Bob Ross's

The Joy of Painting

S06E12 - Marshlands

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Hi, how are you doing today?

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I'm so glad you could join me.

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I thought today we'd do a black canvas

and we'll have a lot of fun with it.

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So let's start out, have them

graphically run all the colors.

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You need to do this painting

right across your screen.

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And we'll start with a titanium white

and go around in the same order.

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I have them on my palette and we

have a black canvas here, as I

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said, and I've already gone ahead

and covered this canvas with.

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Uh, thin, thin coat of SAP green and

fallow blue, and that sort of just

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mixed it on the brush and just covered

the entire canvas in, brushed it out.

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So let's go up here and

let's have some fun.

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I'm going to start with a little

bit of titanium white and we need,

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we need a light source in this

painting, need some light in it.

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So we'll just start with some

titanium white and decide where

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our light source is going to be.

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That's right there.

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Make a decision drop into

some cover, let it go.

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The lightest area and worked out word.

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I'm just using little Chris cross

strokes, Janice, little exes, like so.

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Little Xs all over the canvas.

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Just the way the teacher used to grade

off paper in school, not little Xs.

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Okay.

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Now you can do this as many times

as you want to get a desired

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lightness, but I suggest strongly

that you clean your brush each time.

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So you don't carry the dirty color

back, back into your light area.

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Okay.

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To have a go right in here, I'm

going to get a little more white.

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Let's go up here and I want to

make this light area a little bit

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brighter, a little bit brighter, say

it a little more white, just use a

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little crisscross strokes blended out.

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Okay.

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And then very likely we'll go across

and that'll just give us a light

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source in the back of this cleaner.

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Okay.

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Once again, I'll clean the brush.

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There we go.

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Alrighty.

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Alrighty.

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I'm going to take a one inch brush,

a one inch brush, and I'm going to

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go right into some SAP green, some

sad green and some cadmium yellow and

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would just mix them on the brush here.

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Let's go up to the canvas and figure out.

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Maybe we want to put some

indications, a little.

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Trees back here.

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Don't want detail.

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Just, just some little indication.

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Just let the brush bounce around

and let little things happen.

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There we go.

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One detail, just little,

little happy things.

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Okay.

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Maybe, maybe, maybe here and there.

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Wherever breast play.

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Let it play.

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Ready to play.

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There's another one wherever

you want, wherever you want.

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Let me just add a little, little

paint thinner to our brush here.

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We'll go into the yellow

ochre and I'll touch him.

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Fellow Bluetooth, yellow ochre,

with little, little blue in it.

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It makes it a little

different shade of green.

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And we just put a little

light here and there.

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Okay.

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I'm just using that.

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Just to corner this little

brush, just, just touch it.

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Just touching, go into a little and

Danielle CAD yellow drop a little

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highlight here and there can, you can

make as many of these as you want, or as

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few as you want, these are your woods.

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So you make your own mind up.

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Everybody sees nature in

your own, our own way.

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There we go.

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It'll touch a highlight here and

there, little things just happening,

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still not looking for detail.

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All I'm looking for is just

little things happening.

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We back in the background,

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they're over in here.

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It looks a little darker to me.

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So.

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Use darker colors.

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You don't want as much detail

goes away from your light source

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to be less than this color.

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Jessie little indications.

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Can you, same thing on the other side

over here, just just little indications.

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We didn't want a lot of detail.

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Most of this will be covered up anyway,

just in case it sort of shows through

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whatever you have in the foreground.

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All right.

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I'm going to go right into.

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It's going to a little Vandyke,

Brown, blue bird number, smallest,

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little amount of white there.

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Cut a little, little roll of paint off.

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Let's go right up here.

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And, and, and right there, we'll

just drop in some indications of

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little tree trunks here and there.

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Just let them go

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there.

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Just let the knife bounce around and play.

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You can put in all kinds of little

trunk indications without really,

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without really work in the doll

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faster, just background, you know,

and when you're all finished, all

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these little things that you're doing

so, so quick, people will see them

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and they think you work for a month.

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That is painting.

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And, and if you're selling your

painting, that's when you say,

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well, the price just went up.

