Bob Ross's

The Joy of Painting

S06E05 - Secluded Forest

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Welcome back.

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I'm glad to see you today.

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And today I thought we'd do a

fantastic canvas here, and I've

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already covered this canvas with a flat

black acrylic and allowed it to dry.

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And they don't top of that.

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I went back and I've added the little

blue and SAP green and sort of just

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mixed it on the brush and just put it all

over the canvas and blend it together.

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So before we get started, I'll have

them graphically run all the colors you

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need across the screen, and they'll come

across in the same order that I have

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on the pallet, starting with a white.

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I'm going around and while

they're doing that, let's do it.

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Let's start with the old fan brush

today, a little bit of titanium

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white and just work a little into the

bristles, just back and forth, like,

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so, Hey, let's go up to the canvas.

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Maybe they will have some huge trees

here in some light chatting through.

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So we need to have some, we need

some light and just, just have fun.

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Just let this brush play and

jiggle and wiggle and wherever.

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I see it's picking up the fatal blue in

the SAP, green that's underneath, and all

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these things happen at this point point.

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We're really not.

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We're not too worried about

what it is or where it is.

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We're just, just throwing

some color here and there.

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This is where you take out all your, all

your hostilities and your frustrations.

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Just have fun.

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Just throw some color in there,

here and there since let it go.

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Let it play.

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Really not looking for any definite

shapes are really not looking

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for anything at this point.

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Just some color, some

color here and there.

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Yeah.

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Oh, okay.

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Now after you put a few little light

spots here and there let's take our

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two and a half inch brush and very

lightly just gonna brush it up and down.

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It makes all kinds of

beautiful little things happen.

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And when this is all done, that'll

look like a light shining through

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the trees and be very, very pretty.

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Let's clean our brush.

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We clean it with odorless paint,

thinner, scrub off the paint

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and just beat the bristles dry.

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Now I'm going to take a mix up a

black color, and I'm going to use

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they little green and lizard and

Crimson antibody, equal parts.

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And this will make a beautiful, beautiful

black, very, very transparent black and

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lifted paint all the way off the pallet

and turn it over when you're mixing color.

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Like, yes, I want this to

be very well-mixed okay.

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That will give us some nice black color.

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Now then let's get us a fan brush.

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Go right into this dark color

and begin laying in some basic

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little, little tree trunk shapes.

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And all I'm doing is just touching

the canvas and just working down

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and then this come on down and just

drop them wherever you want them.

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This is your forest.

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So you decided where the trees live.

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We're still not looking for

definite shapes yet or anything.

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Just having fun.

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Maybe, maybe just sort of look at what

you have and make some almighty decisions.

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I have to make decisions.

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There we go here.

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I've taken most of the pain out of the

brushes, so have very little left and

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I want to make some that are far away.

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So I don't want as much paint.

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Just a little paint.

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There we go.

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Okay, let's go.

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Maybe, maybe, maybe, maybe there it is.

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Trey lives right there,

wherever you want to treat him.

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That's where I did.

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That's where it's at.

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Okay, good.

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I'll have one there, and

this is what's so much fun.

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Use don't use any

patterns or anything here.

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We just, just sort of look at it

and make a decision, drop it in.

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Then some trees are fatter than others.

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Some are skinny, some tall, some

are short, just like people,

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people, maybe there's a few in here.

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Not as much paint here.

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I want these to be farther away.

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It's barely, barely touching.

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There we go.

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I see one right in here too,

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seeing how ready it should be giving

you the indication of, of trees.

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We back way back in the forest

and lights coming through.

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I like these kinds of paintings.

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Love these black canvases black

canvases will do fantastic things.

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And sometimes we do do canvases

where we use magic black.

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And you can do just about the

same thing with the magic black.

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Could we do it with a blank canvas?

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And you don't have to paint

your canvas black, just put

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the magic back on and go, okay.

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That already give us enough

trees to play with now, then.

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Oh, some of these trees, some of

these trees far, far back here in the

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distance, there are a few little leaves

and here I'm just using a fan brush.

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And I just want to put some

indications far back in the background.

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Don't want a lot of detail yet,

just like, so these are, this is the

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least of the distant trees, the ones

that are far away, far, far away.

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Few little leaves here and there.

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And I'm just taking the fan brush and

just touching, touching there right here.

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Right here.

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There's one.

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Okay.

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Now that's same color.

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It's the same black color.

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Now as these trees get closer to

us, you're going to begin seeing

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a little more detailed on them.

