Bob Ross's

The Joy of Painting

S07E11 - Grey Winter

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Hey, glad to see you today.

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You got the liquid white on your canvas,

your colors all set up and ready to go.

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Well, I hope so today.

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I thought we'd do a

fantastic little painting.

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That's very simple.

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And we're only gonna use about

three colors, some black and

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white and a little bit of Crimson.

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We'll have them run those

colors across your screen.

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So you'll have them at home and

let's go on up here and get started.

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Now I've already got the cover.

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The canvas covered here with a

nice even coat of the lid, right?

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It's all wet and slick and ready to go.

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Go right into a tiny bit of a lizard

Crimson with a two inch brush.

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Pull it out and just gently tap a little

bit in, I'm going to use this only one

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time and this entire painting just one

time, but look here, see, by tapping

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it, you get a nice even distribution of

color all the way through the bristles.

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Okay, let's go up here maybe

right there, right there.

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There's a tiniest, tiniest little bit of.

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Pink, just a little bit of color.

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This painting is going to be just in gray

tones, except for this one tiny little

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area right here, here, this disinherit

here, just to warm it up a little bit.

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I'm going to do a little winter

scene, little winter scene and

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these monochromatic type pictures.

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All right.

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Excellent.

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To teach you how to use the values.

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There we go.

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And that's the only time we need

any Crimson in this whole painting.

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Now then let's begin playing a little bit.

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I'm going to go right into the black

don't even have to wash your brush.

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This is a very strong color.

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It'll just cover up the Crimson.

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No problem.

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Just pull out a little bit of

color, tap it into the bristles.

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Just like we did before you worked

both sides and look at the brush.

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See, you have a nice even

distribution of color.

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If you don't tap, if you just reach

up in here with a breast like that and

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pull out a big hug, you're going to go

up to the canvas and have huge streaks.

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Right?

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Let's go ahead and do this now, then

let's put some happy little cloud things.

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Oh, they're just floating around.

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Now.

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This will, this will mix with

the liquid white and all kinds of

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beautiful little colors will happen.

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A little values.

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Let the canvas work.

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Let the brush work.

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Just have fun here.

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Just let us wander around and

play wherever you want it to go.

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There we go.

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Maybe a little touch right here.

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And I'm using basically just the

corner of the brush, making little

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tiny circles, little tiny circles.

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I don't stay in one place and just keep

grinding and keep the brush and moving.

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So you get all kinds of

little actions happening here.

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All right.

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Okay, let me wash the brush.

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Let me wash the old brush.

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And this is just with

odorless paint thinner.

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It was just screen in the

bottom of my can here.

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Shake it off

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that early is the fun part

of this whole technique.

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Okay, let's go back up here now.

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And I'm going to begin

just gently blending.

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This use all kinds of little

patterns, little circles, little exes.

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Keep it moving.

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Keep it alive.

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Keep actions in here.

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There we go.

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Just keep working at

working at, look at that.

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See, just, I'm basically still

just using the corner of the brush.

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And now I'm allying this black

color, which is turned to gray

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because it's mixed with a liquid

white to begin coming down here.

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The pink area.

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There we go.

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Little tiny circles, Xs.

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All kinds of little patterns.

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Yes.

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Blended blended blended.

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See, now at this point it

looks like a nice stormy Scott.

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You could stop at this point, if you

wanted to and just have a nice stormy

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sky, big snow storms coming here.

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Than the store.

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I don't know if you wanted to do

on your own doing your painting.

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I've got it on the brush.

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And one, we just put a

little bit of gray down here.

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This is just a nice way also

of cleaning off any excess

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paint you have on your brush.

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Okay.

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Let's have some fun.

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Wash your brush again.

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There.

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Shake it off now then today I'm gonna,

I'm gonna use the old round brush.

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I'm gonna grab it.

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Go right into some of the titanium white.

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There we go.

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Pull it through there,

get a lot of paint on it.

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Lot of paint.

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Look at the end of that brush.

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It's full of paint.

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Just go up here now.

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Then you have to make decisions.

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I decided today.

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I want some happy little

clouds in the sky.

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Just let him bounce her around and play.

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Yeah.

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Just throw me out.

