Bob Ross's

The Joy of Painting

S07E08 - Mountain Splendor

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I'm certainly glad you joined me today.

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And today I thought we'd do the little

animated opening, the little painting

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you see at the beginning of each show.

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And I'll show you basically how

that painting was done now, who we

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produced that actual animated opening.

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I have a little more time.

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And then a lot of fantastic

people spend a lot of time.

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Making that happen.

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So let's take and have them run all

the colors across the screen that

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you'd need to do this painting with me.

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I've already covered the canvas with it.

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Then even coded the liquid

white it's wet and ready to go.

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So let's get started.

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I'm gonna go right down here.

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We'll start with the old two inch brush.

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I'm going to go right into little

Indian, yellow, and a little bright red

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and just mix them together right there.

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Just like, so, okay.

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Let's go up here now.

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I want some happy little things

happening up here in the sky.

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So we'll bring things around in this back

and forth and sort of let it go like that.

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This will not be an exact duplicate

because you can't ever paint the

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same exact picture twice, but it'll

show you how the painting was made

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and you can make your own at home.

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We'll put a little bit down here.

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I know there's going to

be some water down here.

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Okay.

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Now I'm going to mix up

a little lavender color.

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So for that we'll use Crimson and

a little bit of the blue, much,

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much, much more Crimson than

blue, much more Crimson than blue.

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The blue is a hundred times

stronger than the Crimson.

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Now, if you really want to test it,

take a little white, put it there.

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Okay.

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That's good enough.

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I clean my knife.

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Without cleaning the brush.

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I'll go right into a little

bit of this lavender color.

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Okay.

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Let's go up here and here and there.

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I'm going to just add

a little bit of that.

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That's a little hair in there.

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This sort of acts as a

barrier between these colors.

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Just a little bit here and there.

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Just let your brush just gently,

gently graze the canvas fairly

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without cleaning the brush.

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I'm going to go right into a

little bit, the midnight black.

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And a tiny touch of Prussian blue

back and forth, back and forth.

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All right, let's go up here now with that.

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Still just barely grazing the canvas.

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Just sorta fill this

and a little, all right.

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Maybe right here, then

a little bit in there.

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Just take it right on out a little bit.

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Right there, Katie.

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Now we can clean the

brush, clean the brush.

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Here we go.

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There's a screen in the bottom of this

canvas, scrubbed the brush against that

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keeps us solid materials at the bottom.

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And that's the fun part.

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All right now, with this clean,

dry brush and be sure it's dry.

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Go back up in here and you

can blend all this together.

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Well, this is one bright sky.

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Any of the paintings that

we'd done in the series.

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If you want to tone them down,

please, please feel free.

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Sometimes I make them a little

brighter than they normally would be.

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Just so they stand out well on

your set because everybody's TV is

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adjusted a little bit different and

you can blend this to any degree of

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smooth miss that you want, or you can

leave it and just take it to that.

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There.

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Thank you.

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It was a little, little

mountain back there.

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I just use a little, the blue and the

blacks just like, so cut off a little bit.

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Tiny little roller paint.

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Third is a little tiny bit and it lives

does now anyway, right about here.

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Interesting.

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I have to tell you about this painting.

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I did this painting on, I

did a live demonstration in

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Boston at Merrimack college.

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For several hundred fantastic people.

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And then the PBS station in Boston

auction, this painting off, I

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was so impressed with it that I

decided to use it in this series.

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I really, really did like this payment.

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We travel all over the country,

doing demonstrations for CBS

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stations and educational stations.

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Try to help them make a happy buck or two.

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Okay.

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Let's let's do a big mountain in here.

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Let's go into some blacks.

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We'll use some of that

same old purple color.

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We hit black and purple.

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A little Bandag Brown into it.

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Main thing is it is dark.

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Cut off a hunk of paint there.

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A little roll there.

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You can see it.

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Let's go back up here now.

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Begin laying in your basic

basic mountain shape.

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Here it comes right down.

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Like, yeah, just drop it in.

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Drop it in.

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No, since this patient painting originated

in Boston, I want to dedicate it to some

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fantastic friends that I have there to

all the people who came to watch the show.

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And it made me feel at home.

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Some of the nicest people

in the world there.

