Bob Ross's

The Joy of Painting

S05E04 - Winter Stillness

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Welcome back.

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Glad you could join me today.

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And today I thought we'd

do the little painting.

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That's animated at the

beginning of each show.

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And you've been watching that one every

week and it's a fantastic little painting.

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Thank you.

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And enjoy doing it.

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And we won't be able to do

an exact duplicate because

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we never duplicate anything.

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Exactly.

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But I'll show you each

stroke and how it was done.

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And from there, you can get the

idea yourself and make fantastic

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paintings at home, and I'll have them

graphically run all the colors that

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we're going to use across the screen.

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And they'll give you the colors

in the order that I have them

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on my palette, starting with

titanium white and going around.

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All right.

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Now I've already covered the canvas

with a thin even coat of magic white.

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So it's wet, slick, ready to go.

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And let's get started.

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I'm gonna start out right here with a,

with a small amount of Indian, yellow,

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Indian, yellow is a very, very transparent

yellow, a lot of fun to work with.

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Let's go right up here and we'll

start using just the little

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crisscross strokes, just Xs.

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This is the way the teacher used

to grade my paper in school.

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A lot of Xs

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now is mixing with the magic white.

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And automatically it

gets lighter in value.

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There that's the small yellow hue

and in the background, very little

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of this will show, okay, now let's go

right back without cleaning the brush.

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And I'm willing to get a very small

amount of alizarin Crimson, and just beat

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it into the Peresh this assures a nice

even distribution of color in the brush.

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So you don't end up with

great big streaks in this guy.

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And once again, the little crisscross

little X patterns, right on top

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of the yellow, that's very, very

easy to apply more color, but it's

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a son of a gun to take it off.

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So use very, very little color.

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You can always add more if you want it.

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There were cross and blend these together.

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Just keep making a little,

little crisscross strokes.

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So they blend together and

you can't tell where one color

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stops and the other one starts.

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That's what we're looking for.

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Manda Crimson acts as a barrier because

I'm going to put blue on the top.

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And the Crimson acts is a

barrier in between here.

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To keep the yellow and the blue

from mixing, because if those

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two mixed you'd have a bright

green sky and we don't want that.

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So I'm going right into

a little bit of that.

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They low blue, tiny,

tiny amount is so strong.

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Go right up here and we make

the little crisscross strokes.

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Allowing the blue to blend right

into the alizarin Crimson and

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where they meet it'll turn sort of

a lavender color, purplish color.

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And this is a very soft painting.

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A lot of the paintings we've done

in the past have been very bright.

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I want to show you that.

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That you can do very, very

soft, quiet little paintings.

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So they don't have to be bright.

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Some people object to bright colors.

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So this piece of canvas is your world

and you can do anything you want to do.

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We just try to show you

how to give you ideas.

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Here we go.

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Just blend all this together, still

using the little crisscross strokes

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because we're using a very thick paint.

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You can do all this blending

without turning to mud.

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Okay.

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Now while I've got my brush going here, I

want to take a little more of the Crimson

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and just go back and forth and add a

little bit down here, here and there,

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back and forth.

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Have fun.

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Let it go a little more

Crimson on the brush.

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And right into a little bit of

the thing, a little blue and

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very lightly here and there.

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Just pick up some of this and we start

laying snow in here and it'll become shit.

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Just lay it out.

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Yeah, we can clean our brush.

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Brushes are clean.

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We loaded his paint thinner.

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Just get the camera man over there and

he's going to yell at me in a second.

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Okay.

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Now we can just blend

this out a little bit.

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As I say, this will end up

being shadows under the snow.

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So we're really not too

worried about it right now.

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It's just, it's just background color.

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Okay.

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Now let's have some little trees that

are, that are far back here in the

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distance and we'll make them a little

different way than we've been making them.

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I'm going to go right into a little

bit of the van, Dyke Brown, very little

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color, small, small amount of color

and tiniest amount of the burn number

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and mix them on the brush brush mix.

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But there's very little

paint on the brush.

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It's back and forth and

let's go right up in here.

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And maybe you gotta, you gotta

make all mighty decisions.

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Maybe there's a little

tree that lives right here.

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So we just take the large brush

and we just using the corner

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and we're just having see, so

you have, that's doing there.

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Little more color,

very, very little color.

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On your brush.

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Maybe, maybe there's a

big tree is right here.

