Bob Ross's

The Joy of Painting

S07E02 - Secluded Lake

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Welcome back.

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I'm glad you could join me today.

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You ready to do a

fantastic painting with me?

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All right.

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Well, let's start off and have

him graphically run all the

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colors across the screen that

you need to paint along with me.

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And then I'll start with a

titanium white and go all the way

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around while they're doing that.

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Let's go on up here and get started.

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Now I've already covered the canvas with

a nice stand even coat of liquid white

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it's slick and wet and, and ready to go.

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So let's start, take a little

bit of the midnight black.

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Mix it with a little Tayloe blue.

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I'm just going to mix

it right on the brush.

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Ride on the brush.

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See, just literally tap

that brush in there.

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Okay.

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Let's go up here now.

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Very lightly.

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We're just barely going to stroke the

canvas, just going to stroke the camps.

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I think they will do a

beautiful little sky.

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I like bright, shiny little skies.

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I'm gonna put a little

more black in there.

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It's there and it's better.

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It's better.

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Let's see here.

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And I'm sort of creating a little

downward angle and very lightly as

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we work down in this guy, I want it

to get lighter and lighter in color.

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So if you start at the top, when you

have the most pain on your brush and

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work downward automatically, it will mix

with the liquid white and that'll happen.

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You give me a little touch right in there.

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See how it's getting lighter and lighter.

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Because I'm running out of paint there.

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Okay.

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What about that?

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And maybe in this particular painting,

maybe we'll have a tiny bit of water.

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So while I'm going here, just leave

that color on the brush and I'll

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add a small amount of thalo green.

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Let me bring, let me

repeat that small amount.

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It is so strong and turn your

whole world greener in a heartbeat.

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Just go up here.

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Maybe the water live right here.

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So we'll just take and go across.

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And normally if water is

still it's flat it's level.

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So try to keep these

strokes pretty straight.

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You don't want your water to

run off on the floor there.

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Okay.

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Easy.

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We have the indication of water.

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All right.

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Let's wash the brush and I have odorless

paint thinner in my McCann here.

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And there's a screen in the

bottom of the candidate.

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I scrubbed the brush against, I

had removed the paint and we'll

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shake off the excess XL and we

just covered the whole studio.

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Alrighty now into this guy, I'm going

to begin playing a little bit of color.

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So let's mix a lavender.

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We'll use some alizarin Crimson and

a little bit of the blue, little

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blue, much, much more Crimson than

blue lose many times stronger.

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They're just mixed up.

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Okay.

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Bye.

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For now with the same brush, I'm gonna

go right into that and let's begin.

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Just going right up here and I want to

lay out just a hint of this nice reddish

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lavender color, just like, so just let

it sort of play right up into that.

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We're going to put a little

yellow in the sky too.

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And this, this acts as a barrier.

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It keeps the yellow from hitting

the blue in the black there.

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Sneaky here we go.

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Very gently.

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We're just caressing the canvas

with a breast sideways, maybe

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a little touch in the hair.

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Very soft right then in here.

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Very soft.

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And we'll go right into a

little bit of the bright red,

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tiniest, tiniest little bit just.

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Oh, just graze it a little

bit, a little bit, bit.

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Okay.

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Uh, here and there just, she

has to warm it up a little bit

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of that chest here and there.

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Don't overkill with this very strong

color without washing the brush.

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We'll go into a little bit of the

Indian, yellow, and I'm just going

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to tap that or right into the brush.

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Can you scroll back up here now?

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Very lightly.

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Still caressing the canvas, just

begin laying in a hint here and there.

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Once again, don't overkill.

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We want this to be a very

colorful, but very soft scab.

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This is this guy that should make you

happy, should bring good feelings to you.

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And a lot of times, if you're interested

in selling paintings, of course, we're

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not interested in monetary gains, but if

you should be a lot of times, painting

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sell as much for color as for content.

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And these kinds of colors will

certainly brighten up a room and they

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make people happy when they come in.

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So let's go right up here now.

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I have a clean, dry brush,

and I'm going to just take and

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blend all of this together.

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Let's just use this little two inch brush

and just bring it all together, just mix.

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And that yellow is working

quite well in the sky.

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Without turning bright green,

because we have that barrier

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of a lavender color in there.

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And you can blend this to any degree

of softness that you want, or you could

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leave it quite bright, quite striking.