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And to all of you.

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Thank you very much.

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Really did make me feel at home

and I'd like to come back and

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faint again for you someday.

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Okay.

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Now to our big brush, all that down,

down, down, down, just let it blend out.

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Let it blend down.

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This is a fun painting.

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This is one middle.

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Yes.

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Give you a little

challenge, but is fine here.

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We're just planning this color right out.

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It just disappears.

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Now today.

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Today, we're going to do something a

little bit different than I normally do.

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I'm going to put the shadows in first.

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So I'm going to take some client.

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We'll take some of that.

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Some of that lavender color we used, and

I'm going to add a little blue to that.

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Very colorful little painting,

like, so cut off a tiny little bit.

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K Scott up here now, right here.

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Maybe lives a little shadow.

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Just let him.

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Tell you what at nice, a little bit big.

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Let me get my small knife.

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It really there.

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See, it gets in there a little easier.

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It gets in there so much easier.

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And then we can just, just put in

some very basic little ideas and

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I'm going to take some red, take

some red, use some of that lavender

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right into it, but a yellow ochre.

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I can't, I don't want to,

overmix cut off a little bit.

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Let's go right up here, way back here.

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Barely, barely touching.

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Add a little more ochre to that.

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So it stands out a little more.

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You can see it a little

better than at home there.

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Okay.

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Maybe there's a little bit

that lives right there.

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Dennis, let that play

right down through there.

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It makes up a little more color

here than when they had some

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of the dark Santa in there.

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Cut off a little bit, just begin

working back and forth with some

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of these beautiful little colors.

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Just let them play

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some it's a little bit lighter seeing

how they just sorta blend together.

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And all of those pretty little

things happen right up through here.

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There it comes right

down over under wherever.

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Let them happen.

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Here we go.

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Maybe this use some dark colored here.

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First, there was a bump,

like right out here.

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Need that dark colors

of the light or shield.

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We'll put it on.

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Go right in there.

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I had a few of these little things

and let them begin flowing down there.

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Nah, we need to go back.

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Let's see here.

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Blue little purplish color.

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There we go.

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And don't, overmix it.

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Leave it about, like it

cut you off a little bit.

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Just go out of here and we can go

right in here, but the indication

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has some happy little shadows.

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It lived there.

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Maybe that didn't come straight down.

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Did I say this little knife

works very well for getting

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into these small, tight areas?

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It's another piece of equipment

that sorta developed from a lot of

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people writing and asking for it.

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Okay.

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Now the clean, dry two inch brush,

I'm going to gently begin tapping.

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That just happened to happen.

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Pick up a little bit colored and

bring it down and follow these angles.

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These angles are what are very

important, very important.

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Helps create many, many different

layers in this painting.

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Now that I want to, I want

to put some sparkle on it.

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So I'm going to take just some

titanium white and let's go up in here

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and barely touch and just let this

flow right down into the Misty area.

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I'll just put a, some sparkle on there.

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There it comes right around.

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Drops down through.

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There

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we go.

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Here we go.

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And right there,

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that really makes it stand out.

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Doesn't it.

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Here we go.

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Now back to her.

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Clean dry brush, and I'm going

to very lightly tap and just sort

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of lift up right here and there

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don't want to overkill.

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Yeah.

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Then back to the black and blue, and

I want a little shadow back in here.

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A little shadow and maybe some of

these little things just sort of

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spill over a little bit into it.

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I can't now, but the big brush I'm

going to tap that shadow, kind of tap

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it, pick up a little that color, and

I'm going to bring this right around.

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See here.

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See, now you've created that.

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A little Dewar that comes all

the way around there, like that

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I could have just let it go.

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And you can make plane after plane,

after plane and your painting.

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Okay.

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Let me clean that brush

of it's nice and clean.

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Then we can create a nice Misty effect.

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Get that camera, man.

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Again, he's going to get

me when this is over.

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That just removes excess

paint when I tap it like that.

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Okay.

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Now I'll just blend it a little bit.

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So it creates the illusion of a best.

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We don't care where this goes right here.

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That gives us a general idea

of how that mountain was made.

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Okay.

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Let's go into a little bit of

a blue, little blue, dark blue.

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Tap a little bit Adyen.

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Okay.

