Bob Ross's

The Joy of Painting

S07E01 - Winter Cabin

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Hello, I'm Bob Ross.

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And I'd like to welcome you to this,

our seventh joy of painting series.

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If you've painted with us before,

I'm certainly glad to see you again.

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If this is your first time with us,

I think you're really enjoyed this

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fantastic wet on wet painting technique.

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We'll use about a dozen colors.

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Sort of unorthodox brushes.

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It will have a lot of fun and each week

we'll do a fantastic painting here.

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I hope you drive out to your city,

easel, big glass of ice tea, and

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you sat down and you joined me

tweak and learn the joy of painting.

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So I tell you about let's.

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Do let's have them graphically run

all the colors across the screen.

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That you need to do the painting we're

going to do today and they'll come across

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your screen in exactly the same order

as I have more my palette starting with

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a titanium white and working around.

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And while they're doing that,

let's talk a little bit about

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what's been done on the canvas.

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I've already covered this canvas with

a thin even coat of liquid white.

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This makes a canvas wet, makes it slick.

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It allows us to actually blend

color right here on the canvas.

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Instead of working ourselves

to death on the pallet.

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And today I thought we'd do a painting

that uses a very limited palette.

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In other words, only a few colors,

and I'll show you how you can do

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a beautiful painting using only a

couple of colors, some big brushes,

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and let's go up here and do it.

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I'm going to take off today and

go right into some Vandyke Brown.

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We'll use this old big brush.

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And I'm just going to literally tap

some of the color red into the bristles.

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Suggest you tap that way.

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It, it gets a nice even distribution

of color all the way through the brush.

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See you there both sides.

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Nice and even good.

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Let's go to the canvas.

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Let's start out today.

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Right up here and we'll

make little X pattern.

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It's a little crisscross strokes.

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Just, this is, this is the way the

teacher used to grade my paper in school.

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Well, she just go through it

and make all these big Xs.

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That's the kind of grades I got.

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There we go.

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Yeah.

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This color is blending with the

liquid white and automatically

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beautiful things began happening.

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Continually keep this brush moving.

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Don't stay in one spot and

just, and just work the color.

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Did we want some, we want

some life in this guy.

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There we go.

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Just keep it going now as we work.

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Downward here.

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Maybe we'll put a little

bit of warmth down here.

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This is going to be the horizon

area right down in here.

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So I go right into a little bit of dark

Sienna without cleaning the brush and tap

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a little of that right into my bristles.

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Just a small amount.

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All right.

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What's here.

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Now we'll go right up here.

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And with that color I'll

blend sort of upward.

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So we have a nice warm color, right?

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If the horizon, and it goes

up into the Vandyke Brown.

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A little more color and

let it work up in that.

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Fantastic.

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While I have this old dirty brush,

it has all the Browns on it.

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I'm going to take an, add a little

touch of yellow ochre to it.

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So we've got the Sianna and the Brown.

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Add a little bit more of each there.

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Now I'm just going to get out

here to the bottom of the canvas.

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It just has a bunch just pull that across.

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This will end up being shadowed.

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I think today we'll do a painting that,

Oh, we'll have some snow on it and

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this will end up being some shadows.

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Yeah.

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Very gently, very gently.

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I'm just going to blame this entire sky

to get it just blended very lightly.

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It's just takes out the brush strokes.

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But you don't want to kill all the little

patterns that you have up in the sky.

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That's what ends up being that interesting

part came for you, but let's do, I'll

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clean this brush and, uh, we clean our

brushes with odorless paint thinner, and I

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really recommend you use odorless Stanner

or you'll be working by yourself, your

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spouse, or run you right out of the house.

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Shake off the excess.

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I have a box down here.

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I shake the brush into them and

that's, that's really the most

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fun of this whole technique is

just raising Cain with that brush.

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Of course, it's also one of the best

ways to redecorate your whole room.

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If you're not careful, try to

try to contain that part of it.

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I want to take a big old round brush here

and go right into some titanium white.

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We'll just pull it through

there and load it up.

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Load it up.

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A lot of paint.

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Okay.

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Let's go to the canvas.

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Maybe there's a big, happy cloud

that lives in this painting

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and he lives right there.

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See, just, just work at brush.

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Let this all cloud just float around sky.

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I didn't have fun.

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There we go.

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Okay.

