Bob Ross's

The Joy of Painting

S05E05 - Quiet Pond

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I am glad to see you again and today.

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I hope you got your pallet set up

and a big glass of ice tea there, and

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you're ready to paint along with me.

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And I'm going to have them

graphically run all the colors

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across the screen that we'll use

today to do this fantastic painting.

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And while they're doing

that, let's get started.

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And take off here.

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I've already covered the canvas with

a thin even coat of magic white, and

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we'll start and I'll go into a little

bit of a lizard Crimson, just a small

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amount, and let's just go up here and

let's just play just here and there.

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Let's just drop in a little bit of color.

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Just drop in a little color.

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I use very little color on your brush.

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You can always add color, but it's

sometimes it's very difficult to

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try to remove color off the canvas.

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So you use very little color.

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We don't want to set the scout on fire.

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We just want a little, a little

pinkish glow play in here and there.

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And without watching the brush, I'll

go right in to a small amount of the

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little blue, work it into the bristles,

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just making little crisscross strokes.

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Don't kill all your pink.

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Blue is many, many times

stronger than in the Crimson.

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So don't kill all your pink.

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Just sorta fill up the areas in here.

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And then we'll come back and do

a blend all this together today.

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I thought we'd do a, a beautiful,

beautiful, little soft, quiet painting.

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Very gentle, beautiful

little paint for the enjoyed.

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Hang on.

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I've got blue on the brush.

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Maybe we'll have a little

bit of water there.

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It is just wherever you want it.

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Right in there.

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Stay low blue.

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It's a very bright, very pretty blue.

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Okay.

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Now wash my brush, get it all.

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Nice and clean.

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Ding there we are now let's go

back up in here and very gently.

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We'll just blend all this together.

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You don't want to over blend it.

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If you over blended, you'll

lose all your little pink areas.

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They'll go away and leave you.

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Just leave you there.

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Okay.

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Blended too.

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About that, like that, take the brush.

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Strokes out.

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And you have a very nice and

very effective little guide.

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It's easy to do.

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Okay.

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Let's just keep using the

same old, dirty brush.

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I'll go right into, uh, a little bit

of Bandag Brown little burn number.

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Oh, we just mix it on the brush.

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Just like, so.

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Just pull it down through the color.

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There we go.

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All right, let's go up to the

canvas and let's put in some

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happy little trees shapes.

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I'm just, I'm just looking

for some basic shapes here.

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Don't don't want a lot of detail and all

we're doing is just sort of touching the

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canvas and they're striking the canvas.

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Put in some beautiful little shapes,

a little Brown little bird number.

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Maybe there's another one that

is right there, right there.

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See how easy those are to do.

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Just drop them in.

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Don't try to copy just

exactly what I'm doing here.

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Let your imagination go.

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We don't use any patterns

or don't do any tracing.

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Just.

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Just let it go.

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But it happened or didn't happen.

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That's what makes it fun.

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It's when you learn to create on

canvas, that's when it's fine.

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And this is just background color.

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We're really not, we're not worried

a great deal about it at this point.

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We'll worry later when we start putting

all the highlights and that's when we

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separate all these little individuals

right now, we just want some very

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soft, quiet, little trees, very quiet.

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These are the, these are the kind

of paintings that my mother likes.

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So maybe I'll just dedicate

this one to my mommy.

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No, I'm an old man, but I'm still.

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I'm still a mommy's boy and I really

don't care who knows that she's she's

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my favorite lady in the whole world.

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So this is her painting.

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This is for her

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and a beautiful lady should

have a beautiful painting.

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Okay.

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Okay.

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That easy, not easy.

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We got some nice little background shapes.

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That's just all we're

looking for right now.

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Just very basic, very basic little shapes.

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No, what a lot of work have fun.

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Just drop it in there already.

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We're beginning to make out all kinds of

form and we really haven't done anything

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while we got this color going, shoot.

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Let's just have some fun here.

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Same color.

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I'll just very quickly lay in

some color right along here.

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And we don't care where it goes right now.

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We'll make all these

decisions later, Justin dark.

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So when we start putting some light

in here, all kinds of beautiful

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little things will happen.

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Boy, Richard sitting there saying

he's really messed up this time.

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And you may be right.

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Okay.

