Bob Ross's

The Joy of Painting

S05E08 - Arizona Splendor

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Well, hello, glad you could join me today.

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Today.

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I thought we'd do a fantastic little

painting that it's a lot of fun and I

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think you'll enjoy it and we'll start

off and we'll have them graphically run

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all the colors across the screen and

they'll come across your screen in the

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same order that I have on the pallet,

starting with a white and working around.

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And while they're doing that, let's

go up to the canvas and get started.

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I've already covered the canvas

with a thin even coat of magic

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white, and that makes the canvas

wet and slick, and it allows us to

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blend color right on the canvas.

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So let's start off.

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We'll take a small amount of

oppression, blue halo, blue.

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I'm sorry, blue.

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Hey blue.

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And let's go.

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Let's go right here and let's

just make, make little crisscross

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strokes, little crisscross strokes.

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They will, blue is a very,

very bright, shiny blue.

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It's very pretty.

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Okay.

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Get a little more, a little

blue in the brush and maybe,

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maybe right here, just like, so

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maybe there's a little right, right

in there wherever you want it.

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Wherever you want it.

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Okay.

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Maybe I like get a little on the brush.

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We'll have some water in this painting.

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So I'll just go ahead and just

do like, so we don't know exactly

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where the water's going to be at.

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We're not, we're not

really worried about it.

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We'll make those big decisions later.

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Okay.

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Let me clean the brush.

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It off right there.

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Hmm.

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There we go.

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Let's go.

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Let's go right up here

and we'll just blend this.

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You can, you can blend it to

whatever value that you want.

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The magic white underneath will

continually mix with the color.

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You can make it softer and softer

and softer just by blending.

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I don't want to kill all

the little light areas.

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I want some, some little streaks here.

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Okay.

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And that gives us a very

effective, very quick, loose guy.

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Easy to do.

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And we're already okay.

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Let's build a.

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Let's build a happy little

mountain back here and go right

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into some Vandyke Brown and Brown.

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And that's going to put a small

amount of a lizard and Crimson

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a bit of burn number into it.

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Okay.

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Now you pull it, paint out just

as flat as you can get it, really

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get tough with it, pull it out

flat and then sorta cut across.

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So you have a small roll of paint

right out on the edge of the knife.

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It's very important.

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He, that little roller paint in scope

to the canvas, maybe, maybe, maybe.

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Yep.

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There it goes that little mountain.

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We want it to come right about

in there wherever you want it.

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It's your mountain.

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So you put it where you want it.

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A little more color and

maybe, yeah, there it goes.

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Right.

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And all we're doing here is just,

just laying in our basic shape.

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We're not worried about

detail or anything else.

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She has two basic shape that I'm really

pushing this color into the canvas

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act like you act like you're trying

to push it right through the canvas.

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Canvas is strong.

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You're not going to hurt it.

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Don't worry about it.

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Very strong.

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Okay.

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No, I'd take the large brush and I want

to pull this paint down and because

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the canvas is wet, we can move color.

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If it was a dry canvas, you'd have a,

you'd have a devil of a time trying to do

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this, but since it's wet, you can move.

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You could move, paint all over.

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There we go, jazz, pull it down.

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And that gives us a, a basic,

basic shape for our mountains.

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And let's go back here and I'll take

a titanium white and we load the knife

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the same way and a small amount of

Brown to it, just to dull it down.

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So we have titanium white and

the least little amount of Brown.

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Cut across it need that small,

small roller paint again.

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There we go.

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Very important.

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Okay.

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Let's go up here now.

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Touch the canvas.

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Gentle, gentle pressure, gentle pressure,

and just let it float right down.

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Think we're light would strike us.

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Just let it float there.

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No pressure.

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Absolutely no pressure.

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Um, just pretend you're a whisper

floating across the mountain.

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If you apply a bunch of

pressure, it's going to look

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just like you asked him cake.

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So no pressure.

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Can't say that I'm not.

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Jan told you, I told touch.

