Bob Ross's

The Joy of Painting

S06E09 - High Chateau

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Welcome back.

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I'm glad to see you today.

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Glad you could join me.

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And today I thought we'd do

something a little bit different.

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I think you'll enjoy it.

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But before we start, I'm going

to have him run all the colors

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that you need across your screen.

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And they'll come across in the same order

that I have them on the pallet, starting

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with a titanium white and working around.

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And today I started

with a canvas it's dry.

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It has no magic white on it.

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Nothing yet.

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We'll put some on later, but we're

going to start off with a canvas.

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It's very, very dry.

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Okay.

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I want to use a large

brush and go right into it.

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Some burn number and beat a little bit

into the bristles, just a small amount.

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It's all we need.

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And let's go right up in here.

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And I'm just going to scrub a little bit

of this color, right onto the canvas off.

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Very, very thin coat.

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Let it go have fun with it.

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See how easy that is.

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Let's go right into a little bit of

fallow blue, just a small amount.

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This blue is very, very strong and

work it into the bristles, beat

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that brush on there at where you get

a nice even distribution of color

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all the way through the bristles.

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Okay.

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Now let's go right up here and

we'll put a little bit of the

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blue and I didn't clean the brush.

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So we had blue and Brown on the brush.

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But the blue is so much stronger.

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You will still see blue.

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There we go.

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Mr.

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Really worked at it.

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I don't want to kill all the Brown.

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I don't want to kill it off there.

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Okay.

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Now I'll clean the brush and we clean

our brush with odorless paint thinner.

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And I really suggest that you

use odorless paint thinner.

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You're going to be working by yourself.

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You're rough, everybody in the house out.

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There we go.

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And we beat the bristles dry.

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Now let's go back up in here

and very lightly, very lightly.

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We'll just blend all this together

and you can probably hear the

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strokes because the canvas is dry.

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Usually we have a wet canvas.

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And the paint brush just glide over it.

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But today we're using a dry canvas.

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So you're going to hear the

strokes a little bit more,

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and that's a super way to make

a very effective little sky.

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Very easy, very, very easy.

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Okay.

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Now I'm going to go right into, uh, some

titanium white with a fan brush and really

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load a lot of paint into the bristles.

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There we go.

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A lot of paint.

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Let's go up to the canvas and we'll

put a happy little cloud right up in

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here, and maybe he lives right there.

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Very little pressure.

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Just let it bounce around and play.

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I'm using just the corner of the

fan brush, pushing quite hard.

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You want areas that a thick areas that a

thin areas that have absolutely no paint.

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Okay.

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Now we can form our cloud.

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You have to make a basic cloud shape.

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You can't just take and throw alum.

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Paint and expect, expect.

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So mighty cloud just appear

you need a basic shape.

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Okay.

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We'll use that for our basic shape and

I'll take a large brush and I'm going to

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just very lightly blend the bottom out.

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Just blended out.

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I just want the bottom to basically just

disappear and pick up some of the Brown

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and the blue that we have under there.

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Don't touch the top at all yet.

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Not yet.

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We will in a minute.

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Okay, here we go.

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There we go.

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Just let all these little

things just happen.

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Now I'm going to fluff it.

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Just lift it up.

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Fluff it.

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And I beat the brush just to

remove excess paint and then

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we'll very lightly just splendid.

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There we go.

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That's all there is to, it gives

you a very effective, quiet

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little cloud as far away and soft.

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All right now on the bottom of the canvas.

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Okay.

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We'll cover that with magic white and

I'm just using the old dirty brush

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and allowing those colors to mix.

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It's got a little Brown,

little blue on it.

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Little cloud color,

whatever it doesn't matter.

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Yeah.

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Completely covered the

bottom of magic white.

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So now the bottom is wet and

slick and we can actually blend

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color right on the canvas.

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Let that come right up into the color.

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That'll create a nice Misty.

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Are you hungry?

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Finished.

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Okay.

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Now we can wash your brush.

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There we go.

