Bob Ross's

The Joy of Painting

S07E10 - Mountain Glory

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Certainly glad you could join me today.

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You ready to do a fantastic painting?

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Let's do it together.

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Then I'm going to have them graphically

run all the colors across the screen

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that you need to do the painting.

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I'm going to do it and they'll come

across in exactly the same order.

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I had them on my palette, starting

with a white working around.

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I've already covered the canvas

with a thin even coded the

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liquid white it's nice and wet.

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All right.

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We got our oil paints here.

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We're already.

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So let's take off, let's go right

into a little bit of pressure

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and blue, fresh and blue.

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Very strong, good dark blue.

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Tap that brush in there.

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Hey, let's build a happy little sky

and I thought today thought today

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we'd do some fantastic mountains.

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I get a lot of letters

wanting beautiful mountains.

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That have snow on them.

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And also that you can see

parts that don't have snow.

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So we'll, we'll play a

little bit with that.

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I noticed I'm leaving some

holes in the sky here.

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We don't want it completely covered.

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Just want to leave some little

holes up here in the sky.

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Let the light play through.

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Can you make it a little

bit right in there?

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Just like, so we don't

care where this goes today.

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I'm going to devote most of the show to

showing you how to do these mountains.

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And then we'll just throw in a quick

little foreground and go from there.

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That is, if everything goes right.

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Sometimes, sometimes I get or fast and

I have to do things I didn't plan to do.

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Here we are.

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And that easy.

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We have a very simple,

nice, quick little sky.

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Okay.

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Yeah, I'll take the knife and we'll go

right into some midnight black right.

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Into some black.

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And some depression,

blue, black, and blue.

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Pull it out.

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Cut off a little piece.

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Just looking for a little roll of paint.

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There it is.

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See, okay, let's go up here now.

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Then we have to make some decisions.

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Where are these big, old mountains

going to live in this painting?

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Maybe right there.

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I'm really going to put some big

mountains and this one comes down.

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Maybe they have to make decisions here.

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This is your world, your creation.

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You have to decide for all of

these little mountains and big

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mountains living right there.

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See there don't make

all the peaks too sharp.

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Also, if you're not careful,

mountains will very soon look like

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it looked like wigwam village.

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Or ice cream cones break up your shapes.

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And I was scraping off

all the excess paint.

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Maybe you can hear how hard

I'm scraping the canvas.

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I'm really, really going into that canvas

and scraping very hard, push that color

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right into the fabric back in there.

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And that gives us a.

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Quick basically outline.

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And at this point, the only

thing that you're really worried

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about is the top of these mounts.

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You could care less

what's happening in here.

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I would take our two inch brush,

grab that and begin pulling it.

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And this is a nice way to begin laying

out the highlights and the shadows and

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all the beautiful little things that

are going to happen in this scene.

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Just by using brush strokes, you can

begin laying out all the little things.

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And you're not committed.

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Maybe you can still, you can even

change some of the basic shapes.

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Look at there.

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Look at that.

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Maybe that'll come right

down through there.

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Yeah.

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I have something there

wherever, wherever, wherever.

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Make a decision, throw it in and go.

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This is just blue and black

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and we'll just let it feed right

into the liquid fight here.

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And it just looks like it's sort

of hanging in the mist and that's

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exactly what we're trying to achieve.

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We want it very soft at the base.

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If you can see the entire mountain, it's

always more distinct at the top than

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it is at the bottom because of mist.

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Ellucian, all those terrible things.

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Okay.

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Now we'll start putting

some, some snow on it.

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Pull the pin out as flat as you

can get it cut across and get

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that little roll of pain again.

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Can you just go up here then you

have to start making big decisions,

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big decisions, graze the canvas.

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No pressure.

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Absolutely.

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No pressure.

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Your light is coming from the right.

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Left-handed you might find it easier to

have a light coming from the other side.

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Left-handed people who've been forced to

do right-handed things their entire life.

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So it's sort of various, maybe,

maybe there's a little light that

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just plays right through here.

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Look at that.

