Bob Ross's

The Joy of Painting

S07E03 - Evergreens at Sunset

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Welcome back.

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I'm certainly glad you could

join me this time today.

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I think we'll do a painting.

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It's a little bit different and let's

start out at, we'll have him run all

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the colors across the screen that you

need to paint along with me today.

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And while they're doing

that, come on up here.

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Let me tell you what's happening.

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I've got a canvas as you can probably

see it's painted yellow and this is

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just an odd acrylic yellow paint, and

I've covered the entire canvas with it.

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And right here.

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Yes, it's just, this is a piece of

duct tape I found here in the studio.

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Just you can use duct tape or a

masking tape, any kind of tape, but

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I've just made a circle right there.

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This canvas is dry today.

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And onto this, we're going to begin

putting a little bit of the liquid

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black color and I'm going to make a

beautiful little sunset out of it.

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Okay.

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Let's go right up here and.

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I'll just use a little two inch brush

and I'm just going to start laying

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him jealously and some little, little

things just like soft and just sort

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of just make a decision, decide where

they're going to be very, very little

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of the liquid black on the brush here.

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Very little.

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Let me get a touch more on my brush.

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Okay.

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Just once again, barely touching

the canvas, just caressed the

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canvas, I think go across there.

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And we're just going to lay these

in just at random here and there.

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I want more of the black,

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this is going to be a fun

painting, as I say, it's different.

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Than anything we've done before.

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And I really think you'll enjoy it.

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This is going to be a sunset

and this will be the sun.

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You hadn't figured that out already.

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That's going to be the sun.

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We're all finished.

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We just bring some of these dark

areas right across it, across it.

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Maybe there's another one right here.

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We don't know.

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We didn't know.

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At this point, we're really not.

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We're not all that committed.

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One thing it helps when you're

doing this particular painting

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is a very smooth canvas.

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I always use a very smooth canvas,

but in this painting, it's a really

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important, so your brush will slide.

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All right, wash the brush,

just scrub it off here.

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Shake off the excess thinner.

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Give it a little rap and off

we go, now I'm going to begin

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adding some color into this.

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I'm going to start off first with

a tiny little bit of a lizard and

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Crimson and just work it into the

bristles, tap the brush, tap it.

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And that way you get a nurse,

even distribution of color.

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All the way through the brush.

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I let's go up here.

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I'm going right into the, the liquid

black, letting it mix and begin

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pulling a little bit of it out.

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Let it land work together.

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All these little colors just happened.

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Just happened there.

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And on this particular

painting, we use a very limited

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palette, very few colors in it.

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And the colors that we use

in this painting are most of

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them are very transparent.

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So the yellow will show

through this Crimson.

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Here is extremely, extremely

transparent, beautiful, beautiful color

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down here.

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And we get around what's that.

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What's going to be the sun.

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We want this area here to be

brighter and brighter and brighter.

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So I'm going to leave,

leave some areas open there,

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and then I'm going to go

right into a small amount of.

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Indian yellow.

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Very transparent yellow.

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Tap it.

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Let's go back up here.

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Yeah, let's start over right up here and

just begin laying that yellow in here.

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Try to keep the yellow off the

liquid black cause black and

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yellow, as you probably know.

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That makes green.

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We want to have all these

beautiful oranges and yellows

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and reds and this painting.

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You know, we get a lot of

questions that come into us.

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And one of the questions I hear over

and over again is if I talked about

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having a clear acrylic palate, but

not pallet on TV does not look clear.

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There is a reason for that.

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And I should have told you before

I take, I take in few sandpaper

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on my pallet to scuff it up.

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Otherwise it creates huge glares on TV.

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The same as we take, and we cover

the brush furrows and stuff with

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tape, just to keep them from shining.

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Even the knives are covered.

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Tina, I'm going to go

right into a little bit of.

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Cadmium yellow and right around the sun

here where it's bright, add a little

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bit of CAD yellow and let it work out.

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Stay there, make all kinds

of pretty little effects.

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And, and with that cleaning the brush, you

want to add a small amount of titanium,

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white, just tapping a brush into it again.

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Now figure it out in here where

you'd like to have some, some happy

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little highlights, little clouds.

