Bob Ross's

The Joy of Painting

S06E11 - Western Expanse

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I am glad to see you today.

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Did they?

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I thought we'd do something

it's a little bit different.

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We'll just have a good time.

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And before we get started, I'm going to

have them graphically run all the colors

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that you need right across your screen.

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And you can see exactly what

colors I have in my palette.

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And it'll come across in the

screen, starting with a white

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and going right around the same

way I have them on the pallet.

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And today I'm going to use just a dry

canvas and we'll have some fun with that.

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I'm going to dip my brush into

a little bit of paint thinner.

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And then we'll go right into some

fellow blue, just a small amount.

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And I want this paint to be very thin.

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I'm just going to put a, a

quick little wash on the canvas.

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Just, just a little bit of color.

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There we go.

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This is just a little thing, a

little blue with a lot of paint

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thinner in this very, very thin.

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And it'll dry on your

canvas quite rapidly.

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I want a little bit of this blue

color to show through my painting.

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It'll make it very nice.

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Just cover the whole canvas with it.

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We are that quick.

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We had canvas completely

covered with color.

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Maybe we can start having some fun.

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Now when you're doing

this at home, try it.

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Numerous colors for a number of

Vandyke Brown, uh, crushing blue, all

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of these colors work very, very nice.

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And they're very, very transparent.

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Okay.

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I'll wash the brush.

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Here we go and let's have some fun.

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Let's have some fun.

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We'll take some titanium white put on

the knife and I'm just going to pull

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it out very flat and then cut across.

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You can get a little bit of paint

right out here on the end of the knife.

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Okay, let's go up here.

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Let's put some, let's put some happy

little clouds play appear in the sky.

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And follow angles here.

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Angles are very important.

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I want to take a little, they love

blue and lizard Crimson, mix it

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together and we'll make a little

purplish color, a little blue lizard

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in Crimson, the blues many, many

times stronger than the Crimson.

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Can you just go right up here and

we'll add a little bit of a little

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bit of shadow here and there.

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I don't want a great, just drop this in.

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Go right into the white and begin

just letting all these colors

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just sort of play together.

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What makes them great.

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Big, great, big fluffy, soft

clouds, just floating around out

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here and allow these colors to mix.

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Don't fight it.

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Let it happen.

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And it happened, maybe this

big old clown just runs around.

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I don't know if the canvas.

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This is your cloud.

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So you let it go wherever you want it to.

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And you can paint this entire

painting with a knife if you want to.

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And it's super, super good practice to

learn how to control the knife, where

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you can do part of the knife part with

a brush, whatever makes you happy.

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We just go right over these purplish

colors and some of them will bleed through

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and make some beautiful things happen.

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There let's go right up here.

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If you want the color to be

darker, you continue to rub it.

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If you want it to be nice and bright

and shiny, but it don't leave it alone.

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Get away from it.

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So you just don't keep working it.

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If you keep working it, it'll get

very, very dull and go away and leave.

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You it'll pick up all the under color.

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So you have to make these big decisions

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maybe.

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Yeah, there it is.

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I left to do paintings with a knife.

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It really teaches you how to

use a knife, tell you about it.

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I'm going to take it the least

little amount of yellow ochre.

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I mean, tiniest, tiniest little bit.

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Add a little bit of color

just to break it up.

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Now, you don't want to get much of this

yellow ochre because it'll touch the blue

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and you will have asked green sky, and

we don't want that, but a little bit of

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the gold color in the sky is very pretty.

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Just adds a little flavor to it.

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All mighty clouds

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and they're very simple to

do and a great deal of fun.

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Okay.

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And that easy, easy.

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We got a fantastic little sky.

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Very very effective.

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I want to kill all this blue wash that you

put on here, leave some of that showing.

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So you have areas that are

very thick areas in it.

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Damn, really makes your painting.

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Interesting.

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Okay.

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Hey, you could even take a breath

and go back over this and it

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really blended if he wanted to.

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I want to leave it a little bit rough.

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I like, I like paintings

that have texture too.

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Okay.

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Maybe, maybe back in here.

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There's a, maybe there's

a happy little Hill now.

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Just use the same purplish color.

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That was the little blue lizard Crimson.

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Now this color will look black to you.

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So if you want to, if you want to

test it, take a little white and

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put over here, there, and then

you can see what color it is.

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Otherwise it's just going to look

black and that's pretty good color.

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That's about what I'm looking for.

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Okay.

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Let's go right up here in

Miami, maybe their lives.

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A nice little Hill, just

a little soft gentle Hill.