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Don't stay in one place.

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Continually.

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Keep the brush moving continually.

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Keep it moving there.

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If you stay in one place and just

grind this color in all you're going

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to have is you're going to look

like the cotton balls up in his car.

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Now we'll take this big brush and just

very gently blend the bottom of it.

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Blend the bottom of it.

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If you painted with a specific

before in this series, I'm going

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to introduce you to some, some new

brushes and some new equipment.

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I think you'll really enjoy it.

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There we go.

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Now I'll beat this fresh a little, and

that just takes off the excess paint.

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They we're going to

fluff these clouds there.

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Look at this.

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Okay.

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Here pulls up all those

beautiful little stringy things.

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And don't worry if you pull up big stringy

things here, because when we blend this,

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they'll go away and they end up being the

nice, soft, fuzzy edges of your cloud.

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Okay.

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Maybe you want me, you want several layers

of clouds in your painting can do easy.

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Just a little, a little more

paint come right in here and drop

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in another happy little cloud.

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And in your painting, you put

as many clouds as you want.

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Just drop them in and

clouds are very free.

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May be one of the freest things in nature.

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It just sort of float

around and have fun all day.

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And think about that when you're

painting, think how free clouds are.

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Paint your clouds the same way.

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Give them that feeling

of looseness of freedom.

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Just let them go there.

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Okay.

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Now then maybe, maybe back here,

that's have some little background

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trees live all back in here.

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I've got several of each brush going.

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So I don't have to spend all

my time washing the brush.

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I'm going to go right into some Vandyke

Brown and I'm just going to tap this

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brush right into some Brown into right

into the Sienna back and forth here.

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We just sorta mix them on the brush.

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See really get in there and tapped

us on it again, work at heart.

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All right, let's go up here.

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Yeah.

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I mean, it'd be right here.

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It's a happy little tree.

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He goes and he goes right on up.

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Now, notice it here.

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I've started at the bottom

and worked upward that way.

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It's darker at the bottom

than it is at the top.

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So you have the illusion of

dark shadows down at the bottom.

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Okay.

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I just put in some very

basic little shapes.

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You're not looking for.

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You're not looking for

distinct shapes at this time.

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Later on, we will begin worrying

about very distinct shapes right now.

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We're just blocking it.

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Maybe here it lives.

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What all over here.

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He's a little taller, a little bit taller.

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There we go.

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See how simple that is, but keep the

dark color down here at the base.

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And this is, this is

really what makes it fun.

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You sorta just sort of

let these things go.

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We going to have another

little tree right here.

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Keep it very dark at the bottom and

begin forming some basic shapes.

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Very big, very basic.

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Oh my gosh.

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I got to talk in there and my

little tree turned into a big tree.

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We may have to nail another

canvas on top because we have

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enough room to cover all this.

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We'll give him a little friend here too in

some up here, maybe that are very light.

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Very light, very light.

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Just barely can see some of them.

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Look at that in a super way to throw

in some happy little background trees.

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There we go.

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Tell you what I said that breaks

down and I'm going to get.

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Uh, number two script liner brush, and

go into a little bit of paint, thinner

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and writing to my dark color here.

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This is just the Browns.

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Turn that brush.

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You want this paint to be just like water.

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Very, very thin, very thin.

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Turn it and pull it out.

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That'll bring it to a

beautiful sharp point.

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Okay, let's go to the canvas now,

then I want to put in some indications

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back here of just some little

tree trunks, some little steams.

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And all we do is just

quickly drop them in.

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Since this paint is very thin and very

wet, it slides over the thicker paint.

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This base paint is very thick.

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It's very dry, thick paint,

and the thinner paint will

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just slide right over it.

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Look at that, get that there.

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Okay.

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Put a few in here,

there, wherever you want.

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I'm just sorta, just sorta take a look

at your trees and decide where you

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think little, little trunks should

live and drop them in there's little

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indication where you back here.

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One,

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I think you're really going to

enjoy this series and this series.

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I'm going to bring you a couple

of special guests, artists.

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I have one guest artist that you

might, you might have heard of.

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He's a fantastic painter.

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He's one of the best

painters in the country.

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And I'm very proud in this series

to bring your man named Ben stall.

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And I hope you've heard of Ben.

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He is unreal.

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He's one of the best painters in

the country and he agreed to come

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and do a demonstration for us.

