Friday, December 25, 2020

S06E07 - Arctic Beauty

Bob Ross's

The Joy of Painting


S06E07 - Arctic Beauty

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Welcome back offer.


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Glad you could join me today.


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Today.


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I thought we'd do a beautiful

little scene on a black canvas such,


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and I think you really enjoy it.


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So I'm going to have them graphically

run all the colors across the screen


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that you need to do this fantastic

painting and they'll come across in


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the same word that I have on my pallet.


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Starting with a white I'm working around.


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Let's go up to the canvas.


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Now I've already covered the entire

canvas with a thin even coat of thalo


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blue and, and Crimson mixed together,

and much more Crimson than blue.


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I want it to be sort of a purplish color

and I've covered the entire canvas.


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Then brushed it in long,

horizontal and vertical strokes.


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The pain is wet and it's ready to go.


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So let's take off, we'll

start with a little bit of


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titanium white and let's put a.


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Let's put a light source in this little

painting and maybe it's right there.


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I see when you touch it with a plate,

it begins picking up that beautiful


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purplish color that's underneath

and all these fantastic things.


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They just sort of happen.


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Don't have to worry about it.


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Just let them happen.


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And you blend out.


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If this is going to be your latest area,

then you blend out and sort of almost


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sort of like a half circle, or you could

make this area as light as you want it.


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But each time I'd recommend you clean your

brush and start with a clean dry brush.


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There we go.


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Start with a clean, dry brush and

clean white go back to this light area


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and begin blending outward each time

though, once again, clean the brush.


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Otherwise you're going to drag that

dirty color back into the center.


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All ready, just keep working out now.


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And it gives you a nice super little sky.


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Then you should just blend

out the brushstrokes.


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And one more time.


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I'll clean the brush.


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This is just odorless paint thinner.


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Okay.


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I had a lady in class one

time, let her brush going and


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went clean across the room.


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Yep.


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Okay.


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Let's take some alizarin, Crimson and a

little blue still using purple and we'll


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just mix that up more Crimson than blue.


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Blue is many times more

strong than the Crimson is.


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Okay.


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Now I'm just going to get a small roll

of paint and let's go right up here.


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Maybe there's a happy little cloud.


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It just sort of floats around and.


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We'll just touch the canvas, just touch.


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I'm just allowing this paint pull

right off the knife onto the canvas.


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Maybe it comes wherever you want to go.


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Just, just happy little cloud now to

get a little smaller in the background.


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That way it looks like it's farther away.


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With a large brush, very lightly,

very lightly just blended blended.


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And this is three hairs and some air.


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Okay.


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Now then maybe let's put a

little highlight on this.


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Take some titanium points and a little

bit of think, a little blue into it.


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Is there a way, huh?


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A little bit of pain on the knife.


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Now since our light source is here,

let's just let a little light strike


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right on the bottom of some of

these clouds, just let them happen.


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And it happened.


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Yeah.


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That easy.


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And just lay these on the canvas.


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Now they're large brush.


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Very lightly once again, same angle,

most important, then that back and forth.


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Now you can blend this till it

absolutely goes away and leaves


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you so stops gets to be fun.


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And you, you have a

tendency just to keep going.


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You don't want to stop, but get it to

where you want it and leave it alone.


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Kel, go right back into

that same purple color.


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Tell you what let's let's build.


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Let's build.


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Happy little mountain

and it lives right there.


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Let him go.


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And I'm really pushing here.


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I want to push this paint right into

the fabric, right into the fabric.


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Maybe there's a little bumper really,

really pushed his pain into the fabric.


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A large brush.


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We'll grab that now and just pull it down.


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This removes excess paint.


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And also it's a good way to sort of lay

out your, your general mountain shape.


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These brush strokes will show up on,

especially on a black canvas and you can


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literally just by changing brush strokes,

you can lay out your entire mountain


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and have an idea of how, how you want

to put the highlights and the shadows.


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And just by doing that, you can change

it to super, super way to lay it out and


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get it just right before you ever put

your first touch of paint on the canvas.


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And let's just use this blue and white.


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That'll be our highlight color today.


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This the little blue titanium white.


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Okay.


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Pull it out.


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Get a small roll of paint right out on

the edge of the knife, right on the edge.


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Okay, let's go to the canvas here now.


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Barely touch and just follow Ray

down the side of the mountain.


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No pressure.


