Bob Ross's
The Joy of Painting
S06E07 - Arctic Beauty
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Welcome back offer.
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Glad you could join me today.
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Today.
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I thought we'd do a beautiful
little scene on a black canvas such,
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and I think you really enjoy it.
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So I'm going to have them graphically
run all the colors across the screen
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that you need to do this fantastic
painting and they'll come across in
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the same word that I have on my pallet.
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Starting with a white I'm working around.
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Let's go up to the canvas.
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Now I've already covered the entire
canvas with a thin even coat of thalo
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blue and, and Crimson mixed together,
and much more Crimson than blue.
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I want it to be sort of a purplish color
and I've covered the entire canvas.
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Then brushed it in long,
horizontal and vertical strokes.
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The pain is wet and it's ready to go.
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So let's take off, we'll
start with a little bit of
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titanium white and let's put a.
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Let's put a light source in this little
painting and maybe it's right there.
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I see when you touch it with a plate,
it begins picking up that beautiful
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purplish color that's underneath
and all these fantastic things.
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They just sort of happen.
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Don't have to worry about it.
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Just let them happen.
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And you blend out.
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If this is going to be your latest area,
then you blend out and sort of almost
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sort of like a half circle, or you could
make this area as light as you want it.
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But each time I'd recommend you clean your
brush and start with a clean dry brush.
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There we go.
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Start with a clean, dry brush and
clean white go back to this light area
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and begin blending outward each time
though, once again, clean the brush.
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Otherwise you're going to drag that
dirty color back into the center.
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All ready, just keep working out now.
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And it gives you a nice super little sky.
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Then you should just blend
out the brushstrokes.
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And one more time.
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I'll clean the brush.
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This is just odorless paint thinner.
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Okay.
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I had a lady in class one
time, let her brush going and
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went clean across the room.
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Yep.
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Okay.
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Let's take some alizarin, Crimson and a
little blue still using purple and we'll
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just mix that up more Crimson than blue.
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Blue is many times more
strong than the Crimson is.
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Okay.
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Now I'm just going to get a small roll
of paint and let's go right up here.
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Maybe there's a happy little cloud.
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It just sort of floats around and.
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We'll just touch the canvas, just touch.
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I'm just allowing this paint pull
right off the knife onto the canvas.
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Maybe it comes wherever you want to go.
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Just, just happy little cloud now to
get a little smaller in the background.
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That way it looks like it's farther away.
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With a large brush, very lightly,
very lightly just blended blended.
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And this is three hairs and some air.
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Okay.
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Now then maybe let's put a
little highlight on this.
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Take some titanium points and a little
bit of think, a little blue into it.
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Is there a way, huh?
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A little bit of pain on the knife.
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Now since our light source is here,
let's just let a little light strike
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right on the bottom of some of
these clouds, just let them happen.
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And it happened.
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Yeah.
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That easy.
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And just lay these on the canvas.
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Now they're large brush.
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Very lightly once again, same angle,
most important, then that back and forth.
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Now you can blend this till it
absolutely goes away and leaves
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you so stops gets to be fun.
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And you, you have a
tendency just to keep going.
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You don't want to stop, but get it to
where you want it and leave it alone.
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Kel, go right back into
that same purple color.
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Tell you what let's let's build.
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Let's build.
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Happy little mountain
and it lives right there.
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Let him go.
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And I'm really pushing here.
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I want to push this paint right into
the fabric, right into the fabric.
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Maybe there's a little bumper really,
really pushed his pain into the fabric.
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A large brush.
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We'll grab that now and just pull it down.
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This removes excess paint.
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And also it's a good way to sort of lay
out your, your general mountain shape.
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These brush strokes will show up on,
especially on a black canvas and you can
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literally just by changing brush strokes,
you can lay out your entire mountain
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and have an idea of how, how you want
to put the highlights and the shadows.
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And just by doing that, you can change
it to super, super way to lay it out and
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get it just right before you ever put
your first touch of paint on the canvas.
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And let's just use this blue and white.
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That'll be our highlight color today.
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This the little blue titanium white.
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Okay.
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Pull it out.
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Get a small roll of paint right out on
the edge of the knife, right on the edge.
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Okay, let's go to the canvas here now.
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Barely touch and just follow Ray
down the side of the mountain.
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No pressure.
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Allow that paint from break,
allowed to break the Slack.
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Yeah.