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So you'll see him in this series.

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Okay.

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Tell you what let's do.

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Let's build a happy little

tree trunk in this big tree.

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And for that, I'm going to take Brown

on the fan brush load, both sides.

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There, you can see it.

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Both sides are very full.

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This is van Dyke Brown.

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Let's go up to the canvas, hold

a brush straight into the canvas.

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Touch it.

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As you come down, add more

pressure, make it get better.

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You're toward the bottom in that super,

super way to make a little tree trunk.

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It's that easy.

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There's nothing difficult about it.

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And let's put some highlights on this.

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We want this tree trunk to stand out.

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Be strong.

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I'm gonna take a little bit of my yellow

ochre and we'll see, Anna will blend

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that together with a touch of white.

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Like, so now I'm going to take the knife

and cut across and get a little roll of

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paint right out on the edge of the blade.

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See there.

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Can I just go up here now if our

lights coming from the right, and if

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you're right-handed, that's normally

the easiest touch, give it a little

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pull, just let it sort of bounce

across there, just here and there.

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Just let it bounce here

and there, there, okay.

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Now I'm going to pick some almost

straight titanium white, cause I want

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this age here to really stand out.

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This is almost straight titanium white.

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There was a little bit of the color

left on the blade, but mostly white.

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There we go.

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Yeah.

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Then we'll take a little

bit of liquid black.

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Liquid black and take

my liner brush again.

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And I put a little paint in it to

make it even a little bit thinner,

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can go up to the canvas here.

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And with that, we're just going to

very quickly throw in a few happy

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little indications of some tree limbs.

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All there is to it.

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See, I paints very thin and it

flows absolutely flow there.

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And however many limbs

you want on your tree.

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Maybe there's one that hangs down

here, whatever, and we can go right

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00:12:57,095 --> 00:13:02,705

into some quit height and go right

back over and throw just to him

250

00:13:03,155 --> 00:13:04,385

of some highlight here and there.

251

00:13:05,555 --> 00:13:09,995

Like maybe there's a little snow

laying on top of some of these there,

252

00:13:10,295 --> 00:13:11,675

it gives you an idea how to do that.

253

00:13:12,825 --> 00:13:14,285

Let's put some highlights on these.

254

00:13:15,285 --> 00:13:16,215

Maybe there's a little snow.

255

00:13:16,215 --> 00:13:19,065

That's been captured up

here in the, in the limbs.

256

00:13:19,665 --> 00:13:24,285

So I'm just going to take the old

round brush here, but at least a

257

00:13:24,285 --> 00:13:27,215

little touch of yellow ochre in here

and just happen a little bit color,

258

00:13:28,535 --> 00:13:30,125

just like, so it's tapping him.

259

00:13:31,615 --> 00:13:36,035

Let's go up here to the canvas and

how that just barely, barely gonna

260

00:13:36,035 --> 00:13:41,075

touch begin forming some of the

basic tree shapes here that we want.

261

00:13:42,455 --> 00:13:43,745

Just basically almost.

262

00:13:44,834 --> 00:13:45,344

Look at there.

263

00:13:46,485 --> 00:13:47,564

See how easy that is.

264

00:13:48,255 --> 00:13:53,564

Don't overdo this, this will start

working so good for you in a heartbeat.

265

00:13:53,564 --> 00:13:57,225

You'll cover your whole tree and

you don't want to kill all the

266

00:13:57,225 --> 00:13:59,685

beautiful dark color that you've

worked so hard to put in there.

267

00:14:01,365 --> 00:14:02,385

Just here and there.

268

00:14:04,094 --> 00:14:06,435

Let's send these little things,

just, just all in there.

269

00:14:07,425 --> 00:14:10,814

The least little touch of the

yellow card out North much arch.

270

00:14:12,075 --> 00:14:13,125

Just to kill the white.

271

00:14:15,195 --> 00:14:15,675

All right.

272

00:14:15,975 --> 00:14:18,705

Now all I have a color on the brush here.

273

00:14:19,395 --> 00:14:21,255

Let's begin laying in

some snow right here.

274

00:14:21,555 --> 00:14:24,585

You can just use this brush in there.

275

00:14:25,155 --> 00:14:27,645

All I'm doing is laying a little

color right on the canvas.

276

00:14:28,335 --> 00:14:30,225

We'll come back and clean

it up with another brush.

