Bob Ross's

The Joy of Painting

S05E10 - The Windmill

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Hi, welcome back.

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I'm glad you could join me again today.

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Today.

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I thought we'd do something.

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That's a lot of fun and

I'm sure you'll enjoy it.

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Before we get started here, let's have

him run all the colors that you need

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across your screen, and they'll come

across your screen in the same order

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that I have MoMA palette starting with

a titanium white and working around.

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And while they're doing that,

let's go up here and I'll

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explain what I've done already.

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I have a blank canvas today, as you

can see, and we make these black

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canvases by covering them with a

flat black acrylic paint and allowing

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it to dry, and then I've taken and

I've made some stripes in here.

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I've just taken a lizard Crimson in a

couple of places, a little bit of yellow,

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blue, a little bit of pressure in blue

and down in here, I put a smallest little

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amount of they little green, just, just

sort of mix these on your brushing.

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And just sort of let them happen.

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We'll do something that's

a little bit different.

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I think you'll find it fun.

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I'm going to start.

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With a little magic quite on my brush,

just a small amount of magic white, and

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decide where your horizon is going to be.

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And we'll just start making little,

little crisscross strokes and

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the magic quieter began picking

up all these beautiful colors.

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And it's just unbelievable what happens.

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Use very little of the magic quite.

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You can always go back in, add

a little bit more, but it's a

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son of a gun to take it out.

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So start with a small amount.

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And, but ended up with, and then we can

just begin making all kinds of beautiful

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little shapes and stuff in this guy.

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Let your brush play in, have fun.

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Let it go.

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Okay.

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What's happening.

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And it has to beginning to hit

the Crimson and the fail-over

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blue in the Prussian blue.

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These are really exciting paintings.

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And if you need a little more go

blank, come down here and pick it up.

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And just pull it red on, up into the sky.

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That'd go have fun.

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That's what it's all about.

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And you can blend the sky

to any degree that you want.

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And I say, you can go back, pick up a

little more to magic white if you want it.

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And we can add it in and all you're doing

is picking up the colors underneath.

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You can keep handing magic light to

this looks like it's it could be.

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Noon.

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If you want it to be new more, it can

be late in the afternoon, early in

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the morning, when you're painting,

you use that artists license that

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says you can do anything and you have

to make these fantastic decisions.

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Very, very gently blend.

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All of that, that just takes the brush,

strokes out and let you see what you have.

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Here we go.

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I see that quick.

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You have a light horizon and the

sky gets darker and it already,

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it produces the illusion of

distance and depth in the painting.

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Okay.

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Let's clean the old brush here.

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This is the fun part of this technique.

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Shake off the excess.

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You cover two or three friends.

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Alrighty.

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Now we got our sky in.

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Listen, let's start back in here.

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I'm going to mix up a color today.

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I'm going to make,

let's say Vandyke Brown.

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Okay.

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Permanent red.

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Let's put some Prussian blue in it.

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Prussian blue is a very dark, very strong.

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So we have permanent red van

Dyke Brown and Prussian blue.

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We want to color here that it

almost looks black, very dark, very

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strong, but, but it's still Brown.

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Okay.

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Don't overmix our colors here.

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Pick it up and turn it over and that's it.

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Nailed it.

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Clean the knife.

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I'm going, let's start today with

the old two and a half inch brush.

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And I'm just gonna just tap, just

tap the brush right into that.

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Let's go up to the canvas.

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Now.

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I want to come right along

the horizon line here and I'm

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just going to take the brush.

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See.

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Just happen.

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These things happen as you pick up

the magic, White's your color is

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going to get the lighter in value.

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And that's exactly what you wanted

to do because a light shining

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through back here, maybe there's a

little happy little Hill right here.

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There we go a little more of the color

and you can just begin laying all of

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these beautiful little things in here.

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I told you this was going

to be a fun painting.

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Maybe, maybe were you

back here in the distance?

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Maybe there's a little building or

two, so I'll get out the knife and I'm

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going to use this same old Brown color.