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As I say, this will not be an exact

duplicate of the one that you see at the

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beginning of the show, but it'll give

you an idea and show you how it was made.

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I wish you could come into, into

the studio here and watch, it only

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takes a few minutes to, to paint

a beautiful little painting, but a

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lot of time is spent animating it

and they do a fantastic job here.

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I hope you enjoy the little

animated paintings that are at

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the beginning of each shelf.

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I find them very interesting

and I hope you do.

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Little bit darker color

right here at the horizon.

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A little lighter up in this guy and

darker to horizon at whale helped

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create the illusion of distance.

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Don't let your trees get

too symmetrical, too.

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To even, I don't let them just go.

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Here you go.

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Just looking for very distant,

basic shapes, very soft.

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Let a little bit yellow show through.

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You don't want to kill all that.

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I said.

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All these little things,

make it interesting.

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That was the traditional

painter for many years.

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And I would have worked for days with

my one hair brush, putting all that

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in and you can achieve a very gentle,

soft effect using a large bird.

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Oh gosh.

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Still just using Vandyke Brown,

little touch and bird number,

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decide where your horizons going

to be and just brush it out.

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Yeah.

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And then I'm going to take my liner

brush and put a little bit of oil

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on it and go right into my Brown.

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Turn the brush.

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Bring it to a nice sharp point.

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Turn it.

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Now let's go right up in here.

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And we just want to put some little

indications here and there of some

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little trunks and Liam's don't want

them to be too bright, too strong.

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These are just indications

just here and there.

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Just let them go.

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One of the questions I

hear quite frequently.

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Should I pull it down or should I go up?

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It's sort of an individual thing.

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It will work either way.

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Listen, let's take one right here

and we'll take this one and go up.

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Some people will find it easier to go

to the small end, some, find it easier

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to start at the small end and go toward

the larger hands-off try and both find

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out which one works the best for you.

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And that's the one that you want to use.

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Maybe there's one that lives right

here and all of them aren't straight.

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Some of them crooked trees,

don't all grow straight.

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They grow, however it makes them happy.

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and that gives us an idea of just little

tree branches here and there in trunks.

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Now with a large brush and we'll take

a tiny, tiny, little bit of the yellow.

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Back to the Indian, yellow, and just

touch a little bit here and there.

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Just to give a little highlight

indication and go over the trunks.

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Cause you wouldn't see the entire trunk.

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You just see parts of it.

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Tiny.

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It's tiny.

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It's a little bit of the Indian

yellow, let a little light

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play through these trees.

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Very soft.

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Don't want to lose that softness.

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Very, very soft, quiet.

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Instead of painting should make you happy.

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All paintings should make you happy.

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That's what paintings all about.

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Okay.

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No, I'm going to take a little

more and maybe I think there was

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a little tree that lived there,

any in here some little closer.

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So it's a little bit stronger by

stronger means a little darker.

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You can see it a little better.

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put some little branches here and there.

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This is winter.

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So the leaves have fallen off most

of the trees and wherever you want

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these to be them in your work.

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you don't I've said it before,

but if, if painting teaches you

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nothing else, it teaches you to see,

teaches you to see some of the most

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fantastic things that are around us.

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And everyday we walked by him and

we never look at him and painting

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what, teach you to see these things.

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It's good for nothing else.

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It really makes you appreciate nature.

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And some of the tastic beautiful

things that are all around us.

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I'm going to take a little tiny bit of the

Vandyke Brown and just barely touch them.

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See it makes it look like hundreds

of little tiny limbs that we

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don't have all day to paint.

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We just drop them in

just to give indications.

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Now, then let's go.

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Let's go with the old fan brush and

I'm going to start with titanium

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white, put some on the brush and we

have to make it all my decision here.

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Where's where's the horizon line.

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Okay, maybe it comes right down through

here and drops off right down in here.

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Very gently.

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Very, very gently.

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Now we take a little bit of fade,

a little blue and I brush Mexico.

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Great deal.

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Mixed things on the brush.

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We need some shadows here and

there can even add a tiny bit of

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Brown to that, just to dull it.

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Back in here.

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Maybe this comes around.

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I don't know,

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to there wherever you want it to go.

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It's your world that these things just

flow right out of your imagination.

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Do you see how easy it is to make snow?

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But angles are very, very important.

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I can't stress that enough.

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You need to follow the angles.

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The lay of the land.