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See there drop in.

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They don't know where that goes yet.

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Don't care.

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Here we go.

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I want to have some light

coming right down through there.

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Repeat little sunlight

would strike right here.

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I want to have a little more, this

is the way you create a little

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peaks and valleys and all kinds of

interesting things happening in there.

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Just sort of let your imagination go.

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Let it go.

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You want that paint to break by break?

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I mean, it has all these little

holes here in it there, and we

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can jaggy up the little edges.

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There goes one I'm crazy words.

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I use jaggy.

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I don't know if that's a real word or not,

but do you understand what I'm saying?

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Don't want it too straight.

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Okay.

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Now then let's take, let's take

here, mix up a little blue and white.

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It's a little bit of pressure and blue.

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And with that, we'll create shadows.

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Pull it out flat, go across

that same little roll of paint.

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There you are.

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Let's go up here and do it now.

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Then begin going in here and

picking out where the shadows are.

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Don't kill all those beautiful dark colors

that we work so hard to lay on there.

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Maybe that comes down and maybe

it drops right on down like that.

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See it lets that chill through.

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There comes another one, wherever,

wherever, anywhere you want a

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little peak, just lay it in.

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Maybe there's a little shadow

that comes right down here and

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just sort of just sort of blends

together and comes in another one.

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See how you can bring all

of these right together.

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All these happy little things just happen.

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There is another little peak works right

up in there and you can go on and on

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and on and make just as many of these

or as few as you want, take one, I'm

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going to get the smaller knife here.

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I want to go back in here and play in a

few little shadows right in this area.

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This little knife I can sneak in

here, hit some of these little areas.

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You could do the whole mountain

with just a little knife.

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If you wanted to blend that

together, blended together.

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Very soft, very quiet.

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Now put us a little bit

of shadow right there.

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Lauren here

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and here.

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Maybe I'll put some great

big evergreens in this one.

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I want to show you how to do some

beautiful, big evergreens too.

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If we have time, I'll just throw

some of those go right back

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into my same old dark color.

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And I'm going to bounce in just

the indication of some darks

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here and there sounds in there.

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Just look at that.

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Look at that.

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Help make out a little bit deeper

in places creates deeper recesses.

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Yeah,

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maybe a tiniest little bit

right there, right there.

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Oh, that shows different planes, different

little things happening and you can

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bounce these colors back and forth.

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Pretty all kinds of illusions.

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Um, right now, the clean brush, I'm going

to creep a little bit yesterday here.

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I'm just barely hap and then

just blend it all together.

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Just the bottom, just the bottom.

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I don't want to mess up

the nice sharp peaks.

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We said earlier.

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If you can see the entire

mountain, it's more distinct at

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the top than it is at the bottom.

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So I just want to create

some nice soft areas in here.

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They're barely tap.

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Follow the angles.

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Always follow the angles.

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Okay.

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Now that we were going to have these

mountains continue, I'm going to have

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parts of them that just have a little

snow around them, so you can see it

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and go right back into this black.

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I'm going to add some Brown into my black.

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There we go.

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Hold it out.

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Get that little roll of paint and let's

go up here maybe right along here.

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Maybe this little peak we have

here, maybe it just comes right out.

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Ooh.

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Ooh.

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Well, what a mess, a mess.

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Look at that.

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See, you need that dark.

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So your lighter colors will show up.

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Maybe tell you what, maybe there's

a big bump, big rock right there,

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wherever you want it to drop.

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This is black with Brown in it.

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Just throwing in some little things

here that is just paper right down

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into nothing taking off all the

excess paint down here at the bottom.

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Okay.

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Yeah.

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Go ahead.

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Just a little bit, dark Sienna,

a little bit of the, uh,

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touch your flight into that.

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Not much fun to stay quite dark.

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Pat.

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My cat can just barely touch it.

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Touch.

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Think about where your light is.

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There we go.

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There's a little bit there.

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That's playing right through there.

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Here we go.

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Here's a little more fun.

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Let's see how you can just make

all of those little effects.