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You have to make, you have

to make these big decisions.

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When you create worlds of your own.

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That quick, we have a happy little

sky heard in the sky, right?

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Or lay that brush down

maybe right back in here.

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We'll have some little, let's have

some little footie Hills, some little

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foothills let's go back into, this is

the black and a little bit of blue.

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And I reach over here

and grab a little white.

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I want to make a gray color bluish

gray color, and this brush is round,

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but it comes to a chisel edge.

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See, you can see how

sharp it is right there.

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Can you just go right up here?

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Maybe there's a little footy Hill.

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And he lives right there and

I'm just touching and giving

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it a little downward pull.

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Just want to make an indication.

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I got the breast sort of tilted

that way there just very quickly.

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We'll just drop in some of

those happy little things.

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Just let them happen.

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Let them fall right off your brush there.

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Okay.

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Now then.

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I want to create at the bottom of this,

the illusion of missed a soft area.

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So take the big brush and

just beat the devil out of it.

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This is much better way of taking

out your hostilities and then

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going home and kicking the dog.

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You got a dog like I do.

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He'll kick back, take off half

your leg there, lift it right up.

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I see that quick, you've

got very soft little trees.

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We'll be back in the distance.

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A little bit of, of a

light mist floating here.

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That's super.

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All right.

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That was so much fun.

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Tell you what.

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Let's put some bigger trees in here.

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We use that same color.

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That was a nice color.

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It's just blue and black.

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Can you tap it into the bristles?

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Let's go a parent and decide, Hey,

we had to make some, all decisions.

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Maybe Amy, certainly.

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Now maybe it is a nice

tree that lives right here.

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Big tree.

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We're going to have a big tree

right there and begin thinking

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about this tree shape, even thinking

about the shapes and all the little

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things, it makes the tree so pretty.

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And he's got little arms

at hanging out here.

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Oh, look at that middle

of that sky show through.

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And sometimes maybe you'd like to

like to play a little bit less,

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tell you what let's do that.

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Let's have some fun here.

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Maybe back in here, there's

a little, little footy Hill.

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I'm going to take that

same purplish color.

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We, we started off with this guy

into that, just own the brush.

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I had a little, little SAP green,

little green run into that.

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Purple.

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We'll just make a crazy color here.

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Pick up a little white, go in there.

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See it.

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It makes a nice Brown tone.

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Greenish Brown.

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Very pretty.

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Very pretty color.

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Okay.

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Let's go up here.

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Maybe, maybe we want to show that

there's a little metal back here.

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Just like, so I'll just use this

brush, but just lay in some basic color

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back in there, create a little

more distance in the painting.

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We'll just drop that here.

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And we'll take a little black and

green, a little Brown into it.

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What the heck?

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Just tap it into the brush.

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Okay.

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Maybe there's some happy little trees.

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These are a little closer.

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So you're going to see a little more

color and they live right there.

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Just to have a mini little trees you want.

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And without washing the brush,

I'll just pick up some yellows

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and some yellow ochre here.

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Just tap it in.

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Just tap it in.

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Let's go up here and we'll just put

the indication of a few little hands.

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Now, these are far away.

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I don't want a lot of detail

when things are far away, you

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don't see every little leaf.

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All you see is basic shapes,

color changes, that type of thing.

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Don't overdo detail.

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And you're trying to make the illusion

of things being far, far away.

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Like a dad and that's all you need

to create the illusion of distance

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in the painting and with a fan

brush, we can go right in here

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and pick up some of that color.

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And let's just blend it down.

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Maybe it'll add a little

bit of the yellows in there.

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Brighten it up.

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This is a bright, shiny day.

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Beautiful sky.

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See, I'll bring it right up in

there and that easy you watch.

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When we get a little farther along,

it'll look just like a happy little

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metal back here, and you can take the

fan brush and pick up a few little

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bushes and weeds that easy and easy.

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Didn't have fun painting

should make you happy.

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That's really what we designed.

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These shows.

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It really should make you

happy, whether you just watch,

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whether you paint along with us.

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We really hope you enjoy it.

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Let us hear from you.

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We really, we want to hear what you

like drop us a line, drop us a line.

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We'd love to hear from you.

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We liked the comments.

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I'll take the knife here and just

going to drop in a few little

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indications here and there.

