Bob Ross's
The Joy of Painting
S06E01 - Blue River
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Hello, I'm Bob Ross and it gives
me unbelievable pleasure to welcome
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you to the sixth painting series.
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Isn't that fantastic.
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If this is your first time with us,
we'll use only about a dozen colors, some
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great big brushes, big old putty neck.
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And we'll do some fantastic paintings.
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If you've been with us before,
I hope you have easel set up
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and you're all ready to go.
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I'm going to have them graphically
run all the colors across the
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screen that you need to do the
painting we're going to do today.
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And today we're going to be
working on a black canvas.
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Now, the way we make these black canvases,
we cover them with a flat black acrylic
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paint and allow them to dry completely.
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And then we go back and we put very
firm paint on top of that at this
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canvas, I've covered with a lizard
Crimson right here in the center.
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Fallow blue around the Crimson and then
Prussian blue fills up the rest of the
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canvas and then blended August together.
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Now all these colors that we're
using are very transparent.
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So the canvas still looks black.
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Okay.
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Let's have some fun.
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I'm going to do something a
little bit different today.
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We have the firm paint on the canvas and
we'll take you so two and a half inch
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brush and go right into a little bit
of magic white, which is a liquid thin.
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Paint.
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We're going to go right up in
here and I'm just going to start
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making little crisscross strokes.
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Oh, look, what's happening.
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It begins picking up all the colors
underneath and automatically,
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automatically all of these beautiful,
beautiful things will happen.
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They're picking up the
Crimson as we move up.
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It'll begin moving.
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Right up into the blue and where the
blue and the Crimson come together,
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it'll make sort of a lavender color.
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And as we move on up, it'll
hit the Prussian blue and get
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darker and darker, darker.
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I'm just going to sort of work
this back and forth and blend
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these colors all together.
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It's a fantastic, fantastic
little way to make a beautiful,
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beautiful, effective sky.
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And it's very, very simple.
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Now, the lighter you want this guy to be.
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Good more of the magic white.
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You put on the canvas and you can
make it as light as you want it or
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leave it as dark as you want it.
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This piece of canvas is your world.
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So you have to make, you have to make
these big decisions and decide what's
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in your world and where you want it.
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How you're going to put it on.
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Here we go.
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Just like, so not very lightly.
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I'll just brush across it.
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I take out the brush strokes.
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That's easy, easy.
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We have a fantastic little sky.
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It's very, very effective, easy to do.
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I'll wash my brush now.
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And we wash our brush with
odorless paint thinner.
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And I really recommend you use
odorless dinner or your spouse is
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going to run you right out in the yard.
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You'll be working by yourself,
shake off the excess,
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and then just, just raise cane.
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This is the way you take out all
your hostilities and frustrations.
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It's, it's better than kicking
the puppy dog around and all that.
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So dad, let's go right up in
here and start having some fun.
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I'm going to mix up a color.
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We'll use Vandyke Brown.
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Permanent red and a little
bit of Prussian blue.
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So it'd be a very, very
dark Brown, very dark Brown.
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Okay.
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Let's add a little more blue into that.
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They're very dark Brown.
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It should, it should look
black when you mix this up.
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Here we go.
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Okay, let me clean my knife and I'm just
cleaning my knife on some paper towels.
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And then we use a large brush and
real tap right into this color.
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Just sort of bang the brush right into it.
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Just like that.
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We're really not too concerned
about how we load it.
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Just get quite a bit
of paint on the brush.
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Maybe, maybe.
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There's a little, little
something happened right here.
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A little bit, a little bit of
land area just comes right down.
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Just let it happen.
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That's beginning to pick up the
magic white and all of these
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beautiful, beautiful little
things will happen automatically.
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Let the paint work, let the canvas work.
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You really don't have to worry about it.
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There we go.
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Now maybe back in here, there's
some little trees that are far
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back in the distance, so I'll just.
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Uh, just continue to use this so big
brush and we'll use just the corner and we
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just sort of tap and these are far away.
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So we're not looking for
a lot of detail right now.