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Let's go back up here.

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And if we're going to have water

down here, let's begin dropping

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in some little indications.

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Let's see.

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I put that little tiny bit of yellow

now where the blue hits that is going to

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turn slightly greenish, which is nice.

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Sometimes we, we fight to keep

that from happening today.

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Today.

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I'm going to use that, say that,

but I don't want to kill all that.

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There we go.

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And I'm leaving a few

little areas open up.

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All right.

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Okay.

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Watch this brush one more time.

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That's really the most fun

part of this whole technique.

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It gets out all your

frustrations and hostilities.

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If you're going to do this in your

living room, I really, I really suggest

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you get a rush feeder rack and that,

that fits in the bottom, but wastepaper

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can, and it'll contain this otherwise.

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Somebody is going to be awful upset

when you cover the whole living room.

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All right, I'll get the

big old round brush here.

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I'm going right back into that last

lavender color we made earlier.

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Just tap it in there.

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This was a legend of

Crimson and oppression.

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Blue.

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Let's go back up here.

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And I want to drop in a little

indication of some trees that live

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we're back here in the distance.

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There they get off just a few

of those and we'll drop a little

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bit of it right down in here.

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I don't want to lose all that

last light area, but a little

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just so we have some nice little

reflections for the large brush.

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We can grab that.

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Now, pull it down, just pull

down because the canvas is wet.

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That easy.

258

00:13:31,995 --> 00:13:38,295

We create the illusion of reflections and

we still have that little glow in there.

259

00:13:39,165 --> 00:13:39,405

Okay.

260

00:13:39,405 --> 00:13:42,885

I'm going to go into the least

little touch of green and yellow.

261

00:13:42,885 --> 00:13:43,905

Hadn't even cleaned the brush.

262

00:13:43,935 --> 00:13:46,425

Just tap a tiniest little

bit of that in there.

263

00:13:47,475 --> 00:13:52,995

I want just tiny, tiny little

indication that there's some

264

00:13:52,995 --> 00:13:54,315

leaves on these trees back here.

265

00:13:54,315 --> 00:13:55,185

They're too far away.

266

00:13:56,025 --> 00:13:58,485

I don't want to ruin the

illusion of distance with detail.

267

00:14:00,449 --> 00:14:03,439

There we go little suns

play in through there.

268

00:14:06,869 --> 00:14:10,500

Now then as they get a little closer, then

you can add a little bit more detailed.

269

00:14:10,500 --> 00:14:11,910

Maybe there's one that lives right here.

270

00:14:12,660 --> 00:14:13,859

It comes right down.

271

00:14:14,069 --> 00:14:14,280

Yep.

272

00:14:14,550 --> 00:14:15,089

There he is.

273

00:14:17,969 --> 00:14:22,729

Maybe over here, there is one scene.

274

00:14:22,729 --> 00:14:26,790

You can create all different planes in

your painting and go back to this brush.

275

00:14:27,330 --> 00:14:30,240

Grab a little touch of that, pull

it down, pull it down, pull it

276

00:14:30,240 --> 00:14:31,470

down, pull it down, pull it down.

277

00:14:32,310 --> 00:14:34,230

And that becomes part

of their reflections.

278

00:14:34,470 --> 00:14:35,130

They only are.

279

00:14:36,510 --> 00:14:36,780

Okay.

280

00:14:36,800 --> 00:14:39,060

Now take them knife, a little

bit of the liquid wine.

281

00:14:39,780 --> 00:14:44,490

And to that, I'm going to put a little

touch of blue little touch cut across it.

282

00:14:44,670 --> 00:14:45,450

Let's go up here.

283

00:14:47,760 --> 00:14:50,940

Just give the indication of some happy

little water lines that live right there.

284

00:14:53,010 --> 00:14:53,700

That's sinful.

285

00:14:54,525 --> 00:14:58,814

This is a very thin paints, almost

like water and it'll flow right

286

00:14:58,814 --> 00:15:03,375

on top of that thicker paint this

on the canvas golden rule at the

287

00:15:03,375 --> 00:15:04,785

end paint stick to thick paint.

288

00:15:06,435 --> 00:15:11,115

Can, you could take some, it's just pure

white and even highlighted a little more.