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Here we go here, right there.

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Right there.

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Just drop them in there.

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over here.

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This is just, just about

straight Brown here.

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Just, just want to put in some basic

angles, I tend to disappear right in

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this Brown, allow a little of it to mix

with a color that's already on there.

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Some of these things just

automatically happen.

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There we go.

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There we go, okay.

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Now then tell you what let's do.

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Let's go back into some of that point

and I want to have the indication

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of a little snow slaying, right?

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And here it's just coming down like a

tap, but it climb right up the sides.

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And if you get a little on

there, don't worry about it.

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You can go right back and fix it.

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The little knife you might find

works a little better for them.

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It comes right on down here.

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Look at that.

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Dark against light, light against dark and

all these beautiful little effects happen.

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I'm going to take that little knife and

go right in here and smooth that out.

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So there, there, there it's

let it see, I didn't just go

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right on into the background.

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Okay.

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Maybe there's a little bit lazy

right in here wherever you want it.

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Make, make a big decision.

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Throw it in.

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And it just goes right

off into the distance.

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Love it flows right through there.

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And you don't care if a little of this

Brown gets into your, in your white, it

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will make it very nice and very pretty

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inherent there.

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Maybe, maybe there's a little

land right along in there.

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Touch of the blue and white here.

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Just to touch a little bit, a few little

things are happening right over in here.

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Let that light bounce and play.

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Okay.

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Well, that's pretty much how we,

it makes some fantastic mountains.

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And if we're going to have time

to put a whole foreground in here,

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we were to get to move in along.

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I like mountain so much.

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I get in there and get to playing and

forget that we've got other things to do.

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I just want to tap this.

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I'm going to add, I tell you what I'm

going to add a little bit of green and

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a little bit of yellow, the yellow.

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Okay.

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Just right on the brush here.

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And maybe there's some happy little

grassy things that live right in there.

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Touch more green there, there,

there, there, see, you're

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following those angles though.

257

00:13:30,645 --> 00:13:36,405

Following those angles, Janice,

nothing work for, I don't have

258

00:13:38,175 --> 00:13:39,675

wherever, wherever over here.

259

00:13:39,675 --> 00:13:40,785

We'll follow these angles.

260

00:13:41,535 --> 00:13:43,845

And a little more of the green

touch, a Brown into that.

261

00:13:46,815 --> 00:13:51,555

There, this is a shadow side there.

262

00:13:53,425 --> 00:13:54,915

Just help set all of those down in there.

263

00:13:55,035 --> 00:13:55,275

Thanks.

264

00:13:55,285 --> 00:13:58,875

Let me clean this brush and wash

this brush and then we'll soften that

265

00:13:58,875 --> 00:14:04,875

all up and be ready to play there.

266

00:14:04,875 --> 00:14:05,265

Here we go.

267

00:14:05,685 --> 00:14:11,625

He said one day earlier, he showed us,

we have to have one of the funniest

268

00:14:11,625 --> 00:14:12,975

looking camera, men in the business.

269

00:14:12,985 --> 00:14:14,925

He's absolutely covered with,

270

00:14:19,865 --> 00:14:21,635

he's got multi-colored freckles.

271

00:14:29,280 --> 00:14:35,070

Lift just lifting it up, gives it the

impression of little, little grassy Hills.

272

00:14:39,120 --> 00:14:39,810

There we go.

273

00:14:40,230 --> 00:14:43,440

Clean that all up and you can take

and touch a little bit of that

274

00:14:43,950 --> 00:14:47,460

darker color, little green here and

there and show different planes.

275

00:14:48,240 --> 00:14:50,730

See, see how I just here

was a whole new plane.

276

00:14:52,530 --> 00:14:53,010

All right.

277

00:14:53,850 --> 00:14:54,720

Let's have some fun now.

278

00:14:55,605 --> 00:14:59,444

Let's put some, let's have a little

rolling Hill here, like maybe up

279

00:14:59,444 --> 00:15:02,895

on, uh, a little plateau looking

off and you can see all of this.