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And all you gotta do is just sort of give

up, brush a little whistle and let it go.

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Now, the white is very opaque.

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It's very opaque.

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This painting will teach

you a lot, a lot of fun.

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Just that quick light.

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What's striking a little bit.

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Don't overdo with this.

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It's easy to get carried away.

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Don't overdue, maybe a

little strikes right here.

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Just sort of let your heart be your guide.

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Take you wherever you want to go.

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You know, we travel all over

the country doing classes and.

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And seminars.

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And I like to, I like to write at night

and listen, listen to my CB radio.

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I'm going to CB radio on my van

and I listened to the truckers

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and there are super people.

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Well, let me tell you, one

night of traveling, listening to

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truckers on CB will give you more

education in five years of school.

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You can believe some of

the things I've learned.

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I really enjoy talking with her.

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We travel.

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We travel all over and we meet so many

fantastic people from are doing this.

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As I said, in some of the other

shows, I've I really believe only

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super people paint and enjoy art.

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There we go.

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Now we can just keep on, and now

you can take us to any degree of

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lightness or darkness that you want.

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I'm just, I'm using the brush sidewards

and just blending it all together.

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Just like, so maybe I'll tell

you what, let's put a little

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bit of light up in here.

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And your painting and your world,

you put it wherever you want.

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You just, you make these decisions.

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It's the size where the light is at.

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Lay it up.

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Look at all those colors, mix and blend.

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Now, if you had covered the canvas

with the liquid black and tried

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to do this, With yellow wet, you

would have had a lot of problems.

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You've had bright green

sky because it's dry.

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You get away with a lot of things.

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You almost literally

get away with murders.

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I haven't got this quite bright, so it

shows up well on your set at home, you

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make it however you want it that easy.

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I had easily.

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We've got a very effective little sky.

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Okay.

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Let me wash them a little brush off.

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Then we can have some fun.

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Okay.

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I just covered a camera

man, right over there.

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He's going to get me now.

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Then we'll take the knife.

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Come, come right down here so

you can see this very close.

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I won't take the knife and just

reach under, get it started.

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Yeah, just peel this off.

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There you go.

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And that easy, that easy.

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You've got a happy little sun right there.

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Now then right now, if you come out of

close here again, let's take a look.

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See right now you've got

a very distinct line here.

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You don't want that with a fan brush, I'm

going to begin to very gently blend this,

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allow some of that color to come across.

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He has softened those edges.

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Okay.

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This is just a clean, dry.

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Very soft Pam brush.

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Look it there.

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See how it brings that all together

gives us sort of a, a mysterious effect.

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Make a good Halloween picture.

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I was getting very close to my birthday.

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I was almost born on Halloween.

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My father and I both were

born very close to that date.

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There we had one day

apart and our first dates.

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So we always had a deal, you know,

since it was so close together,

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he didn't had to give me anything.

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I had to give him any either, but he'd

always sneak her out to get me up.

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Then I felt bad.

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There we go.

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Wash that brush, dry it very lightly.

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I'm just going to blend all this together.

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Look how soft that nice edge is here.

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Okay.

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Now we can begin putting in

some happy little things here.

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I'm going to take the same old fan brush.

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Go right into my midnight,

black loaded four loaded four.

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Okay, let's go right up here now.

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Some distant little

trees, little evergreens.

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And you probably see me do

these hundreds of times.

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Just take the fan brush and tab tab.

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You know, one of the most

exciting things that happens.

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Doing a show like this.

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We get hundreds of letters from

fantastic people all over the

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country and they send me pictures.

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You can't believe some of

the paintings that people are

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doing all over the country.

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You know, I thought today, maybe, maybe

I'd like to share some of those with you.

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So I've taken the Liberty of taking a few

of these pictures that people have sent,

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and I've stuck them on a little board

here and I'm going to have the cameras

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just sort of pan across and let you see.

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But people all over the

country are doing now.

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This is just a random selection.

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There's many, many more.

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And if I didn't show your painting,

I apologize the next time.

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Next time your painting will be

here and I'll just keep making these

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little trees while you're doing this.

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I'm not doing anything

you don't know about.