289

00:15:11,115 --> 00:15:13,845

If we wanted to see how

that sets all that back.

290

00:15:16,185 --> 00:15:16,755

There we go.

291

00:15:20,685 --> 00:15:20,985

Right.

292

00:15:21,005 --> 00:15:24,225

And they use, keep these lines

basically straight or you or your

293

00:15:24,525 --> 00:15:27,435

water we're running right out of

the painting and get your floor wet.

294

00:15:27,525 --> 00:15:28,545

Then you'll be upset with me.

295

00:15:29,535 --> 00:15:32,444

Let's take some Brown, dark Sianna.

296

00:15:33,704 --> 00:15:35,295

Just some of these good dark colors here.

297

00:15:35,324 --> 00:15:36,105

Let's go right up here.

298

00:15:36,875 --> 00:15:39,425

Yeah, I think, I think,

I think right here.

299

00:15:40,145 --> 00:15:40,355

Yep.

300

00:15:40,805 --> 00:15:42,545

We don't have a happy little tree.

301

00:15:42,765 --> 00:15:46,475

Looks like a happy big tree growing on us.

302

00:15:47,405 --> 00:15:48,395

Just bring him right on out.

303

00:15:49,865 --> 00:15:50,495

There we go.

304

00:15:53,175 --> 00:15:53,805

More color.

305

00:15:54,945 --> 00:15:57,015

There was a big tree

that lived right here.

306

00:15:58,365 --> 00:16:00,405

Janice work right off your brush.

307

00:16:00,435 --> 00:16:01,545

Like I give him some arms.

308

00:16:01,545 --> 00:16:07,215

He need some arms, tree needs, some

arms he's going to reach out and gather

309

00:16:07,215 --> 00:16:10,425

up the sun become big and strong.

310

00:16:11,265 --> 00:16:12,255

Give him a big strong arm.

311

00:16:15,045 --> 00:16:15,735

There we go.

312

00:16:16,245 --> 00:16:18,315

And we don't care if some of

this pops down into the water,

313

00:16:18,645 --> 00:16:20,115

we'll turn that into reflections.

314

00:16:21,834 --> 00:16:24,864

And as we know, reflections are

one of the nicest, easiest things

315

00:16:24,864 --> 00:16:26,775

are to do in this tech, okay.

316

00:16:28,665 --> 00:16:31,454

Start here and we'll

just let this run away.

317

00:16:33,194 --> 00:16:35,744

It gets lighter and lighter and lighter

and lighter and lighter and lighter.

318

00:16:37,155 --> 00:16:39,015

I want it to be darker at the

bottom because that's where

319

00:16:39,015 --> 00:16:40,244

the biggest shadows are.

320

00:16:41,385 --> 00:16:45,795

They hide down at the bottom of the

trees and the bushes and do some

321

00:16:45,795 --> 00:16:48,344

more Brown, little black, whatever.

322

00:16:49,620 --> 00:16:51,030

Add some SAP green to that.

323

00:16:53,340 --> 00:16:57,510

That's kind of the ride over once again.

324

00:16:57,540 --> 00:17:01,740

We don't care if it goes into the water,

that's all going to be reflections.

325

00:17:02,220 --> 00:17:02,880

No big deal.

326

00:17:03,900 --> 00:17:04,680

We depend on it.

327

00:17:06,599 --> 00:17:07,139

There we go.

328

00:17:09,599 --> 00:17:09,810

Okay.

329

00:17:10,950 --> 00:17:13,740

Now let's turn that into some

happy little reflections.

330

00:17:13,740 --> 00:17:15,990

Look here, just pull it down.

331

00:17:17,339 --> 00:17:18,450

And that's fantastic.

332

00:17:19,859 --> 00:17:22,349

Okay, look at that couch.

333

00:17:25,409 --> 00:17:25,800

Okay.

334

00:17:25,920 --> 00:17:27,210

We don't make any mistakes.

335

00:17:27,899 --> 00:17:29,340

We have happy accidents.

336

00:17:31,170 --> 00:17:31,860

Here we go.

337

00:17:35,659 --> 00:17:36,639

Well, I should waste Atlanta.

338

00:17:36,639 --> 00:17:36,980

It works.

