Bob Ross's

The Joy of Painting

S08E01 - Misty Rolling Hills

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Hello, I'm Bob Ross.

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And I'd like to welcome

you to the joy of painting.

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This is a wet on wet painting

technique in each week.

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I'll take you step by step

through a beautiful oil painting.

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You've been with us before.

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I'm glad to see you again.

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If this is your first time with us.

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Drag up your paints and your big

brush come along and paint with us.

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And let's go ahead and get started

and talk a little bit about

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what we're going to do up here.

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I've already covered the canvas with a

thin even coat of liquid white, and this

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makes the canvas wet, makes it slick.

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It allows us to blend color right

here on the canvas, and now I'm going

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to have them graphically run all the

colors across the screen that you

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need to paint this project with me and

it'll come across in the same order.

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That I have him on the pallet, starting

with a titanium white and working

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around while they're doing that.

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Let's go on up here and get started.

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I'm gonna start with a two inch

brush today and go right into a small

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amount of a lizard in Crimson and just

really tap the rush into the color.

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Just tap it.

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This is yours, a nice even distribution

of paint all the way through the bristles.

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Okay, let's go up here.

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Let's go right in here and

just make little, little

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crisscross strokes, little exes.

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And put in a little tiny

bit of pink, just black.

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So using very little pressure,

just apply it right on the canvas.

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Don't want that to get too bright.

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We don't want to set this guy on fire.

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We just want a little

pinkish glow in this guy.

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Okay.

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Now then I'll take the

same old, dirty brush.

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Add a little more of the

Crimson and a tiny, tiny bit

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of thalo blue proportionately.

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We want much, much more Crimson than

blue, and I'm just mixing this right

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on the brush to make a nice lavender

color and that's purplish color.

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Can let's go up here and start it

tested now sort of tested up here.

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And if it's not the color

you want, stop and change it.

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You can fix it.

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This is your world, and you can create

any type of illusion that you want here.

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You're the boss on this canvas.

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You can do anything and anything,

a little more paint and just

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sort of let that play around.

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And when I had a little more blue

to that tiny bit more blue there,

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I thought we'd do a nice painting.

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It's very soft and very quiet.

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It'll make you happy.

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It's a very easy little painting.

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There we go.

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It's down here.

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I'll just clean the brush

off, just like so, okay.

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Let's clean our brush.

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We clean our brushes with odorless

thinner and be sure it's odorless

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or you'll be working by yourself.

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Shake off the excess and right

down here, I have a boxer shake

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the brush into this is where you

take out all your frustrations.

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Maybe the absolute, most

fun of this whole technique.

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Okay.

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Now let's take the clean

brush and go, right.

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I back up here and just blend the

sky together, still using the little

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crisscross strokes, still using

them back and forth, back and forth.

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They're like, okay.

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And you can blend this to any

degree of softness that you want.

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You can blend it till you lose all

the little variations that you have.

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Personally.

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I like to leave some of those in

there, but when you're doing your

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painting, you look at it and you

do it the way that you want it.

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Okay.

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There we go.

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And that quickly we have a very effective

little sky and we'll just use long

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strokes here to take out any brush marks.

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And that gives us a happy little sky.

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Now then let's take a little bit of

the halo blue and the alizarin Crimson.

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We'll just mix it together.

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Still.

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We have a little bit more of

the Crimson than we do blue.

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We're still working with the

nice lavender color, pull it out

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very flat and then cut across it.

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So it was a small roll of paint,

right on the edge of the knife.

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There we go.

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Okay, let's go right up here.

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Maybe there's a, a happy little

mountain that lives right along here.

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You're really pushing this

paint right into the fabric.

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Really good firm with it.

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You're not going to

hurt this canvas shoot.

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They make tan side.

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It was tough.

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Really?

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Push it out.

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Use a lot of pressure.

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A lot of pressure.

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Only thing you worried about is

this nice outside shape here.

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You could care less.

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What's happening down here.

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Can we use this a basic

little, little mountain shape.

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Now let's go back to our large brush

and grab that and pull it, just pull it.

