Bob Ross's

The Joy of Painting

S08E04 - Waterside Way

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Welcome back.

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I'm glad you could join me today.

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You're going to do a fantastic

little painting with me.

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Get your pallet all set

up and you're ready to go.

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Cut tell you what let's have him

run all the colors across the screen

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that you need to do the painting

that we're going to do today.

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And they'll come across in exactly the

same order as I have on my palette.

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Starting with the white would

come in all the way around.

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And while they're doing that, let's

go on up here and get started.

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Now I've already covered the

canvas with a thin even coat of

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liquid white it's wet and slick,

and it's all ready to go some day.

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Let's let's just have some fun.

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I'm going to start out

with a small amount.

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Of Indian, yellow, tiniest little bit,

just tap a little bit onto the brush and

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let's go right up in here in this guy.

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And just let a little tiny bit of

that play around just here and there.

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Put that in first, just

a little spots of it.

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Maybe a little down here.

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I'm going to have a little

water in this painting.

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So we'll put a little

tiny bit right in there.

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Then without cleaning the brush, I'm

gonna go right into a small amount of a

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lizard Crimson, just tap the brush and

leave that Indian, yellow in the brush.

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It makes a pretty color.

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Okay, let's go back up here.

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Now.

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I'm just going to bounce a little

bit of this Crimson here and there.

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Sort of play it around.

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I didn't have fun.

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They're like mass warm

little sky happy little sky.

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Over in here,

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all kinds of pretty little

cutters that looks good enough.

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Deed looks like just a touch in the

water since we know there's going to

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be some water in here, just like, so,

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okay now without cleaning the

brush again, I'm going right into

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a little bit of the midnight black.

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And the small amount of halo, blue,

blue, and black, just a small amount.

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This black is so strong.

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He had us go back up here.

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Now in the sky that's remaining,

it's just sort of dance and a little

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bit of this blue, black color.

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Just let it bounce around

and play just here and there.

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Wherever you think it ought to be.

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That's exactly where it should be.

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Okay.

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Use that same color blue and

black, and let's finish up our

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water area now border, unless it's

moving is always flat it's level.

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So try to keep these strokes

as straight as possible.

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It'll make, it'll make your water

look better now, very quickly.

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This blue and black mixture is so strong.

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Elida is a light area.

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So try not to cover that up.

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Want to save a little touch to that?

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That'll be pretty when it's all day.

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Okay, let me wash my old brush here.

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And if you've paid, you lose

me before, you know, this is

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the fun part, shake it off.

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And then that really is the fun part.

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Get us go back up here.

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Be sure your brush is clean and

dry, and I'm going to very gently

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using little crisscross patterns.

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Just blend all this together.

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And when you're painting

it at home, you paint.

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As soft as you want it, the more you

blend it, the softer it'll become.

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It'll just absolutely

all blend together there.

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Like go

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Janice, let your imagination

take you wherever you want to be.

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No, one of the letters, the questions

I get in the letters all the time

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is where did we get all the ideas

for the paintings that we do know?

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One of the best ways we have of

coming up with ideas is from cards.

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People send us, we get cards from

fantastic people all over the country

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and they tell us what they want to see.

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A lot of them send full postcards

or photographs and believe it or

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not, that's where the majority

of these paintings come from.

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Okay.

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And that quick, we have a very

colorful, nice little sky.

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Let's have some fun, let's

take the all round brush.

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I'm going to go into a little bit of

Vandyke Brown, a little bit of the Sienna.

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Touches half green and we just

mix them together on the brush.

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Tap that brush.

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Okay, let's go right back up here.

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Want to have some happy little bushes

back here and I'm just barely tapping

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the canvas, not tapping very hard, and I

want them to get lighter toward the top.

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Just make a decision.

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Once you think your Bush's already

look like and drop them in.

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Okay.

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A little bit more paint.

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This is dark Sienna, van Dyke

Brown, a little bit of SAP

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green don't want too much green.

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I want to stay sort of in

the, in the brownish tones.

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There we go.