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Keep that brush going in little circular

patterns, little circular patterns.

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There we are.

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You have to make decisions.

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Where does your cloud live?

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Oh, there it comes right

down through there.

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Key progression moving there.

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Just a little hair.

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We'll just lift it right off.

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You get a hair on you when you canvas just

take the coordinator brush and pop it off.

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It's no big deal there.

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Look at that all kinds of little

actions happening in the sky.

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All right.

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Now, let me take, let me take that

two inch brush and now very gently.

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I'm going to begin blending the bottom of

this decide what are your tops up here?

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We don't want to destroy them.

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We just want to blend the bottom, make

it very soft, bring all this together.

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This is like, we normally do clouds

and I think most of the other paintings

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that we've done that had clouds in them.

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It's just that we're using

very few colors in this one.

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Yeah, look it there.

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now though, the white that

I picked up here, I'm just

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adding it right down in here.

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And like the indication of all

kinds of little things happening and

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just going to begin blending this,

you can lift it in some places.

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Some don't it's a fun little sky.

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Be happy when you do this.

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There we go.

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Remember how free clouds are

they just float around in the

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sky, just lay around the scowl.

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They have any fun.

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look at all the things that are

happening in that sky though.

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And you've really done very little

work at this, a lot of depth in it.

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And if you wanted to create the

illusion of even more depth,

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you can come back in here.

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And I did more individual clouds

and there's really no limit to this.

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You can put as many layers of

clouds in your world as you want.

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I don't stop.

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I'm not going to have time to get

the rest of the painting done.

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I get carried away sometime on clouds.

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I like to do them beautiful

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blend, a blend plant.

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Hmm.

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Okay.

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That looks like a mean old sky.

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I think that's enough for

stuff to have right there.

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Let me wash a couple of these brushes

up, then we'll be ready to go.

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All right.

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Okay.

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And I'll watch the round one too.

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While I'm in the brush washing business.

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I've already got the camera

man mad at me over there.

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Okay.

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Well, we getting him again.

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All right.

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Well, we'll just use the old round brush.

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I'll go into a little bit of white and

a little bit of the black and Musca.

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Make a grayish color here.

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An attorney just like so back

and forth, back and forth.

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Okay.

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See, I, it brings it to.

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Not quite as alleged,

but it's sort of sharp.

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Let's go pair.

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Maybe we back here in the

distance somewhere, there's a

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happy little Foothill that lifts.

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So all you do is touch just using

the corner, see and pull it downward.

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Just pull it down.

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Right.

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Make all these happy little foothills.

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There we go.

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Wherever, wherever, wherever they

have to make decisions where they

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live, what do they look like?

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Tap them in get that I'm tapping

and giving it a little, pull

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down, tiniest little pulled down.

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Right.

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Okay.

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Now then to help create the illusion of

missed here, I'm going take the two inch.

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I just, half the base,

just the base though.

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I don't want to, I don't want

to destroy the tops, the base,

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and then very lightly lift up.

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Right.

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And, you know, we say over and over again

about creating depth in your painting

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depth and a painting is created by

having different Plains in your painting.

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The more planes you have, the

deeper, the painting looks.

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So I want to create another plane here.

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Use the same brush, the same color only.

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I'll add a little bit more of the

black each plane as it gets closer

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to you should get a little darker.

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Can you let's go back up here.

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Okay.

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Maybe there's some happy little

things that live right here.

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Just a little trees and stuff.

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This is still back in the distance.

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So we don't want a lot of detail yet.

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Got to save the detail until

we get in the foreground.

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Maybe it just works its way right up

through there, wherever you want it to go.

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I'm just using the, just the

top part of the brush here.

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Touch it and pull it down very gently.

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You don't have to hit the canvas hard.

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Just, just drop it in.

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You could literally do this

painting with one brush.

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If you wanted to now then go back

to the two inch brush and just tap.

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I want to create that illusion and

missed again, missed is the only

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separator we have in all these planes.

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See right here where these

planes come together.

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The thing that separates them is that

little light area right in between.

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See if they wouldn't put a little

light area, they would just almost

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blend together because there's

very little difference in color.

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Yeah.

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Very lightly, very lightly left, upward,

create all the happy little Misty effects.

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Didn't simple.