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Some happy little sticks

and tweaks and that easy.

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It makes it look just like there's

all kinds of things happening.

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Tell you what?

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Let's go back into this

black and blue, tap it in.

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And I want to show you

how to push all that back.

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Now, what we're working with here,

let's just take a look here, watch here.

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Bring us right there.

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Right down, right down.

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Look at that.

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See how it pushed all that back.

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That easy.

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It's unbelievable that you have that

much power, but on this canvas, you do.

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Boy, when I go home, all

I can say is yes ma'am.

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But on this canvas, I can say anything.

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I can build anything.

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I can create a world that makes me happy.

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It's bright.

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It's shiny.

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There's nothing bad here.

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It's nothing but good things here.

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Listen to the news.

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Sometimes it really depresses you.

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Somebody got hurt.

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Somebody else got shot or killed.

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You can go to easily and you can make

the kind of world that makes you happy.

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There's no violence.

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No, one's hurt here.

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Everyone's happy.

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Everyone's happy.

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That's what I'm looking for.

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I spent half my life in the military.

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That was a bad guy in the military.

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I had to yell and scream.

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Now I just enjoy life and

do what makes me happy.

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There we go.

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Let's have a little tree.

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He lives right there.

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There he is.

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These little trees just

live in your brush.

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Just have to tap them out.

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Scare them out.

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Suntanning.

257

00:12:47,325 --> 00:12:48,045

There we go.

258

00:12:49,845 --> 00:12:51,675

Maybe right there for now.

259

00:12:52,515 --> 00:12:53,985

See, I'm glad I went

back and put that here.

260

00:12:54,165 --> 00:12:58,185

Look how far away that

looks already, already.

261

00:13:00,780 --> 00:13:07,350

Just it's fantastic that you can create

that much distance with just a few strokes

262

00:13:08,160 --> 00:13:12,420

and you can, you can, there we are.

263

00:13:14,790 --> 00:13:15,180

All right.

264

00:13:16,050 --> 00:13:18,300

Now we have to start making some

big decisions and what are we

265

00:13:18,300 --> 00:13:19,650

going to have in these trees here?

266

00:13:20,340 --> 00:13:24,120

I'm going to take my number

two script liner brush caret

267

00:13:24,120 --> 00:13:25,260

into a little bit of Brown.

268

00:13:26,325 --> 00:13:28,905

Just turn at brushing thereafter,

dipped it into a little thinner.

269

00:13:28,905 --> 00:13:29,835

So it's nice and thin.

270

00:13:29,835 --> 00:13:33,135

Let's go up here and let's put

the indication here and there

271

00:13:33,615 --> 00:13:38,325

if few happy little tree trunks,

just, just let them come right off

272

00:13:38,895 --> 00:13:40,185

wherever you think they ought to be.

273

00:13:40,935 --> 00:13:42,015

That's where they ought to be.

274

00:13:42,285 --> 00:13:44,765

And as many as you want in your

world, you put them in here.

275

00:13:46,075 --> 00:13:53,075

You just dropped them in

their Waco bucket today.

276

00:13:53,670 --> 00:13:54,060

Okay.

277

00:13:55,020 --> 00:13:59,490

And also you can take and go right

into the liquid white and watch here.

278

00:13:59,940 --> 00:14:01,710

Maybe some of them aren't all Brown.

279

00:14:01,710 --> 00:14:05,730

Maybe look at their hair is an

old trunk and sort of white.

280

00:14:06,870 --> 00:14:08,640

You have to make these decisions.

281

00:14:09,120 --> 00:14:14,180

That's the responsibility that comes

when you become a painter there.

282

00:14:15,290 --> 00:14:16,910

And as many as you want, there we go.

283

00:14:17,480 --> 00:14:17,570

Okay.

284

00:14:17,960 --> 00:14:18,140

I don't know.

285

00:14:18,140 --> 00:14:19,640

It'd be enough to give

us some indications.

286

00:14:19,680 --> 00:14:20,960

We have, we put a, put one over here.

287

00:14:22,215 --> 00:14:22,845

This whole tree.

288

00:14:22,845 --> 00:14:25,064

We don't want him to get lost there.

289

00:14:26,355 --> 00:14:27,194

Give him one too.

290

00:14:29,405 --> 00:14:32,375

And there, there we go.

