Bob Ross's

The Joy of Painting

S07E07 - Barn at Sunset

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I'm glad you could join me today.

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And today I thought we'd do

a beautiful little painting.

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Does get some snow in it.

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And maybe we'll put a great big barn

and do it in a lot of warm colors.

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And I think you'll really enjoy it.

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Now.

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I've already covered the canvas with

a thin even coat of the liquid white

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and it's slick, wet, ready to go.

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So let's have him run all the colors

across the screen that you need to do

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this painting with me and they'll come

across your screen in exactly the same

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order as I have them laid out on them.

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Palette, starting with a titanium

white and working all the way around

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to the red while they're doing that,

let's go on up here and get started.

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And today, what do use

the old two inch brush?

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And I'm gonna go right into a little

Indian, yellow, and just tap a

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little bit of that into the bristles.

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Tiny's a little bit,

let's go right up here.

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You have to make a decision right off.

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Where's your horizon going to be?

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And in my world, I think it's going to be

for right about there, right about there.

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So just go across I right

above that, I'm going to go.

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Into a little bit of yellow ochre,

just a small amount of yellow ochre

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tapped onto the bristles the same way.

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And we'll go right up here, right

above that little yellow ochre.

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See now where they touch here, did

he just blend them together a little

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go right into some bright red.

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I haven't cleaned the brush and just

still tapping a little color on, okay.

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The bright red right there.

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Just like you suspected.

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There we go.

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So we have three layers of color.

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Now we can just very lightly

just blend those together.

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There we go.

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Alrighty.

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We have, we have something ready

for the museum of modern art.

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Okay.

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Beat the brush off.

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I'm gonna go right into midnight,

black, very transparent black.

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All right, let's go up here.

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And I want a very contrasting sky day,

so we'll put a little black right here

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and just use a little crisscross strokes

and let it work right into the sky.

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That easy.

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We really do have a modern

art masterpiece go in here.

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A couple more colors and

we'll have this one finished.

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I laugh.

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I laugh because there's a camera man.

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Over here, that's got the funniest

looking disease you've ever seen.

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It's got spots all over.

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It ran into a little

bit of the dark Sienna.

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Just pull the breast through.

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Let's go right up here.

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I'm going to put just an indication

of some happy little cloud shapes,

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still using the same brush.

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And I'm just turning it.

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Making little circles,

little tiny circles.

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There's little tiny circles so that

they come right down into the color.

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I like these kinds of paintings because

it's, they've got so much color in them.

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They're so bright.

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Sometimes winter scenes.

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Oh, they can have so

many cold colors in them.

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You almost have to wear a

Parker to, to look at them.

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And if you're unfamiliar with a Parker,

that's the kind of cope we were in Alaska.

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It's got the big rough around the top.

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Fern cold, very lightly, very

lightly here, just going to

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blend those colors together now.

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So we're just getting a continual

progression of color and it's

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time to have some fun, you know?

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I'll go right into a one inch brush.

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We need some light color in here

to, to separate all these I'll use

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titanium, white, a little bit of the

red, make a nice warm pinkish color.

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Okay, let's go up here now, then

in here, but where these two colors

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come together, I'm going to drop in

the indication of some happy little

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clouds that are just floating around.

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Just having fun.

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Keep your brush moving.

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Keep it moving.

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Keep it going all the time over here.

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There's one.

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Look at that.

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Look at they're that easy.

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Just drop them in, drop them in

wherever you think they should live.

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That's exactly where they should be there.

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And as many as you want, or as few

as you want, whatever, whatever,

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take a nice clean dry brush here.

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And I'm just going to

gently, gently blend this.

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Just blend it a little bit.

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Don't overdue.

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That's a temptation when you get in here

to absolutely kill it over blend there.

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Let's see how that skies.

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Now it's beginning to come together.

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Isn't that a beauty, you know,

of course, I know none of us

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are interested in these monetary

gains, but if you are, if you are.

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And some of I'm sorry, these are

the kinds of paintings itself.

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I've said it before.

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A lot of times paintings sell

for color as well as content.

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And when you're selling paintings steady,

your audience steady your audience.

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A lot of times, if you're selling

paintings predominantly to men,

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men, you know, were moncho man

like paintings that are cold, a

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lot of blue and a lot of mountains.

