Bob Ross's
The Joy of Painting
S06E10 - Country Life
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Welcome back.
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Glad to see you today.
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Thought today we do a
fantastic little painting.
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That's a lot of fun.
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I think you'll enjoy it.
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And let's start off and have them
graphically run all the colors across the
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screen that you need to do the painting
that I'm going to do a pair today.
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And they'll come across your screen,
starting with a titanium white and
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working around in the same order
that I have them on my palette.
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Now, if you already have a way to set
your pallet up, don't change it just
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because I have mine, but try to set
your palette up the same way each time.
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So you don't have to, you don't have to
waste a lot of time looking for color.
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You always know where it's at.
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So let's get started.
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I've already.
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Covered the canvas with a dandy,
even coat of magic, quite it's
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wet, selected, and ready to go.
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Let's start with a little bit of a
little bit of pressure and blue, and I'm
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just going to work it into the brush.
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And maybe today we'll, maybe we'll
make some, some little streaky
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clouds and I want to just start.
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Just making it a little crisscross
stroke, sorta like hat, and
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we just let them go back.
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And I want them to be darker
up here than back here.
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So start at the top and work downward
and maybe there's one right there.
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And then just started
going back and forth.
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Keep it a little bit
darker in color than you.
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You want it to be when you're
finished, because we're going to blend
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a lot and it will lighten in value.
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And maybe there's another one wherever
we're here ever just drop them in.
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They we'll do a little farm scene today.
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We filmed in Indiana, which is a
beautiful, beautiful statement.
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Has a lot of farms.
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So we will do it.
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Maybe we'll do a happy little farm scene.
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Okay.
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So now we've got the color on the canvas.
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That'll darker right there.
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Thanks Kate, I'm going to wash my brush.
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And once again, we wash our brushes
with odorless thinner paint, thinner.
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Okay.
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Shake off the exits and then
just beat the devil out of him.
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Now, then I'm going to go right
into titanium white titanium white.
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I'll tell you what let's put
the least, least little touch
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of permanent red into it.
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Just to, just to, it has a slight
pinkish glow loaded brush, full of paint.
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Can I just go up to the canvas
here and in between these areas.
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Now I'm going to begin just
doing this with a little color.
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So it overlaps the dark little
more than a code, a little in here.
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Right in there.
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Maybe not a whole bunch.
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Okay.
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Now I'm going to begin blending
all this together like that.
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All kinds of beautiful things happen.
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Maybe there's a little point
right there, wherever you want.
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You can even take your brush
and put a few little swirly
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patterns here just to separate.
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Thanks.
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Rendered out
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guys, all others.
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There's many, many different skies.
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There's there are people to
look at them and paint them.
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There's really no absolute
set way to, to make a sky,
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all kinds of little things happening.
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Maybe we'll put a little
white right up in here
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right now.
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We're just filling out the brush strokes.
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It gives us a very quick, simple
guy, easy to do and very effective.
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Okay.
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Yeah.
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I'll clean that over one more
time and we can get started.
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Now.
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We're going to do an old barn.
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Maybe we'll have a.
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Maybe we'll do a couple of buildings.
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Late buildings are always a lot of fun
and they bring a lot of joy to your heart.
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Let's start out.
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We would do a, maybe there's a small
building back here and we'll start with
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some Vandyke Brown, a little roll of paint
on the knife and let's go right up here.
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Maybe there's a, maybe there's a happy
little building right here, a little
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shed or something we'll put in first and
then we'll come back and do a, I go barn.
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One of my best friends was telling me
about a saying they have here in Indiana,
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they talk about the barn, built the house.
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And I didn't understand that first ad.
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You can look at the size of the house
and the barn and see how, how well the,
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the old is doing if he's doing real well.
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And he's got a big barn and big house.
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Okay, now we need some.
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Put a front on that old building.
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Just, this is just Vandyke Brown.
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Oh, you do it.
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It's just, just laying
in base color right now.
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You could really care less.
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This is strictly,
strictly just base color.
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And then we'll come back
and begin adding detail.
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Okay.
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Now then we've got to make
some business decisions.
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Big decisions, take Vandyke Brown.
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I'll put some permanent red into it.
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Like, so, and just blend that together
now, cut across it and let's go right up
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here and let's just put, this is old wood.