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Now that's mixing with the

liquid white and automatically

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it gets lighter toward the base.

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And if you can see the entire

amount, it should be lighter at

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the bottom than it is at the top.

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And as we've said on previous shows,

because at the bottom you have

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missed, and now we have pollution

and these things have a tendency

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to break up and diffuse light.

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So it looks softer at the bottom.

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Now, by just taking the knife here, we

can create the illusion of highlights

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and shadows is pushed very firmly.

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You can take the least little

touch of titanium white.

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We want these mountains to be far,

far away, so they don't have much

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detail, just barely, barely touch

smallest amount of the titanium white.

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And I'm rubbing it.

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Jane, let's put a little

tiny bit right there.

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Then we can just rub that right here.

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See an increase, the illusion of all

kinds of things happening without

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you actually doing a whole bunch.

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And it keeps that mountain looking

like it's far, far away, far away.

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Our way.

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There we go.

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That'd be a little touch right

in there wherever you just make

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a decision into your mountain

and put it wherever you want it.

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And then we can tap that

and blend it a little bit.

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And that mountain should look

just like it's just laying there

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and just floating in the sky.

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Very soft, very quiet.

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Okay.

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Let's have some fun.

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And maybe there's a little footy

Hill that lives right down here.

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So we'll just keep using

this whole two inch brush.

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I'm going to take a little blue,

a little bit of Crimson and I'll

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just make some red on the brush.

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We'll add a.

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Tiny little bit of white in there too.

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So we've got lizard Crimson, a little bit

of the little blue and a touch your white.

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Okay.

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And I'm just tapping the brush.

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Just tapping it.

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Let's go right back up here.

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Okay.

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Maybe there's a little Foothill that

lives right here and all you need is just

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the corner of the brush and just begin

laying in some basic shapes, sort of let

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your breasts touch and pull downward.

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Touch pull down, like straight down,

straight down, and maybe they come right

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on down here wherever you want them.

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A little more paint.

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There we go.

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There, they are just right on down.

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Now then I want to create the

illusion of mist right under

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the bottom of this Foothill.

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So I'll take a clean two inch brush and

we'll come right here and tap firmly.

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Maybe you can hear that

happening very perfectly.

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And that'll create the illusion of

missed at the base of these foothills.

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Like, so,

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and then very lightly lift up for it.

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Just lifted straight up,

straight up, blend it out.

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Okay.

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Maybe tell you what, maybe there's

another layer of foothills in there.

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So let's go right into the same color.

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Alizarin Crimson the little blue, but

I wanted a little bit darker as things

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get closer to you in a landscape, they

should get a little darker in value.

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Okay, let's go right back here.

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Let's start right here.

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And maybe we'll just bring this one down.

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And let it drop there it is.

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There it is just right

on, down right on down.

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See, it's a little bit darker.

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So it stands out mighty.

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I had the smallest, smallest touch of

SAP green to that, the smallest touch.

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I just want to begin giving the indication

of a little green, far, far back here.

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Okay.

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Then we'll take our clean, dry brush.

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And once again, I want to create that

illusion to miss down here at the bottom.

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So we tap very firmly, very firmly,

and you're using just the air.

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You can see just the top corner of the

brush, strike the canvas smacks off

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that easy.

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You have missed the bottom of

that Foothill and then lift up.

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There

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and that's something.

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Okay.

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We'll wash the old brush here.

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I like to wash the brush.

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That's the most fun part,

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Chris, everybody in the studio is covered.

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Okay.

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Now then let's begin putting some

little things that are happening.

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We back in a distance, I'm willing

back into this lavender color I

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made and add a tiny, tiny bit of

SAP green, just the smallest amount.

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And all I'm doing is

tapping to still tapping.

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Okay, let's go right up here.

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That may be back in here.

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We pack it here.

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There's just a little soft tail lives,

weed back here, very gentle there.

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And we're going to put layer after layer,

after layer of little Hills back here.

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And if you live in the Carolinas

or someplace that had the.

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Beautiful, beautiful Hills.