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Okay.
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And think, I think where the light
would strike it would strike.
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You want those areas to have the
light is the brightest color.
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Can you hear me?
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Seeing it at the same time, it's picking
up some of that purple, undercover and
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all these beautiful things just happen.
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You don't have to worry about them.
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You don't have to worry
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Mike, an almighty mountain here today.
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Maybe there is a little bit.
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Right there, right there.
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Maybe it just sort of plays around
wherever you want it to go wherever.
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Yeah.
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For the shadow side, I'll
just mix some purple.
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That was the lizard and Crimson.
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And they were blue a little bit, a little
bit of light color just to make a light
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purple and we'll use that for shadow.
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Okay.
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Then come right along in here.
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No, we can drop in some
happy little shadows.
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Okay.
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Maybe it comes right down like that.
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And we'll just sort of blend these
together here, and there's nothing wrong
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with going back and picking up a little,
this blue, just sort of playing it back
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and forth that all these beautiful little
things just, just sort of happened.
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Just fall off your knife.
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Go,
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Smith's a little more of the highlight.
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That's the theolo blue and right.
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Like, are there, do you ever think
you can make a mountain that easy,
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that was that effective and you can
just keep adding more and more detail.
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It's almost unbelievable what you can
create with, uh, with just a big old
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knife and a little bit of practice.
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You really need to practice.
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There we go.
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We'll just drop a little
shadow over in here.
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I get carried away and cover up the whole
canvas with just mountains, which is an
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excellent, excellent way to practice.
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When I was learning,
that's what I used to do.
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Like cover a whole canvas with nothing
but mountains and scrape them off.
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Do it again
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very quickly.
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You learn how to paint mountains.
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I'm gonna take her just
to clean dry brush.
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And I want to create some myths down here.
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So following these angles, gently
tap, but always follow the angles
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that you have in the mountain.
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Just gently, gently tap it.
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And your brush is picking up some of this
color and all these beautiful things just
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happened there and how we lift upward
that takes actually a little tap marks and
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blends it all together creates beautiful,
beautiful Misty effect as Slack.
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So.
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Okay, now then maybe, maybe, maybe
we'll mix up some more Crimson and blue.
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We just keep using some of this perfectly.
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The color here.
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Good.
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Dark color should look black.
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She would look like.
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And if you want to tell exactly what your
color is, but a little bit of white on
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your palette and touch a little that color
to it, because otherwise you really can't
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tell it just, it just looks black on here.
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Okay.
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Now I'm going to load a fan brush up.
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Let's go up to the canvas.
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Maybe there's some happy little trees
that live right here in front of
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this all mighty mouse, just touching.
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want these to be very dark.
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I stand out against the lighter
color on the mountain, dark against
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light bite against dark continually
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and trees grow to all different sizes.
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All different shapes.
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You have to make these decisions,
how the trees grow in your
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world, and then let them go.
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Let's go over here a little bit
right there and just let these
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trees shoot wherever you want to go.
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Just come random across the canvas,
see how easy they are just to drop in.
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And you just decide how many
trees you want in your world at
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a man don't peddle with them.
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Don't worry about them.
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You're the master can do anything.
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Okay.
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Now that let's put a little grassy
area down here, I'll go right into a
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little bit of CAD yellow, Sam green.
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Let me just use this old big burst today.
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You can do it with a fan brush,
one inch brush, whatever.
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Maybe right here.
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We'll just touch.
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Barely barely touch.
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I want to make the indication,
just a little grass playing back
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here with the sun shining through.
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We can drive on over and
I'm just happy with canvas.
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Add a little yellow ochre, Indian,
yellow, just to break it up a little
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And as you're painting, look at
your painting, continuing to look
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at a step back and look at it and
you can see all kinds of things.
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A lot of times I'll, I'll start out with
one painting in mine and by the time.
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Finished I've totally changed my mind.
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And it does, it doesn't look anything
like what I had in mind when I started.
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And that's, that's the joy of painting.
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Okay.
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Fan brush some Vandyke Brown.
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The burn number, just mix them
on the brush here and let's
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put in what will eventually end
up being some land under here.
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And I'm just going to scrub
in just a little color.
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It was probably very hard to see
on your screen, but it's there.
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Maybe it comes through there.
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It'll show up the minute
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I start to scrub it on and then
I'll go right into a little bit.
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Let's try some yellow ochre.