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You can take alizarin, Crimson

and SAP green and mixed together

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and make a beautiful Brown color.

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Maybe there's some little things that live

right up in here, just wherever you want.

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And if you want to show some

things that are far, far away,

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Then just barely touch a canvas.

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So there's just little tiny indications.

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See, it looks like a little

distant, distant things are

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far back in the distance.

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Barely, barely touching the

canvas three hairs in some air.

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Okay.

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Now let's put a few little

highlights on there.

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We'll take the same old

brushes, leave it dirty.

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He was a little bit of the

yellows go green and just tap it.

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See.

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Just tap right into it.

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Okay.

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Yeah.

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Then just using the top corner of the

brush again, laying in a few little

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basic shapes and sort of vary the colors

between all the different yellows, just

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barely touching the canvas, yellow,

old Curry, Indian, yellow, CAD yellow.

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All these colors.

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If you have trouble making them stick,

at least little touch of the liquid

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white or a little bit of thinner to your

brush, tiniest little bit tiny, little

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bit, just a little sort of sticks.

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There we go.

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And leave these that are far,

far away with nothing on them.

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Cause they're too far away

to see any highlights on him.

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Don't don't kill

everything with highlights.

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You'll learn the illusion of

distance in your painting.

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Hm.

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Okay.

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Now then maybe you want to create.

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The idea of mist, just

floating around here.

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Watch right here.

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Just take the big brush.

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Gently tap right on the base of it.

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Ran the bottom, just tap it.

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Now.

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Avoid taking the breast like yes.

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And hitting it.

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It'll cut it off real straight.

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And it looks like somebody took a big

knife and just cut off all the trees.

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We want this land to be

very soft and varied.

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You don't want wanna, you don't

want to distinct line across there.

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And you can very lightly, fairly likely

just lift up a little bit and that

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easy you have the illusions missed,

exploding all down at the bottom of that.

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Okay.

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No, I use the same old dirty

brush go right into the Browns.

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This is the dark sand in the van Dyke.

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Let's go right back up here.

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Maybe there's a happy

little Hill right here.

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Now we don't want to kill all that

Misty area that we'd put right in here.

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And Misty area is what

separates, what divides.

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Okay.

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All we're doing now is

putting down a base color.

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So the next color will show up.

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You need the dark in order for

light to show, you knew that.

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All right.

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Well, I have this cutter on my brush.

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I'm going to pull a tiny bit of it down.

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This will create the illusion

of a reflection straight down.

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Make sure it goes straight

down just like that.

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And then very lightly across.

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And it gives you the indication of

water that easy now, same old brush.

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Hadn't cleaned it yet, according right

into some of the yellows and the green.

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And just tap that brush C tap it by cat.

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All right, come on.

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Back up here.

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Let's come right in here and drop in some

highlights, right on top of that dark.

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And just like before, if you

have problems making it stick.

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Add a little bit of the liquid white

or a little bit of thinner, then

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paint will stick to a thick paint.

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And the base colors that we use

are very, very firm in here.

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And there, you can even take a little

bit of the red color I got there.

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Could you just drop in

a few little things?

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Like, yeah.

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I want to put the tiniest

amount of thinner on the brush.

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See how much easier it sticks.

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Even though my yellows are a little

bit thinner than the other colors.

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Sometimes when you have several

layers, you want to really think

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I'm sort of stick right up here.

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Okay.

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It gives us a nice little

background to play with.

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And if you wanted to, you could even

pull a tiny bit of that highlight

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color right down into the reflections.

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Like, so I'll use it another brush,

this one's clean and pull it down.

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This is a clean, dry brush and go across.

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He had reflects all those colors

right into the reflections.

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All right.

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Let's take the knife.

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I know you use a little bit of Brown here.

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The Bandag Brown pull that

paid out as flat as you can get

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it and then just cut across.

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So you have that little roll

of paint, right on the edge

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of the knife cask up here.

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Now that I'm just going to put

just by rubbing it back and

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forth with the indication, a

little bit of land back here.

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I need something for all these

little grassy things to set on.

