Bob Ross's

The Joy of Painting

S08E02 - Lakeside Cabin

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Welcome back.

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I'm glad you could join me today.

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And today we're going to do

something very different than

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I think you'll really enjoy it.

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So let's have them graphically run

all the colors across the screen

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that you need to do this painting.

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They'll come across in exactly the

same order that I have them on the

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pallet, starting with a white and

working around while they're doing that.

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Come on up here to the canvas.

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Let me show you something.

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Thank you like this today.

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I have a canvas.

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Same size is always use 18 by 24,

but I've taken contact paper and.

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Put around the entire canvas, except for

an oval right here in the center is to

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just plain old contact paper that you

buy at your local drug store, a hardware

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store, whatever, right over the canvas.

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And then we're going to paint a beautiful

little painting in here and have some fun.

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So let's do it.

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Let's do it.

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Tell you what I'm going to start out

today with a little bit of the bright red,

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and then I'm going to go right up into.

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A little touch of titanium, white,

a little more of the red, so

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I'll make a nice pinkish color.

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Okay.

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Let's go ahead and pick.

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And I'm just gonna put in a little

turny pink globe right there.

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Just using the little crisscross

strokes she has to right across there.

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Okay.

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Now, without cleaning the brush.

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I'm going into a small amount

of fellow blue, small amount.

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It's very strong, very, very strong.

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And then right underneath the pink

I, a little tiny bit of blue, she has

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to cross like, yeah, this will be a

very soft and very effective painting.

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Beautiful little painting.

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I think you're really going to enjoy it.

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I'm I'm so excited about this one.

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Okay.

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Now.

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Without cleaning the brush.

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I'm going into the least little

touch, FFA, little green.

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Let me say that again.

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The least little touch

or that stuff's strong.

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It'll lead up your whole

world and in just a heartbeat.

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Okay.

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Let's go right up here now, then I'm

going to have some water in this painting.

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So I'm going to pull this or right

across just like this and water,

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unless it's moving is level.

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So I try to keep these strokes

as straight as possible.

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Sit there, try to keep you straight.

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You don't want your water to, to run out

of your pain and get your floor with you.

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Be mad at, yeah, leave

a little area in here.

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That's unpainted.

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That'll end up being very pretty.

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I have several brushes going,

so I don't have to clean them.

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Okay.

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Now right here, or this

blue and pink go together.

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I'm just going to blend

this to this nice and soft.

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So you can't tell her one color stops

and the next one starts look at that.

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And then very lightly just take

the brush strokes down here in

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the water all the way across.

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Yeah.

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Smooth and gentle.

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That is now, but your little light

area right there still remains.

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Okay.

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Let's have some fun now,

NAD and let's get dangerous.

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I'm going to go into the midnight,

black, just a little of it on the fan.

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Brush it.

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Just go right up here.

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Now, then I want some

contrast in this guy.

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So I'm going to take yours

and just dance it around.

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Let it play jazz.

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Medi-Cal Ooh, look at that.

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And I bet I bet you're upset with me now.

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Janice, let all kinds

of little things happen.

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This is just midnight black.

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Bagel cloud lives right up here.

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Look at that.

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Just let it play a

little more in the paint.

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Maybe just got a long finger that

comes right out through there.

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Now, when you're doing yours,

you put clouds wherever you want.

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Don't try to just copy what we have here.

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Everybody sees nature differently there.

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All right, man.

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Take a nice dry brush.

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Be sure your brush is dry.

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If it's wet at this point, you're going

to become a mud mixer and you're going

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to be upset with me, tiny, tiny little

circles, and just begin very lightly,

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very lightly landing this splendid

little tiny circles, and I'm just

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using just the corner of the brush.

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Just a tough corner of the brush.

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Very, very small little circles.

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There we go now then with a clean

fan brush, I'm going to go back and

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pick up a little bit more of my pink.

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That was a bright red titanium.

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White.

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All right, I'm back up here now.

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I'm going to just let some of this

bounce right over this dark color.

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Just push it in, give tough with it.

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Get tough with it.

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Just let it bounce in play there.

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Wherever you think it should be.

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That's where it should be.

