Bob Ross's

The Joy of Painting

S07E04 - Mountain Cabin

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I'm glad you could join me today.

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Today.

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I think we'll really do a

fantastic little painting.

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That'll it'll bring a lot

of good thoughts right.

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To your heart here.

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So I've already covered the canvas

with a thin even coat of the liquid

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white it's wet, slick, ready to go,

and we'll have them graphically run

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all the colors across the screen

that you need to paint along with me.

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And we'll get started and I'm

gonna take right off today.

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I'm gonna get right in here

to some midnight black, a

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little bit of Tayloe blue.

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And I'm just going to

mix these on the brush.

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Just tap them right into your brush.

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All right, let's go up here now.

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I want to just, just sort of

dance in a little, little sky,

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little happy sky using little.

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Crisscrosses just let it bounce around

and play at least some holes in this guy.

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Don't don't kill it.

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All.

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Kill it all.

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That's the little things

just shine through.

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Like, so just have fun with it.

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Enjoy the airway.

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Go.

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Yeah.

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Well, I got this brush dirty.

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I'm gonna go right into

a small amount of green.

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I had it right onto the same old,

dirty brush and loaded the same way.

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Just hap.

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Okay.

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And let's put in eventually see water pull

from the outside F from the outside-in

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C over here, pull from this direction.

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I'm going to leave a

little area open here.

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I want it to look like a sheen

of light coming across the water.

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When this painting's

finished, there we go.

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Just to out, across.

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Okay.

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Now let me wash this brush a little

odorless paint, thinner, scrub

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it off, give it a little shake.

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Okay, and is beat the devil out of it.

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Okay.

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Now with a clean brush, I'm going

up in here and I'm just going to

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blend this guy together a little bit.

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I don't want to blend it so much that

I kill all the little actions in it.

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I want to keep some of those

in there over blended it'll.

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Just turn into a flat old, dead blue sky.

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There we go.

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That's blended right on down and for

the park is going to be water very

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lightly for across that light area.

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For me right there, where you put a seat

already, it looks like the light shining

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across and you haven't done a thing.

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This is really the lazy

man's way to paint.

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That's why I like it so much.

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Alrighty.

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You can clean up brush one more time.

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Shake it off.

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These camera men hate me.

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All right, right into some titanium,

white, a little bit of the red.

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There we go.

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Pull that brush in one direction,

load a lot of pain into the bristles.

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Let's go up here.

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Now I want to put a happy little cloud.

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Yeah.

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Jessica to take his brush

and just dance it around.

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Let it have fun.

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You have areas in the sky where the

paint's thick areas, where it's very thin

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areas where there's absolutely no paint.

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Keep it moving.

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Keep it moving.

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Keep it moving.

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Otherwise, if you stay in one place,

it'll look like, look like a big

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cotton ball, laid a fare in the sky.

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And that's not what we're looking for.

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We're looking for happy little clouds.

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It just float around and have fun.

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And then we'll take a clean, dry

brush, same brush, very gently

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blend the bottom of this out.

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This just blended.

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Just blend it.

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I'm not touching this top area at all.

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Just the bottom.

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Sorta mix it up, mix it up.

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That's a good way to think.

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You got it.

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Just mix it just like you.

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You're beaten up a cake batter here.

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Just mixed it up.

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Okay.

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I just takes off the excess paint.

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Then I'm going to fluff it and grab it

lifted the fluff that drag out, all those

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little stringy things, let them happen.

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When all these little things happen,

don't worry about them because when you

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blame this guy, They'll all go away.

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Like here, it just brings it all together.

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And was one of the simplest, nicest,

easiest ways of making a beautiful,

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but this guy has all kinds of

happy, little clouds floating in it.

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Okay.

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Now then I, the D we'll let's do,

let's do it almighty mountain.

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It's going to take a little bit of this

blue and black, add a little white to it.

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So it makes sort of a blue, gray color.

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There we go.

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Cut off a little bit.

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Right up here.

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I'm going to have a

little Hill as far away.

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So all you do drop in a basic shape, take

a dirty brush and I'm going to grab it.

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Doesn't matter for brushes dirty or

clean and just by using brush strokes.

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Okay.

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I'm going to put the indication

of highlights and shadows in this.

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I want this to be very

soft and very quiet.