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Of course you say that in your

mind, you don't tell them that.

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Okay.

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Now let's make some,

let's make some decisions.

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Let me find a big brush goes faster.

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Maybe now there's some little,

little soft bushes that are

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playing right back in here.

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So let's go right into CAD yellow SAP

green, throw a little Brown in there too.

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That'll Del it down.

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Little yellow ochre.

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Just mix all these colors on your brush.

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And there's many layers of color then

on your brush, can you let's go up here

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maybe, maybe, maybe right there lives

just a happy little Bush right there.

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Just using the, just the corner

of the brush there, maybe a little

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Indian, yellow, this little,

that these play back and forth.

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All kinds of pretty

little things happening.

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Wherever you want to

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add some SAP green back in here.

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I want it darker.

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So always want to keep it darker over

here as far away from a light source,

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more of the green and the

yellow, maybe right there.

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Yeah.

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Back into a little more

of that CAD yellow.

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Brighter color.

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So it shows up against the darker

and we can begin building a few

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little layers of things in here.

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Just let them happen.

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Okay.

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Maybe, maybe, maybe, maybe, maybe.

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Yeah.

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Right there does another

happy little Bush just corner.

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The big brush here.

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I'm using.

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Let all these little

things just happen there.

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Okay.

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Yeah.

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We had a small amount

of permit red in there.

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There we go.

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Get a little sparkler out there.

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Let him sing out there.

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Every Bush, every tree

has its own personality.

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Each one's an individual.

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So when you're paying, you're

paying them as individuals.

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Think about the personalities.

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Each one's different

each one's your friend.

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If you let it be this,

let me be your friend.

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Just layer after layer, after layer Bush

after Bush, it just goes on and on to

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you run out of canvas or you get tired.

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You can very easily get carried away.

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All right.

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Yes.

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Let's have some water down here.

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So I'm going to go right into

a little bit of the titanium.

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White we'll decide where the water is at.

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There it is.

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It is just grab a hole and I had all

the grains in the yellows on the brush.

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I just had a little white and we'll

pull straight down, straight down.

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See, it's picking up all the blue

and the green underneath all kinds

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of beautiful little things happen.

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Just automatically touch more

of the bite has to touch a

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little bit there straight down.

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It's most important to go straight down.

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If you go at an angle, your

reflections will never look right.

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It's sort of crazy, but

that's what happens.

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They just don't look right.

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And you make us water

as bright as you want.

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It don't get carried away.

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Color shows up so much stronger

on these black canvases.

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He not very lightly go across,

straight across, keep the story, right.

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And you have instant reflections

that easy, and you can push these

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reflections and bend them just by

freezing the breast sideways and pushing

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to make all kinds of beautiful facts.

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Can you do the same old brush?

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Let's go back into a little bit of

the cadmium yellow and maybe, maybe

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we'll bring us a little peninsula

down right here, wherever you want it.

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Oh my gosh.

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You can just make all kinds of little

things happen wherever there is one.

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Okay.

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Let's have some fun here.

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Thank you.

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What let's do, let's take, let's

take the old fan brush and I'll

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go right into some Vandyke Brown

and burn number and just mix it.

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I know the fan, brush it on the fan, brush

a lot of paint, pull it through the paint

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wiggling and then Polish that sharpens it.

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Red.

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Let's go up here and let's put some,

let's put some little dirt areas in here.

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It's most important.

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Most important that you

follow the lay of the land.

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If in your mind, the land's

coming down this way, then

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make these strokes go that way.

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Water also always lays in a recessed area.

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Don't lay on top of the Hill,

lays it on the bottom of the Hill.

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Water's lazy.

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It's lazy.

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It always looks for the easiest

way to go places and place

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it can lay and be left alone.

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Don't want to be disturbed, lazy, like

me looks for the easy way to do things.

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Okay.

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Let's take another fan brush.

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Well, I've got okay.

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I'm a fan brush is going to take a

little yellow ochre, the a little white.

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And a little bit of burn number, yellow

ochre, or a number a little white.

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Just pull it through.

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I don't want to overmix this one,

you can see all the different things

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that are happening on that fan brush.