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Okay.

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Pull that pain out, very flat,

just flat as you can get it and

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take your knife and cut across.

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It gives you that little roll of paint

right out on the edge of your knife.

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You just go up to the canvas.

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Maybe there's a little,

a little bitty house.

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It lives, or right there.

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We just want some indications where

you back here in the distance.

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Little house.

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He lives there, little

barn, little shed, whatever.

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And all we do inherit

just laying in the dark.

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We'll come back and put in a few little

highlights and fixed them all up.

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Make a mess in a pretty like now you just

trying to get some dark on your canvas.

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Okay.

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Go ahead.

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Now let's take a little

bit of the titanium, right?

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Little Brown makeup color.

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That's some point lighter

than what we have on canvas.

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And you don't want to mix this color.

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Dead had a little blue

to it and gray it down.

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And we use a small edge of the knife

this time, same way, small edge.

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And it's just a little bit of paint red.

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I turned that small edge of the knife.

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Good.

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Okay.

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Now the light.

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Just bouncing play right along there.

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And I was like, so I don't want a

lot of color on this just enough.

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So it stands out and it's

lighter than the side.

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Want the side to be very

dark it's in shadow shadows.

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Get it.

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There we go.

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And maybe right along this edge here, a

little light plays right through there.

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They're good.

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Just to make that little edge, stand out.

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There we go.

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Now maybe there's some boards in there.

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We just cut through.

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I know somebody saying, well, you

got to have a door in there so

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you can get in to deal with shit.

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Okay.

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Give you a door at around it.

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Anyway, we are quick.

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We have a little building now we can just

clean up his foot's touching, bringing

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some grass right up around, maybe

over here, right there, right there.

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I'm going to tell you what let's do.

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Let's build us.

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That's building us a happy little

bar and it lives right there.

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We'll come this way now

and then let it drop over.

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Just sorta visualize these

things in your mind, put them

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on the canvas on the canvas.

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And these are far away.

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They're small, so we're not worried

about tremendous detail failed us.

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And just like we did the other

one, we need that dark color.

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So the light will show

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little edge of the knife there

also I'm going to stay down.

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And all we're doing here is just trying

to cover the canvas with dark color.

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Yeah, we'll take a little

permanent red and Vandyke Brown.

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I'll just mix it together

real quick here, Mike.

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So we'll put some shingles

up here on this roof.

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Just touch.

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Start at the bottom and work here.

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This is just, just the way they

put shingles on the roof to

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start with the bottom workup.

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So they overlap each other and

that'll give you the indication

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of a few little, little shingles.

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They'll highlight along the edge,

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along there down.

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Okay.

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Then once he gave me a little

highlight on the front here.

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Okay.

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And then the old barn here

needs a door, big door.

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This is where the cow had to go in.

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Smooth that out a little bit

of color around the edges

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there, maybe this old

farmer, maybe it is like me.

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I never have enough room.

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Let's give it.

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Let's give him a shed

out here on his barn.

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He needs a little shed.

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Maybe this is where the chickens live.

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Chickens need a place to live, to

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put a little board or two right there.

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There we go.

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Little bit more of this roof color.

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It's almost permanent red with

a little Bandag Brown and this

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put some indications right there.

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Hey that quick, we get a,

we have an indication of a

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happy little barn back here.

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Let's put some more dark.

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Now this, this part of the

canvas down here is dry.

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I only put color on the top.

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Now we can begin going into a little

bit of the titanium white here and

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there, and put a little highlight here.

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Just let these little things happen.

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Whatever you think they should be.

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However, we can begin

creating the lay of the land,

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maybe up in here.

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Just do this, make it look

like an old path, went around

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through there, same color.

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This whole foreground would be done.

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It's just about the same, same

colors all the way through it.

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And highlight on that

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with a large brush very quickly.

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Just drop in some happy

little things here.

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All we're worried about now is just

putting some paint on the canvas

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a bit over here.

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There we go.

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One thing we've mentioned

over and over again.

