Bob Ross's

The Joy of Painting

S06E08 - Horizons West

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Welcome back.

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I'm also glad to see you today.

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Today.

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Let's do something that's bright and

shiny that puts you in a good mood

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and do nice things in your heart here.

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So I'm going to have them graphically

run all the colors across the screen

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that we'll use to do the painting today.

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And they'll come across your screen in

the same board that I have on my palette,

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starting with a white and coming around.

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And while they're doing

that, let's get started.

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I've already covered the campus with

a thin even coat of magic white.

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And we're ready to go today.

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I'm going to start with that.

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A little tiny bit of Indian yellow,

and we'll just put a little bit

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on her two and a half inch brush.

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Okay.

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Now let's go right up here in the sky.

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It will start making little

exes, little tiny exes.

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You don't need much color lens with

a magic white and it gets lighter

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in value as you blend outward.

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Okay, let's take some of it right down.

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It's a beautiful, beautiful color.

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And it's very transparent.

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Indian yellow is a transparent yellow

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now without washing the brush, I'm

going to take and go right into

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a small amount of a lizard and

Crimson without washing the brush.

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And we'll go right above that.

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Let's put in a little bit of Crimson, last

little pinkish color, a little more paint.

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blended very well wanting

to blend together.

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So you can't tell where one color

stops and the next one starts.

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Now, I'm going to go into

a little bit of Crimson.

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And a little bit of pressure and

blue, very small amount of pressure

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and blue is a hundred times stronger

than you Crimson and just brush mix

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it oppression blue lizard Crimson, but

very, very small amount of the blue.

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Okay.

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Now right here, we'll put

a little lavender color.

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This just all blends together.

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And then I'll go right into Prussian

blue and we'll fill up the remainder

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of this guy with pressure and blues.

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And I haven't washed the brush

all the way through this.

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All the way through, but you

don't want to get the blue

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and the yellow mixed together.

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You do.

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You'll have a bright green

sky and chances are you.

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Won't be happy with that,

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but I've got the old dirty brush.

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I'm going to go back into a little Crimson

and blue and maybe come right down here

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and lay in a little lavender color.

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Have a little bit of water here.

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I am an absolute fanatic for water.

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I love it.

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It was up to me here.

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Every painting that I did

really would have water in it.

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Sometimes you have to do

some, it doesn't have water

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fair.

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Don't want to lose all of our yellow.

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So we'll just do that for right now.

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And I'll clean the brush.

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Yeah, we clean our brushes

with odorless paint thinner.

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There's a screen in the bottom of this

bucket that I scrubbed the brush against

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and we shake out the excess paint thinner.

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And then the fun you just beat

the devil out of that brush.

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Take out all your hostilities

now with a clean, dry brush.

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I'm going to blend the sky together and

you can spend some time blending this.

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You want it to really, really

blend together beautifully.

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You don't want to be able to tell

where one color stops and the next one

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starts just displaying it together.

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And you can do this several times.

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If necessary, step back, take a look safe.

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It really pays to step away from

the painting sometime and look at

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it, get a whole different view.

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Yeah.

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I'll just bring this all the way across.

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Now that we have a clean brush,

I just bring it right across

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easy.

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We have sky and water already finished.

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Okay.

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Now then.

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Let's build this.

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Let's build us a little mountain up here.

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I like mountains.

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My home's in Alaska and we have a lot

of mountains in Alaska, some of the

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most beautiful mountains in the world.

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So I'm gonna take pressure and

blue and lizard and Crimson.

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Now you need much more Crimson than blue.

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Once again, the blues is a hundred

times stronger and I want to dull that.

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So I'm going to reach up here and put a

small amount of Vandyke Brown into it.

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So Crimson, Prussian blue in

van Dyke Brown, but I want it to

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have sort of a purple-ish cast.

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So I'm using more Crimson

than I normally would.

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And if you want to test that,

see what color really is.

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Take a little white and then take

a little you color and put into it.

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That's really the only way you can tell

otherwise it just looks black in here.

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Okay.

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That gives us a pretty good color.

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I want us to take a little

bit on the fan brush.

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we'll use the fan brush today.

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Make us a mountain load

at brush full of paint.

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Pull it through there,

wiggle it, both sides.

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And then sharpen mint.

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Look at the amount of

paint and the bristles.

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That's what we're looking for.

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Okay.

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Let's go up here.

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Maybe the little mountain libs right here.

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You have to make this decision.