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We'd love to hear from you

and see what you're doing.

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Drop us a card.

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Send us a photograph.

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Maybe, maybe next time.

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We'll get your painting on TV.

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If you see your zone there.

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Thanks for sending it to me

because it does wonderful things

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to my heart to see that this is

working so fantastic for you there.

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Let's see.

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We just keep right on, drop it

in a few of these little trees.

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Can you believe some of those paintings

people were doing and you can do it if

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you're not doing it, pick up a brush,

join us because you really can do it.

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There's no secret to this.

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There is no secret to, we show you

everything you need to know here.

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Okay.

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Better to give us enough little

trees to, to play with right now.

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Well, indications now we'll take

a little two inch press here.

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I'm just going to tap the

bottom of it a little bit.

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Actually.

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I'm just getting a little

color on the brush.

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And then we'll be getting, pulling it,

just begin pulling it, tap it, pulling it.

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And here's where we begin

creating the lay of the land.

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You can pop that up.

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See it makes a little Misty effect there.

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I can make all kinds of beautiful

little things happen that easy, easy.

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We don't know where this goes right there.

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Maybe.

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Put a little color on the brush.

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Maybe it just goes right on over there.

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Right?

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I'm gonna put some big trees I think here.

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So I'm not worried about

that area right now.

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I'm gonna show you how to do some

beautiful evergreens in here.

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I began to look like an old

wound though, that her son that's

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could be a moon out of that.

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Think about it could be the moon.

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So you got to make

another decision assessor.

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Sunset or a moonset let's wrap

that a little and lift it,

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create that nice Misty effect.

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Uh, don't kill it.

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All these light areas there couldn't

end up looking like little patches

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of light chatting across here.

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Try to say you support the preserves.

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They're your friends.

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They'll make your painting happy.

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Alright, next take.

252

00:13:32,250 --> 00:13:35,370

Well, I'd be scared to walk

out here at night by myself.

253

00:13:36,449 --> 00:13:37,740

Gotta be a bugger live in there.

254

00:13:39,330 --> 00:13:40,260

Let's build some trees.

255

00:13:40,850 --> 00:13:41,640

Let's build some trees.

256

00:13:41,640 --> 00:13:46,860

I'll just use this black load

brush for both sides, both sides.

257

00:13:46,890 --> 00:13:47,760

Good and full of paint.

258

00:13:48,120 --> 00:13:48,330

Okay.

259

00:13:49,260 --> 00:13:52,290

Maybe there's a happy little

tree that lives right there.

260

00:13:52,620 --> 00:13:55,920

And normally if you watch a show before

I tap down to create trees this time,

261

00:13:56,580 --> 00:14:00,540

I've got a lot of letters saying almond

trees in my yard alliums grow upward.

262

00:14:00,810 --> 00:14:02,850

It's all you do is the same basic thing.

263

00:14:02,880 --> 00:14:04,290

Just push upward with a brush.

264

00:14:05,100 --> 00:14:06,480

We'll do those cats in this painting.

265

00:14:08,340 --> 00:14:10,380

I don't want to do them all the same way.

266

00:14:10,380 --> 00:14:12,360

It'll it'll give you

something else to play with.

267

00:14:12,360 --> 00:14:15,150

If you've aided with me there.

268

00:14:16,365 --> 00:14:18,395

We'd like to continue

to give you new ideas.

269

00:14:21,365 --> 00:14:22,745

Just, just keep it going.

270

00:14:23,405 --> 00:14:23,765

Okay.

271

00:14:24,875 --> 00:14:26,465

Tell you what maybe.

272

00:14:27,335 --> 00:14:27,575

Yep.

273

00:14:28,415 --> 00:14:31,475

Right there, there another

one certainly is now.

274

00:14:31,505 --> 00:14:35,975

Well, he's laying around out

here in the sky and one side

275

00:14:35,975 --> 00:14:37,055

of the brush runs out of paint.

276

00:14:37,115 --> 00:14:38,855

Turn it over New Zealand, push it.

277

00:14:38,885 --> 00:14:39,695

Gently upward.

278

00:14:41,820 --> 00:14:42,270

Here we go.

