Bob Ross's

The Joy of Painting

S05E09 - Anatomy of a Wave

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:30,555 --> 00:00:31,244

Welcome back.

00:00:31,605 --> 00:00:33,495

Well, today I have a

special treat for you.

00:00:33,735 --> 00:00:35,685

You know, when the first show I

told you I was going to bring some

00:00:35,685 --> 00:00:39,315

friends in and let them show you

some fantastic painting methods also.

00:00:39,795 --> 00:00:42,195

And today I have a lady that comes

right out of California, and she's

00:00:42,195 --> 00:00:46,155

going to show you how to do all the most

fantastic seascapes you've ever seen.

00:00:46,665 --> 00:00:50,205

So I'd like to introduce you

today to my friend, Joyce Horner.

00:00:50,655 --> 00:00:52,065

Joyce, we're glad to have you with us.

00:00:52,985 --> 00:00:53,405

Oh, Bob.

00:00:53,435 --> 00:00:54,995

Thanks so much for inviting me.

00:00:55,114 --> 00:00:57,515

I hope everyone enjoys

paying you a seascape today.

00:00:57,870 --> 00:00:58,410

Well, very good.

00:00:58,410 --> 00:01:00,630

I'm going to get off the set here

and let you have it, and I'll

00:01:00,630 --> 00:01:01,500

see you at the end of the show.

00:01:01,760 --> 00:01:02,360

All right.

00:01:02,720 --> 00:01:03,230

Okay.

00:01:03,230 --> 00:01:06,830

We're going to do a basic seascape

today and it's going to painting.

00:01:06,830 --> 00:01:08,960

I call the anatomy of a wave.

00:01:09,350 --> 00:01:13,670

Uh, what I'm going to do is take a large

brush and I'm going to dip it in a medium.

00:01:13,940 --> 00:01:17,960

Now this medium is a mixture of

linseed oil, paint, thinner and

00:01:17,960 --> 00:01:21,500

high gloss, urethane varnish,

Damar varnish drives too fast for

00:01:21,500 --> 00:01:22,760

me because I do a lot of blending.

00:01:22,760 --> 00:01:25,130

So I find that the high gloss your thing.

00:01:25,485 --> 00:01:26,145

Works better.

00:01:26,295 --> 00:01:27,795

So remember that's equal parts.

00:01:27,795 --> 00:01:30,855

One-third one-third linseed

oil paint, thinner and varnish.

00:01:31,215 --> 00:01:33,915

So I'm dipping my large

brush into the medium.

00:01:34,275 --> 00:01:36,795

Maybe I better start off

by telling you the colors.

00:01:37,035 --> 00:01:39,845

The two colors I'm using

today are right here.

00:01:39,965 --> 00:01:42,845

Uh, uh, is white CAD, yellow, medium.

00:01:43,055 --> 00:01:45,935

They low blue other than

Crimson and they little green.

00:01:46,475 --> 00:01:49,475

Now I've taken a, made a

mixture of equal parts of it.

00:01:49,655 --> 00:01:51,635

Oh, those are in Crimson and

Taylor green right there.

00:01:51,875 --> 00:01:53,495

And I've made that a perfect black.

00:01:53,850 --> 00:01:57,630

And you can test your color by

adding Y to it in a pile here, and

00:01:57,630 --> 00:01:59,490

you want to achieve a perfect gray.

00:01:59,880 --> 00:02:03,420

Now, if you have too much red,

it'll, you'll have to add more green.

00:02:03,420 --> 00:02:05,370

Or if it's too green,

you'll have to add more red.

00:02:05,729 --> 00:02:09,030

Now this is a wonderful color

because that color will help you

00:02:09,030 --> 00:02:12,630

control the strong fellow colors that

you've got on your palette today.

00:02:13,370 --> 00:02:15,019

All right, I'm going to

get my brush in the medium.

00:02:15,470 --> 00:02:19,430

Go into my white, pick up

something a little blue, and I'm

00:02:19,430 --> 00:02:21,079

going to start riding on my sky.

00:02:21,810 --> 00:02:25,410

You'll notice I have a piece of masking

tape stretched across my canvas.

00:02:25,770 --> 00:02:27,450

Now that will be my horizon line.

00:02:27,870 --> 00:02:33,810

Notice it is not at the center or either

is it, does it divide my canvas into

00:02:33,810 --> 00:02:38,280

thirds, but it's almost in between

being one-third and one half up.

00:02:38,820 --> 00:02:41,580

Now I've marked this at

seven and a half inches.