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Can you maybe, maybe, yeah, there it is.

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Comes right down.

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Okay.

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Put a little bit more

of the Brown in there.

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There we go.

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Now.

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Just bring it down

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and we'll take a little more of

the Vandyke Brown and make a darker

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color and let's go right up in here

and let's be just begin adding some

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shadows in here, just here and there.

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Let them fall off your knife.

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Still.

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No pressure.

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No pressure.

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You want to paint a plate

and you want it to break.

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So all those little things

happen automatically.

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You don't want to have

to worry about them.

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That could happen, said it over and over.

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You know, we, we don't make mistakes.

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We don't make mistakes.

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We have happy accidents.

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And the worst thing you

can do here is good.

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No problem.

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Okay, maybe over in here, I'll

put some more of the dark color.

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It's going to be a nice

dark shadow right in there.

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And we just let it go have fun

and begin playing back and forth

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between shadow and highlight.

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And just sort of visualize these

things in your mind, just sort

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of visualize them in your mind.

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Let them let them flow

right off your knife.

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Okay.

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Maybe, maybe.

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There it is right there.

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That's simple.

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That's simple.

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You can make some beautiful,

beautiful little mountains.

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Just let it go back into

some of our darker color.

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Well, we need a little shadow back

here and you can, you can just play

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can really spend some time here and

put detail in that you just wouldn't

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believe could be done with a big

old knife in a very short time.

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Okay.

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Okay.

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That'll give us a good idea

and show you how to, how to

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make these kinds of mountains.

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They're

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right.

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Okay.

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Now, now I wanna, I wanna make

these mountains a little bit softer.

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One little mist at the bottom.

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So I'm just going to take the

large brush and just gently, gently

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tap the bottom, just the bottom.

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And this will make a very soft,

quiet, create the illusion

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of miss down at the bottom.

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It's most important when you're

doing this, that you follow the

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angles, follow those angles.

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If you don't, you'll just beat them

up and they'll go away and leave you.

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And you don't want that.

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You want the mounts to stay with

you and be happy to be with.

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You want them to become a friend.

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Just blend the bottom out.

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Maybe, maybe let's grab

the old fan brush here.

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Maybe in this mountain.

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Let's get some SAP, green,

little sample grain.

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Maybe there's a few little, little bushes

and stuff that try to grow up here.

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So let's go right up here.

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And that's just touches it just

straight SAP green here and there.

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Oh, there is little,

little Bush and trees.

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He's trying to make it up here, but life's

tough apparently top of this mountain.

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So there we go.

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Put a few of those right here, right here.

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Yeah.

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There's some more.

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And just sorta, still, you

want to follow these angles.

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You don't want to, don't want to

lose these ankles wherever you think

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something might get a little foothold

there and grow, just drop them off.

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And it, it makes it a

little more exciting.

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A little more interesting.

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Just use the corner of the brush here

and you can just pick up, I could

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look like little C they're easy.

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And just make all kinds of little things

happen wherever you think they should be.

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That's there's one right there.

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That's where they were

to be where you decide.

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Cause this is your painting,

your world that it happened.

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Maybe maybe, maybe right in here.

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Okay.

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Wherever

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we can take our large brush

and just gently, gently, gently

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tap a little careful here.

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You don't want to hit that green,

pull it all up into your mountain.

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Just want to make some

nice, nice edges underneath.

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Okay.

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That'll give you an idea of how to make a.

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Super little mountain, this painting I

took from a photograph that I, a friend

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gave me that was taken in Arizona.

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I always thought Arizona maybe was nothing

but deserts and beautiful, beautiful

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reddish color mountains, but it's not.

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It has, it has everything.

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It has it all.

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Okay.

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We'll just use this same old big brush.

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We're right into.

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Let's go into some SAP green, a little

bit of a lizard, Crimson, Vandyke Brown.

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Just, just mix these

colors on the brush load.

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A lot of pain in the brush,

pulling through the paint.

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I went through the paint.

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Okay.