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Nice.

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A lot of fun.

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Let's use the old fan brush today.

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I'm going to take a fan brush.

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There we go.

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Go right into a little bit of the white.

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Lou that fan brush for lot

of pain into it, both sides.

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Look, I see a lot of pain in there

can just go up here and then you have

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to must start making some decisions.

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Maybe there's some little snowy

things that live we back here.

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And this is where you begin creating

the lay of the land, the way the

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land flows and think about where

your light's going to strike.

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Maybe, maybe there's a Hill.

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Right there.

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You can begin creating

all these little things.

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Maybe this Hill runs, we

don't know where it goes.

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Maybe it runs, but I don't

have through there somewhere

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very soft strokes, always, always, always

paying attention to the lay of the land.

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Maybe there's a little light

hits right there on that.

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See how that pops right out at you.

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Snow scenes are very easy to

make, like, yes, very, very easy.

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I'll go back to this whole round brush.

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Just tap it in, tap it in.

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Maybe, maybe tell you hunt.

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There's a tree right here.

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See here we can let him come

right down the Hill a little bit.

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Can create another layer, another plane.

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And the more of these you have, once

again, I know you get tired of hearing

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me say it, but the more of these that you

have, the deeper your paintings are going

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to look now and we'll take a little bit

of the white and I'm going to grab some

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of this bottom color and just pull it out.

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Let it be shadows.

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This is what separates.

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This is what separates all

the little goodies, all the

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little, pretty things here.

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And you could put little bumps and

wiggles and you know, there's, there's

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little stones in here that this nose on

you can't see the stone, the light hits.

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It makes all those little things.

256

00:13:17,344 --> 00:13:17,854

Okay.

257

00:13:17,885 --> 00:13:19,625

You can even grab some of this lifted up

258

00:13:23,704 --> 00:13:23,915

there.

259

00:13:25,335 --> 00:13:26,775

All kinds of happy, little things.

260

00:13:27,525 --> 00:13:29,955

I hope you enjoy these paintings

that we do every so often to

261

00:13:29,955 --> 00:13:31,335

just have one or two colors them.

262

00:13:32,175 --> 00:13:35,115

Is it really, really, if you're doing

a long tome with this, it'll really

263

00:13:35,685 --> 00:13:39,555

teach you probably more than the ones

that have a lot of color in them.

264

00:13:43,395 --> 00:13:45,705

Tap a little of that and dissident

see for bringing a little

265

00:13:45,705 --> 00:13:48,015

lab up, pushes all that back.

266

00:13:49,485 --> 00:13:51,165

And every once in a while,

when you're painting step back

267

00:13:51,165 --> 00:13:52,095

and look at your painting.

268

00:13:53,040 --> 00:13:55,439

When you step back, you get a

whole different, whole different

269

00:13:55,439 --> 00:13:59,280

view than when you're standing

this close to it and looking okay.

270

00:13:59,610 --> 00:14:00,719

Let's have some fun here.

271

00:14:01,180 --> 00:14:01,890

Must be crazy.

272

00:14:01,949 --> 00:14:02,670

I'll just use this.

273

00:14:02,670 --> 00:14:04,500

So big brush here.

274

00:14:07,550 --> 00:14:08,780

Grab a little white in there.

275

00:14:08,839 --> 00:14:10,969

So it's not totally there black.

276

00:14:14,300 --> 00:14:14,449

Yeah.

277

00:14:14,750 --> 00:14:16,610

Pull it through the paint and wiggle it.

278

00:14:17,060 --> 00:14:20,990

Give it a little wiggle that brings the

paint out toward the end of the bristles.

279

00:14:22,005 --> 00:14:24,515

And then sharpen it just like

you would've find knife, Lukasz,

280

00:14:24,515 --> 00:14:27,105

sharp, his brushes right there.

281

00:14:27,135 --> 00:14:27,645

Look at that.

282

00:14:29,055 --> 00:14:30,885

You could almost shave that, right?

283

00:14:31,425 --> 00:14:34,515

Maybe there's a happy tree

that lives for right there.

284

00:14:34,814 --> 00:14:38,155

See there, you can really

see how sharp it is now.