00:02:41,760 --> 00:02:44,070

This is an 18 by 24 inch canvas.

00:02:44,310 --> 00:02:44,940

This is seven.

00:02:44,970 --> 00:02:47,760

The top of my tape is seven and

a half inches down from the top.

00:02:48,299 --> 00:02:51,780

Now that's going to be the rise of

mine, of my ocean, which we always

00:02:51,780 --> 00:02:53,130

want it to be perfectly straight.

00:02:53,910 --> 00:02:54,150

All right.

00:02:54,160 --> 00:02:58,590

I've got my favorite blue and

white on my brush and I'm doing it.

00:02:59,250 --> 00:03:04,200

The extra Oak gets that paint really

into those, the weave of your canvas.

00:03:05,820 --> 00:03:07,890

Now you can relax and really enjoy this.

00:03:08,160 --> 00:03:11,790

Painting because it's, it's a lot of

fun and you can really learn a lot

00:03:11,820 --> 00:03:15,540

because it it's going to teach you

the, how the motion of the water works.

00:03:16,980 --> 00:03:21,209

Now, the top of our sky is dark

going to be darker than the rest,

00:03:21,209 --> 00:03:23,670

and we'll get lighter as we get

towards the bottom of the sky.

00:03:24,420 --> 00:03:27,269

I'm going to pick up more light

00:03:42,500 --> 00:03:45,920

I think that this extra Oak I'm

using is probably my basic stroke.

00:03:46,280 --> 00:03:47,600

You'll notice throughout the painting.

00:03:47,600 --> 00:03:49,010

I really use it a great deal.

00:03:54,470 --> 00:03:59,090

I get further down on my

canvas, almost to the horizon.

00:03:59,300 --> 00:04:00,650

I'm going to pick up white.

00:04:01,350 --> 00:04:03,000

Go into my Elysium Crimson.

00:04:03,220 --> 00:04:05,490

So I, I get a very soft peak color.

00:04:11,060 --> 00:04:13,130

I don't want that to be

right on top of that tape.

00:04:13,160 --> 00:04:14,840

Notice I paint right on the tape.

00:04:20,000 --> 00:04:23,300

I'm going to go all the way across

my canvas, right on the horizon.

00:04:27,550 --> 00:04:29,030

More medium, a little more white.

00:04:29,864 --> 00:04:30,734

My pink.

00:04:34,604 --> 00:04:39,794

Remember anyone can paint, just takes

a little practice, a few simple tools

00:04:40,275 --> 00:04:41,805

and maybe somebody to get you started.

00:04:49,005 --> 00:04:50,924

It takes lots of paper, towels or rags.

00:04:50,924 --> 00:04:51,495

I find.

00:04:59,255 --> 00:05:00,455

back into my medium.

00:05:01,354 --> 00:05:04,025

I think I'll put a little more

color on the sky at the top,

00:05:14,615 --> 00:05:19,505

what they will blue and why, again,

I'll go over the colors on the palette.

00:05:19,505 --> 00:05:20,075

They're white.

00:05:20,865 --> 00:05:24,465

Cadmium yellow baler, blue

alizarin, Crimson, and fellow green.

00:05:31,865 --> 00:05:32,465

all right.

00:05:32,855 --> 00:05:34,295

This is what you call blending.

00:05:34,745 --> 00:05:38,735

I'm going to really merge these colors

that I've got on my sky, so that

00:05:38,735 --> 00:05:43,775

it's a very subtle graduation from

the blues into the, into the pinks.

00:05:44,310 --> 00:05:46,440

Which makes a lavender

transition right there.

00:05:47,340 --> 00:05:51,570

We know that if we take those in Crimson

and they were blue and white, we're

00:05:51,570 --> 00:05:53,219

going to get us off lavender here.

00:05:58,950 --> 00:05:59,190

Okay.

00:05:59,190 --> 00:06:00,990

We're going to leave

this a real simple sky.

00:06:01,020 --> 00:06:04,020

If we have time, we'll go back

and put clouds if we want them.

00:06:04,020 --> 00:06:05,760

But right now we'll keep it simple.

00:06:06,210 --> 00:06:08,580

And the most fun part I

think is taking off the tape.

00:06:12,090 --> 00:06:13,049

See that gives me.

00:06:13,890 --> 00:06:19,440

A straight horizon and that is a

hard trip to keep a straight horizon.

00:06:19,440 --> 00:06:22,410

So I think you'll find that masking

tape works really, really good.

00:06:23,400 --> 00:06:25,470

I've mixed another color

here on my palette.