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You want to drop a few little
highlights here and there?
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I don't want too many, just a few.
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Oh, there we go.
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All kinds of nasty things.
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Now back to our large brush and
we can tap a little bit of grass
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right on top of that, and it'll
very quickly bring it all together.
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Maybe.
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Show you a little trick.
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It's just a lot of fun.
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I'm going to put a small amount
of titanium white on my fan brush,
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and I wanna make it look like
little tree trunk indication.
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So grab and just very
lightly just here and there.
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Just lift up it a little
bit, just here and there.
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Not a lot, not a lot.
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If you get more than you want, just take
it a clean fan brush and go back over it.
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The dark color will come right through.
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It'll make it.
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It'll make it go away.
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That easy.
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You can make education, a little
tree trunks, and you really
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haven't hardly done a thing.
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Hey, let's have some fun.
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Let's have some water in here.
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I'm going to use titanium
white and silo blue.
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I'll make up a beautiful, beautiful,
bright sparkles blue here.
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Go pull it out very flat and
go right across the habit.
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Small amount of paint right
out of the end of the knife.
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Okay, good.
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Let's go right up here
now then let's begin.
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Oh, the cat shows up little cat shows up.
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Just barely touching the canvas here.
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I want it to look like happy little
stream with just bubbling along.
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They're just having fun.
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So I'm just barely, barely stroking the
canvas and keep these, keep the lions
244
00:14:38,000 --> 00:14:40,250
here basically, basically straight.
245
00:14:40,965 --> 00:14:42,915
Cause water water's level.
246
00:14:43,785 --> 00:14:45,915
It's always trying to go
somewhere where it can be level
247
00:14:54,455 --> 00:14:57,455
and you can put as many of these
in as you want or to whatever
248
00:15:04,055 --> 00:15:04,325
Okay.
249
00:15:04,385 --> 00:15:05,135
See you there then.
250
00:15:05,135 --> 00:15:06,365
Easy, easy.
251
00:15:07,355 --> 00:15:08,435
You got a little bit of water.
252
00:15:09,480 --> 00:15:09,930
Tell you what?
253
00:15:09,930 --> 00:15:13,380
Maybe this water, maybe there's
a, maybe there's a stone there.
254
00:15:14,640 --> 00:15:15,930
Maybe it just falls right over.
255
00:15:16,320 --> 00:15:18,180
Get a little blue and
hide on my brush here.
256
00:15:22,510 --> 00:15:23,250
there we go.
257
00:15:24,000 --> 00:15:25,770
The load, a lot of pain into the bristles.
258
00:15:26,720 --> 00:15:26,930
Okay.
259
00:15:26,930 --> 00:15:27,530
Let's go up here.
260
00:15:28,160 --> 00:15:30,680
Maybe, maybe, maybe, maybe
got to make a decision.
261
00:15:31,550 --> 00:15:36,410
It comes and to say there
let's let it fall right over.
262
00:15:38,255 --> 00:15:39,705
Just right there
263
00:15:44,015 --> 00:15:46,485
comes over here and drops this way.
264
00:15:47,805 --> 00:15:48,635
This is your world.
265
00:15:48,635 --> 00:15:50,195
So you have to make these decisions.
266
00:15:51,935 --> 00:15:56,015
You can see at purples beginning to come
through, the more you rub it to more of
267
00:15:56,015 --> 00:16:01,415
the purple this underneath comes through
and beautiful things happen almost
268
00:16:01,415 --> 00:16:04,655
automatically, almost automatically.
269
00:16:08,219 --> 00:16:09,479
Add a little more blue in there.
270
00:16:10,650 --> 00:16:10,829
Hm.
271
00:16:11,819 --> 00:16:16,380
Well that's pretty little
blue is such a vibrant blue.
272
00:16:17,729 --> 00:16:17,910
Okay.
273
00:16:17,910 --> 00:16:20,910
Maybe add a little bit more
right in here, dark in it.
274
00:16:21,420 --> 00:16:23,400
And water comes right over.
275
00:16:23,400 --> 00:16:26,250
And when it hits down here, you're
going to get all these beautiful
276
00:16:26,250 --> 00:16:31,260
little splashes that are happening
and it helps to make sounds.
277
00:16:33,510 --> 00:16:37,680
Fuel the power of the water here.
278
00:16:38,610 --> 00:16:38,790
Okay.