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That's that's the most fun part of all.

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That's where you take out all

your frustrations and hostilities.

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Okay.

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I'm going to get another,

another fan brush.

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I have several going here, so I don't

have to stop and wash them all the time.

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And I go into a small amount of

the little blue, a little bit of

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a lizard Crimson, and I've left

paint thinner on the brush of this

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paint is very, very thin, very thin.

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Very thin can let's go right up in

here and I'm going to drop just some

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little indications far away, barely

touching the canvas, doing this.

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Want some little indications

of distant, distant trees.

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Very soft, quiet, happy.

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Just let them play.

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Have fun.

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Now you let these go wherever you want

to, because you know, when you buy your

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first tube of paint, you get, you get

that artist license and it says you can

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do anything, anything that you want on

canvas, you'd have absolute power here.

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So you create your world

the way you want it to.

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We just want to show you how to

make effects and turn you loose.

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Turn you loose.

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Fair.

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I'll take the large brush and I want to

create some MIS down here at the bottom.

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So gently tap.

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And here's the beginning

to mix with that magic.

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White you'll get very soft.

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If you were using a dry canvas

here, it wouldn't, it wouldn't mix.

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Wouldn't mix.

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You get a very harsh line.

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Barely, barely hitting right

here there in the more mist you

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want, the harder you hit it.

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You bring a color down.

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You're looking for the soft area.

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Okay.

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Then very lightly.

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I'll just lift up or very lightly,

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just gently, gently.

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Caressive there.

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Okay.

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Now, now then we'll put a couple more

layers and we need to mix up some colors.

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So I'm going to take some fellow green.

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And the lizard Crimson about equal

parts and we'll mix those together.

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When you're mixing paint, pick it

up off the pallet and turn it over.

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Otherwise, once against the

pallet never gets mixed.

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Pick it totally up.

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Turn it over.

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Okay.

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Let me clean my knife.

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We'll get her another fan brush.

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I'm just got all kind of

fan brushes going today.

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A little bit of paint thinner on

the brush of the paints quite then.

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All right, let's go.

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Let's go right up here and may me, right.

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I got to make a decision.

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I see this color is

black, so it'll stand out.

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But as it hits those other colors, it's

going to begin to dilute a little bit and

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make all kinds of beautiful gray tones

and Oh, just unbelievable things happen.

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Let them happen that I'm having

don't don't fight with the canvas.

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You know, over and over.

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I say, we don't make mistakes.

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We have happy accidents and you

learn to use anything that happens.

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So let it happen.

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Let it happen.

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You, depending on it, that's

what makes it so fantastic.

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That's why we don't use

any patterns or tracings.

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We want it to happen on the canvas.

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We don't want any restrictions

when I want to just let it flow.

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Okay, now we'll take the large brush.

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And once again, I won't

tap the bottom of this.

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Just soften it, make it

very quiet, very quiet,

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gently, gently, gently.

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I lift up and see each layer that

you put in here creates another

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plane in your painting and creates

more of the illusion of depth and

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pushes everything back so much.

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The more planes that you have in

a painting, the more depth that

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you have tell you what, well,

we get to color, go in here.

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Maybe there's a tree that lives

here that, Oh, maybe he got a

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lot of vitamins and really grew

big evergreen lives right there.

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Just to call him brush back

and forth, back and forth.

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Just let him come right out of your brush.

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He lives in there, but he had some

time you have to push him out.

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Just pushing him right out there.

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He comes.

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Here we go.

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Okay.

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Now we can start.

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And I think I'll trial a one inch brush

and we'll begin putting a little bit

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of color back here and we'll go into a

small amount of CAD yellow, green, and

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I'm going to add a little bit of Brown

to that Vandyke Brown to it, to dull.

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It don't want it too bright,

a lot of color into the brush.

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Okay.

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Now back here, we're just gonna

see how lightly we can touch.

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And we're just going to touch,

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you could use a two and a half inch

brush for this or that one inch

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brush, whatever makes you happy.