277

00:14:32,145 --> 00:14:32,505

Might as well.

278

00:14:32,505 --> 00:14:33,735

Use it while we get it here, though.

279

00:14:35,925 --> 00:14:38,505

This is where we begin

determining the lay of the land.

280

00:14:39,270 --> 00:14:41,430

Loud little of that color

to pull right down in there.

281

00:14:42,810 --> 00:14:48,979

That'll end up being some nice

shadow areas and back into my Browns.

282

00:14:49,680 --> 00:14:52,380

Then let's just pop a few

happy little bushes like there.

283

00:14:53,550 --> 00:14:57,359

See already that begins to

create the lay of the land shows

284

00:14:57,359 --> 00:14:58,829

you which way the land flows.

285

00:15:00,689 --> 00:15:02,969

Maybe there's a big, old

bullshit list right there.

286

00:15:03,540 --> 00:15:04,949

That's it makes it look

like his little thing.

287

00:15:04,949 --> 00:15:06,449

It goes back into the distance there.

288

00:15:07,140 --> 00:15:10,890

And this is what helps create the

illusion of distance in your painting.

289

00:15:13,229 --> 00:15:13,800

All right.

290

00:15:14,819 --> 00:15:16,439

Now I'm going to take a fan brush.

291

00:15:17,790 --> 00:15:20,730

It's a number six fan

brush, and very lightly.

292

00:15:21,000 --> 00:15:25,680

I'm just going to grab these edges and

begin working on the lay of the land.

293

00:15:26,790 --> 00:15:28,319

See how you can just pull that color out.

294

00:15:28,319 --> 00:15:31,770

And it makes it look like there's a

shadow right there and you haven't

295

00:15:31,770 --> 00:15:34,079

already done a thing just like that.

296

00:15:35,370 --> 00:15:35,939

Here we go.

297

00:15:36,540 --> 00:15:37,770

There's a little bit lip.

298

00:15:38,955 --> 00:15:41,115

And you can always take an

ad just a tiny bit more.

299

00:15:41,115 --> 00:15:44,835

If you want your shadows to be a

little more distinct and make all

300

00:15:44,835 --> 00:15:46,485

kinds of beautiful things happen.

301

00:15:47,835 --> 00:15:49,365

Look at the amount of

distance that we've done.

302

00:15:49,800 --> 00:15:54,810

Put in here with just a few strokes,

you can see all the way back in there.

303

00:15:55,620 --> 00:15:57,240

It's very soft and very gentle.

304

00:15:57,720 --> 00:16:01,800

Tell you what now, if I was in

a place like this, I didn't want

305

00:16:01,800 --> 00:16:03,120

to build a little cabin out here.

306

00:16:03,300 --> 00:16:05,790

So let's have some fun today and

build us a happy little cabin.

307

00:16:06,810 --> 00:16:11,220

Let's try it out with a van Dyke Brown,

pull it out and very flat cut across.

308

00:16:11,700 --> 00:16:13,110

We get our little roll of paint again.

309

00:16:13,320 --> 00:16:14,700

I'll always get that little roll of paint.

310

00:16:14,760 --> 00:16:15,330

Let's go up here.

311

00:16:16,470 --> 00:16:16,950

All right.

312

00:16:17,579 --> 00:16:19,410

And maybe the cabin lives.

313

00:16:20,280 --> 00:16:20,760

Yep.

314

00:16:21,719 --> 00:16:22,319

You're right.

315

00:16:22,319 --> 00:16:25,260

He lives right there and

we'll do that back Eve.

316

00:16:26,069 --> 00:16:26,640

Here it is.

317

00:16:30,599 --> 00:16:33,719

And then we're going to come

in here and put the front end.

318

00:16:35,939 --> 00:16:37,170

There's many, many ways to paint.

319

00:16:37,199 --> 00:16:42,180

Kevin's this is just one

of many during the series.

320

00:16:42,180 --> 00:16:43,560

We'll show you several different ways.

321

00:16:44,565 --> 00:16:45,405

Let's paint the other side.

322

00:16:45,405 --> 00:16:46,845

We're going to leave

the roof off right now.

323

00:16:46,845 --> 00:16:50,685

We're going to come back later

and put the roof in there.

324

00:16:51,615 --> 00:16:52,905

Say all we're looking for right now.