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Let's look at this brush.

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Look at the end.

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Tremendous amount of paint.

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Okay.

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And there's a rounded corner cause

you pulled it in one direction.

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You want that rounded corner to be on top.

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It must go up to the canvas

and maybe there's a nice tree.

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It lives right there, right there.

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And you just push the band and all we're

doing is putting in some background color.

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We're not looking for shape,

detail, anything else?

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Right now, all we're looking for.

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It's just, just background color, and

we'll come back in here and we'll put all

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kinds of highlights and leaves and all the

beautiful little things, wherever we want.

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Just looking for background car.

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Okay.

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See all that gives you.

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It gives you a good idea of where you're

going and what you're going to make.

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Sway, you lay out some basic shapes.

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And while I have this color on the

brush, I know this is going to be water.

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And I want some reflections in no water.

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This, I think we'll do a little

stream today, but even in a

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stream, you have dark color.

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This reflected, you may not see

it because of waters, bubbling and

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churning and having fun, but it's there.

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There's still that dark

color and you need the dark.

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So you light it'll show up on

me when we highlight the water.

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Let's just go across.

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That'll help give it the impression

of water make you feel better.

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Just go across instant water.

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Okay.

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Now we can go back in here

and we can begin working on

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some of these pretty things.

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I'll take a little paint then

our, my brush, and we'll go right

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into some SAP green and then.

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Into little CAD yellow.

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So we got SAP green KDL and I wanna

keep, I wanna keep the greens pretty

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dark here, pull it through the paint

one direction, just like we did the

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big brush and then I've turned it over.

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So that rounded corner is on the top.

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Okay.

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Let's go up here.

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Maybe right in here, there's a

happy little Bush and I'm just

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barely touching just enough to bend

the bristles, a smallest amount,

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a lot of paint on the brush,

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a lot of bait, and wouldn't go into

some Indian, yellow, and yellow curd.

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A little bit of that, just

to break it up a little.

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So the colors, not all the same,

some SAP green and some yellow ochre.

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Pretty color.

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Very pretty color.

257

00:12:55,310 --> 00:12:58,700

Just drop that right in there.

258

00:13:01,050 --> 00:13:01,940

There we go.

259

00:13:05,560 --> 00:13:05,740

Okay.

260

00:13:05,860 --> 00:13:08,020

That just gives us some

nice little basic shapes.

261

00:13:08,560 --> 00:13:09,580

Some ideas back here.

262

00:13:10,120 --> 00:13:10,209

Okay.

263

00:13:10,329 --> 00:13:10,510

All right.

264

00:13:10,510 --> 00:13:13,810

I'm going to take the script liner

brush number two, script liner brush,

265

00:13:14,229 --> 00:13:17,410

put a little paint thinner on it, and

I'm gonna go right up into this Brown

266

00:13:17,410 --> 00:13:21,219

color and just put a few little limbs

in there or you turn it brush, bring

267

00:13:21,219 --> 00:13:23,229

it to a nice sharp, sharp points.

268

00:13:23,530 --> 00:13:25,569

Just like, so things go right up here.

269

00:13:26,410 --> 00:13:27,880

Maybe, maybe, maybe.

270

00:13:28,030 --> 00:13:28,240

Yeah.

271

00:13:29,380 --> 00:13:30,130

And live some.

272

00:13:32,010 --> 00:13:33,560

Some sticks and some twigs, right.

273

00:13:34,430 --> 00:13:36,949

They live everywhere anywhere.

274

00:13:38,209 --> 00:13:43,219

Maybe there's something here

and there may be right there.

275

00:13:45,439 --> 00:13:45,829

Okay.

276

00:13:46,430 --> 00:13:50,660

Whatever, like he's decisions

drop him in this is your world.

277

00:13:50,689 --> 00:13:52,310

So you figure out where the sticks live.

278

00:13:54,520 --> 00:13:54,790

Okay.

