,500 --> 00:18:25,790

I said it better and kicking your dog.


353

00:18:27,080 --> 00:18:28,190

Of course fees like mine.


354

00:18:28,190 --> 00:18:28,580

You kick him.


355

00:18:28,580 --> 00:18:29,210

He'll okay.


356

00:18:29,885 --> 00:18:30,695

Take your leg off.


357

00:18:31,895 --> 00:18:32,495

Here we go.


358

00:18:33,365 --> 00:18:34,625

Right on up.


359

00:18:37,024 --> 00:18:37,655

Work it up.


360

00:18:37,815 --> 00:18:39,425

See, once again, we're

starting from the bottom.


361

00:18:39,534 --> 00:18:40,415

I can working upward.


362

00:18:41,284 --> 00:18:43,865

So it's darker at the bottom is on top.


363

00:18:45,185 --> 00:18:46,925

Maybe that comes right up into there.


364

00:18:53,360 --> 00:18:59,840

I like these very soft

earth tone Browns and stuff.


365

00:19:00,899 --> 00:19:02,870

So striking so effective.


366

00:19:04,850 --> 00:19:05,449

There we go.


367

00:19:07,730 --> 00:19:08,449

That's it right there.


368

00:19:08,510 --> 00:19:08,949

Right there.


369

00:19:09,470 --> 00:19:11,629

Let's do we got this whole

brush going to so much fun?


370

00:19:12,379 --> 00:19:13,610

Let's go right over on this side.


371

00:19:14,300 --> 00:19:16,070

And maybe right here, I'm

just going to push upward.


372

00:19:16,139 --> 00:19:21,230

See, just push look at all of the

thousands of little leaves and stuff.


373

00:19:21,230 --> 00:19:21,770

It makes there.


374

00:19:23,010 --> 00:19:23,580

And that easy.


375

00:19:25,000 --> 00:19:26,190

It looks like old dead Bush.


376

00:19:26,340 --> 00:19:27,480

There's one right there too.


377

00:19:28,230 --> 00:19:29,940

You'll have a couple

of these whole Rascals.


378

00:19:31,740 --> 00:19:33,930

Just drop them in wherever you want them.


379

00:19:35,370 --> 00:19:39,750

And you take off the old fan brush

and go right back in here and we


380

00:19:39,750 --> 00:19:44,460

can working some of these out,

create all kinds of pretty things.


381

00:19:44,820 --> 00:19:47,550

So you can make like the

lay of the land go anywhere.


382

00:19:47,550 --> 00:19:48,210

You want to go.


383

00:19:51,810 --> 00:19:52,290

Wherever


384

00:19:55,620 --> 00:19:58,260

I go st.


385

00:19:58,260 --> 00:20:00,240

Mike's all kinda little

snow drifts up there.


386

00:20:02,850 --> 00:20:03,899

There we are.


387

00:20:05,550 --> 00:20:06,720

Sometimes it's just so pretty.


388

00:20:06,720 --> 00:20:07,200

It hurts.


389

00:20:09,659 --> 00:20:10,409

Okay.


390

00:20:12,899 --> 00:20:13,770

Let's let's change.


391

00:20:13,830 --> 00:20:16,080

Let's change the flow of

the land here at the Layla.


392

00:20:16,190 --> 00:20:16,860

Watch right here.


393

00:20:17,430 --> 00:20:17,700

See.


394

00:20:18,030 --> 00:20:23,040

Take it this way and bring it up in here

automatically grab some of that Brown,


395

00:20:23,070 --> 00:20:27,510

pull it down in there automatically

you can change the lay of the land.


396

00:20:28,290 --> 00:20:31,620

So now you can see

there's a separate entity.


397

00:20:33,890 --> 00:20:37,490

It goes back farther,

pushes everything back.


398

00:20:39,770 --> 00:20:40,550

There we go.


399

00:20:42,520 --> 00:20:43,200

Okay.


400

00:20:50,175 --> 00:20:55,455

Yeah, then let's take, I don't

use the whole knife here.


401

00:20:56,355 --> 00:20:58,485

Let's just flip that quick

little indication here.


402

00:20:58,485 --> 00:20:59,895

Have a little tree trunk in there.


403

00:21:02,355 --> 00:21:03,014

It's like it.


404

00:21:03,314 --> 00:21:08,804

If your little Liam's here and there,

little Brown and white little highlight.


405

00:21:09,270 --> 00:21:10,260

Just a tiny touch.


406

00:21:10,550 --> 00:21:13,590

Like you take just the point of knife.


407

00:21:14,400 --> 00:21:17,520

Look at that straight through and

make all kinds of little doers in


408

00:21:17,520 --> 00:21:20,430

their little dams and stems and twigs.


409

00:21:21,480 --> 00:21:22,080

It's that easy.


410

00:21:23,340 --> 00:21:23,790

Okay.