100

00:06:25,830 --> 00:06:30,390

This color is white with halo

blue and I live in Crimson.

101

00:06:30,720 --> 00:06:34,650

Now I've made a lavender out of

that a little bit to the blue side.

102

00:06:34,650 --> 00:06:36,060

You don't make it too pink.

103

00:06:36,540 --> 00:06:39,000

This is the color that we'll

put on our, our horizon.

104

00:06:42,330 --> 00:06:47,010

Again, I'm going to go into my

medium and pick up some of that

105

00:06:47,940 --> 00:06:49,500

blue lavender color I've got.

106

00:06:50,160 --> 00:06:52,560

Now that's the color I'm going

to use across my horizon.

107

00:06:52,920 --> 00:06:56,280

I've got a good amount of

paint loaded into my brush.

108

00:06:56,760 --> 00:07:02,820

I've got an edge groomed into my

brush so that I can go right on that

109

00:07:02,820 --> 00:07:04,650

edge and I'll do vertical strokes.

110

00:07:05,820 --> 00:07:08,490

It's worth taking the

time to do it this way.

111

00:07:09,600 --> 00:07:15,000

Because it keeps your horizon

straight ever get it crooked.

112

00:07:15,000 --> 00:07:18,720

You'll know what a fight it

can be, but remember, you can't

113

00:07:18,720 --> 00:07:20,190

make any mistakes you can't fix.

114

00:07:20,190 --> 00:07:21,090

So we don't have to worry.

115

00:07:21,090 --> 00:07:22,110

If we do make a mistake,

116

00:07:25,470 --> 00:07:27,180

that's the joy of painting with oils.

117

00:07:27,180 --> 00:07:30,630

They're very, very forgiving, right?

118

00:07:30,630 --> 00:07:32,850

I'm going to go all the way

across my horizon this way.

119

00:07:36,765 --> 00:07:42,645

With a mixture of those in Crimson,

they are blue and white and it's a

120

00:07:42,645 --> 00:07:45,695

little more blue than it is to the pink.

121

00:07:49,565 --> 00:07:52,565

I don't know if you've ever painted

seascapes before, but they're lots of fun.

122

00:07:52,565 --> 00:07:53,735

That's what I paint the most.

123

00:07:56,915 --> 00:08:01,895

I live right by the ocean in

California and it's really beautiful.

124

00:08:11,539 --> 00:08:14,240

got a little bit did to do in my horizon.

125

00:08:14,840 --> 00:08:15,620

We can fix it.

126

00:08:15,770 --> 00:08:16,099

Right.

127

00:08:16,099 --> 00:08:17,180

We can't make any mistakes.

128

00:08:17,180 --> 00:08:17,990

We can't fix.

129

00:08:30,135 --> 00:08:32,175

Okay, I'm going to need to load

my brush again, a little more

130

00:08:32,175 --> 00:08:34,815

medium, more lavender color.

131

00:08:43,115 --> 00:08:45,215

Now this part of the painting

is really underpinning.

132

00:08:59,495 --> 00:09:01,505

now I can use a horizontal stroke.

133

00:09:02,405 --> 00:09:03,875

I've got my paint laid on there.

134

00:09:15,365 --> 00:09:19,445

I'll go back pretty soon and soften that

horizon, but right now I'll leave it.

135

00:09:22,265 --> 00:09:25,025

Now, the next thing I'm going

to do, I wanted to put in.

136

00:09:26,325 --> 00:09:28,365

What I call the baseline of the wave.

137

00:09:28,695 --> 00:09:30,375

Now, this is really important.

138

00:09:30,375 --> 00:09:32,325

I think it'll will help you

with your seascapes a lot.

139

00:09:32,565 --> 00:09:36,105

I'm dipping my brush into medium

and I'm picking up that very, very

140

00:09:36,105 --> 00:09:40,395

black color that I missed half

the little green and half lizard.

141

00:09:40,695 --> 00:09:47,295

And now this line is going to be

straight, but at an angle and I'm

142

00:09:47,295 --> 00:09:50,055

going to have it dark right about here.

143

00:09:52,860 --> 00:09:54,750

And notice the angle it's dipping down.

144

00:09:54,750 --> 00:09:55,740

This adds interest.

145

00:09:55,950 --> 00:09:58,230

We don't want everything to go

straight across on this painting.

146

00:09:58,230 --> 00:10:01,950

We want to have a little

bit of an angle on this.

147

00:10:06,990 --> 00:10:10,110

That is the baseline of the wave.