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And once again, with our large

brush, very gently, just barely,

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barely grazing the canvas.

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This is three hairs and

some air just caress.

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It just caressing.

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This is your good friend.

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You don't want to hurt it.

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Just want to caress it very gently.

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Very gentle.

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Just take the brush strokes in that easy.

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You have one fantastic sky.

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Isn't that pretty?

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Thank you.

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Really enjoyed doing that one.

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Okay.

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Today.

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Let's take the old round brush

and then we go right into a little

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bit of the dark Sienna, a little

Vandyke Brown, little SAP green.

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Just mix them on the brush here, tap.

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So you're really tapping into brush.

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Can you just go up here?

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And how they, maybe there's some

happy little trees that live.

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Yep.

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Right there.

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You're right.

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You were right there.

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He is.

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And these are just a

little background things.

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They live back here wherever

you want them in your world.

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All here's a nice way.

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Here's a nice way.

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He just, he got a little extra

sunlight, grew big straw.

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More of the color and

wherever you want them

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that quick, they have some

nice little background trees.

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Yeah.

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Then we'll just take a knife.

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I'm just using the small one,

but either way it works, you

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just take it just fresh in.

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A few little sticking twig

indications here where you can take

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your liner brush and paint them in.

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I find it a little faster just

to drop them in with the knife.

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There we go.

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All right.

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I have the same old dirty brush and

I'm gonna go right into the yellows.

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This is.

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A little bit of yellow

ochre, a little CAD yellow.

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She will take a little Indian,

yellow, and some SAP green.

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And we just mix them right on the brush.

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And my yellows are a little bit thinner

than my other paints, so they mix easier.

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Okay, let's go right up here.

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Okay.

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Now then let's put some highlights

on some of these and I'm just

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taking the top corner of the brush.

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And all I'm doing is just barely

touching, just barely touching.

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See and make little forms

and shapes in there.

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Just look at that.

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Look at that.

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Look at that.

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Just drop it in all

kinds of little things.

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Let them happen, Adam.

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I happen to remember

there's layers back here.

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There's not just one old

Bush living back here.

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There's a layers and that's what

helps create the illusion of depth.

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Distance in your painting,

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at least little touch of the red.

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Oh, put a nice red one right

there that would really stand out.

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Okay, color on that and just sort of work

these yellows and reds back and forth.

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She has to create whatever

effect that you want.

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Remember, this is your world

and you can do anything.

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It makes you happy on

here and he'll think.

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There we go a little bit right there

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in that quick, you have a very, very

nice, effective little background.

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Now then let's begin working

forward on this and putting

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some more distance into it.

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I'm gonna go right into

these Browns that I had.

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Same color made the trees with the

dark Santa a little Bandag Brown.

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Okay.

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Let's put in some base color here.

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And all I'm going to do is just tap

begin thinking about the lay of the land.

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How do you want you to lay them to flow?

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I want it to start to

come down, like, fuck it.

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They're just like, so,

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all right.

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You know, it's hard for me to believe

with the completion of this series.

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We will have over 100 half-hour shows.

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That's almost unreal to me.

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That's fantastic.

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That's fantastic.

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Now I'm going to pull down a

little bit of that color and this

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will end up being reflections.

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Just pull it straight down, straight down

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there.

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See instant reflections.

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Very lightly.

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Go across, just go right across,

then pick another old brush here.

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Same size.

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It's two inch separation.

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We're going to a little green,

little yellow, and I'm just going

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to tap some of these colors on here.

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Same colors we use to highlight

the trees in the back.

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Okay, let's go right up here now

then begin at the most distant

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area and start working forward.

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All we're doing is I'll do that real

slow so you can safely just tap.

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Okay.

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And you work in layers, work in layers.

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Okay.

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Here comes another layer

and let it follow through.

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It's just like bowling.

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So you let it follow through.

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There.

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Just come right on down layer after

layer, after layer, however many layers

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that you want wherever you want it to go.

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Okay.

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See there that easy.

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Creates the illusion of land back here.

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Painting is just games of illusions.

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That's really all it is.

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Okay.

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Now let's take the knife,

take a little bit of Brown.