285

00:14:38,155 --> 00:14:39,795

And we'll take just the

corner of the brush.

286

00:14:40,665 --> 00:14:43,455

And we'll begin laying in

all kinds of little leaves.

287

00:14:47,565 --> 00:14:48,015

Look at that.

288

00:14:49,365 --> 00:14:49,565

Thank you.

289

00:14:49,565 --> 00:14:52,845

You can take a big old brush

like that and make a little tree.

290

00:14:53,655 --> 00:14:56,865

You can, you can watch here.

291

00:14:56,955 --> 00:15:00,525

You can use the same brush

and just tap in all kinds of.

292

00:15:01,315 --> 00:15:02,495

Little bushes and stuff.

293

00:15:02,495 --> 00:15:04,265

It just grow right down at his foot's.

294

00:15:05,285 --> 00:15:06,905

Maybe this comes right on down.

295

00:15:06,905 --> 00:15:07,615

We'll just tap it in.

296

00:15:10,465 --> 00:15:10,735

Right.

297

00:15:10,735 --> 00:15:12,985

I don't down there that easy.

298

00:15:14,645 --> 00:15:15,115

Okay.

299

00:15:16,105 --> 00:15:20,245

Find my fan brush again and do a

little bit of the white and we'll pick

300

00:15:20,245 --> 00:15:22,465

this up layer after layer two layer.

301

00:15:23,245 --> 00:15:23,875

There we go.

302

00:15:25,855 --> 00:15:27,625

You know, one of the questions

I have, I've mentioned to

303

00:15:27,625 --> 00:15:28,675

some of the earlier shows.

304

00:15:29,325 --> 00:15:33,314

We travel all over the country,

doing demonstrations for, for PBS

305

00:15:33,314 --> 00:15:35,685

stations and other organizations.

306

00:15:36,645 --> 00:15:39,495

And I've got several letters and

saying, well, how in the world we find

307

00:15:39,495 --> 00:15:43,440

out when you're going to be in town,

uh, Probably one of the easiest ways.

308

00:15:43,740 --> 00:15:45,900

Drop me a line with just

your name and address on it.

309

00:15:46,680 --> 00:15:49,770

And I'll put your name in our, in our

mailing list and we'll notify you of any

310

00:15:49,770 --> 00:15:51,660

activity we have going on in your area.

311

00:15:52,470 --> 00:15:55,470

And you can just, you can just send it and

cure the address at the end of the show.

312

00:15:55,710 --> 00:15:56,160

That's good.

313

00:15:58,170 --> 00:16:00,210

And just put a note on there

that you'd like to be added

314

00:16:00,210 --> 00:16:02,370

onto them to the mailing list.

315

00:16:02,370 --> 00:16:04,290

So you can be notified

when we're in your area.

316

00:16:05,430 --> 00:16:08,190

Cause we'd like to see

and talk to you there.

317

00:16:09,150 --> 00:16:09,540

Okay.

318

00:16:10,320 --> 00:16:15,380

Maybe on back in here, we will

take a little bit more and

319

00:16:15,380 --> 00:16:16,410

I'm just going crazy here.

320

00:16:16,410 --> 00:16:17,840

I'm just making plane after plane.

321

00:16:17,880 --> 00:16:25,680

I won't drop him the happy little thing,

and this gives us excellent painting.

322

00:16:27,000 --> 00:16:28,530

If this is one of your first paintings.

323

00:16:28,770 --> 00:16:29,310

Excellent.

324

00:16:29,340 --> 00:16:31,560

Because there's really nothing

that can go wrong with it.

325

00:16:33,090 --> 00:16:36,540

And a lot of times, in fact, it's

the same way I started a lot of

326

00:16:36,540 --> 00:16:40,770

times you want to teach a friend

or maybe a grandchild or something.

327

00:16:41,069 --> 00:16:44,370

This is a good painting to start

a first, first time painter.

328

00:16:45,720 --> 00:16:46,890

It's hard to make a mistake.

329

00:16:49,040 --> 00:16:51,170

Maybe there's a little thing right there.

330

00:16:51,170 --> 00:16:56,569

It lives all kinds of little there.

331

00:16:57,949 --> 00:16:59,449

And you can also do this in color.