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A lot of colors we don't

want to overmix okay.

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Let's go up here now.

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Very lightly.

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Just barely touching and

let it play along there.

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We can put some highlight

on some of this dirt.

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Just barely, barely touching.

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See now there, when I loaded it, I picked

up a little more white, just all these

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little colors happen automatically.

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You don't have to worry about

them and try to mix all these

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different colors they happen.

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They happen they're right

there in your brush.

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And that happens when you load

your brush with many colors.

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And when you put your first color in, put

it in very deep, the next color, a little

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less next color and the less right on.

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At first, when you load deep and when

you want that color, you push hard.

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So you put the light colored

normally on the end of the bristle,

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dark color in first, normally

it was a little bit of practice.

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You, you learn how to load brushes, and

you don't even have to think about it.

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Sometimes it becomes such a such a habit.

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I forget to tell you

exactly what I'm doing.

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It just.

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I just assume where everybody

is doing it, but I try not to.

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I try to remember to tell you every

step, we really want you to learn how to

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paint from these shows and we appreciate

you dropping us a line and letting us

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know her calling your local station.

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If you like a show Chloe

station, let them know.

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That's the only way they know.

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Okay.

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Yeah, we can go back into our big brush

here, get a little bit color on, add

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a small amount of paint thinner and

just clean up these ages a little bit

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here and a little grass here and there.

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Come right down on that

makes it look more real.

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There we go.

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And then son of a gun and that easy,

let's go over here and do it right there.

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She never knew it was that

easy to create your own world.

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All right.

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All right.

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A little magic, white, little magic,

quiet and too much little magic.

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Let's start over again.

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Little magic quite in the smallest,

smallest amount of the little blue there.

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That's better.

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As you could see that blue is very strong.

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Be careful with it, pull this

paint out very flat and then take

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your knife and cut across it.

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00:13:43,425 --> 00:13:46,334

And it gives you a small amount of paint

right up here on the edge of the knife.

253

00:13:46,545 --> 00:13:47,564

You have a scope to the canvas.

254

00:13:48,345 --> 00:13:52,305

And with that, we can just put all kinds

of little happy waterlines in here.

255

00:13:52,814 --> 00:13:55,574

Just like you trying to try to

cut a hole right in the canvas.

256

00:13:59,495 --> 00:14:00,814

It's like, you're going

to cut a hole in it.

257

00:14:04,860 --> 00:14:08,370

Here and there, wherever,

wherever I don't go.

258

00:14:08,610 --> 00:14:12,060

And this is a very, very thin paints,

almost like water it's liquid.

259

00:14:13,140 --> 00:14:13,710

It's a liquid.

260

00:14:13,710 --> 00:14:16,020

So it'll just come right off your knife.

261

00:14:16,030 --> 00:14:19,500

When you cut in, if it was a thick

paint, it's harder to get off your knife.

262

00:14:21,640 --> 00:14:25,410

You can just make us go ride around

corners wherever you want it to go.

263

00:14:36,510 --> 00:14:37,410

Let's go right in there.

264

00:14:38,360 --> 00:14:41,120

Maybe there's a few little things that

are playing out here on the water,

265

00:14:42,530 --> 00:14:45,349

this beautiful, beautiful dark water.

266

00:14:45,349 --> 00:14:47,540

It looks, looks almost like a swamp.

267

00:14:48,020 --> 00:14:51,020

I grew up in Florida or I moved to Alaska.

268

00:14:51,020 --> 00:14:53,540

So I used to play in the

swamps when I was a kid.

269

00:14:54,800 --> 00:14:57,560

But one thing, if you're going

to do a swamp, it always has to

270

00:14:57,560 --> 00:14:58,699

have a lot of Moss and stuff.

271

00:14:59,400 --> 00:15:01,080

So we'll put some Moss

in this painting for it.

272

00:15:01,080 --> 00:15:04,830

So let's have a happy little

tree so we can hang some Moss.

273

00:15:05,460 --> 00:15:08,880

If we want to play with that, I'll

start with some Vandyke Brown and

274

00:15:08,880 --> 00:15:14,160

maybe, maybe, maybe there's a little

tree lives right here and we'll make

275

00:15:14,160 --> 00:15:16,260

us make us a dead tree that way.