279

00:14:42,270 --> 00:14:45,840

And as you go down and push harder,

harder, so the Liam's getting bigger

280

00:14:45,840 --> 00:14:50,400

and stronger and this one maybe comes

to right there wherever you want it.

281

00:14:51,600 --> 00:14:52,110

Wherever.

282

00:14:52,110 --> 00:14:57,600

Maybe there's some little happy things

that grow around his flips stuff.

283

00:14:57,600 --> 00:15:03,230

Right there, there will soften that up

to the big brush in a minute, will help

284

00:15:03,230 --> 00:15:08,840

create another plane in the painting,

more depth, you know, some of the trees.

285

00:15:09,345 --> 00:15:10,875

Well, some of them have a hard time.

286

00:15:11,475 --> 00:15:12,405

That's when it's back here.

287

00:15:15,975 --> 00:15:19,695

Maybe, maybe, maybe he died on us.

288

00:15:20,085 --> 00:15:21,795

So we'll just put him in there.

289

00:15:21,795 --> 00:15:23,415

You need a few dead trees

in your painting too.

290

00:15:23,415 --> 00:15:27,465

It helps, helps make it

look more real nature.

291

00:15:27,525 --> 00:15:29,535

Nature has live things and dead things.

292

00:15:34,235 --> 00:15:36,215

maybe right here, maybe.

293

00:15:36,245 --> 00:15:36,425

Yep.

294

00:15:37,185 --> 00:15:38,325

Here's a big healthy one.

295

00:15:38,475 --> 00:15:39,795

Oh, he got a lot of water.

296

00:15:41,670 --> 00:15:47,070

A lot of sunshine, give

it a little push fan.

297

00:15:48,780 --> 00:15:49,320

There we go.

298

00:15:51,750 --> 00:15:53,160

And leave some spaces in here.

299

00:15:53,430 --> 00:15:55,920

You need, you need places

for the birds to set.

300

00:15:56,160 --> 00:15:57,360

The wind has to get through.

301

00:15:58,200 --> 00:16:00,480

So leave some spaces.

302

00:16:00,480 --> 00:16:02,070

It makes your tree look a little better.

303

00:16:04,620 --> 00:16:06,300

Little birds need a place to seven.

304

00:16:07,140 --> 00:16:10,770

Let's take our big brush

again, just scrubbing some

305

00:16:10,770 --> 00:16:14,460

of this, just grab it, scrub.

306

00:16:14,460 --> 00:16:18,750

It all carries a little effects.

307

00:16:20,190 --> 00:16:23,700

And once again, you're just allowing

some of that under color to show through.

308

00:16:25,080 --> 00:16:28,380

And by changing these angles, it

helps create the lay of the land.

309

00:16:29,700 --> 00:16:31,050

They call these little grassy things.

310

00:16:31,050 --> 00:16:34,500

Maybe there's another

one, wherever, wherever.

311

00:16:35,755 --> 00:16:36,885

You decide where they live.

312

00:16:36,915 --> 00:16:39,555

There's one other little plane.

313

00:16:46,635 --> 00:16:47,835

I like these kinds of paintings.

314

00:16:48,375 --> 00:16:50,025

They teach you how to use color.

315

00:16:50,055 --> 00:16:54,725

We're using such a few

colors to do this here.

316

00:16:54,725 --> 00:17:00,405

The fun came because here you work with

a lot of values go right in here and

317

00:17:00,405 --> 00:17:01,965

just, just lay in a little bit of color.

318

00:17:02,819 --> 00:17:03,480

Right in here.

319

00:17:04,410 --> 00:17:05,129

Just pop it up.

320

00:17:09,810 --> 00:17:11,790

Fuck it, all those little

things that are happening.

321

00:17:15,780 --> 00:17:17,160

I get excited when I see these.

322

00:17:24,260 --> 00:17:24,490

Hmm.

323

00:17:24,490 --> 00:17:24,890

Okay.

324

00:17:25,099 --> 00:17:27,589

I'm having, I'm having so much

fun making all these little trees.

325

00:17:27,589 --> 00:17:29,060

I'm going to make

another little tree here.

326

00:17:30,830 --> 00:17:31,550

Maybe he lives.