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Some someone take some

white titanium white.

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And we use a little permanent red,

and we're going to add a small amount

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of alizarin Crimson to that permanent

red lizard and Crimson titanium white.

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Okay.

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There now, small, small roll of

paint, right on the edge of the knife.

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Just like, so get us go up here.

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I have had to make a decision.

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Is your light coming from

the right or the left?

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And since I'm, right-handed, it's usually

easier to have it coming from there.

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Right.

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So.

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Just going to start touching

here, small, small roll of

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paint and just begin touching.

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Let the canvas take what it wants.

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You don't have to make any decisions.

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Canvas will pull off what it wants.

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Give you back.

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What's left.

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Yeah, just like uncle Sam at the end of

each year, I take what they want and you

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end up with what's left, which isn't much.

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Okay.

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They're decided which of these

trees are the light striking.

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They do have to make decisions.

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There we go and decide

where the light's hitting.

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Maybe, maybe in your mind, the

lights getting blocked in places.

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So let that happen.

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It happened.

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Yeah, Miami, Miami, a little light

striking this tree, whatever.

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Yeah.

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You understand why we put the leaves

back here so we can go right over the

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top of it and it'll bring these trees

into the foreground maybe right here.

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Give it a little more color

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drop a little bit right in here.

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This is just sort of a pinkish color.

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It's very pretty.

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There we go.

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Can.

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Now we need a shadow side on that tray.

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So I'll take some white and

some thalo blue and I'll make

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a very dark blue color here.

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Just white and blue.

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So.

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Okay.

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All right.

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That's what I'm looking for.

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Cut across it and get that small

roll of paint right out on the knife.

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Okay.

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Now on the other side,

then we need a shadow.

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So we'll just very quickly do is tearing.

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They're dropping a little,

little shadow indication.

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There we are.

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Janice.

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Let it drop off your knife.

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Once again, all you're doing

is just touching the canvas.

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You don't have to make any decisions

know, and I try to design these paintings.

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So they're very simple and they work

for you and yet very, very effective,

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because very quickly, if you watch

our shows, you learned how to paint

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and that's no longer the problem.

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The problem is, is what to paint

very rapidly becomes a bigger

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problem than how to paint.

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So we try to give you

numerous, numerous ideas.

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First things that we're not painting

it, you'd like to see drop me a line,

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certainly read all the letters.

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And a lot of the paintings

that we do in these shows come

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from, from your letters there.

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Now, just to put a little sparkle on

there, I'm gonna take a little bit almost

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straight white and just barely touch.

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Just to add a little sparkle,

just tearing there, not too

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much, not too much, very easy.

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Just to where you think

light would hit that.

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Just a little don't want

much and that's simple.

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It makes it beautiful,

beautiful tree trucks, just a

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little, this very light color.

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Not too much.

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Not too much.

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Now then I'm going to use my liner brush.

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It's the number two script liner.

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And I'll put a little paint thinner

on it and go right into some of

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this black color, turn it, brush,

bring it to a nice sharp point.

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And then we can put some limbs on some

of these trees and just here and there.

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And I like to turn the brushes.

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I'm pulling it, just turn it.

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All of these things happen.

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You don't have to plant them.

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Janice.

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I don't happen to know you want

these limbs to be bigger up here

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when they're closer to the trunk.

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I know that sounds silly.

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Sometimes we make little mistakes and we

let them get bigger out toward the end.

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We want a big strong where

they go into the trunk.

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There just some indications.

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Maybe this one is broke off.

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It lives there and wherever you want

them to just, just drop them in.

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Your tree.

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So you have to make these decisions.

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Harrison come right over the top of these.

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That'll help push everything back.

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We want those to be far, far

away, far away, far away.

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Yeah, there we go.

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And wherever.

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And if your paint, if you paint,

didn't want to stick, add a

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little more of the paint thinner.

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Or you can use with NOL either one,

either one will work quite well.

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All right.

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Nah.

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Then we'll go back and I'll put a

little more of the black on this

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fan brush and let's drop in some

little leaf indications here on some

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of these, just touch the canvas.

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Touch it a super easy way to

make some very effective little

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blue, evergreen type leaves.

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Very effective.

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You let the fan brush work.

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These are quite dark and we'll leave mad.

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Some highlight onto these.

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Sure.

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Looks like you're deep in the woods.

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There.

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He would hope you brought your compass.

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You may get lost.

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Me do accomplish to find your way out.

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Now take another fan brush and I'll put

some cadmium yellow and SAP green on it.

