Bob Ross's

The Joy of Painting

S05E06 - Ocean Sunrise

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Welcome back.

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Glad you could join me today.

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And today I have a special treat for you.

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I have a lovely lady that comes to

us out of Fort Lauderdale, Florida.

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And she's going to do a

fantastic painting for you.

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I'd like to introduce you today

to Audrey golden and a longtime

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friend, and I think you'll enjoy

watching her as much as I have.

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So I do.

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We'll turn the show over to, and

I'll see you on the shows over.

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Okay.

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Thanks Bob.

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Hi, it's good to see you.

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Um, The first thing I'm going to do is

I'm going to put some magic white on the

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canvas and it cover it three quarters

of the way and leave the bottom blank.

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And as I progress through the

painting, you'll understand why I'm

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not putting magic white at the bottom

of the canvas while I'm doing this.

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You'll see.

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The color said I'm T um, I'll use in

this painting go across your screen.

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You paint with the magic white.

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Make sure you cover your entire surface

with an even coat, come down and just

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stop about three quarters of the way down.

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All right, I've got a new,

I've got to good coat of the

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magic white on the canvas.

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And now we'll start working

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on the top part.

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Okay, I'm going to take a two inch, two

and a half inch brush, and I'm going

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to load it up with my alizarin Crimson.

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Be careful cause this is this.

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We just want a light coat

of pink or the middle.

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And you'll notice that

the heel is run Crimson.

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When it mixes with the magic white

produces a real, pretty pink.

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I'm doing a Florida sunset sunrise.

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One day I woke up early in the

morning, took my camera and went out

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and watch the sunrise on the beach.

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So that's the type of picture

we'll, I'll be painting for you.

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Just feather.

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The pink on up into this guy.

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I think my horizon will be about there.

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I want a little bit of reflection, so,

you know, put a little pink down in here.

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And you'll notice when you don't

have the magic white on, right.

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Don't move for you this all up.

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You do water.

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Make sure.

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Now this is the beginning of water.

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You don't know that yet, but it is.

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I know.

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Make sure you're strip brushstrokes in.

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Nice and straight from there.

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I'm going to take some.

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Indian yellow.

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I haven't washed my brush or

cleaned my brush because I can

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blend this, uh, Indian, yellow and.

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Loser and Crimson together.

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And it's some pretty

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colors in there

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as I'm painting this, I have to decide

where I'm going to have my son come up and

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I think it's good come right about there.

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So if you want to put a

little bit more and Daniella.

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In that spot

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still have some pretty colors there.

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And from that, I just want to

work a little pathway down.

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This will be the reflection on life.

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One.

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Do you use your imagination right now,

but you'll see in a minute, what I'm

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trying to accomplish, get to take a

clean two and a half inch brush and

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then just do some very soft lending.

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Slip the Indian yellow fade away.

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Get in here one minute out.

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All right now, let me take, I'm

going to mix a pretty lavender color.

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I'm going to take some

white music down here.

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Take a little bit of lizard and Crimson.

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Some pressure and Lou watch the

pressure move because it's strong.

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Take tune.

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Watch what happens.

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It turns blue.

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Okay.

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They'll go back and get

a little bit more white,

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a little more Crimson

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together.

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Don't have to make too.

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Which though I'm going to get a little

bit of Vandyke and heritage is soften.

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The color can leave it marbleized.

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It doesn't have to be next to death.

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And then I'm going to take a one inch

brush and start just working some

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coloring in here through the sky.

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Because on that particular morning,

I saw a lot of grit, a lot of purple.

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And then in spots, I even saw some

gray let's feather, those clouds in

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now, one thing you have to be careful is.

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About is that you have to be careful

that you are Indian, yellow, and

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you're having to work together.

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She put too much Indian, yellow

around here or at the out.

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So you might get too, you'll get her

green color if you're not careful.

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So just keep it on the edges.

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All right.

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Just wiggle a little old

cloud in through here.

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And then again, I take my blending

brush and soften everything

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using the magic white, such

a treat because he can really

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blend it's super, super colors.

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Right in here, just polo

lavender, and you'll see all

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sorts of neat colors appear.

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We have some beautiful

sunrises and beautiful sense.

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It's in Florida

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and the colors in the sky.

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Sometimes you wouldn't

even believe what you see.

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Have you painted it?

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People would say, now that

can't happen, but it does.