327

00:17:32,100 --> 00:17:34,170

Right here and this tree.

328

00:17:34,260 --> 00:17:34,680

Okay.

329

00:17:34,770 --> 00:17:35,130

Okay.

330

00:17:35,220 --> 00:17:38,880

I'll tell you what he comes

all the way down to this tree.

331

00:17:39,570 --> 00:17:44,420

He's got a few little things that

are hanging out here and a few that

332

00:17:44,420 --> 00:17:48,830

aren't no, some of these old trees

where they were like people, there's

333

00:17:48,830 --> 00:17:51,620

individuals, people, some of them

have a few names here and there.

334

00:17:53,210 --> 00:17:54,470

That's what makes us interesting.

335

00:17:54,470 --> 00:17:55,190

We're different.

336

00:17:55,940 --> 00:17:58,910

We all have different personalities

and we look different.

337

00:18:00,585 --> 00:18:03,575

That's what makes people

interesting in trees and bushes?

338

00:18:03,764 --> 00:18:04,335

They're the same.

339

00:18:04,815 --> 00:18:06,075

They have personalities.

340

00:18:08,655 --> 00:18:10,605

They're just people with

little stronger groups.

341

00:18:10,635 --> 00:18:15,405

And most of us have, they can't

get away with this, pop it up.

342

00:18:17,985 --> 00:18:18,885

Let's have some fun.

343

00:18:20,294 --> 00:18:23,205

I want to put a big tree right

in front of the sun here.

344

00:18:23,235 --> 00:18:25,095

Just throw it right in front of the side.

345

00:18:25,095 --> 00:18:27,254

We're going to check and

see if you're brave today.

346

00:18:28,245 --> 00:18:31,665

Load a lot of pain into the brush,

a lot of paint I'm using the same

347

00:18:31,665 --> 00:18:34,575

old brush, but look how full it is.

348

00:18:35,025 --> 00:18:38,265

It's really just loaded with paint.

349

00:18:39,105 --> 00:18:39,285

Okay.

350

00:18:39,285 --> 00:18:41,115

Let's go up here now.

351

00:18:41,145 --> 00:18:43,245

Decide where this tree lives

that I want, that I want to

352

00:18:43,245 --> 00:18:45,525

show some sign on both sides.

353

00:18:45,525 --> 00:18:47,355

So I'm to doing it right there.

354

00:18:47,955 --> 00:18:50,175

Um, right through, right through.

355

00:18:52,155 --> 00:18:52,665

Look at that.

356

00:18:53,415 --> 00:18:54,135

Look at that.

357

00:18:55,784 --> 00:18:59,264

Bob's messed up the painting,

but that's one of the beautiful

358

00:18:59,264 --> 00:19:00,554

things about oil paint.

359

00:19:01,274 --> 00:19:07,534

You it's, you really can't hardly make a

mistake because with oil paint, you can

360

00:19:07,534 --> 00:19:09,544

just, you can just take it off the canvas.

361

00:19:09,544 --> 00:19:13,235

If worst comes to worst while it's still

wet, you can just take the zip it off.

362

00:19:13,264 --> 00:19:16,115

Take a look better, clean the

canvas, use it over and over again.

363

00:19:17,375 --> 00:19:19,475

Or if it's dry, you can paint

right over the top of it.

364

00:19:19,685 --> 00:19:20,314

No big deal.

365

00:19:21,405 --> 00:19:23,354

You don't, you don't ever waste a canvas.

366

00:19:26,175 --> 00:19:26,475

Okay.

367

00:19:26,475 --> 00:19:28,485

Maybe there's a little ledge

right here that sets off.

368

00:19:29,564 --> 00:19:30,044

Look at that.

369

00:19:32,524 --> 00:19:34,985

Let's give him an indication of

a big old, strong foot out here.

370

00:19:35,254 --> 00:19:35,915

Hold him up.

371

00:19:36,185 --> 00:19:37,594

We don't want this tree to fall over.

372

00:19:38,524 --> 00:19:39,125

It fell over it.

373

00:19:39,125 --> 00:19:40,774

Phil fall right into the sun.

374

00:19:40,774 --> 00:19:42,165

There can't have that.

