Bob Ross's

The Joy of Painting

S06E06 - Snow Trail

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Welcome back.

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I'm glad to see you today.

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And today I think we'll do a

beautiful little winter scene that

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has a lot of warm colors in it.

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So it's not so cold.

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It is it's unpleasant and I'll have him

run all the colors across the screen that

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you need to do this painting, starting

with the titanium white and going around,

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and they'll come across your screen in the

same order that I have them on my palette.

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So while they're doing that,

let's get started into an

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almighty painting together.

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I must take off today with that.

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The large brush start with a

little bit of yellow, blue.

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And just work it into the bristles.

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And to that, let's add a

little bit of Vandyke Brown.

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That'll dull it down a little,

so it's not quite subright

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and work it in the bristles.

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So you have a nice even

distribution of color all the

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way through the bristles there.

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Okay.

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Let's go up to the canvas and we'll

start right here at the top, making

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our little crisscross strokes.

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So XIS and just let this

play around and have fun.

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There we go.

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And very quickly we'll drop

a happy little sky and.

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There now, while I have this blue on

the brush, this is blue Vandyke Brown.

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Let's just lay a little bit right down

here, just very quickly throw it in and

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this'll end up being shadows in the snow.

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So be ready.

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We're not really concerned about where

it goes or what happens right now.

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Okay.

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We'll wash the brush and we wash our

brushes with odorless paint thinner.

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Take off the excess

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and then beat the devil out of it.

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Okay.

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I'm going to use a fan brush today

and I'll take a little bit of the

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titanium white on the fan brush and we

load a lot of pain into the bristles.

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Really work it in there.

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Okay.

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Let's go up here and build a

happy little cloud in the sky.

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We'll use just the corner of the

fan brush and make little tiny

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circles, little tiny circles.

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There we go.

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Just let them fall right off that

fan brush and keep your brush moving.

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Don't stay in one place and keep working.

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If you do, you're going to end up

with a big cotton ball up in the sky.

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We don't want that beautiful

little fluffy free clouds.

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Okay.

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Maybe, maybe right there, wherever you

want them, wherever you drop them in.

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Okay.

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Maybe there's one that lives there.

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You have to make these decisions.

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Where it is all these little

clouds live, where do they play?

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And in your world, you put

them where you want them.

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Okay.

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You need areas that have thick or is it

a thin areas that have no pain at all?

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Okay.

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Let's take the large brush and

we're going to go up here and

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just very, very gently blend.

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The bottom of the cloud.

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Don't want to touch the top at all yet.

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Just the bottoms.

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There we go.

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Okay, let's blend this one over here.

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And probably one of the biggest

mistakes made when people

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do clouds is they overwork.

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Don't overwork them.

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Okay.

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Now we'll fluff them and

grab them, fluff it up.

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Okay.

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You're going to pull all kinds

of little things up in the sky.

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When you do this stuff, worry about them.

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Don't worry.

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Constantly blend all this they'll go away.

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Okay.

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Now, very lightly, very lightly.

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Very likely I was going to go across

it's a three hairs in some air.

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Just let it sort of graze it in that easy.

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We have a beautiful little sky with clouds

floating around in it and ready to go.

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All right.

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Now, today I want to put some little

trees that are we back in the distance.

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So I'm going to take, we'll

take some fellow blue.

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And alizarin Crimson.

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They Lew blue and lizard Crimson,

other blues many, many times

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stronger than the Crimson.

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And to that, I'm going to add a small

amount of white and we're making a

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purplish color lavender color there.

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Okay.

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Now I'm going to take and put

some paint thinner in that and

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make it quite thin, quite thin.

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Let's go up to the canvas

now and up here and we'll.

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Just put in some basic little shapes.

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We back here, we're not

looking for detailed.

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These are background trees

that are going to end up.

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He far, far away.

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This is a very quiet

little painting, very soft,

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a little more paint thinner

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just here and there.

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Yes.

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Let these sort of fall in

wherever you want them.

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This is your world.

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maybe here and there.

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You can see just a little bit more detail.

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We don't want a great deal of detail yet

still, too far away, just here and there.

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paint is quite then quite there and

they just stand paint to stick on top

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of the thicker paint on the back there.