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All right.

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Now I want to put a little

bit of Vandyke Brown

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corners and it's going to

look more of a gray color.

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I just want to darken up

my corners a little bit.

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Yeah, just working and

give it a real soft look.

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Now, if you're working one of.

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Either a sunrise or sunset or any

sky, you can put lots of different

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colors and then just keep working them

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to see the different effects you get.

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And again, just when that.

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Soften.

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It don't be afraid to blend.

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And

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even if it did

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during the yellow go together, even

if you get a little tint of green in

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there, it really doesn't hurt that

much because I've seen skies where that

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happened and it looks very natural.

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All right now, let me show you

where my Horizon's going to go.

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And then I take my fam rush and put

some of my lavender color on, and I

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want to, I've kind of left an opening

here where I want to create my horizon.

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I just want to draw

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soft line.

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And you do a horizon.

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Make sure you have a

straight line straight,

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Kathy.

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I've got it.

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It's just going to tell me where I'm

going and then taking my fan brush.

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And I just want to make

little lines across.

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Now the pink from my sky is

reflecting into my water.

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And when you do this, don't

cover up the pink because that's

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going to be the sky reflecting.

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Keep your lines straight.

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And on this day, the water was very calm.

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So there weren't many, there were some

ripples, but there weren't very big waves.

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So I just want some real

soft lines in there.

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Two, what you can do is you can just take

your blending rush, blend it, and you

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get all sorts of wonderful colors there.

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Same thing with the other

side, I put my line,

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the tip of the brush.

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You want to, you can go like that, but you

have more control over doing it this way.

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Come in to where you are

reflection of this fun little bit.

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It still looks pretty

abstract, doesn't it?

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But you'll see, as we go

on, what's going up and.

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dark shadows in here.

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Just again, straight lines.

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so a little bit of Vandyke, little

bit blue, little bit of Crimson

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all next to the other to give me a

darker black vender color or purple

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a little few lines across here.

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Again, I want my brightest

part to be right in the middle.

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all right now, the next thing I have

to do is I have to put my son in,

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take a little bit of white on my fam rush.

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I'm just gonna just slide, look at

it and see where my son should be.

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It's going to be right about here.

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Just place it on there and just.

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With the fan rush, pivot the fan brush.

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It'll pick up some in the orange.

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That's fine.

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Otherwise, if you, if you just

make around white dot there,

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it looks like you pasted it on.

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So you do want it to blend

in with your background.

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Now, if for some reason you

get too much pain on there,

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just take your palette knife.

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scrape a little bit of it off

because what I'm going to do

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is again, I'm going to take

my nut brush and blend it.

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Okay.

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Get spots.

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Just move it.

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Just move the paint.

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Now sometimes when I have students doing

this, we don't always get around circle.

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So what I tell them to do is just

pull the kraut cloud across it.

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And that way you don't have to worry

about getting around circle, break

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the edge of the sun up a little bit,

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especially at the sunrise, you won't see.

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The sun keeps popping out from

under the clouds, sunrise.

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And then we can put a little

bit over here using the fan

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rush, little soft clouds here.

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Just blend them in.

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okay.

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Now, if you wanted to make us a sunset,

I would just put more color into it.

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You could really get this to be a fright,

pretty sky, but don't be afraid to try

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different colors in your skies because

you can't, you don't have to just

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stick to the blue with white clouds.

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All right now, I've got my son in there.

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I've got the beginning of some water.

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I'm going to take my knife.

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Take some, wait, wait, just

going to start back here,

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get a little Ridge of that pain on there.

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I'm going to use some magic white here.

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Slide down the canvas

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and as I come forward, okay.

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My lines are going to get bigger.

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Slip and slide across.

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If you want to

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like what you've done or you don't.

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I just take a little fan rush

and smooth out my edges, my

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water lines, where my reflection.

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Okay.

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there we go.

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So we've got some water, we've

got the sun and we've got the sky.

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And the next thing I'm going

to do is I'm going to take some

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magic black and my one inch brush.

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I'm going to start filling in down here.

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This is where I left the canvas dry.

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And you wanted to, you could use

your two and a half inch brush.

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Get it finished in a

hurry, or just put this in.

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Now I was happened to be sitting

on the sand dune, so I want to.

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Get a little bit of a,

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what a pipe over here.

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Well, that's, what's going to happen

when I get my shadows in there.