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This is just some little indications.
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I don't want to kill all this
beautiful light area where that the
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land in the horizon come together.
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Like some of these little things just
play around in little trees and bushes.
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They grow, they grow average makes
them happy, just like, so there we go.
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Maybe there's one right
there, Henry, remember?
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Yeah.
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This piece of canvas is your creation
and you can do anything on here that
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you want to do anything, anything.
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And the only prerequisite
is it should make you happy.
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If it makes you happy, then it's good.
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Use a fan brush.
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Now I'm going to right into that
same, very dark, brownish color.
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And maybe, maybe right back in here.
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Just give you a little bit of practice.
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Maybe there's a happy little
evergreen that lives here.
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So we just take the corner
of the brush and just let it
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sort of play back and forth.
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You look at their set, simple to make
a very, very, pretty little evergreen,
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and we don't want him to get lonely.
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So we'll give him, we'll
give him a little friend.
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Everybody needs a friend.
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Everyone needs a friend.
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And the first two big trees
and variably sooner or later,
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they're going to be a little tree.
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So we'll, we'll give a
little tree over here,
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there.
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Now then we'll take up another
brush two and a half inch type.
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I'm going to go right into a little
bit of the CAD, yellow, little
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Indian, yellow, and some SAP green.
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And I'm just mixing
this right on the brush.
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Okay.
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Let's go right up here and
let's put a little bit of.
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A little bit of highlight right
here and just sort of follow
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the lay of the land there.
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And if you have trouble making your
paint stick at the least, least little
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amount of paint, thinner or magic
white, that'll thin the paint down.
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They just, just barely tip the
bristles into the paint thinner
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and our golden rule at the end
paintless stick to a thick paint.
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So we start with the thickest paint.
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We can find.
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And on top of that, then we can add
a layer after layer, after layer thin
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paint without becoming a mud mixer.
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And I'm sure if you've painted before,
you know what I'm talking about, we
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have all at one time or another mixed, a
little mud I'll take, I want to use just
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a little bit of the little blue and white.
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Just mix it right here on the pallet.
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Take a little bit, and let's just put it.
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Some little trunk
indications here and there.
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Just wherever you think they should be.
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Maybe, maybe you don't want blue trucks.
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If you don't want blue trucks
in your world changing.
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I just think it's pretty here.
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And you know, when you, when you buy
it at first tube of paint, you get an
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artist license and it gives you if I'm
limited power says you can do anything
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on this canvas that you want to do.
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Use it.
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Use it at all.
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It'll do fantastic things for you.
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Make you happy.
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Let's put a little
highlight on these trees.
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It's barely touching just
a corner of the brush.
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So often we avoid this brush because it's
big and it'll do unbelievable things.
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Unbelievable.
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Thanks.
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You know, you can spend a fortune on
Sable brushes and all you need is a
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big old white house brushing shoot.
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Little practice.
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You can do anything with this brush
and early that that you can do
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with the fancy expensive brushes.
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Now, then I'm going to put a
little highlight in my evergreen.
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So I'll use some yellow SAP,
green, yellow, and Seth green.
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Just, just go back and forth with that
brush, but you can see there's a lot
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of color happening inside the brush.
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If you mix color on the brush.
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And you have a lot of things happening.
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If you mix it on the pallet, then
you're going to have one dead color.
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Let's go up here.
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Now let's drop into just a little
bit of highlight ride on these
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evergreens, just back and forth.
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You know, it's almost unbelievable to me.
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This is our sixth series,
almost unbelievable.
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You, you keep bringing me back
through your cards and letters and
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your calls to your local stations.
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And I want to thank you.
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This is probably the greatest thing
that's ever happened in my life is
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to be able to come here and, and to
show you this and, and have you paint
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along with me, we get hundreds and
hundreds of letters and it works for
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people and it makes everything right.
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Everything worthwhile.
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Okay.
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Maybe we'll have some water down here.
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I'm a water fanatic.
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I love water.
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So we'll just go right into a
little bit of titanium white.
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Let's go right up here.
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Now we have color on the canvas.