339

00:17:37,070 --> 00:17:40,580

I, as a kid with my mother,

she used to spank me for them.

340

00:17:40,580 --> 00:17:41,389

Happy accidents.

341

00:17:42,680 --> 00:17:43,070

All right.

342

00:17:43,670 --> 00:17:44,570

Go into some Brown.

343

00:17:45,110 --> 00:17:47,030

And when she hears this,

she's going to spank me again.

344

00:17:49,290 --> 00:17:49,830

All right.

345

00:17:49,830 --> 00:17:50,070

All right.

346

00:17:50,070 --> 00:17:50,399

Up here.

347

00:17:50,429 --> 00:17:51,689

Let's put a trunk in his tree.

348

00:17:53,820 --> 00:17:54,719

Give him a little curve.

349

00:17:55,199 --> 00:17:55,679

There he is.

350

00:17:56,070 --> 00:17:56,639

There he is.

351

00:17:56,730 --> 00:17:57,120

There he is.

352

00:17:58,080 --> 00:17:59,969

Maybe just an indication over here.

353

00:18:01,889 --> 00:18:03,270

We don't know how many trunks there.

354

00:18:03,330 --> 00:18:03,929

We don't care.

355

00:18:04,139 --> 00:18:05,429

Just a few right in there.

356

00:18:06,419 --> 00:18:08,730

All right, I'll take the knife.

357

00:18:10,035 --> 00:18:11,445

And a little more real to the color.

358

00:18:12,525 --> 00:18:18,285

This is red, Brown, little

white there cut across it.

359

00:18:18,315 --> 00:18:19,095

Let's go right up here.

360

00:18:19,845 --> 00:18:22,815

We're gonna put some happy little

highlights right here on this tree.

361

00:18:24,615 --> 00:18:28,275

Just like, so this is

almost straight white.

362

00:18:28,275 --> 00:18:28,605

Now.

363

00:18:29,285 --> 00:18:30,555

Just want to put an edge on it.

364

00:18:30,555 --> 00:18:31,785

So it stands out a little better.

365

00:18:32,985 --> 00:18:34,095

Just let that knife touch it.

366

00:18:34,155 --> 00:18:34,995

Bounce play.

367

00:18:36,615 --> 00:18:36,975

Nah.

368

00:18:38,835 --> 00:18:41,625

I'm going to go into a little bit

of the liquid black cinema pallet.

369

00:18:41,625 --> 00:18:41,985

That's easy.

370

00:18:42,155 --> 00:18:45,754

You're a little bit of paint thinner.

371

00:18:48,274 --> 00:18:48,665

Yeah.

372

00:18:48,754 --> 00:18:50,014

It's even thinner than it was.

373

00:18:50,045 --> 00:18:51,725

This is like water turn at brush.

374

00:18:51,754 --> 00:18:52,565

Bring it to a point.

375

00:18:53,225 --> 00:18:53,825

Let's go up here.

376

00:18:55,385 --> 00:18:57,845

Put a few little trunk indicator.

377

00:18:57,995 --> 00:18:58,865

Liam indications.

378

00:18:58,895 --> 00:18:59,024

Okay.

379

00:18:59,024 --> 00:19:00,095

I got the trunk already.

380

00:19:02,495 --> 00:19:03,004

Don't laugh.

381

00:19:03,004 --> 00:19:04,415

You'll get old and make mistakes Monday.

382

00:19:04,415 --> 00:19:05,014

Like I do.

383

00:19:06,510 --> 00:19:07,679

Happens to the best of us.

384

00:19:10,050 --> 00:19:14,600

I got just a few little indications

think that we are now in clean that

385

00:19:14,600 --> 00:19:18,830

brush and go right into a little bit of

the liquid white and just put some sea.

386

00:19:18,889 --> 00:19:19,820

Now they stand out.

387

00:19:20,120 --> 00:19:26,209

Now you can really see them in a

super way to put a bunch of little

388

00:19:26,209 --> 00:19:27,560

branches and stuff on the tree.

389

00:19:28,280 --> 00:19:28,879

That's pretty.

390

00:19:31,189 --> 00:19:31,639

Okay.

391

00:19:31,649 --> 00:19:31,949

Now.

392

00:19:33,555 --> 00:19:34,125

Brush dirty.