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Far far away.

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Look at there.

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You can blend over the entire thing.

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Very light, very light, because

he looks like he's a little top

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went right up in the clouds there.

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And then maybe in front of that

one, maybe there's a big, strong

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cloud or big strong mountain.

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I mean, yeah.

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So let's go back.

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We'll use some black little touch

of the blue, a little Vandyke

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Brown in there to just mix it up.

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Pull it out, cut across it.

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Get that little roll of

paint right out on the edge.

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Okay.

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Now I have to decide where

are your mountain lifts maybe?

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Yep.

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He lives right there.

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Well, this dark color

he certainly does now.

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And he comes down like that.

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And all you're looking for

here is a very basic shape.

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We're not looking for a lot of detail yet.

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Push.

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Get, I mean with it, get tough with it.

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This is where you take out all

your hostilities really pushed

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that painful right into the fabric.

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Canvas is tough and make tents out of it.

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Fair rally.

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Push it.

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Kidding.

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Now we'll take a big brush and we

pull that down just gently, just like

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we did the one in the background.

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This removes excess paint makes the

next layer of paint stick much easier.

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The less paint you have on this

part, the easier you'll find it.

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Maybe I hear what just

happened a little bit.

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Just let it disappear.

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Just sort of floats there

in the sky right now.

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And that gives you a basic shape.

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If you don't like your shape, if

you're not happy with it, when you

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get to that point, you can change it.

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This is your world rush.

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We're in business.

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All right.

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Now let's put some happy

little things up here.

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I'm going to go into a little bit of

a dark Sienna, a little Brown, little

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white, just mix it all together.

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I'm a little bit to the

bright red in there, too.

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What the heck?

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We'll just have fun.

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They don't make a happy mountain a little

more than the white there got across it.

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Small roller paint.

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Okay, let's go up here and decide

which peak is the farthest away

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in my mind is this one, tiniest,

tiniest, a little bit of paint.

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Just a tiny little bit.

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Just like, so let's say there is a

little bit of paint now for shadow cover.

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Gonna take a little white, blue, some

black, and mix me up a shadow color here.

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Put a little Brown in that too.

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Give it sort of bluish gray and you can

tone it to whatever degree you want it.

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Okay.

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Cut across.

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Let's go right up here.

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And I'm going to lay in just a little

indication of shadow right in there.

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I've just like, so now I want

that to be fathered back.

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So very lightly, I'll take this

inspiration and give it a little

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tap and then very lightly.

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Very light.

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Barely, barely caressing the canvas.

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Follow the angles.

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There we go.

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Can we just let this disappear right

off into nothing that's far, far away.

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Okay.

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Then add a little bit more

Brown to that same color.

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And sometimes a little yellow ochre

does a wonders, but don't overmix

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they leave it, leave it like that.

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Cut off a little honk.

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Now we can start playing in here.

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See, by not over mixing all these

colors happen automatically.

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Beautiful little things.

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If you try to sit here and plan

all those, you'd have a devil of a

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time, but you do it accidentally.

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They just fall in there.

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I get that, but we never, we

never admit this was an accident.

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Somebody asks, but we plan this side

of a gun right from the beginning.

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Yeah.

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I watch a lot of people when they first

start selling paintings and people will

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say, you want to sell that painting?

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They say, yeah, yeah.

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I want to sell that painting.

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But there was a couple

little errors in it.

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You know, this tree's wrong

or those mountains are wrong.

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Don't tell nobody that huge.

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You wouldn't, you wouldn't, you

wouldn't buy somebody else's mistakes.

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Nobody's going to buy yours.

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If they didn't like the

pay, they wouldn't ask you.

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And maybe the thing in that

painting that troubles you the most.

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That's what makes them the happiest.

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So don't ruin their illusion here.

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I'm using a little bit shadow

color and just bringing it down.

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I'm going to take the small nice

go right into some very dark color.

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I want to increase the intensity

of some of these shadows back here.

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Look at that.

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That's a little knife gets into some

places that you might find a little

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difficult with a big knife there.

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It just slips right here.

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Look at their baby was a little

more shadow right in there.

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There might even be the tiniest

little bit of light that hits.

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Oh, okay.

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Yeah.

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Look at that.

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That easy.

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Bring it around.