325

00:16:52,905 --> 00:16:58,185

It's just, just the

front and, and the side.

326

00:16:58,245 --> 00:17:00,245

There we go.

327

00:17:01,865 --> 00:17:02,405

That easy.

328

00:17:02,945 --> 00:17:04,595

I must have some boards in our cabin.

329

00:17:05,795 --> 00:17:07,535

They would go cut little hair on there.

330

00:17:07,535 --> 00:17:08,525

So I'll just pull them off.

331

00:17:10,145 --> 00:17:10,295

Yeah.

332

00:17:11,325 --> 00:17:12,315

We'll take some white

333

00:17:17,085 --> 00:17:20,714

and a little, little tiniest

little touchy with Prussian blue.

334

00:17:22,214 --> 00:17:29,925

Make sort of a nice warm gray

color, a little darker there.

335

00:17:30,135 --> 00:17:30,795

Cut across it.

336

00:17:31,025 --> 00:17:32,145

Tiny little roll of paint.

337

00:17:32,205 --> 00:17:33,415

Let's go up here now.

338

00:17:34,245 --> 00:17:34,665

Grab it.

339

00:17:35,295 --> 00:17:37,815

And gently come across very lightly.

340

00:17:38,850 --> 00:17:42,840

Barely barely caressing the

canvas that the paint break.

341

00:17:42,840 --> 00:17:45,510

If you've painted with me

before, this is about the same

342

00:17:45,629 --> 00:17:47,429

as putting snow on the mountain.

343

00:17:48,780 --> 00:17:50,840

Just about the same,

not to that same color.

344

00:17:51,469 --> 00:17:54,080

I'm going to add a little more

white because I want it to be

345

00:17:54,080 --> 00:17:55,939

a little lighter on aside here.

346

00:17:55,939 --> 00:17:57,649

A tree says the lights

come on from the right.

347

00:17:58,669 --> 00:18:00,199

So very gently.

348

00:18:00,649 --> 00:18:02,510

We all decide wherever aside is here.

349

00:18:02,719 --> 00:18:03,610

Just a little bit lighter.

350

00:18:05,264 --> 00:18:08,955

Can you now then tell you what let's

put some slabs or some boards in there.

351

00:18:09,585 --> 00:18:10,665

I have to get a little bit of Brown.

352

00:18:10,665 --> 00:18:11,264

I'm a knife.

353

00:18:11,745 --> 00:18:17,145

And here, all I have to do is just touch

the canvas and begin laying these in.

354

00:18:19,514 --> 00:18:21,075

And this guy had built his cabin.

355

00:18:21,105 --> 00:18:24,465

He was about as much of a carpenter as

I am, and some of them are fat summers.

356

00:18:24,465 --> 00:18:32,235

Kenny old cabin has had a hard

life say there, but that easy.

357

00:18:33,285 --> 00:18:37,655

Easy, you guys decided he cabin now.

358

00:18:37,895 --> 00:18:39,275

And we got to put a little roof on there.

359

00:18:39,575 --> 00:18:42,755

The guy who's living in there

now he's, he's a chill city.

360

00:18:42,755 --> 00:18:43,895

He's getting cold.

361

00:18:44,705 --> 00:18:49,955

Let's go up here, touch,

pull, and bring it down.

362

00:18:50,075 --> 00:18:50,555

Look at that.

363

00:18:52,595 --> 00:18:52,985

Okay.

364

00:18:53,285 --> 00:18:59,765

Touch, bring it down, touch

and bring it right down.

365

00:19:01,470 --> 00:19:05,090

Isn't that fantastic that

easily you can build a cabin.

366

00:19:05,120 --> 00:19:06,830

Why are we still, it was

that easy in real life.

367

00:19:10,990 --> 00:19:17,450

Put a little snow on the other side,

like, so we got a cabin except I

368

00:19:17,460 --> 00:19:18,710

need a way to get in and out of it.

369

00:19:19,669 --> 00:19:22,429

So right here, let's put a little door.

370

00:19:24,100 --> 00:19:29,210

Little door and I'll take a little bit of

the light color and just work around it.

371

00:19:29,540 --> 00:19:35,030

Give a little highlight, tell you let's

put a window in this little cabin.

372

00:19:35,030 --> 00:19:37,190

We'll use a little to Brown and

then we'll use a smaller knife.