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I know I say that on just about every

show, but it is very, very important, very

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important to follow the lay of the land.

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And we put a shadow in here.

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Maybe we want to have a little

projection right there, put a shadow

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in and we might get, I stay a little

blue titanium, white and blended all

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together wherever you want it to go.

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Now.

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Very gently.

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Right over the top, add a little bit of

white so that it has a little contrast

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and it's that easy, easy, you can make all

kinds of beautiful little snowbanks and

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then all these little things just happen.

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It's just a game of angles

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back and forth.

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Maybe I'll put the least little

amount of Crimson on my brush.

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Just put a little pink issue into

here, which one we had the blue

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it's going to go sort of lavender.

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Very, very pretty makes nice shadows.

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And if you, if you're interested

in selling paintings, of course, I

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was interested in monetary gains.

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But if you're interested in selling

paintings, a lot of times color is

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as important as your composition

people buy paintings for color.

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So you use colors that appeal to people.

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If you're interested in selling things.

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And when you buy your first tube

of paint, you're issued an artist,

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license and artists licenses.

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You can do anything that you want to do on

this canvas because it's, it's your world.

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Okay, so use that

license have fun with it.

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That's what it's all about.

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Okay.

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Maybe, maybe, maybe, maybe we'll

have a tiny little bit of water

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and water is very easy to make

when we're working on a wet canvas.

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I won't take a tiny bit

of the Vandyke Brown.

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And the least little

amount of they little blue.

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So I have an Dyke Brown and yellow blue.

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And once again, I've just brushed mixed

it, but very little color, very, very

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little color, and figure out where

you want the water to be here and you

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touch and just pull down, pull down,

let it go wherever you want it to be.

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We're here forever.

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Let me pull it straight down,

no matter where it goes still

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needs to come straight down,

246

00:14:43,864 --> 00:14:44,645

just like, so

247

00:14:49,655 --> 00:14:57,935

there, yeah, very lightly, very lightly

go across and that easy, that easy.

248

00:14:58,145 --> 00:14:59,314

It gives the illusion of water.

249

00:15:02,344 --> 00:15:02,944

Now maybe.

250

00:15:03,600 --> 00:15:04,650

Right along the edges here.

251

00:15:05,459 --> 00:15:06,839

This is just straight Vandyke Brown.

252

00:15:07,530 --> 00:15:13,020

I'm going to lay him just a little bit of

dirt to show him Tiny's little bit of dirt

253

00:15:18,829 --> 00:15:24,350

in some places, maybe a little

more shows, and this is your dirt.

254

00:15:24,350 --> 00:15:27,589

So you put it where you want it wherever.

255

00:15:30,944 --> 00:15:37,155

Then back to our titanium white and we

can bring some of the snow right down over

256

00:15:37,155 --> 00:15:40,485

the top of it and blend it all together.

257

00:15:55,260 --> 00:16:02,160

Not a super easy little way to make

fantastic, fantastic snow easy.

258

00:16:03,750 --> 00:16:06,180

Now I want to take a little bit

of the magic quake, pull it up

259

00:16:06,390 --> 00:16:09,090

very, very flat and cut across it.

260

00:16:10,200 --> 00:16:12,600

And we'll put a little water

line right back here and

261

00:16:12,600 --> 00:16:13,860

we're cutting into the canvas.

262

00:16:14,820 --> 00:16:18,780

And just like you trying to cut

a hole right into the canvas.

263

00:16:26,720 --> 00:16:28,550

And if you get one, that's

got too much paint on it.

264

00:16:28,580 --> 00:16:32,060

I get to just take a clean knife

and rub it and it'll go away.

265

00:16:32,820 --> 00:16:33,680

Just blends right in.

266

00:16:35,270 --> 00:16:36,110

No problem.

267

00:16:38,840 --> 00:16:39,410

Just let it go.

268

00:16:44,870 --> 00:16:45,260

Okay.

269

00:16:45,260 --> 00:16:47,420

Now we've got to start making

some almighty decisions.

270

00:16:47,420 --> 00:16:48,530

What's on the other side here.

271

00:16:49,335 --> 00:16:55,425

Now, if I remember correctly, on the other

side, we have something that lives at

272

00:16:55,425 --> 00:17:02,475

about here and comes down there, something

like, so we would just lay in some color

273

00:17:04,125 --> 00:17:09,735

and I'll take a little bit of the white go

back and highlight it a little once again,

274

00:17:10,005 --> 00:17:11,474

once again, follow the lay of the land.