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I could create all kinds of

beautiful little effects.

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Just, just let it go.

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My just grace.

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Crazy.

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I want it to sort of slope out

little lights singing through there

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and hitting, take a dry brush.

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Be sure these brushes are dry.

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When you do this, if they're wet,

you're going to watch you painting

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just, just drip off your canvas.

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Then you're going to be mad at me,

and I want you to be happy with

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your paintings and happy with us.

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Okay.

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Now we can play a little more.

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We'll take a little more of that

yellow ochre, some bright red, and

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I would just mix all this together.

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Put a little white in there once again.

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Don't overmix it.

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See there.

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You have to start making some decisions.

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Where does this live?

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Eric capture.

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Like, look what happens

there because you did not.

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Overmix it.

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Paint comes down.

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There it is.

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We'll just let it go.

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Let it go.

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Let it go like that.

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I go wherever, wherever

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I'm going to take in touch a little

bit of the same color with more

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white in it, just to spark light up.

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So a little lightest, little

light, just playing through hearing

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zing hits in it for bang plays.

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There's one right there.

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That's a nice little light things happen.

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Going back to my little knife back

behind here, we need a shadow like a dad.

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See that makes that a separate entity.

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Just for putting a shadow

behind it just left yet.

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And we can come down in here and we

can raise parts out luck right there.

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It's about putting a little dark

area and changing the angle.

260

00:12:06,615 --> 00:12:08,655

Ankles are very important

when you're doing mountains.

261

00:12:09,735 --> 00:12:10,635

Very, very important.

262

00:12:12,615 --> 00:12:13,125

Okay.

263

00:12:14,595 --> 00:12:18,105

I will take and go into the tiniest little

bit of CAD yellow with that big brush.

264

00:12:18,135 --> 00:12:19,305

Just have the bristles in there.

265

00:12:19,965 --> 00:12:20,205

Okay.

266

00:12:21,225 --> 00:12:24,105

Maybe right up here, this okay.

267

00:12:24,105 --> 00:12:28,065

Here, little grass that grows

right up the side of that mountain,

268

00:12:29,775 --> 00:12:34,815

wherever, just let it sort of

blend together and have fun there.

269

00:12:35,870 --> 00:12:39,980

Um, those facts just let you brush work.

270

00:12:42,680 --> 00:12:44,990

You can put the least little

touches, SAP green here and there.

271

00:12:46,220 --> 00:12:47,060

Oh, look at that.

272

00:12:47,090 --> 00:12:49,280

See, had separates brings those apart.

273

00:12:49,370 --> 00:12:50,750

It looks like a whole separate entity.

274

00:12:51,980 --> 00:12:55,760

Just that easy, hot.

275

00:12:55,850 --> 00:12:59,330

Maybe I'm just gonna throw some dark

in here and watch, watch what happens.

276

00:13:00,620 --> 00:13:01,670

I try it happens.

277

00:13:04,515 --> 00:13:07,935

Go back to the same old breasts, and

then we'll take some of that dark color.

278

00:13:08,835 --> 00:13:09,255

Look at their

279

00:13:12,465 --> 00:13:14,235

chest, begin bringing all this together.

280

00:13:16,365 --> 00:13:19,605

You could pick a multitude of

things happen just by using

281

00:13:19,605 --> 00:13:23,235

the brush that all these little

things just live in here in play.

282

00:13:28,710 --> 00:13:32,850

Take off some excess paint,

soften that right up.

283

00:13:36,060 --> 00:13:36,420

Alrighty.

284

00:13:37,020 --> 00:13:37,470

I'm ready.

285

00:13:39,240 --> 00:13:40,020

Clean brush.

286

00:13:41,189 --> 00:13:44,850

We can soften that even a little more

and create the illusion of nest in it.

287

00:13:49,350 --> 00:13:49,800

Okay.

288

00:13:50,730 --> 00:13:53,730

I think it gives you a general idea of

how to make a fantastic little mountain.

289

00:13:54,300 --> 00:13:55,829

I'm going to go in here and drop it.

290

00:13:55,829 --> 00:13:57,270

A few little background trees.

291

00:13:57,300 --> 00:14:01,650

We'll just use some black and

some blue pick up some white.

292

00:14:03,870 --> 00:14:04,530

Hey, little Brown.