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CAD yellow and Sam green.

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And let's go right up here and

just, just hearing there, drop us

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in some nice little indications.

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There's some highlights on there.

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Just brighten that up a

little, make it very pretty.

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don't put too much of these.

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You can very quickly kill all your

dark and your painting will become very

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flat and we don't want flat paintings.

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We want paintings it's

stand up and sparkle fair.

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Isn't that?

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A super, super nice little way to

make some very effective little.

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Leaves on the trees.

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Let's go back to the other side over

here, dropping a few little indications

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right here, just wherever, wherever.

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Once again, if it doesn't want to

stick, add a little paint thinner

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and it'll stick right on it, then

painless take to a thick paint.

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And the first layer of paint we

put appears very thick very far.

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Okay.

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Now we can come down to here

and really start playing.

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Maybe there's some little bushes and

stuff that live in here and we'll

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just throw some of this dark color.

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This is still the black.

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Just throw it in.

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We're still not looking

for distinct shapes.

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That'll just take off some

of that loose excess paint.

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We're in business.

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Now, then I'm going to use, I'll

just use the same old brush puddle.

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Small amount of paint thinner on it.

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And I go right into a little bit of

this green Sam green, little CAD yellow.

254

00:15:18,105 --> 00:15:18,615

There we go.

255

00:15:18,645 --> 00:15:18,855

Okay.

256

00:15:18,915 --> 00:15:21,945

Let's go up here and let's just

put some little indications of some

257

00:15:21,945 --> 00:15:25,635

highlights on some of these little

bushes that are living right down here.

258

00:15:26,045 --> 00:15:28,425

I know the foot to these big trees.

259

00:15:30,700 --> 00:15:33,000

Some little indications and all

I'm doing here is just, just

260

00:15:33,000 --> 00:15:35,490

touching, just touching, tapping.

261

00:15:40,080 --> 00:15:40,980

It's very simple.

262

00:15:45,570 --> 00:15:50,720

There just drop those in and that

sort of helps push the trees back.

263

00:15:50,750 --> 00:15:53,120

Now we can, we can move

things on this canvas.

264

00:15:53,120 --> 00:15:54,380

We can push trees back.

265

00:15:54,380 --> 00:16:00,080

We can bring them forward when it's

your world, you can do anything.

266

00:16:05,310 --> 00:16:06,800

And I got this whole brush running here.

267

00:16:07,755 --> 00:16:08,475

Let's just take it.

268

00:16:08,985 --> 00:16:12,675

And maybe there's some soft little

grassy areas back in here, and I'm just

269

00:16:13,005 --> 00:16:19,125

using the same colors, SAF green, CAD,

yellow, yellow ochre, little Indian,

270

00:16:19,125 --> 00:16:24,375

yellow dis just mix these on a brush and

begin working on the lay of the land.

271

00:16:28,335 --> 00:16:29,025

There we go.

272

00:16:30,830 --> 00:16:35,010

I say, I am just crazy about the black

canvases and paintings like this.

273

00:16:36,090 --> 00:16:37,380

I think they are fantastic.

274

00:16:42,070 --> 00:16:45,420

You can keep tapping this

and it gets very, very soft.

275

00:16:45,510 --> 00:16:48,690

And if you have one that's, it's too

bright because there's color underneath.

276

00:16:48,720 --> 00:16:52,380

All you have to do is just tap on it and

it'll pick up that color it's underneath

277

00:16:52,380 --> 00:16:55,170

and get darker, darker, darker, maybe.

278

00:16:56,475 --> 00:16:58,814

Maybe last night, it rained a little

bit in the woods and there's some,

279

00:16:59,235 --> 00:17:02,775

maybe there's some little puddles,

some little pools of water Hungary,

280

00:17:02,775 --> 00:17:04,665

right into some titanium white.

281

00:17:05,025 --> 00:17:06,645

This is some of that blue we had left.

282

00:17:07,605 --> 00:17:09,915

So we have a little fellow

blue titanium, white.

283

00:17:10,305 --> 00:17:11,355

You have to make a decision.

284

00:17:11,685 --> 00:17:13,635

There's a puddle, it lives right there.

285

00:17:14,355 --> 00:17:20,085

So you just pull it down wherever you want

a little puddle to be, just pull it down.

286

00:17:20,775 --> 00:17:22,754

Or if you keep going, you

can make a Lake out of it.

287

00:17:24,585 --> 00:17:26,954

And if you really get carried away,

you can make an ocean out of it.