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Maybe, maybe I had about there and we're

using just the corner of the brush.

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Wherever you want it to go give it some

little wiggles and jiggles and I'll just

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make all kinds of beautiful little things.

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Maybe there's a bump wherever you want it.

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He was just the corner of the brush

shows all you need and you're not

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applying a great deal of paint.

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Just a little.

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Maybe it comes down and there's

a bump there wherever, wherever.

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There we go.

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Now we'll take our large brush.

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I can pull it that removes

excess paint and blends it out.

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If you can see the entire mountain,

it should be more distinct at the top.

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And that is at the bottom.

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So this happens automatically because

it's mixing with the color underneath

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and the magic quite automatically.

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It gets lighter in value as

it goes towards the horizon.

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See there, you don't

have to worry about it.

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The brush and the canvas,

you can do it for you.

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You get a basic mountain shape already.

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Now then let's take another fan brush.

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I have several here, so I don't have

to spend a lot of time cleaning them.

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Okay.

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We'll load it full of titanium white

and two that I'm going to reach right

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down here and grab a little bit of

permanent red, small amount, small amount.

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Don't want to set it on fire load.

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A lot of pain into the bristles.

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Lot of Pete, let's go right up here.

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Now you have to make some decisions

in this mountain, which one of

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these peaks is a father as the

way you want to do the one that's

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farthest away first and work forward.

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So maybe let's start over.

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We're here.

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I'm just going to touch and

wiggle it just wiggling so that

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all these little things happen.

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Very gently.

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Very gently here comes one.

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There it is.

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There it is.

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And it moves around.

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It goes right down there like that.

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Wherever you want it to go there?

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Okay.

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Oh, here we are.

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There it is there.

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I see it.

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Just visualize these things in your mind.

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Put them on the canvas.

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So all there is

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she doesn't just let it go.

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I normally, normally we put, highlights

on the mountain with a knife today.

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I wanted to show you that.

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You can use your little fan brush and

just make all kinds of beautiful effects.

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wherever you want this to go and make

it as wide or as small as you want it.

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Maybe there's a little

light showing right there.

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Maybe even a little

back here, wherever can.

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Now I'm going to take a little pressure

and glue and mix right into my white.

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To make a shadow color.

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We need a shadow color.

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There we go.

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Okay.

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Let's go back up here once again,

figure out which one of these is

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furthest away and do it first.

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Do the one in the back first.

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See, now we've done that one.

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Now let's take a little paint

come right down through here.

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And we come directly through

that pushes that one right into

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the background that, that easy.

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Did you know you had that much power?

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You could move mountains.

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Can do anything.

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There we go.

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Yeah.

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Each little highlight here

needs its own private shadow.

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So you just sort of look at what you've

laid in here and begin working with it

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and right here.

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Nice.

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Nice area.

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Don't want to kill all your darks.

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Maybe there's a little shadow right there.

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Yeah.

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Little shadow lives right behind that.

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Highlight barely, barely

touching the canvas.

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Super super easy way to make

very effective, distant mountains

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wherever you want it, wherever you want.

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Drop it here.

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And maybe, maybe, maybe, maybe we

want to pull this out and I'm down.

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Okay.

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You can take these mountains

anywhere you want to go.

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If you're not careful, you you'll

get to where you like this and you

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cover up your entire canvas with

just mountains, which is wonderful.

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It teaches you how to make mountains.

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That's the way I used to practice.

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I would cover an entire canvas

with mountains and scrape it off.

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Do it again, over and over and over.

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And that's the way you learn is by

repetition, doing things over and over.

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Okay.

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Let's take a clean dry brush and I

want to create a little mist here.

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So we'll tap this.

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Mister gently, gently, gently tap all

the angles in your mountain and then

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lift up with very light, three hairs,

and some air are barely touching.

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Very soft.

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Following those angles most,

most important over here, we tap

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in this direction for lift up

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very softly.

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It's easy to destroy it,

but we just want to diffuse.

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Okay.

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Now then we can start

playing a little bit here.

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We'll take, this is her.

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Lavender color that we

made purple-ish color.

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Same thing the mountains made out of.

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I'm going to add a little bit more

of the blue into it, getting a

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little more blue hue, blue hue.

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It's hard to say Kate,

let's go back up here.

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And maybe there's a few little

tree lines running down the side

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of this mountain touch using just

a corner of the brush lift up.

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Or these are far, far away.

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We don't want detail yet far, far away.

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But you have to follow the

angles that are in the mountain.