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And that'll give us a basic idea

of some little background trees.

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And with a large brush, I'm

going to, I want to create

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the illusion of mist in here.

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So I'm going to take the large

brush and tap the bottom of this.

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Just really raised cane.

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This is where you take

out all your hostilities.

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I want to soften the bottom of this

to us, just like the Midwest and here

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and there, I'm going to let a few of

them come right up above the tops.

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So it looks like a little

soft trees far, far away.

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There we go.

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Rarely raise cane and then

gently, gently lift upward.

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It'll create the illusion of Misbeck here

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and anything that we get down in here,

we'll use that for shadows in the snow.

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So don't worry about it.

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Okay.

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Maybe we'll put up another layer to here

and I'm going to head to that same color,

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a little bit of Vandyke Brown, little

bird number, and we'll just begin working

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a little bit closer here and there.

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Little Brown, little lumber, and we can

put a little bit more depth than this.

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Each one of these planes creates

more depth than your painting.

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That's what makes it look good?

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I'm still keeping this paint quite thin,

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just tapping the canvas there.

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See how easy that is.

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Just tap it.

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And it'll make the impression of

all kinds of little things happening

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a little bit more of the paint,

thinner, a little more umber.

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Maybe there's.

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Few things in here that a

little bit more distinct.

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I want too much, too much yet.

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It'll, they'll lose that

feeling of distance.

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If we get too much detail, we

back here in the background.

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And once again, with a large brush,

I want to create mist at the bottom

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of this layer and the more planes

or the more layers that you put in

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a painting, the deeper it looks.

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So we're just creating depth

in the background right now.

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And once again, very lightly, this is

just barely caressing the canvas deft up.

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And you can make as many

layers of this as you want.

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Each, each layer will make it

deeper, look farther away and

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create more depth in your painting.

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Okay.

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So now let's go and begin building

some beautiful little bushes that

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are protruding up through the snow

here and, and, and I'm going to go

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right into a little bit of the burn

number, little white, and I'm just

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mixing these colors on the brush.

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Just tap them, just tap them.

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Okay.

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Let's go right up in here.

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And maybe we'll begin putting in

just a little things happening.

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We back here and I'm just using

the corner of the brush and

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just barely touching the canvas.

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This is a very warm Brown.

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It's almost, almost like a, a burnt

Sienna color, very warm Brown, very soft.

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And I've added a little bit of

white there just to soften it down.

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And I'm going to go into a small

amount of yellow ochre on the brush

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and just begin tapping the top.

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Just very soft, very quiet.

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And he's just some of the

warm colors I was telling you.

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So it keeps this winter

scene from looking so cold.

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And a lot of times in the winter,

snow covers the ground and you

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still have bushes and stuff.

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They create all these

beautiful Brown tones.

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There we go.

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Very soft and quiet.

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Okay.

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Maybe, maybe, maybe we'll take our

liner brush and I'll go right into

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a little bit of the Vandyke Brown,

just like so, and turn at brush.

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That brings it to a nice sharp point.

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Gayness, go up to the canvas.

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Maybe we can see a few little.

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Tree trunks back in here.

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And all we do is touch the canvas.

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Cause this paint is very thin.

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It'll slide right off your brush

and paint will stick to a thick

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paint and we'll put a few little

indications of some trees back in here.

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No one don't want too much detail yet.

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Just a few little tree indications

there, here and there, here and there.

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Maybe there's one lives

over here wherever.

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Wherever you have to make these

almighty decisions and drop

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these things in, let them happen.

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Just let them flow right out of your mind.

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Okay.

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Now I'm gonna take another fan

brush and begin deciding, or I'm

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going to have some snow in here.

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I'm using several fan brushes, so I don't

have to go back and forth and wash them.

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So often load a lot of the titanium

white, and I'm going to put

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the smallest, smallest amount.

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Of permanent red and or

lizard Crimson, Crimson.

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I'm sorry.

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A little bit of a losing Crimson just to

give it a little pink issue to break it

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up and let's go right up to the canvas.

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NES angles strokes are very,

very important, very important.

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Follow the lay of the land.

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They're barely, barely touching the

canvas, follow the lay of the land.

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It's most the most important.

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And you do these paintings in

stages, completing the area.