291

00:14:32,555 --> 00:14:33,725

See there that easy.

292

00:14:35,045 --> 00:14:39,605

Now that that's begin putting

some highlights and some details

293

00:14:39,935 --> 00:14:43,145

on this big tree, I'll tell

you what I want to do first.

294

00:14:44,465 --> 00:14:48,845

We'll take a little bit of the Storic

Sienna mixed with a little bit of Brown.

295

00:14:49,324 --> 00:14:50,135

Bandag Brown.

296

00:14:50,625 --> 00:14:53,645

And I'm going to put the indication

here of a bigger trunk and this one

297

00:14:54,135 --> 00:14:57,555

would just make him stand out a little

298

00:15:00,795 --> 00:15:04,875

bit of Luker and a touch of red in

299

00:15:09,555 --> 00:15:09,885

color.

300

00:15:09,885 --> 00:15:10,755

Like, whatever.

301

00:15:10,845 --> 00:15:11,415

Let's go up here.

302

00:15:12,195 --> 00:15:13,365

Let's put some highlight here.

303

00:15:13,545 --> 00:15:14,325

This is touching.

304

00:15:14,835 --> 00:15:15,645

Ooh, look at that.

305

00:15:16,605 --> 00:15:17,175

Look at that.

306

00:15:17,835 --> 00:15:18,885

Just let it sparkle.

307

00:15:20,550 --> 00:15:23,250

At his park, we let his tree stand out.

308

00:15:23,250 --> 00:15:24,060

He's strong.

309

00:15:24,780 --> 00:15:25,640

He's a big tree.

310

00:15:26,209 --> 00:15:28,430

I'm going to go right into a

little bit of the liquid black.

311

00:15:28,670 --> 00:15:32,780

And with that, we're going to

put a little Trillium on there.

312

00:15:36,020 --> 00:15:40,849

Say now when you take up painting,

also take up, looking at nature.

313

00:15:41,180 --> 00:15:44,660

Spend some time, spend some

time out talking to a tree.

314

00:15:44,750 --> 00:15:45,829

I know it sounds crazy.

315

00:15:46,845 --> 00:15:48,975

And I don't mean you physically

go out and talk to a tree,

316

00:15:49,035 --> 00:15:50,145

but make friends with a tree.

317

00:15:50,145 --> 00:15:53,385

So you, what makes a tree look

the way it does just spend

318

00:15:53,385 --> 00:15:54,765

some time looking at trees.

319

00:15:55,605 --> 00:15:57,435

It'll pay big dividends in your paintings.

320

00:16:01,805 --> 00:16:05,135

And if you want to talk to a tree that

your business, you go right ahead.

321

00:16:06,545 --> 00:16:07,235

You talk to him.

322

00:16:07,235 --> 00:16:09,935

If you want to, I've been

known to do that several times.

323

00:16:11,790 --> 00:16:14,880

Okay, now that I'm going to a

little bit of the liquid white,

324

00:16:15,329 --> 00:16:16,920

a little bit of my color.

325

00:16:17,670 --> 00:16:20,280

What type a little bit of

that little bit of yellow.

326

00:16:20,280 --> 00:16:22,620

Let me run up here and

grab some SAP green.

327

00:16:23,340 --> 00:16:25,439

Just, we're going to load

this brush full kiss.

328

00:16:25,460 --> 00:16:25,890

Go up here.

329

00:16:26,819 --> 00:16:29,970

I want to just put some indication of

something happy, little leaves that are

330

00:16:29,970 --> 00:16:33,870

just like, they're just thousands of

little leaves and a couple of strokes.

331

00:16:34,500 --> 00:16:36,540

And this is where you

begin shaping the tree.

332

00:16:37,110 --> 00:16:38,220

Think about form.

333

00:16:38,250 --> 00:16:39,060

Think about shape.

334

00:16:39,945 --> 00:16:41,535

What makes this tree stand out?

335

00:16:42,435 --> 00:16:44,865

Thank were light, which

strike and play through here.

336

00:16:45,675 --> 00:16:48,345

And all these little things

would just happen in bounce.

337

00:16:49,575 --> 00:16:51,105

Just let them bounce right off your brush.

338

00:16:51,585 --> 00:16:52,515

There they go.