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If you enjoy the show.

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Call your PBS station or drop

them a line, let them know.

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They want to know what you like.

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If you want to see reruns, if you

want to see these paintings again,

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once again, they need to know.

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And when they need some help,

help them out, they bring you some

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fantastic programming, some beautiful

shows about the animals and natures.

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And they need some help.

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Once in a while.

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Here we go.

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Now that's just got the

whole bottom covered.

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We can put in there a little path.

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This is Dale, Justin Brown color.

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We have a little path

pushes everything back.

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I think we'll use it.

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We'll use a happy fan brush.

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And I'm just going to go right

into a small amount of titanium,

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white and Brown, white and Brown.

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There we go.

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Just mix it on your brush without a paint.

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Can just go up here.

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Yeah.

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We, it, and putting in some detail, some

nice little grassy areas and all we want

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is just little indications back here.

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I don't want a lot of

color in this painting.

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Now, when you're doing this at home,

if you want to put a lot of color in

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it, Drag out your artists lessons and

you do anything that you want to do.

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I just want to show you how to

make it, how you do it, your

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world, that's your painting.

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So you do what you want.

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Can you put a few of those over here just

to brighten it up and let everything sure.

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Well, I guess it does

look like a dessert it'll

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okay.

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All right.

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Tell you what, right there.

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There's one.

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You have to make a decision

or are you past this?

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And you can put as much to this

end or as little as you want.

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A lot of times on TV here, I try to

make things a little bit brighter.

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So they stand out better for you at home.

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And if you want to make it a little

softer, a little quieter, certainly

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certainly you can choose a color.

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That's a little more muted and quiet.

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I tell you what, let's

have some fun today.

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Maybe there's an old windmill here.

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We'll have some real fun now,

a super way to make a windmill.

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I'm going to take my liner brush

and just use the back of it here.

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And first of all, draw a circle.

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Just scratching a circle on the canvas.

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00:14:14,670 --> 00:14:16,079

I don't even know if

you can see that or not.

255

00:14:17,189 --> 00:14:21,510

And another circle, if you can't

see it, I'm sure you can hear it.

256

00:14:21,810 --> 00:14:22,260

There you are.

257

00:14:22,300 --> 00:14:24,060

Yeah, you can see it now.

258

00:14:24,060 --> 00:14:25,439

We need to put some blades on there.

259

00:14:25,829 --> 00:14:27,719

So let me take mix up some more than men.

260

00:14:27,719 --> 00:14:30,719

Deck Brown HerMoney grid and blue.

261

00:14:32,579 --> 00:14:33,420

Just mix it up.

262

00:14:33,420 --> 00:14:34,800

We need a good dark Brown here.

263

00:14:36,810 --> 00:14:41,700

These are super little scenes to make

on a white canvas of their day scenes.

264

00:14:43,020 --> 00:14:43,320

Good.

265

00:14:44,420 --> 00:14:48,120

Now we pick up that small

roller paint again, always

266

00:14:48,120 --> 00:14:49,350

using that small role of pain.

267

00:14:49,500 --> 00:14:49,620

Okay.

268

00:14:49,630 --> 00:14:51,360

Let's go up here now.

269

00:14:52,560 --> 00:14:56,070

Remember the blades taller or

wider at the top is at the bottom.

270

00:14:56,070 --> 00:14:59,010

So you touch and started going like, yeah.

271

00:14:59,100 --> 00:14:59,370

Okay.

272

00:15:00,180 --> 00:15:02,310

And that's how we make our

little blades and let's do.

273

00:15:04,200 --> 00:15:13,100

Like you look at there, look at

there over here, there one here,

274

00:15:13,430 --> 00:15:15,680

touch and sort of pull it around.

275

00:15:16,330 --> 00:15:19,850

And if you do these four first, then

all you have to do is come back in

276

00:15:19,850 --> 00:15:24,230

here and you can lay in all the rest

of them and they'll work out correctly

277

00:15:27,350 --> 00:15:28,280

and not sneaky.