279

00:13:54,910 --> 00:13:57,160

Now without cleaning the brush,

I'll go right into a little bit

280

00:13:57,160 --> 00:13:59,189

of white and Brown on there.

281

00:13:59,199 --> 00:14:01,479

We'll make a whole new color.

282

00:14:02,020 --> 00:14:02,229

Okay.

283

00:14:02,290 --> 00:14:03,160

Let's go right up here.

284

00:14:04,180 --> 00:14:08,469

And we can put some in that are

a little lighter in value and

285

00:14:08,469 --> 00:14:09,849

they stand out against the dark.

286

00:14:10,449 --> 00:14:14,920

If they won't stick, add a little paint,

thinner, little bit of paint thinner.

287

00:14:17,969 --> 00:14:18,540

There we go.

288

00:14:18,890 --> 00:14:20,130

Just drop these in here and there.

289

00:14:21,010 --> 00:14:21,760

All right.

290

00:14:21,939 --> 00:14:22,449

All right.

291

00:14:22,449 --> 00:14:25,719

I'm going to go back into

a Brown Vandyke Brown.

292

00:14:26,020 --> 00:14:27,219

Let's put a little burn number with it.

293

00:14:29,439 --> 00:14:30,880

Get a little bit on the knife.

294

00:14:31,569 --> 00:14:35,410

I must begin thinking about where

we're going to have some land areas.

295

00:14:36,635 --> 00:14:40,325

And I'm just barely touching the

canvas, letting the paint break.

296

00:14:41,645 --> 00:14:45,445

What does to look very Rocky and rough?

297

00:14:47,815 --> 00:14:49,285

What my dog used to say rough.

298

00:14:51,385 --> 00:14:51,985

There we go.

299

00:14:55,915 --> 00:14:56,305

Okay.

300

00:14:57,265 --> 00:14:58,285

Just very loose.

301

00:14:59,855 --> 00:15:00,515

Very loose.

302

00:15:00,515 --> 00:15:01,115

Don't worry about it.

303

00:15:01,415 --> 00:15:02,225

Have fun right here.

304

00:15:03,064 --> 00:15:05,015

Pull that knife across all.

305

00:15:05,015 --> 00:15:07,265

You're worried about as a

general, general lay of the land.

306

00:15:09,455 --> 00:15:10,955

Just, just pull it in the angle.

307

00:15:10,955 --> 00:15:11,975

You want your land to go?

308

00:15:13,485 --> 00:15:16,295

We'll take some Brown and white

and we'd come back in here.

309

00:15:16,775 --> 00:15:22,444

And just like when we did the

mountain lightest lightest pressure.

310

00:15:23,725 --> 00:15:24,865

Virtually no pressure.

311

00:15:25,975 --> 00:15:30,055

And all we're doing here just

barely, barely letting it graze.

312

00:15:30,655 --> 00:15:33,265

So it hits the high

spots, just the hot spots,

313

00:15:37,005 --> 00:15:38,305

barely, barely touching.

314

00:15:41,875 --> 00:15:44,635

Sometimes it's very pretty add a

little yellow ochre to your color

315

00:15:44,635 --> 00:15:47,094

and watch the yellow curtain whites.

316

00:15:47,125 --> 00:15:47,604

Very pretty.

317

00:15:48,265 --> 00:15:49,255

It makes nice stones.

318

00:15:51,015 --> 00:15:51,435

Okay.

319

00:15:52,755 --> 00:15:58,814

Now that we can continue to

work on her little grassy areas.

320

00:16:01,260 --> 00:16:03,150

So let's go right here.

321

00:16:03,530 --> 00:16:04,920

Make another happy little Bush.

322

00:16:15,020 --> 00:16:15,540

Okay.

323

00:16:16,579 --> 00:16:17,540

Well, yellow ochre.

324

00:16:18,530 --> 00:16:21,020

I let it come right down and I'd

work right down into this land area.

325

00:16:23,360 --> 00:16:24,170

Just let it go.

326

00:16:25,430 --> 00:16:26,930

Keep the paint quite then.