373

00:19:38,270 --> 00:19:39,770

It makes nice little things.

374

00:19:40,370 --> 00:19:42,470

It's a lot easier to get

into the smaller areas.

375

00:19:43,880 --> 00:19:44,240

There

376

00:19:47,540 --> 00:19:48,210

smells good.

377

00:19:48,830 --> 00:19:50,930

Maybe it's a little glass

left in the wind to touch.

378

00:19:51,170 --> 00:19:51,830

Give it a little pull.

379

00:19:52,140 --> 00:19:55,350

It's a little pressure and

blue, a little pressure and

380

00:19:55,350 --> 00:19:57,750

blue, just a touch don't overdo.

381

00:19:58,650 --> 00:20:02,910

Don't overdo work a little bit here, like,

382

00:20:06,950 --> 00:20:12,680

and if you wanted to use a little

tiny edge here, a little chimney, use

383

00:20:12,680 --> 00:20:15,560

a touch of a bright red, not much.

384

00:20:15,740 --> 00:20:16,610

It's very strong.

385

00:20:17,570 --> 00:20:18,560

Put a little red on there.

386

00:20:18,560 --> 00:20:19,760

Maybe nobody's home today.

387

00:20:19,889 --> 00:20:23,010

Yeah, there a little

bit of snow on the roof.

388

00:20:23,909 --> 00:20:24,330

Okay.

389

00:20:24,360 --> 00:20:25,110

Let's have some fun.

390

00:20:25,110 --> 00:20:26,399

Now we got us a little cabin.

391

00:20:26,850 --> 00:20:30,389

I'm going to grab the bottom

here and begin pulling this out,

392

00:20:30,689 --> 00:20:32,010

helping to create some shadows.

393

00:20:32,010 --> 00:20:34,830

Once again, there we go.

394

00:20:36,740 --> 00:20:42,980

Now maybe, maybe I'll tell you what

I am the world's worst lawn keeper.

395

00:20:43,040 --> 00:20:45,919

And I believe this guy probably was too.

396

00:20:46,639 --> 00:20:47,300

Let's go up here.

397

00:20:48,225 --> 00:20:52,004

Maybe, maybe he didn't cut his lawn

and there's a huge big weed lives

398

00:20:52,004 --> 00:20:53,235

right here in front of his house.

399

00:20:54,524 --> 00:20:56,745

I kinda was right on down

wherever we want it to go.

400

00:20:58,605 --> 00:20:59,175

Yes, sir.

401

00:20:59,175 --> 00:21:04,365

He takes care of a lawn about like,

I get in more trouble about that.

402

00:21:06,345 --> 00:21:06,915

Barely go.

403

00:21:08,564 --> 00:21:10,395

Just put some happy little

leads here and there.

404

00:21:12,764 --> 00:21:13,514

Tell you what.

405

00:21:15,945 --> 00:21:19,245

We'll take some of this

Brown without flats.

406

00:21:19,275 --> 00:21:19,965

Cut across.

407

00:21:20,025 --> 00:21:20,835

Get that little roll.

408

00:21:21,135 --> 00:21:21,495

Okay.

409

00:21:22,095 --> 00:21:25,995

Maybe there's a happy little

fence, little snow fence type

410

00:21:25,995 --> 00:21:28,335

thing, and it lives right there.

411

00:21:29,925 --> 00:21:33,645

It had a super easy way to

make a beautiful little fence.

412

00:21:34,275 --> 00:21:35,685

Maybe they're sort of falling down.

413

00:21:36,945 --> 00:21:38,535

I'll take a little bit of light color.

414

00:21:38,595 --> 00:21:42,855

This is just sort of the Brown

and the white just touch.

415

00:21:43,800 --> 00:21:47,900

Touch a little tiny bit of the

balloon who was in there too.

416

00:21:48,680 --> 00:21:50,210

Makes it look a little bit colder.

417

00:21:52,310 --> 00:21:53,060

There we go.

418

00:21:53,240 --> 00:21:54,230

Just drop that in.

419

00:21:56,450 --> 00:21:56,960

Yeah.

420

00:21:57,560 --> 00:22:00,740

With a small agent, the knife,

that's going to go along here

421

00:22:00,740 --> 00:22:03,800

and just barely, barely touch.