279
00:16:38,790 --> 00:16:41,670
Now we need to, we need to have
something in there to contain that water.
280
00:16:41,670 --> 00:16:43,470
We don't want it just to sneak out.
281
00:16:44,370 --> 00:16:47,670
So I'll take a little bit of the
Brown, just, just Vandyke Brown.
282
00:16:49,260 --> 00:16:56,760
And maybe there's a landmass
right here, here, whatever.
283
00:16:58,470 --> 00:16:58,830
Good.
284
00:17:02,060 --> 00:17:03,439
I'll go right into some purple.
285
00:17:03,890 --> 00:17:05,510
We just use that same old purple color.
286
00:17:05,869 --> 00:17:10,339
Maybe on this land, master lives, their
lives, a happy little evergreen tree,
287
00:17:13,730 --> 00:17:16,400
but just sort of make up little,
little stories in your mind.
288
00:17:16,760 --> 00:17:20,089
This little tree lives here and
he watches the stream all day.
289
00:17:21,800 --> 00:17:22,609
It makes him happy.
290
00:17:22,760 --> 00:17:24,349
So he grows and gets strong.
291
00:17:29,855 --> 00:17:34,445
I'll just make up little
stories and they make you happy.
292
00:17:34,865 --> 00:17:37,774
And when you make up these little
stories and you can visualize
293
00:17:37,774 --> 00:17:38,975
these things in your mind,
294
00:17:44,284 --> 00:17:47,135
tell you what, let me
grab another fan brush.
295
00:17:48,155 --> 00:17:48,905
And we'll just.
296
00:17:49,905 --> 00:17:51,405
Put some trunks and then some highlights.
297
00:17:51,405 --> 00:17:56,445
I just use a little bit of this blue and
white that we used in the water, but a few
298
00:17:56,445 --> 00:17:58,215
little trunk indications here and there.
299
00:17:58,395 --> 00:17:59,895
All I'm doing is touching the canvas here.
300
00:18:00,014 --> 00:18:01,004
Just this touch.
301
00:18:01,844 --> 00:18:03,524
We're not sure how many trees are there.
302
00:18:04,455 --> 00:18:08,415
However many you want some
green and some yellow.
303
00:18:08,655 --> 00:18:11,235
I'm going to add a tiniest little
bit of pink tender to that.
304
00:18:13,334 --> 00:18:15,254
Let's put some Brown it's too bright one.
305
00:18:15,254 --> 00:18:15,524
Adele.
306
00:18:15,524 --> 00:18:16,395
It, Oh, there we go.
307
00:18:16,455 --> 00:18:16,965
There we go.
308
00:18:17,834 --> 00:18:18,615
Sam green.
309
00:18:19,530 --> 00:18:22,200
CAD yellow, a little bit
of Bandag Brown Delta.
310
00:18:22,210 --> 00:18:27,360
Now we just put some little indications
or some leaves here and there.
311
00:18:28,290 --> 00:18:28,680
Two minutes.
312
00:18:38,300 --> 00:18:39,620
well, I got this going on the brush.
313
00:18:39,650 --> 00:18:44,720
I'll just add some yellow ochre
and Daniela, just put some.
314
00:18:47,325 --> 00:18:47,625
Okay.
315
00:18:47,625 --> 00:18:48,675
I see things right there.
316
00:18:53,255 --> 00:18:54,395
This is the yellow ochre.
317
00:18:55,265 --> 00:18:56,045
Make some dirt.
318
00:18:57,825 --> 00:19:01,025
I'm going to add a little burn number
to that yellow ochre and burn up.
319
00:19:01,055 --> 00:19:02,465
Oh, that's pretty fast.
320
00:19:07,325 --> 00:19:11,945
Now we can, it's just a little bit fluent.
321
00:19:13,680 --> 00:19:18,690
Clean up those edges and start
bringing all this together
322
00:19:22,950 --> 00:19:24,000
and maybe right there.
323
00:19:24,660 --> 00:19:25,020
True.
324
00:19:25,380 --> 00:19:29,490
We having so much fun making
all these big rocks, and this
325
00:19:29,490 --> 00:19:30,960
is still Brown, little purple.
326
00:19:31,290 --> 00:19:37,490
Maybe there's a big old stone
lives right there, right there.
327
00:19:38,460 --> 00:19:39,600
And he comes right down.
328
00:19:44,280 --> 00:19:44,880
There we go.