278

00:15:30,990 --> 00:15:33,000

And you can make beautiful windmills.

279

00:15:36,449 --> 00:15:37,910

Yeah, there you go.

280

00:15:38,599 --> 00:15:42,439

I lived in Nebraska for a long time

and there was a lot of windmills there.

281

00:15:46,760 --> 00:15:47,329

Look at there.

282

00:15:47,689 --> 00:15:48,290

Look at there.

283

00:15:49,339 --> 00:15:52,459

Now the circle that you made

up here, something has to

284

00:15:52,459 --> 00:15:53,599

connect to all these blades.

285

00:15:54,020 --> 00:15:55,430

So you can cover up that line.

286

00:15:55,430 --> 00:15:58,790

Did you scratch or taking

the knife a little edge?

287

00:15:59,775 --> 00:16:01,895

See, and I just brings them all together.

288

00:16:02,255 --> 00:16:05,595

You got to have a connector here to hold

all these together, or they fall off,

289

00:16:08,945 --> 00:16:19,805

come right on around just like, Oh,

however many you want, then I'm going to

290

00:16:19,805 --> 00:16:22,625

put up, you do some of that red and Brown.

291

00:16:22,625 --> 00:16:25,145

And let's put just a touch of

highlight right here on the corner.

292

00:16:26,415 --> 00:16:29,025

I did a little more of a permanent

read into it, a little brighter.

293

00:16:29,025 --> 00:16:29,775

So it stands out.

294

00:16:29,835 --> 00:16:30,885

You can see it a little better.

295

00:16:32,925 --> 00:16:33,255

Okay.

296

00:16:33,435 --> 00:16:33,675

Yes.

297

00:16:33,855 --> 00:16:34,845

All you do is touch.

298

00:16:36,375 --> 00:16:37,095

Just touch it.

299

00:16:37,275 --> 00:16:41,685

And so there's a little color on the

edge and you can see it after you

300

00:16:41,685 --> 00:16:44,355

were doing this on a white canvas.

301

00:16:44,355 --> 00:16:48,165

You'd probably want a

lot more cover there.

302

00:16:50,475 --> 00:16:51,495

Just to give you an idea.

303

00:16:54,145 --> 00:16:54,435

Yeah.

304

00:16:56,465 --> 00:16:59,825

It usually is a couple of big blades

that stick out here and that's what

305

00:17:00,095 --> 00:17:01,975

the wind catches and that guides it.

306

00:17:02,025 --> 00:17:04,954

So we just come right over the

top here because of these old

307

00:17:04,954 --> 00:17:06,545

windmills had to turn into the wind.

308

00:17:08,165 --> 00:17:14,555

So we were put in these and it will

when mills that I've looked at and

309

00:17:14,555 --> 00:17:16,444

I usually have two of them on it.

310

00:17:18,270 --> 00:17:19,410

And they sort of go to the center.

311

00:17:21,870 --> 00:17:24,150

We'll put a little tiny highlight on that.

312

00:17:24,390 --> 00:17:25,290

Nope, stay away.

313

00:17:25,300 --> 00:17:25,500

Huh?

314

00:17:27,210 --> 00:17:27,660

Like a dad.

315

00:17:27,870 --> 00:17:28,290

Wow.

316

00:17:32,100 --> 00:17:32,490

Came in.

317

00:17:32,490 --> 00:17:34,230

We need something to bring

it all together here.

318

00:17:34,740 --> 00:17:36,270

And there's usually cross.

319

00:17:36,610 --> 00:17:39,810

No, they're good.

320

00:17:41,070 --> 00:17:42,180

Highlight on that too.

321

00:17:42,270 --> 00:17:43,110

So it stands out.

322

00:17:43,140 --> 00:17:43,650

You can see it.

323

00:17:47,064 --> 00:17:47,475

No.

324

00:17:48,945 --> 00:17:56,504

There's the little thing where the

chain goes a little platform up here.