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Allow that paint from break,

allowed to break the Slack.


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Yeah.


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Okay.


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And think, I think where the light

would strike it would strike.


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You want those areas to have the

light is the brightest color.


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Can you hear me?


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Seeing it at the same time, it's picking

up some of that purple, undercover and


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all these beautiful things just happen.


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You don't have to worry about them.


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You don't have to worry


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Mike, an almighty mountain here today.


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Maybe there is a little bit.


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Right there, right there.


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Maybe it just sort of plays around

wherever you want it to go wherever.


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Yeah.


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For the shadow side, I'll

just mix some purple.


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That was the lizard and Crimson.


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And they were blue a little bit, a little

bit of light color just to make a light


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purple and we'll use that for shadow.


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Okay.


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Then come right along in here.


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No, we can drop in some

happy little shadows.


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Okay.


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Maybe it comes right down like that.


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And we'll just sort of blend these

together here, and there's nothing wrong


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with going back and picking up a little,

this blue, just sort of playing it back


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and forth that all these beautiful little

things just, just sort of happened.


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Just fall off your knife.


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Go,


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Smith's a little more of the highlight.


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That's the theolo blue and right.


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Like, are there, do you ever think

you can make a mountain that easy,


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that was that effective and you can

just keep adding more and more detail.


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It's almost unbelievable what you can

create with, uh, with just a big old


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knife and a little bit of practice.


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You really need to practice.


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There we go.


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We'll just drop a little

shadow over in here.


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I get carried away and cover up the whole

canvas with just mountains, which is an


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excellent, excellent way to practice.


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When I was learning,

that's what I used to do.


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Like cover a whole canvas with nothing

but mountains and scrape them off.


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Do it again


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very quickly.


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You learn how to paint mountains.


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I'm gonna take her just

to clean dry brush.


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And I want to create some myths down here.


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So following these angles, gently

tap, but always follow the angles


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that you have in the mountain.


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Just gently, gently tap it.


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And your brush is picking up some of this

color and all these beautiful things just


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happened there and how we lift upward

that takes actually a little tap marks and


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blends it all together creates beautiful,

beautiful Misty effect as Slack.


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So.


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Okay, now then maybe, maybe, maybe

we'll mix up some more Crimson and blue.


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We just keep using some of this perfectly.


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The color here.


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Good.


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Dark color should look black.


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She would look like.


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And if you want to tell exactly what your

color is, but a little bit of white on


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your palette and touch a little that color

to it, because otherwise you really can't


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tell it just, it just looks black on here.


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Okay.


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Now I'm going to load a fan brush up.


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Let's go up to the canvas.


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Maybe there's some happy little trees

that live right here in front of


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this all mighty mouse, just touching.


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want these to be very dark.


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I stand out against the lighter

color on the mountain, dark against


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light bite against dark continually


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and trees grow to all different sizes.


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All different shapes.


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You have to make these decisions,

how the trees grow in your


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world, and then let them go.


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Let's go over here a little bit

right there and just let these


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trees shoot wherever you want to go.


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Just come random across the canvas,

see how easy they are just to drop in.


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And you just decide how many

trees you want in your world at


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a man don't peddle with them.


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Don't worry about them.


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You're the master can do anything.


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Okay.


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Now that let's put a little grassy

area down here, I'll go right into a


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little bit of CAD yellow, Sam green.


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Let me just use this old big burst today.


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You can do it with a fan brush,

one inch brush, whatever.


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Maybe right here.


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We'll just touch.


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Barely barely touch.


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I want to make the indication,

just a little grass playing back


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here with the sun shining through.


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We can drive on over and

I'm just happy with canvas.


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Add a little yellow ochre, Indian,

yellow, just to break it up a little


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And as you're painting, look at

your painting, continuing to look


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at a step back and look at it and

you can see all kinds of things.


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A lot of times I'll, I'll start out with

one painting in mine and by the time.


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Finished I've totally changed my mind.


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And it does, it doesn't look anything

like what I had in mind when I started.


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And that's, that's the joy of painting.


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Okay.


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Fan brush some Vandyke Brown.


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The burn number, just mix them

on the brush here and let's


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put in what will eventually end

up being some land under here.


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And I'm just going to scrub

in just a little color.


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It was probably very hard to see

on your screen, but it's there.


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Maybe it comes through there.


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It'll show up the minute


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I start to scrub it on and then

I'll go right into a little bit.