288

00:17:27,745 --> 00:17:33,105

Pull straight down like, so in very

lightly, very lightly go across.

289

00:17:35,565 --> 00:17:39,405

Let's take her knife and we'll use some

Vandyke Brown and a little burn number.

290

00:17:41,070 --> 00:17:45,990

And I just very quickly drop in some

little, some little indications of

291

00:17:45,990 --> 00:17:50,490

some dirt, and I'm really not looking

for specific, safe shapes yet.

292

00:17:51,690 --> 00:17:53,220

He was laying in some color.

293

00:17:55,350 --> 00:17:56,490

This, I sort of let it happen.

294

00:17:56,550 --> 00:17:59,220

We're not, we're not really

planning things at this point.

295

00:18:00,420 --> 00:18:01,520

I just want some little pedals.

296

00:18:01,520 --> 00:18:02,220

So whatever you.

297

00:18:04,165 --> 00:18:04,945

Whatever you want.

298

00:18:04,945 --> 00:18:08,935

You just leave here and cover up

whatever you know, often so easy.

299

00:18:10,885 --> 00:18:17,814

You have unlimited power on this canvas

and you can do anything and everything.

300

00:18:18,625 --> 00:18:22,945

Now let's take some Brown,

Brown, white touch your blue.

301

00:18:25,314 --> 00:18:25,854

There we go.

302

00:18:25,865 --> 00:18:30,264

Makes a nice gray color with

sort of a bluish tint to it.

303

00:18:31,485 --> 00:18:32,955

And I'm just barely going to touch.

304

00:18:34,845 --> 00:18:36,044

Just barely touch it.

305

00:18:36,254 --> 00:18:40,905

Just caress the canvas,

just caress, the canvas

306

00:18:44,205 --> 00:18:46,485

you need, you need to be

in love with a canvas.

307

00:18:51,044 --> 00:18:54,254

They're just, they're barely touching.

308

00:18:54,945 --> 00:18:58,635

And by not over mixing these colors, all

kinds of things happen automatically.

309

00:18:59,235 --> 00:19:00,345

You don't have to worry about it.

310

00:19:04,145 --> 00:19:04,415

Yeah.

311

00:19:04,505 --> 00:19:07,505

Right underneath here that

just a little of that.

312

00:19:07,505 --> 00:19:12,065

They little blue and white on my knife and

all I'm doing is just touching the canvas.

313

00:19:14,075 --> 00:19:17,165

Let some little, a little water

lines here and there, just like,

314

00:19:21,005 --> 00:19:25,805

and now we can take, I suggest

our grass color again, and we can

315

00:19:25,805 --> 00:19:27,005

sort of bring all this together.

316

00:19:28,485 --> 00:19:30,165

And that easy, that easy.

317

00:19:31,245 --> 00:19:32,505

You got a happy little puddle

318

00:19:35,645 --> 00:19:35,975

puddle

319

00:19:39,335 --> 00:19:39,695

happened.

320

00:19:41,825 --> 00:19:43,655

Maybe it comes right down.

321

00:19:44,040 --> 00:19:46,860

Right, right on across here.

322

00:19:51,690 --> 00:19:53,670

And you can just put as

many puddles as you want.

323

00:19:53,790 --> 00:19:54,960

You can have them wherever you want.

324

00:19:54,960 --> 00:19:55,020

325

00:19:58,410 --> 00:19:59,670

makes it so fantastic.

326

00:20:01,784 --> 00:20:03,195

Add a little more of the yellow ochre.

327

00:20:04,125 --> 00:20:07,335

And sometimes you can add a

small, small touch of permanent

328

00:20:07,335 --> 00:20:09,705

bread and it really helps

329

00:20:13,735 --> 00:20:17,415

maybe shoot at puddle with so much fun.

330

00:20:18,524 --> 00:20:22,274

Let's give him a friend right

there, wherever you want to puddle.

331

00:20:23,835 --> 00:20:26,115

And you can put as many of these

as you want in your painting.

332

00:20:29,610 --> 00:20:29,879

Nice.

333

00:20:29,960 --> 00:20:31,370

I think a little bit of the Brown here.

334

00:20:31,730 --> 00:20:37,790

If you can add some Brown in here

and pull it down to and pull across.

335

00:20:39,290 --> 00:20:41,960

Now, if you wanted, if you wanted

to reflection that was brighter,

336

00:20:42,710 --> 00:20:43,850

add a small amount of white.

337

00:20:43,850 --> 00:20:44,990

I just want to show you how to do that.