327

00:16:26,930 --> 00:16:27,920

So it sticks easy.

328

00:16:29,900 --> 00:16:31,550

Then paint will stick to a thick paint.

329

00:16:32,150 --> 00:16:33,430

We have it there paint underneath.

330

00:16:33,430 --> 00:16:37,090

So now we can stick layers of thinner

paint, right on top, without destroying,

331

00:16:37,090 --> 00:16:39,280

without that we're coming a mud mixer.

332

00:16:40,390 --> 00:16:45,130

And if you've painted all of us, all

of us have experienced mud mixing.

333

00:16:46,060 --> 00:16:48,250

We all have to, we all have to have a.

334

00:16:48,635 --> 00:16:49,895

Little shot at mud and mixing.

335

00:16:51,635 --> 00:16:51,935

Okay.

336

00:16:51,935 --> 00:16:54,665

Now maybe, maybe there's

something on the other side.

337

00:16:55,064 --> 00:16:59,045

Let's do let's do SAP green, the

Vandyke Brown and Crimson again,

338

00:16:59,474 --> 00:17:05,014

maybe, maybe, maybe, maybe, maybe

it was a big tree lifts right here.

339

00:17:06,724 --> 00:17:10,774

And we just pushy man, pushy,

man, this tree is very dark.

340

00:17:11,765 --> 00:17:14,105

I want him to stay this

way when he was quite dark.

341

00:17:14,105 --> 00:17:17,464

And this is also the way you cover up

the end of your mountain clothes that end

342

00:17:17,464 --> 00:17:20,345

off don't have to worry about it no more.

343

00:17:22,145 --> 00:17:26,135

And I'm pushing very, very hard,

rarely push it, paint into the canvas

344

00:17:26,165 --> 00:17:33,665

when it comes right out, I guess,

wherever you want it at the same time.

345

00:17:33,695 --> 00:17:34,985

Well, we got this old dirty brush.

346

00:17:36,275 --> 00:17:36,845

Same here.

347

00:17:36,905 --> 00:17:37,685

We need to pull down.

348

00:17:37,879 --> 00:17:42,560

Some reflections need that dark

area in the water come across

349

00:17:46,510 --> 00:17:49,810

and that easy.

350

00:17:50,710 --> 00:17:52,750

And this little liner

brush, I never cleaned it.

351

00:17:52,750 --> 00:17:55,570

It's still got Brown on it and

I'm going right into the white.

352

00:17:56,085 --> 00:17:57,585

Turned it bringing it to a nice point.

353

00:18:00,015 --> 00:18:04,515

Let's go up here and there, but in some

general little indications of some sticks

354

00:18:04,515 --> 00:18:08,145

and twigs, this is just Browning white.

355

00:18:08,985 --> 00:18:11,475

I mean, just let it go wherever

you want it to go turn it, brush,

356

00:18:11,565 --> 00:18:13,515

turn it as you're doing this.

357

00:18:13,515 --> 00:18:17,025

Sometimes that really gets some

nice little things happening.

358

00:18:18,815 --> 00:18:29,815

Few little sticks and twigs, just wherever

you want them, wherever barely go.

359

00:18:31,585 --> 00:18:36,815

And you can put as many of these as you

want in your world can go right into.

360

00:18:37,175 --> 00:18:40,254

We went to some saffron green

with this old dirty brush, and it

361

00:18:40,254 --> 00:18:43,345

already has the yellow on it and

everything else want this decided

362

00:18:43,345 --> 00:18:47,065

to be quite dark much, much darker.

363

00:18:47,095 --> 00:18:47,544

Not as much.

364

00:18:47,544 --> 00:18:48,925

Light's going to strike over here.

365

00:18:52,975 --> 00:18:53,385

Here.

366

00:18:53,905 --> 00:18:57,895

It's almost straight SAP green, a

little bit of yellow on the brush,

367

00:18:57,925 --> 00:19:00,745

but mainly mainly South green.