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Let's try some yellow ochre.


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You want to drop a few little

highlights here and there?


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I don't want too many, just a few.


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Oh, there we go.


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All kinds of nasty things.


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Now back to our large brush and

we can tap a little bit of grass


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right on top of that, and it'll

very quickly bring it all together.


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Maybe.


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Show you a little trick.


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It's just a lot of fun.


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I'm going to put a small amount

of titanium white on my fan brush,


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and I wanna make it look like

little tree trunk indication.


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So grab and just very

lightly just here and there.


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Just lift up it a little

bit, just here and there.


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Not a lot, not a lot.


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If you get more than you want, just take

it a clean fan brush and go back over it.


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The dark color will come right through.


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It'll make it.


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It'll make it go away.


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That easy.


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You can make education, a little

tree trunks, and you really


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haven't hardly done a thing.


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Hey, let's have some fun.


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Let's have some water in here.


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I'm going to use titanium

white and silo blue.


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I'll make up a beautiful, beautiful,

bright sparkles blue here.


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Go pull it out very flat and

go right across the habit.


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Small amount of paint right

out of the end of the knife.


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Okay, good.


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Let's go right up here

now then let's begin.


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Oh, the cat shows up little cat shows up.


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Just barely touching the canvas here.


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I want it to look like happy little

stream with just bubbling along.


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They're just having fun.


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So I'm just barely, barely stroking the

canvas and keep these, keep the lions


244

00:14:38,000 --> 00:14:40,250

here basically, basically straight.


245

00:14:40,965 --> 00:14:42,915

Cause water water's level.


246

00:14:43,785 --> 00:14:45,915

It's always trying to go

somewhere where it can be level


247

00:14:54,455 --> 00:14:57,455

and you can put as many of these

in as you want or to whatever


248

00:15:04,055 --> 00:15:04,325

Okay.


249

00:15:04,385 --> 00:15:05,135

See you there then.


250

00:15:05,135 --> 00:15:06,365

Easy, easy.


251

00:15:07,355 --> 00:15:08,435

You got a little bit of water.


252

00:15:09,480 --> 00:15:09,930

Tell you what?


253

00:15:09,930 --> 00:15:13,380

Maybe this water, maybe there's

a, maybe there's a stone there.


254

00:15:14,640 --> 00:15:15,930

Maybe it just falls right over.


255

00:15:16,320 --> 00:15:18,180

Get a little blue and

hide on my brush here.


256

00:15:22,510 --> 00:15:23,250

there we go.


257

00:15:24,000 --> 00:15:25,770

The load, a lot of pain into the bristles.


258

00:15:26,720 --> 00:15:26,930

Okay.


259

00:15:26,930 --> 00:15:27,530

Let's go up here.


260

00:15:28,160 --> 00:15:30,680

Maybe, maybe, maybe, maybe

got to make a decision.


261

00:15:31,550 --> 00:15:36,410

It comes and to say there

let's let it fall right over.


262

00:15:38,255 --> 00:15:39,705

Just right there


263

00:15:44,015 --> 00:15:46,485

comes over here and drops this way.


264

00:15:47,805 --> 00:15:48,635

This is your world.


265

00:15:48,635 --> 00:15:50,195

So you have to make these decisions.


266

00:15:51,935 --> 00:15:56,015

You can see at purples beginning to come

through, the more you rub it to more of


267

00:15:56,015 --> 00:16:01,415

the purple this underneath comes through

and beautiful things happen almost


268

00:16:01,415 --> 00:16:04,655

automatically, almost automatically.


269

00:16:08,219 --> 00:16:09,479

Add a little more blue in there.


270

00:16:10,650 --> 00:16:10,829

Hm.


271

00:16:11,819 --> 00:16:16,380

Well that's pretty little

blue is such a vibrant blue.


272

00:16:17,729 --> 00:16:17,910

Okay.


273

00:16:17,910 --> 00:16:20,910

Maybe add a little bit more

right in here, dark in it.


274

00:16:21,420 --> 00:16:23,400

And water comes right over.


275

00:16:23,400 --> 00:16:26,250

And when it hits down here, you're

going to get all these beautiful


276

00:16:26,250 --> 00:16:31,260

little splashes that are happening

and it helps to make sounds.


277

00:16:33,510 --> 00:16:37,680

Fuel the power of the water here.


278

00:16:38,610 --> 00:16:38,790

Okay.