325

00:17:59,715 --> 00:18:04,155

Now we need some legs to hold all this

up at black forms where the bird always

326

00:18:04,155 --> 00:18:05,415

comes and builds his little nest.

327

00:18:05,415 --> 00:18:07,304

And he sits up here and

he watches the farmer.

328

00:18:08,145 --> 00:18:10,635

And when the farmer feeds the chickens

and stuff, he slips down there

329

00:18:10,635 --> 00:18:11,804

and gets him something to you too.

330

00:18:13,275 --> 00:18:14,865

Same, same Brown color.

331

00:18:16,635 --> 00:18:18,485

And we got to give this a windmill of leg.

332

00:18:18,975 --> 00:18:21,045

Don't want him to fall

over, give him a leg.

333

00:18:22,095 --> 00:18:23,175

And this is closer to you.

334

00:18:23,175 --> 00:18:25,245

So respectively it's much bigger.

335

00:18:26,355 --> 00:18:26,835

There we go.

336

00:18:29,805 --> 00:18:31,605

And let's give him another leg here.

337

00:18:36,425 --> 00:18:39,485

so we don't use any patterns and nobody

knows we make a mistake or nothing.

338

00:18:42,225 --> 00:18:43,875

There another leg right here.

339

00:18:44,815 --> 00:18:46,695

Gotta have four floods or he'll fall over.

340

00:18:49,545 --> 00:18:53,385

Now, if you don't have windmills where

you're at and you want to paint a window,

341

00:18:54,045 --> 00:19:00,735

there's a thousand books that have

beautiful, beautiful pictures, and you can

342

00:19:01,515 --> 00:19:03,645

pick up one of those and, and look at it.

343

00:19:09,510 --> 00:19:11,670

And that gives us, gives us four foots.

344

00:19:13,660 --> 00:19:18,390

Usually in here, there's a little

platform, so we'll just make a

345

00:19:18,390 --> 00:19:21,870

little platform and then bring his

leg over the top of the platform.

346

00:19:25,050 --> 00:19:28,350

And we need some supports in

here to hold all this together.

347

00:19:30,240 --> 00:19:35,550

So maybe, maybe, maybe, maybe,

maybe there's another one right

348

00:19:35,550 --> 00:19:36,810

here underneath the platform.

349

00:19:38,940 --> 00:19:44,570

I can't, we need, we

need some little steps.

350

00:19:45,620 --> 00:19:48,889

So to do a farmer can climb up

there and shoot at bird off.

351

00:19:48,889 --> 00:19:53,659

If he wants to that's living

up there, that's drop him, man.

352

00:19:56,030 --> 00:20:00,110

Now we can go back to our highlight

color and let's just lay tiny as a

353

00:20:00,129 --> 00:20:01,190

little bit of highlight here and there.

354

00:20:01,190 --> 00:20:02,929

Just so this stands out

a little better for you.

355

00:20:05,360 --> 00:20:06,139

Tiny little bit.

356

00:20:10,920 --> 00:20:17,940

There we go a bit over here,

sorta this sort of separates.

357

00:20:17,940 --> 00:20:21,210

Everything makes it look a little better,

358

00:20:25,820 --> 00:20:27,150

little touch right there.

359

00:20:30,570 --> 00:20:32,190

A little bit right on that.

360

00:20:32,310 --> 00:20:32,520

Ooh.

361

00:20:33,735 --> 00:20:35,175

If you get one it's nice.

362

00:20:35,175 --> 00:20:35,895

Don't touch it again.

363

00:20:35,925 --> 00:20:38,385

Leave it alone because it

may never come out again.

364

00:20:39,524 --> 00:20:42,675

Now let's take, let's

take the liner brush.

365

00:20:42,675 --> 00:20:44,054

I'll use the line of brush right now.

366

00:20:44,925 --> 00:20:47,685

And to that paint thinner

to thin the paint.

367

00:20:47,685 --> 00:20:49,544

I'm going to go right into

that same old Brown color.

368

00:20:50,175 --> 00:20:50,895

Turn up brush.