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This father's the way and working

forward, just work forward.

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And I had to do a tiny bit of blue

in there to create some shadows.

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There we go see a soft and

pretty that is, and it's easy.

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Very, very easy.

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Let the canvas work now back to my

burn number and I can let some of

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these little bushes and stuff run

right down on the snow that easy.

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I just let them go.

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It's your world that had happened.

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Add a small amount of.

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Cadmium yellow and just

put it right on the top.

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Right on the top where the light

striking don't want too much.

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Just a little, I've just let

this one maybe come right on out.

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And any time you add one of these

little Hills here, go back with your

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fan brush and clean up the edges.

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See if you can just clean it right up.

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And if a little at Brown comes

into your snow, that's fine.

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It really helps.

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It gives it depth came now,

maybe in here there's a little

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Hill comes right from here.

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I want that a little bit wider,

a little bit, a little bit more

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of the white color up here.

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So it stands out from that one back care.

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Okay.

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Ice and snow right in there.

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All these little colors and the

shadows that we laid in there

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are beginning to show through.

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Because you're using very little

paint and just stroking the canvas.

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Okay.

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Just let all these little things happen.

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Maybe, maybe, maybe, maybe

there's another little group

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of bushes that live right here.

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You have to make these decisions

and drop them in wherever you want.

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Just drop them in.

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It comes right down there

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and we'll go back into a

little bit of the yellow ochre.

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Okay.

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Beautiful, beautiful, warm color.

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It's again, all I'm doing

is just barely tapping.

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I want the color to be on the top of

each little Hill, just barely tapping.

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Sort of a different way to use the

brush and we've used it before,

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but it's a lot of fun in any way.

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You can use a piece of equipment

to get a desired effect.

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That's really all that counts

any way you can use it.

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How we can clean up these little

edges and create the lay of the land.

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See, I'm pulling a little bit of that.

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Brown down into the snow helps

carry through the shadows.

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All right.

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And you can just make as many

layers as you want in here.

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Or you can take them out,

just let your imagination go.

251

00:14:18,995 --> 00:14:19,535

Let it go.

252

00:14:26,675 --> 00:14:28,295

Don't want to lose this

little white line here.

253

00:14:28,295 --> 00:14:30,785

If you lose that and we're

going to lose our separation,

254

00:14:30,785 --> 00:14:31,655

we don't want to leave this out.

255

00:14:35,265 --> 00:14:39,195

Maybe here and there, some

of these run up and I can,

256

00:14:43,995 --> 00:14:44,475

okay.

257

00:14:45,855 --> 00:14:47,265

Now let's play with some trees.

258

00:14:47,475 --> 00:14:50,505

Trees are always fun, always fun.

259

00:14:51,435 --> 00:14:53,985

And I'm going to make a very,

very dark color for some trees

260

00:14:53,985 --> 00:14:55,065

in the background back here.

261

00:14:55,365 --> 00:14:58,365

And we'll make that by

using the little green.

262

00:14:58,845 --> 00:15:02,235

And Elizabeth and Crimson and about

equal parts, maybe, maybe a little bit

263

00:15:02,235 --> 00:15:04,815

more Crimson than the fellow green.

264

00:15:08,405 --> 00:15:08,525

Okay.

265

00:15:08,585 --> 00:15:11,345

And when you mix these two colors

together, it makes a beautiful,

266

00:15:11,345 --> 00:15:18,005

beautiful black, very dark, very,

very dark, strong color, but very

267

00:15:18,005 --> 00:15:21,335

transparent because both fatal green

and lizard and Crimson are transparent.

268

00:15:22,975 --> 00:15:23,305

Okay.

269

00:15:23,525 --> 00:15:28,075

Now I'm going to clean

my knife and let's take.

270

00:15:29,115 --> 00:15:32,084

Another fan brush, and we'll

pull that through there and

271

00:15:32,084 --> 00:15:33,015

get a lot of color on the back.

272

00:15:35,795 --> 00:15:40,055

They're just see, just really pull

it through the wiggle it, wiggle it.

273

00:15:40,204 --> 00:15:43,745

That helps loads of paint into

the bristles in Charlotte.

274

00:15:44,314 --> 00:15:44,525

Okay.