411

00:21:26,730 --> 00:21:28,500

Yeah, that's fine.


412

00:21:29,040 --> 00:21:30,000

No, that's fine.


413

00:21:30,060 --> 00:21:30,540

There it is.


414

00:21:31,290 --> 00:21:32,040

The round brush.


415

00:21:32,310 --> 00:21:33,060

Let's have some fun.


416

00:21:33,090 --> 00:21:33,930

Let's get crazy here.


417

00:21:33,930 --> 00:21:38,250

I'm going to take a little, the bright

red, little yellow ochre, little


418

00:21:38,250 --> 00:21:41,670

Indian, yellow, but very small amount.


419

00:21:41,670 --> 00:21:46,170

Don't don't get too wild

on this very small amount.


420

00:21:46,230 --> 00:21:47,100

Can you screw right up here?


421

00:21:47,820 --> 00:21:49,050

Maybe this tree here.


422

00:21:49,410 --> 00:21:50,910

It's got a little bit of color on it.


423

00:21:50,910 --> 00:21:51,930

The steel for the fall.


424

00:21:54,000 --> 00:21:56,520

Just drop in some happy little things.


425

00:21:57,030 --> 00:21:59,100

Once again, worry about patterns.


426

00:21:59,160 --> 00:21:59,790

Shapes.


427

00:21:59,910 --> 00:22:01,200

Think about limbs in there.


428

00:22:01,260 --> 00:22:03,540

And I'm just using the very

top corner of the brush.


429

00:22:04,920 --> 00:22:10,920

Just the very, very top corner that

though see all the little things.


430

00:22:14,264 --> 00:22:16,215

And this creates a little

warmth in the painting.


431

00:22:17,445 --> 00:22:21,735

Sometimes I paint winter scenes that

are so cold, who, gosh, you almost


432

00:22:21,735 --> 00:22:23,025

have to put on a coat to look at them.


433

00:22:24,585 --> 00:22:29,475

These are very warm and very soft

and they go well in people's homes,


434

00:22:31,715 --> 00:22:33,245

people like these kind of paintings.


435

00:22:35,105 --> 00:22:39,004

These are the type paintings I do

for special friends and as gifts for


436

00:22:39,004 --> 00:22:40,715

Christmas and birthdays and weddings.


437

00:22:40,715 --> 00:22:40,835

And.


438

00:22:42,060 --> 00:22:48,570

All kinds of things like, yeah, no,

that's, it brings up another thing.


439

00:22:48,810 --> 00:22:51,960

A lot of people ask us what we do with

all these paintings that we do on TV.


440

00:22:53,440 --> 00:22:59,670

Most of them are used to go into

the books that we do, but all


441

00:22:59,670 --> 00:23:01,110

the rest of them, we donate.


442

00:23:01,950 --> 00:23:06,060

We don't even do PBS stations all around

the country and to charity organizations


443

00:23:07,170 --> 00:23:08,700

for them to make a happy buck with.


444

00:23:09,870 --> 00:23:13,530

So, if you would like to have one,

one of the easiest ways to get it


445

00:23:13,530 --> 00:23:16,410

is to call your PBS station and

say, Hey, you know, get one of Bob's


446

00:23:16,410 --> 00:23:17,670

paintings for your next auction.


447

00:23:19,470 --> 00:23:20,940

And we'll be glad to donate one to him.


448

00:23:22,380 --> 00:23:23,520

And it helps everybody out.


449

00:23:23,520 --> 00:23:25,140

You get better programming that way.


450

00:23:25,140 --> 00:23:30,300

In the PBS station, he puts a happy

book in his pocket and you get him.


451

00:23:30,689 --> 00:23:30,959

You're good.


452

00:23:30,959 --> 00:23:31,409

A painting.


453

00:23:31,770 --> 00:23:33,629

So keep that in mind.


454

00:23:33,629 --> 00:23:36,030

If you want one, just

let your station know.


455

00:23:37,830 --> 00:23:40,409

Just drop in a few, little blue

and white grassy areas here.


456

00:23:43,830 --> 00:23:45,810

Oh, kinds of little

things going on in here.


457

00:23:46,800 --> 00:23:48,120

Oh, kinds of things.


458

00:23:50,310 --> 00:23:54,629

Now that I tell you what let's use

the knife, maybe this what remains.


459

00:23:54,899 --> 00:23:56,310

There is an old fence right here.


460

00:23:56,370 --> 00:23:58,979

There's a post put one there.


461

00:23:59,159 --> 00:23:59,550

Take what?


462

00:24:00,405 --> 00:24:06,485

Three, three looks better, a little bit of

Brown and white for some highlight, dude.


463

00:24:07,215 --> 00:24:07,845

There we go.


464

00:24:08,835 --> 00:24:11,805

Maybe there's still one Oh one

old posters hanging across there.