393

00:19:34,125 --> 00:19:34,595

Let me get one.

394

00:19:34,605 --> 00:19:35,175

That's cleaned.

395

00:19:35,595 --> 00:19:38,925

I'll go right into a little bit of

the kid yellow and the yellow ochre.

396

00:19:40,725 --> 00:19:44,595

Um, bright red tap this canes go up here.

397

00:19:45,455 --> 00:19:45,605

Yeah.

398

00:19:45,615 --> 00:19:47,525

Then let's put some happy

little things that are happening

399

00:19:48,005 --> 00:19:51,065

right there on that tree.

400

00:19:51,295 --> 00:19:51,635

See ya.

401

00:19:53,645 --> 00:19:54,725

That's how those were made.

402

00:19:57,035 --> 00:19:57,575

Drop a man.

403

00:20:00,090 --> 00:20:02,520

Put a little bit of the liquid

wine on my breast in that painting.

404

00:20:02,520 --> 00:20:03,210

I'm want to stick to it.

405

00:20:03,380 --> 00:20:04,250

Oh, there we go.

406

00:20:04,310 --> 00:20:05,420

That's what we're looking for.

407

00:20:07,180 --> 00:20:12,830

See and stick, add a little liquid

white or a little tiny bit thinner

408

00:20:13,070 --> 00:20:15,440

and then then drops right in there.

409

00:20:15,980 --> 00:20:17,090

Maybe how I got that going.

410

00:20:17,120 --> 00:20:19,280

I'll just put a few happy

little indications over here.

411

00:20:19,280 --> 00:20:20,810

I'm not looking for detail on this side.

412

00:20:22,130 --> 00:20:23,600

Just a few little indications.

413

00:20:24,500 --> 00:20:24,770

Good.

414

00:20:25,070 --> 00:20:25,580

That's enough.

415

00:20:27,375 --> 00:20:28,725

Let's let's get down here.

416

00:20:28,725 --> 00:20:30,074

Let me grab a one inch brush.

417

00:20:30,415 --> 00:20:31,844

Go into a little bit of the liquid point.

418

00:20:33,105 --> 00:20:37,155

Go right through some yellow,

yellow, yellow, yellow, Sam green.

419

00:20:38,355 --> 00:20:40,844

Pull that brush in one

direction loaded for right.

420

00:20:40,844 --> 00:20:44,804

Let's go up here now that maybe

there's a happy little thing.

421

00:20:44,804 --> 00:20:46,185

It lives right there.

422

00:20:47,324 --> 00:20:49,685

See, there it comes there.

423

00:20:50,324 --> 00:20:54,135

Just drop them in work in

layers, work in layers.

424

00:20:56,775 --> 00:20:59,595

A little yellow ochre with a color

and make it, Oh, look at that.

425

00:20:59,595 --> 00:21:00,135

And sparkle.

426

00:21:01,955 --> 00:21:05,215

I get excited sometimes I I've

watched this over and over and

427

00:21:05,225 --> 00:21:08,285

it still fascinates me now.

428

00:21:08,915 --> 00:21:10,025

I don't want an evergreen in this.

429

00:21:10,595 --> 00:21:15,755

I'll take some Browns and black,

some green just load that brush full.

430

00:21:15,755 --> 00:21:17,435

I know I'm jumping all

over the pallet here.

431

00:21:17,435 --> 00:21:18,485

Let's go up to the canvas.

432

00:21:20,645 --> 00:21:24,155

There is a happy

evergreen that lives live.

433

00:21:24,880 --> 00:21:25,590

Right.

434

00:21:26,280 --> 00:21:30,270

They're pushing right out of your brush.

435

00:21:32,760 --> 00:21:33,090

Hannah.

436

00:21:33,150 --> 00:21:34,080

We don't even get along there.

437

00:21:34,100 --> 00:21:35,070

We'd give them a little friend.

438

00:21:35,280 --> 00:21:36,030

This is Charlie.

439

00:21:38,820 --> 00:21:39,390

Charlie.

440

00:21:41,610 --> 00:21:42,180

Okay.

441

00:21:42,540 --> 00:21:45,630

Just use the same old brush and go into

a little bit of lighter green color.