275

00:15:44,525 --> 00:15:47,395

Let's go to the canvas,

maybe their lives right here.

276

00:15:47,405 --> 00:15:51,095

Uh, there it is at an old tree.

277

00:15:51,125 --> 00:15:52,714

He lives right there, right there.

278

00:15:52,745 --> 00:15:53,615

I knew he was there.

279

00:15:55,745 --> 00:15:57,064

There you knew he was there too.

280

00:15:57,064 --> 00:15:57,425

Didn't you?

281

00:15:59,895 --> 00:16:00,105

Okay.

282

00:16:00,105 --> 00:16:03,195

And he comes right down here

and that's where his foot said.

283

00:16:04,155 --> 00:16:09,075

And maybe, maybe this old, tree's got

a friend know, I see it all the time.

284

00:16:09,075 --> 00:16:10,215

Trees get lonely too.

285

00:16:11,175 --> 00:16:11,985

They need friends.

286

00:16:14,265 --> 00:16:20,715

We all need a friend and maybe there's

some leaves on this and we just sort

287

00:16:20,715 --> 00:16:25,245

of work back and forth here with a

fan brush and just give the impression

288

00:16:25,245 --> 00:16:26,505

of some beautiful little leaves.

289

00:16:31,160 --> 00:16:31,939

the heresy are easy.

290

00:16:31,939 --> 00:16:32,810

Those are to drop on.

291

00:16:33,650 --> 00:16:34,850

Just need indications.

292

00:16:35,750 --> 00:16:37,300

Yeah, we'll give it to the other one here.

293

00:16:42,470 --> 00:16:43,339

There we go.

294

00:16:44,770 --> 00:16:48,050

This is once again, they low

green and lizard in Crimson.

295

00:16:48,890 --> 00:16:50,089

Beautiful, beautiful color.

296

00:16:51,410 --> 00:16:52,490

And say just that easy.

297

00:16:52,699 --> 00:16:55,370

It gives us the impression that there's

some beautiful little limbs out there.

298

00:16:56,025 --> 00:16:58,095

Maybe maybe right here

lives another little tree.

299

00:16:58,125 --> 00:16:58,865

He's not as big.

300

00:16:59,025 --> 00:17:00,105

We're making farther back.

301

00:17:01,785 --> 00:17:04,665

I'll put a few, he needs a

few little leaves on him too.

302

00:17:10,545 --> 00:17:11,895

Needs a little foot to stand up.

303

00:17:11,935 --> 00:17:13,714

I don't want him to fall

over and hurt himself.

304

00:17:15,935 --> 00:17:16,444

There we go.

305

00:17:17,974 --> 00:17:18,275

Okay.

306

00:17:18,275 --> 00:17:21,635

Now we need to down here on the

bottom, we need to clean that up

307

00:17:21,635 --> 00:17:23,555

a little to bring it all together.

308

00:17:23,970 --> 00:17:30,090

So I'll just take the large brush and

just gently tap, bring it all together.

309

00:17:32,040 --> 00:17:37,800

And then another fan brush, a little

bit of snow in there and that easy.

310

00:17:37,830 --> 00:17:38,730

We got it fixed.

311

00:17:39,450 --> 00:17:41,370

Now while I've got this ms.

312

00:17:41,370 --> 00:17:46,560

Black color on my brush here, maybe,

maybe, maybe, maybe there's a big tree

313

00:17:46,560 --> 00:17:48,030

that lives right here on the edge.

314

00:17:48,030 --> 00:17:50,180

And all we can see as a few

of his Liam's hanging over.

315

00:17:53,340 --> 00:17:55,560

And when you're doing this,

leave some holes in your tree.

316

00:17:55,560 --> 00:17:58,140

So some sky shows through

it makes it look deeper.

317

00:17:58,170 --> 00:18:01,970

Don't don't cover the entire canvas there.

318

00:18:05,510 --> 00:18:08,810

It makes it look like as a tree,

the trunks really off the canvas.

319

00:18:08,860 --> 00:18:09,500

We don't see it.

320

00:18:10,760 --> 00:18:12,710

All we see is some

Liam's hanging over here.

321

00:18:15,650 --> 00:18:16,540

I'll take a little bit of.