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If you're selling paintings to

ladies, they're a little smarter.

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They lay back paintings because he

fit into a room where they match

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a couch or a rug or something.

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And ladies normally will buy warmer color.

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Okay.

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Now that they've made all the men mad at

me, we'll put another cloud over here.

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There we go.

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I'm just crazy about ladies.

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So I like links there.

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It'll cloud right there,

wherever you want them.

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And you could spend, spend all day just

putting the happy little clouds in here.

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Just a few same old brush

and we'll blend this out.

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Blended out tiny little circles,

fluff it up, fluff it up.

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Channeling blended all together.

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Same way.

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Right there.

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Stay there.

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Isn't that super.

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There we go.

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Now let's have some fun.

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I'm going to take the knife.

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Go right into tiniest little

Mount of cadmium yellow, just

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straight cadmium yellow, cut

across a little tiny roller paint.

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It's got up here.

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All right.

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Back in here.

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I'm just going to let it Jess.

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early graze a canvas.

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I want to put some little, some

little happy doers in there.

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So you let him play across

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and with a clean, dry brush.

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And this is three hairs in some air.

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Lightly lightly stroke the canvas just

enough to sort of bring that together.

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Don't want to overdo, let this flame with

a little bit of liquid white and come down

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a little bit more because we're going to

put some little background trees in there.

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And a few of them might show

through a little bit of this

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guy on my show through we go.

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Okay.

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Isn't that a super sky?

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We'll certainly warm up a room.

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Okay.

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I'll clean my brush.

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Give it a shake, beat the devil out of it.

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All right.

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Let's make some decisions here.

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Let's put some happy little trees

in the background and for that,

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I'm going to mix up, uh, Let's

take a little flag, a little blue.

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I'll throw in a little

lizard and Crimson too.

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What the heck?

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Maybe mix a little more black blue creams.

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Let me clean my knife here.

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And we'll, we'll take a round brush

and just tap it in there a little bit.

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Like yeah, just tap, tap there.

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Alice puts him, let's

put some little trees.

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Good.

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They're just little basic shapes

and they live right in there

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and just think like a tree.

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How would you like to,

would you like to grow here?

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Don't kill all the pretty areas that

you put into this beautiful sky.

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Cause that can happen very rapidly.

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Begin putting in some very

basic, happy little shapes.

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There we go.

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Maybe there's one here.

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You notice.

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I usually try to start at the

bottom and work up that way.

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It automatically gets lighter

toward the top and you keep

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the dark shadows at the bottom.

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That really helps makes your life easier.

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Can you just put a few on the

other side over here, we don't

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want him to feel left out.

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I'm just tapping with this brush.

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Oh, there it goes.

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My beautiful little cloud.

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And I liked that one too.

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That's all right.

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We've learned how to make it in.

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The name of the game has practice.

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So if you've got some practice, your

efforts weren't wasted because you

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know, every painting you do, you look

at it and you know, the next one's

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going to be better because you learn

something from every single painting.

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Alright, let me just drop a little bit

of that color right in there, wherever.

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Sort of a black to a lavender

little gray, whatever.

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Okay.

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Let's take our liner brush.

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Okay.

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We'll put a little bit of paint

thinner on it and we'll go into

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some Vandyke Brown turn at burst

when it comes to a nice sharp point.

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All right, let's go up here now.

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We need some little trunk

indications here and there and

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I'm not looking for a whole bunch.

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Just just enough.

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So that when you look back here, you can

see, Oh, there is one that didn't have

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any, he didn't have any leaves on him.

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He just laying up there naked.

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Yeah.

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Put one right in there that you

brush turn and wiggled and have fun.

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Cause tree limbs grow all

kinds of crooked ways.

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Sometimes, sometimes maybe a big old deer

comes by or a moose and steps on them.

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And it hurts someone a little.

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Let's go over here and

there's one over here.

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So they're not always straight, you know,

they have to go out and look a long time

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to find one, to make a telephone pole.

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Lot of, majority of

them grow sorta crooked.

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All right.

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So that gives us a little, a

little bit inside the tree and

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we'll take a same old brush.

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What the heck we'll go right into time

and he's a little bit of the yellow and.