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Don't want them to fall off in the

water and make a big splash there.

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There we go.

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And you can take that same Brown,

add little titanium white to it.

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And with that, like a little touch of

highlight color, just like so, okay.

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I'm take a little bit of liquid

white, pull it out very flat.

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Okay.

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Then cut across it.

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Can, can you see that C cut across

that gives you a little tiny roll

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of paint red on the knife blade.

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Let's go up here.

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I think it goes straight into

the canvas and act like you

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trying to saw a hole in it.

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Just really get tough with it.

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And that cleans up the bottom of

your land, puts a little water line

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there and creates once again, the

illusion of distance in your pain.

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Keep these lines basically straight.

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You don't want your water

to run out on your carpet.

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All right, now we can take a clean

knife and just creep in the indication

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of a few little trunks and twigs and.

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Little things like that here and there.

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No big deal wherever you want.

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Okay.

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Time to have some fun here.

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Let's go back to our round brush.

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I'm going to go right

back into the Browns.

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This is a dark Sienna, the Vandyke

Brown, a little bit of the Sam

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green we'll throw in there too.

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Really tap that brush firmly.

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We're going to get it loaded up.

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Okay.

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Let's go up here now that maybe yep.

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There is now we're really, really

hitting the canvas quite hard.

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You can probably see it bending and

hitting it so hard there, socket in there.

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Maybe there's a huge, yeah, let's

have a big trees lives right here.

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He just hangs right out

over like that, like a dam,

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right on a path here, wherever,

make a decision wherever

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you want your tree to live.

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That's where he lives.

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Trees are one of my

favorite things to paint.

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I think you're so beautiful.

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Okay.

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That's really good.

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Crazy today.

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Maybe.

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Yeah, maybe there's a happy

Bush that lives right there.

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And he's got a friend named

collide that lives right there.

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You make up little

stories when you paint it.

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It really helps.

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You don't have to be crazy to

do this, but it's, it does help.

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When you put on your painter's

suit, you can get away with anything

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because everybody thinks as painters,

you know, we're a little weird,

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so we could, we can do anything.

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And in your painting, you paint

things that make you happy.

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You create your own

visions, your own world.

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A lot of, a lot of the letters that I've

received, people wanted to know what

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did I do before I became a painter and

I spent half my life in the military.

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I worked in, I worked in the

hospital, the military and.

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I would come home from work and

I would paint for over 20 years.

247

00:13:33,015 --> 00:13:33,555

I would do that.

248

00:13:34,095 --> 00:13:37,965

I'd come home and paint because on

this canvas, Oh, in this canvas,

249

00:13:37,965 --> 00:13:39,135

I could have total freedom.

250

00:13:39,225 --> 00:13:43,755

Nobody told me what time to be at work

and what can the world to make here.

251

00:13:43,755 --> 00:13:47,655

I could make any kind of world

that I wanted any kind of world.

252

00:13:48,945 --> 00:13:50,265

Just put a big tree right here.

253

00:13:51,375 --> 00:13:53,385

Sometimes I talk too much

when I should be painting.

254

00:13:55,305 --> 00:13:55,845

There we go.

255

00:13:59,655 --> 00:14:04,095

But being in the military for half my life

allowed me to see parts of the world that

256

00:14:04,515 --> 00:14:11,745

I would have never seen all the way to

Southeast Asia and back and introduced me

257

00:14:11,745 --> 00:14:14,115

to my favorite place in the world, Alaska.

258

00:14:15,714 --> 00:14:20,714

Some of the most beautiful scenery

ever get a chance to go there.

259

00:14:20,714 --> 00:14:23,324

If you haven't been, you

really should take a trip.

260

00:14:24,780 --> 00:14:29,520

You'll see where a lot of the scenery

that I paint comes from, and you

261

00:14:29,520 --> 00:14:30,810

may be like me and won't leave.

262

00:14:31,650 --> 00:14:33,240

I just bought a house and stayed there.

263

00:14:34,590 --> 00:14:34,920

Okay.