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Let's take, uh, our liner brush and I'm

going to put a little bit of paint then

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around it and go right into some, some of

the same color where it mixed together.

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This is the Vandyke Brown

and the burn number.

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Okay.

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And I've made the paint quite

then with paint thinner.

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Okay.

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And maybe there's will go up in here

and we'll just put the indication

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of a few tree trunks here and there.

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And we're not looking still for a

graceful great amount of detail.

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Just wherever you think some blooms

would show through, drop them.

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Yeah.

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Dropping me, drop him in

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there,

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just here and there.

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Wherever, wherever these are your tree.

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So you have to make the

decisions where you want them.

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okay.

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Maybe we not really concerned,

but just here and there, a few

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little things that happen in play.

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Okay, now I'm going back and I'm

going to get that same old, dirty

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brush, same old, dirty brush.

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And let's go right into a little bit

of this, a little caddy, yellow, put

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some SAP green into it, and that makes

it pretty maybe a little yellow ochre.

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Just brush mix.

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These colors, put them

all together on the brush.

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It let's go up here.

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Maybe maybe, maybe right here.

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It's a little bit of light playing through

there and she a striking this tree and

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all I'm doing is touching, tapping.

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So you need try little Indian, yellow.

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That's it.

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Beautiful color right there.

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I come right across these trunks.

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Cause you don't see the entire

trunk there's leaves on this side.

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Don't forget that you don't

always see the entire truck.

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There's a little sad green edit and all

this is done without ever Washington.

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The brush just same old, dirty brush.

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We can add a little bit of paint thinner.

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That'll make it stick a little easier

to get a little more green on them.

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Brush.

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Maybe we'll go to this big old tree here.

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This one goes right off the canvas.

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And when you're touching these

always pull them toward the,

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toward the limb and the center.

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Cause they all generate from that.

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They all come from that.

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Always go back to that.

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Pull your strokes toward that

toward the trunk in the center.

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There's one right there.

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I knew he was there.

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That you did too.

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You did too.

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You just wanted to see if

I was going to get him.

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Sometimes I forget

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the yellow ochre, maybe go

right in here wherever you want.

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Just drop them.

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You see how easy these are really

nothing to him, nothing to him here.

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There's one right there

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that is sparkle in the side.

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Less and less color as it comes down.

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So it gets darker and darker

automatically at what you don't

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even have to think about it.

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It just happens.

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Let's go to the other side over

here, maybe way back in here.

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Barely touching the canvas.

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Barely, barely touching the canvas.

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Okay.

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Maybe various areas.

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No, he was there.

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I speak bushy thing lives right there.

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So you don't have, you don't have to

spend a lot of time planning this and

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drawing it all out and worrying about it.

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And then trying to stay in the lines feud.

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You make your own world.

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A little more of the yellow.

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Maybe we'll just put a little bright

one right there that just stands out and

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see you overlap these, you layer them.

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That's what creates the illusion of

distance is all of these different layers.

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And that's what makes them pretty.

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Let's take a clean brush now and I'm

going to gently tap right in here.

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Let that magic quite work through

and create a nice soft Misty

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area just to come on cross.

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Very lightly.

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Very lightly.

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Barely touch.

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Okay.

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Soft Misty area back in there.

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Okay.

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That gives us a quick little background.

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Quick little background.

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Maybe we want to add,

maybe there's a right here.

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Maybe there's a little tree that he

didn't have any leaves left on him.

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Maybe, maybe, maybe he didn't

make it through last winter.

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Every year, there's some

trees, it doesn't make it.

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And they're part of nature.

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Don't, don't avoid dead trees

and your paintings are beautiful

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and you see them in nature.

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So put them in your paintings

and make them look realistic.

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And there are a lot of

fun, a lot of fun, uh, fun.

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Okay.

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And you can put as many

lambs out here as you want.

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There, right.

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You can get carried away and

spend all day just putting in

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all these beautiful little limbs.

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And that should be enough to give

you an idea how they, how they're

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made and you can have fun with them.

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So let's go in here and I want to

take a little bit of the yellow

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and the green, all the different

colors of yellow and SAP green.

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They're all just mixed

on the breast right here.

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Just tapping.

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See.

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So either just have, okay, let's go

up to the canvas and you figure out

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to figure out where the land is here.