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We're just going to put

some little indications.

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Don't want too much details

too far, way too far away.

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Right now, as we get closer,

then we'll add more detail.

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But back here we don't want detail.

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Okay.

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I'm adding in a little Indian, yellow,

Indian, yellow is a beautiful color.

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Very transparent.

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Okay.

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Now we'll begin working on layers here

so that all these little things happen.

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Come off your breath.

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Still not looking for detail,

just basic little shapes.

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We eat back in the distance.

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Okay.

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And with my large brush, once

again, once again, I'm going to

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soften the bottom of the piece.

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I really want this painting to

be very soft, quiet, very gentle

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and lightly lift up, greet

that illusion of missed again.

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You man, it gives us a, a super,

super nice little background that

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has, has a lot of depth in it.

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And then you can see plane

after plane, after plane.

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And once again, that's what

grades the depth in your painting.

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And it gives you good feelings in here.

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Okay.

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Let's begin working on some

trees that are a little closer.

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I go into some Vandyke Brown, a little

bird number and just mix it on the brush.

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Mix it on a brush.

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Don't worry about it.

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Maybe.

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Here.

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I'm just tapping maybe their

lives in a nice tree right here.

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You have to make these decisions

since this is your world.

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You have to figure out where these trees

live because they live wherever you want.

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And I'm all I'm doing.

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All I'm doing here is just applying

some very, very basic shapes.

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We're not looking for

detail, just general shapes

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there.

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I had a little lizard and Crimson

to that color here and there.

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Break it up some.

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So we got Vandyke Brown burn number,

Lou, a little lizard and Crimson

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that quick, quick, we got a nice,

nice, nice area to play with.

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Now we'll use a large brush and

we'll go back and we'll put some

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highlights on some of these.

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I'm going to add a small

amount of paint, thinner to my

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brush, and we'll go right into.

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Oh, there's some cat and yellow,

the yellow ochre, beautiful

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Indian, yellow, and just mix all

these colors together on a brush.

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Just mix them on the brush.

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We can even put out a small, small

amount of permit red in there.

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Permanent red is very, very strong.

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It was SAP green, and we have layers

of color in the brush layers of color.

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So many things will happen

rather than just one.

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Old dead color coming out.

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We're going to have all kinds of beautiful

little things happening in there.

256

00:13:11,055 --> 00:13:11,505

Right here.

257

00:13:11,595 --> 00:13:11,835

Right here.

258

00:13:11,855 --> 00:13:12,575

You're in this brush.

259

00:13:13,115 --> 00:13:13,865

Let's go right up here.

260

00:13:14,825 --> 00:13:15,005

Yeah.

261

00:13:15,815 --> 00:13:19,505

All we're going to do here is just

tap and put some beautiful little

262

00:13:19,505 --> 00:13:23,885

leaves here and I'm just using

the very corner of the brush.

263

00:13:24,455 --> 00:13:26,855

Just a corner and just touch it.

264

00:13:27,725 --> 00:13:29,615

Let these little things just

come right off your brush.

265

00:13:31,145 --> 00:13:33,365

They're there and keep varying color.

266

00:13:34,260 --> 00:13:38,400

Just sort of go back and forth

and play with the color at all.

267

00:13:38,400 --> 00:13:39,480

These little things happen.

268

00:13:42,150 --> 00:13:44,460

There is one wherever you want them.

269

00:13:44,460 --> 00:13:45,270

That's where they move.

270

00:13:46,950 --> 00:13:47,490

Let them go.

271

00:13:50,310 --> 00:13:50,490

Okay.

272

00:13:50,550 --> 00:13:53,460

Let's add a little more of

the SAP green, tiny bit more.

273

00:13:54,330 --> 00:13:56,070

Put a nice little green one right there.

274

00:13:58,980 --> 00:13:59,939

Don't want to be left out.

275

00:14:01,665 --> 00:14:02,205

Right there.

276

00:14:02,435 --> 00:14:05,295

That's what, see how easy these are.