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If you don't, it's not

going to look right.

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And you're going to be unhappy

with me and I want you to be happy.

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Okay.

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That's what painting is all about.

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Does nice things to your heart.

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There we go.

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Can you just make it look like.

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The tree line running up the

side back here, far, far away.

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Another way of creating

distance in your painting,

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then I'm going to take a clean,

dry one inspiration and very

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lightly, very lightly whisper light.

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Began lifting up and allowing

that to mix with the undercover.

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So it softens it.

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I want it to be very soft

and very distant, quiet.

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we go sweet.

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And then a super way to make a

little distant tree lines and you

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don't have to do hardly anything.

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Just lay a little color on

lifted up and you're in business.

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Painting is not only fun.

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It can be easy.

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All you need to do is learn a few,

little basic rules and go crazy.

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Okay, now we can get in here.

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Let's get some, some more good dark color

and let's just keep using a fan brush.

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We've used it so much today.

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Maybe, maybe there it is.

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I could decision drop it in.

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I have to think a minute, drop it in.

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Just sort of look at your

painting and visualize all

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these beautiful little things.

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Let them happen.

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Probably one of the hardest things.

256

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It's not, it's not how

to paint, what to paint.

257

00:14:40,900 --> 00:14:42,630

That's what drives most of us crazy.

258

00:14:44,199 --> 00:14:46,079

Sitting around trying to

figure out what to paint.

259

00:14:49,880 --> 00:14:52,740

I carry, I carry a camera with

me everywhere I go nearly.

260

00:14:53,610 --> 00:14:56,819

And would that camera, if I see something

that excites me, I take a picture

261

00:14:56,819 --> 00:15:01,470

of it and save it because you can

capture a second time and save it too.

262

00:15:01,470 --> 00:15:02,250

You want to use it.

263

00:15:04,050 --> 00:15:08,939

And from that, you can make

beautiful paintings and we'll

264

00:15:08,939 --> 00:15:10,079

give you the technique here.

265

00:15:12,270 --> 00:15:15,630

You take what you see because

everybody sees nature differently

266

00:15:16,530 --> 00:15:21,090

and you paint beautiful paintings

and they'll make you happy.

267

00:15:22,260 --> 00:15:22,560

Okay.

268

00:15:22,560 --> 00:15:27,000

I'm just pulling a little bit, a

little bit of this lavender color down.

269

00:15:28,710 --> 00:15:32,310

Now, if you want to make this look like

it goes back here, let this reflection

270

00:15:32,310 --> 00:15:38,189

be shorter than over here, and it'll give

the impression that it's round like that.

271

00:15:38,430 --> 00:15:39,300

And it goes way back.

272

00:15:40,395 --> 00:15:40,815

Sneaky.

273

00:15:40,845 --> 00:15:41,025

Yeah.

274

00:15:42,975 --> 00:15:43,215

Okay.

275

00:15:43,275 --> 00:15:43,455

Yeah.

276

00:15:43,485 --> 00:15:49,335

Very likely come across super

light, super, super light.

277

00:15:49,365 --> 00:15:52,845

Just enough to give it a

watery parents, leave it alone.

278

00:15:54,525 --> 00:15:56,595

It's very, very easy to overwork it.

279

00:15:58,095 --> 00:15:58,905

Overwork it.

280

00:15:59,085 --> 00:15:59,955

We don't want to do that.

281

00:16:00,795 --> 00:16:01,125

Okay.

282

00:16:01,155 --> 00:16:04,305

Now then let's put, let's put

some highlights back in here and

283

00:16:04,305 --> 00:16:07,575

I'm going to take a little bit

of permanent red, permanent red.

284

00:16:09,585 --> 00:16:13,905

Here and we'll mix it with

a little bit of yellow, mrs.

285

00:16:13,905 --> 00:16:20,025

CAD yellow, nice bright color, Lil

little Indian, yellow throat in there.

286

00:16:21,285 --> 00:16:26,025

We'll make us a beautiful,

beautiful, bright, bright color here.

287

00:16:26,265 --> 00:16:28,215

This is almost an orangy color.

288

00:16:29,385 --> 00:16:32,025

If you wanted to dull it, you could

put a little bit of Brown into it.

289

00:16:32,295 --> 00:16:33,375

That'll dial it right down.

290

00:16:35,594 --> 00:16:36,734

Okay, let's go right up here.

291

00:16:37,104 --> 00:16:38,954

I'm going to use just the fan Bray steel.