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This is a super way to make up.

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You can make all those beautiful

mountains that you have in that area.

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The same way.

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Just leave this big one out.

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There we go.

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A bit more color on the brush, maybe.

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I tell you what, maybe there's one

that comes from this direction.

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I want to add a little touch,

more of the blue in there.

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There that's better.

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Now.

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We want them to get a little

darker as they get closer.

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So all we're doing is

just happy, very gently.

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Put them more of the

green into that color.

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And you have to make

all my decisions here.

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Maybe this one comes right down there.

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It is.

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Look at that.

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See, now each time you do this, you're

creating planes in here and each plane.

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You add into your painting,

makes your painting look deeper.

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It shows much more depth than it.

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And of course, we're not interested in

that almighty dollar, but if you should

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be that's what sells the painting?

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There we go.

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There we go.

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So you just layer after

layer, after layer.

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I tell you what, let's have some fun.

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Let's have some fun.

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Let me grab a fan brush here.

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Okay.

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And they'll mix up same old

color, a little blue Crimson.

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And I'm going to add a little

bit of white to that better.

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There we go.

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More of the Crimson.

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Good.

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Okay.

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Let me wipe the knife off.

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Now we're going to load this

fan brush full of paint.

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Just really loaded for wiggle it in there.

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Okay.

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Let's go right up here.

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Maybe back here lives a happy

little tree, little evergreen tree.

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Yeah.

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Just sorta touch it to give you a center

and then give it a little upward push.

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Sometimes you make evergreens by pushing

down, sometimes pushing up for today.

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I thought we'd do it upward.

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Suck it.

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All the little things happen there.

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Look at that.

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Look at that cute little tree and

we don't want him to get lonely.

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So let's give him a happy little friend,

his little friend lives right there.

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Trees need friends too.

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We all all need a friend.

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Okay.

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And you know what happens if there's two

trees sooner or later and middle center

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over guns are going to get together.

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And here's a little tree he lives right

here beside him, just like so, okay.

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And you're painting, you put

as many trees as you want.

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I'm going to put three right there, maybe.

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I'll tell you what, let's

have a little tree, a little

253

00:13:57,795 --> 00:14:00,155

tiny tree there's right there.

254

00:14:00,485 --> 00:14:01,775

And we make him the same way.

255

00:14:02,075 --> 00:14:06,575

Only smaller, just making

them smaller, go out and study

256

00:14:06,575 --> 00:14:08,105

trees, make friends with trees.

257

00:14:08,555 --> 00:14:12,095

You know, I talk about going out

in the woods and, and sitting

258

00:14:12,095 --> 00:14:13,265

around a dog in the trees.

259

00:14:14,375 --> 00:14:15,365

There's nothing wrong with that.

260

00:14:15,365 --> 00:14:18,635

That's the way you learned it

makes a tree look like a tree.

261

00:14:19,205 --> 00:14:20,555

Spend some time with nature.

262

00:14:23,160 --> 00:14:24,450

Let it become a good friend.

263

00:14:25,290 --> 00:14:27,150

I'll put some more trees

right out in there.

264

00:14:28,890 --> 00:14:30,930

See there, you can just put

trees wherever you want them.

265

00:14:32,640 --> 00:14:33,510

Tell you what let's do.

266

00:14:34,395 --> 00:14:37,155

Let's take his breath and see

right here at the base, I'm going

267

00:14:37,155 --> 00:14:40,695

to take his brush and just begin

picking up some of that color and

268

00:14:40,695 --> 00:14:43,005

tapping all I'm doing is tapping.

269

00:14:44,025 --> 00:14:47,595

Now I'm going to begin adding a little

color to that little yellow ochre.

270

00:14:49,935 --> 00:14:52,905

Cadieux just very lightly.

271

00:14:53,725 --> 00:14:56,695

And been again, creating a little

highlights and all these little

272

00:14:56,695 --> 00:14:59,305

Hills, let them all blend together.

273

00:15:01,795 --> 00:15:03,765

Just a nice song, got a metal back here.