280

00:15:02,895 --> 00:15:08,355

So, uh, go into a little bit of black,

a little bit of green SAP green.

281

00:15:08,955 --> 00:15:10,335

Just tap the brush into it.

282

00:15:10,935 --> 00:15:11,324

See there.

283

00:15:11,385 --> 00:15:11,925

Just tap it.

284

00:15:11,985 --> 00:15:12,944

Okay, let's go right up here.

285

00:15:13,635 --> 00:15:15,074

Now you got to make a big decision.

286

00:15:16,110 --> 00:15:16,920

Where does this go?

287

00:15:17,280 --> 00:15:20,520

And in my world, I'm going

to have it come right here.

288

00:15:20,520 --> 00:15:22,740

And all I'm doing is taking

the brush and tapping downward.

289

00:15:23,410 --> 00:15:26,940

Maybe there's a little Valley right

there and it goes up and around

290

00:15:30,510 --> 00:15:31,230

just like that.

291

00:15:32,040 --> 00:15:33,990

And we can begin filling this out.

292

00:15:34,230 --> 00:15:36,480

This is where you begin

creating the lay of the land.

293

00:15:38,800 --> 00:15:39,580

Right through there.

294

00:15:41,110 --> 00:15:44,050

Get a little more color

on refresh, ran out.

295

00:15:46,120 --> 00:15:46,720

There we go.

296

00:15:51,360 --> 00:15:53,920

A super radius to put a

nice grassy little Hill.

297

00:15:53,920 --> 00:15:56,860

There we go.

298

00:15:58,410 --> 00:16:00,780

A little more of the color

and let's go back over on this

299

00:16:00,780 --> 00:16:02,580

side and bring this one down.

300

00:16:03,030 --> 00:16:04,020

I want him to feel left out.

301

00:16:04,860 --> 00:16:07,680

Once again, here, all you're

doing is putting in some dark.

302

00:16:08,160 --> 00:16:11,070

So your lighter colors will show

later on and we'll come back.

303

00:16:11,600 --> 00:16:13,050

We'll highlight all this later.

304

00:16:15,090 --> 00:16:16,290

Okay, little more of the black.

305

00:16:16,290 --> 00:16:19,170

I want it to get a little darker

here in the foreground things.

306

00:16:19,170 --> 00:16:21,180

Get closer to you landscape.

307

00:16:21,180 --> 00:16:21,930

They already get darker.

308

00:16:22,770 --> 00:16:23,790

Add a little more of the black.

309

00:16:25,860 --> 00:16:26,310

Okay.

310

00:16:26,640 --> 00:16:32,970

We pretty well got that filled

in just like, so there we are.

311

00:16:37,550 --> 00:16:38,450

All right.

312

00:16:39,570 --> 00:16:40,500

Let me clean my brush.

313

00:16:42,030 --> 00:16:45,330

If you paint a long list before, you

know, this is the most fun of the

314

00:16:45,330 --> 00:16:47,310

old technique, cleaning this brush,

315

00:16:52,080 --> 00:16:53,280

that's really fast.

316

00:16:53,550 --> 00:16:53,880

Okay.

317

00:16:53,990 --> 00:16:55,980

I'm going to use today.

318

00:16:55,980 --> 00:16:57,750

I'm going to use a number three fan brush.

319

00:16:58,080 --> 00:17:00,840

I'm going to go right into,

I must ask, go into a little

320

00:17:01,320 --> 00:17:03,540

yellow ochre, little CAD yellow.

321

00:17:03,570 --> 00:17:04,619

Just mix them together.

322

00:17:05,940 --> 00:17:06,750

Okay, let's go ahead.

323

00:17:06,750 --> 00:17:07,079

Up here.

324

00:17:07,935 --> 00:17:09,194

Maybe right in here.

325

00:17:10,784 --> 00:17:11,625

That's a little too bright.

326

00:17:11,625 --> 00:17:12,944

I'm going to put some green with it too.

327

00:17:13,004 --> 00:17:13,784

A little too bright.