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And I'm really, really pushing

the paint into the canvas.

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There we go.

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You can just very gently

rub it to make it smooth.

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No.

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When we look at knife paintings, a

lot of times knife paintings are so

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rough that you have to be a long way

off to even recognize what it is,

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but it doesn't have to be that way.

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You can make very delicate, soft

suit spoof paintings, just using

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the knife practice with it.

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Okay.

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Now I'm gonna take a little

permanent red, a little white.

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And maybe we'll put at least a little

bit of highlight here and there.

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I don't want a great deal.

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We don't have our light

coming from the left today.

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Little permit, red, tiny bit

of white, just enough to put us

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small amount of highlight up here.

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There we go.

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And just blend it together.

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Okay.

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Now this is just a little titanium

white right on the bottom.

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Cause I want the bottom of my little Hills

to be a little bit lighter than the top.

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Can maybe tell you let's

play a little here.

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And we'll use the same purplish

color and I've added white to it.

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So it's a little bit lighter in value.

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And maybe over here, there's a,

maybe there's a Hill is farther away.

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We'll put it behind there.

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So it should be a little lighter in

value as things get closer to you.

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In a landscape, they should get darker.

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So we'll just drop this one

in that's far, far away,

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and it's very soft and

very quiet back here.

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And we can bring this one

Ray down in front of it.

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Let's see this one's darker.

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So it stands out against the lighter one

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and that easily you can make a

beautiful little Hill back here.

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Take a little bit of the

light colored bottom,

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and this is just titanium white

headed right down to the bottom.

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Blend it all together.

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There we go.

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And a more the permanent free and we'll

put a little highlight right up there.

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So there's a little on this Hill.

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We don't want it to be left out

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and follow your angles.

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Always follow his angles.

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Okay, now then let's begin playing

with some, some little grassy areas

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that are way back in the back.

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So I'll take some caddy, yellow,

little yellow ochre in it.

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And some SAP green looking for

quite a dark green color here.

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Just about like, so, okay.

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Let's go ahead.

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Up to the canvas here.

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And maybe there's some little background

trees just live right along here.

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And all I'm doing is just barely,

barely touching the canvas.

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And these little trees just

fall right off the knife.

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We had a little bird number to that

color, so it's not the same all over.

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And to darken it down

right here on the bottom.

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Just barely touching the canvas.

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There we go.

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A little more paint.

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Just let these happen.

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They're

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a bit over in here.

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But it's unbelievable what you can do.

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Just using a big old knife

and try some of these.

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I think you'll find them very,

very enjoyable and they do

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good things to your heart.

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Make you happy, make you happy?

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Okay.

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Give us a little indication that

some trees are far away, at least

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a little bit on white, down here

and begin bringing this over.

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I'm just using that same color and

I've just had a little fight to it.

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And then begin pulling it

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there.

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Angles are very, very important

when you're doing this close

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attention to your angles.

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Okay.

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As it goes farther away, let it

get lighter and lighter in value.

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And I want this part here

to look like it's far away.

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And this over on the other

side is getting closer to you.

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Take a little permanent grit

and just very gently add a

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little of that here and there.

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Just to break it up.

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Little Indian, yellow,

it's very transparent.

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Just sorta work.

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Some of these colors back and forth, make

all these pretty little things happen

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over here.

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This is closer to you.

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So I'm going to add more SAP green.

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I want this side over here to be darker is

closer, so she'll be darker, but you still

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need to follow those basic angles, sir.

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Very, very important.

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Maybe it just comes right around

my kid, wherever you want it to go.

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yes, much, much darker here

and sort of blended together.

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We don't want it to have

a distinct line there.

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We just want it to gently,

gently blend together.

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Now, then I am going to mix

up some black and to make that

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we'll use some, they look green.

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And alizarin Crimson David Green lizard

Crimson in about equal parts Janus,

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mix them together, and this color

needs to be mixed together very well.

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Normally we don't worry much

about mixing color mix this one.

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Very good.

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When you mixing picket completely up

off your palette and turn it over.

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Okay.

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Now that must go right back up in here.

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And we can start making some, some

big decisions and maybe, maybe we'll

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just start touching right in here.

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There we go.

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Put some water in here.

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So we need to define

where water and land meet.

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This will be our little

bank when it's done.

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You get a nice dark color to set it off.

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Let's take a little bit of color and just

work it right down into the canvas here,

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pull it down,

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just like, so

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then we'll take the two

and a half inch brush.

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And just grab some of this and

pull just enough to pull it down.

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This will end up being some reflections

in the water and pick up some of that dark

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green color, all the colors, pick them up.