276

00:15:16,260 --> 00:15:20,100

It's easy to see, easy to see.

277

00:15:22,020 --> 00:15:23,760

There's always dead trees in the woods.

278

00:15:27,660 --> 00:15:32,790

And they die and they make room

for Nutri and it starts all

279

00:15:32,790 --> 00:15:36,449

over again, never ending cycle.

280

00:15:37,260 --> 00:15:38,609

At least we hope it's never ending.

281

00:15:40,849 --> 00:15:41,420

There we go.

282

00:15:44,089 --> 00:15:44,599

What is this?

283

00:15:44,810 --> 00:15:47,000

This is where somebody's

boogers would live.

284

00:15:47,689 --> 00:15:53,240

I mean, creatures, snakes,

and all kinds of bugs.

285

00:15:53,240 --> 00:15:53,329

And.

286

00:15:55,709 --> 00:15:56,370

And they're all.

287

00:15:56,459 --> 00:15:57,060

They're all good.

288

00:15:59,069 --> 00:16:03,540

I used to have a pet snake when I was

a kid and he got out of his cage and

289

00:16:03,540 --> 00:16:05,099

was loose in the house for months.

290

00:16:05,219 --> 00:16:08,160

And my mother found him about

two o'clock in the morning.

291

00:16:08,160 --> 00:16:11,160

One night when she went to the

bathroom, he was in the bathroom,

292

00:16:11,160 --> 00:16:15,360

getting him a little drink, security to

death, and she said bad things to me.

293

00:16:16,589 --> 00:16:18,510

I wasn't allowed to keep

snakes in the house anymore.

294

00:16:24,709 --> 00:16:28,130

If she hears this is going to remind her

and she's going to be mad all over again.

295

00:16:29,300 --> 00:16:31,010

She should work at me about the snake.

296

00:16:32,089 --> 00:16:32,390

Okay.

297

00:16:32,420 --> 00:16:37,699

Now for that less paint Brown there,

and that gives us a nice little,

298

00:16:38,260 --> 00:16:40,790

nice little dead tree to play with.

299

00:16:41,130 --> 00:16:43,880

Take a little permanent red Vandyke Brown.

300

00:16:46,160 --> 00:16:47,449

Make you stand out a little more.

301

00:16:48,030 --> 00:16:51,930

Let's take a little on the knife

and let's just drop a little

302

00:16:51,930 --> 00:16:52,920

bit right here on this edge.

303

00:16:52,920 --> 00:16:58,319

This will help him stand out and you

can see him a little better there.

304

00:16:58,319 --> 00:17:00,600

It also helps give him a

little shape, little form.

305

00:17:01,050 --> 00:17:02,370

It makes it a little more interesting.

306

00:17:04,589 --> 00:17:06,599

They're running right up there.

307

00:17:07,379 --> 00:17:09,930

Just where you think light would hit play.

308

00:17:11,670 --> 00:17:13,020

Maybe on the other side.

309

00:17:15,785 --> 00:17:20,295

It's always nice to, I like to put a

little bluish hint on the other side

310

00:17:20,295 --> 00:17:25,305

and it's, it gives it the feeling of

reflected light, just a little blue

311

00:17:25,305 --> 00:17:29,505

tattoo, hide in it here and there.

312

00:17:29,895 --> 00:17:31,275

And it gives it a little more character.

313

00:17:33,345 --> 00:17:37,635

Now let's, let's put, we were going

to have some Moss here and we'll start

314

00:17:37,635 --> 00:17:40,155

out with a lot of paint thinner on my.

315

00:17:40,590 --> 00:17:41,280

Fan brush.

316

00:17:41,620 --> 00:17:43,140

I want this paint to be very thin.

317

00:17:43,260 --> 00:17:48,660

We'll use a little bit of white

Brown in it, but it's very thin,

318

00:17:49,680 --> 00:17:54,720

very thin Vandyke Brown, white.

319

00:17:56,160 --> 00:17:57,090

See how thin it is.

