Bob Ross's

The Joy of Painting

S05E11 - Autumn Glory

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Hello, welcome back.

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Glad you could join me today.

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I hope you've got your pallet set up and

get all mighty easel and you're ready to

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paint a beautiful painting with me today.

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I thought we'd do a little painting.

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It's just a lot of fun and I

really think you'll enjoy it.

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I'm going to have them graphically run

all the colors across the screen that

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we'll need to do the project today.

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These colors will come across your screen

in the same order that I have MoMA pallet

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starting with a white working across.

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So let's get started.

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I'm going to start out today with a little

bit of a lizard Crimson on the large

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brush, take a small amount of pain out.

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And tap it into the bristles.

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This assures a nasty even distribution

paint all through the brush.

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Now use very much little paint.

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I'm going to put this in the sky and

I don't want to set the sky on fire.

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All I want to do is put a

little pinkish glow into it.

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Let's go up to the canvas here.

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Now let's start right in

here and we make little exes.

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Little Chris cross and the canvas

has already been covered with

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magic, quite good and wet and slick.

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Ready to go.

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It's very easy to add more color as

the son of Gannon tried to take it off.

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So if you want more color, just

pick it up and put it on, but

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start with very, very little color.

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I'll add a little tiny

bit more right in here.

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There we go.

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Yeah.

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I've got that on the brush and be come

right down in here where the little,

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without cleaning the brush, I'm going

to go right into a small amount of

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pressure and blue and oppression.

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Blue is very, very strong.

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Be careful with it.

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Little crisscross.

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It will consume your

Crimson in a heartbeat.

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So be careful with it.

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Very little pressure, but so, so strong.

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And once again, you can always

add a little more if you want.

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It is hard to take it off.

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If you ever do need to

take it off, you can take.

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A clean, dry brush and go over

it and it'll pick up paint.

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Or if worse comes to worse, if it's

really bad, you can take a paper

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towel or a clean rag and just wipe

the canvas down and start over.

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Because at this point, you really

haven't invested a lot of time

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and energy into your painting.

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Okay.

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Yeah, maybe I'll put just a

tiny bit of blue right here.

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I wouldn't much just, maybe there'd

be a little water right there.

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We'll make that decision later

and I'm going to clean the brush.

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And we cleaned the brush with

odorless paint thinner was the

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screen in the bottom of my can.

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Hey, and we scrubbed the brush against

the screen, and that takes the paint

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off and allows the solid material

to settle to the bottom of the.

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Can and it doesn't contaminate

all your paint vendor

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gives us a nice little sky very quickly.

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Very simply a lot of fun.

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Let's go, let's go get

us a big old fan brush.

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I'm going to go into the titanium white

and load a lot of paint onto your brush.

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A lot of paint, pull it through there.

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And I'm going to pick up a

small amount of permanent red.

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Just a little bit.

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That'll be it.

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It's very, very strong.

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Okay.

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Look at all the paints on that brush.

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There.

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Let's go up to the canvas.

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Now let's build a happy little

cloud and maybe he lives right here.

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Now I'm just using the corner

of the brush, making tiny little

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circles, tiny little circles.

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Get a little more paint on my brush.

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You're looking for areas that have a

lot of paint areas that have virtually

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no paint that then some areas you

don't want to put anything on.

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So it'll turn out to be a shadows.

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Now with a large brush, I'm going

to gently, gently blend this out.

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Just blend it.

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Little tiny circles, tiny little

circles, barely go and fluff it.

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Scrap it fluff it up and then

very gently blend it all together.

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Let's see.

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Isn't that easy.

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It's a super way to make

fantastic little clouds.

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Very easy cloud used to give

me a fifth till I found out

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how easy they were to make

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the air Waco.

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This comes right on wherever you want it.

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You ever still just titanium white.

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Okay.

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Now we'll take our big brush

again and do the same thing.

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When bending the bottom out.

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We're not touching the top

edge of the cloud yet at all.

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And don't overwork.

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It probably the biggest mistake

made is overworking it and

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you work until it's dead.

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Then you just, you have a

big old cotton ball later.

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Fairness guy, very gentle, very chippy.

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All you're doing is

grazing it just bad across.

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Okay.

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And that's how we make a little cloud.

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And there's many, many

ways of making clouds.

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This is probably.

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One of the simplest and most effective.

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Okay.

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Gotta make some decisions now.

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What are we going to have in here?