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Does that I'm going to add a

little bit of a lizard Crimson.

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We're going to have a very

warm painting here and also

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want to add some white to that.

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Maybe.

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Should we leave them

add some red in there?

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There we go.

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Here we go.

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Can we just go up here and I want

to go right up here and just touch.

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I don't want a lot of color yet.

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A lot of color yet.

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We'll put that in later.

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Just some happy little snow things.

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You could even take a little bit

of blue and add right in there.

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A little blue and white, just tap it into.

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That's a pretty Cole color.

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Look in there.

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Look at that.

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Look at that.

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There's one up here.

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Not looking for a lot of detail yet.

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Just, just a little indications,

just a few here and there.

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Just a few and then you can begin picking

out little things that are down in here.

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Just decide where they are.

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Drop them.

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There's one.

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See him right there.

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See, see, you know that he was there.

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I can go back into some red,

get a little more of the Hawaii,

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put it all together right here.

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Look at that makes sort of a

nice little, little lavender

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color, beautiful little color.

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They'll make this tree, have something to

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put a little wipe and right there.

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Ooh.

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Okay.

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He stands out.

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See that a light stands out

against a dark nice one.

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That's one them happy accidents.

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And when you get those

don't fight with them.

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Can you pump a little bit more there?

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Bright red into that one.

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Just really having some fun with color.

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Now, when you do this at home, if you

want to change the color, you have an

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artist license, it comes with your first

tube of paint says you can do anything

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you want to do at least on canvas.

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All right.

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That's enough piddling around there.

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Let's have some fun.

255

00:13:20,150 --> 00:13:23,210

I'm going to take a two inch brush

here and we'll begin laying in

256

00:13:23,210 --> 00:13:25,070

some, some areas in the back here.

257

00:13:26,250 --> 00:13:27,060

Where the snow is going to be.

258

00:13:27,060 --> 00:13:28,800

I'm just going right into this

color I've been playing with.

259

00:13:28,800 --> 00:13:32,460

It's got some pink in it, quite whatever.

260

00:13:32,460 --> 00:13:35,580

We don't care how you begin

worrying about the lay of the land.

261

00:13:37,439 --> 00:13:39,780

Maybe make a decision,

which way is it going to go?

262

00:13:40,110 --> 00:13:41,130

And it goes sort of that way.

263

00:13:42,990 --> 00:13:44,520

And I'm just laying paint on the canvas.

264

00:13:44,520 --> 00:13:44,910

Right now.

265

00:13:45,990 --> 00:13:48,510

You can reach up in here and grab

a little of this and pull it down.

266

00:13:48,510 --> 00:13:49,560

Or you can even get over here.

267

00:13:50,730 --> 00:13:52,230

Just let some, these little things happen.

268

00:13:52,260 --> 00:13:53,760

It's going to be far in the background.

269

00:13:54,000 --> 00:13:55,050

We're not too worried about it.

270

00:13:56,220 --> 00:13:56,580

Backed up.

271

00:13:56,580 --> 00:14:01,620

Probably just covered up several little

colors there there's some pink and

272

00:14:01,620 --> 00:14:06,800

learn some blue and then picking up some

of these little shadow colors there.

273

00:14:08,630 --> 00:14:11,960

Now take a fan brush and very soft.

274

00:14:12,950 --> 00:14:13,880

Janice grabbed that.

275

00:14:16,125 --> 00:14:18,525

Nothing wrong with picking up

a little color and see how you

276

00:14:18,525 --> 00:14:19,875

can create the lay of the land.

277

00:14:22,805 --> 00:14:22,895

Okay.

278

00:14:22,954 --> 00:14:24,094

Surround let it play.

279

00:14:24,275 --> 00:14:26,735

It's not say, I think I'll put

a big bar in there anyway, so

280

00:14:26,735 --> 00:14:27,935

we're not worried about that.

281

00:14:30,030 --> 00:14:30,750

Lift up burden.

282

00:14:31,230 --> 00:14:34,350

So that sort of gives it a

little Misty effect, sneaky,

283

00:14:35,640 --> 00:14:38,310

quiet, soft, dark back here.

284

00:14:38,550 --> 00:14:39,870

I spread the little rapid Heights.