369

00:20:50,925 --> 00:20:52,274

Bring it to a nice sharp point.

370

00:20:54,225 --> 00:20:57,314

Turn it and bring it right up

until this nice and sharp liner.

371

00:20:57,314 --> 00:20:58,784

Brush has a very long bristles.

372

00:20:59,685 --> 00:21:01,635

It just go up here now, then.

373

00:21:02,250 --> 00:21:03,960

We need some support brackets in here.

374

00:21:03,960 --> 00:21:05,670

So we'll just come right down.

375

00:21:09,530 --> 00:21:13,010

This reminds me the way the teacher

used to grade my paper in school.

376

00:21:15,410 --> 00:21:17,930

I needed a lot of support brackets,

I guess, cause she did a lot

377

00:21:17,930 --> 00:21:19,070

of these things on my paper.

378

00:21:20,780 --> 00:21:22,250

And you can just put some of these hair.

379

00:21:24,800 --> 00:21:29,390

I haven't a many, your walk in

windmills, you know, they were.

380

00:21:30,060 --> 00:21:33,960

They all serve the same basic

purpose, but dual farmers, they all

381

00:21:33,960 --> 00:21:36,030

built them to their specifications.

382

00:21:36,060 --> 00:21:39,570

However they want, or whatever was laying

around the farm to build them with.

383

00:21:40,410 --> 00:21:44,550

And we can cover up a

little flats, like some

384

00:21:47,790 --> 00:21:49,020

kinds of nice little things.

385

00:21:50,220 --> 00:21:54,960

Now I've got this Brown

on my brush, maybe.

386

00:21:56,054 --> 00:21:56,804

Maybe back here.

387

00:21:56,804 --> 00:21:58,845

There's a little, little

happy little tree.

388

00:21:58,845 --> 00:21:59,504

It lives right here.

389

00:21:59,534 --> 00:22:01,725

A little we'll make him far away.

390

00:22:01,754 --> 00:22:02,715

So he's not very big.

391

00:22:05,024 --> 00:22:06,195

It's the happy little tree.

392

00:22:08,564 --> 00:22:10,215

And I tell you, this is fun.

393

00:22:10,485 --> 00:22:12,794

Let's put a little, it

is a little fence here.

394

00:22:13,095 --> 00:22:21,074

You can see in the background,

just like, so like, so come across.

395

00:22:26,915 --> 00:22:30,905

I mean, you could always put

a little tree here and there.

396

00:22:38,450 --> 00:22:40,350

Yeah, this farm is definitely deserted.

397

00:22:42,810 --> 00:22:43,290

Okay.

398

00:22:44,120 --> 00:22:48,800

And let's take the old big

brush and I'm just going to pull

399

00:22:48,800 --> 00:22:49,700

it right through this Brown.

400

00:22:49,700 --> 00:22:53,210

Just load it, but pulling I'm just

going to pull the corner through and

401

00:22:53,210 --> 00:22:54,620

don't be afraid of this big brush.

402

00:22:55,800 --> 00:22:56,090

Thanks.

403

00:22:56,090 --> 00:22:56,780

Go back up here.

404

00:22:57,950 --> 00:22:58,370

Big brush.

405

00:22:58,370 --> 00:22:59,720

I'll do nice things for you, but you.

406

00:23:00,045 --> 00:23:01,155

I need to make friends with it here.

407

00:23:01,155 --> 00:23:04,965

I'm just touching the canvas, this

touch, and we'll put some happy

408

00:23:04,965 --> 00:23:06,165

little leaves right out here.

409

00:23:11,005 --> 00:23:13,095

That is okay.

410

00:23:13,295 --> 00:23:16,905

Let's drop them in wherever you want

a little bit down here, this bullets.

411

00:23:21,875 --> 00:23:22,145

Okay.

412

00:23:23,345 --> 00:23:25,325

And we can just put all kinds of detail.