338

00:20:45,379 --> 00:20:48,350

Same full down and then go

across and don't kill all that.

339

00:20:49,179 --> 00:20:51,080

It'll look like it's a little

light hitting right there.

340

00:20:52,730 --> 00:20:53,179

Sneaky.

341

00:20:53,179 --> 00:20:53,419

Huh?

342

00:20:55,530 --> 00:20:57,300

Came then we need some

dirt around the end.

343

00:20:57,360 --> 00:20:58,889

So I'll use some more of the Brown.

344

00:20:59,879 --> 00:21:06,820

We'll put some dirt around it

around a little bit here and

345

00:21:06,820 --> 00:21:11,340

maybe, maybe wherever you want it,

just let it, just let it happen.

346

00:21:14,760 --> 00:21:16,620

Don't worry about planning these things.

347

00:21:17,520 --> 00:21:18,989

We don't make mistakes.

348

00:21:19,949 --> 00:21:20,939

We don't make them.

349

00:21:21,929 --> 00:21:23,489

We have happy accidents.

350

00:21:24,794 --> 00:21:31,625

And these happy accidents create some

of the most beautiful paintings there.

351

00:21:33,815 --> 00:21:37,205

We can come back, drop a little bit

of the highlight color red on that.

352

00:21:41,975 --> 00:21:44,735

Yeah, just like, so you're in

touched a little of the pink.

353

00:21:44,735 --> 00:21:49,205

It was laying on the pallets leftover from

the trees and it makes it nice and bright.

354

00:21:52,145 --> 00:21:52,415

Okay.

355

00:21:53,385 --> 00:21:53,985

Tell you what let's do.

356

00:21:53,985 --> 00:21:56,774

Let's have some fun here

before we get down here.

357

00:21:56,955 --> 00:21:59,985

Let's pull some of these

trees, right, right toward us.

358

00:22:00,824 --> 00:22:02,145

I'll go right into the dark color.

359

00:22:02,205 --> 00:22:03,975

This tree, this tree, this tree.

360

00:22:04,635 --> 00:22:06,135

I'm going to pull it right down here.

361

00:22:07,395 --> 00:22:09,705

So you can just take it and pull it

around over the top of that Bush.

362

00:22:11,955 --> 00:22:12,735

And we go back.

363

00:22:12,794 --> 00:22:17,705

I need some highlight,

color, little the pink.

364

00:22:20,044 --> 00:22:20,495

See you there.

365

00:22:22,395 --> 00:22:26,535

Just drop it off a little bit of the

blue on the other side and had easy.

366

00:22:26,865 --> 00:22:30,015

You pull that rascal right out here

367

00:22:33,075 --> 00:22:36,555

and then we can take the

little grass around his splits.

368

00:22:40,205 --> 00:22:40,925

There we go.

369

00:22:41,795 --> 00:22:42,485

Fantastic.

370

00:22:44,195 --> 00:22:44,435

Now.

371

00:22:46,185 --> 00:22:51,635

But a few little grassy areas right down

in here, right around this little puddle

372

00:22:59,495 --> 00:23:02,225

where ever here,

373

00:23:05,795 --> 00:23:08,825

this is a painting that really,

really should make you happy.

374

00:23:09,975 --> 00:23:13,695

Okay, take a little blue and white

on the knife here, but a few little,

375

00:23:14,685 --> 00:23:17,595

just a few little indications of

some water lines here and there.

376

00:23:18,955 --> 00:23:22,695

It's a way of cleaning up the edges

and making it look a little nicer.

377

00:23:24,995 --> 00:23:26,175

It's a straight line right there.

378

00:23:26,175 --> 00:23:29,715

So we'll just put a little

grass down, breaks up right up.

379

00:23:31,660 --> 00:23:32,100

Maybe.

380

00:23:32,460 --> 00:23:32,700

Yep.

381

00:23:32,970 --> 00:23:33,540

You're right.

382

00:23:33,630 --> 00:23:34,350

You're right.

383

00:23:35,820 --> 00:23:38,670

There's some more water lives right here.

384

00:23:41,100 --> 00:23:42,510

So you can put all the puddles in here.

385

00:23:42,510 --> 00:23:52,620

You want, you make the decision to drop

them in, come across and stint water.

386

00:23:54,810 --> 00:23:57,890

And we go bit of grass

coming right down the water

387

00:24:03,410 --> 00:24:06,260

and take a little bit of the Brown.

388

00:24:06,260 --> 00:24:07,970

We need some dirt here around the edges.

389

00:24:10,670 --> 00:24:11,570

Need some dirt.

390

00:24:13,250 --> 00:24:13,760

Here we go.

391

00:24:15,530 --> 00:24:16,160

In that easy.

392

00:24:16,160 --> 00:24:19,820

We got a little dirt, a little

bit of highlight on that.

393

00:24:19,880 --> 00:24:21,020

Ooh, there's a pretty color.

394

00:24:22,725 --> 00:24:23,355

Beautiful.

395

00:24:23,565 --> 00:24:24,075

Beautiful.

396

00:24:24,245 --> 00:24:25,545

You just let these things happen.

397

00:24:26,205 --> 00:24:27,615

Sometime they even surprise me.

398

00:24:27,615 --> 00:24:29,055

I don't even know what's

going to happen here.

399

00:24:31,215 --> 00:24:31,905

Okay.

400

00:24:35,055 --> 00:24:37,575

Now we can bring all that together.

401

00:24:39,105 --> 00:24:43,065

I I'll tell you why, but I think

we've got a little bit of time here.

402

00:24:43,815 --> 00:24:45,765

Let's take, go right into this dark color.

403

00:24:45,825 --> 00:24:46,545

Let's have some fun.

404

00:24:47,205 --> 00:24:48,075

Let's have some fun.

405

00:24:48,735 --> 00:24:49,875

There is a big tree.

406

00:24:50,399 --> 00:24:58,080

The big tree, a big tree, and he lives her

right there, right there all mighty tree.

407

00:24:59,159 --> 00:25:04,620

Huge, huge, big, strong tree, strong tree.

408

00:25:06,540 --> 00:25:07,649

Cause he's closer to you.

409

00:25:07,649 --> 00:25:10,530

So he looks bigger and that

helps push everything back,

410

00:25:11,040 --> 00:25:12,030

make it look farther away.

411

00:25:12,030 --> 00:25:15,629

And maybe there's a, he's got to have

a big old foot here to hold him up.

412

00:25:16,830 --> 00:25:18,719

So let's just give him a big root there.

413

00:25:19,875 --> 00:25:21,855

A bit over here, so you can not easily.

414

00:25:21,855 --> 00:25:27,045

You can, you can give him some big foot's

cane, a little bit of paint thinner.

415

00:25:27,045 --> 00:25:31,635

I'm going to brush let's give him

just out a little arm or two there's,

416

00:25:31,635 --> 00:25:35,055

one that was right off like cat Eric.

417

00:25:36,435 --> 00:25:38,985

wherever, wherever it's your tree.

418

00:25:38,985 --> 00:25:43,034

So however many arms you want

and let's reflect a little bit of

419

00:25:43,034 --> 00:25:44,175

that right into the water here.

420

00:25:47,460 --> 00:25:54,080

Now we can take a little bit of

the highlight color and we'll

421

00:25:54,080 --> 00:25:55,550

drop some highlight on this one.

422

00:25:57,350 --> 00:26:01,400

Just like, so, I mean,

just let it go right on up.

423

00:26:01,400 --> 00:26:01,850

The tree

424

00:26:07,790 --> 00:26:11,240

is highlight colors, a little

Crimson, a little permit, red, a

425

00:26:11,240 --> 00:26:13,880

little white, just mixed together.

426

00:26:14,504 --> 00:26:15,735

I had to come right on down,

427

00:26:19,004 --> 00:26:21,044

just like, so put a little

bit in her reflection

428

00:26:27,395 --> 00:26:31,834

and, and we can drop a little bit of chat

on here, and I think that'll give you

429

00:26:32,735 --> 00:26:35,074

an idea, set your imagination to fire.

430

00:26:36,425 --> 00:26:38,314

It's unbelievable what

you can do with this.

431

00:26:39,425 --> 00:26:41,195

So try it out, have some fun.

432

00:26:42,795 --> 00:26:44,295

Let's see what you can come up with now.

433

00:26:44,355 --> 00:26:48,435

Very lightly, pull this down,

pull it down and go across.

434

00:26:49,005 --> 00:26:51,705

And I think with that, we'll

call this painting finished and

435

00:26:51,705 --> 00:26:54,765

I hope you've enjoyed it as one

of my favorites till next week.

436

00:26:55,125 --> 00:26:55,695

God bless.

437

00:26:55,755 --> 00:26:56,415

Happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E05 - Secluded Forest

Bob Ross's

The Joy of Painting

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