275

00:17:11,745 --> 00:17:14,415

It's very, very important.

276

00:17:18,179 --> 00:17:20,010

They have to make these

almighty decisions.

277

00:17:23,480 --> 00:17:28,669

And maybe under this one back to our

Brown and lay in a little bit of Brown.

278

00:17:28,669 --> 00:17:33,350

So it's bottom and do this in stages here.

279

00:17:33,409 --> 00:17:35,179

Cause we're going to have

things that are overlapping

280

00:17:38,570 --> 00:17:39,679

and rarely touch it.

281

00:17:48,660 --> 00:17:49,610

little, the magic white.

282

00:17:51,800 --> 00:17:53,480

We put in a little water line right there.

283

00:17:58,760 --> 00:17:58,910

yeah.

284

00:17:59,060 --> 00:18:04,940

Back to her Vandyke Brown,

maybe right there, right there.

285

00:18:06,350 --> 00:18:08,090

Big old, the Goldstone showing.

286

00:18:12,240 --> 00:18:12,840

There it is.

287

00:18:15,449 --> 00:18:22,050

And I want some snow coming down here

and going right over the top that easy.

288

00:18:23,720 --> 00:18:25,290

This Brown was a very firm paint.

289

00:18:25,290 --> 00:18:28,590

So you can go right over the top of

it without destroying everything.

290

00:18:30,419 --> 00:18:33,389

If it was a thin paint,

you'd be a mud mixer now.

291

00:18:34,620 --> 00:18:37,740

So you need a good firm paint.

292

00:18:39,405 --> 00:18:46,025

Only way you're going to

make all this stick there.

293

00:18:47,645 --> 00:18:48,275

Okay.

294

00:18:50,675 --> 00:18:54,065

Now then I think, and the one that at

the beginning of the show, there's some

295

00:18:54,065 --> 00:18:55,385

big evergreens that live right here.

296

00:18:55,385 --> 00:19:00,725

So let's do a big evergreen and

I'm going to take some fellow blue.

297

00:19:00,965 --> 00:19:05,645

We just use the brush, Vandyke

Brown and a little bit of SAP green.

298

00:19:06,240 --> 00:19:09,360

Just a little SAP green,

because the green is a very

299

00:19:09,360 --> 00:19:10,740

dangerous color in this painting.

300

00:19:11,190 --> 00:19:13,740

If you get it into your

snow, you know what happens?

301

00:19:14,160 --> 00:19:15,210

You got green snow.

302

00:19:15,660 --> 00:19:21,420

So very little green, mostly blue

and Brown, very dark contrast.

303

00:19:22,020 --> 00:19:23,640

And let's go right there.

304

00:19:24,120 --> 00:19:24,480

Right there.

305

00:19:24,750 --> 00:19:25,680

Big tree lives right there.

306

00:19:26,160 --> 00:19:30,450

I use a corner of the brush and

just started going back and forth.

307

00:19:32,400 --> 00:19:32,940

There we go.

308

00:19:33,720 --> 00:19:35,220

And that's how easy a tree is to me.

309

00:19:36,570 --> 00:19:38,280

Just push them right out of your brush.

310

00:19:42,500 --> 00:19:45,590

Seeing that little bit of SAP green

gives it a, we'll give it a green

311

00:19:45,590 --> 00:19:47,510

issue without it being a bright green.

312

00:19:48,379 --> 00:19:50,510

And you'll see, especially when

I hit the flight down here.

313

00:19:57,120 --> 00:20:02,340

That gives it a green issue,

but it's not a bright green now.

314

00:20:03,240 --> 00:20:06,020

You know, trees get lonely too.

315

00:20:06,140 --> 00:20:09,080

So let's give him a little

friend that lives right there.

316

00:20:11,810 --> 00:20:13,100

Uh, do you know how to make trees?

317

00:20:13,370 --> 00:20:13,670

Shoot?

318

00:20:13,670 --> 00:20:14,900

You get carried away sometimes.

319

00:20:15,860 --> 00:20:16,630

Can't stop.

320

00:20:18,800 --> 00:20:20,260

Let me just put a couple of trees in here.

321

00:20:20,300 --> 00:20:23,780

It's just, just to show you how to

make a little tree happy little tree.

322

00:20:27,555 --> 00:20:27,735

Okay.