368

00:19:02,095 --> 00:19:03,534

Good dark, rich color.

369

00:19:06,790 --> 00:19:10,900

Now we need just like on the other

side, let's put a little bit of land

370

00:19:10,900 --> 00:19:17,430

in here and I'm just barely touching

with a knife, spend Dyke Brown.

371

00:19:22,020 --> 00:19:26,730

They will take some Brown and

some white on the other side.

372

00:19:26,880 --> 00:19:29,370

And this put a little bit of

highlight, not quite as much as

373

00:19:29,370 --> 00:19:30,450

just want a little here and there.

374

00:19:34,475 --> 00:19:35,135

And then we bring.

375

00:19:35,594 --> 00:19:37,365

Some of these grassy

areas, write down on that.

376

00:19:38,054 --> 00:19:40,544

So it makes, it makes the

grass come right over the top.

377

00:19:40,554 --> 00:19:42,074

Otherwise it sorta just floats around.

378

00:19:44,074 --> 00:19:45,455

Let's play with some water back here.

379

00:19:46,445 --> 00:19:48,425

Now I want to paint us

a little bit thinner.

380

00:19:48,425 --> 00:19:51,655

So I'm going to add a little magic

quite to my brush and go up here and

381

00:19:51,655 --> 00:19:55,895

I'm gonna use magic white and titanium

white magic quite within it down.

382

00:19:55,925 --> 00:20:00,155

Just a little, I'm gonna start back in

here and let's just start going to see you

383

00:20:00,155 --> 00:20:01,625

need that dark to make that light show.

384

00:20:02,590 --> 00:20:04,500

You got to make decisions here.

385

00:20:05,010 --> 00:20:06,420

It's a water splash in there.

386

00:20:06,450 --> 00:20:06,930

Okay.

387

00:20:08,460 --> 00:20:10,650

Little splashes going in wherever.

388

00:20:11,700 --> 00:20:14,190

So if you didn't have that dark under

there though, you wouldn't see anything.

389

00:20:14,400 --> 00:20:20,460

And this water is muddy coming

around the bank and it's

390

00:20:20,460 --> 00:20:21,900

picking up some of the dirts and

391

00:20:25,200 --> 00:20:27,629

maybe there's a little stone under

the water there and it makes it go.

392

00:20:27,629 --> 00:20:30,600

Bloop causes all those

little splashes and.

393

00:20:31,264 --> 00:20:32,405

Just have fun with this.

394

00:20:33,575 --> 00:20:38,345

Just have fun with it back and forth

and wherever you want it to go.

395

00:20:38,435 --> 00:20:42,754

So you can create some of the

most beautiful little streams

396

00:20:42,815 --> 00:20:45,754

and they're so easy, so easy.

397

00:20:49,460 --> 00:20:49,820

There

398

00:20:56,740 --> 00:20:58,399

a little bit of this

blue showing out here.

399

00:21:02,409 --> 00:21:03,639

It's getting a little wider here.

400

00:21:03,670 --> 00:21:05,980

So the water wouldn't be

as it wouldn't be as rough.

401

00:21:06,010 --> 00:21:07,000

Wouldn't be as turbulent.

402

00:21:09,800 --> 00:21:12,220

Just a few little ripples here

and there don't want to too many

403

00:21:15,280 --> 00:21:17,590

say, this is where we clean

up the edges of the dirt too.

404

00:21:23,770 --> 00:21:23,830

Yeah.

405

00:21:23,950 --> 00:21:27,460

Put all kinds of little splashes

and fun little things happening

406

00:21:27,460 --> 00:21:30,100

here and there your stream.

407

00:21:30,110 --> 00:21:33,220

So you can make some decisions

and put them wherever you want to.

408

00:21:35,389 --> 00:21:36,050

Wherever,

409

00:21:43,100 --> 00:21:43,760

there we go.

410

00:21:44,149 --> 00:21:47,540

I don't know what the canvas, Hey,

that's just a quick, simple little

411

00:21:47,540 --> 00:21:50,659

way to make a happy little stream.