264

00:14:34,920 --> 00:14:35,550

There we go.

265

00:14:36,750 --> 00:14:40,080

Well, I'm sitting here talking so

much about cover the whole canvas.

266

00:14:40,080 --> 00:14:42,300

So why don't we let's just go

ahead and fill all this in.

267

00:14:44,010 --> 00:14:46,260

Sometimes I get carried away,

as I say, when I'm talking,

268

00:14:46,260 --> 00:14:48,270

I don't know when to stop.

269

00:14:51,530 --> 00:14:57,210

Okay, and this is still just a dark

Sienna and Vandyke Brown and a little

270

00:14:57,210 --> 00:14:59,810

tiny touch her SAP green, not much screen.

271

00:15:04,190 --> 00:15:05,480

And are you using a brush this big?

272

00:15:05,480 --> 00:15:10,010

It didn't take a few minutes just to cover

it all up, but you can also begin laying

273

00:15:10,010 --> 00:15:12,410

in some basic shapes and some basic ideas.

274

00:15:12,410 --> 00:15:14,030

You can see them all in here.

275

00:15:15,525 --> 00:15:18,015

And at this point, you're not

committed because you could put

276

00:15:18,015 --> 00:15:21,495

this Pardot in all honesty, you

put it on with a paint roller.

277

00:15:24,194 --> 00:15:26,275

You might have a whole new way

of painting that did happen.

278

00:15:30,585 --> 00:15:31,095

Okay.

279

00:15:31,095 --> 00:15:33,795

Now you can sort of look at the

shape of some of these trees I'm

280

00:15:33,795 --> 00:15:35,865

going to, I don't think I'll make

this one a little bigger shoot.

281

00:15:35,865 --> 00:15:37,545

We've covered up most

of the cameras already.

282

00:15:37,545 --> 00:15:38,775

Why not just keep going with it.

283

00:15:41,715 --> 00:15:42,345

There we go.

284

00:15:42,975 --> 00:15:44,055

I'll let beautiful background.

285

00:15:44,055 --> 00:15:45,855

We worked so hard and

we just covered it up.

286

00:15:48,585 --> 00:15:52,155

Let's take an old fan brush

and I'm going to go right.

287

00:15:52,155 --> 00:15:55,725

And to the Vandyke Brown load

that brush full of paint.

288

00:15:56,805 --> 00:15:57,525

Both sides.

289

00:15:57,705 --> 00:15:57,915

Okay.

290

00:15:57,915 --> 00:16:04,065

Now watch, I'm going to take one

side and go through white C went

291

00:16:04,065 --> 00:16:06,975

through both sides with Vandyke

Brown and then one side with white.

292

00:16:07,005 --> 00:16:09,555

So I've got white on one

side Brown on the other.

293

00:16:10,545 --> 00:16:10,995

There we go.

294

00:16:10,995 --> 00:16:16,125

Let's go up here now, then

let's take it right here, touch

295

00:16:17,085 --> 00:16:18,045

and give it a little pull.

296

00:16:19,395 --> 00:16:23,775

And by double loading the brush, we have

both sides of the tree trunk at one time.

297

00:16:25,095 --> 00:16:25,725

Sneaky, huh?

298

00:16:27,555 --> 00:16:28,035

Look at that.

299

00:16:28,155 --> 00:16:33,405

And then pretty, and it's

easy to do fun to do.

300

00:16:34,485 --> 00:16:37,515

I can't tell you a likeness, put a

trunk right here in this whole tree.

301

00:16:37,515 --> 00:16:38,565

We can't have him without it.

302

00:16:39,135 --> 00:16:40,125

I strong trunk.

303

00:16:40,905 --> 00:16:45,225

And when you're doing these trunks,

all trees don't become telephone poles.

304

00:16:45,465 --> 00:16:48,495

So make some of them a little

crooks and bands and it makes

305

00:16:48,495 --> 00:16:49,785

your painting more interesting.

306

00:16:52,035 --> 00:16:56,985

See, but little, little, little bands in

it really, really will brighten up your

307

00:16:56,985 --> 00:16:59,385

painting, make it look more natural.