292

00:16:39,375 --> 00:16:46,035

I just want to tip, tip it

here and there have some nice

293

00:16:46,035 --> 00:16:48,165

little highlights of too many.

294

00:16:50,444 --> 00:16:50,954

There we go.

295

00:16:55,125 --> 00:16:57,795

Can you a little more paint on

my brush and we'll go over here.

296

00:16:58,484 --> 00:16:59,385

Don't overdo these.

297

00:16:59,415 --> 00:17:00,555

I want to kill all your darks.

298

00:17:02,880 --> 00:17:08,760

Swanson just wants some

impressions to Slack.

299

00:17:08,760 --> 00:17:08,970

300

00:17:13,280 --> 00:17:16,220

begin making all kinds of

little different things here.

301

00:17:16,910 --> 00:17:20,900

And this is where you can change

the number of projections that

302

00:17:20,900 --> 00:17:21,980

you have out into the water.

303

00:17:24,290 --> 00:17:26,900

No, you have to do is grab

them, pull some down, make you

304

00:17:26,900 --> 00:17:28,730

a little reflection, go across.

305

00:17:30,975 --> 00:17:31,545

Alrighty.

306

00:17:32,115 --> 00:17:32,205

Okay.

307

00:17:32,405 --> 00:17:32,615

Okay.

308

00:17:33,005 --> 00:17:36,875

I'm going to take a little bit of the

magic, quiet and put, put a little

309

00:17:36,875 --> 00:17:38,635

bit lavender color into the magic.

310

00:17:38,645 --> 00:17:46,205

White, very flat, very flat it as flat

as you can get it and then cut across it.

311

00:17:46,835 --> 00:17:47,105

Okay.

312

00:17:47,735 --> 00:17:51,845

I'll give you a small roll of paint, a

little line of paint red on the blade, and

313

00:17:51,845 --> 00:17:53,645

we're going to push right into the canvas.

314

00:17:54,245 --> 00:17:55,835

Just like we're trying

to cut a hole through it.

315

00:17:57,810 --> 00:18:00,270

And lay in some last little

waterlines back here.

316

00:18:00,750 --> 00:18:02,430

Keep these lions basically straight.

317

00:18:03,660 --> 00:18:07,020

You can go anywhere you want to

go, but they need to be straight.

318

00:18:07,620 --> 00:18:08,850

Keep your water in the painting.

319

00:18:11,120 --> 00:18:14,480

They're a little bit over here

320

00:18:18,440 --> 00:18:21,410

and already you can see how it's

starting to build depth until the

321

00:18:21,410 --> 00:18:24,140

painting makes it look far, far away.

322

00:18:26,160 --> 00:18:28,620

So many of the fast painting

techniques are very flat.

323

00:18:28,650 --> 00:18:31,830

We, we spend a lot of time and

energy trying to make these

324

00:18:31,830 --> 00:18:34,050

paintings have tremendous depth.

325

00:18:35,630 --> 00:18:36,200

Okay.

326

00:18:37,790 --> 00:18:43,790

Going back to my purple, it

was Crimson and Prussian blue.

327

00:18:44,150 --> 00:18:46,160

Let's put a happy little tree right there.

328

00:18:46,220 --> 00:18:52,010

Touch, use a corner of the brush and

give him some little alarms that easy.

329

00:18:53,595 --> 00:18:54,225

Okay, and easy.

330

00:18:54,405 --> 00:18:57,265

Give him a friend just dropping me.

331

00:18:57,675 --> 00:18:58,545

Just the corner of the brush.

332

00:18:58,545 --> 00:19:01,635

He used the same corner of

the brush all the way through.

333

00:19:02,025 --> 00:19:05,055

Maybe, maybe there's some

bigger trees right there.

334

00:19:05,385 --> 00:19:05,715

Touch.

335

00:19:06,985 --> 00:19:09,735

Look how that color stands out

against that yellow back here.

336

00:19:11,625 --> 00:19:12,405

It's exciting.

337

00:19:12,405 --> 00:19:15,135

That contrast really stands out.

338

00:19:19,485 --> 00:19:19,695

Okay.

339

00:19:19,705 --> 00:19:20,115

Maybe.

340

00:19:20,730 --> 00:19:22,260

I would give them a little friend here.

341

00:19:28,790 --> 00:19:29,510

There's another one.

342

00:19:29,780 --> 00:19:32,360

We just make a little, little fart.