375

00:19:43,504 --> 00:19:45,094

Just pop in a few, little weeds.

376

00:19:45,425 --> 00:19:45,615

Cool.

377

00:19:45,615 --> 00:19:46,235

Right out there.

378

00:19:48,004 --> 00:19:48,635

There we go.

379

00:19:49,990 --> 00:19:51,240

Yeah, we just had one tree.

380

00:19:51,240 --> 00:19:55,170

He'd get lonely and he'd pick on

all these other ones out here.

381

00:19:55,170 --> 00:19:59,880

So let's, let's put another

big tree over here, back into

382

00:19:59,880 --> 00:20:02,370

the black and this big tree.

383

00:20:03,180 --> 00:20:03,480

Yep.

384

00:20:04,050 --> 00:20:09,000

There is now anyway, he lives

right there, right there.

385

00:20:10,320 --> 00:20:10,560

Okay.

386

00:20:10,560 --> 00:20:10,860

Easy.

387

00:20:10,860 --> 00:20:16,230

That is so I'm just tapping with a

brush, just really socket socket to it.

388

00:20:18,015 --> 00:20:23,835

There we go look at all the little

fuzzy things that happens right here.

389

00:20:23,835 --> 00:20:27,105

See, when you, when you hit hard with

that brush, you get all these little

390

00:20:27,105 --> 00:20:30,165

fuzzy edges and evergreens have all these.

391

00:20:30,855 --> 00:20:33,405

They just have all those little,

I don't know what you call them.

392

00:20:36,045 --> 00:20:36,675

Look at that top.

393

00:20:37,995 --> 00:20:41,175

And that, to me, that looks more

realistic than a nice smooth tree.

394

00:20:41,595 --> 00:20:44,145

If you want a smooth tree, just take

the brush and pull it straight down.

395

00:20:44,640 --> 00:20:45,870

And you'll get a smooth tree.

396

00:20:46,350 --> 00:20:47,640

I personally prefer.

397

00:20:47,640 --> 00:20:52,170

One is a little fuzzy, but everybody

sees nature through different eyes.

398

00:20:52,560 --> 00:20:58,380

So I just want to show you how to make

many effects and you make the effects

399

00:20:58,380 --> 00:21:01,830

that it please you, there we go.

400

00:21:05,100 --> 00:21:05,850

There we go.

401

00:21:10,040 --> 00:21:11,580

I have, I got to tell you a little story.

402

00:21:12,524 --> 00:21:15,345

We recently did a demonstration

in Boston for some of the most

403

00:21:15,345 --> 00:21:16,905

fantastic people in the world.

404

00:21:18,105 --> 00:21:19,155

And I met a lady there

405

00:21:22,215 --> 00:21:24,645

and, you know, we all

wonder if we can paint.

406

00:21:25,335 --> 00:21:30,135

This lady is blind and she watches

the shows and she paints along with

407

00:21:30,135 --> 00:21:31,905

us and she does fantastic pictures.

408

00:21:33,375 --> 00:21:35,145

If she's watching this, God bless you.

409

00:21:35,145 --> 00:21:37,455

Cause you're a super lady and

I really enjoyed meeting you.

410

00:21:38,025 --> 00:21:40,995

And I hope that next time I come

back to Boston, we can get together.

411

00:21:41,115 --> 00:21:43,395

Maybe we can paint together

and have a super time.

412

00:21:45,055 --> 00:21:48,285

I thought that was the most

fantastic thing I had ever heard of.

413

00:21:49,875 --> 00:21:54,465

I'm going to take a little bit of the

liquid black and put it on my palette and

414

00:21:54,645 --> 00:21:57,045

my liner brush go into some paint thinner.

415

00:21:57,375 --> 00:21:58,785

I want to make this even thinner.

416

00:21:58,965 --> 00:22:00,825

It's literally like water.

417

00:22:01,935 --> 00:22:03,015

Turn that brush.

418

00:22:03,135 --> 00:22:03,915

Okay, let's go up here.

419

00:22:04,800 --> 00:22:08,130

Let's put some happy little

Leones right across the side.

420

00:22:08,580 --> 00:22:09,130

There it is.