442

00:21:46,470 --> 00:21:49,800

I put the indication of a few little

highlights with the Charlie here.

443

00:21:51,540 --> 00:21:51,840

Okay.

444

00:21:54,605 --> 00:22:04,175

Yeah, Matt, can I back in to my one inch

brush and let's put some, let's put some

445

00:22:04,175 --> 00:22:05,675

happy little things over on this side.

446

00:22:05,675 --> 00:22:06,875

We don't want it to be left out.

447

00:22:08,284 --> 00:22:11,585

You can do this with a body inch

pressure round brush works quite nice.

448

00:22:13,145 --> 00:22:18,065

It's not as fast, but it does work

very well when you're at home.

449

00:22:18,095 --> 00:22:19,955

Practicing play with it a little bit.

450

00:22:20,895 --> 00:22:21,455

You enjoy it.

451

00:22:23,130 --> 00:22:23,760

There we go.

452

00:22:26,840 --> 00:22:28,100

Oh, kinds of things.

453

00:22:28,100 --> 00:22:29,180

And just layer these.

454

00:22:29,810 --> 00:22:32,810

Let's drop them in, tell you what I want.

455

00:22:33,290 --> 00:22:34,310

I want some stones there.

456

00:22:34,310 --> 00:22:36,680

We had some stones in that, so

I want to just use some of the

457

00:22:36,680 --> 00:22:39,380

Browns and let's go right in here.

458

00:22:40,760 --> 00:22:42,590

Make little sounds and helps.

459

00:22:43,400 --> 00:22:43,790

Helps.

460

00:22:44,330 --> 00:22:47,570

Let's drop them in big stone right there.

461

00:22:49,495 --> 00:22:51,435

However many, there we go.

462

00:22:51,435 --> 00:22:56,055

There's this a nice little stone comes

right down a little bit of land area.

463

00:22:57,995 --> 00:22:59,705

We'll use some of this for some highlight.

464

00:23:00,425 --> 00:23:02,555

This is just the same

thing as using on the tree.

465

00:23:04,085 --> 00:23:04,535

There we go.

466

00:23:04,535 --> 00:23:06,725

When it comes out across here and down.

467

00:23:07,265 --> 00:23:07,355

Okay.

468

00:23:07,905 --> 00:23:11,705

Just make all kinds of little

stones, pretty little things happen.

469

00:23:12,995 --> 00:23:13,625

Like, so.

470

00:23:15,880 --> 00:23:18,570

Back into our liquid white,

we had on the palette of the

471

00:23:19,840 --> 00:23:21,390

waterline, this cleans it all up

472

00:23:24,410 --> 00:23:25,230

right down through there.

473

00:23:37,850 --> 00:23:38,570

we'll bring you this.

474

00:23:38,720 --> 00:23:40,940

It came right out, out like yet.

475

00:23:41,190 --> 00:23:42,210

Yeah, that was the way.

476

00:23:44,775 --> 00:23:45,345

Okay.

477

00:23:45,405 --> 00:23:48,975

Back to my one inch brush, going to

a little bit of yellows and greens.

478

00:23:51,225 --> 00:23:51,525

Okay.

479

00:23:52,965 --> 00:23:58,065

Then we can pop in a happy

little leaves here, all kinds of

480

00:23:58,065 --> 00:23:59,175

little things that are happening.

481

00:24:01,455 --> 00:24:01,965

Let 'em go.

482

00:24:03,525 --> 00:24:04,155

Let 'em go.

483

00:24:12,090 --> 00:24:14,450

Now then yeah.

484

00:24:14,450 --> 00:24:15,440

Then we want to put time.

485

00:24:15,920 --> 00:24:19,100

We had a couple of big old trees and

that rascal, so let's do that again.

486

00:24:19,850 --> 00:24:23,390

I'll get my fan brush, take the old

van and go right into the Vandyke

487

00:24:23,390 --> 00:24:27,590

Brown and loaded, full decide

where you treat lifts, make a big

488

00:24:27,590 --> 00:24:31,879

decision and drop it in, drop it in.

489

00:24:32,270 --> 00:24:32,870

It's your world.

490

00:24:33,120 --> 00:24:34,800

So you put your tree wherever you want it.