329
00:19:45,710 --> 00:19:47,780
So fan brush makes beautiful stones.
330
00:19:50,630 --> 00:19:51,200
There we go.
331
00:19:53,840 --> 00:19:58,850
Now we need, I have some of
this little grassy area coming
332
00:19:58,850 --> 00:20:00,140
right down on top of this stone.
333
00:20:01,580 --> 00:20:03,140
Just flattened top out a little bit.
334
00:20:10,635 --> 00:20:12,435
A little bit of yellow ochre
335
00:20:16,095 --> 00:20:19,745
top on that stone, just here and there.
336
00:20:19,745 --> 00:20:22,385
Just to give him least little
indication, pull a little bit
337
00:20:22,385 --> 00:20:28,445
down, then clean fan brush.
338
00:20:28,445 --> 00:20:32,405
We can just pull that right in and it'll
help define your stones a little bit.
339
00:20:32,405 --> 00:20:34,415
Keep this area very, very dark.
340
00:20:35,024 --> 00:20:35,715
Very dark.
341
00:20:37,844 --> 00:20:38,415
Okay.
342
00:20:39,605 --> 00:20:42,514
And we need something on the other
side of we're here till you hunt.
343
00:20:42,544 --> 00:20:45,814
Let's go right back into this purple
and Brown, whatever dark color.
344
00:20:46,834 --> 00:20:49,324
And we'll put a evergreen
at this right there.
345
00:20:51,304 --> 00:20:51,665
Yes.
346
00:20:52,925 --> 00:20:54,125
Setting fall off your brush.
347
00:20:56,465 --> 00:20:57,254
There you go.
348
00:21:01,065 --> 00:21:03,975
Canvas big, big evergreen.
349
00:21:06,195 --> 00:21:06,705
Evergreen.
350
00:21:11,295 --> 00:21:16,575
Can you just put a couple of hair
because I don't want them, I don't want
351
00:21:16,575 --> 00:21:18,105
to lose all this nice mountain area.
352
00:21:19,455 --> 00:21:19,995
I like it.
353
00:21:19,995 --> 00:21:22,335
Mountain he's big.
354
00:21:22,335 --> 00:21:22,785
Strong.
355
00:21:25,815 --> 00:21:26,655
Can you hear me?
356
00:21:30,000 --> 00:21:32,280
Out through there.
357
00:21:38,370 --> 00:21:39,240
Put a nice stone there.
358
00:21:39,240 --> 00:21:43,110
This is just Brown little burn
number and we'll make another
359
00:21:43,110 --> 00:21:44,370
nice stone lives out here.
360
00:21:49,379 --> 00:21:53,370
Little tree, trunk indications,
right in this big tree over here.
361
00:21:54,360 --> 00:21:55,230
Just some indication.
362
00:21:55,230 --> 00:21:56,699
So don't need too much detail.
363
00:22:00,815 --> 00:22:07,175
and then some highlights and some
middle leaves showing yellow, Sam green
364
00:22:11,525 --> 00:22:12,605
a little bit right here.
365
00:22:13,775 --> 00:22:19,175
So little on this tree and how
we get this pressure on it.
366
00:22:20,335 --> 00:22:20,855
Come right.
367
00:22:21,195 --> 00:22:23,445
Down there.
368
00:22:26,975 --> 00:22:30,095
That's a nice little grassy things
that are just traveling down this Hill.
369
00:22:34,745 --> 00:22:39,245
I'll make some little stones add
a little more of that burn number.
370
00:22:44,705 --> 00:22:45,004
okay.
371
00:22:45,215 --> 00:22:46,205
I have it right here.
372
00:22:46,264 --> 00:22:47,764
We'll make those decisions later.
373
00:22:49,245 --> 00:22:49,965
Later later
374
00:22:53,085 --> 00:22:55,095
bit of grass right down there.
375
00:22:56,205 --> 00:22:57,075
That's fantastic.
376
00:22:58,425 --> 00:22:59,945
Oh, it was beautiful little rocks.
377
00:23:00,905 --> 00:23:01,085
Okay.
378
00:23:01,085 --> 00:23:02,015
Let's work on some water.
379
00:23:03,125 --> 00:23:04,925
I'm still using the they blue and white.
380
00:23:05,045 --> 00:23:07,175
I'm going to add a least little
touch of magic white to it,
381
00:23:07,175 --> 00:23:08,375
just to thin it down a little.