323

00:20:27,735 --> 00:20:32,024

Now we can take here and I'll use

a little bit of the Indian, yellow.

324

00:20:34,595 --> 00:20:35,405

No.

325

00:20:35,735 --> 00:20:40,205

And the tiniest little touch of blue.

326

00:20:44,795 --> 00:20:47,555

Yeah, some Brown into it

on a Dalit down there.

327

00:20:48,125 --> 00:20:49,205

Don't want this too bright.

328

00:20:51,965 --> 00:20:52,955

Some Brown there.

329

00:20:54,450 --> 00:20:57,600

So we've got Vandyke Brown,

a little touchy, but a little

330

00:20:57,600 --> 00:20:58,680

blue and Indian yellow.

331

00:20:59,129 --> 00:21:05,150

And we can come back here and highlight

this tree just a little bit here and

332

00:21:05,150 --> 00:21:08,650

there don't want it to get too bright.

333

00:21:08,930 --> 00:21:10,610

Don't want to lose this

beautiful darkness.

334

00:21:11,890 --> 00:21:13,040

Lose a contrast.

335

00:21:15,700 --> 00:21:17,000

Don't wanna lose a contrast.

336

00:21:18,350 --> 00:21:21,320

And this little fellow here

needs some highlights on him too.

337

00:21:23,700 --> 00:21:25,800

Just let them drop right off your brush.

338

00:21:27,290 --> 00:21:29,990

They're okay.

339

00:21:31,430 --> 00:21:36,410

Let's use the, the one inch brush and I'm

going to go right into the burn number.

340

00:21:39,530 --> 00:21:39,620

Okay.

341

00:21:40,129 --> 00:21:42,050

Just drop some happy

little bushes right here,

342

00:21:45,120 --> 00:21:49,550

like, so, and we'll use another brush.

343

00:21:50,775 --> 00:21:52,395

And to that, I'm going to use white.

344

00:21:52,815 --> 00:21:57,225

This is titanium white and at

least little touch of the low

345

00:21:57,225 --> 00:22:00,965

blue and a little bit of magic.

346

00:22:00,965 --> 00:22:01,325

Quite that.

347

00:22:01,325 --> 00:22:05,254

Then the paint there, then paint

will stick to a thick paint.

348

00:22:06,215 --> 00:22:06,425

Okay.

349

00:22:06,455 --> 00:22:07,745

Pull that brush in one direction.

350

00:22:07,805 --> 00:22:13,265

A lot of paint on the brush, touch and

push, bend it up and make some beautiful

351

00:22:13,265 --> 00:22:15,695

little frosty leaves on top of these.

352

00:22:18,810 --> 00:22:20,160

He don't want to kill all that dark.

353

00:22:22,020 --> 00:22:23,970

Maybe then come right down through there.

354

00:22:25,710 --> 00:22:26,310

Okay.

355

00:22:27,540 --> 00:22:35,340

Now then that's put another little bank

right there and it doesn't matter if

356

00:22:35,340 --> 00:22:36,660

you pick up a little bit of that Brown.

357

00:22:38,580 --> 00:22:39,210

There we go.

358

00:22:41,850 --> 00:22:44,790

And we'll take a little

bit of the blue shadow.

359

00:22:45,265 --> 00:22:45,975

Lay it in there

360

00:22:51,995 --> 00:22:55,245

now, while I've got that color

going, maybe over here, there's

361

00:22:56,375 --> 00:22:57,395

another one right there.

362

00:23:00,875 --> 00:23:04,115

When I have a tiny, tiny, little bit of

Brown right in there too, just to make

363

00:23:04,115 --> 00:23:09,305

it look like there's another stone and

we'll just bring it right over, like yeah.

364

00:23:14,615 --> 00:23:19,505

In now let's put some happy little

trees in this and then we'll go right

365

00:23:19,505 --> 00:23:24,515

into some Vandyke Brown, pull it out,

very flat, get a little bit of paint.

366

00:23:25,055 --> 00:23:27,545

And maybe, maybe I think there was a,

367

00:23:30,755 --> 00:23:33,485

it was a nice urge tree

that lived right there.

368

00:23:34,115 --> 00:23:38,615

And he had a friend that lived right

there beside him, just like, so.

369

00:23:40,065 --> 00:23:43,005

Just with a knife, touch

370

00:23:48,975 --> 00:23:50,325

somebody here on his friend.