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And the lay of the land is very

important when you're doing this.

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So follow those angles decide

where you lands at and then angles.

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They're very, very

important, very important.

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I can't stress that enough.

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Don't kill all this dark.

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You put the dark in here.

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So this light would show

up when you put it on.

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Got to have the darkness of

the light shows just like life.

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You have to, you have to have

a little sadness in your life.

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So, you know, when you have a happy time,

if everything was happy, you would, you

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wouldn't know, you wouldn't know, but

you have some sad times in your life.

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And.

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Then when you have a happy time, then

you know, you're having a happy time.

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That's what makes it fantastic.

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There is he has soft and gentle.

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It is.

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And there's days when you don't

want to be soft in general, you want

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to do strong almighty paintings.

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And then there's days when

you're in a mood to do very

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soft, quiet little paintings.

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So we try to show you all the different

ways and you have to make the decision.

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Okay, let's take a clean brush here.

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I want to start building

some, some reflections in here

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got to make some decisions.

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Maybe the water goes right on around.

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I ask.

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So I'm going to take.

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A little bit of thalo

blue and lizard Crimson.

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I'll just mix it right on the brush.

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Just a small, small amount, a

little more Crimson, hone it a

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little more into the lavender hue.

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That's better.

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That's better.

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You don't like it.

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You change it to your world.

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Can you pull that straight down?

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It's most, most important that you

pull it straight down, straight

258

00:14:11,960 --> 00:14:14,000

down, straight down, straight down.

259

00:14:16,185 --> 00:14:16,455

Okay.

260

00:14:17,625 --> 00:14:22,905

Now very lightly just brush across

instant water and then fantastic.

261

00:14:23,745 --> 00:14:25,865

Now maybe let's play a little bit.

262

00:14:26,195 --> 00:14:29,225

Maybe you want to reflect some of

the lighter areas from the sky.

263

00:14:29,345 --> 00:14:30,245

So you go right in here.

264

00:14:30,575 --> 00:14:33,785

Here's a little bit of titanium

white and maybe there's some white

265

00:14:33,785 --> 00:14:35,915

color shoot wherever you want it.

266

00:14:36,095 --> 00:14:36,605

Drop it in.

267

00:14:38,145 --> 00:14:43,725

So you say you see that is, and you go

back and once again, Pick up a little

268

00:14:43,725 --> 00:14:44,954

bit of that, Oh, it's straight down.

269

00:14:46,064 --> 00:14:48,944

You can do this till you get it

anyway that you wanted to be on

270

00:14:48,944 --> 00:14:52,694

the show clouds and all kinds

of things reflected in there.

271

00:14:52,725 --> 00:14:56,895

Go across and that easy and not easy.

272

00:14:58,495 --> 00:14:59,895

You know, you have a little light area.

273

00:15:02,135 --> 00:15:02,464

Okay.

274

00:15:03,425 --> 00:15:05,314

Add a little bit of paint

thinner onto my brush.

275

00:15:05,314 --> 00:15:07,444

So the paint will stick a little easier.

276

00:15:08,055 --> 00:15:10,385

Then we can come back and

begin filling in some of this.

277

00:15:11,155 --> 00:15:12,255

Gotta make decisions.

278

00:15:12,495 --> 00:15:13,215

Where does this go?

279

00:15:13,605 --> 00:15:14,175

30 days.

280

00:15:14,385 --> 00:15:23,175

That's where it goes wherever you want

it to go wherever, wherever, maybe,

281

00:15:23,225 --> 00:15:25,125

maybe, maybe a little green in it.

282

00:15:25,575 --> 00:15:28,365

And I'm just varying these colors

back and forth the yellows and the

283

00:15:28,365 --> 00:15:32,415

greens, and just let them have fun.

284

00:15:32,745 --> 00:15:37,125

Yeah, the ochre once in a while, a small

amount of permanent red permanent rate

285

00:15:37,125 --> 00:15:43,685

is very strong, so we can careful with,

okay, let's take a fan brush now, fan

286

00:15:43,685 --> 00:15:46,745

brush, and I'll go into a little bit

of Vandyke Brown, little burn number,

287

00:15:46,745 --> 00:15:48,125

and I just mix them on the brush here.

288

00:15:50,075 --> 00:15:50,705

Just a little.