412

00:21:52,325 --> 00:21:52,625

Okay.

413

00:21:53,225 --> 00:21:54,905

I've got several fan brushes going here.

414

00:21:54,905 --> 00:21:58,595

So I'm going to go with a clean

brush, right into some Vandyke Brown.

415

00:21:58,595 --> 00:22:01,715

Just put a little paint thinner

on just to turn that down.

416

00:22:01,715 --> 00:22:06,455

Small amounts, a little Bandag Brown, and

I'm filling the, filling the brush up.

417

00:22:07,305 --> 00:22:09,615

And then on the other side, I'm just

going to pull it through some whites.

418

00:22:09,645 --> 00:22:13,185

I've got Vandyke Brown on one

side and white on the other lens.

419

00:22:13,784 --> 00:22:18,195

Let's say there's a little

tree that lives right there.

420

00:22:18,284 --> 00:22:20,385

Now you can put as many

trees as you want in yours.

421

00:22:21,165 --> 00:22:23,504

Maybe he's got a friend that

lives right there beside him.

422

00:22:25,305 --> 00:22:25,695

Shoot.

423

00:22:25,695 --> 00:22:27,435

Maybe, maybe he's a popular tree.

424

00:22:27,435 --> 00:22:28,605

He's kept several friends.

425

00:22:28,605 --> 00:22:29,415

We'll give him several.

426

00:22:31,245 --> 00:22:33,975

Maybe there's even one

that sort of comes over.

427

00:22:33,975 --> 00:22:34,544

Like, yes.

428

00:22:35,675 --> 00:22:38,885

And you can put as many trees

in your painting as you want.

429

00:22:39,575 --> 00:22:42,335

Here's one, maybe he's a little

closer, a little fatter and

430

00:22:42,335 --> 00:22:45,545

stronger, more dark on his side.

431

00:22:45,545 --> 00:22:45,754

There.

432

00:22:47,225 --> 00:22:48,215

It might even be one, two.

433

00:22:48,215 --> 00:22:49,715

Can't see, all of it goes right off.

434

00:22:50,185 --> 00:22:53,095

I'd have to canvas how's that

it's going to have a site.

435

00:22:53,125 --> 00:22:54,205

Maybe there's a big tree.

436

00:22:55,975 --> 00:23:00,205

It lives right here and

goes into there somewhere.

437

00:23:00,205 --> 00:23:01,045

We don't know where he goes.

438

00:23:01,045 --> 00:23:01,615

We don't care.

439

00:23:03,300 --> 00:23:03,810

Just Mike.

440

00:23:03,810 --> 00:23:09,560

So then I'll take one little,

one inch brush cover up his

441

00:23:09,560 --> 00:23:11,990

foots and same thing over here.

442

00:23:11,990 --> 00:23:16,130

We need to have a little, little grassy

things around his foot's covered up,

443

00:23:16,160 --> 00:23:17,510

make him fit right into the painting.

444

00:23:20,785 --> 00:23:24,235

Ah, go back to my liner brush and

we'll put a little paint there.

445

00:23:24,235 --> 00:23:25,825

I want to thin this paint down very thin.

446

00:23:26,845 --> 00:23:31,105

And maybe, maybe just very quickly here,

we just throw in just some indications

447

00:23:31,105 --> 00:23:35,625

of a few little branches in the lambs

and twigs, wherever you want it.

448

00:23:37,425 --> 00:23:39,675

And you can put as many of

these in, and as you want.

449

00:23:40,784 --> 00:23:43,365

I just want to put a few in to

give you some ideas of how they're

450

00:23:43,365 --> 00:23:48,405

made and then yeah, you do.

451

00:23:48,405 --> 00:23:49,334

What makes you happy?

452

00:23:52,855 --> 00:23:57,764

We just try to give you some guides here,

some ideas and really turn you loose.