343

00:19:32,420 --> 00:19:34,130

Now they call it a stands on a forest.

344

00:19:34,130 --> 00:19:35,510

It's called a stand up pine.

345

00:19:36,800 --> 00:19:38,270

Get the correct terminology here.

346

00:19:43,730 --> 00:19:47,000

and maybe, maybe I like to have a

little tree that's leaning over.

347

00:19:49,965 --> 00:19:52,095

Maybe a big old deer stepped

on him when he was little,

348

00:19:52,095 --> 00:19:53,445

he had a little hurt on him.

349

00:19:55,485 --> 00:19:55,695

There.

350

00:19:56,805 --> 00:19:57,135

Okay.

351

00:19:57,315 --> 00:20:03,215

We'll just take drop

in some more fully dry.

352

00:20:03,295 --> 00:20:06,465

I see how you can just keep building

and building and building and creating

353

00:20:06,465 --> 00:20:07,845

more and more depth in your painting.

354

00:20:09,345 --> 00:20:09,525

Yeah.

355

00:20:09,555 --> 00:20:09,725

Hold on.

356

00:20:09,735 --> 00:20:10,755

I've got that on my brush.

357

00:20:11,475 --> 00:20:13,995

You can put in some general reflections,

358

00:20:20,475 --> 00:20:23,355

we'll take our large brush

and grab those reflections.

359

00:20:25,395 --> 00:20:32,805

Pulled downward, very gently, very,

very gently and come across that easy.

360

00:20:36,254 --> 00:20:36,615

Okay.

361

00:20:36,915 --> 00:20:38,445

Let's put some trees on the other side.

362

00:20:38,504 --> 00:20:40,155

One is trees are so much fun.

363

00:20:41,325 --> 00:20:43,425

Maybe there's one right there.

364

00:20:44,295 --> 00:20:45,795

Touch corner of the brush.

365

00:20:48,129 --> 00:20:51,719

One inch brush will work very well for

this or the two and a half inch brush.

366

00:20:51,899 --> 00:20:58,260

A lot of times I use the one inch of

the two and a half inch brush today.

367

00:20:58,260 --> 00:21:00,780

This painting has got so

much fan brush work in it.

368

00:21:00,780 --> 00:21:02,580

I just decided to do it with a fan brush.

369

00:21:03,600 --> 00:21:05,850

You can do entire paintings

just with a fan brush.

370

00:21:11,409 --> 00:21:12,439

They are beautiful.

371

00:21:15,135 --> 00:21:17,805

Okay, maybe right there,

wherever you want them.

372

00:21:21,555 --> 00:21:25,215

And then every so often take

pile your paint back up.

373

00:21:26,355 --> 00:21:29,775

You need a pile of paint to work

from so you can load the brush deep.

374

00:21:30,435 --> 00:21:31,065

There we go.

375

00:21:34,005 --> 00:21:36,975

And if you find your paint's not sticking

well, add a little paint thinner.

376

00:21:37,665 --> 00:21:38,535

That'll thin it down.

377

00:21:38,685 --> 00:21:39,555

It makes it stick better.

378

00:21:41,189 --> 00:21:44,189

We'll just very quickly drop in

a happy little thing right here.

379

00:21:44,189 --> 00:21:45,959

Maybe there's another, there it is.

380

00:21:46,770 --> 00:21:50,520

Wherever you want, wherever you want it.

381

00:21:50,969 --> 00:21:53,129

That's where it is the tree.

382

00:21:56,540 --> 00:21:58,590

So let's use the old big brush.

383

00:21:59,320 --> 00:22:02,669

Must get, I didn't hear some

pressure and blue in some Crimson.

384

00:22:03,810 --> 00:22:04,050

Okay.

385

00:22:04,139 --> 00:22:04,500

That's.

386

00:22:04,889 --> 00:22:08,250

Let's go, let us drop in

some color right here.

387

00:22:09,810 --> 00:22:12,480

And I want a reflection under here,

so I'll just pull a reflection.

388

00:22:13,860 --> 00:22:14,669

That's all there is to it.

389

00:22:15,870 --> 00:22:16,649

Come across

390

00:22:19,709 --> 00:22:20,459

and bring it

391

00:22:27,959 --> 00:22:28,740

right down in there,

392

00:22:33,240 --> 00:22:33,840

down in there.

393

00:22:40,325 --> 00:22:40,865

Okay.

394

00:22:40,865 --> 00:22:44,705

Time to put some highlights on some of

this stuff on these evergreens up here.