293

00:14:04,560 --> 00:14:05,069

What the heck?

294

00:14:05,430 --> 00:14:05,790

What the heck?

295

00:14:07,230 --> 00:14:09,090

There we go, okay, let's go right up here.

296

00:14:09,720 --> 00:14:14,070

Maybe there's some happy little trees

that live right here, right there.

297

00:14:16,640 --> 00:14:16,810

298

00:14:20,340 --> 00:14:21,030

wherever you want to,

299

00:14:27,330 --> 00:14:28,890

you can just make as

many trees in your world.

300

00:14:30,260 --> 00:14:31,080

Start from right there.

301

00:14:31,080 --> 00:14:31,920

That's enough.

302

00:14:32,760 --> 00:14:33,930

That's enough right there.

303

00:14:34,650 --> 00:14:35,070

Now with.

304

00:14:36,734 --> 00:14:37,484

Good dryer brush.

305

00:14:37,515 --> 00:14:43,604

I want to just tap this,

tap it, softens it all up

306

00:14:49,974 --> 00:14:50,594

very lightly.

307

00:14:51,224 --> 00:14:52,064

Let's blend it out.

308

00:14:53,984 --> 00:14:56,775

That gives us a nice little

later, have some background trees.

309

00:14:58,285 --> 00:14:58,785

Let's go.

310

00:14:59,025 --> 00:15:00,045

We use the old round breasts.

311

00:15:00,055 --> 00:15:01,665

I'm going to into the black.

312

00:15:02,520 --> 00:15:05,340

Add little SAP green

to it, a little Brown.

313

00:15:07,050 --> 00:15:07,830

Can you just go up here?

314

00:15:08,220 --> 00:15:12,240

Maybe there's a happy little

tree and he lives right there.

315

00:15:12,880 --> 00:15:15,810

Whole bunch of little trees

just tapping these in.

316

00:15:18,615 --> 00:15:20,324

Have using a darker color here.

317

00:15:20,355 --> 00:15:22,155

So it stands out against the other color.

318

00:15:22,964 --> 00:15:25,275

And when we put a few highlights

on it, that'll show too.

319

00:15:25,334 --> 00:15:26,324

We'll just drop some down here.

320

00:15:26,324 --> 00:15:32,145

That'll be reflections, bred into a little

bit of the yellow, the yellow ochre.

321

00:15:32,564 --> 00:15:36,105

And then you can put like a,

there a few little highlights.

322

00:15:37,185 --> 00:15:38,145

These trees are closer.

323

00:15:38,145 --> 00:15:39,855

You're beginning to see

some highlights in there.

324

00:15:40,555 --> 00:15:46,125

Just tap them on very lightly dot

overdue, towed over to just a few.

325

00:15:47,219 --> 00:15:48,240

But a few in layers.

326

00:15:49,829 --> 00:15:54,189

Look, they're that easy, easy.

327

00:15:54,339 --> 00:15:56,099

You get some nice little background trees.

328

00:15:57,610 --> 00:16:04,050

We'll take two inch brush, grab it

and pull down there that quick you

329

00:16:04,050 --> 00:16:05,579

get some beautiful little reflections.

330

00:16:06,030 --> 00:16:10,949

That may be one of the nicest things that

happens in this tech deck is reflections.

331

00:16:11,280 --> 00:16:12,089

You just pull it down.

332

00:16:12,675 --> 00:16:17,355

Very lightly go across and you

have instant, instant reflections.

333

00:16:17,474 --> 00:16:20,204

Take a little liquid white to that.

334

00:16:20,204 --> 00:16:21,105

Add a little blue.

335

00:16:22,724 --> 00:16:24,405

It's very thin paint cut across it.

336

00:16:25,125 --> 00:16:25,785

Let's go up here.

337

00:16:28,795 --> 00:16:31,665

Give us some water lines back here.

338

00:16:31,665 --> 00:16:36,255

And these little trees helps

create the illusion of depth.

339

00:16:36,255 --> 00:16:37,605

It shows different planes again.

340

00:16:39,060 --> 00:16:42,030

Take the point of the knife,

docket, a few little sticks

341

00:16:42,030 --> 00:16:47,490

and twigs, just like so, okay.