279

00:16:38,790 --> 00:16:41,670

Now we need to, we need to have

something in there to contain that water.


280

00:16:41,670 --> 00:16:43,470

We don't want it just to sneak out.


281

00:16:44,370 --> 00:16:47,670

So I'll take a little bit of the

Brown, just, just Vandyke Brown.


282

00:16:49,260 --> 00:16:56,760

And maybe there's a landmass

right here, here, whatever.


283

00:16:58,470 --> 00:16:58,830

Good.


284

00:17:02,060 --> 00:17:03,439

I'll go right into some purple.


285

00:17:03,890 --> 00:17:05,510

We just use that same old purple color.


286

00:17:05,869 --> 00:17:10,339

Maybe on this land, master lives, their

lives, a happy little evergreen tree,


287

00:17:13,730 --> 00:17:16,400

but just sort of make up little,

little stories in your mind.


288

00:17:16,760 --> 00:17:20,089

This little tree lives here and

he watches the stream all day.


289

00:17:21,800 --> 00:17:22,609

It makes him happy.


290

00:17:22,760 --> 00:17:24,349

So he grows and gets strong.


291

00:17:29,855 --> 00:17:34,445

I'll just make up little

stories and they make you happy.


292

00:17:34,865 --> 00:17:37,774

And when you make up these little

stories and you can visualize


293

00:17:37,774 --> 00:17:38,975

these things in your mind,


294

00:17:44,284 --> 00:17:47,135

tell you what, let me

grab another fan brush.


295

00:17:48,155 --> 00:17:48,905

And we'll just.


296

00:17:49,905 --> 00:17:51,405

Put some trunks and then some highlights.


297

00:17:51,405 --> 00:17:56,445

I just use a little bit of this blue and

white that we used in the water, but a few


298

00:17:56,445 --> 00:17:58,215

little trunk indications here and there.


299

00:17:58,395 --> 00:17:59,895

All I'm doing is touching the canvas here.


300

00:18:00,014 --> 00:18:01,004

Just this touch.


301

00:18:01,844 --> 00:18:03,524

We're not sure how many trees are there.


302

00:18:04,455 --> 00:18:08,415

However many you want some

green and some yellow.


303

00:18:08,655 --> 00:18:11,235

I'm going to add a tiniest little

bit of pink tender to that.


304

00:18:13,334 --> 00:18:15,254

Let's put some Brown it's too bright one.


305

00:18:15,254 --> 00:18:15,524

Adele.


306

00:18:15,524 --> 00:18:16,395

It, Oh, there we go.


307

00:18:16,455 --> 00:18:16,965

There we go.


308

00:18:17,834 --> 00:18:18,615

Sam green.


309

00:18:19,530 --> 00:18:22,200

CAD yellow, a little bit

of Bandag Brown Delta.


310

00:18:22,210 --> 00:18:27,360

Now we just put some little indications

or some leaves here and there.


311

00:18:28,290 --> 00:18:28,680

Two minutes.


312

00:18:38,300 --> 00:18:39,620

well, I got this going on the brush.


313

00:18:39,650 --> 00:18:44,720

I'll just add some yellow ochre

and Daniela, just put some.


314

00:18:47,325 --> 00:18:47,625

Okay.


315

00:18:47,625 --> 00:18:48,675

I see things right there.


316

00:18:53,255 --> 00:18:54,395

This is the yellow ochre.


317

00:18:55,265 --> 00:18:56,045

Make some dirt.


318

00:18:57,825 --> 00:19:01,025

I'm going to add a little burn number

to that yellow ochre and burn up.


319

00:19:01,055 --> 00:19:02,465

Oh, that's pretty fast.


320

00:19:07,325 --> 00:19:11,945

Now we can, it's just a little bit fluent.


321

00:19:13,680 --> 00:19:18,690

Clean up those edges and start

bringing all this together


322

00:19:22,950 --> 00:19:24,000

and maybe right there.


323

00:19:24,660 --> 00:19:25,020

True.


324

00:19:25,380 --> 00:19:29,490

We having so much fun making

all these big rocks, and this


325

00:19:29,490 --> 00:19:30,960

is still Brown, little purple.


326

00:19:31,290 --> 00:19:37,490

Maybe there's a big old stone

lives right there, right there.


327

00:19:38,460 --> 00:19:39,600

And he comes right down.