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Cause they all reflect into the water.

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And just pull it straight down.

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This canvas is dry.

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It won't pull as well as you normally

normally would do with the magic.

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Right.

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We're just looking for some

dark color of water here.

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Okay.

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Now I'm going to take some white

and a little, a little blue in it.

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Wait a little, they love blue.

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Pull it out very flat and just cut across.

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Get that little roll of paint

right on the edge of the knife.

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Let's go right up here.

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Now we can begin making some

decisions here where our water is.

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Just lay a little bit of

this bluish color, right over

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the top of the reflections.

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You don't want to cover

them all off though.

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Don't want to lose them all.

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Just want to make it look like water.

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Without killing everything.

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There we go.

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Just sort of work it back

and forth, play with it.

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Keep these lines basically straight.

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Water's always looking for

place to be nice and level.

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So keep these lines straight.

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And you can put as many of

these in your water as you want.

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No worries for you either way, step

back and look at your painting ever.

253

00:16:59,285 --> 00:17:02,195

So often, that gives you, gives

you a whole different view of it.

254

00:17:02,825 --> 00:17:05,765

Sometimes when you're painting,

you stay too close to it and

255

00:17:05,765 --> 00:17:07,444

you really can't see it back.

256

00:17:15,120 --> 00:17:18,840

Okay, now we can, I'm going

to firm up these little edges

257

00:17:18,840 --> 00:17:22,140

here, a little jazz to touch.

258

00:17:22,500 --> 00:17:23,730

This is just the black color.

259

00:17:24,510 --> 00:17:25,950

They look green lizard Crimson.

260

00:17:31,610 --> 00:17:32,270

There we go.

261

00:17:34,340 --> 00:17:39,470

Let me clean my knife and we can just

very lightly bring his color right down

262

00:17:39,470 --> 00:17:41,150

on top of it and smooth everything out.

263

00:17:41,540 --> 00:17:42,290

Bring it together.

264

00:17:46,470 --> 00:17:49,850

There we go allow these colors,

just sort of mix and to blend and

265

00:17:50,480 --> 00:17:51,950

all kinds of nice things happen.

266

00:17:53,690 --> 00:17:54,770

Don't fight it.

267

00:18:00,140 --> 00:18:03,590

And the more you rub this

with a knife, the softer and

268

00:18:03,590 --> 00:18:05,420

more, more gentle, it becomes.

269

00:18:05,420 --> 00:18:07,520

And all the colors blend

together very smoothly.

270

00:18:08,415 --> 00:18:11,835

And you can make paintings that

kind of people almost won't believe

271

00:18:11,835 --> 00:18:12,615

he'd done them with a knife.

272

00:18:12,615 --> 00:18:16,845

They'll think he'd done them

with very, very soft brush.

273

00:18:18,075 --> 00:18:21,405

And maybe tell you what, maybe

go right into some SAP green.

274

00:18:22,365 --> 00:18:24,525

Maybe there's a little

tree that lives right here.

275

00:18:25,605 --> 00:18:26,685

And I said, just SAP green,

276

00:18:30,465 --> 00:18:33,705

I'm using the little edge of

the knife, both ages work.

277

00:18:35,565 --> 00:18:36,195

There we go.

278

00:18:37,500 --> 00:18:40,020

Maybe he's got a friend

that lives right over here.

279

00:18:43,760 --> 00:18:45,590

I mean, once again, you have

to make these big decisions.

280

00:18:45,590 --> 00:18:47,120

How many trees live in your world?

281

00:18:47,660 --> 00:18:48,170

Drop a man.

282

00:18:50,600 --> 00:18:55,400

We'll take just a tiny bit of

CAD yellow now and just put a

283

00:18:55,400 --> 00:18:56,480

little highlight on his tree.

284

00:18:56,480 --> 00:18:59,060

So he stands out and

sparkle sun's shining on it.

285

00:19:00,400 --> 00:19:03,500

Wouldn't be a big, strong,

happy tree out here.

286

00:19:13,865 --> 00:19:16,655

yeah, like a little shadow

area right behind the tree.

287

00:19:17,375 --> 00:19:18,725

Remember where your light's coming from?

288

00:19:21,475 --> 00:19:23,135

Just put a little indication of a shadow.

289

00:19:29,025 --> 00:19:29,655

Okay.

290

00:19:30,525 --> 00:19:32,835

Now we got to do something over

here on the, on the other side

291

00:19:32,835 --> 00:19:34,155

and make some big decisions.