289

00:15:50,975 --> 00:15:51,215

Okay.

290

00:15:51,335 --> 00:15:52,115

Let's go right up here.

291

00:15:53,285 --> 00:15:56,555

And let's just scrub in a

little bit of land area.

292

00:15:56,885 --> 00:16:01,385

Maybe there's a little dirt back

in here, wherever, wherever.

293

00:16:03,795 --> 00:16:06,885

Just a little, Oh, there it is.

294

00:16:07,065 --> 00:16:07,425

There it is.

295

00:16:07,695 --> 00:16:13,305

Forever have fun, but it happened there.

296

00:16:13,305 --> 00:16:14,695

It is just let it go.

297

00:16:22,605 --> 00:16:22,845

Okay.

298

00:16:22,845 --> 00:16:26,985

I'm going to take small amount of

yellow ochre with white on it, yellow

299

00:16:26,985 --> 00:16:28,365

ochre, and a little bit of white.

300

00:16:29,505 --> 00:16:30,045

We'll put a little.

301

00:16:30,705 --> 00:16:32,295

Let me highlight here and there.

302

00:16:33,885 --> 00:16:35,025

Just a little highlight

303

00:16:38,325 --> 00:16:40,095

and just let that sort of wander back.

304

00:16:42,555 --> 00:16:43,845

I don't kill all the dark.

305

00:16:44,325 --> 00:16:45,075

Don't kill it off.

306

00:16:45,135 --> 00:16:46,694

Leave a little dark in here and there.

307

00:16:48,705 --> 00:16:49,035

Okay.

308

00:16:49,305 --> 00:16:53,415

So that one right here,

wherever you want it to go.

309

00:16:55,710 --> 00:16:56,280

All right.

310

00:16:56,280 --> 00:16:58,830

And then we can clean up some

of these edges and we're ready

311

00:16:58,830 --> 00:17:01,440

to make some more big decisions.

312

00:17:03,060 --> 00:17:07,319

Amanda, a little bit of titanium white

to my brush, just a little white.

313

00:17:07,350 --> 00:17:12,270

Maybe there's a, some sunlight that

plays right there, right there.

314

00:17:12,870 --> 00:17:15,540

Add a little white, makes

that area stand out.

315

00:17:15,540 --> 00:17:16,500

Like his light hitting.

316

00:17:16,800 --> 00:17:18,960

Maybe it comes right on the

cross and hits on the other side.

317

00:17:20,550 --> 00:17:21,390

It's the same color.

318

00:17:21,944 --> 00:17:26,835

I've just lightened the value a little

so that it stands out, makes it look

319

00:17:26,835 --> 00:17:28,244

like satellite plan through there.

320

00:17:31,395 --> 00:17:34,575

I'll put a little Vandyke Brown and then

go right into all my greens and yellows.

321

00:17:34,575 --> 00:17:39,165

I want it to get darker because I'm

going to do, Ooh, this, there we go.

322

00:17:40,665 --> 00:17:41,524

There we go.

323

00:17:42,225 --> 00:17:43,125

Messed it up now.

324

00:17:47,225 --> 00:17:51,795

Now just make a decision, let it happen.

325

00:17:53,235 --> 00:17:57,135

And then I heard it happened across.

326

00:18:02,625 --> 00:18:02,985

Okay.

327

00:18:04,600 --> 00:18:06,000

Darker darker, darker, darker.

328

00:18:07,090 --> 00:18:10,649

See you just cover up what you

don't want when you make your little

329

00:18:10,649 --> 00:18:12,210

pond, whatever shape you want it.

330

00:18:13,530 --> 00:18:14,490

You're the creator.

331

00:18:14,520 --> 00:18:19,440

You can do anything on this

canvas and anything and anything.

332

00:18:21,750 --> 00:18:25,800

Now we can put a little highlight here

and there, and I'm just tapping still.

333

00:18:27,419 --> 00:18:28,620

And a little bit of paint thinner.

334

00:18:28,649 --> 00:18:30,000

That'll make it stick a little easier.

335

00:18:31,800 --> 00:18:33,270

There, see there, easiest sticks.

336

00:18:33,690 --> 00:18:37,770

Do you need that from paint underneath

or you can't do that because you became,

337

00:18:38,040 --> 00:18:41,460

you become a mud mixer in a heartbeat.