332

00:17:00,569 --> 00:17:04,950

Can you use all kinds of colors and

pinks and blues and lavender's is

333

00:17:04,950 --> 00:17:08,099

very, very, pretty, very pretty.

334

00:17:08,220 --> 00:17:10,079

Don't be afraid to let some color.

335

00:17:10,079 --> 00:17:11,730

I tell you what, I'll

tell you what let's do.

336

00:17:12,540 --> 00:17:14,190

Maybe there's a little

bit of water right here.

337

00:17:14,639 --> 00:17:16,230

Now we know water is easy to make.

338

00:17:16,290 --> 00:17:20,770

Just I just take the big brush

and pull it down, pull it down

339

00:17:20,770 --> 00:17:21,810

and have to make some decisions.

340

00:17:21,839 --> 00:17:25,800

Where's the water lift, pull it

down, pull it down, pull it down.

341

00:17:29,405 --> 00:17:30,785

And you can move your water.

342

00:17:31,145 --> 00:17:32,275

Maybe it goes on back here.

343

00:17:32,495 --> 00:17:34,325

So we don't know where it

goes, where you want it to go

344

00:17:35,015 --> 00:17:37,725

make a decision, drop it here.

345

00:17:38,015 --> 00:17:40,325

All we're doing is applying a

little color to that canvas,

346

00:17:42,305 --> 00:17:44,285

pull it down straight down.

347

00:17:44,285 --> 00:17:47,225

It's important that these

reflections are straight down

348

00:17:47,975 --> 00:17:49,205

and we'll take a clean brush.

349

00:17:51,455 --> 00:17:52,115

Give it a poll.

350

00:17:53,975 --> 00:17:54,605

There we are.

351

00:17:57,480 --> 00:17:57,690

Hmm.

352

00:17:58,140 --> 00:17:58,440

Okay.

353

00:17:58,470 --> 00:18:03,030

Now watch here very lightly go

across just to go across with it

354

00:18:03,780 --> 00:18:05,070

and you can wiggle some of these.

355

00:18:05,070 --> 00:18:07,890

So here you can take the breasts

sidewards, give it a little push.

356

00:18:08,880 --> 00:18:09,270

Look there.

357

00:18:09,600 --> 00:18:11,310

See how that just moved.

358

00:18:12,240 --> 00:18:14,790

You can make a little shimmers

in the water just by pushing

359

00:18:14,790 --> 00:18:15,930

it in either direction.

360

00:18:19,200 --> 00:18:21,090

Kim, we'll go into a little

bit of the liquid white down.

361

00:18:21,120 --> 00:18:24,000

Need a thinner paint back

into the titanium white.

362

00:18:26,295 --> 00:18:27,405

Just mix it pretty good.

363

00:18:27,405 --> 00:18:32,685

And for let's go in here, let's begin

putting some little edges around here.

364

00:18:32,695 --> 00:18:36,495

This paints a little bit thinner,

so it sticks much easier.

365

00:18:38,025 --> 00:18:42,345

Keep a brush full of paint, all

kinds of little peninsulas and

366

00:18:42,675 --> 00:18:43,935

little things happening out here.

367

00:18:46,085 --> 00:18:46,805

Apparently go,

368

00:18:51,635 --> 00:18:52,835

and this is cold.

369

00:18:53,970 --> 00:18:56,040

There may be some snow laying out here.

370

00:18:58,460 --> 00:19:01,790

Keep these strokes basically

straight, basically straight

371

00:19:07,310 --> 00:19:09,080

there, maybe a little

bit right up in here,

372

00:19:13,190 --> 00:19:14,090

wherever you want them to go.

373

00:19:15,800 --> 00:19:18,680

And on the other side, I'll

probably put something over there

374

00:19:18,680 --> 00:19:20,630

and kill all this, but I always

want to show you how to do it.

375

00:19:24,765 --> 00:19:25,065

There.

376

00:19:25,835 --> 00:19:30,635

Yeah, you could take some liquid white,

the almighty knife here, pull it out.

377

00:19:30,635 --> 00:19:32,915

Very flat, cut across it.

378

00:19:33,185 --> 00:19:33,755

Let's do that again.

379

00:19:33,755 --> 00:19:34,685

So you can see it very close.