322

00:18:17,355 --> 00:18:19,845

Yellow ochre and just

barely tap here and there.

323

00:18:19,875 --> 00:18:22,035

Same brush, same brush.

324

00:18:22,035 --> 00:18:25,965

Didn't clean it, nothing just want a

little tiny, tiny bit of yellow ochre.

325

00:18:27,255 --> 00:18:28,935

Just to give it a little

character, not much.

326

00:18:29,525 --> 00:18:33,995

Daddy's a little bit there

and that's really enough.

327

00:18:37,735 --> 00:18:40,805

And I'm going back to the liner brush

with paint, thinner, a little Brown on

328

00:18:40,805 --> 00:18:43,565

it, and maybe their lives right here.

329

00:18:45,375 --> 00:18:47,715

Another little tree, all right.

330

00:18:47,715 --> 00:18:50,925

Goes wherever, wherever.

331

00:18:52,635 --> 00:18:58,695

And you can put as many of these in your

world as you want, but I'm happy that

332

00:19:01,485 --> 00:19:03,345

all we're doing here is giving you ideas.

333

00:19:04,815 --> 00:19:08,115

What you do with them off the

everybody sees nature differently.

334

00:19:09,345 --> 00:19:09,975

That has happened.

335

00:19:11,565 --> 00:19:11,925

Okay.

336

00:19:11,935 --> 00:19:12,525

Let's put some.

337

00:19:13,260 --> 00:19:14,040

Let's have some fun.

338

00:19:15,090 --> 00:19:15,899

Let's have some fun.

339

00:19:16,469 --> 00:19:21,510

I'm going to go right into some Vandyke

Brown, get a lot of paint on my brush.

340

00:19:21,899 --> 00:19:22,949

Just Vandyke Brown.

341

00:19:24,060 --> 00:19:24,540

Let's go.

342

00:19:25,530 --> 00:19:25,949

I had a pair.

343

00:19:25,949 --> 00:19:29,459

Maybe there's a tree is a little bit

closer and we can see a little more.

344

00:19:29,969 --> 00:19:34,020

And a lot of times on the edge of the

evergreen trees, there's all kinds of

345

00:19:34,020 --> 00:19:38,879

little things that hang out to side,

burry things, whatever you call them.

346

00:19:40,410 --> 00:19:41,490

But they're not smooth.

347

00:19:42,000 --> 00:19:43,020

They're rough evergreens.

348

00:19:43,020 --> 00:19:44,129

A lot of times are rough.

349

00:19:45,480 --> 00:19:48,360

So if they're just tapping with a fan

brush, we can create that illusion.

350

00:19:49,770 --> 00:19:53,760

And then on the other side of the

tree, we'll take a little white and

351

00:19:53,770 --> 00:19:58,830

little Brown and we'll come right down

and make the other side of the tree.

352

00:20:00,450 --> 00:20:01,680

So you need a little light here.

353

00:20:02,040 --> 00:20:03,150

This tree is a little closer.

354

00:20:03,150 --> 00:20:06,990

It's going to have a little more

detail show you how to make those.

355

00:20:09,060 --> 00:20:13,350

So you there in that

super told you it was easy

356

00:20:16,410 --> 00:20:18,450

hair, just let it come down.

357

00:20:20,490 --> 00:20:24,500

And maybe there's a little

of that color in the snow.

358

00:20:24,500 --> 00:20:26,420

We'll create a little

shadow image back here.

359

00:20:26,450 --> 00:20:31,580

Just a little bit of shadow and

with a nice clean fan brush.

360

00:20:31,910 --> 00:20:36,830

I can very lightly, very lightly just

blame them right in that a little bit.

361

00:20:37,754 --> 00:20:42,545

There and it makes it look

like a little shadow back here.

362

00:20:44,045 --> 00:20:47,585

Maybe there's a tiny bit of snow goes

up beside of the tree comes down.

363

00:20:51,754 --> 00:20:52,295

There we go.

364

00:20:52,805 --> 00:20:54,065

So let these little things happen.

365

00:20:55,835 --> 00:20:56,375

All right.

366

00:20:57,245 --> 00:21:00,335

Now let's put a few

little limbs on that tree.