338

00:18:45,020 --> 00:18:47,990

Did you say just, just by touching

and tapping here, how very

339

00:18:47,990 --> 00:18:49,490

soft and quiet you could make.

340

00:18:57,525 --> 00:18:58,155

All right.

341

00:18:58,215 --> 00:19:01,575

Maybe I'll take you on let's

play, maybe same dirty brush.

342

00:19:01,575 --> 00:19:04,515

Maybe there's a nice

bullshit lives right here.

343

00:19:06,105 --> 00:19:07,845

That'll put a little more

depth into the painting.

344

00:19:07,875 --> 00:19:08,535

Give it a go.

345

00:19:08,535 --> 00:19:10,605

There's another plane or two here.

346

00:19:12,045 --> 00:19:12,345

First.

347

00:19:12,345 --> 00:19:16,995

We're putting some dark and then we'll

go back using the same old, dirty brush.

348

00:19:18,405 --> 00:19:19,815

Pick up a little bit of the light color.

349

00:19:20,805 --> 00:19:25,155

And highlighted in the aid

that dark underneath then come

350

00:19:25,155 --> 00:19:26,535

back and highlight it to you.

351

00:19:27,195 --> 00:19:29,235

I have a little Indian yellow today.

352

00:19:29,345 --> 00:19:29,435

Okay.

353

00:19:30,875 --> 00:19:32,435

So it stands out against them

354

00:19:37,085 --> 00:19:39,095

and just let it go wherever you want it.

355

00:19:40,710 --> 00:19:40,910

Hmm.

356

00:19:40,910 --> 00:19:41,280

Okay.

357

00:19:42,180 --> 00:19:43,260

Let's have some fun today.

358

00:19:43,530 --> 00:19:44,190

Tell you what let's do.

359

00:19:44,190 --> 00:19:46,530

Let's take, let's build

it a huge tree here.

360

00:19:46,830 --> 00:19:47,970

Uh, get a lot of letters.

361

00:19:47,970 --> 00:19:49,260

Say I'm having trouble with tree.

362

00:19:49,290 --> 00:19:52,350

So I want to show you how

to make one, a big one.

363

00:19:52,470 --> 00:19:56,030

I'll take some Vandyke Brown

and pull this paint out.

364

00:19:56,030 --> 00:19:56,750

Very flat.

365

00:19:57,380 --> 00:19:59,090

Take the knife cut across.

366

00:19:59,090 --> 00:20:01,400

So there's a little bit of paint

right out on the edge of the knife.

367

00:20:01,400 --> 00:20:02,120

Can you sit there?

368

00:20:02,750 --> 00:20:03,710

See a little roll of paint.

369

00:20:03,830 --> 00:20:03,980

Okay.

370

00:20:03,980 --> 00:20:06,140

Let's go to the canvas, the sand.

371

00:20:06,140 --> 00:20:07,700

Where are you going to

have this big, huge tree?

372

00:20:08,205 --> 00:20:09,105

He lives there you say.

373

00:20:09,165 --> 00:20:13,545

All right, then that's just where

he goes and just touch the canvas,

374

00:20:14,895 --> 00:20:21,105

touch the canvas touch, pull it's

like, so maybe it goes all the way

375

00:20:21,105 --> 00:20:24,135

off the cameras all the way off.

376

00:20:25,935 --> 00:20:28,635

And then you have to

determine how thick he is.

377

00:20:30,895 --> 00:20:32,675

Just pull this public poll, the public.

378

00:20:37,010 --> 00:20:39,170

Yeah, it really would be better to

pull it from the opposite direction.

379

00:20:39,170 --> 00:20:42,140

But if I do that, are you, you're not

going to be able to see what I'm doing.

380

00:20:42,140 --> 00:20:45,290

So I'll just do it this way and

leave this side sort of ragged.

381

00:20:46,280 --> 00:20:48,860

But when you're doing it at home,

turn the knife that way and pull it.

382

00:20:50,840 --> 00:20:52,130

That'll make that edge.

383

00:20:52,130 --> 00:20:52,970

Nice and smooth.

384

00:20:54,680 --> 00:20:57,170

Can maybe tell you on this

deal, let's make it even bigger.