328

00:17:14,804 --> 00:17:16,935

I didn't hear I'm pushing upward.

329

00:17:16,964 --> 00:17:17,325

Oh yeah.

330

00:17:17,325 --> 00:17:17,984

That's nice.

331

00:17:18,554 --> 00:17:19,155

That's nice.

332

00:17:19,994 --> 00:17:21,284

There's a happy little evergreen.

333

00:17:21,885 --> 00:17:22,665

That's right there.

334

00:17:26,355 --> 00:17:27,855

And I'm using some bright colors.

335

00:17:27,855 --> 00:17:32,774

I want him to be pretty strong,

same colors who give them a

336

00:17:32,774 --> 00:17:34,845

little friend trees get lonely.

337

00:17:35,595 --> 00:17:36,345

Just like we do.

338

00:17:36,900 --> 00:17:37,560

Or at least I do

339

00:17:46,460 --> 00:17:48,320

just, just push upward with a brush.

340

00:17:48,350 --> 00:17:49,460

Can you see how that's working?

341

00:17:49,640 --> 00:17:55,640

Push up all those happy little

things, drop them in and

342

00:17:55,640 --> 00:17:56,750

you have to make a decision.

343

00:17:56,750 --> 00:17:58,640

How many of these little

trees live in your world?

344

00:18:00,380 --> 00:18:01,990

You decide, and you put them in.

345

00:18:11,544 --> 00:18:13,715

I like to do little trees

I get carried away with.

346

00:18:16,485 --> 00:18:16,935

Okay.

347

00:18:18,125 --> 00:18:21,185

And we'll just put a few hair in there

so that say, if I don't stop off, I have

348

00:18:21,185 --> 00:18:23,764

the whole canvas covered up a little

trees and you'll lose the painting.

349

00:18:25,955 --> 00:18:27,784

Maybe, maybe there's one right there.

350

00:18:31,620 --> 00:18:33,629

Push up, push up wherever

you want it to go.

351

00:18:34,439 --> 00:18:34,620

Okay.

352

00:18:34,620 --> 00:18:37,050

Let's start building some,

some little grassy areas all

353

00:18:37,050 --> 00:18:38,100

in here that are very pretty.

354

00:18:39,149 --> 00:18:44,220

I'll go right into some SAP green

and some yellow tap pet brush.

355

00:18:44,490 --> 00:18:46,459

Tap it, tap it.

356

00:18:46,770 --> 00:18:51,780

Kennis, go up here now then let's

begin determining a lay of the land.

357

00:18:52,080 --> 00:18:53,250

Now that's not quite bright enough.

358

00:18:53,250 --> 00:18:53,790

It doesn't show.

359

00:18:53,820 --> 00:18:56,429

I had a little bit of the liquid

white go right back into my color.

360

00:18:56,965 --> 00:18:59,085

Liquid white, make it a little lighter.

361

00:18:59,115 --> 00:18:59,745

Let's do it again.

362

00:19:01,125 --> 00:19:02,055

I want you to be able to see it.

363

00:19:02,115 --> 00:19:02,385

Yeah.

364

00:19:02,415 --> 00:19:03,135

That's much better.

365

00:19:03,915 --> 00:19:06,675

Just tap, just tap.

366

00:19:07,415 --> 00:19:10,385

Don't kill all your dark areas,

but you begin creating all

367

00:19:10,385 --> 00:19:11,375

kinds of little things here.

368

00:19:11,375 --> 00:19:14,165

We'll add a tiny bit of

we're headed to that.

369

00:19:14,165 --> 00:19:15,575

See there, like a tab.

370

00:19:16,475 --> 00:19:16,625

Yeah.

371

00:19:16,625 --> 00:19:21,185

That stands out and you can make

just plane after plane he'll

372

00:19:21,185 --> 00:19:24,935

after he'll bring it all together.

373

00:19:29,190 --> 00:19:33,120

Super super way to make a little

soft Meadows and little grassy areas.