367

00:21:01,485 --> 00:21:02,765

Maybe they just hang out.

368

00:21:02,765 --> 00:21:05,615

Like, so wherever.

369

00:21:06,885 --> 00:21:11,625

Let him go here and here and

you can do this with a liner.

370

00:21:11,625 --> 00:21:13,995

Brush comes to a much sharper point.

371

00:21:13,995 --> 00:21:19,935

If you want to now, you know,

that'll Oh, tree is so much fun.

372

00:21:20,564 --> 00:21:21,044

Tell you what?

373

00:21:21,044 --> 00:21:21,435

Let's go.

374

00:21:21,584 --> 00:21:23,925

Let's go right over in here

and we'll make a great big

375

00:21:23,955 --> 00:21:25,665

almighty tree, a big strong tree.

376

00:21:25,845 --> 00:21:27,074

Give you some practice doing that.

377

00:21:27,375 --> 00:21:28,635

And he lives right there.

378

00:21:29,145 --> 00:21:31,695

Just make a decision to drop

him in wherever you want to.

379

00:21:32,865 --> 00:21:33,375

Let him go.

380

00:21:35,024 --> 00:21:36,165

Using Vandyke Brown.

381

00:21:39,165 --> 00:21:42,165

I want this edge to be

all rough and fuzzy.

382

00:21:44,805 --> 00:21:49,535

There just put a lot of dark in there.

383

00:21:49,625 --> 00:21:50,885

Just read it, drop it down.

384

00:21:52,025 --> 00:21:53,165

Really socking that canvas.

385

00:21:58,235 --> 00:21:58,415

Okay.

386

00:21:58,485 --> 00:22:00,215

And then I'll take the brush.

387

00:22:00,215 --> 00:22:08,945

It has my white and Brown on it and

we'll come right down here and do a,

388

00:22:09,125 --> 00:22:12,365

a light side for the tree tree, these

light side to make it look round.

389

00:22:14,430 --> 00:22:15,660

Eight, a dark and light side.

390

00:22:18,540 --> 00:22:19,170

Here we go.

391

00:22:22,010 --> 00:22:24,850

And just sort of let that play around

wherever you think light would hit.

392

00:22:27,740 --> 00:22:28,850

Great big old tree.

393

00:22:32,510 --> 00:22:34,820

It's big trees been here

for a hundred years or so.

394

00:22:35,450 --> 00:22:37,100

He has seen a lot happen.

395

00:22:40,550 --> 00:22:41,480

Why is old tree?

396

00:22:42,659 --> 00:22:45,600

And then maybe we'll bring a

little bit of snow comes right

397

00:22:45,600 --> 00:22:47,730

up here and blend that in.

398

00:22:51,360 --> 00:22:53,879

So you just set him right down

into the painting that easy.

399

00:22:54,690 --> 00:22:57,780

Just bring some snow right up around

his little foot's big foot's that's big.

400

00:22:57,810 --> 00:22:59,399

Foot's big foot.

401

00:23:04,230 --> 00:23:08,190

They're that easy either.

402

00:23:08,190 --> 00:23:09,720

You set him right down into the painting.

403

00:23:10,710 --> 00:23:10,800

Okay.

404

00:23:11,129 --> 00:23:17,850

Okay, now then let's take a little bit

more of the Brown and maybe there's a big

405

00:23:17,879 --> 00:23:23,100

limit hangs right off the canvas and maybe

it comes down and maybe it just bins.

406

00:23:23,460 --> 00:23:25,770

Uh, there it goes, comes

right back across the tree.

407

00:23:27,270 --> 00:23:28,230

Big, big limit.

408

00:23:28,500 --> 00:23:29,460

This is a large tree.

409

00:23:29,460 --> 00:23:37,669

He needs a large lamp and little

arm on the limb, wherever it helps.

410

00:23:37,970 --> 00:23:39,860

Give the tree a little personality.

411

00:23:40,410 --> 00:23:43,350

There's always dead limbs hanging

on the bottom of evergreen trees.

412

00:23:45,060 --> 00:23:45,870

Don't avoid them.

413

00:23:45,940 --> 00:23:46,590

They're there?

414

00:23:46,590 --> 00:23:46,770

What?