395

00:22:45,034 --> 00:22:47,615

I'm just going to put the least

little touch here and there.

396

00:22:47,675 --> 00:22:48,185

Same.

397

00:22:48,665 --> 00:22:52,145

He says that same orangy

color don't want too much.

398

00:22:52,254 --> 00:22:56,405

I want this to be almost

a silhouette and here

399

00:22:59,555 --> 00:23:02,615

highlights a little grassy

things growing up and down there.

400

00:23:03,824 --> 00:23:05,324

I okay.

401

00:23:05,835 --> 00:23:13,965

Now take a little bit of pressure and

blue and white and a little tiny bit of

402

00:23:13,965 --> 00:23:20,324

Crimson and mostly blue and white and the

little cramps let's go right up here and

403

00:23:20,324 --> 00:23:21,735

we'll put a little bit of land in here.

404

00:23:24,405 --> 00:23:25,034

There we go.

405

00:23:27,345 --> 00:23:28,485

Probably get that on the knife.

406

00:23:28,605 --> 00:23:30,135

Let's drop a little bit right in there.

407

00:23:32,235 --> 00:23:34,155

Just Microsoft, wherever you want it.

408

00:23:37,064 --> 00:23:45,185

So maybe there's a just, just

make decisions and drop it

409

00:23:45,185 --> 00:23:47,705

in to make the decisions.

410

00:23:49,355 --> 00:23:54,455

We'll take some yellow and some

permanent red, and let's do these

411

00:23:54,455 --> 00:23:56,885

trees over here is a little bit.

412

00:23:59,175 --> 00:24:00,284

I want a great deal of highlight.

413

00:24:00,345 --> 00:24:03,125

Try to keep him celebrated there.

414

00:24:05,794 --> 00:24:08,314

Let's just drop some few little

highlights here and there.

415

00:24:11,945 --> 00:24:14,675

Let them come down into this land area.

416

00:24:14,824 --> 00:24:15,425

Instead I'm coming.

417

00:24:15,915 --> 00:24:16,504

I didn't know that.

418

00:24:22,905 --> 00:24:26,175

And the one inch brush would work

very well for putting all these little

419

00:24:26,175 --> 00:24:29,355

highlights on since I got the fan

brush going through the shoes and

420

00:24:36,705 --> 00:24:40,605

this super, super little painting

should give you a lot of ideas

421

00:24:40,605 --> 00:24:42,135

and set your imagination on fire.

422

00:24:45,000 --> 00:24:47,070

And you can do this in

any color combination.

423

00:24:49,850 --> 00:24:54,260

Can you let me get the knife here and

let's take a little bit about, this is

424

00:24:54,260 --> 00:24:59,060

the magic white with a purple in it, and

we'll drop in some little water lines.

425

00:25:01,010 --> 00:25:04,310

That's like, so touching.

426

00:25:12,870 --> 00:25:14,940

Magic light with a bit

of the purple color.

427

00:25:19,470 --> 00:25:20,400

I've got that on the knife.

428

00:25:20,430 --> 00:25:24,150

Maybe we'll make a few indications

of just a little tree trunks here and

429

00:25:24,150 --> 00:25:31,080

there where you can just, it looks

like middle trunks on a great deal

430

00:25:31,080 --> 00:25:33,620

of detail, just indications here.

431

00:25:33,620 --> 00:25:37,500

And we don't know how many trees are

in there and we don't really care.

432

00:25:41,230 --> 00:25:41,730

Okay.

433

00:25:42,440 --> 00:25:45,919

I think we just about have a

completed painting there and it's

434

00:25:45,919 --> 00:25:47,300

something that I think you'll enjoy.

435

00:25:48,169 --> 00:25:53,179

Try it at home, take a little

tan oil and I'll sign this one.

436

00:25:54,440 --> 00:25:57,919

Signature is not going to show up very

well against all this red, but it's here.

437

00:25:59,480 --> 00:26:00,830

I hope you've enjoyed this painting.

438

00:26:01,879 --> 00:26:05,899

Certainly a pleasure being here with

you today and from all of us here, we'd

439

00:26:05,899 --> 00:26:07,250

like to wish each and every one of you.

440

00:26:07,575 --> 00:26:08,295

Happy painting.

441

00:26:08,685 --> 00:26:09,345

God bless.

442

00:26:09,615 --> 00:26:10,605

And I'll see you next week.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E08 - Horizons West

Bob Ross's

The Joy of Painting

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