421

00:22:10,200 --> 00:22:14,810

See because his penis so

thin, it literally literally

422

00:22:14,870 --> 00:22:16,820

just flows off the brush.

423

00:22:17,870 --> 00:22:18,380

Look at that.

424

00:22:20,090 --> 00:22:20,780

Look at that.

425

00:22:22,130 --> 00:22:26,480

There is one right there and

just put as many as you want.

426

00:22:26,600 --> 00:22:27,230

Where do you want them?

427

00:22:28,160 --> 00:22:28,970

This is your world.

428

00:22:30,140 --> 00:22:31,040

So you create.

429

00:22:32,145 --> 00:22:34,815

You create the type of

world that you want.

430

00:22:36,905 --> 00:22:41,015

There was freedom on this canvas

431

00:22:44,075 --> 00:22:44,735

is freedom.

432

00:22:47,915 --> 00:22:50,585

Oh, I have, I have so many

beautiful ladies who write

433

00:22:50,585 --> 00:22:51,695

and they say, you know what?

434

00:22:51,695 --> 00:22:52,175

I'm painting.

435

00:22:52,175 --> 00:22:53,345

The kids don't bother me.

436

00:22:53,345 --> 00:22:57,485

And I, I create my own world

and it really makes me happy.

437

00:22:58,085 --> 00:22:58,655

And that's true.

438

00:22:59,264 --> 00:23:01,064

I was a single parent for a long time.

439

00:23:02,084 --> 00:23:07,274

And I understand a lot of those things,

a lot of those things let's put some

440

00:23:07,274 --> 00:23:10,425

names over here, you know, it terrible.

441

00:23:10,425 --> 00:23:14,024

They never teach men anything about

how to take care of a house boy house.

442

00:23:15,735 --> 00:23:16,905

My son still talks.

443

00:23:17,715 --> 00:23:23,625

He tells people all the time about me

making him eat Burt TV dinners, but

444

00:23:23,625 --> 00:23:25,155

just about the world's worst cook.

445

00:23:27,254 --> 00:23:29,925

There and just drop these

in wherever you want them.

446

00:23:31,995 --> 00:23:32,625

There we go.

447

00:23:34,084 --> 00:23:34,774

There we go.

448

00:23:35,705 --> 00:23:38,044

Maybe on this series, we'll get

him back and let him paint for you.

449

00:23:38,225 --> 00:23:42,784

He's 20 years old now he cooks

his own burnt TV dinners.

450

00:23:44,584 --> 00:23:45,064

Okay.

451

00:23:46,235 --> 00:23:48,245

Now then let's take and

put some leaves on there.

452

00:23:49,655 --> 00:23:51,514

I'm going to use a number three fan brush.

453

00:23:51,514 --> 00:23:53,495

Normally I use number six,

then we'll use number three.

454

00:23:54,690 --> 00:23:56,669

Loaded full of paint, just

like we did the other one.

455

00:23:57,300 --> 00:23:58,350

Just a lot of paint.

456

00:23:58,710 --> 00:23:58,899

Okay.

457

00:23:59,010 --> 00:23:59,580

Go right up here.

458

00:24:00,330 --> 00:24:04,110

Now, since all of these were going up,

let's take it and just take the brush

459

00:24:04,139 --> 00:24:07,710

and push these up and create some happy

little things that live right out here.

460

00:24:08,389 --> 00:24:09,350

Well, we don't want to kill this.

461

00:24:09,740 --> 00:24:11,870

The sun here, we worked

so hard to put it in.

462

00:24:12,350 --> 00:24:13,280

Don't put so much on it.

463

00:24:13,280 --> 00:24:14,840

You kill it, leave it in there.

464

00:24:15,740 --> 00:24:17,360

All of them don't have to have leaves.

465

00:24:18,075 --> 00:24:18,855

He be out here.

466

00:24:19,545 --> 00:24:21,945

He was only a few little ones maybe here.

467

00:24:21,945 --> 00:24:25,605

There's just a couple, just

come up, you know, make these

468

00:24:25,605 --> 00:24:27,075

decisions wherever you want them.

469

00:24:27,225 --> 00:24:28,274

That's where the ought to be.