274

00:15:04,005 --> 00:15:06,315

And they had a little engine

yellow here and there.

275

00:15:06,705 --> 00:15:10,365

Little touch of bright, red, tiny

little amount of the red though.

276

00:15:12,525 --> 00:15:13,155

There we go.

277

00:15:13,185 --> 00:15:15,675

Just, just to highlight a

little, don't get carried away.

278

00:15:17,595 --> 00:15:18,165

All right.

279

00:15:20,385 --> 00:15:20,925

Okay.

280

00:15:21,555 --> 00:15:22,215

And I'm just sort of.

281

00:15:22,485 --> 00:15:25,215

Mixing all of these yellows

and reds together on the brush.

282

00:15:26,505 --> 00:15:27,165

There we are

283

00:15:31,635 --> 00:15:33,165

seeing how that begins to soften.

284

00:15:33,444 --> 00:15:35,115

It creates the illusion of depth.

285

00:15:36,435 --> 00:15:37,485

That's what we're looking for.

286

00:15:41,025 --> 00:15:41,625

All right.

287

00:15:43,515 --> 00:15:46,605

Tell you what, let's go back

into this same old color.

288

00:15:47,954 --> 00:15:53,295

The blue, the Crimson and the white

get the old brush all loaded up here.

289

00:15:53,625 --> 00:15:54,464

A lot of paint tasks.

290

00:15:54,464 --> 00:15:59,564

Go back up here, maybe in here,

some more little trees, just

291

00:15:59,594 --> 00:16:00,645

give it a little push upward.

292

00:16:01,814 --> 00:16:04,844

And once again, and you're painting,

you put as many or as few trees

293

00:16:04,844 --> 00:16:08,084

as you want, but the more you

make, the more practice you get.

294

00:16:08,084 --> 00:16:12,795

And if there's a secret to painting

it's practice, it's practice.

295

00:16:13,485 --> 00:16:15,944

The more you paint, the easier it becomes.

296

00:16:17,025 --> 00:16:20,235

It's like anything else when you

first, first started tying your shoe?

297

00:16:20,745 --> 00:16:22,005

Probably, probably didn't work.

298

00:16:22,035 --> 00:16:25,334

First time you had to practice

it a few times and now you can

299

00:16:25,334 --> 00:16:26,415

do it without even looking.

300

00:16:27,574 --> 00:16:28,844

It's the same way with painting.

301

00:16:28,875 --> 00:16:34,925

Pretty soon you can do it and

it's almost, Oh, it just happens.

302

00:16:35,314 --> 00:16:37,295

You don't have to worry

about how to low desperation.

303

00:16:38,015 --> 00:16:41,915

You can spend your thinking time,

worrying about composition and begin

304

00:16:41,915 --> 00:16:43,324

looking at things in the painting.

305

00:16:44,445 --> 00:16:45,345

That's when it's fun.

306

00:16:46,065 --> 00:16:51,105

That's when you truly experience

the joy of painting, maybe tell you

307

00:16:51,105 --> 00:16:56,835

what, maybe right here, this old

tree, he didn't make it in nature.

308

00:16:56,835 --> 00:17:01,595

You have trees that maybe, maybe

somebody stepped on him when they

309

00:17:01,595 --> 00:17:06,005

was little and they got a little, a

little hurt in them and they died,

310

00:17:06,694 --> 00:17:08,495

but you have dead trees in nature too.

311

00:17:09,885 --> 00:17:12,525

So, but some of those in your

painting, it makes them look real.

312

00:17:12,975 --> 00:17:13,365

Okay.

313

00:17:13,395 --> 00:17:15,255

We'll just drop it off now.

314

00:17:15,255 --> 00:17:16,095

The little tree of two.

315

00:17:18,375 --> 00:17:18,695

Okay.

316

00:17:18,735 --> 00:17:23,865

Then once again, we just

grabbed the bottom of there and

317

00:17:23,865 --> 00:17:27,195

let it go tap it right on it.

318

00:17:30,945 --> 00:17:34,335

And we can take our liner brush and

I'll use a little bit of the liquid

319

00:17:34,335 --> 00:17:35,985

black on it and just put it out.

