Bob Ross's

The Joy of Painting

S06E02 - Nature's Edge

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Hey, welcome back.

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I'm glad to see you again and today.

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I think we'll do a vertical

painting, fantastic little painting.

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Maybe we'll put a couple little buildings

in it, and I'm going to ask him to

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graphically run all the colors across

the screen that I'll be using the day

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and they'll come to you in the same

order that I have them on my palette.

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And while they're doing

that, let's get started.

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I've already covered the canvas with

a thin even coat of magic white.

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And it's wet and slick and ready to go.

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So I'm going to go right in here with

a two and a half inch brush would

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take a little bit of pressure in blue,

and I'm going to pull that out and

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really beat it into the bristles to

get a nice even distribution of paint.

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And let's go right up to the canvas

and let's just let this bounce

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around and play a little bit in here.

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Just let it go.

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Have fun.

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All kinds of little things happening,

a little actions, but today I'm not

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going to cover up the entire screen.

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I'm going to leave some

open spots here and there.

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Yes.

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Let that brush bounce and

play in all kinds of things.

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Like, so.

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Okay.

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And now I'll, I've got a little

bit of blue on the brush.

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I'm going to go right down in here

and sort of do the same basic thing.

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Let the brush balance and play have fun.

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That's what you should be doing.

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Enjoying having fun.

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It's all painting should make you happy.

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Just drop in some things, but

we leave some of these little

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white areas in here right now.

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Okay.

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Now I'm going to clean the brush.

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You just grab it off, shaking

dry, give them a good rep.

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It's a good way to take out.

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Your frustrations is better than

fighting with your spouse or

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kicking the puppy dog around.

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Let's go right up in here and

let's just gently, gently.

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Let's just blend this out.

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We don't want to kill all the light areas.

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And if this works just right, it'll look

like clouds and you didn't have to do

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anything except leave some areas open.

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Super natural, easy way to, to give an

indication of little fluffy, distant

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clouds without working yourself to death.

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Just let your brush bounce around and play

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that's super little sky.

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Easy to do all it takes a minute.

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Can you can go do the

same thing down here.

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It's very gently blended out

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came.

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Let's put some, let's have some little

Hills back here in the background.

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So we'll start.

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I'm going to take a little bit of

the Prussian blue, very small amount,

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little Vandyke Brown, and just mix

things on the, on the brush here.

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Brown, blue, maybe my

little lizard and Crimson.

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Little SAP green, all mixed on the brush.

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So we got Brown, blue

Crimson, SAP green there.

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Okay.

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Let's go up to the canvas.

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Maybe there's a little rolling

Hill back here in the background.

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So we touch and just pull down

just a touch and pull down.

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See there.

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It's all there is to it.

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Very easy to do, make you a

little Hill wherever you want

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him to go pull straight down.

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Straight down.

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I'm just using the very

corner of the brush.

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Amy maybe goes right home.

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I don't know if the canvas over

there wherever you want him to go.

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Yeah.

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I'm going to add a little bit of blue

to my brush and maybe, maybe there's

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one even farther back behind that one.

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Really?

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You probably should have

done that one first.

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I just want to show you how to make one.

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It looks even farther away or blue

color because there's water molecules

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in the air and things look blue,

or is there other way from you?

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Okay.

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Now then let's take, and we'll take a

clean and dry two and a half inch brush

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and just tap, just going to tap the bottom

of these, make them very soft Misty or far

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away, and then lift up or just lift up.

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And you could put as many of these as

you want, as they get closer, you'd be

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looking for a little more detail and

you'd show a little more of the greenish

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color as things get closer to you.

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You begin making a more color.

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So we'd go more into the, to the green.

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And maybe we'll just put a little one

right here, so you can have an idea,

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a little more into the green color.

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And however many you want, this is

only limited by your imagination

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and how far you want to take it.

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It's a super nice way of making

little Hills in the background.

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Tap the bottom.

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You need the mist in between that mist

is all that you have to separate these.

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So you need this little

Misty area and lift upward.

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Like, so

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once again, we have a nice, soft

little area in between them.

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Okay.

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Maybe we have a few little

trees back here and they're

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getting closer, getting bigger.

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So we've taken some Vandyke Brown.

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I'm going to use some burn number

lizard, Crimson, SAP green.

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Just mix them together on the brush.

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Pull that burst through the paint.

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So you hadn't bins.

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Good.

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And look at the shape of the brush.

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That's what you're looking for.

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A lot of paint we turned

around and you can see the end.

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Ooh.