277

00:14:08,444 --> 00:14:10,775

These are probably some of the

simplest little bushes there are

278

00:14:10,775 --> 00:14:13,324

to make and they work so easy.

279

00:14:13,775 --> 00:14:14,615

Anybody can do it.

280

00:14:18,574 --> 00:14:22,505

Anybody can do it, but

you need to build layers.

281

00:14:22,715 --> 00:14:24,064

That's what creates the depth.

282

00:14:24,915 --> 00:14:25,845

You need layers.

283

00:14:26,595 --> 00:14:29,955

They do one Bush at a time and you

have that little rascal totally

284

00:14:29,955 --> 00:14:31,395

finished before you go to the next one.

285

00:14:31,395 --> 00:14:34,755

If you try to do them all at once,

they just going to make mud for you.

286

00:14:35,295 --> 00:14:38,325

And I know sometimes cause we

have to paint very fast on TV.

287

00:14:38,685 --> 00:14:42,314

It looks like we're just running

across the room and sock in the canvas.

288

00:14:43,005 --> 00:14:45,225

It's a gentle touch and

it's one Bush at a time.

289

00:14:45,675 --> 00:14:46,605

Just one at a time.

290

00:14:48,465 --> 00:14:49,365

Don't get in too big.

291

00:14:49,385 --> 00:14:49,725

A hurry.

292

00:14:50,805 --> 00:14:51,405

Let it happen.

293

00:14:53,370 --> 00:14:53,880

Okay.

294

00:14:55,350 --> 00:14:57,840

Now I also have several of these

two and a half inch brushes.

295

00:14:58,485 --> 00:15:01,575

And I'll just have the bottom

here, create a little mist.

296

00:15:01,635 --> 00:15:01,965

These

297

00:15:07,515 --> 00:15:10,005

don't forget these brushes that

we use are natural bristles.

298

00:15:10,005 --> 00:15:13,515

They're not nylon or polyester

or any other man made fiber,

299

00:15:14,055 --> 00:15:15,314

a natural bristle brushes.

300

00:15:15,314 --> 00:15:16,905

It's very, very important.

301

00:15:18,015 --> 00:15:18,975

Now long will cut.

302

00:15:18,975 --> 00:15:19,395

Paint.

303

00:15:21,530 --> 00:15:22,550

So we don't want to cut it.

304

00:15:26,490 --> 00:15:27,830

See how all that blends together.

305

00:15:27,830 --> 00:15:31,130

It makes all that beautiful,

beautiful little Misty area down here.

306

00:15:31,220 --> 00:15:32,030

And it's that easy?

307

00:15:32,420 --> 00:15:33,380

Just let the brush work.

308

00:15:36,410 --> 00:15:36,740

Okay.

309

00:15:36,740 --> 00:15:39,050

Now we need, we're going to

put some foreground in here.

310

00:15:39,530 --> 00:15:43,100

We need a dark color in order to have

the light will show you need dark.

311

00:15:43,100 --> 00:15:45,319

In order to show light, you

put light against lights.

312

00:15:45,319 --> 00:15:46,790

You have nothing dark against dark.

313

00:15:46,790 --> 00:15:49,819

You have nothing indeed light

against dark, dark against light.

314

00:15:50,340 --> 00:15:54,810

That's what creates all the beautiful

illusions and it makes things stand out.

315

00:15:55,440 --> 00:15:58,700

So let's go, I'll go right into

some of this black color that I made

316

00:15:58,700 --> 00:16:02,540

and we'll put a little Brown in it,

whatever, whatever, just let it happen.

317

00:16:03,230 --> 00:16:04,130

And we'll just happens.

318

00:16:04,130 --> 00:16:08,180

And maybe it is a little Hill here.

319

00:16:08,180 --> 00:16:09,050

Maybe it comes up here.

320

00:16:09,050 --> 00:16:09,380

We go.

321

00:16:09,740 --> 00:16:10,550

Make a decision.