342

00:16:47,490 --> 00:16:49,350

I'm going back to the

same old round brush.

343

00:16:49,360 --> 00:16:51,660

Go back into some Brown

and green and black.

344

00:16:53,865 --> 00:16:55,665

And maybe right here.

345

00:16:55,755 --> 00:16:57,735

Yeah, you're right.

346

00:16:58,275 --> 00:17:00,705

There lives a nice little happy tree.

347

00:17:01,965 --> 00:17:02,835

It comes right down.

348

00:17:03,015 --> 00:17:08,895

I can just like, think like a

tree when you do these, maybe

349

00:17:08,895 --> 00:17:10,455

right on, back through here.

350

00:17:12,885 --> 00:17:14,955

So maybe there's a big

sign of a gun there.

351

00:17:16,510 --> 00:17:19,780

Tell them the bit of that dark

Sienna and add that right in there.

352

00:17:21,400 --> 00:17:26,879

This just be a little

background, drop it in there

353

00:17:31,510 --> 00:17:31,960

right quick.

354

00:17:33,430 --> 00:17:33,790

Okay.

355

00:17:34,480 --> 00:17:36,910

Let's do the same thing right over here.

356

00:17:38,950 --> 00:17:41,410

Maybe there's a happy

little thing right there.

357

00:17:44,455 --> 00:17:51,465

This sorta helps, helps with a composition

and bring some borders around the edge.

358

00:17:51,465 --> 00:17:52,815

It makes the painting

look a little better.

359

00:17:52,875 --> 00:17:54,285

Pushes everything farther back.

360

00:17:57,465 --> 00:17:58,245

There we go.

361

00:18:00,825 --> 00:18:03,615

So it's a nice warm tones in here.

362

00:18:05,055 --> 00:18:05,445

Okay.

363

00:18:06,765 --> 00:18:10,485

Now let's take the old fan brush here.

364

00:18:11,639 --> 00:18:13,679

We'll put in a few, basically tree trunks.

365

00:18:13,679 --> 00:18:14,159

What does she use?

366

00:18:14,159 --> 00:18:14,639

Some Brown.

367

00:18:15,199 --> 00:18:16,340

Just a little bit of Brown.

368

00:18:17,480 --> 00:18:18,080

There we go.

369

00:18:18,169 --> 00:18:18,830

Let's go up here.

370

00:18:19,850 --> 00:18:25,090

Maybe there's a happy little tree

trunk in there, right in there.

371

00:18:27,709 --> 00:18:28,850

Just some indications.

372

00:18:29,209 --> 00:18:30,439

We're not looking for a lot of detail.

373

00:18:30,649 --> 00:18:30,949

All right.

374

00:18:30,949 --> 00:18:34,310

Now, just hearing their drop on that.

375

00:18:35,449 --> 00:18:37,610

Now I'm going to take a one inch brush.

376

00:18:38,625 --> 00:18:40,605

We'll dip it into a little

bit of the liquid white.

377

00:18:40,784 --> 00:18:46,544

Let's go into some yellows,

some greens, the yellow ochre.

378

00:18:47,475 --> 00:18:48,555

Just mix them on the brush.

379

00:18:48,794 --> 00:18:49,004

Okay.

380

00:18:49,065 --> 00:18:49,415

That's good.

381

00:18:50,524 --> 00:18:54,395

Let's begin popping in should some

national highlights on some of

382

00:18:54,395 --> 00:18:57,395

these little trees here that easy.

383

00:18:58,385 --> 00:18:58,865

Okay.

384

00:19:01,014 --> 00:19:04,205

Had a little bright red to that.

385

00:19:04,264 --> 00:19:04,865

Look in there.

386

00:19:06,180 --> 00:19:10,730

All kinds of beautiful little

effects and do this in layers.

387

00:19:11,000 --> 00:19:13,520

So it creates, creates

all kinds of things.

388

00:19:14,600 --> 00:19:21,560

Depth in there now happy little

reflection right there, right there.

389

00:19:22,880 --> 00:19:23,630

Go across.

390

00:19:25,310 --> 00:19:26,480

And we got that rascal.

391

00:19:26,510 --> 00:19:27,680

Let's put a few on the other side.

392

00:19:29,155 --> 00:19:29,415

There.

393

00:19:29,415 --> 00:19:30,765

Yes, right there.