465

00:24:12,615 --> 00:24:14,145

Just like that.


466

00:24:14,145 --> 00:24:14,475

Easy.


467

00:24:16,095 --> 00:24:16,515

Okay.


468

00:24:16,635 --> 00:24:17,535

Let's have some fun.


469

00:24:17,565 --> 00:24:19,185

Let me get an old fan brush here.


470

00:24:19,365 --> 00:24:25,245

Go right into the Vandyke Brown

little dark Sienna, I think.


471

00:24:25,395 --> 00:24:26,025

Uh, yep.


472

00:24:26,715 --> 00:24:27,135

Look it there.


473

00:24:29,580 --> 00:24:32,780

Big old tree, the big old tree.


474

00:24:32,780 --> 00:24:35,420

I put a big tree in a painting

one time and a lady screamed at


475

00:24:35,420 --> 00:24:39,020

me, absolutely screamed at me.


476

00:24:40,460 --> 00:24:43,340

So if you don't want a big tree

in your painting, don't put one


477

00:24:43,340 --> 00:24:44,840

in there and then scream at me.


478

00:24:46,860 --> 00:24:47,660

This is your world.


479

00:24:47,660 --> 00:24:49,520

So you do whatever you

want and you're painting.


480

00:24:50,780 --> 00:24:51,230

Okay.


481

00:24:51,940 --> 00:24:56,000

Then I'll take the liner brush

a little bit of liquid black.


482

00:24:57,149 --> 00:25:00,600

And we'll just put the indication

of a fuel Liam's here and there.


483

00:25:02,159 --> 00:25:02,460

Yeah.


484

00:25:03,000 --> 00:25:05,399

Sometimes I add a little paint

thinner to the liquid black


485

00:25:05,820 --> 00:25:07,560

to make it really flow easy.


486

00:25:08,939 --> 00:25:09,720

Just let it go.


487

00:25:10,350 --> 00:25:13,200

Just let it really work

right off your brush.


488

00:25:14,879 --> 00:25:16,320

Come right on around there.


489

00:25:17,730 --> 00:25:18,179

Look at there.


490

00:25:18,720 --> 00:25:22,520

See, and have somebody Liam's

would go up and across the tree.


491

00:25:22,700 --> 00:25:25,220

Don't have them all

just going out the side.


492

00:25:26,760 --> 00:25:29,159

See, and you can put all kinds

of little tiny things in there


493

00:25:29,159 --> 00:25:30,629

just by stroking the canvas.


494

00:25:31,230 --> 00:25:31,800

Can you see them


495

00:25:35,220 --> 00:25:42,110

just get sort of crazy and let them

go there, man, we'll take the knife


496

00:25:43,730 --> 00:25:46,280

and little bit of white Brown.


497

00:25:48,080 --> 00:25:51,649

Let's put a little touch of

highlight on this tree there.


498

00:25:52,100 --> 00:25:52,850

Barely touch.


499

00:25:52,970 --> 00:25:53,720

Give it a little pull.


500

00:25:54,780 --> 00:25:56,010

It's like the pink grab.


501

00:25:56,700 --> 00:25:58,139

This is a thick, thick paint.


502

00:25:59,159 --> 00:26:04,050

So it'll grab him, hang on the hair.


503

00:26:04,110 --> 00:26:05,850

Maybe this one comes right down in front.


504

00:26:06,540 --> 00:26:06,930

Okay.


505

00:26:09,030 --> 00:26:09,629

Stay there.


506

00:26:12,300 --> 00:26:15,360

You can just make all the

trees you want in your world.


507

00:26:16,830 --> 00:26:17,430

Okay.


508

00:26:20,040 --> 00:26:23,430

Take the old fan brush and put a

little snow down here on his foot.


509

00:26:26,220 --> 00:26:28,830

Take care of his old foot, big foot.


510

00:26:33,290 --> 00:26:38,090

the liner brush with a little

liquid white and just lay on


511

00:26:40,120 --> 00:26:41,240

little highlight here and there.


512

00:26:41,510 --> 00:26:43,070

Create the illusion of a little snow.


513

00:26:43,580 --> 00:26:43,700

Okay.


514

00:26:44,025 --> 00:26:46,215

And I think with that, we

bought him a finished painting.


515

00:26:47,295 --> 00:26:52,635

So let's take a little bit of the bright

red liner brush and we'll sign this one.


516

00:26:53,175 --> 00:26:56,745

The old clock on the wall tells

me I got to leave you for today,


517

00:26:57,555 --> 00:26:58,815

but I'll be back next time.


518

00:26:58,935 --> 00:27:02,475

Hope you have easel set up class

to T you already until then.


519

00:27:02,865 --> 00:27:03,525

Happy painting.


520

00:27:03,855 --> 00:27:04,455

God bless.


End .srt file.



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