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And back in here, we'll put the indication

of a little bit of dirt to have something

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for all these little things to level,

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just a little Brown.

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This is a little Vandyke, rubbing it off.

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Then I'll take a little Brown and

white, same color, just Brown,

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white, and at the least little

touch of highlight here and there.

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Don't overdue, just a little,

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super, a little bit of the

liquid wine cut across it.

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And we'll put a happy

little water line back here.

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Not too much.

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This is done with a very firm pressure.

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You're really cutting into the canvas.

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Just get tough with it, just and

keep these lines basically straight.

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You don't want your water to

run right out of your painting.

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Okay, I'll add a little bit

more of the Browns here.

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Let's go right here.

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So you can just keep making decisions

to build a plane after plane as many

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planes as you want in your world.

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Complete the area.

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It's a father's to wait

first and work forward.

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A few little happy reflections just

by pulling straight down, going

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across very light, just whisper light.

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I have two brushes going here, so I

don't have to clean them each time.

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Go back into my brush.

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It has the yellow is on it.

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Tap a little color, a little

bit of the bright red on there.

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There we go.

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We're can just go up here.

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Ooh, that's pretty.

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Just all kinds of little things

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there.

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If you want one to stand out, add a little

brighter color to it, look it there.

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See that little, a little heel

now stands out from all the rest.

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People will make out and

stand out a little more too.

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Okay.

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We need a little bit of ground

in the area underneath this one.

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Don't want it to get, get

upset, cause it didn't have any.

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A little bit of the Brown and

white highlight color, just

259

00:13:09,734 --> 00:13:12,675

barely touch, barely touch him.

260

00:13:16,055 --> 00:13:18,665

Then I'll just tap a little color there

and that'll bring all that together.

261

00:13:20,415 --> 00:13:21,005

Okay.

262

00:13:21,035 --> 00:13:22,415

That's such a pretty little area.

263

00:13:22,505 --> 00:13:22,895

Shoot.

264

00:13:22,895 --> 00:13:25,594

If, if I was there, I'd have to

have a little cabin right there.

265

00:13:26,104 --> 00:13:26,645

Let's do that.

266

00:13:26,915 --> 00:13:31,925

Let's go right into some Vandyke

Brown and right here, right here.

267

00:13:33,105 --> 00:13:34,275

Let's start with the back Eve.

268

00:13:34,455 --> 00:13:42,255

Just drop that in the other side of the

roof that easy, maybe a little front on

269

00:13:42,255 --> 00:13:48,135

this little rascal, both sides, beta side.

270

00:13:48,235 --> 00:13:49,275

Don't want that to fall off.

271

00:13:49,455 --> 00:13:54,285

I could have put a side on him

and then let's just take a little

272

00:13:54,285 --> 00:13:55,425

bit of the Brown and white here.

273

00:13:56,490 --> 00:13:58,140

It we'll just put a little

highlight on the roof.

274

00:13:58,140 --> 00:13:59,100

This is an old Kevin.

275

00:13:59,100 --> 00:14:00,330

I like to do old buildings.

276

00:14:00,330 --> 00:14:04,920

If you painted with me before, you

know that I like useful buildings,

277

00:14:06,270 --> 00:14:09,450

take a little bit of light color,

light Brown right there and just

278

00:14:09,810 --> 00:14:11,040

highlight it a little touch.

279

00:14:11,100 --> 00:14:15,240

So it stands out a little bit

of highlight on the boards.

280

00:14:15,540 --> 00:14:16,270

Just shoot.

281

00:14:16,530 --> 00:14:19,830

So I got to do all you gotta do.

282

00:14:21,240 --> 00:14:23,220

I'm just gonna take the point

of knife and cut through.

283

00:14:24,765 --> 00:14:27,464

And make the indication

of a little boards.

284

00:14:29,655 --> 00:14:31,214

I tell you what must get the small knife.

285

00:14:32,834 --> 00:14:34,995

Small knife gets in these

little places like better.

286

00:14:35,415 --> 00:14:36,375

This is like me.

287

00:14:36,675 --> 00:14:40,724

He ran out of storage space and he

built a little shed right there.