320

00:17:36,585 --> 00:17:42,105

A little indication here and there of a

fuel fuel limbs that are still hanging

321

00:17:42,105 --> 00:17:45,465

off his dead trees back here, that easy.

322

00:17:46,245 --> 00:17:46,725

We got her

323

00:17:50,055 --> 00:17:52,575

now then takes more blue.

324

00:17:52,815 --> 00:17:53,715

It's more Crimson.

325

00:17:56,625 --> 00:17:57,285

There we go.

326

00:17:57,375 --> 00:17:57,825

All right.

327

00:17:57,855 --> 00:17:59,595

Let's let's come right down here.

328

00:18:00,855 --> 00:18:04,905

And here comes another Hill and all

we're doing is initially laying in the

329

00:18:04,905 --> 00:18:12,285

base color, the dark color, just like,

so don't cover it, completely leave some

330

00:18:12,285 --> 00:18:13,845

of these areas that are light in here.

331

00:18:15,855 --> 00:18:18,795

These will create all kinds of

beautiful effects when you're finished.

332

00:18:21,705 --> 00:18:26,355

And as you know, if you've painted

with us before we don't make

333

00:18:26,355 --> 00:18:28,665

mistakes, we have happy accidents.

334

00:18:29,160 --> 00:18:29,370

Hm.

335

00:18:30,660 --> 00:18:32,580

So learn to work with these things.

336

00:18:32,580 --> 00:18:37,470

Anything that happens,

learn to use it, to use it.

337

00:18:37,950 --> 00:18:38,820

That'd be your friend.

338

00:18:39,180 --> 00:18:46,230

Sometimes you have a tendency

to fight painting and just,

339

00:18:46,290 --> 00:18:47,790

just work with whatever happens.

340

00:18:49,950 --> 00:18:50,850

Whatever happens.

341

00:18:54,230 --> 00:18:57,050

So you need to begin again,

creating the curvature of the land.

342

00:18:57,050 --> 00:19:01,490

Here are the layer, the land, just

sort of let your mind wander and

343

00:19:01,490 --> 00:19:04,909

enjoy painting should make you happy.

344

00:19:07,125 --> 00:19:08,294

It should really make you happy.

345

00:19:11,294 --> 00:19:11,985

There we go.

346

00:19:13,565 --> 00:19:17,855

One thing if painting teaches you, nothing

else, it teaches you to look at nature.

347

00:19:17,885 --> 00:19:22,955

I get letters every day from fantastic

people that say, Bob, I've looked

348

00:19:22,955 --> 00:19:24,065

at the tree in my front yard.

349

00:19:24,415 --> 00:19:27,265

Ever since it was a little

baby and I never really seen

350

00:19:27,265 --> 00:19:28,225

it till I started painting.

351

00:19:29,545 --> 00:19:30,175

And that's true.

352

00:19:31,135 --> 00:19:31,945

That's so true.

353

00:19:32,455 --> 00:19:32,905

Painting.

354

00:19:33,325 --> 00:19:39,295

It teaches you to see, to appreciate

pretty soon here, you're riding down

355

00:19:39,295 --> 00:19:42,625

the street and you say, Oh my gosh,

look at that tree at trees made of SAP

356

00:19:42,625 --> 00:19:46,405

green with a little blue in it, or that

cloud can be done with a fan brush.

357

00:19:47,725 --> 00:19:48,715

Of course you had to be careful.

358

00:19:48,715 --> 00:19:50,785

You wrecked the car when you're

doing things like yet, but.

359

00:19:52,455 --> 00:19:57,405

Okay, I'm going to add the least

little touch of white and a little

360

00:19:57,405 --> 00:20:00,765

bit of red right on the brush.

361

00:20:00,855 --> 00:20:01,455

Just tap it.

362

00:20:01,455 --> 00:20:02,985

And Dan, just tapping.

363

00:20:03,615 --> 00:20:03,945

Okay.