322

00:16:10,820 --> 00:16:13,310

Let's make a decision and go with it.

323

00:16:13,875 --> 00:16:15,105

Go with it, let it happen.

324

00:16:15,135 --> 00:16:15,735

Don't worry about it.

325

00:16:17,475 --> 00:16:18,375

Don't worry about it.

326

00:16:20,415 --> 00:16:23,204

We just quickly, quickly, quickly

drop in some nice dark color.

327

00:16:27,090 --> 00:16:31,620

And maybe in your world, um, maybe

you decide there's another Bush

328

00:16:31,620 --> 00:16:33,810

that lives right there, wherever,

329

00:16:37,440 --> 00:16:42,030

wherever there are no rules, bushes live,

wherever, wherever it makes them happy.

330

00:16:42,590 --> 00:16:44,580

If they're happy there,

that's where they ought to be.

331

00:16:45,150 --> 00:16:46,680

Maybe this one comes down or whatever.

332

00:16:49,650 --> 00:16:51,570

Let's just cover all this up very quickly.

333

00:16:52,950 --> 00:16:53,850

A lot of dark color.

334

00:16:56,459 --> 00:16:57,000

Doesn't matter.

335

00:16:57,000 --> 00:17:00,390

As long as it's dark, as long as it's

dark, this is predominantly a Brown

336

00:17:00,390 --> 00:17:07,700

color, but if you have some lavender

leftover black, just drop it in, drop it.

337

00:17:07,700 --> 00:17:12,389

It just needs to be dark needs to

be dark and down here, it needs

338

00:17:12,389 --> 00:17:13,619

to be darker than back here.

339

00:17:15,990 --> 00:17:18,149

There's things get closer

to you in a landscape.

340

00:17:18,180 --> 00:17:18,990

They should get darker.

341

00:17:20,865 --> 00:17:23,805

There we go, okay.

342

00:17:24,875 --> 00:17:25,835

Now go back to the brush.

343

00:17:25,835 --> 00:17:30,155

It had the color on it, and this is a two

and a half inch and very lightly here.

344

00:17:30,155 --> 00:17:33,605

I'll load a little bit of color

and we'll come right down here.

345

00:17:33,605 --> 00:17:36,815

And maybe, maybe there's some happy

little grassy things that live here

346

00:17:36,815 --> 00:17:42,815

and I'm just touching, tapping,

see there, how easy, and it makes

347

00:17:42,815 --> 00:17:44,255

beautiful little grassy areas.

348

00:17:44,975 --> 00:17:48,475

And I use just the corner then

to put, highlight on these.

349

00:17:49,125 --> 00:17:50,985

We decided there was

another Bush live there.

350

00:17:52,215 --> 00:17:56,235

So I use just a corner of the

brush and we'll put him some

351

00:17:56,235 --> 00:17:57,605

little sparkers out there.

352

00:17:59,855 --> 00:18:00,455

There we go.

353

00:18:02,715 --> 00:18:04,695

And I think we, yeah, we

put another one over here.

354

00:18:04,725 --> 00:18:07,515

So I'll add a little bit of

permanent red to my color.

355

00:18:08,505 --> 00:18:11,115

Ooh, let him just really stand out.

356

00:18:13,035 --> 00:18:13,875

He is a beauty.

357

00:18:16,140 --> 00:18:19,680

Drop in some more of these little

grassy areas, wherever you want them.

358

00:18:22,440 --> 00:18:27,630

And you make up your mind where you think

light's going to strike them and just tap.

359

00:18:29,610 --> 00:18:31,980

You know, that's such a

beautiful little place.

360

00:18:32,520 --> 00:18:36,300

I'd, I'd like to have a little

house there and this is my world.

361

00:18:37,425 --> 00:18:38,835

So we can put anything we want.

362

00:18:38,835 --> 00:18:41,085

Maybe there's a little,

little chalet out here.

363

00:18:41,145 --> 00:18:41,865

I like the hose.