339

00:16:53,955 --> 00:16:58,335

And if your paint won't stick at a

little bit of the liquid white or a tiny,

340

00:16:58,395 --> 00:17:05,565

tiny, little bit of paint thinner, and

that will make it stick much easier.

341

00:17:06,194 --> 00:17:08,115

This brightness went up a

little bit, right there.

342

00:17:08,730 --> 00:17:09,390

He's on top.

343

00:17:09,390 --> 00:17:10,680

He get the most light.

344

00:17:11,730 --> 00:17:13,050

Sun's really gonna hit him

345

00:17:16,100 --> 00:17:17,660

maybe a little bit.

346

00:17:18,050 --> 00:17:19,010

Cool right there.

347

00:17:19,400 --> 00:17:19,820

Okay.

348

00:17:21,290 --> 00:17:21,980

See you there.

349

00:17:22,130 --> 00:17:22,280

Okay.

350

00:17:22,370 --> 00:17:22,730

Easy.

351

00:17:22,730 --> 00:17:25,670

It is to make all kinds of

beautiful little things.

352

00:17:27,260 --> 00:17:28,610

I have a little more of a green here.

353

00:17:28,670 --> 00:17:31,760

I'm using just the green and the,

all the different yellows and

354

00:17:32,330 --> 00:17:33,620

touch you the red here and there.

355

00:17:35,205 --> 00:17:35,355

Okay.

356

00:17:37,985 --> 00:17:41,075

And don't kill all this nice dark

color that you have in the background

357

00:17:41,375 --> 00:17:44,405

that helps, that really helps

create the illusion of distance.

358

00:17:45,034 --> 00:17:47,825

Tell you what, when I got that

old brush running here, let's

359

00:17:47,825 --> 00:17:49,385

do this one over here to shoot.

360

00:17:49,445 --> 00:17:53,524

We just get all these done some

happy little things right here.

361

00:17:53,585 --> 00:17:53,825

Correct.

362

00:17:56,735 --> 00:17:58,175

And all we do is happy.

363

00:17:58,534 --> 00:17:59,945

We have nothing but happy paintings.

364

00:18:01,350 --> 00:18:05,190

There, you know, one thing, one thing

I've noticed as I travel across the

365

00:18:05,190 --> 00:18:10,590

country doing demonstrations and

teaching classes, only nice people pay

366

00:18:12,000 --> 00:18:13,590

everybody I've ever met as a painter.

367

00:18:13,770 --> 00:18:17,430

I super people I'm going to use the

one anti-oppression will begin putting

368

00:18:17,430 --> 00:18:22,560

in some of the little details here,

pull that brush in one direction,

369

00:18:23,070 --> 00:18:24,450

one direction, loaded, full of paint.

370

00:18:24,510 --> 00:18:25,080

Let's go up here.

371

00:18:26,040 --> 00:18:29,400

Maybe in here, there's some happy

little bushes that live and they play.

372

00:18:29,730 --> 00:18:32,940

Look at that, just let them

pop right off your brush.

373

00:18:33,120 --> 00:18:38,900

Been that brush bandit, making

individuals one at a time, one at a

374

00:18:38,900 --> 00:18:40,670

time, don't try to hit them all at once.

375

00:18:41,030 --> 00:18:44,900

Just do one little Bush at

a time, bucket that back.

376

00:18:46,370 --> 00:18:51,350

And you could put as many of these, or

as few as you want in your world, you

377

00:18:51,350 --> 00:18:58,250

have to make decisions, go into some of

the ochres and the reds are still there.

378

00:18:58,905 --> 00:19:03,195

Who is not a pretty much say that tree

just comes right out of that Bush.

379

00:19:05,865 --> 00:19:09,435

I've painted probably

20,000 paintings and more.

380

00:19:10,155 --> 00:19:14,655

And I still get excited when

I see this work, never, never

381

00:19:14,655 --> 00:19:17,475

ceases to amaze me for many years.

382

00:19:17,475 --> 00:19:20,325

I was traditional painter and

I used to labor over paintings,

383

00:19:22,005 --> 00:19:24,315

labor for weeks and months.

384

00:19:27,495 --> 00:19:28,935

Ah, this makes it fun.

385

00:19:30,245 --> 00:19:36,275

I get that just layer after layer of happy

little bushes, but layer here, I'm using

386

00:19:36,275 --> 00:19:38,105

the brush sideways and pushing upward.