320

00:17:57,090 --> 00:17:57,960

Almost like water.

321

00:17:58,410 --> 00:18:02,190

Kennys go up to the canvas and you

figure out where you want these little

322

00:18:02,190 --> 00:18:03,780

mossy areas to be an old mosque.

323

00:18:03,870 --> 00:18:07,440

It just sort of hangs over

and hangs down that easy.

324

00:18:08,070 --> 00:18:12,090

But this just stand paint, just slides

or it'll just move and slide, but don't

325

00:18:12,090 --> 00:18:16,919

want to stick, add a little more paint

than, or to touch and just pull and

326

00:18:16,919 --> 00:18:23,030

you can use a brush this way, whatever,

just pay all these little things in here

327

00:18:26,690 --> 00:18:29,060

and you can put all kinds of

beautiful little things hanging

328

00:18:33,110 --> 00:18:33,740

years ago.

329

00:18:34,190 --> 00:18:35,270

As I say, I grew up in Florida.

330

00:18:36,060 --> 00:18:41,100

We used to pick the Spanish Masa of

trees and they would, they would take

331

00:18:41,100 --> 00:18:42,389

it, we'd sell it and they would boil it.

332

00:18:42,720 --> 00:18:44,970

And that's what was in

mattresses and chairs and stuff.

333

00:18:44,970 --> 00:18:48,500

It was a stuffing used to make it soft.

334

00:18:50,720 --> 00:18:53,570

What kind of creatures lived in

there more and have more bugs on

335

00:18:53,570 --> 00:18:58,129

me after spending a day collecting

Moss, but I liked bugs and creatures.

336

00:18:58,280 --> 00:18:58,669

Sorry.

337

00:18:59,120 --> 00:18:59,419

Okay.

338

00:18:59,449 --> 00:19:01,040

Maybe we'll put something

in the foreground here.

339

00:19:01,110 --> 00:19:02,570

Let's get a big old brush.

340

00:19:03,495 --> 00:19:09,764

I'll go into some SAP green, some Brown

Crimson, and maybe just make a decision.

341

00:19:09,764 --> 00:19:12,795

Maybe there's a nice

wish it lives right here.

342

00:19:14,504 --> 00:19:16,035

And he comes right down.

343

00:19:18,675 --> 00:19:20,115

Just make a decision, throw it in.

344

00:19:20,805 --> 00:19:23,925

I'll tell you what, I'll tell you

what, maybe there's a big tree that

345

00:19:23,925 --> 00:19:27,135

lives right here, and you can just

see these branches sticking out and

346

00:19:27,135 --> 00:19:28,605

that'll sort of help our composition.

347

00:19:29,610 --> 00:19:29,850

Okay.

348

00:19:33,960 --> 00:19:36,510

That'll, that'll close up that

side and help the composition

349

00:19:36,510 --> 00:19:37,830

make it, make it interesting.

350

00:19:38,370 --> 00:19:45,600

Maybe there's a nice tree that

wherever you want to just drop a man

351

00:19:51,150 --> 00:19:52,350

down here, we just fill it up.

352

00:19:59,100 --> 00:19:59,550

Okay.

353

00:19:59,730 --> 00:20:03,900

Maybe before we get too far along,

let's go back into some Brown hair

354

00:20:03,900 --> 00:20:05,430

with a liner brush with thin paint.

355

00:20:05,980 --> 00:20:09,330

Let's put some little things that are,

that are just growing here and there.

356

00:20:09,480 --> 00:20:17,230

Just grab a Holden and lift up, pop it up

with all kinds of little weeds and there,

357

00:20:20,780 --> 00:20:22,880

and wherever you want them just lift up.

358

00:20:23,670 --> 00:20:25,980

You put little things growing

all on him, just touching.

359

00:20:27,600 --> 00:20:28,740

It looks like little cat tails.

360

00:20:28,740 --> 00:20:29,340

We back here

361

00:20:34,350 --> 00:20:39,120

say there, just drop them in

all kinds of little things.

362

00:20:39,120 --> 00:20:41,070

I'm trying to show you as much

as I can in this painting.

363

00:20:41,070 --> 00:20:43,080

So you'll have a lot of fun.