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So when we put this white here at first,
it's going to look very bright, fiscally,
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almost going to blind you, but as you
begin working with and pulling it down,
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it's going to mix with all the beautiful
color that we have on the canvas already.
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Fantastic things happen.
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Fantastic.
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I love these black canvases.
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You can't believe what's possible.
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Maybe one day we'll have shows that
are longer and I can show you some
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things that are, Oh, you're unreal.
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I try to avoid having shows where
we would continue into the following
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week that go, sometimes they're not
broadcast the same way we make them and
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you might miss it, but maybe one day we
can have hour long shows and we can, we
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can show you some unbelievable things.
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Now just go across.
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And it gives the illusion
of water that easy.
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Do you ever think water would be that easy
to make these lines need to be straight?
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If they're not straight, your
water's gonna run right out of
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your painting right out of the
painting and get your floor with.
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Okay.
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Now we can break some little
peninsulas down here and where
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you want them to go and anywhere.
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There.
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See there, you can just make as many
of these little peninsulas you want
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come right across and step reflections and
let's put some little water lines here.
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I'll use a little bit of the
magic, quite small amount of,
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they look blue in it, very small
amount and just sort of mix it up.
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Now, watch how I load this knife.
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Pull this paint out as flat as you can
get it really flat and then cut across it.
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Okay, let's do that one more time.
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So you can see it flat kind of cross.
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Okay.
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Now with that, you have a small little
line of paint and you can go right up
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here and put in all these beautiful
little water lines wherever you want them.
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Just let them happen here.
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And they're there.
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Oh, all kinds of pretty
little things happen.
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And you can put as many of
these new world as you want.
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This is a super way to make some
beautiful little swamp seams.
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If you're looking for a swamp seams,
you might want to leave evergreens
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out, but you can take what we're
showing you here, and you can adapt
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it to any part of the country.
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The most important thing is, is
that you, you learned the technique
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once you've learned the technique,
uh, turn you loose on the world.
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You become, you become a tiger.
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All right.
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Now let's play.
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Let's, let's have a
little bit of fun today.
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00:13:22,880 --> 00:13:24,800
I want to use this old big
brush, just so we got started.
240
00:13:24,800 --> 00:13:32,270
I'll go right in to that dark Brown
color we made maybe, maybe right here.
241
00:13:33,090 --> 00:13:36,480
Let's have a huge big tree
that lives right there.
242
00:13:37,950 --> 00:13:40,260
And all I'm doing is just
touching the canvas and tapping.
243
00:13:40,710 --> 00:13:42,450
We're looking for some basic shapes.
244
00:13:43,920 --> 00:13:47,160
You want some basic limbs hanging
over here, but that's about all
245
00:13:47,160 --> 00:13:48,210
we're worried about this time.
246
00:13:48,240 --> 00:13:54,360
Quite a bit of paint on the brush and
just tap, load your brush frequently.
247
00:13:55,920 --> 00:13:57,510
Don't be afraid to load your brush.
248
00:13:59,175 --> 00:13:59,865
There we go.
249
00:14:08,585 --> 00:14:11,345
I mean, as I was saying earlier,
we get, we get a lot of cards and
250
00:14:11,345 --> 00:14:15,665
letters from people who are watching
and painting along with us on it.
251
00:14:16,745 --> 00:14:19,805
It really, it does wonderful
things to know that you're enjoying
252
00:14:19,805 --> 00:14:22,205
this and learning to paint.
253
00:14:22,235 --> 00:14:23,765
Beautiful, beautiful paintings with me.
254
00:14:24,765 --> 00:14:29,594
And if you like these shows give
you PBS station to call, let
255
00:14:29,594 --> 00:14:33,255
them know that's, uh, that's the
only way they know what you want.
256
00:14:34,035 --> 00:14:38,285
And when they, when they're looking for
help and they need someone to help them
257
00:14:39,035 --> 00:14:42,724
give them a hand because they bring
you, they bring you some of the most
258
00:14:42,724 --> 00:14:46,055
fantastic television, beautiful things.