364

00:20:04,515 --> 00:20:06,755

Maybe there's a little, it

plays right through here.

365

00:20:07,265 --> 00:20:09,635

I want this to be a little

bright area right in there.

366

00:20:10,625 --> 00:20:12,605

So I'm going to do is just

sort of tap Pat on it.

367

00:20:12,605 --> 00:20:16,925

Maybe like right there,

right there, right there.

368

00:20:18,255 --> 00:20:20,465

Just take, go right into

a little bit of yellow.

369

00:20:21,195 --> 00:20:22,755

Add a little green to that.

370

00:20:23,265 --> 00:20:24,825

And I'm using all the yellows here.

371

00:20:25,665 --> 00:20:26,205

That'll touch you.

372

00:20:26,205 --> 00:20:29,745

The red touch of the red ferry.

373

00:20:29,775 --> 00:20:31,725

Strong canis.

374

00:20:31,725 --> 00:20:32,445

Go back up here.

375

00:20:33,000 --> 00:20:37,170

Yeah, then we can begin just

tapping on some highlights here.

376

00:20:39,030 --> 00:20:46,470

Say there, look at that and begin once

again, begin thinking about the lay of the

377

00:20:46,470 --> 00:20:56,760

land, sort of let it flow because on this

piece of canvas, you can create anything.

378

00:20:57,800 --> 00:21:01,530

Anything, there we go.

379

00:21:04,620 --> 00:21:04,830

See.

380

00:21:04,830 --> 00:21:07,800

Now, if you want to create little

Hills, it should be brighter

381

00:21:07,800 --> 00:21:09,419

on top than it is down here.

382

00:21:09,600 --> 00:21:12,149

And that gives you illusion of a

little Hill, like a light striking

383

00:21:12,149 --> 00:21:15,300

up here, netiquette darker, darker,

darker, darker as it works down,

384

00:21:21,300 --> 00:21:23,550

you know, I've painted thousands

and thousands of paintings.

385

00:21:23,850 --> 00:21:25,830

And I still get excited

when I see it work.

386

00:21:27,585 --> 00:21:28,875

It's so fantastic.

387

00:21:29,475 --> 00:21:36,255

I have, I look at all the little Hills

and little ridges and you can do it.

388

00:21:37,465 --> 00:21:38,355

You can do it.

389

00:21:41,775 --> 00:21:42,465

There we go.

390

00:21:47,315 --> 00:21:50,085

A little bright areas, just,

it just shows up little sun

391

00:21:50,085 --> 00:21:51,135

striking right through there.

392

00:21:52,245 --> 00:21:55,575

It's pretty, when it's done,

it'll touch right there.

393

00:21:56,699 --> 00:21:56,899

Hmm.

394

00:21:56,899 --> 00:21:57,389

Okay.

395

00:21:58,139 --> 00:21:59,340

Let's really have some fun.

396

00:21:59,340 --> 00:22:02,550

Yeah, I'm gonna go right

into the, the midnight black.

397

00:22:02,909 --> 00:22:04,770

And I'm going to add a

little bit of Vandyke Brown.

398

00:22:04,800 --> 00:22:06,330

Just mix it right on the brush.

399

00:22:07,080 --> 00:22:07,889

Lots of paint.

400

00:22:08,490 --> 00:22:09,209

Lots of paint.

401

00:22:10,260 --> 00:22:10,469

Okay.

402

00:22:10,500 --> 00:22:11,100

Let's go up here.

403

00:22:11,909 --> 00:22:14,370

Maybe there's some, some

big trees that live in here.

404

00:22:15,750 --> 00:22:21,180

And I think one lives right there and all

I'm going to do is just tap, just tap it's

405

00:22:21,180 --> 00:22:24,870

kept right down, like, so just half a day.

406

00:22:25,620 --> 00:22:28,290

And I have several fan brushes

going here, so I don't have to wash

407

00:22:28,290 --> 00:22:32,670

them, take a little bit of the white

right on this brush and watch here.

408

00:22:32,760 --> 00:22:36,060

We're going to come right down

this edge right down the edge.