415

00:23:46,790 --> 00:23:50,930

Give the tree character, don't avoid them.

416

00:23:51,530 --> 00:23:54,620

I tend middle son of a guns

come out, sparkling sunshine.

417

00:23:56,870 --> 00:23:57,080

Okay.

418

00:23:57,080 --> 00:24:01,370

Now, as I say, we could take the liner

brush if we wanted to and add a little

419

00:24:01,370 --> 00:24:04,490

more detail to some of these, and all

you do is then the paint down and you

420

00:24:04,490 --> 00:24:06,140

can bring out all kinds of little limbs.

421

00:24:07,545 --> 00:24:10,085

And you can just let these go and

go and go wherever you want them.

422

00:24:12,514 --> 00:24:12,995

Okay.

423

00:24:13,024 --> 00:24:15,514

I'm going to take a small amount of, okay.

424

00:24:16,055 --> 00:24:18,815

This is almost straight burn

number and we'll put a little

425

00:24:18,815 --> 00:24:21,305

weed here and there, and I'm just

using the corner of the fan brush.

426

00:24:21,965 --> 00:24:24,365

Lift up, touch that time.

427

00:24:25,175 --> 00:24:25,264

Okay.

428

00:24:25,625 --> 00:24:30,995

Just to put some little leafy little

leaves or leaves and sticks and

429

00:24:30,995 --> 00:24:34,925

twigs and stuff here, just to break

up some of this white snow area.

430

00:24:36,254 --> 00:24:37,004

Just here and there.

431

00:24:38,354 --> 00:24:42,165

Maybe I'll tell you what, maybe,

maybe, maybe, maybe there's a little

432

00:24:42,165 --> 00:24:44,235

stone that was right out here.

433

00:24:45,044 --> 00:24:45,314

There.

434

00:24:45,405 --> 00:24:49,485

See there, he puts a little stone

in and we'll take, let me wash

435

00:24:49,485 --> 00:24:50,715

your fan brush here real quick.

436

00:24:52,935 --> 00:24:55,064

We'll take a little bit

of the titanium white.

437

00:24:55,304 --> 00:24:56,594

Now you got to pull it over the stone.

438

00:24:56,594 --> 00:24:58,665

Cause there's there's

snow on top of the stone.

439

00:24:58,754 --> 00:25:00,675

So you just touch come

right over the stone.

440

00:25:00,735 --> 00:25:01,514

Look, see there.

441

00:25:02,294 --> 00:25:04,485

It's so easy and it's fun.

442

00:25:06,060 --> 00:25:08,100

Just like so soft there's to it.

443

00:25:10,669 --> 00:25:10,990

Okay.

444

00:25:12,169 --> 00:25:15,590

I think we're about to the point where

we have a painting that we can sign.

445

00:25:17,030 --> 00:25:21,889

So I'll take a little bit of paint

thinner and I'm going to work it.

446

00:25:21,889 --> 00:25:23,870

I mean, I've got a little

permit red on the pallet here.

447

00:25:23,870 --> 00:25:25,100

I always signed with permanent red.

448

00:25:25,760 --> 00:25:27,409

Turn that brush, turn it.

449

00:25:27,409 --> 00:25:29,240

So it comes to a beautiful sharp point.

450

00:25:29,270 --> 00:25:29,690

Look at there.

451

00:25:30,320 --> 00:25:30,620

Okay.

452

00:25:30,830 --> 00:25:32,240

Let's go up here and sign this rascal.

453

00:25:33,540 --> 00:25:38,460

And this is the part that's fun because

then you have a completed painting

454

00:25:39,240 --> 00:25:40,590

makes you feel all good inside.

455

00:25:41,460 --> 00:25:42,660

And I hope you've enjoyed this one.

456

00:25:42,660 --> 00:25:43,889

It's a very soft painting.

457

00:25:44,580 --> 00:25:47,550

They could bring you many

hours of relaxation and fun.

458

00:25:48,510 --> 00:25:51,300

And from all of us here, we'd

like to wish you happy painting.

459

00:25:51,600 --> 00:25:52,200

God bless.

460

00:25:52,290 --> 00:25:53,040

See you next week.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E06 - Snow Trail

Bob Ross's

The Joy of Painting

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