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Maybe we'll put a little

mountain over here.

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Now.

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Take us, take some impression.

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Blue Vandyke Brown, and a little

bit of a lizard and Crimson

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and mix them all together.

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Pick your pain up and turn it over.

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That assures that you'll mix it all.

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Otherwise you won't mix

once against the pallet.

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So pick it up, turn it

over, like, so, okay.

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That will take a little

bit of pain on the knife.

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Let's go right up here.

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Maybe, maybe there's a little

mountain that lives right here.

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We're really, really pushing

this paint into the fabric.

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Just like you're trying to push

it right through the canvas.

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And one of the questions that

I hear quite frequently is do

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I always use a stretch canvas?

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I always do use a stretch canvas.

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If you use a canvas board, it will

absorb your magic white and very rapidly.

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You're working on a dry canvas

creates unbelievable problems.

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I always use a canvas that is double

primed, has two coats of parameter on it.

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And that way, the magic it'll stay

wet for extended periods of time.

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And that's what you're looking for.

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Cause maybe you won't finish the

painting today and you want to

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come back tomorrow and work on it.

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Some people don't paint quite

as fast as I do, and they want

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to come back and work on it.

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So you magic.

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Quiet.

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I'll stay wet for several days.

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We'll pull out.

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This is just titanium white and

let's put, let's put a little bit

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of snow up here on this mountain.

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Barely, barely touch it.

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Barely touching

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just a whisper

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slip that knife literally

literally float across the canvas.

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Maybe there's a little peak right there

that may be in the background and you

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can make these as wide as small as

you want to just keep building up.

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Sure.

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Mountain.

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So you do whatever you want

to, it's your mountain.

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I'm gonna take a little pressure

and blue and white, just blue and

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white, and we'll make a shadow color.

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Can you pull your paint out

flat and then cut across?

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So you have a small roll of paint

right on the edge of the knife.

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Okay.

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Let's go up to the Canada's

touch and just barely touch it

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and follow the angle though.

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Notice the angles

opposite of the highlight.

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I like it goes in one direction,

shadow in the other very, very simple

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way to make little mountains that

are very effective and beautiful.

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Okay.

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And you need these shadows.

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That's the shadows.

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That's what separates these.

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If you don't have the shadows

in the right places, then your

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mountains won't look right.

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And every highlight needs

its own private shadow.

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It doesn't have a shadow.

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It just, just lays there.

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You need that shadow to push it

up and to make it an individual.

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Now let's make some list on

the bottom of this mountain.

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And for that, we'll use just a clean, dry.

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Two and a half inch brush and just tap,

follow the angles in your mountain.

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Always follow those angles.

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Mountains are nothing but geometric

shapes or just the games of

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angles steady the angles there.

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Now we lift up this removes the tap

marks and creates beautiful, soft mist.

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That easy don't you, you could do that.

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There we go.

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Okay, well, let's have some fun.

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Let's have some fun.

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Now we got a nice little mountain in

the background, some beautiful clouds.

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So let's have some fun.

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I'm going to go right into

there's some SAP green.

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This is the mountain color.

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So this is van Dyke, Brown,

pression blue SAP green, and we'll

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throw some Crimson in there too.

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Lot of paint on the brush, pull

that brush through the paint.

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Bend it load a lot of paint.

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Look at how it looks.

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Okay.

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Now we're going to put that

rounded corner to the top.

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When we touch the canvas

there, you see it very well.

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Okay.

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Let's go up here.

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Maybe you got to make some decisions.

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Maybe, maybe, maybe right there.

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Right there.

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He leaves the tree.

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There he is.

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And this is just background.

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So you're not really concerned about

anything, except just, just basic shapes.

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Just wherever you think

there would to be a tree.

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That's exactly where

there would be a tree.

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Okay.

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Yeah.

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Maybe maybe, maybe, maybe start thinking

about the general lay of the land here.

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Maybe this is going to be coming downhill.

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So start planning that

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wherever you want a tree drop him in.

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And we can begin working on all

kinds of little basic shapes

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here, but you still paid attention

to the general lay of the land.

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Maybe, maybe right there.

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There's a, the bigger Bush police tech

mountain back a little further when

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you're putting this in, you don't want

to, you don't want to kill the Misty area.

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Between the mountain and your background.

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If you kill this Misty area, it's

going to pull that mountain right up

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against this, and you want to keep

some distance there and make the

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mountain look like it's far, far away.