364

00:18:42,315 --> 00:18:45,105

So I use the knife sometime and

take off some of this excess

365

00:18:45,105 --> 00:18:47,925

paint and it'll, it will help you.

366

00:18:48,345 --> 00:18:50,865

It will really help you if you

take off some of these thin loose

367

00:18:50,865 --> 00:18:54,435

paint, and it's also a nice way

to lay out a basic shape, right.

368

00:18:54,945 --> 00:18:55,785

Little chalet.

369

00:18:56,475 --> 00:18:57,675

The roof comes all the way down.

370

00:18:58,695 --> 00:18:59,865

Carpenter didn't know when to stop.

371

00:18:59,865 --> 00:19:01,815

So he just made the roof all

the way down on the ground.

372

00:19:03,435 --> 00:19:04,425

So that's what we'll do.

373

00:19:04,875 --> 00:19:09,525

See now that gives you a basic shape,

allows you to lay out your perspective a

374

00:19:09,525 --> 00:19:11,015

little bit and get it like you want it.

375

00:19:12,045 --> 00:19:16,235

Take some Vandyke Brown and we'll do

this back here, back here, straight

376

00:19:16,235 --> 00:19:21,635

across, straight across C XL.

377

00:19:23,235 --> 00:19:28,995

Now we need, now we need, let's put some

pain in here and all we're doing is just

378

00:19:29,475 --> 00:19:31,605

laying in the base color, under color.

379

00:19:32,655 --> 00:19:35,294

We will come back later and

highlight it and put shape.

380

00:19:35,294 --> 00:19:37,875

And right now we're just,

just laying in base color.

381

00:19:40,165 --> 00:19:43,065

If you like buildings and our third

series, we devoted nearly the whole

382

00:19:43,065 --> 00:19:47,145

series to showing you how to make all

kinds of beautiful little buildings.

383

00:19:49,305 --> 00:19:52,815

Thank you enjoy there.

384

00:19:52,875 --> 00:19:59,385

Now put the other side of the roof on and

straighten it up wherever you want it.

385

00:20:03,405 --> 00:20:07,034

And if it gets too long somewhere, you

can take your knife and cut it off.

386

00:20:07,245 --> 00:20:09,225

Or you have unlimited

power on this canvas.

387

00:20:11,024 --> 00:20:15,795

Do you want a chalet then we'll

just cut it off now, then we need.

388

00:20:17,055 --> 00:20:17,475

Tell you what?

389

00:20:17,475 --> 00:20:21,105

Let's take a little permanent red,

a little Vandyke Brown, mix it

390

00:20:21,105 --> 00:20:25,215

together, permanent red and Brown.

391

00:20:26,385 --> 00:20:27,945

And I use a small edge of the knife.

392

00:20:29,565 --> 00:20:32,565

And let's put a tell you what, let's

put a few little shingles on this.

393

00:20:33,225 --> 00:20:40,625

Maybe they come right here, touch,

just lift up or touch and the left

394

00:20:40,625 --> 00:20:41,945

to start at the bottom or workup.

395

00:20:45,060 --> 00:20:47,490

And this is just a super easy

little way to make all kinds

396

00:20:47,490 --> 00:20:50,190

of little shingles camera.

397

00:20:50,190 --> 00:20:55,230

I don't have like, yeah, let them

go wherever you want them wherever.

398

00:20:56,460 --> 00:21:01,280

And then we'll take a little Brown

and white little Brown and white

399

00:21:03,300 --> 00:21:08,610

and we'll put there, just pull

it down at that paint and brake.

400

00:21:08,670 --> 00:21:09,270

No pressure.

401

00:21:09,840 --> 00:21:10,620

No pressure.

402

00:21:11,955 --> 00:21:14,565

No pressure at all, barely touch.

403

00:21:15,915 --> 00:21:19,395

And I'll go back with some straight

Vandyke Brown we'll lay in some shadows,

404

00:21:19,545 --> 00:21:24,555

see how you can just play this back and

forth and create all kinds of illusions.