259
00:14:47,344 --> 00:14:51,755
And sometimes they, they too need a
ham little hand and they, they need
260
00:14:51,755 --> 00:14:53,255
a friend to volunteer your time.
261
00:14:54,255 --> 00:14:55,935
It pays you and your whole community.
262
00:14:56,175 --> 00:15:00,645
Fantastic dividends there.
263
00:15:04,275 --> 00:15:05,055
That was so much fun.
264
00:15:05,295 --> 00:15:06,555
Let's have some over on this side.
265
00:15:07,380 --> 00:15:14,940
There he is just think about these things
in your mind and drop them on canvas.
266
00:15:15,540 --> 00:15:17,070
So it's the same old Brown color.
267
00:15:18,240 --> 00:15:19,050
It really doesn't matter.
268
00:15:19,050 --> 00:15:20,760
All we're looking for
here was a dark color.
269
00:15:21,210 --> 00:15:25,560
It stands out against that light
could be just about any old color
270
00:15:26,730 --> 00:15:29,910
and wherever you think is a big,
beautiful lamb hanging, drop it in.
271
00:15:32,400 --> 00:15:34,860
Add a little pressure and blew
into that battle, darken it
272
00:15:34,860 --> 00:15:35,970
up, make it even stronger.
273
00:15:41,520 --> 00:15:43,680
Beautiful, big trees, easy to do.
274
00:15:44,250 --> 00:15:45,540
And a lot of fun.
275
00:15:47,370 --> 00:15:56,130
Maybe there's a nice, happy bullshit ribs,
or there comes round down, look at that
276
00:16:04,320 --> 00:16:08,430
and that easy, the head, easy you
have, you have all of your trees
277
00:16:08,430 --> 00:16:12,180
and bushes laid out, and that
gives you an idea of where to go.
278
00:16:13,425 --> 00:16:16,365
All right, I'm going to take, I
won't take a number two script liner
279
00:16:16,365 --> 00:16:18,945
brush, put some paint thinner on it.
280
00:16:20,505 --> 00:16:23,925
And I'm going to read into titanium
white with paint thinner on it,
281
00:16:24,705 --> 00:16:29,325
just like, so make it very thin
and bring it to a nice sharp point.
282
00:16:29,355 --> 00:16:30,255
Turn that brush.
283
00:16:30,795 --> 00:16:32,055
Okay, let's go up to the canvas here.
284
00:16:33,045 --> 00:16:33,225
Now.
285
00:16:33,314 --> 00:16:36,765
Maybe there's a, maybe
there's a old tree trunk.
286
00:16:36,765 --> 00:16:37,205
It lives.
287
00:16:37,605 --> 00:16:37,965
Right there.
288
00:16:37,965 --> 00:16:40,395
Turn the brush, turn it and let it play.
289
00:16:40,395 --> 00:16:42,314
That makes all the little
bumps and stuff on it.
290
00:16:42,795 --> 00:16:46,535
Yeah, just let it there.
291
00:16:47,285 --> 00:16:47,375
Okay.
292
00:16:47,615 --> 00:16:49,925
So it keeps you a tree trunk
from being monotonous and
293
00:16:49,925 --> 00:16:52,655
straight and three trunks grow.
294
00:16:52,655 --> 00:16:53,375
However, it makes sense.
295
00:16:53,435 --> 00:16:59,015
Happy you sort of paint in stages
here with paint the back of the tree.
296
00:16:59,015 --> 00:17:01,295
And now I'm painting the
middle of the tree tree.
297
00:17:01,295 --> 00:17:05,734
Trump lives in the middle of the tree,
and then we'll come back and we'll paint.
298
00:17:06,629 --> 00:17:10,050
This side of the tree and this
side of the tree is the highlights
299
00:17:10,170 --> 00:17:12,180
or the leaves, the bright colors.
300
00:17:13,890 --> 00:17:15,300
So just sort of paint it in stages.
301
00:17:15,300 --> 00:17:17,190
Think you got to think like a tree.
302
00:17:20,780 --> 00:17:21,410
There we go.