328

00:19:44,280 --> 00:19:44,880

There we go.


329

00:19:45,710 --> 00:19:47,780

So fan brush makes beautiful stones.


330

00:19:50,630 --> 00:19:51,200

There we go.


331

00:19:53,840 --> 00:19:58,850

Now we need, I have some of

this little grassy area coming


332

00:19:58,850 --> 00:20:00,140

right down on top of this stone.


333

00:20:01,580 --> 00:20:03,140

Just flattened top out a little bit.


334

00:20:10,635 --> 00:20:12,435

A little bit of yellow ochre


335

00:20:16,095 --> 00:20:19,745

top on that stone, just here and there.


336

00:20:19,745 --> 00:20:22,385

Just to give him least little

indication, pull a little bit


337

00:20:22,385 --> 00:20:28,445

down, then clean fan brush.


338

00:20:28,445 --> 00:20:32,405

We can just pull that right in and it'll

help define your stones a little bit.


339

00:20:32,405 --> 00:20:34,415

Keep this area very, very dark.


340

00:20:35,024 --> 00:20:35,715

Very dark.


341

00:20:37,844 --> 00:20:38,415

Okay.


342

00:20:39,605 --> 00:20:42,514

And we need something on the other

side of we're here till you hunt.


343

00:20:42,544 --> 00:20:45,814

Let's go right back into this purple

and Brown, whatever dark color.


344

00:20:46,834 --> 00:20:49,324

And we'll put a evergreen

at this right there.


345

00:20:51,304 --> 00:20:51,665

Yes.


346

00:20:52,925 --> 00:20:54,125

Setting fall off your brush.


347

00:20:56,465 --> 00:20:57,254

There you go.


348

00:21:01,065 --> 00:21:03,975

Canvas big, big evergreen.


349

00:21:06,195 --> 00:21:06,705

Evergreen.


350

00:21:11,295 --> 00:21:16,575

Can you just put a couple of hair

because I don't want them, I don't want


351

00:21:16,575 --> 00:21:18,105

to lose all this nice mountain area.


352

00:21:19,455 --> 00:21:19,995

I like it.


353

00:21:19,995 --> 00:21:22,335

Mountain he's big.


354

00:21:22,335 --> 00:21:22,785

Strong.


355

00:21:25,815 --> 00:21:26,655

Can you hear me?


356

00:21:30,000 --> 00:21:32,280

Out through there.


357

00:21:38,370 --> 00:21:39,240

Put a nice stone there.


358

00:21:39,240 --> 00:21:43,110

This is just Brown little burn

number and we'll make another


359

00:21:43,110 --> 00:21:44,370

nice stone lives out here.


360

00:21:49,379 --> 00:21:53,370

Little tree, trunk indications,

right in this big tree over here.


361

00:21:54,360 --> 00:21:55,230

Just some indication.


362

00:21:55,230 --> 00:21:56,699

So don't need too much detail.


363

00:22:00,815 --> 00:22:07,175

and then some highlights and some

middle leaves showing yellow, Sam green


364

00:22:11,525 --> 00:22:12,605

a little bit right here.


365

00:22:13,775 --> 00:22:19,175

So little on this tree and how

we get this pressure on it.


366

00:22:20,335 --> 00:22:20,855

Come right.


367

00:22:21,195 --> 00:22:23,445

Down there.


368

00:22:26,975 --> 00:22:30,095

That's a nice little grassy things

that are just traveling down this Hill.


369

00:22:34,745 --> 00:22:39,245

I'll make some little stones add

a little more of that burn number.


370

00:22:44,705 --> 00:22:45,004

okay.


371

00:22:45,215 --> 00:22:46,205

I have it right here.


372

00:22:46,264 --> 00:22:47,764

We'll make those decisions later.


373

00:22:49,245 --> 00:22:49,965

Later later


374

00:22:53,085 --> 00:22:55,095

bit of grass right down there.


375

00:22:56,205 --> 00:22:57,075

That's fantastic.


376

00:22:58,425 --> 00:22:59,945

Oh, it was beautiful little rocks.


377

00:23:00,905 --> 00:23:01,085

Okay.


378

00:23:01,085 --> 00:23:02,015

Let's work on some water.


379

00:23:03,125 --> 00:23:04,925

I'm still using the they blue and white.


380

00:23:05,045 --> 00:23:07,175

I'm going to add a least little

touch of magic white to it,


381

00:23:07,175 --> 00:23:08,375

just to thin it down a little.