491

00:24:36,180 --> 00:24:36,630

Okay.

492

00:24:37,040 --> 00:24:39,950

There's two trees, so,

Oh right to my mountain.

493

00:24:41,060 --> 00:24:43,460

Got him, got him.

494

00:24:44,870 --> 00:24:46,250

There is that big old tree.

495

00:24:49,190 --> 00:24:50,600

I said just Vandyke Brown.

496

00:24:52,190 --> 00:24:52,700

Okay.

497

00:24:53,150 --> 00:24:53,360

Yeah.

498

00:24:53,360 --> 00:24:54,890

And then with the knife.

499

00:24:54,980 --> 00:24:56,840

So I just use that same

old highlight color.

500

00:24:56,900 --> 00:24:57,770

See right there.

501

00:24:57,800 --> 00:24:58,760

It's working so well.

502

00:24:59,810 --> 00:25:00,680

And just use that.

503

00:25:01,965 --> 00:25:03,504

Just barely, barely touching it.

504

00:25:03,504 --> 00:25:04,695

It sort of bounce around us.

505

00:25:04,725 --> 00:25:10,064

It'll grab what it wants, but the

indication of some highlights right on his

506

00:25:10,064 --> 00:25:15,735

tree, like that a little bit on this one

back here, don't want him to be left out.

507

00:25:17,485 --> 00:25:17,925

See you there.

508

00:25:18,304 --> 00:25:19,655

See, are there,

509

00:25:23,495 --> 00:25:24,514

you know, I'd love to hear from him.

510

00:25:24,524 --> 00:25:26,675

If you have time, drop me a line,

let me know which paintings you

511

00:25:26,675 --> 00:25:28,564

like, which paintings you don't like.

512

00:25:29,760 --> 00:25:32,550

I really, really enjoy hearing a

little bit of blue on this side.

513

00:25:32,550 --> 00:25:34,800

This time indicate a little

reflected light here and

514

00:25:34,800 --> 00:25:39,149

there go just a little touch.

515

00:25:40,530 --> 00:25:45,629

Can then let go back into the liquid black

and a little paint thinner and we'll put

516

00:25:45,629 --> 00:25:48,090

a few happy little, little limbs out here.

517

00:25:51,240 --> 00:25:52,740

Just let them drop off there.

518

00:25:57,060 --> 00:25:57,949

And these are fun.

519

00:25:59,085 --> 00:26:00,165

These are a lot of fun.

520

00:26:00,555 --> 00:26:00,945

Okay.

521

00:26:01,215 --> 00:26:03,465

Let me just put the indication

here and there of a few.

522

00:26:05,345 --> 00:26:06,035

There we go.

523

00:26:07,035 --> 00:26:07,825

There we go.

524

00:26:09,185 --> 00:26:12,785

And in your tree, you decide how many

leaves and how many lambs it has.

525

00:26:14,915 --> 00:26:19,385

And you can highlight those also with a

little, little bit of the white, wherever,

526

00:26:19,385 --> 00:26:21,275

a few little hangie downs here and there.

527

00:26:22,865 --> 00:26:23,675

I think if we put her.

528

00:26:24,195 --> 00:26:26,955

We put a few little

highlights on that leaves.

529

00:26:27,044 --> 00:26:30,975

We'd have a finished painting or

clock on the walls telling me I

530

00:26:30,975 --> 00:26:32,715

got to get out of here for the day.

531

00:26:32,715 --> 00:26:35,655

So I leave you putting a few

leaves on with a two inch brush.

532

00:26:36,435 --> 00:26:39,915

Just having, I hope this has

showed you how the little

533

00:26:39,915 --> 00:26:42,074

animated painting has worked.

534

00:26:42,405 --> 00:26:44,294

I hope all my friends

in Boston enjoyed it.

535

00:26:45,044 --> 00:26:50,475

And I look forward to seeing you again

next time until then from all of us here.

536

00:26:51,225 --> 00:26:51,854

Happy painting.

537

00:26:52,410 --> 00:26:53,040

God bless.

538

00:26:53,190 --> 00:26:53,850

We'll see you again.

539

00:27:15,669 --> 00:27:15,909

Um,

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E08 - Mountain Splendor

Bob Ross's

The Joy of Painting

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