303
00:17:22,790 --> 00:17:28,970
You know, I spend a lot of time in the
woods by myself, just walking around in a
304
00:17:28,970 --> 00:17:34,370
hunt, a hunt with a camera, um, sort of a.
305
00:17:34,770 --> 00:17:35,340
Oh soft.
306
00:17:35,340 --> 00:17:35,610
Yeah.
307
00:17:35,910 --> 00:17:39,240
I couldn't shoot Bambi
except for the camera.
308
00:17:42,050 --> 00:17:44,450
And I take pictures and I save them.
309
00:17:44,450 --> 00:17:49,430
And then we, and we put those together and
you can pick out trees or you can pick out
310
00:17:49,430 --> 00:17:53,810
a cloud that you like anything and then
put it together and make your own scene.
311
00:17:54,410 --> 00:17:56,270
And we'll try to give you
the knowledge here to do it.
312
00:17:57,170 --> 00:18:01,160
You go out and find your own subject
matter and let us know how you do
313
00:18:01,220 --> 00:18:02,390
drop us a line once in a while.
314
00:18:02,390 --> 00:18:02,810
We really.
315
00:18:04,139 --> 00:18:07,830
Oh, it's fantastic to know that it's,
it's working, that you're enjoying it.
316
00:18:07,889 --> 00:18:12,570
Let us know what you want to see
painted on some of our other series.
317
00:18:12,570 --> 00:18:15,449
We brought in some guest artists and
let you see what other people could do
318
00:18:15,929 --> 00:18:19,949
when we'll do that again, if you would
like, but we need to know what you want.
319
00:18:20,639 --> 00:18:22,110
So don't be bashful.
320
00:18:22,590 --> 00:18:23,370
Drop me a line.
321
00:18:23,459 --> 00:18:26,120
Let me know there.
322
00:18:28,669 --> 00:18:29,060
Okay.
323
00:18:29,899 --> 00:18:31,639
I see it's picking up at color underneath.
324
00:18:32,870 --> 00:18:36,120
It sort sorta has a little bluish tint
to it, which is a very, very pretty,
325
00:18:37,140 --> 00:18:39,960
and you have to make decisions where
all these Liam's are and you can put
326
00:18:39,960 --> 00:18:44,750
as many of them in your world as you
want, or as few it's up to you up to
327
00:18:44,750 --> 00:18:51,290
you, just let them go there right now.
328
00:18:51,290 --> 00:18:53,150
We're going to lose a lot of
these and we put highlights.
329
00:18:53,150 --> 00:18:55,790
So, so you don't have to
worry if one didn't come out.
330
00:18:55,790 --> 00:18:56,450
Just perfect.
331
00:18:57,110 --> 00:18:59,540
Just remember that you're going to
put, highlights over all this and yeah.
332
00:19:00,435 --> 00:19:01,575
So you can get away with a lot.
333
00:19:02,535 --> 00:19:04,995
I'll tell you what let's put
highlights in today and we'll
334
00:19:04,995 --> 00:19:06,855
use the old one inch brush.
335
00:19:08,085 --> 00:19:10,245
I put a small amount of paint
thinner into that brush.
336
00:19:10,965 --> 00:19:11,595
So this paint.
337
00:19:11,970 --> 00:19:16,770
It was a little bit thinner and we'll use
some, some CAD yellow and some SAP green.
338
00:19:16,830 --> 00:19:19,050
And all I'm going to do today is just tap.
339
00:19:19,290 --> 00:19:21,150
Just tap that brush right into the color.
340
00:19:22,320 --> 00:19:24,510
Maybe here's a little Indian, yellow.
341
00:19:24,900 --> 00:19:27,750
We'll just drop that in there and get
over here and get some yellow ochre.
342
00:19:28,320 --> 00:19:29,970
Let these colors mix on the brush.
343
00:19:30,570 --> 00:19:32,370
Look at all of the paint
that's in that brush.
344
00:19:33,540 --> 00:19:33,990
Good.
345
00:19:35,100 --> 00:19:36,960
Let's go up here now.