374

00:19:34,260 --> 00:19:39,870

Uh, just be a nice place to go lay

under a big tree and read a book

375

00:19:39,870 --> 00:19:46,620

and sleep a little while there and

just vary the colors a little bit.

376

00:19:49,740 --> 00:19:50,460

All right.

377

00:19:52,590 --> 00:19:54,000

Layer after layer after layer.

378

00:19:54,000 --> 00:19:55,200

Look at the depth in that though.

379

00:19:56,700 --> 00:20:00,030

You can create a tremendous

amount of depth just, just by

380

00:20:00,030 --> 00:20:01,680

working the different layers.

381

00:20:03,680 --> 00:20:07,520

There's another one, try this.

382

00:20:07,520 --> 00:20:09,320

I think you'll really, really enjoy it.

383

00:20:09,500 --> 00:20:10,340

It's a lot of fun.

384

00:20:11,360 --> 00:20:12,440

Put another one right there.

385

00:20:14,240 --> 00:20:15,590

Can you just go and here the side here.

386

00:20:20,670 --> 00:20:27,720

All right now, then let's have

some, let's have some fun, maybe

387

00:20:28,110 --> 00:20:29,520

go right into some Vandyke Brown.

388

00:20:30,510 --> 00:20:33,810

Maybe there's a happy little

tree that lives right here.

389

00:20:33,810 --> 00:20:35,370

And he's a little bigger,

a little stronger.

390

00:20:35,370 --> 00:20:36,870

We can see more his trunk.

391

00:20:38,840 --> 00:20:44,280

He's a strong little tree and

he's got a friend right there.

392

00:20:46,035 --> 00:20:49,635

And if, you know, if you hit two

trees there, there'd probably

393

00:20:49,635 --> 00:20:51,495

be a third one sooner or later.

394

00:20:52,065 --> 00:20:56,265

Maybe there's one over

here too, for input.

395

00:20:56,265 --> 00:20:58,065

Just as many trees in here as you want.

396

00:20:58,595 --> 00:21:01,145

Well, I got to go on, I want to put

the indication just here and there

397

00:21:01,685 --> 00:21:06,515

of a little trunk in some of these,

just, just little indications.

398

00:21:06,575 --> 00:21:06,845

I see.

399

00:21:07,565 --> 00:21:12,905

Don't overdue just here and

there can go back to my.

400

00:21:13,680 --> 00:21:17,160

Fan brush some SAP green

and some of the yellows.

401

00:21:17,640 --> 00:21:21,690

And let's just go right in here and

we'll just pop on some happy little

402

00:21:21,690 --> 00:21:28,800

leaves, like, so just pop them

on this nice little bright line.

403

00:21:28,800 --> 00:21:30,210

There really stands out.

404

00:21:30,210 --> 00:21:30,510

Nice.

405

00:21:32,280 --> 00:21:32,730

Okay.

406

00:21:32,970 --> 00:21:34,110

Let's have leaves on this one

407

00:21:38,580 --> 00:21:42,030

and maybe this one back here, maybe.

408

00:21:42,840 --> 00:21:44,370

Maybe he's not with us anymore.

409

00:21:45,620 --> 00:21:49,649

I just put some old hanging

downs to indicate some limbs.

410

00:21:51,290 --> 00:21:51,919

There we go.

411

00:21:53,840 --> 00:21:55,159

Got a little too tough for him.

412

00:21:55,159 --> 00:21:56,179

He, he quit on us.

413

00:21:57,350 --> 00:21:57,770

All right.

414

00:21:59,000 --> 00:21:59,780

Let's have some fun.

415

00:22:00,770 --> 00:22:01,669

Let's have some fun.

416

00:22:01,699 --> 00:22:05,149

I want to build a couple

of huge big trees here.

417

00:22:05,149 --> 00:22:09,679

So big, strong and show you had to make

those go right into some Vandyke Brown.

418

00:22:11,100 --> 00:22:11,700

Watch here.

419

00:22:12,390 --> 00:22:14,310

You have to make a decision

now, where is this tree left?

420

00:22:15,090 --> 00:22:16,620

Oh, I hate to go through

that big mountain.