364

00:20:43,140 --> 00:20:45,210

And now we have Moss on this tree.

365

00:20:45,240 --> 00:20:48,480

Maybe back in here, we should show

just here and there, but a few little.

366

00:20:51,195 --> 00:20:53,865

So we're making this all be

put a few little hangie downs

367

00:20:53,865 --> 00:20:55,065

back here on these trees too.

368

00:20:55,965 --> 00:21:04,335

You don't want them to get lonely

wherever you want them like, so, okay.

369

00:21:04,455 --> 00:21:07,215

Let's put some highlights on

these bushes that we have here.

370

00:21:07,565 --> 00:21:12,005

I've used some cat yellow sat

green, the land in yellow,

371

00:21:12,095 --> 00:21:13,895

yellow ochre, all these colors.

372

00:21:13,925 --> 00:21:14,795

Mix them on the brush.

373

00:21:16,085 --> 00:21:16,745

Go right up here.

374

00:21:18,750 --> 00:21:22,020

And just drop in and

there's a happy little Bush.

375

00:21:23,730 --> 00:21:28,740

All of our bushes are happy, happy, happy.

376

00:21:30,540 --> 00:21:31,620

That's what is about,

377

00:21:36,030 --> 00:21:36,810

there is another one.

378

00:21:37,260 --> 00:21:40,260

And then you layer these, do

one at a time and layer them.

379

00:21:40,350 --> 00:21:42,750

That's what makes it the

depth in your painting?

380

00:21:44,040 --> 00:21:45,360

Kim has come up to the top.

381

00:21:46,155 --> 00:21:48,465

All right up here on the top

who got this big lamb here?

382

00:21:48,585 --> 00:21:52,665

Let's just drop a few little

highlights here and there.

383

00:21:54,185 --> 00:21:56,475

I'm doing just barely touching the canvas.

384

00:21:57,615 --> 00:22:06,105

Isn't it just a corner of the

brush to give some indications and

385

00:22:06,105 --> 00:22:09,975

maybe, maybe, maybe right here.

386

00:22:10,455 --> 00:22:10,695

All right.

387

00:22:10,695 --> 00:22:11,505

Here's a nice big.

388

00:22:13,305 --> 00:22:14,774

Was she thing, whatever it may be.

389

00:22:16,235 --> 00:22:19,965

See when you're finished with

this one, it almost, almost didn't

390

00:22:19,965 --> 00:22:21,375

look like a black canvas anymore.

391

00:22:23,205 --> 00:22:25,055

Almost looks like you

started with a white canvas.

392

00:22:25,075 --> 00:22:25,935

Let all this happen.

393

00:22:32,145 --> 00:22:35,235

Hey, you want us to have a little,

little land and here we use some Brown.

394

00:22:36,975 --> 00:22:38,445

Maybe there's a little dirt show in this.

395

00:22:38,445 --> 00:22:39,615

Go across with some Brown.

396

00:22:43,080 --> 00:22:47,280

Wherever you want just knocked

down all your bushes that you

397

00:22:47,280 --> 00:22:48,660

work so hard to put up here.

398

00:22:51,640 --> 00:22:55,380

Little highlight, little

Brown and white paint break.

399

00:22:55,380 --> 00:22:57,990

Like it added break.

400

00:23:00,060 --> 00:23:00,300

Okay.

401

00:23:00,360 --> 00:23:02,189

Now bring some bushes down.

402

00:23:02,189 --> 00:23:03,480

So it comes right down into the dirt.

403

00:23:03,659 --> 00:23:06,030

You need that to push that

dirt down into your painting.

404

00:23:06,659 --> 00:23:10,110

Otherwise it'll just insert, it

just hangs there, floats around

405

00:23:12,240 --> 00:23:15,209

in a few little bushes here and

there, wherever you want them.

406

00:23:17,010 --> 00:23:17,669

That might happen.

407

00:23:18,750 --> 00:23:19,439

Let them happen.

408

00:23:20,100 --> 00:23:22,379

I had a little paint thinner to my

paint, so it's a little thinner.

409

00:23:23,250 --> 00:23:24,240

It's going to ochre.