380

00:19:34,685 --> 00:19:37,955

That's one of the biggest problems that

people write and tell me, they're having

381

00:19:38,825 --> 00:19:41,225

pull it out flat and cut across that way.

382

00:19:41,225 --> 00:19:45,005

There's a tiniest little bit of paint,

right on the edge of the knife on

383

00:19:45,005 --> 00:19:46,535

the top edge there, you can see it.

384

00:19:47,645 --> 00:19:48,845

Tony's alleged painting.

385

00:19:50,320 --> 00:19:50,700

Go up here.

386

00:19:52,280 --> 00:19:52,460

Yeah.

387

00:19:53,570 --> 00:19:57,050

That's another question I get quite

frequently is your knife looks

388

00:19:57,050 --> 00:19:59,240

different than mine are we covered?

389

00:19:59,450 --> 00:20:03,260

So it doesn't shine in glare on the TV.

390

00:20:03,410 --> 00:20:07,220

If I didn't, if I didn't cover it

with pain or some other material, it

391

00:20:07,220 --> 00:20:09,380

would cause big flares on your screen.

392

00:20:09,380 --> 00:20:10,640

And B wouldn't be pretty.

393

00:20:11,930 --> 00:20:15,350

And besides that, the director

back here scream at me she's mean.

394

00:20:17,520 --> 00:20:18,120

She gets me.

395

00:20:22,050 --> 00:20:22,740

There we go.

396

00:20:27,980 --> 00:20:29,390

I shouldn't say that about Sally.

397

00:20:29,390 --> 00:20:33,140

She's a super lady and she produces

some beautiful shows for us.

398

00:20:34,820 --> 00:20:35,750

It's probably too late now.

399

00:20:35,750 --> 00:20:36,560

I'm in trouble anyway.

400

00:20:36,590 --> 00:20:37,430

No matter what I say.

401

00:20:41,420 --> 00:20:42,500

All right, here we go.

402

00:20:43,155 --> 00:20:47,325

And we can take the knife and we put

the indication here and there and a

403

00:20:47,325 --> 00:20:52,995

few little happy sticks, little twigs,

wherever you want to scratch him.

404

00:20:53,915 --> 00:20:54,005

Yeah.

405

00:20:59,645 --> 00:21:06,875

Now, then maybe this tree here, maybe

I'll take a little bit of gray on the

406

00:21:06,875 --> 00:21:09,635

knife and I'm just going to put the

indication of a little trunk in it.

407

00:21:09,705 --> 00:21:10,025

Don't want to.

408

00:21:10,679 --> 00:21:12,780

I want a big deal, just

a little indication.

409

00:21:13,800 --> 00:21:17,100

And with my fan brush loaded with

tiniest little bit of white and just

410

00:21:17,129 --> 00:21:23,610

barely, barely going to let it just

caress here and there don't overdo it.

411

00:21:23,610 --> 00:21:24,320

Don't overdo.

412

00:21:25,919 --> 00:21:28,949

You could also use the two inch brush

or the one inch brush to do this.

413

00:21:30,360 --> 00:21:33,510

I just happen to have this in my hand

and it has the right color on it.

414

00:21:35,760 --> 00:21:37,620

Just enough to make it stand out to them.

415

00:21:37,679 --> 00:21:38,340

That's all you need.

416

00:21:40,600 --> 00:21:40,960

Okay.

417

00:21:42,860 --> 00:21:45,530

See, and that easy with

just basically two colors.

418

00:21:45,860 --> 00:21:47,720

We've created a pretty nice painting.

419

00:21:48,260 --> 00:21:49,160

Let's have some more fun.

420

00:21:49,400 --> 00:21:54,440

I'll just take the same old two inch

brush and go right into the black.

421

00:21:55,490 --> 00:21:57,710

And I want to bring it back

to a nice sharp chisel edge.

422

00:21:58,190 --> 00:21:58,850

So I'll wiggle it.

423

00:21:59,140 --> 00:22:04,220

Wiggle, wiggle, pull

it, pull it once again.

424

00:22:04,490 --> 00:22:06,830

Very sharp chisel edge.

425

00:22:07,965 --> 00:22:09,795

Just like a razor can go up here.