421

00:22:17,580 --> 00:22:17,940

We will.

422

00:22:17,940 --> 00:22:19,800

Anyway, we will right there.

423

00:22:20,070 --> 00:22:22,250

Just tap, tap.

424

00:22:23,110 --> 00:22:26,040

Somebody is going to send me a bad mouth

letter for going right to that mountain.

425

00:22:28,980 --> 00:22:29,580

There we go.

426

00:22:31,770 --> 00:22:34,200

And I'm tapping with a

brush to make it fuzzy.

427

00:22:36,495 --> 00:22:37,245

That was so much fun.

428

00:22:37,245 --> 00:22:38,685

Let's do another one right here.

429

00:22:41,115 --> 00:22:42,465

Big old tree Jones.

430

00:22:51,470 --> 00:22:56,139

Yeah, same old, brush them and go

right into some white, some white and

431

00:22:56,139 --> 00:22:59,090

come right down this edge, you there.

432

00:23:03,170 --> 00:23:05,810

And that gives us our highlight,

makes the tree look around.

433

00:23:05,899 --> 00:23:07,280

Let's do the same thing to the other one.

434

00:23:07,280 --> 00:23:09,260

I don't want him to feel left out.

435

00:23:13,695 --> 00:23:15,945

So there we go.

436

00:23:17,535 --> 00:23:23,415

Give the tree some roundness

and then a bit around this.

437

00:23:24,315 --> 00:23:24,855

There we go.

438

00:23:24,915 --> 00:23:25,845

That's pretty much it.

439

00:23:25,845 --> 00:23:29,415

Maybe it's a big old root right

here on this tree and we'll just

440

00:23:29,415 --> 00:23:30,495

put some dark cover in here.

441

00:23:30,675 --> 00:23:31,855

That'll indicate a shadow.

442

00:23:31,955 --> 00:23:34,605

We'll will take over

that a little bit later.

443

00:23:36,855 --> 00:23:37,905

Okay.

444

00:23:39,240 --> 00:23:41,699

I'm going to take a little bit of

the liquid black Petaluma palette.

445

00:23:43,260 --> 00:23:45,360

Find Malana brush, put

a little thinner on it.

446

00:23:45,600 --> 00:23:47,100

Go right into the liner brush.

447

00:23:48,060 --> 00:23:49,560

I have a little paint thinner in that.

448

00:23:49,590 --> 00:23:52,649

It's a very thin like water cask.

449

00:23:52,649 --> 00:23:53,100

Go up here.

450

00:23:53,790 --> 00:23:57,209

Now we need to put the indication

of some little limbs here.

451

00:23:57,990 --> 00:23:59,399

Just decide wherever they're at.

452

00:24:00,929 --> 00:24:01,590

Drop them in.

453

00:24:02,399 --> 00:24:04,649

Oh right over our mountains

that we worked so hard though.

454

00:24:05,159 --> 00:24:05,490

Sorry.

455

00:24:06,800 --> 00:24:07,200

All right.

456

00:24:07,200 --> 00:24:15,600

If you learn how to make them and it

wasn't wasted time wasted there, just put

457

00:24:15,600 --> 00:24:17,290

a few little hanger downs here and there.

458

00:24:18,510 --> 00:24:19,500

There's a nice one.

459

00:24:19,889 --> 00:24:21,750

I speak strongly on this right there.

460

00:24:22,590 --> 00:24:23,850

So I'm coming right across.

461

00:24:26,540 --> 00:24:27,200

There we go.

462

00:24:28,010 --> 00:24:29,480

Oh, right over that peak.

463

00:24:33,080 --> 00:24:33,379

Okay.

464

00:24:33,750 --> 00:24:34,200

That easily.

465

00:24:34,200 --> 00:24:34,830

We have some levels.

466

00:24:34,830 --> 00:24:37,710

Let's put some on this other big,

old tree over here, or it comes

467

00:24:39,870 --> 00:24:41,160

helps to make little sounds.