285

00:14:39,900 --> 00:14:41,250

He lives back in there and watches.

286

00:14:41,250 --> 00:14:43,470

What's going on out here, man.

287

00:14:43,470 --> 00:14:44,850

All the crazy people out there.

288

00:14:44,880 --> 00:14:45,420

What are they doing?

289

00:14:47,930 --> 00:14:48,470

All right.

290

00:14:50,630 --> 00:14:52,160

Let's build a barn now.

291

00:14:52,560 --> 00:14:55,080

When you do this, probably one

of the easiest ways I've found

292

00:14:55,440 --> 00:14:58,680

is to take your knife and very

gently scrape out a basic shape.

293

00:14:58,710 --> 00:15:01,200

This allows you to get

your perspective, right.

294

00:15:01,260 --> 00:15:04,290

But most important, it takes off the

paint that you already have on the canvas.

295

00:15:04,710 --> 00:15:06,450

And the next layer sticks much easier.

296

00:15:06,600 --> 00:15:08,370

So let's go right here.

297

00:15:08,640 --> 00:15:10,320

See, I just use a point.

298

00:15:10,320 --> 00:15:12,090

Maybe you can see that, but

yeah, you can see that quick.

299

00:15:12,110 --> 00:15:13,610

Well, there we go.

300

00:15:13,830 --> 00:15:14,780

Same we'll come down.

301

00:15:14,780 --> 00:15:20,480

Maybe here was the other

part comes out, like, so.

302

00:15:22,170 --> 00:15:23,280

And you're not committed yet.

303

00:15:23,460 --> 00:15:24,990

This is just giving you an idea.

304

00:15:24,990 --> 00:15:25,740

Maybe there's an arm.

305

00:15:25,780 --> 00:15:27,590

It lives right over here on this barn.

306

00:15:28,160 --> 00:15:32,510

We'll put an arm over here,

comes across, sorta look at it.

307

00:15:33,000 --> 00:15:34,340

See that gives you a general shape.

308

00:15:34,400 --> 00:15:37,130

Now with a knife, we, the knife.

309

00:15:38,870 --> 00:15:41,689

I'm just going to tear it up, rip it out.

310

00:15:41,930 --> 00:15:44,840

All the beautiful things we had back here.

311

00:15:45,380 --> 00:15:45,920

There they go.

312

00:15:50,140 --> 00:15:53,160

Think today, I'll show you a

different way to, to paint a barn.

313

00:15:53,189 --> 00:15:55,620

This is an old barn, has old wood on it.

314

00:15:57,160 --> 00:15:58,319

Get all this color out.

315

00:15:59,490 --> 00:16:03,060

I'm gonna put some snow on the roof

and we don't, we don't want it to know

316

00:16:03,060 --> 00:16:06,540

about that yellow, snow that up there.

317

00:16:06,750 --> 00:16:07,410

Okay.

318

00:16:09,150 --> 00:16:09,390

There.

319

00:16:09,459 --> 00:16:10,619

I know that looks terrible.

320

00:16:11,099 --> 00:16:14,790

You're probably sitting at home saying,

Bob, you have, you have done it this time.

321

00:16:15,599 --> 00:16:16,560

He used a two inch brush.

322

00:16:16,560 --> 00:16:17,969

I'm going right into the van.

323

00:16:17,969 --> 00:16:20,640

Dyke Brown load, the brush full of color.

324

00:16:21,510 --> 00:16:25,829

Give it a wiggle and pull it,

brings it to a nice sharp edge.

325

00:16:25,859 --> 00:16:26,150

Look at it.

326

00:16:26,150 --> 00:16:27,390

Look how sharp it brushes.

327

00:16:27,810 --> 00:16:28,500

It's very sharp.

328

00:16:29,219 --> 00:16:29,489

Good.

329

00:16:29,550 --> 00:16:30,089

Let's go up here.

330

00:16:31,890 --> 00:16:33,390

All right, let's start with overhang.

331

00:16:33,540 --> 00:16:34,140

There it is.

332

00:16:35,265 --> 00:16:39,885

Sit there, or you could do all of this

that I'm going to do with your knife.

333

00:16:40,365 --> 00:16:42,015

I just want to show you a

different way of doing it.