288

00:14:40,964 --> 00:14:43,125

See it that easy.

289

00:14:43,724 --> 00:14:44,895

You got a happy little shit.

290

00:14:46,035 --> 00:14:48,435

You need a little highlight

on the top of the shed.

291

00:14:48,555 --> 00:14:49,755

It's got a little roof on it too.

292

00:14:49,755 --> 00:14:52,875

So it doesn't leak there.

293

00:14:56,494 --> 00:14:57,935

That'd been a highlight on that area.

294

00:14:57,935 --> 00:14:59,104

And I keep this right in here.

295

00:14:59,135 --> 00:15:02,704

Very dark, very dark, because not much.

296

00:15:02,704 --> 00:15:03,724

Light's going to hit in there.

297

00:15:06,814 --> 00:15:07,025

Yeah.

298

00:15:07,114 --> 00:15:08,645

Let's put a little door right there.

299

00:15:08,645 --> 00:15:10,805

We need a way to get in and

out of this nice little cabin,

300

00:15:12,604 --> 00:15:13,505

little touch, your lighter.

301

00:15:13,505 --> 00:15:14,824

I was still using a small knife.

302

00:15:16,625 --> 00:15:17,135

Okay.

303

00:15:17,464 --> 00:15:20,224

I'm going to take a little

tiny bit of blue and white.

304

00:15:20,819 --> 00:15:21,719

You put the indication.

305

00:15:21,719 --> 00:15:25,530

Maybe there's a little window right

here and we'll put one right there.

306

00:15:26,370 --> 00:15:28,109

Just the least little hint of blue.

307

00:15:29,290 --> 00:15:29,920

Okay.

308

00:15:32,959 --> 00:15:34,130

Let's take a fan brush.

309

00:15:35,150 --> 00:15:37,459

We will use some yellows and greens.

310

00:15:39,380 --> 00:15:40,579

All right, let's go out up here.

311

00:15:41,329 --> 00:15:41,510

Yeah.

312

00:15:41,510 --> 00:15:44,449

Then we can just pop him some

happy little bushes and this

313

00:15:44,449 --> 00:15:46,729

cleans up the bottom of the cabin.

314

00:15:47,540 --> 00:15:48,589

Just cleans it all up.

315

00:15:49,560 --> 00:15:52,620

And this guy's like he didn't cut his

lawn very well, but his growing up

316

00:15:52,650 --> 00:15:55,230

around the rounded had to his house.

317

00:15:55,620 --> 00:15:57,960

So what's a little weeds grew

wrapped around his house.

318

00:16:00,400 --> 00:16:04,770

Maybe we can take the little

knife here, put dedication of a

319

00:16:04,770 --> 00:16:06,600

little tiny path, right there.

320

00:16:06,600 --> 00:16:07,680

Just a little indication.

321

00:16:09,470 --> 00:16:09,920

All right.

322

00:16:11,699 --> 00:16:15,089

Yeah, then we got a little

cabin, got a little cabin.

323

00:16:16,949 --> 00:16:18,839

I'm going to put some water

lines right into here.

324

00:16:19,290 --> 00:16:20,609

Use a little bit of the liquid, right?

325

00:16:23,760 --> 00:16:25,380

Just like, all right.

326

00:16:26,969 --> 00:16:28,650

Can I tell you this was

a fun little painting?

327

00:16:28,800 --> 00:16:29,819

I knew you'd enjoy it.

328

00:16:30,569 --> 00:16:31,740

I knew you'd enjoy it.

329

00:16:33,660 --> 00:16:35,790

I'm going to use some of

the Browns and greens again.

330

00:16:37,260 --> 00:16:38,250

Okay, let's go right up here.

331

00:16:38,460 --> 00:16:42,630

Maybe there's a big old tree

and he lives ye you're right.

332

00:16:42,900 --> 00:16:47,400

He lives right there and

he hangs right out there.

333

00:16:49,620 --> 00:16:52,530

That's what I used to do when I

was a kid, I just would hang out.

334

00:16:54,600 --> 00:16:55,710

That's what this tree is doing.

335

00:16:55,710 --> 00:16:58,230

It's just sort of hanging

out here having a good time.