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So leave this Misty area.

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It's very, very important to you.

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Leave that.

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Okay.

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Let me just go on here and drop in a

little bit more of this background.

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This is a super way just to

practice too, is to have really

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have nothing in your mind except.

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Uh, time of day and the time

of year and hit the canvas.

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Just let something happen.

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Bring it out of here.

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You don't have to trace it and

draw all these pictures on there.

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It's in here.

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All you have to do is, is let it out.

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Put it on the canvas.

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Yeah, maybe we're going to

have a little pond right here.

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Watch how easy it is to make a reflection.

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Let's go right in here.

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All we do is grab that and pull down.

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We want the pond to reflect

the color that's around it.

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So you, all you do is pick up some of

this background color and pull down

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that easy reflections are one of the

most fantastic things to do in this

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technique because the canvas is wet.

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Okay.

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But the magic white Oh.

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Side of it.

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Good can make unbelievable reflections.

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Now these lines should be straight across.

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Go straight across with don't want

the water to run out on the floor.

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Okay.

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Yeah.

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Then let's put up few, little trunks here

and there and we'll use a knife today.

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Want to take some burn number a little

bit of white in it, pull it out.

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Very flat, cut across.

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So we got that small roll of paint

right out on the edge of the knife.

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There, there, you can

see it just a tiny bit.

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Okay.

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Now all you gotta do is touch the canvas.

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In a canvas of pull off what it wants,

if your trunk needs to be wider,

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pull it to the side a little bit.

255

00:13:14,925 --> 00:13:17,895

But most of the time, while

you have to do is just touch.

256

00:13:18,645 --> 00:13:23,265

And if you don't over mix your

paint, then it'll be marbled and

257

00:13:23,265 --> 00:13:26,115

it'll all kinds of beautiful little

things will happen automatically.

258

00:13:26,115 --> 00:13:27,285

You don't have to worry about it.

259

00:13:28,995 --> 00:13:30,105

You could sit and mix up.

260

00:13:30,719 --> 00:13:34,709

A dozen different colors or you can mix

your paint marbly and let it happen.

261

00:13:36,000 --> 00:13:36,630

Let it happen.

262

00:13:38,930 --> 00:13:41,420

We, we learned to use

everything it happens.

263

00:13:42,530 --> 00:13:42,620

Yeah.

264

00:13:42,620 --> 00:13:44,780

That's, what's so much fun about this.

265

00:13:44,780 --> 00:13:46,729

We, we talk about, we don't make mistakes.

266

00:13:46,729 --> 00:13:51,469

We have happy accident and that's

true because there's nothing

267

00:13:52,040 --> 00:13:53,569

that you can't fix very easily.

268

00:13:54,589 --> 00:13:58,400

Now let's put some highlights on

this and I'll get a one inch brush.

269

00:14:00,180 --> 00:14:06,000

And let's go into a little

bit of CAD yellow and some SAP

270

00:14:06,030 --> 00:14:09,210

green, some SAP green there.

271

00:14:13,170 --> 00:14:13,410

Okay.

272

00:14:13,500 --> 00:14:17,730

Pull that brush to that paint,

pull it through a lot of paint.

273

00:14:18,660 --> 00:14:18,870

Okay.

274

00:14:18,900 --> 00:14:20,340

I'm going to hold it up

here and let you look at it.

275

00:14:20,400 --> 00:14:21,870

I see a lot of paint.

276

00:14:23,220 --> 00:14:23,730

There we go.

277

00:14:24,060 --> 00:14:27,090

That's cool up here and maybe

there's a nice, beautiful green

278

00:14:27,090 --> 00:14:28,410

Bush that lives right here at touch.

279

00:14:28,890 --> 00:14:32,490

Just give it a little push, gentle push.

280

00:14:32,580 --> 00:14:36,930

I know sometimes it looks like I'm taking

a running start across the room and

281

00:14:37,150 --> 00:14:40,290

socking that canvas hard to gentle touch.

282

00:14:40,620 --> 00:14:43,170

It's just that sometimes I do

it very rapidly and it looks,

283

00:14:43,260 --> 00:14:47,040

it looks like him pushing very

hard, but it's a very light touch.

284

00:14:47,340 --> 00:14:47,550

Okay.

285

00:14:48,480 --> 00:14:50,550

Now we'll go into a little Indian, yellow.