334

00:16:42,125 --> 00:16:46,145

Grab this, pull it down,

pull down, use both sides.

335

00:16:46,145 --> 00:16:47,645

Cause the other side's fully loaded too.

336

00:16:49,505 --> 00:16:50,855

Here we go over here.

337

00:16:53,795 --> 00:16:58,955

Look at that quick, quick there.

338

00:16:59,705 --> 00:17:02,975

If he's going to have a little arm out

there, we need to put Smallwood out there.

339

00:17:04,589 --> 00:17:10,520

Got a little arm on the other side, put

some Brown in there and you're really,

340

00:17:10,819 --> 00:17:12,440

you're really still not too committed.

341

00:17:13,639 --> 00:17:15,230

You can still change your mind here.

342

00:17:15,349 --> 00:17:23,270

Let's go up the side, see they're

right up beside like then maybe, maybe.

343

00:17:23,300 --> 00:17:23,690

Yeah.

344

00:17:23,720 --> 00:17:26,180

I'm going to have a little bit

of wood showing right in here.

345

00:17:27,500 --> 00:17:27,920

All right.

346

00:17:27,920 --> 00:17:31,790

Now I want to make this look

like old, old, old wood.

347

00:17:32,850 --> 00:17:37,050

Yeah, use a single brush, then we'll go

right into some point some of the dark

348

00:17:37,050 --> 00:17:43,290

Sienna just, and I'm just looking at the

brush there and let's go up to the canvas.

349

00:17:45,120 --> 00:17:46,139

Yeah, start right here.

350

00:17:46,260 --> 00:17:50,730

Touch no pressure, no pressure,

no pressure, no pressure.

351

00:17:50,879 --> 00:17:53,220

Let's say they're hidden.

352

00:17:53,220 --> 00:17:56,159

That super helps.

353

00:17:56,159 --> 00:17:57,090

If you're a little nervous.

354

00:17:58,875 --> 00:18:00,105

Your hand shakes a little bit.

355

00:18:00,405 --> 00:18:06,645

This is the time to use it there because

it makes all these beautiful wood effects.

356

00:18:08,975 --> 00:18:09,845

There we go.

357

00:18:10,565 --> 00:18:10,655

Okay.

358

00:18:10,715 --> 00:18:14,975

Oh, we need some on the other side

who there's a pretty one happening.

359

00:18:14,975 --> 00:18:15,155

Right?

360

00:18:16,475 --> 00:18:18,185

Beautiful, beautiful, beautiful.

361

00:18:20,525 --> 00:18:21,635

I get carried away some time.

362

00:18:21,635 --> 00:18:22,265

Just watching.

363

00:18:24,355 --> 00:18:24,815

Here we go.

364

00:18:24,815 --> 00:18:26,165

Let's put some right out in here.

365

00:18:29,054 --> 00:18:31,175

Okay, Alva here.

366

00:18:31,235 --> 00:18:32,554

I'll just put a little indication.

367

00:18:32,554 --> 00:18:33,725

Not much of that's going to show.

368

00:18:35,284 --> 00:18:38,645

Now we can go back into the Brown and I

want to put some shadows in here and we're

369

00:18:38,645 --> 00:18:41,794

just barely touching, barely touching.

370

00:18:41,794 --> 00:18:43,804

This is when we find out if

you have a delicate touch.

371

00:18:44,915 --> 00:18:45,544

All right.

372

00:18:45,574 --> 00:18:48,784

Now, back to my knife, go

right into the Vandyke Brown.

373

00:18:48,814 --> 00:18:55,475

Cut me off a little and let's put us

some indication of a few boards in here.

374

00:18:57,895 --> 00:19:00,555

I'm just gonna quickly do this

so you can see how it's done.

375

00:19:01,045 --> 00:19:05,115

You have to do, to do, to do, let him go.

376

00:19:06,915 --> 00:19:11,475

And you put as many boards and yours,

as you want as Cartner was like me.

377

00:19:11,475 --> 00:19:12,405

He went into good.

378

00:19:12,885 --> 00:19:13,125

Yes.

379

00:19:13,485 --> 00:19:14,205

Whatever you had.

380

00:19:14,205 --> 00:19:14,805

He used.

381

00:19:15,225 --> 00:19:15,855

Okay, here.