336

00:17:01,755 --> 00:17:03,435

Maybe it comes right on down here.

337

00:17:04,214 --> 00:17:06,224

All kind of little bushes are happening.

338

00:17:08,024 --> 00:17:08,685

Here they go.

339

00:17:09,734 --> 00:17:10,365

Oh, look it there.

340

00:17:10,454 --> 00:17:12,075

Now the little peninsula

comes right out here.

341

00:17:12,845 --> 00:17:14,254

Just sort of let these things happen.

342

00:17:14,464 --> 00:17:16,085

Don't don't try to plan everything.

343

00:17:17,315 --> 00:17:18,004

Let them happen.

344

00:17:18,155 --> 00:17:18,845

They don't happen.

345

00:17:20,645 --> 00:17:22,085

That's when it becomes fun.

346

00:17:24,659 --> 00:17:24,899

Okay.

347

00:17:24,899 --> 00:17:27,270

Not very lightly pull a

little touch of that down.

348

00:17:28,770 --> 00:17:33,360

Like, so, and that'll, as we know what

ended up being reflections, pull it

349

00:17:33,360 --> 00:17:38,550

down very lightly or cross very lightly.

350

00:17:39,989 --> 00:17:42,780

Now, do we need some land?

351

00:17:43,530 --> 00:17:45,479

So we haul, we just

dropped the land in now.

352

00:17:47,580 --> 00:17:48,300

There we go.

353

00:17:50,820 --> 00:17:55,440

There's a bit of the brand and maybe

through a least little touch of blue in

354

00:17:55,440 --> 00:18:01,080

it at all to give it a sort of a gray

color, but don't, overmix your color.

355

00:18:01,889 --> 00:18:02,850

Don't overmix it?

356

00:18:02,940 --> 00:18:04,560

That all these things just sort of happen.

357

00:18:06,240 --> 00:18:06,629

All right.

358

00:18:06,629 --> 00:18:09,149

I'm going to take a little liquid

white on the liner brush and maybe

359

00:18:09,149 --> 00:18:11,970

over here, there's that tree truck.

360

00:18:12,360 --> 00:18:14,159

He sorta a light color.

361

00:18:16,010 --> 00:18:18,210

See there, turn that brush.

362

00:18:18,210 --> 00:18:21,300

It makes all kinds of

little things just happen.

363

00:18:22,470 --> 00:18:25,170

It makes it a little more interesting

than just a street old tree trunk.

364

00:18:26,040 --> 00:18:30,120

Keep it a little, turn, little

wiggle, all kinds of pretty things.

365

00:18:31,740 --> 00:18:37,920

And wherever you want them, maybe

there's one at, yep, that's right there.

366

00:18:41,280 --> 00:18:41,490

Then.

367

00:18:42,465 --> 00:18:45,465

Nah, then we can, we can put

some highlights on her tree.

368

00:18:46,365 --> 00:18:53,115

We will take some of the

yellow little SAP green load.

369

00:18:53,115 --> 00:18:57,585

This two inch brush full of paint,

really loaded for can ask her right up

370

00:18:57,585 --> 00:19:03,135

here now that you don't want to cover

all the dark sea, just highlight these.

371

00:19:03,975 --> 00:19:06,855

And if your paint is too

thick, I can won't stick at it.

372

00:19:07,125 --> 00:19:12,765

Tiny tiny little bit of the liquid

white or paint thinner, either one.

373

00:19:13,365 --> 00:19:16,095

This is sticking very well,

but if you're having trouble,

374

00:19:17,045 --> 00:19:17,945

that's the way you make it.

375

00:19:17,945 --> 00:19:18,365

Stick.

376

00:19:19,865 --> 00:19:23,885

You start with a very thick

base color, very thick paint.

377

00:19:24,395 --> 00:19:24,485

Okay.

378

00:19:24,605 --> 00:19:27,605

And then you can add layers of thinner

paint right over the top of it.

379

00:19:28,365 --> 00:19:30,065

We'll look at all those

little leaves happening there.

380

00:19:31,004 --> 00:19:33,004

See, and think about patterns here.