422

00:22:04,730 --> 00:22:07,550

Put the indication maybe as

a little bit of snow, it's

423

00:22:07,550 --> 00:22:08,780

laying up here on top of them.

424

00:22:08,900 --> 00:22:09,320

Look at that.

425

00:22:10,920 --> 00:22:14,160

I run into the liquid white and then

we'll cut across it with a knife.

426

00:22:14,160 --> 00:22:17,820

And this is use a healer knife, and we'll

put a little bit of wire hanging on there.

427

00:22:18,180 --> 00:22:18,660

Look at that.

428

00:22:19,980 --> 00:22:23,370

Look at that easy look at there.

429

00:22:24,090 --> 00:22:26,520

I used to use a one haired

brush and work myself to death,

430

00:22:26,550 --> 00:22:27,810

trying to put water on there.

431

00:22:29,040 --> 00:22:31,230

We try to show you the

easy way of doing things.

432

00:22:32,325 --> 00:22:35,205

You can see the old fan brush and

we'll pop a few weeds up around here.

433

00:22:35,205 --> 00:22:39,825

And maybe there's a few coming

down here, wherever, let them go.

434

00:22:40,725 --> 00:22:42,825

This is just a fun, little painting.

435

00:22:44,405 --> 00:22:47,975

I'm want to go back with a little white

and I want to grab some of the Brown and

436

00:22:47,975 --> 00:22:52,115

turn it into shadow because it's a little

darker back behind there and just let

437

00:22:52,115 --> 00:22:55,685

this work, that it work, that it play C.

438

00:22:57,659 --> 00:22:59,280

I could all the beautiful little facts.

439

00:22:59,460 --> 00:23:02,820

And once again, this is the

way, this is the way that you

440

00:23:02,820 --> 00:23:04,620

create the lay of the land.

441

00:23:06,110 --> 00:23:06,590

Look at that.

442

00:23:10,010 --> 00:23:13,550

There that'll be it right there.

443

00:23:14,030 --> 00:23:17,899

Cause a sun would hit right there in

mama, in my mind with strike right

444

00:23:17,899 --> 00:23:19,070

there and be a little bit brighter.

445

00:23:20,450 --> 00:23:22,310

And we'll put a little

bit right into this here.

446

00:23:24,000 --> 00:23:26,010

And you can't make a mistake with us.

447

00:23:26,040 --> 00:23:29,640

If you put a weed in here that

you don't like, you just turn

448

00:23:29,640 --> 00:23:31,710

it into shadows, sat easy.

449

00:23:33,350 --> 00:23:34,010

There we go.

450

00:23:35,600 --> 00:23:37,610

Think we're a little light

would hit let your fan brush

451

00:23:37,610 --> 00:23:38,930

just play right across there.

452

00:23:39,860 --> 00:23:41,180

Sparkled and have fun.

453

00:23:42,920 --> 00:23:46,940

Now let's brighten that

one up right there.

454

00:23:46,940 --> 00:23:48,500

A little baby, baby.

455

00:23:48,810 --> 00:23:50,159

Yup right here.

456

00:23:50,850 --> 00:23:51,899

It's another big old way.

457

00:23:52,889 --> 00:23:55,439

And each one of these represents

another plane in your painting.

458

00:23:55,470 --> 00:23:56,370

It makes it deeper.

459

00:23:58,310 --> 00:24:04,500

Each plane really helps, really helps make

the painting look like it has more depth.

460

00:24:05,669 --> 00:24:06,240

There we go.

461

00:24:06,300 --> 00:24:08,760

Let's drop in a happy

little shadow right in here.

462

00:24:09,110 --> 00:24:09,960

There it is.

463

00:24:10,980 --> 00:24:15,510

Wherever you want them,

you can pop them up then.

464

00:24:16,095 --> 00:24:18,045

I'm going to take a little bit

of paint thinner on my liner.

465

00:24:18,045 --> 00:24:22,425

Brush, go into my Brown, bring

it to a nice sharp point.

466

00:24:22,935 --> 00:24:23,715

Can you just go up here?

467

00:24:24,285 --> 00:24:27,375

Maybe there's a few happy little

sticks and twigs that live around here.

468

00:24:28,005 --> 00:24:33,225

This is also a super, super easy way

to make little beach scenes here.

469

00:24:33,225 --> 00:24:35,205

We want to paint the ocean

with a happy little beach.