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Look at all that paint.

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All right, let's go up to

the canvas and write in here.

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Maybe there he is.

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There's a little tree.

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Maybe he's a big tree,

but he's far, far away.

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He lives right there.

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That's his home.

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Little more paint on the brush.

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Maybe there's another

one of those right here.

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I don't want to kill all this.

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Mistier it really?

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Once again, that's all you have to

separate all these individual things.

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Try not to kill him.

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Maybe, maybe there's just a little

tree that lives here forever, forever.

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And there's one, maybe

there's a big one right here.

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However you want him shaped.

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That's the way he should be.

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Yeah,

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dropping some very, very basic

little shapes at this point.

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We're really not worried about it.

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And now we need, we're going to need

some reflections if we're going to have

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a little pond here and I think a will.

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So let's, let's pull some

of this down at this point.

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Still doesn't matter.

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We don't know where it's going

or why, or don't really care.

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Some of the more defined shapes will

work a little harder at like, so

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go ahead, pull that down.

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Then I'll take a clean brush and

very lightly, very lightly crossing.

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Just didn't have to.

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To give the illusion of water.

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Now we can start picking out

some individual things in here.

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Maybe I'm going to get a one inch

brush here thinking about let's

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put a little magic, quiet on it.

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Let's go into a little bit of yellow,

yellow, yellow, and my whole standby here.

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SAP green magic white was in the

brush just at the end of the paint.

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Okay.

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Now maybe right up here.

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Put some leaves on this little tree and

let some little shapes happen in there,

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there, so we need, let's add a little

more green that a little darker and

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we'll go right over here and right here.

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Oh, we'll put some leaves

on this little tree.

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don't kill all your dark area.

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So sometimes when you start putting these

leaves on, they're such fun that you get

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carried away and consume all your dark

and, and then your painting is going

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to get a very flat, your little tree.

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You'll just lay there.

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Look like somebody cut it out of newspaper

and just stuck it on your canvas.

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And we want trees that have depth

and have, have a little personality.

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Okay.

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Now water normally lies in

her, in a recessed area.

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So begin working with the lay of the land.

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So it comes down.

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I'm adding a little yellow ochre

that'll land in yellow here and there.

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Just mix these numbers.

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Okay.

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It has a little things happen.

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Now we can reflect some of

this ran into the water.

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Just look at what you have up here and

reverse your brush and do it in the water.

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Just very basic.

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Just, just reverse it, drop it in.

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Then with our large brush,

we take it very lightly.

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Barely, barely touching, barely touching.

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Barely touching, pull it down.

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I do that just to remove

excess paint off the brush then

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for her lightly come across.

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Sometimes you can just beat the brush

real hard and you don't have to go

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to all the trouble of cleaning it.

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Okay.

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Tell you what.

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Let's build, let's build a little building

or two back here, and maybe I'm going to

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start with a little bit of Vandyke Brown,

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a little bit of Bandag Brown.

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Cut a little bit out with a

knife and let's decide where

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our first building will be.

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Maybe we'll have several little buildings

right here and go with the roof.

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We'll put the roof up.

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Shoot that easy.

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Give it.

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Another side to the roof too.

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And all we do is fill in the color.

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First.

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All I'm doing is just putting in some

Brown and we'll come back and highlight,

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need the dark in order to show light.

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Okay.

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Maybe, maybe, maybe there's

a taller building right here.

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Just sort of laying some basic

shapes right now for where we're

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going to have the buildings.

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I'm really not worried about.

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What are they going to look like?

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We're just laying in her Brown

color and then we can play with it.

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Okay.

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Now let's put some things

appear on the roof.

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I'll take some Browns, white

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hair.

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Mixy color up.

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Now I'm gonna take her, just

pull across and get a small

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roll of paint on the knife.

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There, you can see it very well.

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Just a small roller

paint right on the edge.

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Okay.

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Now we can come right here and we

can begin adding some highlights.

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Now there's a numerous ways you can put

this on to make all kinds of effects.

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You can just sort of let

it bounce along like this.

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She has let it tap,

touch and bounce along.

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Make it look old.

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Maybe it wasn't make it look old.

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I like old buildings.

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Yeah.

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A little bit of highlight right there.

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I like striking a little bit

going off in that direction.

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Okay.

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Now, away from the bushes, it looks

like a light's coming from the left.

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Let's take and make the

left side a little brighter.

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I'll take some, some burn number

and put a small amount of permanent.

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Read into it.

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Burn number with permanent

red, a little bit of white.