453

00:23:59,895 --> 00:24:02,745

That's where the joy of painting

comes in and you don't, don't

454

00:24:02,745 --> 00:24:03,735

have to worry about it anymore.

455

00:24:03,735 --> 00:24:04,514

You just let it go.

456

00:24:05,870 --> 00:24:07,159

And there'll come a time very soon.

457

00:24:07,159 --> 00:24:11,990

Wait, you really don't have to think about

what's happening at least on your pallet.

458

00:24:11,990 --> 00:24:16,790

You can spend all your time composing

and you can compose while you paint.

459

00:24:18,679 --> 00:24:21,409

I used to, I used to spend as much

time trying to figure out what to

460

00:24:21,409 --> 00:24:23,240

paint as I did actually painting.

461

00:24:23,720 --> 00:24:29,350

And this way you can compose it right

on the canvas, right on the canvas.

462

00:24:30,970 --> 00:24:33,699

Here's one maybe comes

right around in there.

463

00:24:35,459 --> 00:24:40,199

Back have some of them go

across the trunk that way.

464

00:24:41,149 --> 00:24:44,510

They're not all just on the sides

and they need to get a little

465

00:24:44,540 --> 00:24:50,240

thicker and they get toward this

trunk saying wherever you want them.

466

00:24:51,135 --> 00:24:52,185

Wherever you want.

467

00:24:54,345 --> 00:25:00,095

As many as you want, shifters might

even be some down in here, some

468

00:25:00,105 --> 00:25:03,975

more little sticks and twigs and

all these little things happening.

469

00:25:03,975 --> 00:25:05,865

And they're not, it's

straight all the time.

470

00:25:05,915 --> 00:25:07,785

I got all kinds of crooks and bins.

471

00:25:08,385 --> 00:25:10,785

Maybe there was a fisherman out

here and he stepped on that one

472

00:25:10,785 --> 00:25:12,585

and put a little kink in him.

473

00:25:12,585 --> 00:25:13,245

Let's go over here.

474

00:25:14,145 --> 00:25:16,725

Maybe, maybe, maybe there's.

475

00:25:18,070 --> 00:25:19,360

Little something right here.

476

00:25:20,920 --> 00:25:21,760

She has a little lamb.

477

00:25:21,760 --> 00:25:23,980

This big old tree goes

out on and off the canvas.

478

00:25:27,150 --> 00:25:29,580

You can come in here and put all

kinds of highlights and shadows

479

00:25:29,580 --> 00:25:30,600

on each one of these lamps.

480

00:25:31,560 --> 00:25:33,480

You can spend a lot of time playing here.

481

00:25:33,935 --> 00:25:36,425

And really having some fun,

putting a lot of detail into it.

482

00:25:40,285 --> 00:25:45,675

I think we're good to get different

rascal if you want to put the indication.

483

00:25:45,685 --> 00:25:47,335

Cause there's always

hundreds of little limbs.

484

00:25:47,335 --> 00:25:49,045

You can just take it very lightly.

485

00:25:49,639 --> 00:25:52,129

But all kinds of little,

little tiny lambs in there.

486

00:25:53,649 --> 00:25:55,570

People think you've really

worked for a long time.

487

00:25:56,620 --> 00:25:57,909

And I think that'll give you an idea.

488

00:25:58,510 --> 00:25:59,560

So let's sign this one.

489

00:25:59,860 --> 00:26:02,320

He was a little permanent red.

490

00:26:02,950 --> 00:26:03,970

We'll sign it right here.

491

00:26:05,440 --> 00:26:06,639

Calling all finished.

492

00:26:07,090 --> 00:26:09,790

And I hope is when this, I

hope you really liked it.

493

00:26:10,419 --> 00:26:11,770

We've enjoyed being with you today.

494

00:26:12,490 --> 00:26:15,250

So from all of us here would

like to wish you happy painting.

495

00:26:15,730 --> 00:26:17,139

God bless see you next week.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E08 - Arizona Splendor

Bob Ross's

The Joy of Painting

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