426

00:22:10,754 --> 00:22:16,125

Maybe, maybe there's a huge big tree

playing there better be one there

427

00:22:16,125 --> 00:22:19,545

now, but we've certainly put a big

gob in this guy, just the corner

428

00:22:19,545 --> 00:22:20,475

of the breast and let's do this.

429

00:22:20,475 --> 00:22:21,225

One's quite slow.

430

00:22:21,225 --> 00:22:26,865

So you can watch it here, see, work

it back and forth and just tapping

431

00:22:26,865 --> 00:22:29,445

and touching and let it work down.

432

00:22:29,504 --> 00:22:31,095

I'm using the same corner of the brush.

433

00:22:31,125 --> 00:22:32,475

Just going from side to side.

434

00:22:32,865 --> 00:22:35,655

I think one of the problems is

so many people try to do this.

435

00:22:36,720 --> 00:22:39,720

I use the same corner, the same corner.

436

00:22:41,520 --> 00:22:46,530

And we all know that an evergreen

tree has 500 limbs on it at least.

437

00:22:47,220 --> 00:22:52,200

But if you put 500 limbs on there, it's

going to it, it doesn't look right.

438

00:22:53,340 --> 00:22:56,280

Think about, think about the

little birds, need a place to sit.

439

00:22:57,600 --> 00:22:58,540

Uh, just have a.

440

00:22:59,985 --> 00:23:01,725

Damn was sticking out here for the birds.

441

00:23:03,735 --> 00:23:04,335

Take care of them.

442

00:23:04,365 --> 00:23:04,995

They're my friends.

443

00:23:04,995 --> 00:23:07,275

I, I feed the little birds every day.

444

00:23:07,275 --> 00:23:08,955

I got a whole bunch of

them that come to my house.

445

00:23:10,260 --> 00:23:12,090

And if I don't feed them on

time, you know, they're just,

446

00:23:12,210 --> 00:23:13,080

they're just like puffy.

447

00:23:13,110 --> 00:23:15,180

Well, they get out there and

raise cane and stand out there.

448

00:23:15,240 --> 00:23:17,820

Oh, there goes my little area burgers.

449

00:23:17,820 --> 00:23:20,250

We'll get out there in the

backyard and squawk and carry on.

450

00:23:23,460 --> 00:23:25,050

I spent all my money on bird seed.

451

00:23:25,050 --> 00:23:27,629

I keep them keep bird,

seat people in business.

452

00:23:28,860 --> 00:23:29,340

That's all right.

453

00:23:30,060 --> 00:23:30,780

I like birds.

454

00:23:32,070 --> 00:23:32,340

Okay.

455

00:23:32,580 --> 00:23:34,080

Now then let's go right back down here.

456

00:23:34,410 --> 00:23:36,840

When you use the same old, dirty

brush and pull it this way.

457

00:23:37,140 --> 00:23:38,760

One direction, one direction.

458

00:23:39,390 --> 00:23:39,870

Say there.

459

00:23:40,290 --> 00:23:42,600

So we've rounded one corner by

pulling it in one direction.

460

00:23:42,630 --> 00:23:45,180

All right, let's go up here

with a rounded corner up.

461

00:23:45,510 --> 00:23:48,240

Let's pop in a few little indications

of some happy little bushes.

462

00:23:49,260 --> 00:23:51,150

Just drop them in wherever

you want them to go.

463

00:23:53,400 --> 00:23:55,770

See how you can change

the scene very quickly.

464

00:23:57,840 --> 00:23:58,530

Very quickly.

465

00:24:00,210 --> 00:24:04,560

Now then take my knife.

466

00:24:04,590 --> 00:24:06,060

Just a little bit of this gray color.

467

00:24:07,265 --> 00:24:11,235

Let's just drop in a little

bit of trunk here and there.

468

00:24:11,504 --> 00:24:16,535

This one's a little closer, I'll

take a little, little bit black

469

00:24:16,535 --> 00:24:20,135

and white, make up a lighter gray

color, but like, so, and cut across

470

00:24:20,135 --> 00:24:21,365

it and get a little roll of paint.

471

00:24:21,754 --> 00:24:22,055

Okay.