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I like old wood.
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Very rarely do I paint new buildings.
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I like old buildings.
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And this is where you begin
making all those decisions and
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bringing all this together.
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And you also have to decide,
where is your light coming from?
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Whereas you like coming from in
your world, maybe today we'll
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have it coming from the left.
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So the front of the buildings will be lit.
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Someone take the same color,
add a little white to it.
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Maybe a little bit of yellow ochre.
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We've got Vandyke Brown, little yellow
ochre, little white, little permanent red.
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Let's go back up here.
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Now touch very lightly,
very lightly, very lightly.
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Barely caressing the
canvas and that's enough.
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That's enough.
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I'm going to take some blue and pressure
pressure and blue and Vandyke Brown mix.
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Those together make a very
dark color, should look black.
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And right under this Eve here, I want
a little bit of dark and under this
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Eve a little dark and you just barely
lay this off, like, so, and I'll
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just take a clean knife, touch that.
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Lightly pull down and it creates a
shadow under these overhangs that easy.
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Okay.
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Now we need some heat, some roof up here.
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Use Vandyke Brown, permanent red.
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Let's go right up here.
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Maybe we'll just start over naive.
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Maybe come over this Eve.
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That's sort of outline it a little bit.
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Okay.
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Yeah.
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I'm gonna, I'm gonna do here
is just sort of touch that.
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The paint, just that the baby pulled
off onto the canvas canvas will
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pull off what it gave you back.
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What's left.
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Here we go.
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Old or the roof shingles missing
and shingles broke like me.
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It's had a hard life.
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Okay.
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And we need that.
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I need a door in this building.
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Anyway, go, just come across.
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Maybe it's like that.
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This is just the dark color.
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We don't care what color
it is on this dark.
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Maybe, maybe this building was,
maybe it was made out of boards.
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I'll just take a small amount
of white cut across it.
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And we'll put some indication of
some little boards here and there.
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You're building.
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So you have to make these decisions.
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Just a few little indications over here.
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I don't want too many
over here, just like so
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and a little bit around the
door with a light striking,
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make it stand out that simple.
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We've got a happy little building
and then I'm going to mix up
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Vandyke Brown, permanent red.
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And Prussian blue and we'll
just mix them all together here.
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We're going to use quite a bit of this,
so it makes a pretty good sized pot.
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There we go.
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Just like that.
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All right.
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My knife here and just, just paper
towels are clean rag and whatever you
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have, I would take this whole brush.
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We'll begin dropping in.
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It'll end up being some
nice little grassy areas.
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Maybe I did not take it
too good to cure this.
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That's the old barn.
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It's old barn.
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The weeds are beginning to
sneak in there and take it.
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All we're doing is just
drop it in some dark color.
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Our lights show when they come
back and put light color in there
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that mixes with the magic white and
automatically gets lighter in value.
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Okay.
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Now a lot of times is that
drive around here in Indiana.
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O barns and they have, I don't really
know what they are, but they have
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sticks or poles that sort of project up.
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Maybe there's one right there.
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is this where they hooked her
antenna so they can pick up our
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show a little bit of highlight.
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Now we said the light was coming from
the left is going to be on that side.
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There we go.
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And that's just a little Brown
and white with the least little
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bit right there like that.
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Okay.
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Let's have a, let's have a big old barn.
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Now.
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A lot of times it really helps.
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If you come up here and you sorta scrape
out a basic shape, maybe the old barn
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top of it is here and it comes down.
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It's got a band.
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Hands and comes over here.
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This is a super easy way to
lay out your basic shape.
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It also will help you to remove this
excess paint, especially if it paints
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thing, because we're going to put
that thick color on the top of it.
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Thank you.
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Let's get crazy.
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Maybe it comes over here and come to
right in front of that one a little bit.
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That'll.
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That'll help push that one back.
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All right.
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Color.
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Do we want the roof on?
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Let's use some Brown and some white.
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We'll put a little bit of blue into that.
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That will lighten that down
into a couple of values.
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There we go.
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Very nice.
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Let's go up here.
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Let's start with here on the roof.
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When you're doing buildings, when
you're looking at a three-quarter view
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and it's a three-quarter view, if you
could see the front and the side of the
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building, that's a three-quarter view.