405

00:21:26,535 --> 00:21:28,875

And we need to, we need a little

door in here, so you have a

406

00:21:28,875 --> 00:21:30,045

way to get into your house.

407

00:21:30,825 --> 00:21:34,485

Just pull it across with Vandyke

Brown, take a little bit of

408

00:21:35,775 --> 00:21:37,425

color and go around the door.

409

00:21:38,985 --> 00:21:43,004

Maybe, maybe, maybe in this little chalet,

maybe there's a window lives right there.

410

00:21:44,145 --> 00:21:45,225

They're just fan light Brown.

411

00:21:45,915 --> 00:21:48,764

Maybe there's one up

top here and one there.

412

00:21:50,865 --> 00:21:56,074

And we can take a little

color and go around there.

413

00:21:56,284 --> 00:21:56,945

Say you see that?

414

00:21:57,064 --> 00:21:57,284

Yes.

415

00:21:58,264 --> 00:22:01,175

And maybe those boards, if you want

the illusion of boards, just take the

416

00:22:01,175 --> 00:22:05,125

point of the knife and cut down through

the paint and it'll make it look like

417

00:22:05,135 --> 00:22:06,695

his house has made out a little boards.

418

00:22:08,815 --> 00:22:09,855

Okay.

419

00:22:10,895 --> 00:22:15,035

A little bit of white and we'll

put a little there or that'll make

420

00:22:15,035 --> 00:22:16,115

it stand out so you can see it.

421

00:22:16,115 --> 00:22:16,355

Good.

422

00:22:17,495 --> 00:22:18,455

And there's our little chalet.

423

00:22:19,085 --> 00:22:20,035

Oh, finished.

424

00:22:21,485 --> 00:22:21,695

Okay.

425

00:22:21,825 --> 00:22:24,185

So let's add a little more color here.

426

00:22:25,475 --> 00:22:26,925

Get a tiny bit of paint thinner.

427

00:22:26,945 --> 00:22:29,665

My brush, then paint will stick to thick.

428

00:22:30,755 --> 00:22:33,125

It was put a little bit of grass

coming right down through here.

429

00:22:34,445 --> 00:22:35,165

There it goes.

430

00:22:38,790 --> 00:22:41,040

Comes right down, right down.

431

00:22:42,620 --> 00:22:43,580

Yes, there it is.

432

00:22:43,640 --> 00:22:46,160

There it is just make these

decisions, but it happened.

433

00:22:47,870 --> 00:22:51,290

Tell you what we need a way to

get to our cabin chalet up here.

434

00:22:52,760 --> 00:22:55,970

Let's take a little Vandyke

Brown and just put up there.

435

00:22:55,970 --> 00:22:56,330

It is.

436

00:22:56,890 --> 00:22:57,290

There it is.

437

00:22:58,160 --> 00:22:59,210

Happy little path.

438

00:22:59,420 --> 00:23:01,400

Maybe this little path comes there.

439

00:23:01,400 --> 00:23:01,760

It is.

440

00:23:03,560 --> 00:23:04,070

There it is.

441

00:23:04,950 --> 00:23:08,220

Sort of visualize, look at your

painting, make decisions, let it happen.

442

00:23:09,690 --> 00:23:10,320

It didn't happen.

443

00:23:10,860 --> 00:23:15,090

The flow right out, and we'll take

a little Brown and white here and

444

00:23:15,090 --> 00:23:17,070

just barely, barely, barely touch.

445

00:23:17,760 --> 00:23:20,250

And let that paint break, put

a little highlight on there.

446

00:23:21,730 --> 00:23:22,370

Okay.

447

00:23:23,840 --> 00:23:25,820

Let's go right into some of her.

448

00:23:26,570 --> 00:23:28,940

This is the, all the different

yellows that we're using and

449

00:23:28,940 --> 00:23:30,050

a little bit of permanent red.

450

00:23:30,680 --> 00:23:31,910

Just let these things happen.