292

00:19:34,665 --> 00:19:37,905

Maybe, maybe, maybe take,

let's just take some more of

293

00:19:37,905 --> 00:19:39,195

this black color that we have.

294

00:19:39,225 --> 00:19:40,004

That's going so well.

295

00:19:40,985 --> 00:19:45,095

And maybe, maybe, maybe

it comes right down here.

296

00:19:45,905 --> 00:19:45,995

Okay.

297

00:19:46,175 --> 00:19:47,585

Maybe there's a little projections.

298

00:19:48,065 --> 00:19:48,605

There it is.

299

00:19:49,175 --> 00:19:50,705

It comes right down in the water, like cat

300

00:19:54,225 --> 00:19:55,385

some color underneath it.

301

00:19:56,445 --> 00:20:00,345

And once again, I'll take this whole big

brush and you could do this with a knife.

302

00:20:00,345 --> 00:20:04,034

I'm doing it with a brush because it's

a little bit faster, but you could

303

00:20:04,034 --> 00:20:06,585

certainly certainly do it using a knife.

304

00:20:07,965 --> 00:20:10,784

And we'll add a little bit of the

water right over the top of that.

305

00:20:15,485 --> 00:20:17,465

It's just the little blue titanium white,

306

00:20:21,335 --> 00:20:22,445

in fact, our dark color.

307

00:20:22,504 --> 00:20:24,335

And we can continue this.

308

00:20:24,885 --> 00:20:26,445

There it is, comes right

down through there.

309

00:20:27,865 --> 00:20:28,965

You knew it all the time.

310

00:20:28,965 --> 00:20:29,264

Didn't you

311

00:20:34,264 --> 00:20:35,435

and I'm just putting the dark in.

312

00:20:35,435 --> 00:20:38,435

So the light will show he need the

dark in order to show the light.

313

00:20:46,709 --> 00:20:47,459

Paint here,

314

00:20:52,520 --> 00:20:53,250

fill all this up.

315

00:21:00,530 --> 00:21:05,389

We can go right into some

sample green, again, pulling

316

00:21:05,480 --> 00:21:07,340

a little bit of yellow ochre.

317

00:21:08,000 --> 00:21:11,480

Just sort of mix these

colors right on your knife.

318

00:21:17,165 --> 00:21:19,325

And you can make them as bright

or as dark as you want them.

319

00:21:20,075 --> 00:21:22,385

If you want them dollar because

there's black underneath just keep

320

00:21:22,385 --> 00:21:24,155

rubbing and it will get dollar.

321

00:21:24,155 --> 00:21:27,695

Cause it'll pick up that color it's

underneath and automatically that

322

00:21:27,695 --> 00:21:32,795

happens if you put yellow on top of

this black color, because yellow and

323

00:21:32,795 --> 00:21:39,095

black make green automatically, you'll

get a nice green color automatically.

324

00:21:48,145 --> 00:21:48,645

There.

325

00:21:54,875 --> 00:21:55,265

Hmm.

326

00:21:55,295 --> 00:21:58,565

Maybe there's some happy little things

that just grow right along this edge.

327

00:21:59,855 --> 00:22:01,565

Just let you NAF bounce around and play.

328

00:22:05,695 --> 00:22:06,635

Okay.

329

00:22:11,625 --> 00:22:13,024

Okay, thank you.

330

00:22:13,295 --> 00:22:14,075

Let's have some fun.

331

00:22:14,975 --> 00:22:18,514

Maybe there's a big old tree here.

332

00:22:18,514 --> 00:22:19,985

Let's use some Vandyke Brown.

333

00:22:20,254 --> 00:22:21,725

I put a little burn number into it,

334

00:22:24,815 --> 00:22:26,975

pull it out very flat and get

that little roll of paint.

335

00:22:27,455 --> 00:22:29,285

And maybe, maybe, maybe, yep.

336

00:22:29,375 --> 00:22:29,885

Right there.

337

00:22:30,845 --> 00:22:33,095

That's a big old tree lizard right here.

338

00:22:33,305 --> 00:22:34,895

It goes right on off the canvas.

339

00:22:34,895 --> 00:22:35,225

Maybe.

340

00:22:39,960 --> 00:22:43,250

But some, some tree trunks

right up through this guy.

341

00:22:44,240 --> 00:22:46,430

This is where we check and see

if you're brave and go ride three

342

00:22:46,430 --> 00:22:48,620

sky with these big Brown trucks.

343

00:22:53,240 --> 00:22:53,450

Okay.

344

00:22:53,630 --> 00:22:54,740

Tell you what let's give him.