346
00:19:37,800 --> 00:19:39,360
Thank where you lights got to strike.
347
00:19:40,544 --> 00:19:42,405
All you're doing is just
touching the canvas.
348
00:19:44,145 --> 00:19:47,564
This can turn into so much fun, so
quick that you covered up all your dark.
349
00:19:48,135 --> 00:19:51,044
So be careful you don't want
to kill all your dark areas.
350
00:19:51,044 --> 00:19:51,104
Yeah.
351
00:19:51,274 --> 00:19:52,955
Very, very important.
352
00:19:54,215 --> 00:19:55,054
Very important.
353
00:19:57,004 --> 00:19:58,985
Just think about basic tree shapes.
354
00:20:01,534 --> 00:20:02,044
Let it go.
355
00:20:05,314 --> 00:20:06,695
And if you, if you ever.
356
00:20:07,260 --> 00:20:09,690
Overdue, maybe you put
more in here that you want.
357
00:20:10,320 --> 00:20:13,800
All you have to do is take your knife
and scrape that off and you can go back
358
00:20:13,800 --> 00:20:15,210
and put your dark right back in there.
359
00:20:16,300 --> 00:20:16,860
Do it again.
360
00:20:18,000 --> 00:20:20,670
There's no such thing as making a mistake.
361
00:20:21,810 --> 00:20:22,860
We have happy accident.
362
00:20:22,880 --> 00:20:23,180
Yes.
363
00:20:25,280 --> 00:20:26,630
And you learned use anything.
364
00:20:26,630 --> 00:20:27,260
It can happen.
365
00:20:27,860 --> 00:20:30,590
And that's when it really becomes
fun because you don't, you don't
366
00:20:30,590 --> 00:20:33,350
have to spend all your time
thinking about what you're doing.
367
00:20:33,350 --> 00:20:34,280
You just let it happen.
368
00:20:36,315 --> 00:20:36,555
Okay.
369
00:20:37,545 --> 00:20:39,525
If it gets to where it doesn't
want to stick, add a little more
370
00:20:39,825 --> 00:20:42,345
thinner, see how easy it sticks.
371
00:20:42,345 --> 00:20:45,735
Now I put a little paint thinner on there
and that just drops right down there.
372
00:20:46,515 --> 00:20:49,455
And then normally under a large
tree, you have a shadow area.
373
00:20:50,025 --> 00:20:51,795
Try to leave a dark area in here.
374
00:20:52,725 --> 00:20:54,225
It helps push everything back.
375
00:20:55,275 --> 00:20:57,735
I'm going to add a small
amount of permanent red right
376
00:20:57,735 --> 00:20:58,755
in there and just tap it in.
377
00:20:59,595 --> 00:21:01,005
That'll change the color a little bit.
378
00:21:01,350 --> 00:21:03,540
And maybe right here, there's
a beautiful little Bush.
379
00:21:03,899 --> 00:21:04,949
It's got a little orangy.
380
00:21:04,949 --> 00:21:07,470
You sort of orange.
381
00:21:10,699 --> 00:21:11,300
There we go.
382
00:21:12,710 --> 00:21:14,510
You can make the bushes in your world.
383
00:21:14,600 --> 00:21:18,590
Any color that you want them a
little more of the paint thinner,
384
00:21:19,879 --> 00:21:24,530
or you can also thin your paint
with magic white magic quite well.
385
00:21:25,005 --> 00:21:25,995
Change your color a little.
386
00:21:25,995 --> 00:21:27,135
Sometimes you want a color.
387
00:21:27,135 --> 00:21:28,065
That's a little brighter.
388
00:21:28,425 --> 00:21:29,325
And then do you use magic?
389
00:21:29,325 --> 00:21:29,625
Quiet.
390
00:21:30,105 --> 00:21:34,335
If you don't want to change the value
of the color, then use paint thinner.
391
00:21:36,695 --> 00:21:37,295
There we go.
392
00:21:39,245 --> 00:21:39,365
Yeah.