451

00:23:33,075 --> 00:23:38,325

Just mix all these colors on the

brush comes right down through there.

452

00:23:40,125 --> 00:23:42,165

See there, just let it happen.

453

00:23:43,365 --> 00:23:50,625

Go into a little more SAP green, all those

beautiful little colors and take your time

454

00:23:50,625 --> 00:23:54,225

when you're doing this point, you could

really make some soft, soft, soft effects.

455

00:23:54,255 --> 00:23:55,245

Just blend them together.

456

00:24:04,475 --> 00:24:05,495

but more SAP green.

457

00:24:05,495 --> 00:24:07,325

I want a little darker

over here in this corner.

458

00:24:07,355 --> 00:24:10,085

So I, it goes to the back.

459

00:24:13,865 --> 00:24:15,935

Now you understand why we

put all that dark in there?

460

00:24:16,415 --> 00:24:18,095

It makes the lighter color stand out.

461

00:24:18,125 --> 00:24:19,145

Otherwise you couldn't see it.

462

00:24:20,075 --> 00:24:21,695

It would just literally disappear.

463

00:24:22,635 --> 00:24:25,815

If your paint will not stick

well, add a little bit of paint

464

00:24:25,845 --> 00:24:27,315

thinner to it, and then it'll stick

465

00:24:31,105 --> 00:24:31,935

a little bit of paint.

466

00:24:31,935 --> 00:24:33,015

Thinner will make it stick

467

00:24:36,495 --> 00:24:37,095

in that easy.

468

00:24:37,165 --> 00:24:43,315

We've got all kinds of little beautiful

grassy areas about a light right there

469

00:24:43,315 --> 00:24:44,595

and make it stand out a little more.

470

00:24:46,995 --> 00:24:47,295

Okay.

471

00:24:47,325 --> 00:24:50,925

We'll take clean fan brush, put

a little bit of white on it.

472

00:24:51,270 --> 00:24:53,850

And let's just go back and sort of

clean up some of these little edges.

473

00:24:53,850 --> 00:24:59,610

I sort of messed them up a little there

just barely touch, pull across at least

474

00:24:59,610 --> 00:25:00,720

a little bit of white paint on it.

475

00:25:03,090 --> 00:25:11,670

Like, so, and, and, and just, we can

clean up some of these little edges,

476

00:25:12,750 --> 00:25:15,090

let's say, put a little bump there

and make it a little more interesting

477

00:25:17,430 --> 00:25:18,540

and come right up through here.

478

00:25:19,590 --> 00:25:21,899

And I think that gives you

a good idea, what you want.

479

00:25:21,899 --> 00:25:22,500

You can do.

480

00:25:22,639 --> 00:25:24,149

It's very simple, a lot of fun.

481

00:25:24,719 --> 00:25:25,020

Thank you.

482

00:25:25,020 --> 00:25:25,530

And enjoy it.

483

00:25:26,370 --> 00:25:27,689

That you would assign this one.

484

00:25:28,740 --> 00:25:33,290

We'll use a little bit of paint thinner

and go right into my permanent red load.

485

00:25:33,290 --> 00:25:35,669

That'll liner brush up a lot of paint.

486

00:25:36,629 --> 00:25:36,959

I'll go, right.

487

00:25:36,980 --> 00:25:37,520

It appear.

488

00:25:39,980 --> 00:25:41,659

I really, really hope

you've enjoyed this one.

489

00:25:41,659 --> 00:25:47,360

I hope it's taught you a lot of things

made you happy, stirred your imagination.

490

00:25:48,225 --> 00:25:50,774

You get your brush out and

they're ready to go along.

491

00:25:51,855 --> 00:25:55,725

So with that, I think we'll

call this painting finished.

492

00:25:55,905 --> 00:25:58,935

I look forward to seeing you next

week and until then, happy painting.

493

00:25:59,235 --> 00:25:59,745

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E09 - High Chateau

Bob Ross's

The Joy of Painting

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