472

00:24:22,085 --> 00:24:26,165

Let's go up here and we'll put together

a little highlights on this truck.

473

00:24:26,315 --> 00:24:26,945

It's closer.

474

00:24:26,945 --> 00:24:28,235

So you're going to see

a little more detail.

475

00:24:28,265 --> 00:24:31,085

Yeah, there I actually left.

476

00:24:32,504 --> 00:24:36,554

Let's use another one of these big

brushes go into the liquid white

477

00:24:37,215 --> 00:24:42,945

into the titanium white, and we're

going to bring it to a chisel edge.

478

00:24:42,945 --> 00:24:46,334

Also very sharp, very, very sharp.

479

00:24:48,165 --> 00:24:50,235

These brushes come to super sharp points.

480

00:24:51,284 --> 00:24:55,754

Can you just go up here now, then we need

to put some little sparkles on this tree.

481

00:24:56,324 --> 00:24:57,764

Same way as we made it.

482

00:24:57,945 --> 00:24:59,175

Just barely touching.

483

00:24:59,564 --> 00:25:01,034

Don't kill all your dark areas.

484

00:25:02,445 --> 00:25:05,085

Don't kill all those dark

areas that are very important.

485

00:25:07,005 --> 00:25:11,085

Just let all these little snow covered

things set here and there just where you

486

00:25:11,085 --> 00:25:15,765

think light would start they're there.

487

00:25:17,285 --> 00:25:21,305

And then a super simple, nice, easy

way to make a fantastic big old tree.

488

00:25:23,585 --> 00:25:23,855

Okay.

489

00:25:25,985 --> 00:25:26,345

Pick up.

490

00:25:27,215 --> 00:25:30,005

I want to inch brush once again,

right into the liquid white.

491

00:25:30,285 --> 00:25:33,765

Back into my titanium white

pull that brush in one direction

492

00:25:35,535 --> 00:25:37,785

to cause a round corner on it.

493

00:25:37,935 --> 00:25:40,875

See there, you can see it

beautifully round corner.

494

00:25:41,115 --> 00:25:45,495

Okay, let's go up here now with

that round corner to the top touch

495

00:25:45,675 --> 00:25:47,445

push, bend it slightly upward.

496

00:25:47,685 --> 00:25:51,855

That's what makes all these little snow

covered bushes and begin forming them.

497

00:25:52,535 --> 00:25:53,045

Look at that.

498

00:25:53,675 --> 00:25:58,535

Look at that thousands of

little leaves there and just.

499

00:25:59,135 --> 00:26:02,745

Couple of strokes, do one Bush at a time.

500

00:26:03,975 --> 00:26:06,195

Remember that each one of

these little bushes, there's

501

00:26:06,195 --> 00:26:07,875

a personality all by itself.

502

00:26:10,395 --> 00:26:11,024

There we go.

503

00:26:11,865 --> 00:26:13,754

Just drop these in as

many of them as you want.

504

00:26:15,075 --> 00:26:19,095

Damn, I go use the brush sidewards,

pop in little layers like that.

505

00:26:20,205 --> 00:26:24,735

You can take it so big brush and

maybe, maybe there's a little bit of

506

00:26:24,795 --> 00:26:28,065

land area right there just by going

across, you can create that illusion.

507

00:26:30,555 --> 00:26:34,875

There I would drop in a few more

little bushes around the path, bring

508

00:26:34,875 --> 00:26:39,105

it all together at a few of them.

509

00:26:39,105 --> 00:26:40,125

Just play here and there.

510

00:26:43,385 --> 00:26:44,495

Then we can take the knife.

511

00:26:45,455 --> 00:26:45,725

That's great.

512

00:26:45,725 --> 00:26:49,475

Scraping a few little sticks

and twigs, and you have a

513

00:26:49,475 --> 00:26:51,395

finished painting that simple.

514

00:26:53,585 --> 00:26:56,135

I think you'll find this one of the

easiest paintings there is to do.

515

00:26:56,520 --> 00:26:57,390

And I hope you try it.

516

00:26:57,420 --> 00:26:59,070

So from all of us here, happy painting.

517

00:26:59,610 --> 00:27:00,180

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E11 - Grey Winter

Bob Ross's

The Joy of Painting

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