387

00:19:38,285 --> 00:19:38,465

Yes.

388

00:19:38,915 --> 00:19:39,275

There you go.

389

00:19:40,445 --> 00:19:41,945

That creates just layer after layer.

390

00:19:42,575 --> 00:19:45,125

And what happens if you happen

to get some color down in here?

391

00:19:46,685 --> 00:19:47,525

Don't upset.

392

00:19:48,995 --> 00:19:49,835

Just let it happen.

393

00:19:49,865 --> 00:19:50,435

We don't care.

394

00:19:51,395 --> 00:19:52,175

Let's go over here.

395

00:19:52,685 --> 00:19:53,945

Let's go over to the other side.

396

00:19:55,335 --> 00:20:00,675

So I say, if your paint doesn't stick,

add a tiny bit of paint thinner, or a

397

00:20:00,675 --> 00:20:08,145

little bit of the liquid white, either one

there we can begin to put in the layers of

398

00:20:08,535 --> 00:20:10,305

happy little things happening right here,

399

00:20:13,435 --> 00:20:15,015

the same beginning to come together yet.

400

00:20:16,725 --> 00:20:17,025

All right.

401

00:20:17,055 --> 00:20:17,775

Tell you what let's do.

402

00:20:19,965 --> 00:20:20,325

Let's do.

403

00:20:20,505 --> 00:20:21,495

Let's take a clean.

404

00:20:22,290 --> 00:20:22,980

Brush here.

405

00:20:23,010 --> 00:20:24,659

And I'm going to touch and watch here.

406

00:20:24,720 --> 00:20:26,250

We were worried about all this mess.

407

00:20:26,909 --> 00:20:30,740

This is where you make the

determination and what's reflection

408

00:20:31,580 --> 00:20:33,320

and that easy, that easy.

409

00:20:34,850 --> 00:20:36,409

You can change your mind.

410

00:20:37,909 --> 00:20:38,840

You can do it.

411

00:20:40,010 --> 00:20:41,510

And very lightly, very lightly.

412

00:20:41,510 --> 00:20:46,070

Watch here, take the brush and go

across, just go across just enough

413

00:20:46,610 --> 00:20:48,169

to give it a watery appearance.

414

00:20:49,370 --> 00:20:50,270

So all there is to it.

415

00:20:51,975 --> 00:20:55,875

Maybe we'll go back into a little

bit of our dark color and let's just

416

00:20:55,875 --> 00:20:57,375

pop a little color right in here.

417

00:20:59,145 --> 00:21:05,355

We'll bring this whole area over

and, and make us a reflection.

418

00:21:06,255 --> 00:21:08,895

Say they're like a dad, like a dad.

419

00:21:11,835 --> 00:21:14,025

Take her one inch brush with

a little bit of color on it

420

00:21:14,595 --> 00:21:15,525

and we can go right in here.

421

00:21:17,145 --> 00:21:17,355

Yeah.

422

00:21:18,165 --> 00:21:19,725

Just pop in a happy little Bush.

423

00:21:20,985 --> 00:21:22,215

Maybe we'll add a little red.

424

00:21:22,515 --> 00:21:23,205

Oh, look at that.

425

00:21:26,915 --> 00:21:28,955

That's to reflect some of

that, that color is so pretty.

426

00:21:29,825 --> 00:21:35,345

You really need to put a little bit of it

right down in there with our big brush,

427

00:21:35,345 --> 00:21:39,605

again, three hairs and some air quietly.

428

00:21:41,825 --> 00:21:44,285

Tell you what maybe.

429

00:21:44,730 --> 00:21:46,919

Maybe there's some happy little

stones that live along here.

430

00:21:47,189 --> 00:21:48,629

So let's go right into the Browns.

431

00:21:48,780 --> 00:21:51,570

Really use a little bit of the Sienna

and a little bit of the van Dyke.

432

00:21:55,080 --> 00:21:56,850

Just cut off a little honk like that.

433

00:21:57,629 --> 00:21:59,310

Tang let's go up here now.

434

00:21:59,550 --> 00:22:04,020

Begin figuring out where your

stones live and just drop them in.

435

00:22:05,639 --> 00:22:07,439

Just drop them in wherever you want them.

436

00:22:08,129 --> 00:22:08,610

Like a tear.

437

00:22:08,820 --> 00:22:09,330

Look at that.