308

00:17:00,585 --> 00:17:02,415

Spend some time looking at trees.

309

00:17:04,724 --> 00:17:07,964

You know, I go out in the woods

and I hunt with a camera while I

310

00:17:07,964 --> 00:17:09,435

just shoot them dead with a camera.

311

00:17:11,565 --> 00:17:13,365

And then you save these photographs.

312

00:17:14,204 --> 00:17:19,034

And you can take a tree out of one

photograph and maybe put it with another

313

00:17:19,034 --> 00:17:20,504

photograph that has a beautiful sky.

314

00:17:20,504 --> 00:17:21,855

You can combine these things.

315

00:17:23,145 --> 00:17:23,504

Okay.

316

00:17:23,504 --> 00:17:25,994

I want to take a little bit of

paint thinner, go right into some

317

00:17:26,175 --> 00:17:28,935

bright red right on the liner brush.

318

00:17:28,935 --> 00:17:29,555

Just turn it.

319

00:17:29,865 --> 00:17:32,745

Okay, let's go right back

up here, maybe on this tree.

320

00:17:34,004 --> 00:17:38,145

I'm going to take a little bit of this

red and just come right down the edge

321

00:17:40,514 --> 00:17:42,615

that very gently just blend that out.

322

00:17:44,580 --> 00:17:46,800

See the Nana make a pretty little tree.

323

00:17:46,860 --> 00:17:47,520

It's easy.

324

00:17:49,550 --> 00:17:56,790

I wake up, we go right down the side

of this one and just blend it out.

325

00:18:00,030 --> 00:18:02,070

And if you wanted to, you could

add a little bit over in here,

326

00:18:02,070 --> 00:18:06,360

just, just here and there, wherever

you want, wherever you want it.

327

00:18:07,740 --> 00:18:08,460

Sometimes.

328

00:18:08,850 --> 00:18:11,340

You can take just a little bit

of the liquid white and let's,

329

00:18:11,430 --> 00:18:12,300

let's do a little different here.

330

00:18:12,300 --> 00:18:14,790

You can take a little liquid

white and come right down

331

00:18:14,790 --> 00:18:16,230

the side and then blended in.

332

00:18:16,230 --> 00:18:20,700

So it's bright on that far edge and softer

as it goes toward the center of the trunk.

333

00:18:22,530 --> 00:18:25,500

And that gives you the indication

of around this and your tree trunk.

334

00:18:26,940 --> 00:18:29,250

So you can just blend it to

whatever degree of softness

335

00:18:29,250 --> 00:18:31,889

that you want that easy.

336

00:18:32,070 --> 00:18:35,430

Or you can just take plain

liquid white in here and there.

337

00:18:36,524 --> 00:18:38,985

I don't know, white trunk, you

know, this there's trees that

338

00:18:38,985 --> 00:18:45,615

have white bark on and they're

pretty, everything is pretty happy.

339

00:18:45,615 --> 00:18:46,155

Little trees.

340

00:18:46,155 --> 00:18:46,814

Here we go.

341

00:18:50,264 --> 00:18:53,564

Now then a little bit of the

liquid black on the liner brush,

342

00:18:54,465 --> 00:18:58,514

and let's make the indication of

a little branch here and there.

343

00:19:00,865 --> 00:19:03,705

Just here in there, this is

just straight liquid black.

344

00:19:05,835 --> 00:19:08,565

They're all kinds of little things.

345

00:19:10,035 --> 00:19:10,305

Okay.

346

00:19:10,305 --> 00:19:11,775

That gives you an idea how to do that.

347

00:19:13,465 --> 00:19:16,605

Now I'll get you around the

brush and I'm going to add a.

348

00:19:17,475 --> 00:19:18,855

A little bit of the liquid white to it.

349

00:19:20,475 --> 00:19:24,075

This is the same old dirty brush because

I want the colors to be soft and muted.

350

00:19:24,105 --> 00:19:26,955

So, so that I've left

all the Browns on there.