371

00:23:53,985 --> 00:23:56,145

And on the other side, there

was a large Birch tree.

372

00:23:57,075 --> 00:24:01,725

So we'll drop him in right

about here, there he angles.

373

00:24:02,175 --> 00:24:05,925

And we just let him go for, I don't

know, off the top of the canvas.

374

00:24:07,635 --> 00:24:09,615

Want to make him a little

fatter, a little bigger.

375

00:24:09,675 --> 00:24:10,845

Cause he's closer to us.

376

00:24:11,625 --> 00:24:13,215

That'll help give the painting depth.

377

00:24:14,655 --> 00:24:15,645

I can't look very deep.

378

00:24:15,755 --> 00:24:15,875

Yeah.

379

00:24:18,395 --> 00:24:22,565

Just like, so give him a little foot,

gotta have something to stand on.

380

00:24:26,165 --> 00:24:26,345

Yeah.

381

00:24:26,435 --> 00:24:30,935

Clean the knife and I'll take a little

bit of the titanium white touch and

382

00:24:30,935 --> 00:24:33,545

pull, like it looked like Birchbox.

383

00:24:35,565 --> 00:24:35,865

Yes.

384

00:24:35,865 --> 00:24:42,165

Like, so we have one in

Hawaii and we'll touch Nicole

385

00:24:47,645 --> 00:24:52,385

and with our liner brush right into

some Brown, this is a fan of oil.

386

00:24:54,125 --> 00:24:57,875

And very quickly here, we'll

just drop in some basic little

387

00:24:57,875 --> 00:24:59,855

tree shape, little branch shapes.

388

00:24:59,855 --> 00:25:05,985

I mean, Just drop them in wherever you

want them to your world, your tree.

389

00:25:15,155 --> 00:25:17,584

No, I hope you've enjoyed this

painting half as much as we have.

390

00:25:18,514 --> 00:25:22,685

So a lot of fun teach you a great

deal about how to use the equipment

391

00:25:25,715 --> 00:25:29,584

and thank your likings and

say, it's a good painting.

392

00:25:29,584 --> 00:25:29,735

Done.

393

00:25:30,240 --> 00:25:31,139

To make a happy buck.

394

00:25:31,139 --> 00:25:32,010

If you're interested

395

00:25:37,399 --> 00:25:42,260

and put as many lambs there as

few as you want, some of them

396

00:25:42,260 --> 00:25:44,000

hang down, they're old and tired.

397

00:25:44,000 --> 00:25:44,510

Like me.

398

00:25:46,820 --> 00:25:47,420

Don't laugh.

399

00:25:47,420 --> 00:25:51,350

You'll get there one day,

kina with a big brush.

400

00:25:52,695 --> 00:25:55,845

I'm going to go right into some Vandyke

Brown, a little bit of burn number.

401

00:25:56,774 --> 00:26:00,075

Tanya's a little bit,

just touch the edges.

402

00:26:00,405 --> 00:26:04,995

Just once again, to give the indication

of a lot of little tiny branches

403

00:26:04,995 --> 00:26:07,965

that you can set and paint in.

404

00:26:07,965 --> 00:26:10,305

Or you can just put any little

indications that don't go.

405

00:26:13,935 --> 00:26:17,115

And this is basically basically

how we made the little painting

406

00:26:17,655 --> 00:26:18,645

at the beginning of the show.

407

00:26:20,925 --> 00:26:21,375

Okay.

408

00:26:21,375 --> 00:26:27,485

And we'll put in just a

little weed here and there.

409

00:26:29,495 --> 00:26:32,105

A little bit of the

light color highlighted.

410

00:26:37,774 --> 00:26:38,195

Okay.

411

00:26:40,445 --> 00:26:43,985

Now I'm using just a little burn

number and it's all you have to do,

412

00:26:44,165 --> 00:26:45,574

but it's a little weeds and sticks.

413

00:26:47,639 --> 00:26:48,870

Sort of help set everything out.

414

00:26:49,800 --> 00:26:52,020

I think with that, I think we'll

call this painting finished.

415

00:26:52,020 --> 00:26:54,780

And from all of us here, we'd

like to wish you happy painting.

416

00:26:55,230 --> 00:26:56,699

God bless see you next week.

417

00:27:05,490 --> 00:27:06,130

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E04 - Winter Stillness

Bob Ross's

The Joy of Painting

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