385

00:20:58,160 --> 00:21:02,180

Maybe, maybe, maybe,

maybe there's another arm.

386

00:21:03,525 --> 00:21:05,145

There it goes, there it goes.

387

00:21:05,235 --> 00:21:10,695

I don't know if the canvas you're a

tree, so you give him as many arms

388

00:21:10,695 --> 00:21:15,375

as you can see, see touch and public.

389

00:21:15,375 --> 00:21:15,705

That way.

390

00:21:15,705 --> 00:21:17,205

I should be able to see it over here.

391

00:21:17,205 --> 00:21:18,855

Now touch.

392

00:21:21,195 --> 00:21:21,765

There we go.

393

00:21:23,175 --> 00:21:23,325

Okay.

394

00:21:23,325 --> 00:21:27,765

Now let's, let's put some

arms here and their limbs.

395

00:21:29,965 --> 00:21:31,155

I call them arms because.

396

00:21:32,205 --> 00:21:33,105

Trees are my friends.

397

00:21:33,105 --> 00:21:34,334

I go, I'm crazy.

398

00:21:34,334 --> 00:21:35,745

I go out and talk to him sometime.

399

00:21:37,125 --> 00:21:39,014

You got to make friends with

what you're going to paint.

400

00:21:39,014 --> 00:21:40,064

You have to understand it.

401

00:21:40,514 --> 00:21:42,044

Look at it, spend some time with it.

402

00:21:42,284 --> 00:21:44,895

Enjoy it, enjoy it.

403

00:21:46,425 --> 00:21:49,544

Can you maybe tell you what,

tell you what there's of it?

404

00:21:49,544 --> 00:21:50,475

Yeah, there it is.

405

00:21:50,685 --> 00:21:52,605

I knew there was one

there that's right there.

406

00:21:54,044 --> 00:21:55,125

So it's one of the things.

407

00:21:55,635 --> 00:21:58,814

When I was a young boy, my

mother spent a lot of time.

408

00:21:59,505 --> 00:22:03,585

Teaching me to appreciate nature and the

beautiful things that God had given us.

409

00:22:06,165 --> 00:22:07,575

And I'll always over for that.

410

00:22:12,785 --> 00:22:16,625

So that's why I like to paint the type

of paintings that she would enjoy.

411

00:22:21,395 --> 00:22:22,925

Do anything for my lady.

412

00:22:25,125 --> 00:22:29,325

All right now you can put as many,

many limbs out here as you want.

413

00:22:29,655 --> 00:22:31,215

Let 'em go there.

414

00:22:31,304 --> 00:22:37,365

Have fun just wherever, wherever,

wherever you can spend, spend all

415

00:22:37,365 --> 00:22:43,304

your time just by getting lambs, but

it helps give you painting a lot.

416

00:22:43,304 --> 00:22:45,165

Character makes it beautiful

417

00:22:48,345 --> 00:22:49,635

little roll of paint on the knife.

418

00:22:49,665 --> 00:22:51,855

That's all that you use.

419

00:22:52,815 --> 00:22:54,435

That's what creates all these effects.

420

00:22:55,415 --> 00:22:55,655

Okay.

421

00:22:55,655 --> 00:22:56,555

That gives you a good idea.

422

00:22:56,555 --> 00:22:58,895

Now you can take, you can take your

liner brush and put all kinds of

423

00:22:58,895 --> 00:23:00,725

detail in there, but let's pair.

424

00:23:00,725 --> 00:23:05,225

It is to take some permit red,

some Brown and mix it together.

425

00:23:06,155 --> 00:23:10,595

And let's highlight this, going to

still get that little roll of paint.

426

00:23:10,595 --> 00:23:13,925

And let's go up here to the

canvas and put a little highlight.

427

00:23:13,925 --> 00:23:15,695

And all we're doing here is

just touching the canvas.

428

00:23:16,024 --> 00:23:17,435

Let the canvas take off what it wants.

429

00:23:17,435 --> 00:23:18,095

It'll give you back.

430

00:23:18,095 --> 00:23:18,665

What's left.

431

00:23:19,925 --> 00:23:21,305

You don't even have to worry about it.

432

00:23:22,160 --> 00:23:23,370

Can just do the work.

433

00:23:24,810 --> 00:23:31,380

All you have to do is drive you

drive it's touch chicken, let it go.