410

00:23:28,139 --> 00:23:32,070

Copying a happy little tree,

give my friend right there.

411

00:23:32,250 --> 00:23:34,860

Look at all those beautiful bushes

you can make with this one inch brush.

412

00:23:35,820 --> 00:23:37,080

And you're pushing upward here.

413

00:23:38,550 --> 00:23:39,930

Sometimes we tap downward.

414

00:23:39,930 --> 00:23:42,419

Sometimes we push up or depending

on what we want to achieve.

415

00:23:44,235 --> 00:23:48,795

We can take the knife and just use

the point and cut in some indications

416

00:23:48,795 --> 00:23:50,565

of a few little sticks and twigs.

417

00:23:51,165 --> 00:23:55,305

See we cut through and put

the black show through that.

418

00:23:55,305 --> 00:23:55,605

Easy.

419

00:23:56,355 --> 00:23:57,455

I said, look like your sticks.

420

00:23:57,465 --> 00:24:00,105

It makes it look like you worked very

hard and you, you hadn't done anything

421

00:24:05,515 --> 00:24:06,315

couple here and there.

422

00:24:07,925 --> 00:24:08,345

Okay.

423

00:24:08,345 --> 00:24:10,415

Maybe tell you why.

424

00:24:11,115 --> 00:24:12,764

We're running out of time,

but I'll do it anyway.

425

00:24:13,814 --> 00:24:15,314

Cause I think it's fun right here.

426

00:24:17,615 --> 00:24:25,445

Big tree Vandyke Brown little

burn number and it comes Amy.

427

00:24:25,564 --> 00:24:26,554

There's a Liam over here.

428

00:24:31,115 --> 00:24:31,745

pickle tree.

429

00:24:32,135 --> 00:24:32,554

There you go.

430

00:24:32,564 --> 00:24:32,915

Drink.

431

00:24:35,105 --> 00:24:37,115

And that's an easy way

to make a big old tree.

432

00:24:38,524 --> 00:24:40,085

We'll give him another little arm there.

433

00:24:41,580 --> 00:24:44,790

Go right into a little

bit of white, same brush.

434

00:24:45,030 --> 00:24:45,620

Didn't clean it.

435

00:24:45,630 --> 00:24:47,220

I just had a little

white on the side here.

436

00:24:47,370 --> 00:24:50,070

We'll tap just to give a little highlight

437

00:24:53,660 --> 00:24:55,010

that's enough to make him stand out.

438

00:24:59,270 --> 00:25:01,100

And that's an easy way

to highlight your tree.

439

00:25:01,190 --> 00:25:08,270

Give him a little character and, and,

and then we'll take a little CAD yellow.

440

00:25:09,985 --> 00:25:15,285

We'll just very quickly drop some

little indications here, have some

441

00:25:15,285 --> 00:25:16,635

happy little things happening.

442

00:25:18,075 --> 00:25:19,905

You just let the brush

bounce around and play

443

00:25:25,295 --> 00:25:25,475

yeah.

444

00:25:25,735 --> 00:25:25,905

Yeah.

445

00:25:26,115 --> 00:25:29,525

Just let it bounce around wherever

you think there might be a leaf.

446

00:25:30,095 --> 00:25:31,205

That's where the were they?

447

00:25:35,280 --> 00:25:35,600

You okay.

448

00:25:35,720 --> 00:25:38,390

We're just about got a

completed painting here.

449

00:25:39,080 --> 00:25:43,580

You can take your little brush here and

hang some Moss on it wherever you want to.

450

00:25:44,750 --> 00:25:47,360

And you'd have a finished

painting and it's that easy

451

00:25:47,360 --> 00:25:50,000

to do, fix this little foot.

452

00:25:50,360 --> 00:25:51,890

And I think we have a painting.

453

00:25:51,890 --> 00:25:52,850

I'm going to call it finished.

454

00:25:53,300 --> 00:25:55,400

I'll leave you for today, but

I'll see you again next week.

455

00:25:55,400 --> 00:25:57,020

And from all of us happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E12 - Marshlands

Bob Ross's

The Joy of Painting

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