470

00:24:35,925 --> 00:24:37,875

This works very, very well.

471

00:24:37,935 --> 00:24:39,015

The same principles.

472

00:24:40,995 --> 00:24:42,735

You know what I let you.

473

00:24:44,580 --> 00:24:47,280

Let's take bitch.

474

00:24:47,280 --> 00:24:51,000

This old fella had her fence out

here one time and it might be a

475

00:24:51,000 --> 00:24:53,460

little bit of it left right there.

476

00:24:55,980 --> 00:24:59,070

It's just about fell down, but

there's still a couple of them.

477

00:25:00,060 --> 00:25:02,160

Oh, Hey, you're white right there.

478

00:25:02,340 --> 00:25:02,760

Right there.

479

00:25:03,090 --> 00:25:04,380

This one is really fell over.

480

00:25:06,120 --> 00:25:13,350

Hard life and take a little bit of

touch to the yellow ochre in it.

481

00:25:13,740 --> 00:25:17,250

And I'll just put at least a little

indication of some highlight on that.

482

00:25:18,810 --> 00:25:27,030

Just like, so maybe, maybe the hair

one old post, still turn the, hang

483

00:25:27,040 --> 00:25:30,900

on one rail right there on rail.

484

00:25:31,050 --> 00:25:31,860

There it is.

485

00:25:35,015 --> 00:25:39,315

Yeah, I'm gonna take the fan brush

and just pop up some happy little

486

00:25:39,315 --> 00:25:41,145

things right around the flips here.

487

00:25:43,145 --> 00:25:49,715

Now we can begin AB are there, this

is where you can go in and put in

488

00:25:49,715 --> 00:25:50,945

a few little finishing touches.

489

00:25:50,975 --> 00:25:51,095

Yes.

490

00:25:54,695 --> 00:25:57,365

It's different little layer

you put inside of this helps

491

00:25:57,365 --> 00:25:58,685

create the illusion of distance.

492

00:25:58,685 --> 00:25:59,015

Again.

493

00:25:59,045 --> 00:26:01,985

I know you're probably tired of

hearing me say that right now.

494

00:26:03,645 --> 00:26:10,004

But, uh, it really is what makes

paintings interesting is the fact that

495

00:26:10,004 --> 00:26:14,385

they have depth to them that they're

not just flat, you're working with

496

00:26:14,385 --> 00:26:17,475

a two dimensional surface, trying to

make a three dimensional painting.

497

00:26:17,485 --> 00:26:23,445

So you have to use illusions light against

dark, dark against light continually.

498

00:26:24,145 --> 00:26:25,425

That's what makes it work?

499

00:26:26,445 --> 00:26:27,735

That's what makes your painting pretty?

500

00:26:29,024 --> 00:26:32,385

I'll put a few of these little wheat

things here they come right over the top.

501

00:26:33,345 --> 00:26:37,995

Yes, like, so, and you can do a few of

these using the middle of the liquid

502

00:26:37,995 --> 00:26:44,045

white to see how they stand out against

the dark, that easy, like there.

503

00:26:44,524 --> 00:26:46,024

Beautiful, beautiful, beautiful.

504

00:26:46,055 --> 00:26:46,685

That simple.

505

00:26:48,245 --> 00:26:50,524

And I think we're right on the

verge of having a finished painting.

506

00:26:51,725 --> 00:26:56,284

I'm going to take a little, the Dan

oil and go right into my bright red

507

00:26:57,004 --> 00:26:58,685

now like oil, because it's very slick.

508

00:26:58,685 --> 00:27:01,295

You can use thinner, but oil

to me works a little nicer.

509

00:27:01,685 --> 00:27:02,024

Turn it.

510

00:27:02,490 --> 00:27:04,770

Let's go up here and we'll sign

this with us, sign it right here.

511

00:27:06,240 --> 00:27:08,120

And I certainly hope you've

enjoyed this painting.

512

00:27:09,649 --> 00:27:15,169

It's been a lot of fun and I look

forward to seeing you in the very

513

00:27:15,169 --> 00:27:19,250

near future for the next show and hope

you become a regular viewer with us.

514

00:27:19,730 --> 00:27:22,429

And from all of us here, I'd

like to wish you happy painting.

515

00:27:22,790 --> 00:27:23,360

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E01 - Winter Cabin

Bob Ross's

The Joy of Painting

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