351

00:19:27,135 --> 00:19:28,905

I'm going right into the yellows now.

352

00:19:29,745 --> 00:19:33,304

And I added a small amount of the liquid

white, just at the end of the paint.

353

00:19:33,395 --> 00:19:35,225

Can you just go back up here now?

354

00:19:35,225 --> 00:19:38,735

They must make some decisions

using just the top of the brush.

355

00:19:40,215 --> 00:19:41,835

Just the top and just touch.

356

00:19:41,895 --> 00:19:45,075

Try not to hit the same area

over and over, or pretty soon

357

00:19:45,375 --> 00:19:46,785

you'll become a mud mixer.

358

00:19:47,805 --> 00:19:53,595

And if you've painted before, we've all

experienced a little bit of mud mixing.

359

00:19:54,645 --> 00:19:57,675

Try to avoid that in here.

360

00:19:57,855 --> 00:20:01,335

Just worry about some basic

shapes and just barely tapping.

361

00:20:03,180 --> 00:20:06,120

Just barely touching,

going have to hit hard.

362

00:20:08,040 --> 00:20:09,210

Don't have to hit him hard

363

00:20:12,540 --> 00:20:17,750

just enough to get the paint, to

come off the brush and then a super

364

00:20:17,750 --> 00:20:20,720

nice, easy way to put all those

little leaves and stuff on the tree.

365

00:20:23,520 --> 00:20:24,210

All right.

366

00:20:27,260 --> 00:20:30,080

And a little bit of a bright

red to that might as I get

367

00:20:30,080 --> 00:20:32,000

crazy, I'm still just happy.

368

00:20:33,920 --> 00:20:34,250

Go ahead.

369

00:20:34,250 --> 00:20:34,610

Up here.

370

00:20:35,730 --> 00:20:38,660

Maybe these over here, maybe old

Jack Frost has touched them a little

371

00:20:38,660 --> 00:20:46,100

bit and you began to see a little

color and this is your creation.

372

00:20:46,100 --> 00:20:48,980

So whatever color you want them to be.

373

00:20:51,015 --> 00:20:54,935

That once again, remember

your little patterns in here.

374

00:20:54,935 --> 00:20:56,855

Don't just, no, just

throw this on at random.

375

00:20:58,325 --> 00:20:59,345

Think like a tree.

376

00:21:00,365 --> 00:21:01,235

I think like a train

377

00:21:05,075 --> 00:21:05,555

there.

378

00:21:09,825 --> 00:21:10,185

Okay.

379

00:21:10,395 --> 00:21:16,905

Just work on these little patterns, create

all kinds of happy, little, little things

380

00:21:16,905 --> 00:21:18,525

in here and don't kill all the darks.

381

00:21:18,525 --> 00:21:19,485

You need those darks.

382

00:21:20,865 --> 00:21:21,555

Okay.

383

00:21:22,965 --> 00:21:24,315

Let's go to this other tree.

384

00:21:24,615 --> 00:21:25,835

That's one on the far, right?

385

00:21:27,075 --> 00:21:28,305

Don't want him to feel left out.

386

00:21:28,365 --> 00:21:30,315

We would give him a few

happy little leaves up here.

387

00:21:31,305 --> 00:21:31,515

Hmm.

388

00:21:31,575 --> 00:21:32,355

That's a nice way.

389

00:21:32,475 --> 00:21:34,635

I haven't really, really worked nice.

390

00:21:35,685 --> 00:21:37,965

And when you paint, sometimes

a brush just hits right.

391

00:21:37,965 --> 00:21:41,325

And things, all they sparkle, sparkle.

392

00:21:42,044 --> 00:21:43,575

That's one of our happy accidents.

393

00:21:45,554 --> 00:21:46,274

We like those.

394

00:21:48,135 --> 00:21:48,735

Look at that though.

395

00:21:49,875 --> 00:21:56,385

I used to spend weeks with the one here at

brush, trying to do all this now I'm lazy.

396

00:21:58,264 --> 00:21:58,865

Okay.

397

00:21:59,085 --> 00:21:59,564

Okay.

398

00:22:01,560 --> 00:22:04,170

Let's take, I want to see

another Bush right here.

399

00:22:04,530 --> 00:22:09,570

Now you can begin just picking out little

individuals, just pick them out, let

400

00:22:09,570 --> 00:22:14,450

them go wherever, wherever you want.

401

00:22:15,360 --> 00:22:17,610

There's one sketch looks

like little flowers on it.

402

00:22:19,590 --> 00:22:20,160

I tell you, right.

403

00:22:22,140 --> 00:22:24,720

Let's take the fan brush

and it has Brown on a steel.

404

00:22:25,935 --> 00:22:27,254

I want a happy little path.

405

00:22:27,554 --> 00:22:28,544

It goes right back in here.

406

00:22:29,175 --> 00:22:31,514

You'd have to have a way of getting

back in here and catching it.

407

00:22:31,514 --> 00:22:33,314

Big trout that lives right over in there.

408

00:22:34,514 --> 00:22:36,254

So it just puts some Brown on first.

409

00:22:37,395 --> 00:22:38,985

Then we'll just use the

same old, dirty brush.

410

00:22:38,985 --> 00:22:44,325

I'll take some dark CNN, some white,

just mix it loosely on the brush.

411

00:22:44,745 --> 00:22:47,895

Now, barely touching the canvas.

412

00:22:47,895 --> 00:22:49,635

Just let it sort of graze across there.

413

00:22:51,044 --> 00:22:52,665

It make it look like little stones.

414

00:22:54,855 --> 00:22:56,715

Sitting, this isn't a

big paved highway here.

415

00:22:56,715 --> 00:22:58,365

This has got little stones and rocks.

416

00:22:58,365 --> 00:23:03,495

And so it's not really even just like

disappear right on into the background.

417

00:23:03,975 --> 00:23:04,395

Like, so.

418

00:23:05,940 --> 00:23:07,260

Let me take, let's have some fun.

419

00:23:07,970 --> 00:23:10,820

We'll take the two inch brush and go

right into the same colors that have

420

00:23:10,820 --> 00:23:17,360

been using the yellows, all the yellows,

all the reds, just bring them together.

421

00:23:18,440 --> 00:23:22,580

Now that's began making the indication

that a little grassy things have

422

00:23:22,580 --> 00:23:27,680

grown right up to the path here,

work in layers, do the area.

423

00:23:27,680 --> 00:23:29,390

That's a father's to way first.

424

00:23:30,750 --> 00:23:36,020

And work forward, always working

forward, forward forward, and make

425

00:23:36,020 --> 00:23:39,260

little individual things just don't just

don't throw them in there at random.

426

00:23:40,040 --> 00:23:42,830

See, you could even make

your Bush right here.

427

00:23:43,430 --> 00:23:48,950

He's like, so don't paint all

of them leave some of them dark.

428

00:23:50,210 --> 00:23:50,450

Okay.

429

00:23:50,510 --> 00:23:50,750

Okay.

430

00:23:50,750 --> 00:23:54,680

Here, just going to add a

little more green to that.

431

00:23:58,085 --> 00:24:01,535

This whole big brush, you can just

tap it all kinds of beautiful,

432

00:24:01,595 --> 00:24:02,675

beautiful little highlights.

433

00:24:04,115 --> 00:24:08,045

Like, so work in layers.

434

00:24:08,075 --> 00:24:09,215

I can't say that enough.

435

00:24:10,235 --> 00:24:11,015

Can't say that.

436

00:24:14,585 --> 00:24:15,935

Oh, Cannes a little Hills.

437

00:24:16,655 --> 00:24:20,225

And that's super think

we're light with strike.

438

00:24:21,305 --> 00:24:23,975

Seeing the lights coming through

there and just zinging here and there.

439

00:24:25,725 --> 00:24:28,365

And if you think light's really going

to strike here, you can add a little

440

00:24:28,425 --> 00:24:32,145

white and really make it look like

lights, just coming right through there.

441

00:24:33,915 --> 00:24:34,215

Okay.

442

00:24:34,305 --> 00:24:38,085

Let's go over here on this

other side and put in some happy

443

00:24:38,085 --> 00:24:39,105

little things, right there.

444

00:24:44,195 --> 00:24:46,575

Always paying attention

to the lay of the land.

445

00:24:49,740 --> 00:24:50,340

There we go.

446

00:24:50,480 --> 00:24:50,700

Nice.

447

00:24:50,700 --> 00:24:51,480

Bright one right there.

448

00:24:51,480 --> 00:24:52,139

It stands out.

449

00:24:52,139 --> 00:24:55,080

It makes it look like a little

rounded area and that helps push it

450

00:24:55,110 --> 00:24:56,790

path all the way back up in there.

451

00:24:58,350 --> 00:24:58,620

Okay.

452

00:24:58,620 --> 00:25:00,149

I'm going back to mow fan brush.

453

00:25:00,149 --> 00:25:01,050

It has the Brown on it.

454

00:25:01,680 --> 00:25:04,050

I tell you what, let's

get brave right here.

455

00:25:04,530 --> 00:25:05,100

Right here.

456

00:25:06,090 --> 00:25:06,840

Zoom.

457

00:25:06,899 --> 00:25:11,970

There's a big old tree and

he's got a friend right there.

458

00:25:14,220 --> 00:25:15,120

Don't want him to get lonely?

459

00:25:15,120 --> 00:25:15,929

We'll give him a friend.

460

00:25:16,980 --> 00:25:20,370

Then it helps push the whole path

area back further into the painting.

461

00:25:20,370 --> 00:25:24,600

And we'll take a little Frank red, little

white and Brown mix it together here.

462

00:25:25,169 --> 00:25:29,010

And let's just put the indication

of some highlight right here.

463

00:25:30,060 --> 00:25:31,290

Make his tree stand out.

464

00:25:33,240 --> 00:25:35,399

I want him to really

shine in the sunlight.

465

00:25:37,429 --> 00:25:38,899

They're just put a little highlight on it.

466

00:25:41,435 --> 00:25:42,764

I don't have wherever you want it.

467

00:25:45,044 --> 00:25:47,415

We'll use a little bit of the Brown

on the other side, just to make

468

00:25:47,415 --> 00:25:50,115

it dark, dark, dark over here.

469

00:25:53,475 --> 00:25:55,395

Sort of makes that tree look round.

470

00:25:56,865 --> 00:26:03,955

Can you airliner brush with some of the

liquid black and that quick, that quick

471

00:26:03,975 --> 00:26:05,955

gives us some happy little tree limbs.

472

00:26:09,975 --> 00:26:12,074

And as many as you

want, this is your tree.

473

00:26:12,794 --> 00:26:15,375

So you just put them where you

want them in however many you want.

474

00:26:17,294 --> 00:26:17,925

There we go.

475

00:26:18,554 --> 00:26:20,685

And we have the indication

of a few branches there.

476

00:26:21,495 --> 00:26:24,945

Let's take the old big brush we've

built right into some SAP green and

477

00:26:24,945 --> 00:26:30,915

some of the yellows, and let's go

right up here and then you can put the

478

00:26:30,915 --> 00:26:37,004

indication of some nice little nice

little leaves that live right out here.

479

00:26:40,215 --> 00:26:41,055

Just like, so,

480

00:26:44,655 --> 00:26:50,085

and that's all there is

to just drop them in.

481

00:26:51,125 --> 00:26:53,855

And the old clock on the wall

tells me it's it's time to

482

00:26:53,855 --> 00:26:55,295

sneak out of here for this week.

483

00:26:56,915 --> 00:26:59,465

So with that, I think we'll

call this painting finished.

484

00:26:59,645 --> 00:27:01,745

I look forward to seeing

you again, happy painting.

485

00:27:01,865 --> 00:27:02,435

Got blessed.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E04 - Waterside Way

Bob Ross's

The Joy of Painting

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