381

00:19:33,035 --> 00:19:35,375

Think about there's limbs that

create these little stakes.

382

00:19:35,375 --> 00:19:35,855

Don't just.

383

00:19:36,615 --> 00:19:39,764

We'll just throw up in down here.

384

00:19:39,794 --> 00:19:41,595

We got some happy little bushes that live.

385

00:19:41,835 --> 00:19:42,195

Look at all.

386

00:19:42,195 --> 00:19:42,345

Them.

387

00:19:42,975 --> 00:19:43,305

Fuck it.

388

00:19:43,365 --> 00:19:45,225

There there's one.

389

00:19:45,825 --> 00:19:50,925

Wherever you want to add a little bit

of the red we'll get bright, right?

390

00:19:50,985 --> 00:19:52,575

Ooh, nice one nice one.

391

00:19:54,555 --> 00:19:56,055

Septime some of these colors happen.

392

00:19:56,235 --> 00:19:57,044

It makes me excited.

393

00:19:57,885 --> 00:19:59,475

Just, they just jumped

right out there on you.

394

00:20:00,605 --> 00:20:06,215

Now with just a clean knife, we can

create the illusion of a finger sticks

395

00:20:06,215 --> 00:20:07,925

and twigs, wherever you want them.

396

00:20:10,895 --> 00:20:11,945

A little bit of liquid white,

397

00:20:15,725 --> 00:20:17,255

put a water line right into this.

398

00:20:18,185 --> 00:20:20,885

See, I cleaned up the bottom and

it sort of separates everything.

399

00:20:22,205 --> 00:20:24,395

Look at there, a few little

ripples on the water.

400

00:20:24,965 --> 00:20:26,195

Keep those straight also.

401

00:20:26,610 --> 00:20:27,449

Most important.

402

00:20:28,560 --> 00:20:29,550

Most important.

403

00:20:30,540 --> 00:20:33,060

I tell you what, let's have

some fun now watch right here.

404

00:20:33,120 --> 00:20:34,500

Let's bring the camera right up in here.

405

00:20:34,500 --> 00:20:35,909

I want you to see this very close.

406

00:20:36,720 --> 00:20:36,959

Okay.

407

00:20:36,959 --> 00:20:37,620

Come right up here.

408

00:20:39,050 --> 00:20:39,270

Right.

409

00:20:39,270 --> 00:20:41,550

Watch now let's take

the contact paper off.

410

00:20:43,270 --> 00:20:43,770

Look at that.

411

00:20:44,250 --> 00:20:44,909

Look at that.

412

00:20:47,760 --> 00:20:48,629

Fantastic.

413

00:20:49,080 --> 00:20:50,459

I told you you'd like that.

414

00:20:50,879 --> 00:20:53,879

Toady you'd like that now then

let's really have some fun.

415

00:20:56,040 --> 00:20:58,140

Already, they didn't make

a beautiful little painting

416

00:20:59,460 --> 00:21:00,810

that lives a tree right here.

417

00:21:01,770 --> 00:21:02,550

Big trees are.

418

00:21:02,550 --> 00:21:04,140

And no, there's a big tree right here.

419

00:21:04,830 --> 00:21:10,110

I'm still using just the Brown, even

going to go into a little bit of the

420

00:21:10,110 --> 00:21:15,650

blue and a little bit of Crimson there.

421

00:21:16,700 --> 00:21:18,050

And I want this to just sorta.

422

00:21:18,389 --> 00:21:19,350

Come right on the raft.

423

00:21:20,070 --> 00:21:21,270

What makes this interesting?

424

00:21:21,270 --> 00:21:25,439

Is it, it breaks the borders breaks.

425

00:21:25,439 --> 00:21:29,010

The borders just sort of left us for a

float around wherever you want it to go.

426

00:21:32,520 --> 00:21:36,780

If you're interested in selling

paintings, this one, but this

427

00:21:36,780 --> 00:21:38,159

one will load your wallet up.

428

00:21:40,620 --> 00:21:41,399

This is the uptown.

429

00:21:43,125 --> 00:21:46,035

Oh, these colors are all I'm doing

is putting a dark base color in here.