394

00:19:35,865 --> 00:19:36,015

Here.

395

00:19:36,015 --> 00:19:37,155

We're just using the breast side.

396

00:19:37,155 --> 00:19:37,425

Birds.

397

00:19:39,195 --> 00:19:40,155

Just bend them right out.

398

00:19:45,435 --> 00:19:45,915

Okay.

399

00:19:47,565 --> 00:19:50,415

Let's let's have a few

little stones down here.

400

00:19:51,825 --> 00:19:53,925

We'll take a little bit of the van Brown.

401

00:19:54,765 --> 00:19:55,905

Let me clean off my knife.

402

00:19:57,000 --> 00:19:58,080

Come right down here.

403

00:19:59,700 --> 00:20:00,420

There we go.

404

00:20:02,060 --> 00:20:04,639

There is a little stone right there.

405

00:20:06,139 --> 00:20:07,399

Maybe there's some over here too.

406

00:20:07,940 --> 00:20:12,500

Can't ever tell front

of this polo it's down.

407

00:20:12,500 --> 00:20:13,820

It'll end up being reflections.

408

00:20:15,020 --> 00:20:19,910

Like, so right out like,

yeah, wherever you want.

409

00:20:20,270 --> 00:20:21,200

Maybe take away.

410

00:20:21,320 --> 00:20:22,970

There's a little stone out in the water.

411

00:20:23,000 --> 00:20:23,720

Here's another one.

412

00:20:24,405 --> 00:20:27,104

Maybe we just have a bunch of Mount here

in the water, just drag them across.

413

00:20:29,014 --> 00:20:32,014

Can take an old big brush.

414

00:20:34,334 --> 00:20:37,385

Let's bring this right down.

415

00:20:38,165 --> 00:20:39,635

This is just Brown and green.

416

00:20:41,344 --> 00:20:42,485

This is a nice dark color.

417

00:20:45,334 --> 00:20:45,754

My cat.

418

00:20:47,975 --> 00:20:48,905

Are we getting crazy here?

419

00:20:48,905 --> 00:20:49,955

I don't know what's going to happen.

420

00:20:51,960 --> 00:20:53,699

Well use a little bit

of this Brown and white.

421

00:20:54,120 --> 00:20:59,490

Just put a little highlight here and there

are some of these little stones, these

422

00:20:59,490 --> 00:21:04,620

little stones out here need some highlight

on to let it bounce around and play

423

00:21:07,980 --> 00:21:08,399

jazz.

424

00:21:08,399 --> 00:21:12,780

Like, so I, you know, me, I always

like to have a little cabin.

425

00:21:14,070 --> 00:21:18,120

Let's build this little

cabin right about here.

426

00:21:18,840 --> 00:21:19,470

Just a little one.

427

00:21:19,965 --> 00:21:27,195

There you go look at that little

rascal that easy while we stay.

428

00:21:27,195 --> 00:21:29,505

It was really that easy to build

a little cabin out in the woods.

429

00:21:31,545 --> 00:21:31,755

Okay.

430

00:21:31,755 --> 00:21:35,835

There we'll take some Brown.

431

00:21:36,195 --> 00:21:36,525

All right.

432

00:21:37,545 --> 00:21:41,145

We'll put a few little highlights

on the front of him here.

433

00:21:41,305 --> 00:21:43,965

I can't take the knife.

434

00:21:43,995 --> 00:21:45,975

Cut through, make it

look like some old slabs.

435

00:21:48,105 --> 00:21:54,195

A little bit of Brown gave him a

door, kind of have a door, that'll

436

00:21:54,195 --> 00:21:55,335

touch your white around the door.

437

00:21:55,335 --> 00:21:58,395

So it stands out an analyst.

438

00:22:00,605 --> 00:22:03,305

We use a little bit of red

and Brown mixed together.

439

00:22:04,205 --> 00:22:06,785

Put some red on his roof here,

go boop, due to du du, du,

440

00:22:06,785 --> 00:22:07,955

du, du, du, du, du, du, du.

441

00:22:09,065 --> 00:22:13,355

Let's let that fall right off your

nights, either easy way to make a quick

442

00:22:13,355 --> 00:22:15,275

little indication of happy little roof.