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Cause I tell people that the sand

isn't black, it's white, but it, as

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the sun came up, the sand look black

because it was creating a silhouette.

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Just put this on.

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All right.

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Covered it.

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And now.

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Take my fan brush, and I want some of the,

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the color from the

water in my magic light.

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Now, I, it, that was a clean fan

brush, but what I'm taking is I'm

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taking some of the magic white from

where my water was and actually just

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blending it right down into my sand.

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And you get.

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A natural highlight from that

go up a little bit higher

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was that paint is still wet and

that's where the sun would be

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shining on the sand and works down.

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Let's make that a little bit higher.

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Now with my fan brush, I just

take the side of it and pull up.

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Um,

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grass that was growing on the beach.

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Yeah.

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Other side lips dribble.

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Just use the side of the brush.

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Okay.

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Oh, you gonna put a little bit

of color into this and make a

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little path and I'm just tagging

the lavender color that I used

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working down.

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And as I come forward, my path's going

to get a little bit bigger and big girl,

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and you can play with this and you can

get all sorts of shadows and highlights.

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You're actually down in this

area, working dark to light.

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so just a little bit of

color here and there.

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You can get some little sand,

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make the sand actually move for you.

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All right.

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Now we take the, the liner brush.

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And dip it into the black and on that

particular sand dune that I was sitting on

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were seals.

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00:23:09,255 --> 00:23:11,895

I'm going to put a little bit

of paint thinner with this,

253

00:23:11,925 --> 00:23:13,665

just to get it really thin.

254

00:23:15,045 --> 00:23:19,425

Just roll it around and on this side,

255

00:23:23,805 --> 00:23:24,645

let some little.

256

00:23:27,180 --> 00:23:34,530

And the liner lines in there and

see it a little tiny dots on them.

257

00:23:35,970 --> 00:23:39,540

They look like piece of wheat

258

00:23:44,420 --> 00:23:45,830

they're used for,

259

00:23:48,860 --> 00:23:53,630

to keep the water for blend,

to keep the water from.

260

00:23:54,345 --> 00:23:56,175

Eroding the soil, the sand.

261

00:23:56,774 --> 00:24:00,855

So they are not allowed

to pick from in Florida.

262

00:24:02,625 --> 00:24:04,334

And this one's going to go way up.

263

00:24:18,155 --> 00:24:20,345

You can do all sorts of things with these.

264

00:24:22,264 --> 00:24:23,014

Be free.

265

00:24:24,435 --> 00:24:29,475

Go up into the air and then

pull a few little dots down.

266

00:24:38,065 --> 00:24:42,485

Can put a little, few

little pieces of grass here.

267

00:24:50,970 --> 00:24:59,130

Also on that morning, there were

some pelicans flying by and how

268

00:24:59,130 --> 00:25:04,290

I do that is I just take my liner

and I tell people to make a V

269

00:25:09,560 --> 00:25:15,470

fill it in, let them fly by or an M.

270

00:25:18,495 --> 00:25:20,145

There's one called the name Pearl landing.

271

00:25:21,675 --> 00:25:23,655

And then I have another one down here.

272

00:25:30,315 --> 00:25:30,975

All right.

273

00:25:34,335 --> 00:25:35,685

I'm going to clean my brush.

274

00:25:36,835 --> 00:25:40,935

Just a little lavender as a highlight.

275

00:25:46,035 --> 00:25:46,545

Okay.

276

00:25:47,475 --> 00:25:51,765

And then continue with my lavender.

277

00:25:53,565 --> 00:25:54,075

That's fine.

278

00:25:54,075 --> 00:25:54,585

My name,

279

00:25:59,225 --> 00:26:02,585

this is a very simple painting

and I know you'll enjoy doing it.

280

00:26:04,805 --> 00:26:06,785

The best part is when we put the black in.

281

00:26:07,325 --> 00:26:07,625

Hi,

282

00:26:11,285 --> 00:26:12,065

there we go.

283

00:26:13,620 --> 00:26:14,669

Isn't she fantastic.

284

00:26:14,969 --> 00:26:17,189

I told you you'd love

her from all of us here.

285

00:26:17,189 --> 00:26:18,570

We'd like to wish you happy painting.

286

00:26:18,879 --> 00:26:19,409

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E06 - Ocean Sunrise

Bob Ross's

The Joy of Painting

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