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Okay, little roll of paint.

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Let's go right up here and very lightly.

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Just pull it down just to give

the impression after that same

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color, I'll mix up some Vandyke.

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Brown is the same color only.

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I'm using Brown to make it darker,

same color with Brown, much darker.

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Now I'll put that since the light's coming

from here, this side needs to be brighter.

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So right here, I'll use a different color.

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It's darker, just like so, and

that sort of separates them.

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Okay.

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Now you got to make some decisions.

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Are there windows in this building?

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If there are, I'll just use a

small edge of the knife and we'll

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just put some little indications.

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Now you can put whatever you want in here.

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This could be a barn or house, or

just want to show you how you can

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make all these little buildings.

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We just take the point of the knife

and sort of outline these little

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windows, make them stand out.

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Okay.

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Let's do the next one.

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We'll do the roof.

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Okay.

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Right on down through that

one, see there, we don't care.

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Just cut off what you don't want there.

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never take a lighter color.

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And once again, I liked the itch or it

stands out a little bit right there.

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Maybe just a touch down there.

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Okay.

255

00:14:42,980 --> 00:14:50,390

Yeah, we can put aside here

easy and then a darker color.

256

00:14:51,210 --> 00:14:51,990

Better front on it.

257

00:14:57,170 --> 00:14:57,650

Shoot.

258

00:14:57,650 --> 00:14:58,130

Who knows?

259

00:14:58,130 --> 00:15:01,880

Maybe, maybe there's a

big door right there.

260

00:15:02,090 --> 00:15:02,600

Big door.

261

00:15:02,960 --> 00:15:03,380

We don't know.

262

00:15:04,250 --> 00:15:05,660

I don't even know for sure.

263

00:15:05,660 --> 00:15:06,890

What kind of buildings these are.

264

00:15:06,980 --> 00:15:07,910

I think they're just cute.

265

00:15:09,590 --> 00:15:14,510

Maybe we can show some planks,

just cut right through the paint,

266

00:15:17,600 --> 00:15:18,440

trim up the edges.

267

00:15:18,440 --> 00:15:19,070

Like we want them.

268

00:15:21,250 --> 00:15:22,590

Maybe let's get crazy.

269

00:15:24,420 --> 00:15:28,730

Maybe whoever built this was

having a good day, a good day.

270

00:15:28,730 --> 00:15:30,770

And he, maybe he put

another little building.

271

00:15:30,770 --> 00:15:31,880

It comes out this way.

272

00:15:35,060 --> 00:15:36,050

There's a roof on it.

273

00:15:37,819 --> 00:15:40,400

Well, you use a small edge of

the knife, but the other side on

274

00:15:44,470 --> 00:15:47,270

a little higher in the

front, there we are good.

275

00:15:49,965 --> 00:15:56,615

Other side of the building, a little

bit of highlight, make that stand out.

276

00:15:56,615 --> 00:15:58,145

And I'm using the small edge of the knife.

277

00:15:58,895 --> 00:16:02,765

So often we avoid it and it's,

it's just like the big one,

278

00:16:02,765 --> 00:16:04,895

only a small to super things.

279

00:16:05,105 --> 00:16:05,525

You use it.

280

00:16:06,965 --> 00:16:07,235

Okay.

281

00:16:07,295 --> 00:16:09,064

Now we need to put some darker in here.

282

00:16:11,074 --> 00:16:17,045

I can't and a little bit of

the lighter color in the front.

283

00:16:24,185 --> 00:16:26,135

Yeah, we just got buildings everywhere.

284

00:16:26,885 --> 00:16:27,395

I'm not ready.

285

00:16:28,265 --> 00:16:29,585

All I got this dark color on here.

286

00:16:30,055 --> 00:16:31,175

Let's put some land in here.

287

00:16:31,175 --> 00:16:34,835

We need a little bit of

land right along there.

288

00:16:34,835 --> 00:16:35,165

It is.

289

00:16:35,705 --> 00:16:40,175

I have to make decisions where it is,

where it goes, and this is your world.

290

00:16:40,175 --> 00:16:41,915

So you have to make these big decisions.

291

00:16:47,130 --> 00:16:47,760

We're in here.

292

00:16:51,890 --> 00:16:52,120

Yeah.

293

00:16:52,130 --> 00:16:52,970

We're going to take the brush.

294

00:16:52,970 --> 00:16:56,300

I was using to make all these

beautiful little bushes and

295

00:16:56,300 --> 00:16:57,500

let's just bring a few of these.

296

00:16:57,980 --> 00:17:03,110

This is just the one inch brush

still has CAD yellow, a little

297

00:17:03,110 --> 00:17:04,730

bit of Indian, yellow ochre.

298

00:17:04,940 --> 00:17:06,470

That was permanent red,

all mixed together.

299

00:17:08,120 --> 00:17:10,430

So you have a multitude of

colors happening on the brush.

300

00:17:12,344 --> 00:17:15,464

We can bring all kinds of little grassy

things all around wherever you want

301

00:17:15,464 --> 00:17:18,734

them here and there and there and here.

302

00:17:20,504 --> 00:17:25,514

And let's take a little Brown and

white and we'll make us a little bit of

303

00:17:25,514 --> 00:17:31,814

highlight just all this up here and there

don't want it to be totally, totally dead.

304

00:17:34,745 --> 00:17:37,235

You know, one thing I'd like to

mention while we're doing this.

305

00:17:37,680 --> 00:17:40,260

I get a lot of letters

asking about my easel.

306

00:17:41,460 --> 00:17:46,290

Um, my easel, I designed it and

built it myself and it's made

307

00:17:46,500 --> 00:17:53,070

from a platform letter and it's

very strong, very, very strong.

308

00:17:53,610 --> 00:17:57,120

And if you're going to paint this

method, you need a strong easel.

309

00:17:57,899 --> 00:18:02,129

Nothing makes a better easel for

a more reasonable price than a

310

00:18:02,129 --> 00:18:03,930

step ladder or a platform ladder.

311

00:18:04,020 --> 00:18:06,420

Any kind of ladder works very, very well.

312

00:18:07,860 --> 00:18:12,800

Very well, well, sometimes we get,

we get carried away here and we beat

313

00:18:12,860 --> 00:18:17,030

the bang and you need a strong easel

and he use a little bit of the magic,

314

00:18:17,030 --> 00:18:21,560

quite pull it out, very flat, cut

across it, and let's go up here and

315

00:18:21,830 --> 00:18:23,330

just drop in some little water lines.

316

00:18:27,590 --> 00:18:27,800

There

317

00:18:31,640 --> 00:18:32,030

we go.

318

00:18:38,445 --> 00:18:42,765

There, and you just absolutely

cutting into the canvas

319

00:18:46,095 --> 00:18:46,395

stack.

320

00:18:46,395 --> 00:18:47,715

Like you're trying to cut a hole in it.

321

00:18:47,865 --> 00:18:48,765

Canvas is tough.

322

00:18:49,155 --> 00:18:51,915

Don't worry about, you know,

they, they make tents out of it.

323

00:18:51,915 --> 00:18:53,175

It's strong.

324

00:18:54,435 --> 00:18:56,985

Chances are, you're not

going to cut a hole on it.

325

00:18:56,985 --> 00:18:57,705

You'd really have to.

326

00:18:59,580 --> 00:19:00,600

You don't have to get violent.

327

00:19:00,600 --> 00:19:01,090

Got a hold on.

328

00:19:01,110 --> 00:19:02,490

I don't want to be around

if you do it in that,

329

00:19:05,580 --> 00:19:07,740

apparently go, okay.

330

00:19:08,730 --> 00:19:12,600

We've got some buildings and some water

let's let's work on that tree right there.

331

00:19:12,660 --> 00:19:16,620

It, it needs to have a little

something, a little leaf on it.

332

00:19:18,060 --> 00:19:22,800

So we use some green and some

yellow we'll come around in here.

333

00:19:23,070 --> 00:19:24,570

Give him some happy little leaves.

334

00:19:31,575 --> 00:19:37,004

Maybe maybe, maybe right here, maybe

there's another one, an individual

335

00:19:37,004 --> 00:19:38,145

that lives right there, right.

336

00:19:38,145 --> 00:19:38,985

It is a little foot.

337

00:19:40,545 --> 00:19:40,785

Okay.

338

00:19:40,875 --> 00:19:42,735

Now we can reflect some of

that right into the water.

339

00:19:42,735 --> 00:19:43,845

Like we do on the other side

340

00:19:51,735 --> 00:19:52,845

now with our large brush.

341

00:19:54,254 --> 00:19:54,975

Oh, gently down.

342

00:19:56,565 --> 00:19:59,115

Very, very gently come across.

343

00:20:01,025 --> 00:20:02,345

Delicate, delicate touch.

344

00:20:05,525 --> 00:20:08,555

Now then I can finish up water lines.

345

00:20:08,885 --> 00:20:10,235

We don't have this side finished

346

00:20:13,525 --> 00:20:14,945

dropping a little happy waterline.

347

00:20:16,535 --> 00:20:16,745

348

00:20:16,745 --> 00:20:20,435

We can take the clean point of the

knife, scraping the little trunks

349

00:20:20,435 --> 00:20:21,695

here and there, wherever we want them.

350

00:20:22,500 --> 00:20:22,890

Makes sense.

351

00:20:25,170 --> 00:20:28,910

Use your liner brush if you'd like and

draw them in using different colors.

352

00:20:30,200 --> 00:20:30,740

I'm lazy.

353

00:20:30,740 --> 00:20:32,390

I just, I just take

the point of the knife.

354

00:20:32,460 --> 00:20:34,610

Drop a few in looks good.

355

00:20:36,140 --> 00:20:36,410

Okay.

356

00:20:36,410 --> 00:20:38,270

Now let's worry about the

other side of the pain.

357

00:20:39,410 --> 00:20:42,560

Maybe we'll have some land coming

right down here in the front.

358

00:20:42,560 --> 00:20:44,510

So let's, let's take this whole big brush.

359

00:20:44,510 --> 00:20:45,380

We'll take some set.

360

00:20:45,410 --> 00:20:50,210

Green van Dyke Brown

Lisbon, the depression blue.

361

00:20:52,425 --> 00:20:53,775

And let's go right in here.

362

00:20:54,585 --> 00:20:55,185

There it is.

363

00:20:56,715 --> 00:20:58,515

Maybe it comes right out through there.

364

00:21:00,285 --> 00:21:01,305

I don't want to kill this water.

365

00:21:01,305 --> 00:21:04,695

I want it to go look like it's going

off in the background somewhere.

366

00:21:05,805 --> 00:21:08,295

Maybe there's a little

reflection right here.

367

00:21:11,415 --> 00:21:14,505

A little bit of reflection there.

368

00:21:20,340 --> 00:21:24,780

And then we can bring this maybe

right on, around like that,

369

00:21:25,620 --> 00:21:27,810

wherever, wherever you want it to go.

370

00:21:27,930 --> 00:21:29,430

Just drop it in.

371

00:21:35,980 --> 00:21:37,080

It's a Bush right there.

372

00:21:37,110 --> 00:21:41,940

See, so we need to put

some color right here.

373

00:21:46,695 --> 00:21:48,314

A little happy Bush lives right there,

374

00:21:52,425 --> 00:21:52,875

maybe.

375

00:21:53,024 --> 00:21:56,145

Ooh, there's a nice red

with bright little sparkler.

376

00:22:00,165 --> 00:22:01,635

Let's add a little green

377

00:22:04,725 --> 00:22:05,054

here.

378

00:22:06,705 --> 00:22:09,885

Make all kinds of little

grassy areas there.

379

00:22:09,885 --> 00:22:10,155

There.

380

00:22:14,385 --> 00:22:14,655

Okay.

381

00:22:14,745 --> 00:22:16,304

Let's put some land back in the back.

382

00:22:17,264 --> 00:22:22,004

A little bit of Vandyke Brown, a

little bit of dirt, right there.

383

00:22:24,284 --> 00:22:28,245

Can I have something for all this

little grass and bushes to set up

384

00:22:34,125 --> 00:22:34,935

to highlight on it?

385

00:22:39,500 --> 00:22:41,870

then we can drop all

these things right there.

386

00:22:43,340 --> 00:22:48,650

And once again, mix these colors on your

brush and that way you get a multitude

387

00:22:48,650 --> 00:22:53,150

of things happening when you hit the

canvas, it's not just one dead color and

388

00:22:53,150 --> 00:22:59,240

do this in the layers using brush sideways

touch push ended up in the layers though.

389

00:23:00,500 --> 00:23:02,150

So it creates the illusion of depth.

390

00:23:03,380 --> 00:23:04,230

You don't want it to be flat.

391

00:23:06,255 --> 00:23:06,555

Okay.

392

00:23:06,555 --> 00:23:10,275

Maybe now we need something to push

everything back in this painting.

393

00:23:10,485 --> 00:23:16,545

So I think I'm going to take an ad, maybe

a big tree that comes all the way up and

394

00:23:16,545 --> 00:23:20,775

that'll help push everything back in and

work on making it look deep right now.

395

00:23:20,775 --> 00:23:21,765

It looks quite flat.

396

00:23:22,365 --> 00:23:23,655

So let's go right into some Brown.

397

00:23:23,655 --> 00:23:29,105

We'll use the almighty knife

and you got to make a decision.

398

00:23:29,105 --> 00:23:29,975

Whereas your tree lifts.

399

00:23:30,870 --> 00:23:34,080

Where does he live right

here is where he lives.

400

00:23:35,580 --> 00:23:36,870

There he goes.

401

00:23:39,300 --> 00:23:40,470

And this is where we find out.

402

00:23:40,470 --> 00:23:44,460

If you're brave, when you start

putting all this Brown right

403

00:23:44,460 --> 00:23:46,050

up in there, pretty blue sky.

404

00:23:48,590 --> 00:23:49,790

There you go.

405

00:24:05,939 --> 00:24:06,720

Give him a foot

406

00:24:12,300 --> 00:24:12,810

all the way up.

407

00:24:17,449 --> 00:24:18,500

Let it get a little wider.

408

00:24:18,590 --> 00:24:19,879

I can even look a little stronger.

409

00:24:22,490 --> 00:24:22,760

Okay.

410

00:24:22,820 --> 00:24:23,899

Now we can highlight it.

411

00:24:25,590 --> 00:24:28,100

Maybe tell you what let's

give him a little friend.

412

00:24:28,660 --> 00:24:29,640

Don't want him to get lonely.

413

00:24:31,770 --> 00:24:33,120

It gets cold out here at night.

414

00:24:33,430 --> 00:24:34,110

He needs a friend.

415

00:24:37,790 --> 00:24:38,270

Let him go.

416

00:24:44,750 --> 00:24:46,610

Everybody needs a friend on his cold

417

00:24:51,770 --> 00:24:54,980

and drop in just a few

little indications of alums.

418

00:24:55,190 --> 00:24:57,315

We'll put some leaves on this

one, so we don't really have to.

419

00:24:58,305 --> 00:24:59,565

Do a lot of work on lamps.

420

00:24:59,865 --> 00:25:03,855

If you have trouble making the old NAF

work, you can do this with a liner brush.

421

00:25:03,885 --> 00:25:04,395

No problem.

422

00:25:04,515 --> 00:25:07,335

No problem works very well.

423

00:25:10,065 --> 00:25:10,305

Okay.

424

00:25:10,505 --> 00:25:14,115

I'm going to use the same reddish

color that I used on the little

425

00:25:14,115 --> 00:25:16,575

house back here and just touch.

426

00:25:17,385 --> 00:25:21,165

And we said our lights

coming from the left, please.

427

00:25:21,165 --> 00:25:21,945

Excuse my arm.

428

00:25:21,945 --> 00:25:23,295

And being all in front of you there.

429

00:25:25,350 --> 00:25:27,930

This is where the left-handed

person has the advantage thing.

430

00:25:32,600 --> 00:25:34,190

And just go right on up beside there.

431

00:25:35,840 --> 00:25:40,280

I mean, I can just make

a few little highlights.

432

00:25:43,940 --> 00:25:47,690

Now on the other side, I'm going to put

the least, least, least a little touch of

433

00:25:50,990 --> 00:25:51,260

blue.

434

00:25:52,980 --> 00:25:56,129

Just to break it up and let's

put some leaves on this tree.

435

00:25:56,129 --> 00:25:57,330

So we'd have some leaves.

436

00:25:59,610 --> 00:26:00,720

Let them be very loose.

437

00:26:02,129 --> 00:26:03,300

Very, very loose.

438

00:26:04,919 --> 00:26:08,730

Let them go wherever.

439

00:26:13,169 --> 00:26:13,500

Okay.

440

00:26:13,980 --> 00:26:14,250

Yeah.

441

00:26:15,270 --> 00:26:16,139

We'll highlight this.

442

00:26:16,139 --> 00:26:20,280

I'll use a little yellow and very

quickly they'll highlight it.

443

00:26:21,060 --> 00:26:21,480

It depends.

444

00:26:21,480 --> 00:26:22,170

We're highlighting.

445

00:26:22,320 --> 00:26:25,620

I'd like to tell you goodbye

and I hope to see you next week.

446

00:26:26,370 --> 00:26:29,820

This has been a fantastic painting,

and I think it's taught you a lot.

447

00:26:30,030 --> 00:26:35,010

So on behalf of all of us here, like the

wish each and every one of you happy pain.

448

00:26:35,429 --> 00:26:36,000

God bless him.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E02 - Nature's Edge

Bob Ross's

The Joy of Painting

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