409

00:22:37,860 --> 00:22:40,380

And we'll put some highlight

right on that tree and that easy.

410

00:22:41,895 --> 00:22:42,585

That easy.

411

00:22:42,615 --> 00:22:44,355

You have a nice strong tree trunk.

412

00:22:45,345 --> 00:22:45,975

That was fun.

413

00:22:46,035 --> 00:22:46,755

Let's do another one.

414

00:22:47,025 --> 00:22:47,655

Let's do another one.

415

00:22:47,655 --> 00:22:49,875

Same color, little Brown, black.

416

00:22:51,285 --> 00:22:52,425

Now you had to make a decision.

417

00:22:52,425 --> 00:22:54,045

Where does the trees

live in your painting?

418

00:22:54,375 --> 00:22:55,365

I know, right?

419

00:22:55,365 --> 00:22:58,485

They're very cows and all these trees.

420

00:22:58,485 --> 00:23:00,585

Aren't perfectly straight

like telephone poles.

421

00:23:02,535 --> 00:23:04,365

Let them, let them have

a little character.

422

00:23:07,035 --> 00:23:08,235

Trees are like people.

423

00:23:08,295 --> 00:23:10,515

Each one has, has its own individual.

424

00:23:10,850 --> 00:23:11,660

Personality.

425

00:23:11,750 --> 00:23:15,080

Oh, I feel the order to be one right

there, right across the mountain.

426

00:23:18,140 --> 00:23:19,430

Every tree is different.

427

00:23:22,100 --> 00:23:26,660

Once again, spend some time with nature,

go out and go out and talk to a tree.

428

00:23:27,020 --> 00:23:27,470

It don't matter.

429

00:23:27,470 --> 00:23:31,250

People think you're crazy as painters,

you know, they think we're a little

430

00:23:31,250 --> 00:23:33,140

weird anyway, so that's all right.

431

00:23:35,070 --> 00:23:35,940

That's all right.

432

00:23:36,350 --> 00:23:37,130

Your point maybe.

433

00:23:38,030 --> 00:23:38,300

Okay.

434

00:23:38,300 --> 00:23:38,810

Right here.

435

00:23:39,555 --> 00:23:42,285

We will have a smaller tree that

lives right here on this little Hill.

436

00:23:42,765 --> 00:23:43,755

We'll push him back.

437

00:23:44,955 --> 00:23:47,115

I can go on the other side here.

438

00:23:48,315 --> 00:23:50,355

We don't want this side to

have all the trees, so we'll

439

00:23:50,355 --> 00:23:51,975

put there's one right there.

440

00:23:54,525 --> 00:23:55,815

Just property line.

441

00:23:57,705 --> 00:24:01,754

This is just black with

Brown big one, right there.

442

00:24:03,165 --> 00:24:03,975

Big old tree.

443

00:24:04,784 --> 00:24:08,054

That'll Mar the Brown bagel tree.

444

00:24:08,054 --> 00:24:09,675

He comes right down my cat.

445

00:24:11,804 --> 00:24:13,574

There they're easy.

446

00:24:13,574 --> 00:24:18,465

They were to make and we'll take our

other fan brush that has the white on it.

447

00:24:19,050 --> 00:24:24,720

And very quickly you can just go

right along here and just drop

448

00:24:24,720 --> 00:24:25,770

on a little bit of highlight.

449

00:24:26,250 --> 00:24:28,080

Remember which side the

light's coming from.

450

00:24:29,370 --> 00:24:32,370

And if you're right-handed, it's

normally easier to have the light

451

00:24:32,400 --> 00:24:37,379

coming from the right left-handed

it'll vary from person to person.

452

00:24:38,850 --> 00:24:39,120

Okay.

453

00:24:40,335 --> 00:24:46,665

Just go right along here, this drop

on some little things like, so,

454

00:24:50,655 --> 00:24:51,105

okay.

455

00:24:51,645 --> 00:24:53,895

Let's take a liner brush and I'm

gonna put a little bit of the

456

00:24:54,014 --> 00:24:55,635

liquid black out here on my pallet.