438

00:22:11,310 --> 00:22:12,540

Maybe some are big.

439

00:22:13,199 --> 00:22:14,010

Some are a little.

440

00:22:14,639 --> 00:22:20,220

Make little sounds, make up little

stories when you paint really helps.

441

00:22:20,520 --> 00:22:24,540

Of course, all your friends think

you're crazy, but that's all right.

442

00:22:26,879 --> 00:22:27,720

That's all right.

443

00:22:29,520 --> 00:22:32,189

If it comes right around

like that, look at that.

444

00:22:32,210 --> 00:22:33,330

We making this a little pond.

445

00:22:33,960 --> 00:22:36,810

Do you know if you, if you had a little

pond that was that pretty, you'd have to

446

00:22:36,810 --> 00:22:38,129

have a path to come around and see it.

447

00:22:38,129 --> 00:22:41,399

So let's start right here and

just barely, barely graze in the

448

00:22:41,399 --> 00:22:42,659

canvas, going back and forth.

449

00:22:43,260 --> 00:22:48,300

Let's build us a happy little path, but

it comes right on, right on, right on.

450

00:22:48,330 --> 00:22:48,810

Right on.

451

00:22:48,870 --> 00:22:49,440

Where does it go?

452

00:22:49,650 --> 00:22:50,010

Where does it?

453

00:22:50,340 --> 00:22:50,880

There it is.

454

00:22:51,900 --> 00:22:53,220

Comes right out black.

455

00:22:53,220 --> 00:22:58,530

That can take a little

Brown and a little flight.

456

00:22:59,160 --> 00:23:01,590

We'll just take a and put a

little highlight on there.

457

00:23:02,760 --> 00:23:06,300

Just gently, gently,

gently, barely touching.

458

00:23:06,700 --> 00:23:09,090

Try to get across that easy.

459

00:23:09,750 --> 00:23:11,430

That'll end up being a little path for us.

460

00:23:12,855 --> 00:23:15,135

Well, I got that knife

going in that Brown point.

461

00:23:15,465 --> 00:23:17,175

Let's put some highlight

on our stones here.

462

00:23:18,255 --> 00:23:20,355

There just barely let it graze.

463

00:23:20,865 --> 00:23:25,455

Janice, let it touch you juice.

464

00:23:25,485 --> 00:23:29,715

Let the light play across the

stones and have fun at all.

465

00:23:29,715 --> 00:23:30,845

The little colors happens.

466

00:23:31,415 --> 00:23:31,715

Easy.

467

00:23:34,805 --> 00:23:35,135

Fun.

468

00:23:36,845 --> 00:23:37,055

Yeah.

469

00:23:37,560 --> 00:23:38,280

There we go.

470

00:23:39,570 --> 00:23:41,700

Now we'll take a little bit

of the liquid white into that.

471

00:23:41,700 --> 00:23:48,960

Add a little bit of the bluish color there

and just go across and let's put, put in

472

00:23:48,960 --> 00:23:50,490

some little water lines here and there.

473

00:23:52,470 --> 00:23:55,050

This is a nice way to clean up

the edges and help create the

474

00:23:55,050 --> 00:23:57,150

illusion of depth in the painting.

475

00:23:57,840 --> 00:23:59,490

So you have pushes everything back.

476

00:24:01,220 --> 00:24:02,220

It cleans up all the time.

477

00:24:02,270 --> 00:24:06,210

I just hear that easy, easy.

478

00:24:07,889 --> 00:24:08,940

There's one right there.

479

00:24:10,530 --> 00:24:13,290

Now we have to make

some big decisions here.

480

00:24:13,889 --> 00:24:17,250

Go right into some of my

dark color right here.

481

00:24:17,820 --> 00:24:22,200

I think we're going to have

little things right there.

482

00:24:22,200 --> 00:24:25,110

It comes right out there.

483

00:24:25,160 --> 00:24:25,520

There we go.

484

00:24:25,910 --> 00:24:26,810

And you need that dark.

485

00:24:26,870 --> 00:24:29,780

Once again, a dark is the only

thing that makes the light show.

486

00:24:29,930 --> 00:24:31,910

So put some dark in there

before you put light on.

487

00:24:32,450 --> 00:24:34,520

If you put light against

light, nothing happens.