345

00:22:54,930 --> 00:22:58,760

Let's give him another arm and you

can put as many arms on your tree

346

00:22:58,760 --> 00:23:02,990

as you want your tree, your world.

347

00:23:04,680 --> 00:23:05,220

Let it go.

348

00:23:14,450 --> 00:23:20,149

Maybe there's another alarm

lives right there, whatever.

349

00:23:27,080 --> 00:23:28,310

And just some indications.

350

00:23:30,680 --> 00:23:33,620

And we can put a few little

lambs here and there.

351

00:23:34,379 --> 00:23:36,090

There might even be a

little one right here.

352

00:23:39,360 --> 00:23:40,169

Trees just grow.

353

00:23:40,169 --> 00:23:41,250

However, it makes them happy.

354

00:23:42,899 --> 00:23:44,610

So that's what they should

do when you're painting them.

355

00:23:45,629 --> 00:23:48,780

They should grow on your painting

any way that makes you happy.

356

00:23:49,610 --> 00:23:49,919

Your tree

357

00:23:54,980 --> 00:23:57,020

put a few little lambs

right up through here.

358

00:24:03,855 --> 00:24:06,845

Now we need this little bit

of highlight on their own use.

359

00:24:06,855 --> 00:24:10,605

I'll use little permanent

red, a little burn number.

360

00:24:13,095 --> 00:24:15,075

I'm add a little yellow

ochre into that too.

361

00:24:15,345 --> 00:24:19,425

There, Adam brighten it

up a little bit of paint.

362

00:24:19,949 --> 00:24:21,659

And we said our lights

coming from the left.

363

00:24:22,590 --> 00:24:25,439

So then that's just how I liked

this tree on the left side.

364

00:24:26,370 --> 00:24:30,959

And all I'm doing is just touching,

just touch canvas, pull off

365

00:24:30,959 --> 00:24:34,229

what it wants and give you back.

366

00:24:34,229 --> 00:24:37,800

What's left just a little highlights.

367

00:24:41,780 --> 00:24:43,790

And if you wanted to do this

painting with a brush, you could

368

00:24:43,790 --> 00:24:47,540

certainly do all this with a little

liner brush or even a fan brush.

369

00:24:47,540 --> 00:24:48,379

It would work very well.

370

00:24:50,804 --> 00:24:53,415

Okay, now that we need, let's

put some leaves on this tree

371

00:24:53,415 --> 00:24:55,245

hugger right into some SAP green.

372

00:24:55,245 --> 00:24:57,855

And I'll add some, I'll add

some Vandyke Brown to myself,

373

00:24:57,885 --> 00:24:59,655

green, just to dull it down.

374

00:25:00,044 --> 00:25:00,524

Very dark.

375

00:25:01,865 --> 00:25:02,975

Maybe, maybe.

376

00:25:03,754 --> 00:25:03,814

Yeah.

377

00:25:04,605 --> 00:25:05,435

Just use a knife.

378

00:25:05,435 --> 00:25:06,784

We've done so much with a knife.

379

00:25:08,735 --> 00:25:12,455

We'll just drop in some basic

little things here and there.

380

00:25:13,685 --> 00:25:15,215

Once again, you could do all this with us.

381

00:25:16,905 --> 00:25:18,825

With your brush work just as well.

382

00:25:19,785 --> 00:25:20,895

She has to keep it together.

383

00:25:20,895 --> 00:25:24,855

We'll use a knife and you can put as

many leaves as you want in your tree.

384

00:25:27,285 --> 00:25:28,095

Just let them go.

385

00:25:32,675 --> 00:25:32,855

SI.

386

00:25:33,005 --> 00:25:33,605

Yeah, they are.

387

00:25:34,415 --> 00:25:35,915

They cause you want them

to stand that you want

388

00:25:40,475 --> 00:25:41,525

just take a little bit of.

389

00:25:42,855 --> 00:25:46,185

A light colored, little yellow with green,

you can drop a little highlight on here.

390

00:25:46,185 --> 00:25:48,555

And we think we're about

to get a finished painting.

391

00:25:49,755 --> 00:25:53,265

The old clock on the wall says,

Bobby got to go, got to go.

392

00:25:54,755 --> 00:25:56,405

So we'll call this pain and finished.

393

00:25:57,755 --> 00:25:59,015

And I really hope you've enjoyed it.

394

00:25:59,945 --> 00:26:04,355

It'll give you a challenge and

until next week, happy painting.

395

00:26:04,385 --> 00:26:04,975

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E11 - Western Expanse

Bob Ross's

The Joy of Painting

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