434

00:23:32,910 --> 00:23:36,090

Like, so then go.

435

00:23:37,500 --> 00:23:37,730

Right.

436

00:23:37,730 --> 00:23:45,540

I don't know wherever you think

like would strike and the tiniest

437

00:23:45,540 --> 00:23:46,740

little bit of white to it there.

438

00:23:46,740 --> 00:23:49,500

So maybe there's a little more

light striking right there.

439

00:23:49,620 --> 00:23:50,460

Brighten it up a little.

440

00:23:51,764 --> 00:23:52,905

Brighten it up a little bit

441

00:24:03,465 --> 00:24:04,264

and there.

442

00:24:16,575 --> 00:24:20,685

Now on the other side here, let's

take a little bit of the blue on the

443

00:24:20,685 --> 00:24:22,695

smallest, smallest amount of white in it.

444

00:24:23,985 --> 00:24:25,665

Very little so.

445

00:24:26,415 --> 00:24:29,725

And let's go up here and let's put a

little, little blue over on this side.

446

00:24:29,725 --> 00:24:35,505

It'll give the indication of

reflected light and it's very,

447

00:24:35,505 --> 00:24:39,225

very, pretty, very effective, and

it helps give that tree limb depth.

448

00:24:40,185 --> 00:24:41,565

Okay, let's go right in here.

449

00:24:42,105 --> 00:24:43,005

There you go.

450

00:24:43,015 --> 00:24:43,425

A little bit.

451

00:24:44,865 --> 00:24:45,675

Doom doom, doom, doom.

452

00:24:46,205 --> 00:24:50,015

I don't know, right up the side.

453

00:24:52,955 --> 00:24:58,775

And I really hope my arm's not way

there a little bit right over here.

454

00:25:03,095 --> 00:25:05,075

I wouldn't take the liner brush.

455

00:25:05,645 --> 00:25:09,815

And just in case you haven't

seen do this before, take a

456

00:25:09,815 --> 00:25:10,895

little bit of paint thinner.

457

00:25:11,310 --> 00:25:13,950

And go right into some

Vandyke Brown turn at brush.

458

00:25:13,980 --> 00:25:15,180

Bring it to a nice sharp point.

459

00:25:15,750 --> 00:25:19,910

And let's go up here and just want to

show you how to put a few little limbs.

460

00:25:20,330 --> 00:25:22,730

And then at home, you know, there's

thousands of limbs on there.

461

00:25:22,730 --> 00:25:26,450

You can just spend all the time you

want just to play a lot of little

462

00:25:26,450 --> 00:25:30,740

limbs and let them cross over there

sometime don't have them just coming

463

00:25:30,740 --> 00:25:34,580

out to side, looked like somebody took

a big razor blade and cut your tree

464

00:25:34,580 --> 00:25:37,430

in tune though it fell on the floor.

465

00:25:38,840 --> 00:25:40,100

We don't want to get your floor dirty.

466

00:25:42,915 --> 00:25:47,735

There he has many of these as you want,

wherever you want them to your tree.

467

00:25:51,155 --> 00:25:51,395

Yeah.

468

00:25:54,095 --> 00:25:58,295

Dan here let's cover up as little

flips with some grass and pick

469

00:25:58,295 --> 00:25:59,345

up some of that dark color.

470

00:25:59,345 --> 00:26:00,065

Pull it out, sweat.

471

00:26:00,264 --> 00:26:01,504

It makes it look like a shade.

472

00:26:04,264 --> 00:26:04,955

There we go.

473

00:26:05,465 --> 00:26:05,764

Okay.

474

00:26:06,615 --> 00:26:09,915

And I think we're to the point assigned

this, I hope you've enjoyed it.

475

00:26:10,185 --> 00:26:14,115

Take a little paint, thinner, a little

permanent rib, and we'll go right in here.

476

00:26:16,925 --> 00:26:18,725

And as I say, I hope you've enjoyed this.

477

00:26:18,725 --> 00:26:25,085

It showed you some new things and we

look forward to seeing you next week.

478

00:26:25,685 --> 00:26:28,565

And until then from all of

us here, happy painting.

479

00:26:28,805 --> 00:26:29,315

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E05 - Quiet Pond

Bob Ross's

The Joy of Painting

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