393
00:21:39,365 --> 00:21:43,775
Let's drop all these happy little things
right in there and do them in layers.
394
00:21:44,945 --> 00:21:45,935
Just do them in layers.
395
00:21:47,465 --> 00:21:47,765
Okay.
396
00:21:50,495 --> 00:21:52,895
To my two and a half inch brush,
pick up a little titanium.
397
00:21:52,895 --> 00:21:53,825
Why we need some.
398
00:21:54,254 --> 00:21:58,155
We need some beautiful reflections
right into this, just to set it out.
399
00:21:58,695 --> 00:22:01,754
So it's picking up at precious
and blue and fatal blue under
400
00:22:01,754 --> 00:22:07,575
there, and all these things happen
automatically and very lightly,
401
00:22:07,965 --> 00:22:09,825
lightly, very lightly come across.
402
00:22:11,795 --> 00:22:12,065
Okay.
403
00:22:12,095 --> 00:22:14,105
Let's put some, let's
put some dirt in there.
404
00:22:14,105 --> 00:22:17,225
I'll use some Vandyke Brown and burn
number just mixed together on the brush.
405
00:22:18,004 --> 00:22:22,235
Maybe we'll just grab in some
happy little dirt areas here.
406
00:22:22,425 --> 00:22:22,865
There we go.
407
00:22:23,490 --> 00:22:24,210
Let's drop a man.
408
00:22:24,690 --> 00:22:25,560
You need the dark.
409
00:22:25,770 --> 00:22:30,300
So light will show, then
not take till you want.
410
00:22:30,300 --> 00:22:33,510
Bless you with some yellow
ochre titanium point.
411
00:22:33,880 --> 00:22:38,820
We'll put a small amount of permanent
red in there and it'll go right
412
00:22:38,820 --> 00:22:42,750
up here, you know, just drop some
happy little highlights in there.
413
00:22:44,490 --> 00:22:46,200
A little more color on the brush.
414
00:22:47,220 --> 00:22:47,550
Jazz.
415
00:22:47,580 --> 00:22:49,020
Let these fall right off your brush.
416
00:22:50,025 --> 00:22:53,175
And it makes it look like some highlight
on some beautiful dirt areas there.
417
00:22:55,125 --> 00:22:58,215
This is back into her, that
little blue and white, but just
418
00:22:58,215 --> 00:22:59,565
a little water line under there.
419
00:23:01,295 --> 00:23:01,955
There we go.
420
00:23:08,315 --> 00:23:12,035
Little sticky note and all I'm doing is
using the knife and just scrape and let
421
00:23:12,035 --> 00:23:13,775
the, let the dark color show through.
422
00:23:15,225 --> 00:23:17,625
It makes it look like some little
sticks and twigs and stuff.
423
00:23:18,375 --> 00:23:21,375
And let's go the other side of the canvas
here now that you've seen how to do it.
424
00:23:22,415 --> 00:23:25,985
I just drop in some happy
little leaves right up in here.
425
00:23:27,485 --> 00:23:29,345
They're like barely touching the canvas.
426
00:23:29,585 --> 00:23:32,495
All you I'll have some basic patterns.
427
00:23:33,065 --> 00:23:33,155
Okay.
428
00:23:33,515 --> 00:23:35,645
Don't just throw these
in totally at random.
429
00:23:36,125 --> 00:23:36,755
Think about it.
430
00:23:38,495 --> 00:23:39,245
Think about it.
431
00:23:40,710 --> 00:23:42,870
And that, um, overlap little things happen
432
00:23:46,110 --> 00:23:47,850
any way you can make this brush work.
433
00:23:47,879 --> 00:23:54,060
Now, this is the CAD yellow SAP,
green, Indian, yellow, yellow ochre.
434
00:23:54,090 --> 00:23:55,830
They're just all mixed
together on the brush here.
435
00:23:55,830 --> 00:23:58,860
And they're a little permanent
red that sparks it up.
436
00:23:59,639 --> 00:24:01,080
That's all kinds of things happen.