382
00:23:09,065 --> 00:23:09,155
Okay.
383
00:23:09,275 --> 00:23:10,415
Let's go right in here.
384
00:23:11,435 --> 00:23:13,145
And now we can begin to play.
385
00:23:15,360 --> 00:23:20,679
All of these little swirls
and churning actions, jazz.
386
00:23:20,860 --> 00:23:21,810
Let your mind go.
387
00:23:23,280 --> 00:23:25,919
Think how the water would
hit and splash and play
388
00:23:29,429 --> 00:23:29,929
there.
389
00:23:32,060 --> 00:23:35,330
And here and there there's little
stones under there that caused it to go.
390
00:23:38,750 --> 00:23:40,399
You gotta make those
little sounds again now.
391
00:23:42,050 --> 00:23:43,939
And what started out as
a soft little stream.
392
00:23:44,940 --> 00:23:48,990
It fell over the big stone here,
turned into a little bubbler.
393
00:23:51,480 --> 00:23:51,960
Okay.
394
00:23:53,220 --> 00:23:56,730
Now then let's take there.
395
00:23:56,730 --> 00:23:57,120
It is.
396
00:23:58,860 --> 00:24:02,970
And bring her stones right
on down wherever you want
397
00:24:02,970 --> 00:24:06,450
to brass hair near on him.
398
00:24:08,520 --> 00:24:09,450
Just let him slay.
399
00:24:15,740 --> 00:24:15,950
Fair.
400
00:24:15,950 --> 00:24:19,010
We're just pushing with a fan brush to
make all these happy little grass things.
401
00:24:22,550 --> 00:24:22,880
Okay.
402
00:24:23,270 --> 00:24:23,810
Tell you what?
403
00:24:24,620 --> 00:24:25,940
Just looks like the right place.
404
00:24:27,170 --> 00:24:30,080
That's that's half right
here in the corner.
405
00:24:30,110 --> 00:24:31,250
We'll cover up our Nash tree.
406
00:24:32,180 --> 00:24:33,590
I want a nice big tree.
407
00:24:33,590 --> 00:24:34,430
It lives right there.
408
00:24:36,260 --> 00:24:36,590
Mrs.
409
00:24:36,590 --> 00:24:37,430
Vandyke Brown.
410
00:24:40,250 --> 00:24:42,930
I need a nice little flips on
the street, big foot on his tray.
411
00:24:43,440 --> 00:24:44,070
There we go.
412
00:24:45,120 --> 00:24:46,140
He's gotta be strong.
413
00:24:46,140 --> 00:24:46,710
Stand up.
414
00:24:50,160 --> 00:24:50,490
Okay.
415
00:24:51,780 --> 00:24:52,020
Yeah.
416
00:24:52,020 --> 00:24:56,490
Then I'll take, I'll take a
little permanent red, white.
417
00:25:00,240 --> 00:25:01,860
I have a little bit of
burn number into that.
418
00:25:01,860 --> 00:25:02,430
There we go.
419
00:25:04,080 --> 00:25:06,780
And let's put the least little
touch, a highlight here and there.
420
00:25:08,565 --> 00:25:09,465
I don't want a great deal.
421
00:25:09,465 --> 00:25:10,695
Just enough to make it shine.
422
00:25:13,715 --> 00:25:13,985
Tara.
423
00:25:20,315 --> 00:25:26,375
I come right on down his foot, little
foot Snead, some highlight on the other
424
00:25:26,375 --> 00:25:30,635
side, I want to use just a little, they,
a little blue and white, quite dark.
425
00:25:32,345 --> 00:25:34,145
Give us indication of reflected light.
426
00:25:34,175 --> 00:25:35,255
Sorta makes it stand out.
427
00:25:39,030 --> 00:25:41,570
Twitter, a little bit of
grass down here on his foot.
428
00:25:42,889 --> 00:25:44,629
Should we just about
have a finished payment?
429
00:25:46,520 --> 00:25:53,240
I want to put just an indication of
an old lady I'm hanging out here and
430
00:25:53,240 --> 00:25:57,649
I think we'll call this one finished
and I really hope you've enjoyed it.
431
00:25:57,649 --> 00:26:00,560
It's a lot of funds, a beautiful
painting until next time.
432
00:26:00,710 --> 00:26:01,370
Happy painting.
End .srt file.
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