148

00:10:11,430 --> 00:10:13,920

The remember this painting is

called the anatomy of a wave.

149

00:10:13,920 --> 00:10:15,480

So that's exactly what we're going to do.

150

00:10:17,640 --> 00:10:19,590

We're going to learn

the anatomy of a wave.

151

00:10:22,785 --> 00:10:28,515

We're going to take a neutral color like

that lavender and draw our way then.

152

00:10:28,785 --> 00:10:30,824

So you can really see how the wave works.

153

00:10:32,115 --> 00:10:37,245

Now, this is what you call

a breaker or our major wave.

154

00:10:42,814 --> 00:10:44,525

You know, this is very important.

155

00:10:44,795 --> 00:10:47,855

The angle of these

brushstrokes, you see that.

156

00:10:48,525 --> 00:10:51,075

What things do rock people

really tend to do wrong.

157

00:10:51,075 --> 00:10:55,365

When they're painting a wave is

they either make a C or they make

158

00:10:55,365 --> 00:10:58,515

an S avoid those two brush strokes.

159

00:10:58,725 --> 00:11:01,305

When you're doing the

breaking part of this wave.

160

00:11:02,145 --> 00:11:06,435

Always repeat this line as you

come over, notice it's over a

161

00:11:06,435 --> 00:11:07,905

forward thrust and straight.

162

00:11:08,745 --> 00:11:12,075

And if you can learn that stroke

right there, that's really the

163

00:11:12,075 --> 00:11:14,625

basis of other good seascapes.

164

00:11:15,704 --> 00:11:20,084

Okay, so you want your baseline

straight at an angle and these

165

00:11:20,084 --> 00:11:22,275

strokes over and straight.

166

00:11:25,204 --> 00:11:31,714

I am going to pick up more that lavender,

and I'm going to use it as an underpinning

167

00:11:31,714 --> 00:11:33,635

for the foam on this crashing wave.

168

00:11:35,255 --> 00:11:37,985

See that it's going to come way

up there and break the horizon.

169

00:11:40,655 --> 00:11:42,185

Now again, this is the underpainting.

170

00:11:43,395 --> 00:11:48,495

Now, what you don't want to do is to

pick up a bunch of white paint and

171

00:11:48,495 --> 00:11:51,105

start making foam in oil painting.

172

00:11:51,105 --> 00:11:52,965

It's nice to go from dark to light.

173

00:11:59,585 --> 00:12:02,975

now paintings, all paintings

seem to go through an ugly stage.

174

00:12:02,975 --> 00:12:05,345

If somebody walks in your studio,

when you're at the stage, they'll

175

00:12:05,345 --> 00:12:06,485

wonder what the heck you're doing.

176

00:12:07,205 --> 00:12:07,295

Okay.

177

00:12:11,550 --> 00:12:13,680

You can just tell them that

that's the anatomy of the wave.

178

00:12:16,790 --> 00:12:17,090

Okay.

179

00:12:17,090 --> 00:12:18,410

This is all underpainting.

180

00:12:20,270 --> 00:12:20,480

All right.

181

00:12:20,480 --> 00:12:25,400

Now this part of the wave, this area

right in there is the transparency.

182

00:12:25,970 --> 00:12:29,720

That's when the light's coming from behind

the wave, in the thin part of the water.

183

00:12:30,150 --> 00:12:33,360

And then shining through the wave and

that's what people love in a seascape.

184

00:12:33,660 --> 00:12:35,010

And they think it's really magic.

185

00:12:35,010 --> 00:12:37,589

And you're going to find out

today that it's, it's easy to do

186

00:12:37,589 --> 00:12:39,420

and it's it's makes them real.

187

00:12:39,420 --> 00:12:40,079

It's really fun.

188

00:12:44,480 --> 00:12:44,660

Okay.

189

00:12:44,660 --> 00:12:46,640

What we're going to do now is

we're going to, it got straight.

190

00:12:46,640 --> 00:12:50,990

They love blue and layer, right

on top and overlap this black from

191

00:12:50,990 --> 00:12:53,000

here to the edge of the painting.

192

00:12:54,680 --> 00:12:55,819

I'm picking up straight.

193

00:12:55,819 --> 00:12:56,449

They love blue.

194

00:13:00,150 --> 00:13:02,069

I'm going to go right over

195

00:13:06,079 --> 00:13:07,069

the top of that black.

196

00:13:07,100 --> 00:13:08,720

I mean, to have to keep picking up paints,

197

00:13:23,090 --> 00:13:24,590

overlapping that black line.