437
00:24:02,820 --> 00:24:06,120
You wouldn't believe that fantastic,
beautiful paintings you can do.
438
00:24:07,320 --> 00:24:09,000
Just using a few simple brushes.
439
00:24:10,830 --> 00:24:11,460
Can you take one?
440
00:24:11,490 --> 00:24:12,480
Maybe there it is.
441
00:24:13,110 --> 00:24:13,830
There's an old Bush.
442
00:24:13,830 --> 00:24:14,670
It lives right there.
443
00:24:15,960 --> 00:24:16,560
There is one.
444
00:24:18,090 --> 00:24:19,410
There is one right there.
445
00:24:23,600 --> 00:24:26,300
can't you just put as many
bushes in your world as you want.
446
00:24:27,470 --> 00:24:28,670
Ooh, there's a beautiful.
447
00:24:31,195 --> 00:24:33,615
Sometimes people drop me in lines.
448
00:24:33,615 --> 00:24:35,385
I say, I didn't care for that red Bush.
449
00:24:35,385 --> 00:24:38,835
You put in there just because
I've put a red bull shit.
450
00:24:39,075 --> 00:24:43,005
Doesn't mean you have to, you look at
your painting and you think about your
451
00:24:43,005 --> 00:24:45,345
world and you make it the way you want it.
452
00:24:45,585 --> 00:24:49,035
I just want to show you how
to put that bushy in there.
453
00:24:50,685 --> 00:24:52,725
And you can have as many
years view as you want.
454
00:24:54,480 --> 00:24:56,879
The these dark areas, don't
kill these dark areas.
455
00:24:56,879 --> 00:25:00,690
If you do, it's all going to come
together and be very, very flat,
456
00:25:01,320 --> 00:25:02,370
and then you won't be happy.
457
00:25:03,840 --> 00:25:06,120
And it's important to me that
you're, that you're happy.
458
00:25:12,860 --> 00:25:16,899
Hey everybody, to be happy holiday.
459
00:25:21,585 --> 00:25:24,195
Okay, I'll tell you what, I'm
going back to my little liner,
460
00:25:24,195 --> 00:25:25,485
brush them and just put some magic.
461
00:25:25,485 --> 00:25:26,025
Quiet on it.
462
00:25:27,645 --> 00:25:30,255
Maybe Miami, I'm gonna
add a little paint in.
463
00:25:30,285 --> 00:25:32,385
I want this to be very
thin, almost like water.
464
00:25:33,615 --> 00:25:35,715
Maybe there's a happy little thing.
465
00:25:36,705 --> 00:25:37,485
Make a decision.
466
00:25:37,485 --> 00:25:41,675
And there you go.
467
00:25:41,685 --> 00:25:46,725
So wherever you want him to be, but
a nice little stick right there.
468
00:25:48,210 --> 00:25:50,040
And you can put as many
lambs on it as you want.
469
00:25:51,350 --> 00:25:52,440
Maybe there's another one.
470
00:25:53,580 --> 00:25:53,790
Okay.
471
00:25:54,110 --> 00:25:56,810
It just sort of breaks it up and adds
a little more interest here and there.
472
00:25:58,460 --> 00:25:58,909
Okay.
473
00:25:58,909 --> 00:26:02,960
I think we have a painting it's
finished and ready for a signature.
474
00:26:02,960 --> 00:26:05,360
I'll use a pen oil,
linseed oil works, fine.
475
00:26:05,389 --> 00:26:08,480
Copa, whatever you little permanent red.
476
00:26:08,870 --> 00:26:09,800
It we'll sign this one.
477
00:26:10,010 --> 00:26:12,530
Call it finished as in Saturday.
478
00:26:12,530 --> 00:26:13,430
Hope you've enjoyed it.
479
00:26:13,430 --> 00:26:15,350
And I want to thank you
once again for joining us.
480
00:26:15,885 --> 00:26:20,294
And this our sixth series, and we
look forward to seeing you next
481
00:26:20,294 --> 00:26:21,794
week until then happy painting.
482
00:26:22,185 --> 00:26:22,754
God bless.
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