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One of the big things to remember
the back of this building has to be a
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little tiny bit lower than the front
that's so, so important, so important.
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And it's one of the
easiest things to overlook.
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Try to remember that.
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People will look at your painting
and they might not understand
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what's wrong, but they'll say
something's wrong with that painting.
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And they may not understand
what, but their mind will tell
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them something's wrong with it.
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And that's usually all it
is, is that little angle.
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And it's such a simple little
thing that we, we have a tendency
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to overlook it sometimes.
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Okay
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right here.
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Madden's big old band in the room.
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If it had come today, I'm like at it,
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go down.
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Angles are very, very important.
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There we go.
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Okay, now then let's pick up
some of this Brown that we made.
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This is Vandyke Brown, Sherman
at red, but oppression blue.
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And let's begin putting in some overhangs
Barnes need overhangs too there.
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So, yeah, so I saw the cow has
a place to stay on when it's
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raining, so he won't get wet.
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There we go.
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Bring us right down.
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And here once again, we're doing
now is just laying in dark color.
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You need the dark in order for the
light to show you need the dark
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painting is a great deal.
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Like life, you need a little dark
in your life, so that you'd know
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when the good stuff happens there.
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And we've all had that and
we'll all continue to have it.
245
00:13:31,439 --> 00:13:32,849
That's what makes it all worthwhile.
246
00:13:37,069 --> 00:13:44,660
And the very fact that you're aware of it
is enough reason to be overjoyed that you,
247
00:13:44,870 --> 00:13:46,610
that you're alive and can experience it.
248
00:13:47,390 --> 00:13:47,599
Okay.
249
00:13:50,390 --> 00:13:50,829
Thank you.
250
00:13:50,829 --> 00:13:53,150
If you were a stone, you'd
never get to enjoy anything.
251
00:13:54,620 --> 00:13:54,829
Ms.
252
00:13:55,339 --> 00:13:56,329
We're so fortunate.
253
00:13:58,095 --> 00:14:01,305
They're building this
a fantastic barn here.
254
00:14:02,715 --> 00:14:03,285
Big old bar
255
00:14:06,645 --> 00:14:07,005
there.
256
00:14:10,115 --> 00:14:11,945
Now we need to put some
highlights in this bar.
257
00:14:13,325 --> 00:14:19,685
Permanent rated, permanent red,
and some Vandyke Brown will make
258
00:14:19,685 --> 00:14:21,995
us a nice reddish color Brown.
259
00:14:24,785 --> 00:14:26,285
We'll do a red looking bar in here.
260
00:14:28,050 --> 00:14:33,510
Very likely, very likely
caressed the canvas Crescent.
261
00:14:36,420 --> 00:14:38,729
There we go was caressing.
262
00:14:43,050 --> 00:14:43,199
Okay.
263
00:14:43,199 --> 00:14:46,260
Now over here, this side is going
to be darker so we can use the same
264
00:14:46,260 --> 00:14:48,449
color and add warm Brown to it.
265
00:14:49,979 --> 00:14:51,000
Brown is your dollar.
266
00:14:51,180 --> 00:14:53,369
It makes it makes colors much dollar.
267
00:14:54,660 --> 00:14:54,989
Okay.
268
00:14:56,535 --> 00:14:56,925
Touch.
269
00:14:57,315 --> 00:15:01,695
I just pulled down that the
paint brake just made it break.
270
00:15:01,965 --> 00:15:02,115
Okay.
271
00:15:02,115 --> 00:15:03,435
There, it looks like, Oh, wood already.
272
00:15:03,435 --> 00:15:04,785
And you haven't already done it thing.
273
00:15:06,285 --> 00:15:07,335
Unbelievable.
274
00:15:07,365 --> 00:15:12,555
What you can do now, just like in
the other end, we need some shadows.
275
00:15:12,735 --> 00:15:16,425
So I'll use a little bit of this dark
that was pressured and blue and Vandyke
276
00:15:16,425 --> 00:15:21,435
Brown, just like, so just lay it on first.
277
00:15:22,710 --> 00:15:22,810
Right.
278
00:15:22,810 --> 00:15:28,410
It makes up a little more pressure
to blue band and right into this
279
00:15:28,680 --> 00:15:30,270
overhang here, we need that dark.
280
00:15:30,270 --> 00:15:31,560
It sort of sets everything off.
281
00:15:33,630 --> 00:15:34,890
It makes it look so much better.
282
00:15:36,060 --> 00:15:38,280
Now my knife touch.
283
00:15:39,150 --> 00:15:40,230
Just pull it down a little bit.
284
00:15:41,319 --> 00:15:43,080
Don't want to kill it all there.
285
00:15:44,490 --> 00:15:46,890
Maybe, maybe, maybe.
286
00:15:48,900 --> 00:15:52,770
Maybe there's right across here,
a touch again with a dark color.
287
00:15:53,430 --> 00:15:57,300
And I'm going to grab that and
pull down this post straight down.
288
00:15:57,810 --> 00:16:01,890
So it looks like he was a division
that will go right into a little bit
289
00:16:01,890 --> 00:16:06,150
of light color and we'll put some
happy little boards right in there.
290
00:16:06,240 --> 00:16:10,050
And all I'm doing is just
cutting right through a little
291
00:16:10,050 --> 00:16:11,160
bit of color on the knife.
292
00:16:12,540 --> 00:16:14,610
Just to give an indication
of small bar boards.
293
00:16:16,365 --> 00:16:19,334
If you can find an old barn
in your neighborhood that the
294
00:16:19,334 --> 00:16:20,805
farmer didn't want anymore.
295
00:16:21,824 --> 00:16:24,525
These old boards make some of
the most beautiful, beautiful
296
00:16:24,525 --> 00:16:25,875
picture frames you've ever seen.
297
00:16:25,935 --> 00:16:26,385
Try it.
298
00:16:27,495 --> 00:16:28,395
And they're easy to make.
299
00:16:29,985 --> 00:16:34,845
Okay, now we need, we need a place up
here so that the whole farmer could
300
00:16:34,845 --> 00:16:36,704
pull his hay up, put it up in there.
301
00:16:40,725 --> 00:16:43,755
And right here, I have a big door.
302
00:16:45,015 --> 00:16:50,685
This is just blue and Brown, just
a dark color, big door, big door.
303
00:16:51,945 --> 00:16:54,015
And then around the edge of
the door, a little bit of light
304
00:16:54,015 --> 00:16:57,135
strikes makes that door stand out.
305
00:16:57,195 --> 00:16:58,725
We'll put a little bit
right around here too.
306
00:16:59,895 --> 00:17:01,185
Just to make it stand out a little.
307
00:17:04,115 --> 00:17:06,285
I have some little indication
of some boards here.
308
00:17:06,585 --> 00:17:07,875
Don't want it to be left out.
309
00:17:09,915 --> 00:17:10,655
There we go.
310
00:17:10,995 --> 00:17:11,775
Just drop them in.
311
00:17:15,869 --> 00:17:16,229
Okay.
312
00:17:17,270 --> 00:17:20,359
Now, if this doesn't stand apart
enough, take a little dark color
313
00:17:21,859 --> 00:17:25,040
because there needs to be a division
between the front and the side.
314
00:17:25,109 --> 00:17:32,060
Take a little dark color and put in there,
there, and I don't help them separate it.
315
00:17:33,500 --> 00:17:37,429
Just like so, okay.
316
00:17:38,570 --> 00:17:40,250
I think we're ready to
play a little more now.
317
00:17:41,235 --> 00:17:47,685
Maybe maybe, maybe, maybe we'll put
some nice little grassy areas right
318
00:17:47,685 --> 00:17:50,715
along here, kind of just tapping
with this two and a half inch brush.
319
00:17:51,595 --> 00:17:54,165
This is where you straightened up
the bottom of your barn and decide
320
00:17:55,004 --> 00:17:56,115
where everything's going to be.
321
00:17:56,835 --> 00:17:56,925
Okay.
322
00:18:01,195 --> 00:18:01,695
Let it go.
323
00:18:03,885 --> 00:18:06,405
And really you could put
this on with a paint roller.
324
00:18:06,925 --> 00:18:08,024
It really makes no difference.
325
00:18:08,024 --> 00:18:10,514
All we're doing here is just,
just applying dark color
326
00:18:14,024 --> 00:18:14,355
there.
327
00:18:15,955 --> 00:18:18,435
This needs some dark on heck we
would just go into some sad dream
328
00:18:18,975 --> 00:18:20,445
instead, a little sad to there.
329
00:18:20,925 --> 00:18:25,905
Even a touch of Crimson lizard Crimson
tells me he puts that green lizard
330
00:18:25,905 --> 00:18:30,735
and firms and together it makes us
view the beautiful rich Brown color.
331
00:18:31,965 --> 00:18:36,555
So we're still working in Brown tones,
but by mixing on the brush on the
332
00:18:36,555 --> 00:18:42,795
canvas, we're going to have some nice
effects here when we get done right now.
333
00:18:43,275 --> 00:18:45,495
No farms complete without some fences.
334
00:18:46,155 --> 00:18:47,385
So lots of bills and fences.
335
00:18:48,325 --> 00:18:53,355
We'll start with some of this Brown color
made from the permanent red, the van
336
00:18:53,355 --> 00:18:58,605
Dyke Brown Prussian blue Prussian blue.
337
00:18:58,605 --> 00:19:03,195
It's almost a tendency to say Persian
blue, but that was my kitty cat.
338
00:19:04,505 --> 00:19:07,085
Can you put a little fence right here?
339
00:19:07,505 --> 00:19:08,375
Maybe this one here.
340
00:19:08,765 --> 00:19:09,575
Take what I want to do.
341
00:19:10,085 --> 00:19:11,255
I want to put a little grass back there.
342
00:19:11,255 --> 00:19:11,885
If I do all that.
343
00:19:13,050 --> 00:19:15,150
So we'll take a little
yellow, little Sam green.
344
00:19:16,350 --> 00:19:21,060
I put that fence in first and it's
going to be hard to sneak at grassy.
345
00:19:21,060 --> 00:19:23,280
Are you back in there now?
346
00:19:23,280 --> 00:19:25,110
I'm just using little
Indian, yellow, yellow ochre.
347
00:19:25,110 --> 00:19:26,280
Just mix them on the price.
348
00:19:26,280 --> 00:19:27,600
Let all these little colors happen.
349
00:19:27,630 --> 00:19:28,950
Not too much color in between.
350
00:19:29,610 --> 00:19:30,900
It's a big shadow in there.
351
00:19:31,110 --> 00:19:32,880
Just a little indication of some color.
352
00:19:35,130 --> 00:19:36,840
There we go out here.
353
00:19:39,165 --> 00:19:39,735
Look at that.
354
00:19:41,575 --> 00:19:46,665
Look at that right along the
barn here, a few little weeds
355
00:19:46,665 --> 00:19:48,135
that began to grow up the side.
356
00:19:49,365 --> 00:19:50,055
He's like me.
357
00:19:50,055 --> 00:19:51,315
He don't cut as long enough.
358
00:19:52,815 --> 00:19:54,615
And I'm the world's worst lawn keeper.
359
00:19:55,695 --> 00:19:56,774
I'm ashamed to tell you that.
360
00:19:58,485 --> 00:19:59,295
Can you plug into that?
361
00:19:59,970 --> 00:20:02,280
Happy little grassy
areas right through here,
362
00:20:06,149 --> 00:20:06,659
wherever
363
00:20:13,050 --> 00:20:13,320
we go.
364
00:20:14,470 --> 00:20:18,000
You don't want to kill all this dark
because there's probably been a lot of
365
00:20:18,000 --> 00:20:19,709
cows and horses walking around here.
366
00:20:20,159 --> 00:20:21,560
You sort of trumped all this down.
367
00:20:21,600 --> 00:20:23,070
There's a lot of dead grass in here.
368
00:20:25,425 --> 00:20:26,685
You were stepped on by a horse.
369
00:20:26,685 --> 00:20:27,555
You'd be Brown too.
370
00:20:29,805 --> 00:20:30,255
You hurt.
371
00:20:31,245 --> 00:20:33,825
When I was a little boy, I had
a horse step on my foot one time
372
00:20:33,825 --> 00:20:38,415
and you don't realize how much
they weigh until they step on you.
373
00:20:40,425 --> 00:20:40,575
Okay.
374
00:20:40,575 --> 00:20:44,805
Now we can put our fan salmon
there it comes maybe here and
375
00:20:44,805 --> 00:20:45,915
let's play some games today.
376
00:20:45,945 --> 00:20:50,745
Maybe this fence goes up there and then
over, I'm just doing this so you can see
377
00:20:51,045 --> 00:20:52,605
how you make a fence, move all around.
378
00:20:55,500 --> 00:20:56,160
Be brave.
379
00:20:56,310 --> 00:21:00,030
Be brave, drop a man, drop a man.
380
00:21:00,060 --> 00:21:02,010
Maybe it comes right down my cap.
381
00:21:05,120 --> 00:21:06,740
Let's put one more little one right there.
382
00:21:06,740 --> 00:21:07,910
So it goes around on the other side.
383
00:21:08,720 --> 00:21:10,010
Now we need to highlight these.
384
00:21:10,280 --> 00:21:15,230
So I'll take some point and a little
bit of light Brown and all I'm going to
385
00:21:15,230 --> 00:21:18,440
do is just, just touch, just touch it.
386
00:21:18,680 --> 00:21:21,560
So you have a little, little
bit of highlight on these posts.
387
00:21:23,205 --> 00:21:26,595
Do do do, do do.
388
00:21:28,175 --> 00:21:31,295
Now we need some rails, then we'll
just use the same old Brown color.
389
00:21:32,075 --> 00:21:33,365
And all I'm going to do is just touch.
390
00:21:34,595 --> 00:21:36,185
And this whole farmer he's like me.
391
00:21:36,185 --> 00:21:39,845
He just picked up whatever
happened to be laying around and
392
00:21:39,845 --> 00:21:41,105
he made him a fence out of it.
393
00:21:41,915 --> 00:21:46,415
Now, here, we want it to go
uphill, see bloop, bloop, see
394
00:21:46,415 --> 00:21:47,555
how you can bend fences, right.
395
00:21:47,555 --> 00:21:48,275
Or in your painting.
396
00:21:50,040 --> 00:21:52,560
And fences help add a lot of
depth and a lot of perspective
397
00:21:52,560 --> 00:21:53,969
to your painting use them.
398
00:21:55,530 --> 00:21:56,219
And they're fun.
399
00:21:56,280 --> 00:21:57,030
They're easy.
400
00:21:58,679 --> 00:22:01,889
And of course, we're not interested
in those happy books, but if you
401
00:22:01,889 --> 00:22:04,860
ever want to sell a painting,
that's adds a lot of interest.
402
00:22:07,250 --> 00:22:12,689
Maybe, maybe tell you what, maybe there
was a little dance right over here, quick
403
00:22:12,689 --> 00:22:16,110
little indication, like cap and in here.
404
00:22:16,635 --> 00:22:20,085
I'm just going to rub my sweat, that color
roughs, that looks like a little path.
405
00:22:23,504 --> 00:22:26,054
And we're just, we're just mixing
all the colors on the canvas.
406
00:22:27,225 --> 00:22:32,085
Maybe Amy, maybe this was where
the horse he lived right here.
407
00:22:32,264 --> 00:22:37,905
And so the fence comes right on
up and you just let your fence
408
00:22:37,905 --> 00:22:39,105
go wherever you want it to go.
409
00:22:40,365 --> 00:22:42,675
But as it gets closer to
you, it needs to get bigger.
410
00:22:43,830 --> 00:22:48,810
Andy's posts need to get a little
bit farther apart and just let them
411
00:22:48,810 --> 00:22:51,210
get closer and bigger and stronger.
412
00:22:53,610 --> 00:22:55,680
That's where this whole
knife is so fantastic.
413
00:22:55,680 --> 00:22:59,190
It really makes beautiful,
beautiful fences.
414
00:23:00,540 --> 00:23:00,780
Okay.
415
00:23:00,810 --> 00:23:03,150
Little highlight on these
pants, bloop, bloop, bloop.
416
00:23:03,930 --> 00:23:10,110
I'm just using a little Brown and white
touch of blue in it since bear touching.
417
00:23:11,380 --> 00:23:16,320
Don't want to cover up all
the dark, just a little hold.
418
00:23:16,320 --> 00:23:17,370
I've got that color on the knife.
419
00:23:17,400 --> 00:23:19,530
I want to add tiniest little
bit of highlight here and
420
00:23:19,530 --> 00:23:21,240
there on these little rails.
421
00:23:22,860 --> 00:23:28,260
And you could also also make
these rails using your liner.
422
00:23:28,260 --> 00:23:28,620
Brush
423
00:23:32,090 --> 00:23:34,530
a little top on those.
424
00:23:34,620 --> 00:23:37,320
I'm just using the touch it
permanent red here, dude, dude,
425
00:23:37,500 --> 00:23:39,600
dude, dude, dude, there we go.
426
00:23:42,615 --> 00:23:45,675
Tara Brown and we'll put some
rails coming right up through here.
427
00:23:45,855 --> 00:23:46,754
Touch touch.
428
00:23:48,014 --> 00:23:48,675
There they go.
429
00:23:50,205 --> 00:23:52,995
I say this old farmer, he just
used whatever he could find laying
430
00:23:52,995 --> 00:23:58,245
around limbs and sticks and trees
that fell down his backyard.
431
00:24:01,514 --> 00:24:05,415
Use what nature gives you and nature
gives you everything you need.
432
00:24:08,145 --> 00:24:09,405
Here it comes.
433
00:24:11,385 --> 00:24:14,564
And when you're at home, maybe you
want three rails on your fence or for
434
00:24:14,564 --> 00:24:17,925
her, or maybe half of them is fell off.
435
00:24:18,254 --> 00:24:19,905
You have to make these decisions.
436
00:24:23,774 --> 00:24:25,365
And that's what makes it fun.
437
00:24:25,814 --> 00:24:26,774
That's a cost your world.
438
00:24:28,034 --> 00:24:29,415
You create what you want
439
00:24:32,745 --> 00:24:35,385
a little highlight up here on these rails.
440
00:24:36,780 --> 00:24:40,740
But you can see how this little fence
adds a lot of depth to the painting
441
00:24:41,040 --> 00:24:42,300
changes your whole perspective.
442
00:24:43,750 --> 00:24:47,940
It's really gives you a lot of
practice with this almighty knife.
443
00:24:51,570 --> 00:24:51,990
Let's do.
444
00:24:52,800 --> 00:24:57,660
Let's go back into our big brush, get
a little more of this little color
445
00:24:57,660 --> 00:24:58,860
and we'll just put some in the grass.
446
00:24:58,860 --> 00:25:01,680
He thinks this is yellow
and little yellow ochre.
447
00:25:03,705 --> 00:25:04,665
And how are we going to do here?
448
00:25:04,905 --> 00:25:06,315
It's just touching it.
449
00:25:06,315 --> 00:25:13,845
These little things happen, like, so
seems like at our little path now you
450
00:25:13,845 --> 00:25:17,265
need to leave to bring some grassy
areas right on down into your path.
451
00:25:18,075 --> 00:25:22,775
Cover up to put, so these, if you
pick up a little bit dark, it's fine.
452
00:25:23,865 --> 00:25:27,195
And we'll take a liner, brush,
little paint, thinner, go
453
00:25:27,195 --> 00:25:28,815
right into some Brown paint.
454
00:25:29,324 --> 00:25:31,485
Impairing their, you know, you
never get the grass cut and get
455
00:25:31,495 --> 00:25:32,564
around the bottom of the fence.
456
00:25:32,564 --> 00:25:33,824
So there's always weeds here and there.
457
00:25:33,845 --> 00:25:34,024
Yeah.
458
00:25:35,345 --> 00:25:41,195
Wherever you want them, just grab, lift
up, tell you what, let's take a little bit
459
00:25:41,195 --> 00:25:43,324
of thin oil, a little permanent red sign.
460
00:25:43,324 --> 00:25:45,034
This one and call it finished.
461
00:25:46,264 --> 00:25:49,024
I really hope you've enjoyed
this one and it's sparked your
462
00:25:49,024 --> 00:25:52,715
imagination and you've got your
canvas out and you're ready to go.
463
00:25:53,495 --> 00:25:55,504
And with that, we wish you happy painting.
464
00:25:55,925 --> 00:25:56,465
God bless.
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