382

00:19:15,935 --> 00:19:16,385

It's a few.

383

00:19:18,155 --> 00:19:18,695

There we go.

384

00:19:20,135 --> 00:19:22,805

Now with a clean brush, very light touch.

385

00:19:23,615 --> 00:19:24,215

Grab this.

386

00:19:25,170 --> 00:19:26,040

And just caress it.

387

00:19:26,520 --> 00:19:28,200

Look at that, bring all this together.

388

00:19:29,040 --> 00:19:32,280

Have you ever seen an easier,

nicer way to make old boards?

389

00:19:34,420 --> 00:19:36,030

Now we can get serious.

390

00:19:37,110 --> 00:19:39,060

First thing we need here is a door.

391

00:19:39,330 --> 00:19:42,800

Kind of have a place to put it kale there.

392

00:19:42,860 --> 00:19:44,810

We've got a barn, gotta

have a way for him to get in

393

00:19:49,400 --> 00:19:52,970

the door and say, you want.

394

00:19:53,520 --> 00:19:58,320

Put some snow right up here on

this little arm, some snow right

395

00:19:58,320 --> 00:20:04,680

along here, just that's laid on,

hang up, come right down here.

396

00:20:04,800 --> 00:20:06,210

Or we go, there we go.

397

00:20:06,210 --> 00:20:06,600

There we go.

398

00:20:06,600 --> 00:20:08,340

There we go there.

399

00:20:10,200 --> 00:20:12,060

And I've given us an

idea of how to do a roof.

400

00:20:12,060 --> 00:20:13,970

I tell you what, I'm just going

to sort of block your CNC.

401

00:20:13,980 --> 00:20:15,600

You can see it a little

easier on yourself.

402

00:20:16,980 --> 00:20:20,909

It's also a nice way to cheat a little

and give yourself a guide touch.

403

00:20:21,420 --> 00:20:21,899

Pull down.

404

00:20:23,835 --> 00:20:28,965

Yeah, give it a little poll, a

little poll, like, so there you go.

405

00:20:30,345 --> 00:20:30,645

Okay.

406

00:20:30,675 --> 00:20:31,635

Now right out here.

407

00:20:32,205 --> 00:20:32,565

Look here.

408

00:20:32,735 --> 00:20:34,635

Look here, look here a little more.

409

00:20:36,525 --> 00:20:37,125

There it is.

410

00:20:42,045 --> 00:20:42,315

Okay.

411

00:20:42,345 --> 00:20:43,095

Right out here.

412

00:20:43,695 --> 00:20:44,745

And then just take your knife.

413

00:20:45,375 --> 00:20:46,305

Smooth it out.

414

00:20:50,100 --> 00:20:52,980

Leaky way to make a barn 29.

415

00:20:52,980 --> 00:20:53,910

We'll take the little knife here.

416

00:20:53,910 --> 00:20:55,950

I want to put some curves in this door.

417

00:20:58,020 --> 00:20:59,520

It's just the right size for them.

418

00:21:01,380 --> 00:21:11,100

Pull that down there and a little bit

of light Brown color, and we all just

419

00:21:11,100 --> 00:21:12,630

sort of outline it and give it a touch.

420

00:21:12,630 --> 00:21:13,260

Your highlight.

421

00:21:13,905 --> 00:21:17,535

So it stands out a little

better, little bit better.

422

00:21:17,535 --> 00:21:19,305

This old barn seen its better day.

423

00:21:19,845 --> 00:21:21,945

He gets it's like me has had a rough life.

424

00:21:22,845 --> 00:21:26,865

Now then we can take and begin

working on some of the perspective

425

00:21:26,865 --> 00:21:28,185

here and get all this stuff together.

426

00:21:29,265 --> 00:21:30,675

Maybe it comes right up through there.

427

00:21:32,495 --> 00:21:35,105

All right, we're ready to have some fun.

428

00:21:35,135 --> 00:21:39,905

I'm gonna go back into some of these

dark colors, Brown little Sianna.

429

00:21:42,240 --> 00:21:45,570

And black, whatever kids go right up here.

430

00:21:46,680 --> 00:21:49,530

Maybe there's a happy little

tree and he lives right there

431

00:21:51,149 --> 00:21:52,649

comes right out through there.