413

00:23:25,865 --> 00:23:28,905

And when you're at home, The old

clock, didn't get you like a Desmond

414

00:23:28,905 --> 00:23:32,925

here and you can just build all

kinds of beautiful things into it

415

00:23:34,155 --> 00:23:35,445

and a touch, a highlight right there.

416

00:23:35,445 --> 00:23:38,685

So that strap holds everything together.

417

00:23:40,245 --> 00:23:45,014

Shows up a little bit or things

slip a little bit out here,

418

00:23:47,294 --> 00:23:52,064

just a touch, just a touch.

419

00:23:56,085 --> 00:23:56,205

Okay.

420

00:23:56,255 --> 00:23:59,195

And you can put as much

detail in yours as you want.

421

00:24:01,085 --> 00:24:01,625

There we go.

422

00:24:01,625 --> 00:24:03,395

I think we've got it pretty well.

423

00:24:03,395 --> 00:24:09,215

The windmill here, I'll take a fan

brush, a little bit of the white on it.

424

00:24:10,275 --> 00:24:12,845

Very lightly, very lightly.

425

00:24:13,955 --> 00:24:16,565

We'll complete our little

path, smooth it out a little.

426

00:24:17,915 --> 00:24:19,475

And I think we're about

done with this one.

427

00:24:19,535 --> 00:24:20,675

Let it come right up to the door.

428

00:24:26,420 --> 00:24:30,680

and baristas, fantastic things is really

just a little bit of titanium point on it.

429

00:24:31,010 --> 00:24:31,550

And that's all

430

00:24:49,330 --> 00:24:52,380

Use my liner brush again and put

a few little things right around

431

00:24:52,380 --> 00:24:54,060

this, the foots of this windmill.

432

00:24:56,430 --> 00:24:57,270

Cause they will weeds.

433

00:24:57,330 --> 00:24:58,500

Like I grow higher here.

434

00:25:00,810 --> 00:25:05,460

Just a few little happy things going back.

435

00:25:05,460 --> 00:25:05,730

436

00:25:10,700 --> 00:25:11,420

they're like, huh?

437

00:25:13,395 --> 00:25:17,054

We can put all kinds of little sticks and

twigs, and as they go further back, let

438

00:25:17,054 --> 00:25:21,465

them get smaller and smaller and smaller

helps build the illusion of distance into

439

00:25:21,465 --> 00:25:25,564

you painting, pick up a little that point.

440

00:25:25,834 --> 00:25:30,274

Like, so when we're in the business,

Alrighty, there comes a time when you

441

00:25:30,274 --> 00:25:31,774

can literally piddle a painting to death.

442

00:25:31,985 --> 00:25:32,824

So I'm going to stop.

443

00:25:33,605 --> 00:25:36,784

Let's take a little thin

oil, little permit red.

444

00:25:38,044 --> 00:25:40,834

And I like the oil

because it's very slick.

445

00:25:42,645 --> 00:25:43,815

It works well on your canvas.

446

00:25:43,845 --> 00:25:46,365

Turn that brush, bring it

to a super sharp point.

447

00:25:46,375 --> 00:25:49,065

This is pain is literally like water.

448

00:25:50,055 --> 00:25:51,795

You can see it just literally running.

449

00:25:51,825 --> 00:25:55,155

Okay, let's go up to the canvas here

and then we can sign this painting.

450

00:26:02,795 --> 00:26:04,095

and I really hope you've enjoyed this.

451

00:26:04,095 --> 00:26:06,935

This is a little different than

what we've done in the past, and I

452

00:26:06,935 --> 00:26:08,285

hope it gives you a lot of ideas.

453

00:26:09,225 --> 00:26:10,695

Set your imagination on fire.

454

00:26:12,074 --> 00:26:13,754

If you've enjoyed this one, let us know.

455

00:26:13,784 --> 00:26:16,064

We'll do some more crazy things

for you from all of us here.

456

00:26:16,094 --> 00:26:16,784

Happy painting.

457

00:26:17,175 --> 00:26:17,625

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E10 - The Windmill

Bob Ross's

The Joy of Painting

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