286

00:14:52,335 --> 00:14:54,285

And maybe there's a happy little Bush.

287

00:14:54,915 --> 00:14:55,695

That's right there.

288

00:14:58,695 --> 00:15:00,825

And we'll reflect a little bit

of that down into the water.

289

00:15:02,145 --> 00:15:04,425

Add a little paint, thinner onto

my brush to them, the paint.

290

00:15:07,025 --> 00:15:10,355

And let's take a little burn number

and put right in with a yellow,

291

00:15:11,285 --> 00:15:13,865

like a nice brownish color here.

292

00:15:14,105 --> 00:15:14,585

Beautiful.

293

00:15:15,515 --> 00:15:18,335

So we got CAD yellow and burn number.

294

00:15:19,085 --> 00:15:19,325

Okay.

295

00:15:19,355 --> 00:15:20,255

Let's go back up here.

296

00:15:21,015 --> 00:15:24,735

Maybe maybe there he is just have

to look around and find them.

297

00:15:26,415 --> 00:15:29,175

There's another little tree back

here and let them get darker and

298

00:15:29,175 --> 00:15:30,525

darker, darker as you weren't down.

299

00:15:32,925 --> 00:15:34,155

Let's throw in a little permit.

300

00:15:34,155 --> 00:15:35,745

Red shoes.

301

00:15:35,805 --> 00:15:36,975

We'll brighten this son of a gun.

302

00:15:36,975 --> 00:15:37,545

Not make it.

303

00:15:38,205 --> 00:15:39,465

I can stand up here and talk.

304

00:15:44,985 --> 00:15:45,195

Okay.

305

00:15:45,315 --> 00:15:46,605

Don't kill all your dark areas.

306

00:15:47,025 --> 00:15:47,925

They're important too.

307

00:15:49,079 --> 00:15:52,250

And layer these, so it helps

create the illusion of depth.

308

00:15:52,260 --> 00:15:54,329

Then you're painting here.

309

00:15:54,329 --> 00:16:00,430

I'm using the brush sideways,

just push up and saw there's two.

310

00:16:02,069 --> 00:16:03,630

Okay, let me give a little

more paint, thinner,

311

00:16:08,790 --> 00:16:14,120

little more of the Seth green

and we'll very quickly just.

312

00:16:14,535 --> 00:16:17,714

Drop in some beautiful little

leaves up here on these.

313

00:16:22,385 --> 00:16:26,094

If you have trouble making your

paint stick, add a little magic,

314

00:16:26,104 --> 00:16:27,275

white or paint thinner to it.

315

00:16:27,875 --> 00:16:30,665

Remember our golden rule of them

paint will stick to a thick paint.

316

00:16:31,354 --> 00:16:35,675

So this first layer of paint that we

put on the canvas is very, very thick,

317

00:16:35,944 --> 00:16:39,035

very thick, good test for your paint.

318

00:16:39,155 --> 00:16:40,655

Take the, take the top off.

319

00:16:41,520 --> 00:16:42,689

And squeeze it.

320

00:16:42,960 --> 00:16:43,890

The pain should stand up.

321

00:16:43,920 --> 00:16:47,550

Oh, about three quarters of an inch

above the tube without falling over.

322

00:16:48,630 --> 00:16:53,040

That's the way you can tell if it's strong

enough to do this method, if oil runs

323

00:16:53,040 --> 00:16:57,090

out of it, or if it's soft and creamy

probably will not work for this method.

324

00:16:57,660 --> 00:16:59,340

This really depends on a firm paint.

325

00:17:00,210 --> 00:17:02,340

So you can stick these

thinner paints on top of it.

326

00:17:07,400 --> 00:17:07,700

Okay.

327

00:17:07,720 --> 00:17:09,200

Maybe, maybe, maybe, maybe.

328

00:17:10,454 --> 00:17:14,185

There's another one, just

wherever you want these do

329

00:17:14,204 --> 00:17:16,995

drop them in, let them happen.

330

00:17:20,204 --> 00:17:20,415

Okay.

331

00:17:20,505 --> 00:17:23,745

Let's start putting some landmasses

in here in some reflections and

332

00:17:23,745 --> 00:17:24,944

all the beautiful little things.

333

00:17:24,975 --> 00:17:26,865

Let's do the reflections here now.

334

00:17:27,105 --> 00:17:28,005

Reflections happen.

335

00:17:28,005 --> 00:17:28,725

So nice.