432

00:21:55,139 --> 00:21:57,540

We need kind of brush here

that still got quite on it.

433

00:21:58,200 --> 00:22:00,050

Let's put some snow indications.

434

00:22:00,060 --> 00:22:01,260

It comes right along the barn.

435

00:22:01,280 --> 00:22:01,680

Look at there.

436

00:22:03,300 --> 00:22:03,659

One thing.

437

00:22:03,659 --> 00:22:04,740

Nice about a big old brush.

438

00:22:04,740 --> 00:22:06,870

You can do these things in just a second.

439

00:22:09,690 --> 00:22:10,350

Just a second.

440

00:22:10,350 --> 00:22:11,100

Just throw them in.

441

00:22:12,250 --> 00:22:16,640

I want to add a little blue to the brush

of maybe writing here, look at their

442

00:22:23,870 --> 00:22:27,170

pass indication here.

443

00:22:27,170 --> 00:22:29,990

Maybe, maybe we got a little

bit of snow comes down.

444

00:22:30,350 --> 00:22:32,470

We'll take a fan brush or something here.

445

00:22:32,490 --> 00:22:34,190

We can smooth all this out.

446

00:22:34,220 --> 00:22:35,390

This is just a nice way of.

447

00:22:36,120 --> 00:22:40,889

Dropping it off very rapidly here

lives a nice, happy little Bush

448

00:22:44,820 --> 00:22:46,020

comes right down to there.

449

00:22:48,000 --> 00:22:48,570

Okay.

450

00:22:48,570 --> 00:22:51,389

With a liner brush, a little

bit of liquid INM is going to

451

00:22:51,389 --> 00:22:54,510

put the indication of there.

452

00:22:54,510 --> 00:22:55,740

We get a little trunk here and there.

453

00:22:57,870 --> 00:22:59,670

And I'll take the same old brush.

454

00:22:59,670 --> 00:23:00,150

What the heck?

455

00:23:00,210 --> 00:23:05,270

I going into a little red, little

white and the little yellow

456

00:23:05,270 --> 00:23:06,620

ochre to that wicked get crazy.

457

00:23:08,810 --> 00:23:10,010

Okay, let's go right up here.

458

00:23:11,720 --> 00:23:13,460

Put some happy little colors in this one.

459

00:23:14,750 --> 00:23:16,040

Just to really warm it up.

460

00:23:16,100 --> 00:23:16,580

Look at that.

461

00:23:17,870 --> 00:23:18,410

Say they're

462

00:23:21,890 --> 00:23:22,220

neat.

463

00:23:22,604 --> 00:23:26,215

Hmm, and this keeps the whole

winter scene from being so cold.

464

00:23:26,235 --> 00:23:27,165

It's uncomfortable.

465

00:23:31,485 --> 00:23:32,175

There we go.

466

00:23:33,435 --> 00:23:35,745

And you just put as many little

bushes and stuff in there, as you

467

00:23:35,745 --> 00:23:39,794

want, tell you what to tell you.

468

00:23:39,794 --> 00:23:39,975

469

00:23:43,004 --> 00:23:44,114

grabbed some of that and pull it

470

00:23:47,324 --> 00:23:49,094

and it'll be our snow

that comes out of there.

471

00:23:51,074 --> 00:23:51,435

Take her.

472

00:23:52,065 --> 00:23:56,835

Fan brush now just begin

blending all this, just blend it.

473

00:23:57,135 --> 00:23:58,815

That's some of it slide right down here.

474

00:24:00,465 --> 00:24:01,365

It comes right up.

475

00:24:01,425 --> 00:24:03,315

Look it, there, it goes back into there.

476

00:24:04,365 --> 00:24:07,845

And that little Brown I got on the brush,

I'll use that for a shadow right in there.

477

00:24:09,365 --> 00:24:10,455

Straighten up the edges.

478

00:24:13,815 --> 00:24:14,565

Let's have some fun.

479

00:24:15,735 --> 00:24:16,975

Let's have some fun here.

480

00:24:16,975 --> 00:24:19,504

I'm going to go right into a little

bit of black and a little bit of blue.

481

00:24:20,699 --> 00:24:21,629

And maybe yep.

482

00:24:22,110 --> 00:24:23,280

Right there, right there.

483

00:24:24,810 --> 00:24:27,120

We'll put another layer of bushes.

484

00:24:27,449 --> 00:24:31,230

This just helps create different

planes in the painting too.

485

00:24:31,830 --> 00:24:33,330

I'll add a little Indian, yellow.

486

00:24:35,520 --> 00:24:36,449

Let's go right there.

487

00:24:36,649 --> 00:24:39,060

We'll just put a few little

happy highlights on these bushes.

488

00:24:42,070 --> 00:24:47,370

We use some of the reds and yellows

just to make it a happy little thing.

489

00:24:51,435 --> 00:24:51,975

All right.

490

00:24:52,785 --> 00:24:53,595

Tell you what let's do.

491

00:24:53,625 --> 00:24:54,465

Let's have some fun.

492

00:24:55,125 --> 00:24:56,115

Let's have some fun.

493

00:24:57,405 --> 00:25:01,815

I'm going to go right into the Brown

right into the Brown can go up here.

494

00:25:02,325 --> 00:25:04,425

Maybe their lives does now.

495

00:25:04,635 --> 00:25:05,655

What is your does now?

496

00:25:06,465 --> 00:25:08,505

A big tree, big tree.

497

00:25:09,345 --> 00:25:10,695

This is just a Brown.

498

00:25:11,325 --> 00:25:12,285

He lives right.

499

00:25:12,435 --> 00:25:12,855

There.

500

00:25:14,365 --> 00:25:15,555

Looks like a big Slingshot.

501

00:25:15,555 --> 00:25:15,855

Doesn't it?

502

00:25:18,840 --> 00:25:19,980

And he was a big Slingshot.

503

00:25:20,820 --> 00:25:23,520

My dad was the best sling

shot shooter in a country.

504

00:25:25,410 --> 00:25:28,290

He could work.

505

00:25:28,290 --> 00:25:29,790

As Lenny said, I came from the deep South.

506

00:25:29,790 --> 00:25:32,280

So people, people used

a lot of slingshots.

507

00:25:32,850 --> 00:25:38,460

Then I migrated to Alaska, had to go

hide, go find some snow I'd never seen.

508

00:25:38,460 --> 00:25:43,050

So I was 20 years old before I ever

saw snow, but I moved to Alaska.

509

00:25:44,490 --> 00:25:45,450

And almost overnight.

510

00:25:45,450 --> 00:25:46,350

And I saw my share.

511

00:25:47,730 --> 00:25:49,140

I'm using a little bit

of the liquid black.

512

00:25:49,140 --> 00:25:54,900

Now just put some of that, just

to create the illusion of some

513

00:25:55,290 --> 00:25:56,580

happy little Liam's here and there.

514

00:25:57,870 --> 00:26:03,170

And in your world, you put as many lambs

or as few as you want, just drop them in.

515

00:26:04,550 --> 00:26:05,240

There we go.

516

00:26:07,370 --> 00:26:08,060

There we go.

517

00:26:10,905 --> 00:26:13,395

All right, take the knife.

518

00:26:13,785 --> 00:26:15,555

Take some of this color

we've been using here.

519

00:26:15,915 --> 00:26:19,515

I just want to put just the indication

of some highlight around this tree.

520

00:26:21,045 --> 00:26:21,885

She has tearing there.

521

00:26:22,685 --> 00:26:24,065

That'll make it stand out a little better.

522

00:26:25,775 --> 00:26:31,445

See how you can drop in a big old tree

and just, just a minute or two that easy.

523

00:26:33,980 --> 00:26:39,500

You saying over on this side, at

least little touches and blue, just as

524

00:26:39,500 --> 00:26:44,659

parklet up and they will clock on the

wall, tells me I've got to leave you.

525

00:26:45,200 --> 00:26:47,870

And I'd like to thank you for being

with me, taking a little bit of the

526

00:26:47,870 --> 00:26:51,470

liquid white, just highlighting,

laying a little snow here and from

527

00:26:51,470 --> 00:26:53,750

all of us here, happy painting.

528

00:26:54,350 --> 00:26:55,460

God bless him next week.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E07 - Barn at Sunset

Bob Ross's

The Joy of Painting

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