198

00:13:25,275 --> 00:13:26,324

On this side of the way.

199

00:13:27,824 --> 00:13:29,625

Now this is a fun thing I do next.

200

00:13:29,895 --> 00:13:31,454

I'm not really going to clean my brush.

201

00:13:32,204 --> 00:13:33,975

I just wiped some of the extra paint out.

202

00:13:34,185 --> 00:13:38,805

I'm going to pick up straight yellow,

but what happens with this dirty

203

00:13:38,805 --> 00:13:42,975

brush going right on top of this

blue is it's going to turn green.

204

00:13:45,045 --> 00:13:52,415

So what I've got so far is three stripes,

a blue Stripe, and a yellow Stripe.

205

00:13:52,415 --> 00:13:53,165

That's turned green.

206

00:13:59,780 --> 00:14:00,330

Right.

207

00:14:02,030 --> 00:14:02,210

Yeah.

208

00:14:02,210 --> 00:14:03,890

I'm going to wipe that off my brush.

209

00:14:04,520 --> 00:14:07,610

You the quick rants and paint thinner.

210

00:14:09,740 --> 00:14:11,780

And I'm going to pick up a

color here that I've mixed.

211

00:14:11,780 --> 00:14:14,780

This is just white with a

mixture of yellow in it.

212

00:14:15,230 --> 00:14:17,240

I call this my sunshine color.

213

00:14:18,020 --> 00:14:20,100

So if I tell you to pick up

sunshine, you know, that.

214

00:14:21,180 --> 00:14:23,489

Then it'd be my pale yellow

that's here on my palette.

215

00:14:24,449 --> 00:14:29,339

So we're going to put some sunshine in our

wave, the whole, top half of this wave.

216

00:14:31,109 --> 00:14:32,339

We're painting with sunshine.

217

00:14:36,750 --> 00:14:40,770

As long as there's nothing on my canvas,

I continue to put medium in my paint

218

00:14:41,790 --> 00:14:44,910

that makes the paint flow off the brush.

219

00:14:48,675 --> 00:14:52,575

Now, again in this area and this

particular part of the wave, we

220

00:14:52,575 --> 00:14:54,435

want to use a good amount of paint.

221

00:14:55,365 --> 00:14:59,865

You don't want it thick and gooey,

but you want a nice even cover.

222

00:15:01,055 --> 00:15:05,085

Right now we've got four stripes,

crazy way to paint a seascape.

223

00:15:05,115 --> 00:15:05,445

Isn't it.

224

00:15:06,705 --> 00:15:10,005

I've got black straight, the

little blue stray, CAD yellow

225

00:15:10,005 --> 00:15:11,385

that turned green and sunshine.

226

00:15:13,020 --> 00:15:13,440

Okay.

227

00:15:13,440 --> 00:15:15,180

And I'm going to wipe

the pain out of my brush.

228

00:15:19,290 --> 00:15:22,500

And I'm going to start on

this edge at about Oh, an inch

229

00:15:22,500 --> 00:15:23,610

and a half, two inch stroke.

230

00:15:23,610 --> 00:15:24,330

And I'm blending.

231

00:15:24,810 --> 00:15:27,360

I'm starting at the bottom and just

going back and forth until those

232

00:15:27,360 --> 00:15:29,100

colors start to mix on the canvas.

233

00:15:29,760 --> 00:15:34,050

And as they do, I gradually move

up to the top of the wave, get the

234

00:15:34,050 --> 00:15:38,040

nice colors I'm getting in there,

getting blues and greens and.

235

00:15:41,375 --> 00:15:45,195

That I'll continue to move

across the canvas, doing that,

236

00:15:47,205 --> 00:15:49,335

wiping the brush at each section.

237

00:15:54,525 --> 00:16:00,315

See, I have plenty of paint on

there so that it keeps blending.

238

00:16:00,585 --> 00:16:02,175

If there wasn't enough

paint, it wouldn't blend.

239

00:16:02,175 --> 00:16:05,055

It would leave many more

brush strokes than this is.

240

00:16:05,565 --> 00:16:10,065

Now we'll smooth this out in a minute,

but right now this is real important.

241

00:16:10,655 --> 00:16:14,555

This is the I, or transparency, or

it's think of it as an egg shape.

242

00:16:15,965 --> 00:16:19,595

You want to blend with your

breaststroke right up that egg

243

00:16:19,595 --> 00:16:25,535

shape and whatever everybody does at

this stage, that is, is a mistake.