470

00:24:29,805 --> 00:24:35,475

All right, Kathy ISIS, it's really

fantastic to be here with you.

471

00:24:35,595 --> 00:24:39,225

It's hard for me to believe that with

the completion of this series, we'll

472

00:24:39,225 --> 00:24:43,575

have over 90 half-hour shows over 90.

473

00:24:44,264 --> 00:24:45,795

That's almost unreal to me.

474

00:24:47,145 --> 00:24:50,835

Almost unreal and I can't thank you

enough for a lag me into your home.

475

00:24:54,495 --> 00:24:55,425

You're beautiful people.

476

00:24:55,455 --> 00:24:55,875

Thank you.

477

00:24:56,955 --> 00:24:58,935

Okay, there we go.

478

00:24:59,055 --> 00:25:04,875

Just drop it in all these happy little

things, or you just decide where you

479

00:25:04,875 --> 00:25:09,375

think these leaves would be profit

on, but leave some of the stock here.

480

00:25:09,375 --> 00:25:13,215

Some of the trunks showing it makes

it a little more interesting and you

481

00:25:13,215 --> 00:25:15,135

can always take your liner brush.

482

00:25:16,304 --> 00:25:20,685

And go back in here, see, and add some

little things in here to hold it all up.

483

00:25:20,685 --> 00:25:22,844

If you want to, I guess it right here.

484

00:25:24,014 --> 00:25:28,485

I think you'd already have a few more

Liam's in it, wherever, whatever.

485

00:25:28,514 --> 00:25:29,054

There you go.

486

00:25:30,254 --> 00:25:34,534

Just like, so now they're without

cleaning the brush, I'm going right

487

00:25:34,534 --> 00:25:37,865

into SAP green, right into SAP green.

488

00:25:37,865 --> 00:25:41,584

I'm just going to load it for,

uh, even though this is very dark.

489

00:25:42,750 --> 00:25:43,440

Very dark.

490

00:25:43,530 --> 00:25:45,720

You might be able to see

a little greenish tint.

491

00:25:46,350 --> 00:25:49,080

So I'll put a little green on

the brushes are really loaded for

492

00:25:49,620 --> 00:25:53,280

let's go back up here, up here on

the tops of some of these leaves.

493

00:25:53,310 --> 00:25:54,270

I'm just going to push.

494

00:25:54,810 --> 00:25:56,400

I hope you can see that

on your set at home.

495

00:25:56,910 --> 00:25:57,630

It's so dark.

496

00:25:57,660 --> 00:25:58,980

It's very hard to see.

497

00:26:00,210 --> 00:26:02,100

Just gives a little greenish tint.

498

00:26:03,810 --> 00:26:05,760

When you do this painting

at home, you'll see it.

499

00:26:06,780 --> 00:26:11,500

And just here and there, here and there

had a little bit of highlight on it,

500

00:26:11,520 --> 00:26:18,060

sort of separates these and creates

a beautiful little painting dyslexia.

501

00:26:18,060 --> 00:26:24,750

So maybe down here with have a

few little grassy areas, just a

502

00:26:24,750 --> 00:26:28,920

couple, just sort of breaks it up.

503

00:26:30,360 --> 00:26:30,780

Okay.

504

00:26:30,870 --> 00:26:32,490

I think this one's ready for a signature.

505

00:26:33,705 --> 00:26:37,605

I'll take a little bit of the

thin oil, some red mix it up.

506

00:26:37,605 --> 00:26:38,055

Real good.

507

00:26:38,055 --> 00:26:38,895

Tell us like water.

508

00:26:39,555 --> 00:26:42,165

Let's go right up here

and I'll sign this one.

509

00:26:43,335 --> 00:26:45,165

I'd like to thank you

for being with me today.

510

00:26:46,245 --> 00:26:48,045

It's always a pleasure

for me to paint with you.

511

00:26:48,405 --> 00:26:52,155

I hope you've enjoyed this one and just

given you a lot of ideas and we see you

512

00:26:52,155 --> 00:26:54,945

again next time until then happy painting.

513

00:26:55,365 --> 00:26:55,905

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E03 - Evergreens at Sunset

Bob Ross's

The Joy of Painting

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