443

00:22:15,915 --> 00:22:18,435

No light color here to make him stand out.

444

00:22:21,615 --> 00:22:22,335

That'd be the yellow.

445

00:22:23,295 --> 00:22:28,845

If we can pop in a few happy little

bushes around his foot and over

446

00:22:28,845 --> 00:22:31,245

here, let's do this site over here.

447

00:22:31,245 --> 00:22:33,375

Here's a nice little Bush.

448

00:22:33,405 --> 00:22:33,885

Look at that.

449

00:22:36,145 --> 00:22:41,025

Let these little Rascals

layer after layer after layer.

450

00:22:42,495 --> 00:22:43,605

Just layering effect though.

451

00:22:43,635 --> 00:22:46,965

Once again, I know you're tired of hearing

me say it, but this layering effect is

452

00:22:46,965 --> 00:22:48,585

what creates the depth in your painting.

453

00:22:49,905 --> 00:22:50,715

Let's have some fun.

454

00:22:52,305 --> 00:22:54,315

Let's put, let's put a few

big old trees in there.

455

00:22:54,315 --> 00:22:58,185

I'm we're right into the van,

Dyke Brown and to Sianna, just mix

456

00:22:58,185 --> 00:23:00,495

them together, make a decision.

457

00:23:01,005 --> 00:23:04,725

I think there's a tree

that lives right there.

458

00:23:05,145 --> 00:23:05,625

Big tree.

459

00:23:06,435 --> 00:23:07,575

And he's got a friend there.

460

00:23:08,505 --> 00:23:09,045

There he is.

461

00:23:10,800 --> 00:23:14,219

Okay, let's go on the other side,

maybe over here as really some big

462

00:23:14,219 --> 00:23:17,959

trees and I'm going to get a letter.

463

00:23:18,530 --> 00:23:18,800

Sure.

464

00:23:18,800 --> 00:23:21,919

As the devil says, why did you mess

up that painting with all those trees?

465

00:23:24,830 --> 00:23:26,570

We go out there as another big tree.

466

00:23:27,830 --> 00:23:28,550

I had one right there.

467

00:23:28,550 --> 00:23:29,689

How many trees you want?

468

00:23:29,780 --> 00:23:35,120

Do you just drop them in, just

drop them in and we'll take a

469

00:23:35,120 --> 00:23:36,620

little bit of the liquid black.

470

00:23:38,715 --> 00:23:40,515

Well liner brush with

some thinner around it.

471

00:23:42,365 --> 00:23:45,585

This drop in a few indications of some

happy little Liam's here and there.

472

00:23:46,725 --> 00:23:47,355

Just a few.

473

00:23:48,275 --> 00:23:49,265

And how are you doing this at home?

474

00:23:49,265 --> 00:23:50,615

You put as many in as you walked.

475

00:23:51,875 --> 00:23:53,735

I just want to show you how to do it.

476

00:23:55,775 --> 00:23:56,435

There we go.

477

00:23:56,855 --> 00:24:00,575

Just however many, if you have

knees over here, don't want

478

00:24:00,575 --> 00:24:04,115

them to be left out there.

479

00:24:06,425 --> 00:24:06,875

Okay.

480

00:24:09,240 --> 00:24:11,310

There just drop them in.

481

00:24:11,940 --> 00:24:17,070

You take a little bit of liquid white and

highlight a few of them just to wherever.

482

00:24:20,010 --> 00:24:20,400

Okay.

483

00:24:20,400 --> 00:24:23,100

I want to take a little bit of

that, a little bit of highlight

484

00:24:23,100 --> 00:24:26,100

color and just make his stand out.

485

00:24:26,250 --> 00:24:27,210

Just barely touching.

486

00:24:27,240 --> 00:24:28,020

Give it a little pull.

487

00:24:29,610 --> 00:24:31,500

See, just barely touch it.

488

00:24:32,340 --> 00:24:32,570

Pull it.

489

00:24:34,050 --> 00:24:35,370

I get that makes it a little tree.

490

00:24:35,370 --> 00:24:36,570

It's just stand right out.

491

00:24:39,290 --> 00:24:49,070

Just thank of which side the light would

hit Lego a little bit right over here.

492

00:24:49,100 --> 00:24:50,510

I don't want this tree to get lonely.