468

00:24:43,070 --> 00:24:45,770

So here there is a big

lamb lives right there.

469

00:24:48,590 --> 00:24:49,880

Oh, hanging downs on there.

470

00:24:50,480 --> 00:24:51,770

Evergreen's always heavy as old.

471

00:24:52,040 --> 00:24:53,240

I call them hangie downs.

472

00:24:53,600 --> 00:24:54,650

I don't really know what they are.

473

00:24:56,600 --> 00:24:59,060

That's as good a word as any,

until we find them a better one.

474

00:25:02,430 --> 00:25:02,720

There.

475

00:25:03,960 --> 00:25:04,530

There we are.

476

00:25:06,410 --> 00:25:06,770

Okay.

477

00:25:06,830 --> 00:25:07,220

Same thing.

478

00:25:07,220 --> 00:25:08,900

Just put all these in here that we want.

479

00:25:09,950 --> 00:25:13,670

You always have old broken,

broken ones on there, and then

480

00:25:13,700 --> 00:25:14,960

go right into the liquid white.

481

00:25:16,040 --> 00:25:19,640

You can add a little bit of highlight

here and there and make it a rascal

482

00:25:19,640 --> 00:25:21,560

stand out, but light against the dark.

483

00:25:21,560 --> 00:25:28,250

Again, I had against the

dark pear out a little bit.

484

00:25:30,620 --> 00:25:30,890

Go.

485

00:25:31,695 --> 00:25:35,265

Just a little, just a little

over here, a tiny bit.

486

00:25:37,275 --> 00:25:39,495

See, it just adds a little

bit to your painting.

487

00:25:39,495 --> 00:25:43,845

It makes it look a little better, a

little more detail and come right across

488

00:25:47,055 --> 00:25:47,265

can.

489

00:25:47,265 --> 00:25:49,695

Now let's put some, let's put

some happy little leaves on there

490

00:25:50,985 --> 00:25:52,875

and we'll take her number three.

491

00:25:52,875 --> 00:25:53,535

Fan brush.

492

00:25:55,665 --> 00:25:56,445

Let me clean it off.

493

00:25:57,255 --> 00:25:57,725

All the paint.

494

00:26:00,105 --> 00:26:01,995

Kane, I'll go right into SAP.

495

00:26:02,004 --> 00:26:05,715

Green, ran into SAP green and some black.

496

00:26:05,985 --> 00:26:06,945

Okay, let's go right up here.

497

00:26:07,784 --> 00:26:07,905

Now.

498

00:26:07,905 --> 00:26:12,044

You don't have to have leaves on all of

these, just touch, push ended up reading.

499

00:26:12,195 --> 00:26:16,635

I just want leaves on some of them

look at their whole right over a

500

00:26:16,635 --> 00:26:19,125

mountain, right over the mountain.

501

00:26:20,885 --> 00:26:23,534

And we go there.

502

00:26:23,564 --> 00:26:24,584

Do you think he lived?

503

00:26:25,064 --> 00:26:25,965

That's where they live.

504

00:26:27,060 --> 00:26:31,620

Okay, let's go over to the other tree,

a few little happy things on here.

505

00:26:33,090 --> 00:26:40,560

Just like wherever,

wherever they're there.

506

00:26:41,780 --> 00:26:45,439

And we were right into a little

bit of CAD yellow, because it's

507

00:26:45,439 --> 00:26:46,639

got a lot of good green on here.

508

00:26:47,810 --> 00:26:48,530

We'll drop him in.

509

00:26:49,570 --> 00:26:53,160

Hope you've enjoyed this one, this

fantastic little painting at really

510

00:26:53,430 --> 00:26:55,080

show you how to do these mountains.

511

00:26:58,230 --> 00:27:02,250

Got this bit all finished here

and I'll call this one done.

512

00:27:02,520 --> 00:27:04,950

And from all of us here, I'd

like to wish you happy painting.

513

00:27:05,280 --> 00:27:06,030

See you next time.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E10 - Mountain Glory

Bob Ross's

The Joy of Painting

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