382

00:23:09,065 --> 00:23:09,155

Okay.


383

00:23:09,275 --> 00:23:10,415

Let's go right in here.


384

00:23:11,435 --> 00:23:13,145

And now we can begin to play.


385

00:23:15,360 --> 00:23:20,679

All of these little swirls

and churning actions, jazz.


386

00:23:20,860 --> 00:23:21,810

Let your mind go.


387

00:23:23,280 --> 00:23:25,919

Think how the water would

hit and splash and play


388

00:23:29,429 --> 00:23:29,929

there.


389

00:23:32,060 --> 00:23:35,330

And here and there there's little

stones under there that caused it to go.


390

00:23:38,750 --> 00:23:40,399

You gotta make those

little sounds again now.


391

00:23:42,050 --> 00:23:43,939

And what started out as

a soft little stream.


392

00:23:44,940 --> 00:23:48,990

It fell over the big stone here,

turned into a little bubbler.


393

00:23:51,480 --> 00:23:51,960

Okay.


394

00:23:53,220 --> 00:23:56,730

Now then let's take there.


395

00:23:56,730 --> 00:23:57,120

It is.


396

00:23:58,860 --> 00:24:02,970

And bring her stones right

on down wherever you want


397

00:24:02,970 --> 00:24:06,450

to brass hair near on him.


398

00:24:08,520 --> 00:24:09,450

Just let him slay.


399

00:24:15,740 --> 00:24:15,950

Fair.


400

00:24:15,950 --> 00:24:19,010

We're just pushing with a fan brush to

make all these happy little grass things.


401

00:24:22,550 --> 00:24:22,880

Okay.


402

00:24:23,270 --> 00:24:23,810

Tell you what?


403

00:24:24,620 --> 00:24:25,940

Just looks like the right place.


404

00:24:27,170 --> 00:24:30,080

That's that's half right

here in the corner.


405

00:24:30,110 --> 00:24:31,250

We'll cover up our Nash tree.


406

00:24:32,180 --> 00:24:33,590

I want a nice big tree.


407

00:24:33,590 --> 00:24:34,430

It lives right there.


408

00:24:36,260 --> 00:24:36,590

Mrs.


409

00:24:36,590 --> 00:24:37,430

Vandyke Brown.


410

00:24:40,250 --> 00:24:42,930

I need a nice little flips on

the street, big foot on his tray.


411

00:24:43,440 --> 00:24:44,070

There we go.


412

00:24:45,120 --> 00:24:46,140

He's gotta be strong.


413

00:24:46,140 --> 00:24:46,710

Stand up.


414

00:24:50,160 --> 00:24:50,490

Okay.


415

00:24:51,780 --> 00:24:52,020

Yeah.


416

00:24:52,020 --> 00:24:56,490

Then I'll take, I'll take a

little permanent red, white.


417

00:25:00,240 --> 00:25:01,860

I have a little bit of

burn number into that.


418

00:25:01,860 --> 00:25:02,430

There we go.


419

00:25:04,080 --> 00:25:06,780

And let's put the least little

touch, a highlight here and there.


420

00:25:08,565 --> 00:25:09,465

I don't want a great deal.


421

00:25:09,465 --> 00:25:10,695

Just enough to make it shine.


422

00:25:13,715 --> 00:25:13,985

Tara.


423

00:25:20,315 --> 00:25:26,375

I come right on down his foot, little

foot Snead, some highlight on the other


424

00:25:26,375 --> 00:25:30,635

side, I want to use just a little, they,

a little blue and white, quite dark.


425

00:25:32,345 --> 00:25:34,145

Give us indication of reflected light.


426

00:25:34,175 --> 00:25:35,255

Sorta makes it stand out.


427

00:25:39,030 --> 00:25:41,570

Twitter, a little bit of

grass down here on his foot.


428

00:25:42,889 --> 00:25:44,629

Should we just about

have a finished payment?


429

00:25:46,520 --> 00:25:53,240

I want to put just an indication of

an old lady I'm hanging out here and


430

00:25:53,240 --> 00:25:57,649

I think we'll call this one finished

and I really hope you've enjoyed it.


431

00:25:57,649 --> 00:26:00,560

It's a lot of funds, a beautiful

painting until next time.


432

00:26:00,710 --> 00:26:01,370

Happy painting.


End .srt file.



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