493

00:24:52,670 --> 00:24:53,330

Leave him out.

494

00:24:53,330 --> 00:24:54,050

He'll get upset.

495

00:24:55,250 --> 00:24:57,230

They don't like unhappy

trees in our paintings.

496

00:24:58,670 --> 00:24:59,060

All right.

497

00:24:59,390 --> 00:25:01,200

Tell you what, tell you what.

498

00:25:02,310 --> 00:25:05,010

We got just about enough time

left to play around here.

499

00:25:05,010 --> 00:25:06,480

And we'll put a few

little happy leaves there.

500

00:25:06,480 --> 00:25:11,670

I'll take a little kid, yellow,

little salmon green, and I'm just,

501

00:25:12,360 --> 00:25:14,220

just tapping a brush right into it.

502

00:25:15,870 --> 00:25:16,230

Okay.

503

00:25:16,680 --> 00:25:21,960

Let's go right up here now then just

think about where the leaves would be.

504

00:25:24,470 --> 00:25:27,830

Just to help keep a lot

of paint on your brush.

505

00:25:28,950 --> 00:25:32,040

A lot of paint, leave

them loose and very airy.

506

00:25:33,120 --> 00:25:34,260

I hope that's a proper word.

507

00:25:34,260 --> 00:25:35,640

Airy sounds good.

508

00:25:35,640 --> 00:25:36,690

Anyway, you know what I mean?

509

00:25:38,070 --> 00:25:41,580

Sometimes I'm bad about making up

words, so don't pay any attention.

510

00:25:44,040 --> 00:25:46,920

And if you're young and still going

to school, don't tell your English

511

00:25:46,920 --> 00:25:52,170

teacher, she'll be writing me bad

letters to see how you can make the

512

00:25:52,170 --> 00:25:54,060

indication of thousands of little leaves.

513

00:25:54,780 --> 00:25:56,790

That quick, let's do this over here.

514

00:25:58,500 --> 00:25:59,129

Just tap.

515

00:25:59,699 --> 00:26:00,030

Thank you.

516

00:26:00,030 --> 00:26:01,080

The basic shapes though.

517

00:26:01,080 --> 00:26:04,409

You want here, don't just

hit them in at random.

518

00:26:05,939 --> 00:26:06,570

Look at that.

519

00:26:06,959 --> 00:26:07,500

Look at that.

520

00:26:07,500 --> 00:26:07,979

Look at that.

521

00:26:08,550 --> 00:26:10,260

Ooh, I get excited when

I see these things,

522

00:26:13,500 --> 00:26:15,239

maybe that's the reason

I continue to paint.

523

00:26:15,270 --> 00:26:16,439

It's one of the few things that.

524

00:26:17,355 --> 00:26:21,135

You paid for a million years, you always

know the next painting you can do.

525

00:26:21,405 --> 00:26:22,545

It's going to be a little bit better.

526

00:26:22,935 --> 00:26:26,475

You're going to learn a

little more like that.

527

00:26:27,735 --> 00:26:28,275

All right.

528

00:26:28,965 --> 00:26:31,635

I think we can take a one inch brush

here with a little paint on it.

529

00:26:32,985 --> 00:26:33,795

Let's go right down here.

530

00:26:33,795 --> 00:26:34,275

Just foot.

531

00:26:34,275 --> 00:26:38,655

So that's put some happy little

things right there at his foot.

532

00:26:41,495 --> 00:26:42,945

I am just about out of time.

533

00:26:43,575 --> 00:26:44,745

So I'm gonna take a little bit.

534

00:26:46,815 --> 00:26:47,504

Color here.

535

00:26:48,165 --> 00:26:49,995

A little bit of waterline

right around here.

536

00:26:51,575 --> 00:26:52,625

Just a tiny bit.

537

00:26:53,405 --> 00:26:54,155

Pull this down.

538

00:26:55,625 --> 00:26:58,055

I'd like to thank you

for being with us today.

539

00:26:58,055 --> 00:27:02,254

I hope you've enjoyed this one and I

look forward to seeing you next time.

540

00:27:03,065 --> 00:27:07,415

And until then from all of

us here, happy painting.

541

00:27:08,105 --> 00:27:08,514

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E04 - Mountain Cabin

Bob Ross's

The Joy of Painting

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