457

00:24:57,705 --> 00:25:00,855

Take her liner brush and I made that

little tiny bit of thinner to it.

458

00:25:00,855 --> 00:25:02,504

So it's a very thin turn it brush.

459

00:25:02,534 --> 00:25:03,495

Bring it to a nice point.

460

00:25:03,524 --> 00:25:04,245

Let's go right here.

461

00:25:04,935 --> 00:25:06,524

Now, then here and there.

462

00:25:07,845 --> 00:25:08,715

Just drop off.

463

00:25:09,240 --> 00:25:15,090

A few happy little lamps, little arms on

the trees and old trees catch them arms.

464

00:25:16,530 --> 00:25:19,080

See just wherever you

think they should live.

465

00:25:20,340 --> 00:25:20,700

And hope.

466

00:25:21,270 --> 00:25:27,750

Pine trees always have old broken

ones all over like a damn bucket

467

00:25:27,750 --> 00:25:31,740

that this is just liquid black

with a little bit of thinner in it.

468

00:25:33,690 --> 00:25:35,760

And you can put as many

or as few as you want.

469

00:25:37,830 --> 00:25:40,560

If you back in here, we don't want

this whole tree to be left out.

470

00:25:42,230 --> 00:25:42,950

There we go.

471

00:25:43,700 --> 00:25:43,909

Okay.

472

00:25:43,909 --> 00:25:44,720

Let's go over here.

473

00:25:45,530 --> 00:25:49,909

Put a little bit right there, right there.

474

00:25:53,389 --> 00:25:54,830

This is a very nice painting.

475

00:25:54,860 --> 00:25:59,210

If it's your first painting

project, it's works very well.

476

00:25:59,750 --> 00:26:03,139

If you've painted with me before, it's

a painting, I'll give you a lot of fun.

477

00:26:04,470 --> 00:26:07,170

There gives us a few

indications of some Liam's.

478

00:26:08,430 --> 00:26:11,280

None of them let's take, let's

take the whole fan brush.

479

00:26:11,580 --> 00:26:15,240

I'm going to use some of the

black still and we'll drop a few

480

00:26:15,240 --> 00:26:17,370

little leaves on these trees.

481

00:26:17,370 --> 00:26:18,480

Okay, let's go right up here.

482

00:26:19,290 --> 00:26:22,980

Now we touch and give it a little

upward push, make little smiley faces.

483

00:26:24,240 --> 00:26:27,990

Just sorta make a decision where

you think they live off of man.

484

00:26:29,250 --> 00:26:29,670

Drop them.

485

00:26:29,670 --> 00:26:29,820

Yeah.

486

00:26:32,070 --> 00:26:35,070

Maybe look here, there's

few on this old tree.

487

00:26:36,360 --> 00:26:42,899

That's like, yeah, let's put a few on

this little tree, leave some of the old

488

00:26:42,899 --> 00:26:51,810

trunk showing some on this with all kinds

of things happening and just let them go.

489

00:26:53,610 --> 00:26:54,209

Let them go.

490

00:26:55,139 --> 00:26:59,129

I get this tree South there.

491

00:27:01,425 --> 00:27:06,034

All kinds of leaves here and let some

of the scans show through, and I'm

492

00:27:06,044 --> 00:27:09,824

gonna go right into a little bit of

the SAP green with a touch of yellow

493

00:27:09,824 --> 00:27:16,064

on it and come back and very gently

highlight some of these and that easy.

494

00:27:16,274 --> 00:27:18,524

You have a beautiful little tree.

495

00:27:20,264 --> 00:27:22,845

And I think with that, we just

about have a finished painting.

496

00:27:24,465 --> 00:27:26,745

So I think we'll call that one done.

497

00:27:27,225 --> 00:27:29,505

And from all of us here, I'd

like to wish you happy painting.

498

00:27:29,925 --> 00:27:30,525

God bless.

499

00:27:30,525 --> 00:27:31,515

And we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S08E01 - Misty Rolling Hills

Bob Ross's

The Joy of Painting

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