488

00:24:34,970 --> 00:24:35,960

Grab some green.

489

00:24:38,625 --> 00:24:39,195

Here we are.

490

00:24:39,225 --> 00:24:41,855

Hello, that brush full

of paint, loaded four.

491

00:24:41,885 --> 00:24:42,035

Okay.

492

00:24:42,035 --> 00:24:43,955

Let's go up here now.

493

00:24:43,955 --> 00:24:47,075

Then we want to begin bringing

this path right into the painting.

494

00:24:47,855 --> 00:24:50,345

So I have some of these little grassy

things that come right over it.

495

00:24:51,185 --> 00:24:54,395

See, and that brings it

right into the painting.

496

00:24:54,455 --> 00:24:56,065

Otherwise it just sort

of floats out there.

497

00:24:56,075 --> 00:24:58,745

We don't, we don't want

that push in the bristles.

498

00:24:59,970 --> 00:25:04,350

Look at there, all those little

things, and because you mixed several

499

00:25:04,350 --> 00:25:07,920

colors on the brush, you have all

these things happening automatically.

500

00:25:09,150 --> 00:25:10,080

Double, triple load.

501

00:25:10,080 --> 00:25:10,590

The brush.

502

00:25:14,990 --> 00:25:16,850

I had a little bit more

of the liquid white there.

503

00:25:18,050 --> 00:25:18,920

Tiny bit more.

504

00:25:21,560 --> 00:25:25,580

Let's put a nice Barker right out

here in this side, that'll help

505

00:25:25,580 --> 00:25:26,990

lead you right into the painting.

506

00:25:28,155 --> 00:25:29,385

There is one right there.

507

00:25:30,725 --> 00:25:31,895

And you do these layers.

508

00:25:31,895 --> 00:25:35,675

Once again, I say that over and over,

cause these layers are so impressed.

509

00:25:36,785 --> 00:25:38,315

They bring depth into your painting.

510

00:25:39,875 --> 00:25:40,445

NATS.

511

00:25:41,715 --> 00:25:44,655

That's what makes a painting

look very good and very well.

512

00:25:45,335 --> 00:25:49,715

Now let's just take a knife and we'll

use just a clean knife and very lightly.

513

00:25:49,745 --> 00:25:53,525

I'm going to go in here and they're

just scratching a little indication of

514

00:25:53,675 --> 00:25:58,295

all kinds of little trunks and stones,

all the little things that help.

515

00:25:58,535 --> 00:25:59,975

It looks like detailing your painting.

516

00:26:00,575 --> 00:26:04,775

People will look at this and I think he

worked for literally days weeks, putting

517

00:26:04,775 --> 00:26:06,425

all this in here with a one haired brush.

518

00:26:07,535 --> 00:26:08,495

Don't tell him any different.

519

00:26:09,900 --> 00:26:10,140

Okay.

520

00:26:10,170 --> 00:26:13,260

Now right here with a path, I want to

push that path and bring some sticks.

521

00:26:13,830 --> 00:26:18,510

So they go right over the path, just like

so, and normally you put these little

522

00:26:18,510 --> 00:26:20,520

sticks and twigs in the dark areas.

523

00:26:22,650 --> 00:26:25,020

I think we're on the verge of

having a finished painting here.

524

00:26:25,830 --> 00:26:30,000

I'm going to take a little bit of

thin oil, little bit of my red color.

525

00:26:30,060 --> 00:26:31,080

We'll mix it up here.

526

00:26:32,280 --> 00:26:35,850

And I think this one's ready

for a signature within this

527

00:26:35,850 --> 00:26:36,930

down to it's like water.

528

00:26:37,500 --> 00:26:38,430

Assign it right here.

529

00:26:39,840 --> 00:26:40,920

I have a very short name.

530

00:26:40,920 --> 00:26:43,770

So it's easy to do a quick signature.

531

00:26:44,520 --> 00:26:47,550

And while I'm signing this, I'd

like to thank you for being with

532

00:26:47,550 --> 00:26:49,980

us today, from all of us here.

533

00:26:50,370 --> 00:26:52,410

I'd like to wish you happy painting.

534

00:26:52,830 --> 00:26:53,730

God bless it.

535

00:26:53,730 --> 00:26:54,870

We look forward to seeing you again.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E02 - Secluded Lake

Bob Ross's

The Joy of Painting

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