244

00:16:25,655 --> 00:16:27,035

Is they want to make it too steep.

245

00:16:27,455 --> 00:16:32,165

I can't tell you how many times I have to

say lay that stroke down, keep it parallel

246

00:16:32,165 --> 00:16:33,965

to the baseline and lift it up gently.

247

00:16:37,085 --> 00:16:39,755

And then as you go out towards

the edge of the wave, you lay it

248

00:16:39,755 --> 00:16:43,835

down more and more, keep it gentle

249

00:16:49,835 --> 00:16:54,065

right now we take, it takes a lot of

blending in this transparent part.

250

00:16:55,895 --> 00:16:58,715

You have to work on it quite a

bit to get a nice, smooth glow.

251

00:16:59,615 --> 00:17:02,615

Remember not to lose your darks

and to keep your lights light.

252

00:17:03,120 --> 00:17:05,040

And to get a nice mid tone in between

253

00:17:12,810 --> 00:17:13,819

actually I'm doing that.

254

00:17:13,819 --> 00:17:19,040

XDL do you see that when I'm going

back and forth with my brush, almost

255

00:17:19,040 --> 00:17:20,930

all my blending is done with an X.

256

00:17:25,589 --> 00:17:30,500

I'm going to switch to a little bit

larger brush so that I can blend.

257

00:17:32,730 --> 00:17:35,220

A little faster and pull a

little of that paint off.

258

00:17:42,169 --> 00:17:46,010

As I pick up some of this paint,

I've cleaned my brush up there.

259

00:17:46,010 --> 00:17:47,600

How's that used some of that color.

260

00:17:50,659 --> 00:17:51,439

Okay.

261

00:17:51,439 --> 00:17:53,000

This is going to be really nice.

262

00:18:01,605 --> 00:18:01,995

Mimic.

263

00:18:02,015 --> 00:18:03,825

This is the most important

part of your painting.

264

00:18:03,825 --> 00:18:05,355

So you want to spend a little time on it,

265

00:18:10,205 --> 00:18:12,755

try and make a real gradual blend on this.

266

00:18:14,495 --> 00:18:17,495

You can go back and have more sunshine

in this transparent part too, to

267

00:18:17,495 --> 00:18:19,295

bring, give yourself more light.

268

00:18:31,129 --> 00:18:31,550

okay.

269

00:18:31,550 --> 00:18:33,980

So that's the major

part of your basic wave.

270

00:18:36,500 --> 00:18:42,020

Now, this water that comes over, take

your medium, go into the dark, pick

271

00:18:42,020 --> 00:18:44,389

up some blue and pick up some yellow.

272

00:18:44,570 --> 00:18:46,939

That's just exactly the

way your stripes were.

273

00:18:49,980 --> 00:18:52,470

You had the black, blue and yellow,

and that's what we're going to do

274

00:18:52,470 --> 00:18:54,629

right here with that brush stroke.

275

00:18:54,629 --> 00:18:55,350

I told you about

276

00:18:58,730 --> 00:19:01,280

need more blue, more yellow.

277

00:19:06,500 --> 00:19:07,879

Keep that stroke straight.

278

00:19:07,910 --> 00:19:08,540

Remember that?

279

00:19:12,745 --> 00:19:15,885

It's real good to put a smile,

want to have a happy painting?

280

00:19:15,885 --> 00:19:16,935

You need a smile, right?

281

00:19:17,685 --> 00:19:20,805

I'm going to take some yellow

and make a smile right there.

282

00:19:23,925 --> 00:19:28,755

Now that smile will show when

we pull that paint over the top,

283

00:19:32,655 --> 00:19:33,555

pull it back that way.

284

00:19:35,879 --> 00:19:36,750

I pick up more blue.

285

00:19:38,760 --> 00:19:42,210

That's what's so nice about this is you

can make these colors go any direction.

286

00:19:42,210 --> 00:19:46,260

You can change them back and forth

from blues to greens to yellows.

287

00:19:50,159 --> 00:19:52,230

It gives you lots of

multiplicity of color.

288

00:19:53,429 --> 00:19:56,040

All right, I'm going to take this color

that I have in my brush with the blue

289

00:19:56,040 --> 00:19:58,770

and yellow, to do some of this back way.

290

00:20:03,740 --> 00:20:06,120

This is a swell that's

behind the major wave.

291

00:20:18,395 --> 00:20:22,835

now the next, well, we'll be a little

bit lighter, so I'll take some of

292

00:20:22,835 --> 00:20:26,525

that same blue color and mix it

into that lavender to lighten it.