430

00:21:46,035 --> 00:21:50,085

So we can, we can come back

and put some highlights on it.

431

00:21:51,585 --> 00:21:55,695

Maybe look at that, see if there's

a little projection come right out

432

00:21:55,695 --> 00:21:58,755

there and you can make as many of

these little projections, a little

433

00:21:58,755 --> 00:22:00,375

peninsulas as you want in your painting.

434

00:22:02,025 --> 00:22:05,025

And they help create the

illusion of depth distance.

435

00:22:05,945 --> 00:22:10,264

I know you hear me say that over and

over, but to me, it's very important

436

00:22:10,745 --> 00:22:12,415

to have paintings that have depth them.

437

00:22:13,955 --> 00:22:16,115

Don't like paintings that are flat now.

438

00:22:16,925 --> 00:22:18,245

Very lightly go across.

439

00:22:21,425 --> 00:22:23,014

Maybe we'll just drain.

440

00:22:23,014 --> 00:22:23,314

Yes, sir.

441

00:22:23,495 --> 00:22:24,274

Right on down.

442

00:22:25,415 --> 00:22:26,495

I know a SABIC covering.

443

00:22:26,504 --> 00:22:27,365

We don't over here

444

00:22:30,575 --> 00:22:31,595

now when you're doing this.

445

00:22:32,610 --> 00:22:34,200

You let it go wherever you want it

446

00:22:37,320 --> 00:22:40,080

very lightly, very lightly.

447

00:22:41,090 --> 00:22:45,200

But isn't that exciting when you pull that

contact paper off it and there it sets.

448

00:22:46,610 --> 00:22:48,889

I think that's one of the most

beautiful little paintings we've

449

00:22:48,889 --> 00:22:50,149

ever done in any of the series.

450

00:22:50,149 --> 00:22:52,490

It just, it just makes you feel good.

451

00:22:53,780 --> 00:22:54,230

Okay.

452

00:22:54,290 --> 00:22:55,510

Let me get a fan brush here.

453

00:22:55,530 --> 00:22:57,950

I'll go right into some of the Browns.

454

00:22:59,570 --> 00:23:00,230

You let's go up here.

455

00:23:01,230 --> 00:23:07,199

Let's put a happy little tree

trunk right there, right there.

456

00:23:07,730 --> 00:23:09,379

We'll give him a little free trees.

457

00:23:09,379 --> 00:23:09,949

Get lonely.

458

00:23:10,669 --> 00:23:11,510

They need friends.

459

00:23:13,310 --> 00:23:19,010

Take a little bit of Brown, white touch

of the red touch of the red watch.

460

00:23:19,020 --> 00:23:19,669

So strong.

461

00:23:20,659 --> 00:23:25,909

Now they must just take the

knife and just drop in some nice

462

00:23:25,909 --> 00:23:26,990

little highlights here and there.

463

00:23:29,325 --> 00:23:33,465

She has to make out old tree

stand right out like a dad

464

00:23:37,155 --> 00:23:38,055

Popsie ran out there.

465

00:23:43,505 --> 00:23:43,715

Yeah.

466

00:23:43,865 --> 00:23:48,185

Then I'm going to take the ladder brush

a little bit of liquid, blackout it and

467

00:23:48,185 --> 00:23:49,655

just put the indication here and there.

468

00:23:51,005 --> 00:23:51,935

Hope you can see those.

469

00:23:51,935 --> 00:23:52,865

It's quite dark.

470

00:23:53,645 --> 00:23:54,995

We'll have some come right on out here.

471

00:23:56,505 --> 00:24:00,495

Say there just some nice

little nice little limbs.

472

00:24:01,995 --> 00:24:02,715

There they go.

473

00:24:03,075 --> 00:24:06,905

Wherever you want them there.

474

00:24:06,985 --> 00:24:07,165

Right.

475

00:24:07,175 --> 00:24:08,195

There's one over there.

476

00:24:10,695 --> 00:24:14,015

You see just as many of them, or as few

as you want, you can take a little bit

477

00:24:14,015 --> 00:24:18,725

of the liquid white and very lightly

highlight them, make them stand out.

478

00:24:20,495 --> 00:24:20,885

Like, so.

479

00:24:23,264 --> 00:24:23,955

Okay.

480

00:24:24,435 --> 00:24:25,304

Back to the knife.

481

00:24:26,615 --> 00:24:30,935

I'll put a little land right here

just of let it come right around

482

00:24:30,935 --> 00:24:34,895

when it make it look like it just

sorta sort of goes around the corner.

483

00:24:36,155 --> 00:24:38,195

A little bit of the Brown

and white highlight,

484

00:24:41,595 --> 00:24:42,665

a little bit of liquid point.

485

00:24:43,534 --> 00:24:46,085

That'll cut us in a nice little waterline.

486

00:24:51,075 --> 00:24:53,175

Yeah, then let's go back

into our two inch brush.

487

00:24:53,325 --> 00:24:58,035

It has the color on it, and let's begin

putting in some little highlights.

488

00:24:59,025 --> 00:25:03,465

All we're doing here is just barely

tapping the Hallows and the greens.

489

00:25:05,895 --> 00:25:06,945

Don't kill all your darks.

490

00:25:07,305 --> 00:25:10,035

I know you get tired of hearing me

say that, but it is so important.

491

00:25:10,035 --> 00:25:14,295

If you kill all those darks, then you're

going to lose your depth and your tree.

492

00:25:19,095 --> 00:25:21,165

See that dark makes that really stand out.

493

00:25:22,605 --> 00:25:26,325

And as I said earlier, if you have trouble

making your paint stick, add a little

494

00:25:26,325 --> 00:25:32,685

bit of liquid white or a little bit of

thinner, either one, the liquid white

495

00:25:32,685 --> 00:25:34,425

will make your color a little lighter.

496

00:25:37,005 --> 00:25:40,215

If you use thinner, the counter remains

the same, but the paint gets thinner.

497

00:25:40,215 --> 00:25:42,315

So that's why they call it thinner half.

498

00:25:43,965 --> 00:25:44,534

All right.

499

00:25:46,395 --> 00:25:49,065

Even think I knew that there.

500

00:25:50,865 --> 00:25:51,254

Okay.

501

00:25:51,435 --> 00:25:54,195

Now once again, here

you're working in layers.

502

00:25:54,225 --> 00:25:54,524

Let's see.

503

00:25:54,585 --> 00:25:58,425

Create one later time and work

forward, forward, forward, forward.

504

00:25:59,294 --> 00:26:03,014

It's most, most important that you

do that and create the illusion

505

00:26:03,014 --> 00:26:06,764

of little bushes and little trees

and all these little happy things.

506

00:26:08,445 --> 00:26:10,635

Let alone this color just

wander right on over here.

507

00:26:12,000 --> 00:26:13,260

We don't know where it goes.

508

00:26:16,370 --> 00:26:19,399

I really, really hope you've

enjoyed this painting as much as

509

00:26:19,399 --> 00:26:20,600

I've enjoyed bringing it to you.

510

00:26:21,469 --> 00:26:23,209

This was something I worked

on for quite a while.

511

00:26:25,939 --> 00:26:28,120

And I've been waiting to show it to you.

512

00:26:28,129 --> 00:26:29,840

Cause I knew you'd be excited about it.

513

00:26:31,729 --> 00:26:35,270

I'll tell you what I think we're

about ready to sign that one.

514

00:26:35,899 --> 00:26:37,729

Take a little bit of the

bright red on my liner.

515

00:26:37,729 --> 00:26:38,120

Brush.

516

00:26:38,790 --> 00:26:39,660

Let's go right here.

517

00:26:39,750 --> 00:26:41,730

Well, sign this one, call it finished.

518

00:26:42,900 --> 00:26:45,360

And once again, I really

hope you've enjoyed this one.

519

00:26:46,020 --> 00:26:47,940

It's been a great pleasure

bringing it to you.

520

00:26:49,530 --> 00:26:53,010

And so from all of us here

until next time, happy painting.

521

00:26:53,430 --> 00:26:54,060

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S08E02 - Lakeside Cabin

Bob Ross's

The Joy of Painting

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