336

00:17:28,845 --> 00:17:32,415

Watch what happens with this

big brush gently, gently, gently

337

00:17:32,415 --> 00:17:36,135

pulled down just barely, barely,

barely touching the canvas.

338

00:17:38,640 --> 00:17:40,020

Oh, such a soft touch.

339

00:17:40,470 --> 00:17:42,210

How lightly go across.

340

00:17:43,380 --> 00:17:45,750

This is how you make the

beautiful mirror reflections.

341

00:17:47,790 --> 00:17:49,320

Say there is that easy.

342

00:17:50,940 --> 00:17:51,300

Okay.

343

00:17:51,830 --> 00:17:52,280

Hey, what?

344

00:17:52,280 --> 00:17:52,640

Today?

345

00:17:52,820 --> 00:17:53,900

Let's do something a little different.

346

00:17:53,900 --> 00:17:57,800

Let's use, let's use a fan brush and

I'm just going to go right into some

347

00:17:58,670 --> 00:18:01,670

Vandyke Brown, some burn number.

348

00:18:01,670 --> 00:18:05,100

Just mix them up on the brush

and let's just go up here.

349

00:18:06,344 --> 00:18:08,445

Not just scrubbing some

basic land areas here.

350

00:18:09,435 --> 00:18:13,334

This used the old brush, scrub

it, all we're doing is putting

351

00:18:13,334 --> 00:18:15,524

them nice and dark base color.

352

00:18:20,115 --> 00:18:22,274

And you got to figure out

where your water's going to be.

353

00:18:23,804 --> 00:18:28,844

Now go right into some white, a

little bit of a little touch of blue.

354

00:18:34,310 --> 00:18:35,780

and there was Brown on the brush already.

355

00:18:35,780 --> 00:18:39,139

So we got and look, see, you

can see how all the different

356

00:18:39,139 --> 00:18:40,580

colors are loaded on that brush.

357

00:18:41,420 --> 00:18:44,090

There's Brown in deep and there's

lighter colors on the end.

358

00:18:45,110 --> 00:18:45,860

Let's go right up here.

359

00:18:46,490 --> 00:18:51,500

Now I got to do it just touch and just,

you don't want to kill all your dark.

360

00:18:51,530 --> 00:18:53,629

Now you worked very hard

to put that dark on there.

361

00:18:54,139 --> 00:18:54,800

Don't kill it all.

362

00:18:56,760 --> 00:19:00,270

Just want to put some little highlights

here and there and just let that

363

00:19:00,270 --> 00:19:06,090

little brush play in balance and

brushes a fantastic, fantastic brush.

364

00:19:07,229 --> 00:19:08,699

But you gotta make friends with it.

365

00:19:10,020 --> 00:19:11,969

It's got to be got to be a good buddy.

366

00:19:16,610 --> 00:19:19,100

Yeah, just wherever you

want these it's your world.

367

00:19:27,125 --> 00:19:30,995

Okay, I'm going to take another fan brush

and I have several fan brushes going here,

368

00:19:31,415 --> 00:19:34,895

so I don't have to wash them continually

a little magic quite on my brush.

369

00:19:35,495 --> 00:19:37,745

We go right into some CAD yellow.

370

00:19:40,075 --> 00:19:45,575

We'll grab a little green, bring

down here, little red, just mix all

371

00:19:45,575 --> 00:19:46,865

these different colors on the births.

372

00:19:46,865 --> 00:19:47,855

Look at all the paint on there.

373

00:19:47,915 --> 00:19:51,815

So have a gun, but they're

all mixed on the brush.

374

00:19:52,229 --> 00:19:52,350

Okay.

375

00:19:52,649 --> 00:20:00,090

Now you can take and touch, push and bend

it upward and building all kinds of little

376

00:20:00,090 --> 00:20:02,639

grassy areas, wherever you want them.

377

00:20:03,239 --> 00:20:08,639

Follow the lay of the land the most,

most important you don't want to kill

378

00:20:08,639 --> 00:20:10,979

all these nice little things that

you made with your fan brush here.

379

00:20:15,070 --> 00:20:15,959

We want to kill them all.

380

00:20:22,725 --> 00:20:24,045

Okay, let's go back.

381

00:20:24,435 --> 00:20:26,805

I'll tell you what I'm

going to get this big brush.

382

00:20:27,825 --> 00:20:28,065

Right?

383

00:20:28,065 --> 00:20:34,515

Big brush, Fandango Brown, some scent

gree, a little bit of pressure and blue

384

00:20:34,665 --> 00:20:36,645

or some Crimson, whatever, whatever.

385

00:20:36,645 --> 00:20:41,655

Just pull it through that paint

loaded for let's go right up here.

386

00:20:42,165 --> 00:20:43,515

Now you gotta make some more decisions.

387

00:20:43,515 --> 00:20:44,415

What lives.

388

00:20:45,175 --> 00:20:48,795

Right about here, there it is

big tree lives right there.

389

00:20:50,865 --> 00:20:56,595

You knew that didn't, you know where that

mountain you worked so hard on that corner

390

00:20:59,865 --> 00:21:03,435

there maybe, maybe it maybe

comes right down through there.

391

00:21:06,929 --> 00:21:09,080

Whatever wherever you want.

392

00:21:11,480 --> 00:21:13,639

And we just, we try to

give you ideas here.

393

00:21:13,730 --> 00:21:18,230

These paintings should be

used as guides at home.

394

00:21:18,379 --> 00:21:19,909

Let your imagination go crazy.

395

00:21:25,520 --> 00:21:26,990

You really don't have to copy.

396

00:21:27,139 --> 00:21:29,600

All you have to do is see how it's done.

397

00:21:31,185 --> 00:21:33,825

We really just try to teach

you how the method works.

398

00:21:33,945 --> 00:21:34,995

Watch you watch you paint.

399

00:21:35,445 --> 00:21:35,955

Oh my gosh.

400

00:21:35,985 --> 00:21:39,645

That's this is individual and

is different as people are.

401

00:21:43,935 --> 00:21:44,415

All right.

402

00:21:45,855 --> 00:21:47,055

It gives us a nice background.

403

00:21:47,055 --> 00:21:49,125

We can go in here and drop in some color.

404

00:21:49,125 --> 00:21:53,805

Now I'm back to my one inch brush,

little Indian, yellow, yellow

405

00:21:53,805 --> 00:21:55,965

ochre, CAD yellow permit red.

406

00:21:56,205 --> 00:21:57,915

They're just all mixed

right here on the brush.

407

00:21:58,350 --> 00:21:58,980

There we go.

408

00:21:59,970 --> 00:22:00,240

All right.

409

00:22:01,920 --> 00:22:05,250

Touch, barely touching the canvas here.

410

00:22:10,050 --> 00:22:14,660

Barely, barely touching the canvas

that all these things happen.

411

00:22:15,170 --> 00:22:17,180

I'll tell you what, we'll add

a little more green to that.

412

00:22:17,750 --> 00:22:17,840

Okay.

413

00:22:19,430 --> 00:22:19,970

There we go.

414

00:22:21,770 --> 00:22:25,730

Beautiful little green bushes

right here, wherever you want them.

415

00:22:28,139 --> 00:22:29,100

Whatever you want.

416

00:22:31,280 --> 00:22:32,300

I'm just varying color.

417

00:22:32,330 --> 00:22:32,480

Now.

418

00:22:32,510 --> 00:22:35,689

We're just going from the permanent

red to the Indian, yellow,

419

00:22:35,810 --> 00:22:37,970

yellow ochre, and back and forth.

420

00:22:40,939 --> 00:22:42,080

Whatever makes you happy.

421

00:22:44,330 --> 00:22:44,929

There we go.

422

00:22:44,990 --> 00:22:46,250

There's a little bit right there.

423

00:22:54,780 --> 00:22:57,240

Once again, if your paint doesn't

stick, I add a little paint thinner.

424

00:22:57,480 --> 00:23:02,070

Ooh, there's a nice bright red

one shining out there in the sun

425

00:23:09,330 --> 00:23:11,030

and feel free at home to change color.

426

00:23:11,040 --> 00:23:12,690

Use it, any color that you want.

427

00:23:14,190 --> 00:23:19,470

I'm going back and get my

fan brush and we'll pick up

428

00:23:19,470 --> 00:23:20,640

some more of this dark color.

429

00:23:22,110 --> 00:23:23,100

And let's go in here.

430

00:23:23,460 --> 00:23:29,490

Let's just lay in some little things

happening here and there, just here

431

00:23:29,490 --> 00:23:30,810

and there, wherever you want to

432

00:23:35,610 --> 00:23:41,700

just like, so, and then we hit a

little bit about highlight color.

433

00:23:42,720 --> 00:23:48,180

We can go back in here and just gently,

gently, gently drop some of these things.

434

00:23:48,180 --> 00:23:48,330

Yeah.

435

00:23:50,190 --> 00:23:51,750

I guess what was stolen was right there.

436

00:23:53,220 --> 00:23:54,420

Just a few little highlights,

437

00:23:57,480 --> 00:23:58,740

maybe there's another little stone.

438

00:24:01,520 --> 00:24:03,440

So you had that little van

where it just makes all kinds

439

00:24:03,440 --> 00:24:04,460

of fantastic little things.

440

00:24:04,670 --> 00:24:08,900

So simple that it happened.

441

00:24:10,890 --> 00:24:13,680

Maybe we can drop some little

grassy areas coming down in

442

00:24:13,680 --> 00:24:16,890

here, follow the lay of the land

443

00:24:22,740 --> 00:24:23,670

wherever you want them to go.

444

00:24:24,780 --> 00:24:25,530

Let's go over here.

445

00:24:26,850 --> 00:24:30,390

That comes sneaking out behind that stone.

446

00:24:37,350 --> 00:24:37,740

Okay.

447

00:24:37,830 --> 00:24:38,160

Good.

448

00:24:38,939 --> 00:24:41,220

Okay, tell you what let's do.

449

00:24:42,149 --> 00:24:47,850

Let's go right into some Vandyke

Brown and let's build, let's

450

00:24:47,850 --> 00:24:49,679

build a happy little tree.

451

00:24:50,490 --> 00:24:54,990

He lives right there, right there.

452

00:24:57,540 --> 00:25:02,909

And what kind of trees let's make a

bird street today there a lot of fun

453

00:25:03,449 --> 00:25:06,929

and very striking, very striking.

454

00:25:09,255 --> 00:25:10,515

And they used to grow in clumps.

455

00:25:10,515 --> 00:25:17,445

So we'll put him a little frame

right there and you can make as

456

00:25:17,445 --> 00:25:18,785

many Birch trees as you want.

457

00:25:20,415 --> 00:25:23,885

Just want to show you how, okay.

458

00:25:24,105 --> 00:25:27,605

We need a little bit of

white, the highlighting touch.

459

00:25:27,695 --> 00:25:28,415

Give it a little pull.

460

00:25:28,535 --> 00:25:28,685

Yep.

461

00:25:29,315 --> 00:25:29,975

It's all that stood

462

00:25:33,335 --> 00:25:33,635

for.

463

00:25:37,200 --> 00:25:37,530

Okay.

464

00:25:38,870 --> 00:25:39,170

Okay.

465

00:25:39,890 --> 00:25:45,470

Now let's just put a few little names

here and there just some indications

466

00:25:46,190 --> 00:25:50,120

that you could also do this with a

liner brush would work just as well.

467

00:25:52,730 --> 00:25:53,540

She has tearing here.

468

00:25:56,720 --> 00:25:58,940

Maybe this one runs right across

wherever you want it to go

469

00:26:02,510 --> 00:26:02,920

take.

470

00:26:04,560 --> 00:26:04,800

Come on.

471

00:26:04,800 --> 00:26:11,580

Take the one inch brush

some SAP green, some yellow.

472

00:26:12,689 --> 00:26:12,990

Okay.

473

00:26:13,280 --> 00:26:14,060

A little paint tender.

474

00:26:14,060 --> 00:26:14,959

So that's very thin.

475

00:26:15,959 --> 00:26:20,840

Let's go up here and just very

gently, barely touching here, playing

476

00:26:20,840 --> 00:26:25,939

in a few little leaf indications,

just barely, barely touching.

477

00:26:27,199 --> 00:26:28,760

And I hope you've enjoyed this painting.

478

00:26:28,790 --> 00:26:29,659

So a lot of fun.

479

00:26:30,980 --> 00:26:32,750

They teach you how to use

a lot of the equipment.

480

00:26:36,465 --> 00:26:36,825

There.

481

00:26:37,835 --> 00:26:38,135

Okay.

482

00:26:38,195 --> 00:26:38,465

Thank you.

483

00:26:38,465 --> 00:26:39,545

We'll call that one finished.

484

00:26:39,545 --> 00:26:42,365

And until next time from all

of us here, happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E11 - Autumn Glory

Bob Ross's

The Joy of Painting

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