293

00:20:29,945 --> 00:20:30,905

Put in another swell.

294

00:20:39,040 --> 00:20:40,770

See an ocean happening here yet.

295

00:20:45,330 --> 00:20:45,540

Okay.

296

00:20:45,540 --> 00:20:47,940

Remember I said, I'd go

back and blend that horizon.

297

00:20:47,940 --> 00:20:49,169

I'm going to stop in that real fast.

298

00:20:52,429 --> 00:20:55,970

That really gives you a

distance, but nice distance.

299

00:20:55,970 --> 00:20:56,570

We get there.

300

00:21:00,440 --> 00:21:06,169

This pain, I can move around a little bit,

cause it's been setting a little bit and a

301

00:21:06,169 --> 00:21:08,510

nice large brush is terrific for blending.

302

00:21:08,990 --> 00:21:09,169

Okay.

303

00:21:09,179 --> 00:21:11,389

We're going to cover

the rest of this canvas.

304

00:21:13,110 --> 00:21:13,710

It's blue.

305

00:21:17,780 --> 00:21:18,110

Right?

306

00:21:18,110 --> 00:21:18,680

And you're here.

307

00:21:19,250 --> 00:21:20,300

I'm going to have beach in this.

308

00:21:20,300 --> 00:21:23,630

This is just going to be our

basic wave and an open ocean.

309

00:21:24,950 --> 00:21:27,740

Now the blue right under the wave is

a little darker because it's a little

310

00:21:27,740 --> 00:21:29,960

bit in shadow and it will get lighter.

311

00:21:31,685 --> 00:21:32,665

I think it comes down

312

00:21:42,614 --> 00:21:43,155

pretty easy.

313

00:21:43,155 --> 00:21:43,635

Isn't it?

314

00:21:44,354 --> 00:21:47,084

People think seascapes are hard

and they are, but you get a

315

00:21:47,084 --> 00:21:49,814

few basics really helps them.

316

00:21:58,690 --> 00:22:02,500

My canvas to be loose on the, on

the, on the easel so I can turn

317

00:22:02,500 --> 00:22:04,120

it upside down and move it around.

318

00:22:04,420 --> 00:22:09,430

Do you might like to have yours

anchored a little better, kind

319

00:22:09,430 --> 00:22:10,450

of banging it around here?

320

00:22:10,480 --> 00:22:13,540

I don't know.

321

00:22:13,570 --> 00:22:15,580

You have to paint this penny

at home in half an hour.

322

00:22:15,820 --> 00:22:16,780

You can take your time.

323

00:22:21,280 --> 00:22:22,600

Notice what I'm going to do now.

324

00:22:23,094 --> 00:22:27,445

I'm going to actually take some of

this here and put up on that wave.

325

00:22:27,445 --> 00:22:28,975

So it all ties it together.

326

00:22:29,304 --> 00:22:32,215

I don't really want to lose

that dark because that's what

327

00:22:32,215 --> 00:22:33,564

makes that wave curl over.

328

00:22:34,165 --> 00:22:36,205

Do you see how now it's

all part of the ocean.

329

00:22:36,594 --> 00:22:38,844

This black line over here is the shadow.

330

00:22:46,245 --> 00:22:50,324

Now we're going to highlight

and put sunshine on our phone.

331

00:22:54,340 --> 00:22:55,780

I just pick up some sunshine.

332

00:23:04,290 --> 00:23:04,530

Yeah.

333

00:23:04,530 --> 00:23:06,330

That phone will start

making more sense to you.

334

00:23:08,640 --> 00:23:10,740

You'll pick up all your

watercolors in the foam.

335

00:23:10,740 --> 00:23:11,370

That's okay.

336

00:23:11,550 --> 00:23:13,140

Because foam is just

little bubbles of water.

337

00:23:13,140 --> 00:23:13,500

Isn't it.

338

00:23:17,504 --> 00:23:18,465

And pull paint off.

339

00:23:18,735 --> 00:23:20,535

Don't have your foam thick and gooey.

340

00:23:20,535 --> 00:23:21,825

I think that's real important.

341

00:23:22,425 --> 00:23:25,605

I see students lots of times want

to make their phone way too thick.

342

00:23:37,804 --> 00:23:44,385

Can you see how really thin my paint

is there on the foam area, right.

343

00:23:44,385 --> 00:23:45,725

I'm going to pick up more sunshine.

344

00:23:52,774 --> 00:23:54,335

I'm using quite a bit of paint here.

345

00:23:54,875 --> 00:23:59,705

On the edge where it picks up more

light by having that under the

346

00:23:59,705 --> 00:24:03,575

painting within paint, I can keep

building up with more and more paint.

347

00:24:11,514 --> 00:24:14,305

So we've got foam, we've

got our major wave.

348

00:24:14,305 --> 00:24:16,045

Let's put some foam coming over that way.

349

00:24:19,105 --> 00:24:19,645

Watch this.

350

00:24:19,645 --> 00:24:20,185

This is fine.

351

00:24:28,155 --> 00:24:28,445

notice.

352

00:24:28,445 --> 00:24:30,185

I keep repeating that same stroke.

353

00:24:31,415 --> 00:24:32,825

Notice how that changes it too.

354

00:24:34,145 --> 00:24:34,445

Right.

355

00:24:34,445 --> 00:24:37,895

We're going to take more sunshine and

add it to the rest of our painting.

356

00:24:44,265 --> 00:24:48,375

Again, a little bit of medium, and

we're going to add some shine way

357

00:24:48,375 --> 00:24:51,345

back here, sort of the cradle stroke.

358

00:24:56,595 --> 00:25:01,755

I'll pick up some more sunshine

as we go further back as

359

00:25:01,755 --> 00:25:03,195

well as get closer together.

360

00:25:03,225 --> 00:25:04,995

And our stroke gets fatter and fatter.

361

00:25:08,115 --> 00:25:08,925

Now they're friends.

362

00:25:10,560 --> 00:25:16,590

We can add more sunshine to give

us motion in the water here.

363

00:25:19,940 --> 00:25:20,790

See that motion.

364

00:25:23,655 --> 00:25:32,055

So it's just sunshine on our brush and a

cradle stroke practice doing this, getting

365

00:25:32,055 --> 00:25:33,915

them the flow of the cradle stroke.

366

00:25:56,070 --> 00:25:59,100

we got some waves going in the foreground.

367

00:26:00,135 --> 00:26:02,145

You can spend a lot more time on detail.

368

00:26:02,385 --> 00:26:06,495

This gives you your basic anatomy

of a wave gives you a start.

369

00:26:09,995 --> 00:26:13,085

That's be tricky and throw in a

couple of seagulls really fast.

370

00:26:13,745 --> 00:26:15,155

Well wrong brush, not with that.

371

00:26:15,155 --> 00:26:15,365

One.

372

00:26:15,554 --> 00:26:16,595

Need a liner brush.

373

00:26:18,034 --> 00:26:19,024

Pick up our black paint.

374

00:26:19,504 --> 00:26:20,735

I use them all stick a lot.

375

00:26:20,735 --> 00:26:22,895

It really helps me brace my hand.

376

00:26:23,735 --> 00:26:25,294

I think a seagull will do a lot for this.

377

00:26:27,669 --> 00:26:29,980

How's that a couple more over here.

378

00:26:39,710 --> 00:26:40,230

Okay.

379

00:26:40,230 --> 00:26:43,290

Now there's a lot we could do to

this pain and a lot more, a lot more

380

00:26:43,290 --> 00:26:48,060

emotion we can put in our water, but

I think that it's good time to sign it

381

00:26:49,260 --> 00:26:50,610

because this is a half hour painting.

382

00:26:51,885 --> 00:26:54,465

A lesson for you on how to

paint the anatomy of a wave.

383

00:26:55,155 --> 00:26:55,245

Okay.

384

00:26:57,435 --> 00:26:59,805

Ortner is the last name on this painting.

385

00:27:01,755 --> 00:27:04,245

And now we have the anatomy of a wave.

386

00:27:04,605 --> 00:27:08,565

Remember the baseline of your

wave, the transparency motion of

387

00:27:08,565 --> 00:27:11,445

the water, a straight horizon,

and you can paint a seascape.

388

00:27:14,879 --> 00:27:16,110

I think that's fantastic.

389

00:27:16,110 --> 00:27:18,270

Joyce, and I think everyone at

home, or really enjoyed this

390

00:27:18,270 --> 00:27:21,840

painting, it shows a great deal of

how you go about building a wave.

391

00:27:22,379 --> 00:27:25,350

So on behalf of all of us here,

we'd like to wish each and

392

00:27:25,350 --> 00:27:27,000

every one of you happy painting.

393

00:27:27,270 --> 00:27:27,900

God bless.

394

00:27:27,960 --> 00:27:28,980

We'll see you next week.

395

00:27:55,845 --> 00:27:56,655

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E09 - Anatomy of a Wave

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse