Bob Ross's

The Joy of Painting

S06E04 - Whispering Stream

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Welcome back.

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I'm glad to see you again.

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I thought I'd show you, you know, when

you learn to paint, it's not how to

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paint as difficult, but what to paint.

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And I'm going to show you a super way

today to make up little scenes in your

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mind and it teaches you fantastic things.

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So let's get started.

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I'm going to have them graphically

run all the colors across the screen

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that we'll use to do this painting.

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And there'll be in the same order that

I have them on my palette, starting

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with a white and going around.

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And let's take, and I'm going

to start with a little bit of

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halo blue, a little bit out.

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I've already covered the canvas

with magic white, so it's nice

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and wet and select, ready to go.

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Now beat the pain into the bristles to

assure a nice even distribution of paint.

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And let's go right up here

and very quickly, very quick.

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We just drop into a happy little

sky, use a little crisscross strokes.

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You allow the paint to mix with the magic

white and it gets softer or gentle and

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value as it goes toward the horizon.

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And that quick, we've got to get a happy

little sky and that's about all we need.

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We're going to have very little

sky left in this painting.

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So all we need is just,

just a little indication.

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That'll shine through

the trees here and there.

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Okay.

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Let's go right down here to the pallet.

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When we load this big brush.

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Pull it through the color.

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I'll start with some Vandyke

Brown and we'll go right into

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some, this is some burn number.

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Let's go, let's go right over here

and get some alizarin Crimson.

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Oh, shoot.

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We'll put some SAP green there too.

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Okay.

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So we've got SAP, green lizard,

Crimson and Dyke Brown, a little

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bird number and it's brush mixed.

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It's all mixed on the brush,

different layers in the brush.

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And let's just go right up in

here and say, they're just.

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Start pushing, pushing out,

make all these little shapes.

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Don't worry about them right now.

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A lot of times when I'm teaching

beginning, students I'll take and

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turn my head and just hit the canvas.

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And from wherever it hits from

that we make a beautiful painting

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and it teaches you how to compose.

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Okay.

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Back through some of the colors.

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And let a little bit of the sky show

through in places she asked here

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and there helps create depth in your

painting when you're all finished

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already, we've got a background

over here now we'll do the same

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thing using the same colors.

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And it's basically a Brown cause

if you make SAP Crean and lizard

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Crimson together, it makes a

beautiful, beautiful reddish Brown.

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Maybe there's a little tree

there he is this right there.

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Oh, there's a big one.

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So you just let these things flow

flow right out of your imagining.

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Sure.

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So don't worry about it.

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You can build anything in

here that you want, you have

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your artists last and stuff.

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Just do anything and we'll just begin

laying out all kinds of little dirt areas

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here in grass, whatever, whatever it

doesn't matter at this point, all we're

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doing is putting color on the canvas.

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Okay.

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Now I'm going to go right

into a little bit of.

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Prussian blue, very strong, very

dark, same old, dirty brush.

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And I'm gonna pull a

little bit of that in here.

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Just here, hearing there.

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I want a little maybe, maybe, maybe, maybe

we'll have a little stream in this way.

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So I want a little bit

of blue tearing there.

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Kind of thing we don't like.

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We'll just cover it up.

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Fall down.

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And then very lightly go across it.

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Sea water.

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Is that easy to make so, so simple

when you have a wet background.

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Okay.

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Maybe a drop in a little bit

more of this Brown color.

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Okay.

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And we've done all of this

without cleaning the brush.

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I look for paintings where I don't

have to clean the brush in my gym.

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Lazy.

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I don't like to clean that brush.

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All right.

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Now we can begin picking up some little.

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Individual things here and there.

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So we have to make all mighty

decisions and we'll start way

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back here in the background.

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And let's just take a little fan

brush and we'll put a little bit

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of paint thinner on my brush.

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Go right into some Brown and half

then the paint just a little bit.

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So it'll flow and white.

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So I've got white on one side Brown on the

other Brown and white, Brown and white.

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Now let's go up in here and just drop in

some, some, basically the tree shapes.

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We back here, little trunk shapes,

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and you're still, you're still not overly

concerned because anything you don't

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like, you're covered up to your world.

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You change things the way you want them.

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And we just looking for

indications, just background.

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Just background, maybe there's there

it is that some of these old tree

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trunks move and turn and have fun.

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There we go that easy and let's

take a one inch brush and I'll

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put some paint thinner on it.

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At the end, the paint, let's start with

a little bit of yellow and SAP green.

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I want to add a little bit of Brown

to that, just to dull it down.

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So it's not quite so bad.

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All right, here we go.

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Load a lot of paint into that brush.

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Okay.

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Probably the biggest single mistake made

is not loading enough pain and aggression.

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Now let's go up in here and begin

picking out all these little

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individual things that we want.

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Touch, push, make all these

beautiful little leaves.

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And if you practice this, you

can make little leaves, right?

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Absolutely.

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Looked like a lace

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there and just go back and forth.

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We'll add a little yellow ochre now

brighten that rascal up a little bit.

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Okay.

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Okay.

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Maybe right here.

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All right there again,

picking out individuals.

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I had a little bit of permanent

red to the same color.

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See what happens?

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You can just add all the

colors that you want.

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It looks like this is going to be

a nice fall scene and you don't

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have to make those decisions

till you start applying color.

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That's what's fun about this.

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You learn to compose as you paint.

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and sometimes you have trees that

are green, but they're beginning

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to Jack Frost has touched them if

it does fall and they begin getting

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little dabs of bread and orange

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and not just one solid color, all kinds

of beautiful little things happening.

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there we go.

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Just drop them in wherever you want.

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Okay.

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Here they come.

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Here they come.

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They're just let them

go wherever you want.

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Smart green.

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And let's go up and this big old tree

here, let's give him some nice leaves.

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A little more right in there.

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Here we go.

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And here I'm using the breast sideways

and just pushing up or just push upward.

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And you want to highlight you, push hard.

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See that's the reason you double and

triple load your brush, but a lot

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of different colors on your brush.

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Brush mix your paint rather than mixing

it on the pallet, mix it on your brush

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and all these things happen automatically.

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Okay.

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We got to start making some,

some almighty decisions.

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Where's our land.

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We're going to be, so let's take the

knife and go right into the Brown.

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This is just Vandyke Brown.

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And begin deciding where

we want to have land.

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Maybe, maybe there are

some right back in there.

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I can't, maybe there's some in here

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wherever, wherever, just here in there.

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I didn't go.

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Okay.

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Now I'm going to take a clean brush

and pull just a tiny, tiny little

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bit of that down and go across

quite dark back here in the shadow.

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See, and anywhere you want water,

you just pull it down and go

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close and that easy and easy.

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You can create water anywhere you want it.

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Okay, let's put a little bit of highlight.

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I'll take some pressure and blue, a

little white and Brown and mix it together

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around blue and white

makes a nice gray color.

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And we'll add a little bit

of that here and there.

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Just touch, allow the paint to break.

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Now I'm going to use some burn number.

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Also.

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I like, I like this burn number.

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It's almost like a burnt

Sienna color, only darker.

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And it would pull a little

bit of that here and there.

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Tell you what let's put a little

tiny bit of permanent red in there.

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That'll sparkle it up.

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It's very strong.

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So you use a very, very small amount.

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Make it look almost like an old

brick color and just let some of

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these bounce through and play.

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There we go.

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Okay.

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Let's take a little bit of the magic coin.

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We'll put a little bit of Brown

with that cut across and put

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in some water lines back here.

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Tearing there.

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Okay.

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I'm going back to the fan brush

and we'll put a little bit of magic

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white on my fan brush, go into some

yellow, some green, and let's drop in

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grass back here in the background and

let it follow the lay of the land.

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And follow the land.

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The lamps were very, very important

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and it's all right.

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If it touches some of this Brown and picks

it up, you just carry that right on back.

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Don't worry about it.

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Magic white has made the paint a

little bit thinner, so it sticks

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on top of this thicker paint.

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Okay.

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Now let's, let's play a little bit more.

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Let's go on the other side, we'll take

some Vandyke Brown and maybe there's a,

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maybe there's a stone lives right here.

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Maybe a little, little projection

right out over that comes

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down wherever you want it.

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Okay.

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This is a super, super way to practice

paintings and just sorta let them happen.

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And we want this to be flat on top.

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So bring your paint across, like, yes,

otherwise it won't be flat on top.

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And then these strokes come down.

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I want to keep it dark underneath here.

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If it gets, it gets light

underneath, you'll lose it.

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Keep it dark into their dark, dark.

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Not a little bit of that

highlight play here and there.

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And this is, this is the umber

and the permanent red, and then

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the gray all mixed together.

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Just so all kinds of little things happen.

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A little bit of waterline.

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Yeah.

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Maybe, maybe.

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There it is.

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There it is a little bit right there.

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Okay.

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Hey, now let's bring some

grass down on that side.

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So we'll take the fan brush

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and that's just once again,

follow the lay of the land.

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Maybe it comes right down through here.

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there.

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The paint gets to where

it doesn't want to stick.

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Add a little bit of paint, thinner or

magic white to it, either one within it.

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If you don't want to dilute

color, use paint thinner.

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and just do this in layers,

finishing the layer, this fathers

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to weight first and working forward.

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That way it gives it depth.

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Okay.

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Let's put a, let's put a few little

stones out here in the water.

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Use a fan brush.

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We go right into some

Vandyke Brown and maybe.

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Maybe, maybe, maybe there's a

little stone that lives right here

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and stones live wherever, make them happy.

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So wherever you want the stone to

be, that's where it ought to be.

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There's a stone and this

is just Bandag Brown.

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Wow.

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Times and streams are hundreds

and hundreds of little stones.

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Obviously we can't put all those in here.

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But I'll show you how to make a stone.

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And then at home you can put as

many stones in yours as you want.

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And we need even under stone,

a to have a little reflection.

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So you just grab a little of that

all down and go across that easy.

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Okay.

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And we need a little highlight

on our stone, so maybe

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we'll use getting a little.

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I love the umber color on the fan brush.

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Just take and lay in a little

bit of highlight here and

254

00:16:04,275 --> 00:16:05,505

there on some of these stones,

255

00:16:09,635 --> 00:16:12,305

you have all kinds of old lossy

things that grow on there.

256

00:16:12,305 --> 00:16:15,395

So you can put a little bit, a little

greenish color here and there cause

257

00:16:15,395 --> 00:16:18,275

you always have these little Moss.

258

00:16:19,035 --> 00:16:22,035

Creatures that grow in you on top

of your stones and make them slick.

259

00:16:22,035 --> 00:16:23,655

So you slide off and fall into water.

260

00:16:23,655 --> 00:16:24,765

When you're trying to play,

261

00:16:29,735 --> 00:16:33,065

I'm going to take a little magic white and

a little from white and mix it together.

262

00:16:33,185 --> 00:16:34,565

Magic white and from white.

263

00:16:36,725 --> 00:16:39,215

And, and we'll come right along here.

264

00:16:39,215 --> 00:16:42,995

And maybe, maybe there's a little bit

of movement in this little stream.

265

00:16:42,995 --> 00:16:44,195

This is an old slow stream.

266

00:16:47,460 --> 00:16:49,920

And you can do this with a knife,

just to give the indication of a

267

00:16:49,920 --> 00:16:53,790

few little ripples here and there,

or you can do it with your brush.

268

00:16:55,350 --> 00:16:57,000

This gives you good practice with a knife.

269

00:16:57,420 --> 00:16:58,560

Good, good practice.

270

00:16:59,160 --> 00:17:01,860

And these little lines need

to be basically straight

271

00:17:06,110 --> 00:17:06,740

or your water.

272

00:17:07,069 --> 00:17:08,240

Won't lay down in your stream.

273

00:17:10,730 --> 00:17:11,660

We can go anywhere.

274

00:17:11,660 --> 00:17:11,930

We want.

275

00:17:14,670 --> 00:17:16,530

All these little things,

just build up here.

276

00:17:21,140 --> 00:17:21,710

Can you hear me?

277

00:17:21,710 --> 00:17:24,920

There's some over in here and they

come right around this little stone.

278

00:17:32,000 --> 00:17:34,910

I think it just gives the impression

of that the water's moving and you

279

00:17:34,910 --> 00:17:36,080

really haven't done a great deal.

280

00:17:36,140 --> 00:17:37,880

So very simple.

281

00:17:40,740 --> 00:17:43,710

Yeah, I'm mixed a little bit of the

magic white with his titanium wine.

282

00:17:43,720 --> 00:17:46,409

So I'd make the pain a little bit

thinner than what's on the canvas.

283

00:17:52,550 --> 00:17:54,860

Let's go back, maybe up in here, just

284

00:17:58,790 --> 00:18:00,649

a few little indications back in here.

285

00:18:03,440 --> 00:18:06,290

We're going to have running water

then the door to run all the way.

286

00:18:17,270 --> 00:18:20,149

let's take and bring some of this

dark color down into the water.

287

00:18:20,149 --> 00:18:20,360

Here.

288

00:18:21,620 --> 00:18:23,060

Need a dark reflection right there.

289

00:18:30,020 --> 00:18:32,510

Then put her little

ripples on top of that.

290

00:18:39,544 --> 00:18:39,635

okay.

291

00:18:39,845 --> 00:18:41,044

A little bit of the van Dyke.

292

00:18:41,764 --> 00:18:44,855

Maybe there's some land

areas right in here.

293

00:18:50,945 --> 00:18:51,034

Okay.

294

00:18:53,885 --> 00:18:59,945

No, we can drop in a little bit of grass

here and I'm touching that fan brush.

295

00:19:00,645 --> 00:19:02,335

And pushing and bending upward.

296

00:19:02,335 --> 00:19:03,015

And can you see that?

297

00:19:03,015 --> 00:19:04,965

All right, push and bend it.

298

00:19:05,895 --> 00:19:09,705

I can't keep a lot of pain in

the brush, nothing wrong with it.

299

00:19:09,705 --> 00:19:10,305

You're loading it.

300

00:19:14,655 --> 00:19:15,555

Just let it go.

301

00:19:17,715 --> 00:19:18,255

Okay.

302

00:19:20,585 --> 00:19:21,075

Let's see.

303

00:19:21,945 --> 00:19:25,245

Over on this side, decide

where we're going here.

304

00:19:29,385 --> 00:19:33,245

Maybe like, so maybe it comes right.

305

00:19:33,275 --> 00:19:33,845

There we go.

306

00:19:34,265 --> 00:19:35,945

So you just have to let

these things happen.

307

00:19:36,845 --> 00:19:38,285

Don't worry about trying to plan them.

308

00:19:38,285 --> 00:19:38,825

Exactly.

309

00:19:38,975 --> 00:19:39,635

Let them happen.

310

00:19:41,045 --> 00:19:45,035

That's the beauty of not having to worry

about patterns and tracings and stuff.

311

00:19:46,325 --> 00:19:47,225

You're not committed.

312

00:19:49,145 --> 00:19:52,265

You can do anything that you want and you

can change your mind anytime you want.

313

00:20:00,565 --> 00:20:00,855

there we go.

314

00:20:04,355 --> 00:20:07,025

And back into our yellows.

315

00:20:07,235 --> 00:20:13,025

I got yellow ochre, Indian, yellow,

permanent red, cadmium, yellow, Sam green.

316

00:20:13,025 --> 00:20:17,015

They're all mixed together on the

brush, a multitude of different

317

00:20:17,015 --> 00:20:18,275

colors happening on the brush.

318

00:20:20,340 --> 00:20:21,270

Let the brush work.

319

00:20:29,159 --> 00:20:29,699

There we go.

320

00:20:29,850 --> 00:20:31,080

It just follow the lay of the land.

321

00:20:32,429 --> 00:20:35,699

You can do it there

322

00:20:43,139 --> 00:20:43,379

now.

323

00:20:47,205 --> 00:20:48,195

Maybe right in here.

324

00:20:49,515 --> 00:20:51,915

Maybe this water just

bounces right off there.

325

00:21:05,015 --> 00:21:05,765

there we go.

326

00:21:07,245 --> 00:21:07,805

Okay.

327

00:21:07,805 --> 00:21:08,945

It was a little things happening.

328

00:21:14,465 --> 00:21:15,035

Alrighty.

329

00:21:15,875 --> 00:21:16,475

I'll tell you what.

330

00:21:17,865 --> 00:21:19,965

Let's make a few big old trees in here.

331

00:21:19,965 --> 00:21:23,835

We need some big strong trees at all,

and there are a lot of fun to make.

332

00:21:24,135 --> 00:21:25,515

We'll just use the fan burst today.

333

00:21:27,645 --> 00:21:31,995

And maybe, maybe, maybe,

maybe there it is.

334

00:21:32,085 --> 00:21:32,535

There he is.

335

00:21:33,465 --> 00:21:35,175

There he is right there.

336

00:21:36,195 --> 00:21:40,245

Big old tree and we'll give him an

arm, a lot of paint on the brush.

337

00:21:40,245 --> 00:21:45,435

It's straight Vandyke, Brown,

straight, or van Dyke Brown.

338

00:21:46,544 --> 00:21:51,995

Maybe there's another tree right

here grows right next to him.

339

00:21:54,364 --> 00:21:55,054

And another one

340

00:22:00,485 --> 00:22:01,774

you got to give him arms and treat.

341

00:22:01,774 --> 00:22:06,635

He's got to have arms so you can reach

up and gather up the sunlight place

342

00:22:06,635 --> 00:22:08,344

for the fiddle little squirrel to play.

343

00:22:11,165 --> 00:22:11,375

Yeah.

344

00:22:13,304 --> 00:22:14,804

I talk about little

squirrels all the time.

345

00:22:14,804 --> 00:22:17,895

Cause I used to have a pet

squirrel that he set up on my head.

346

00:22:18,314 --> 00:22:21,314

He was a wild squirrel, but

he'd set up on top of my head

347

00:22:21,314 --> 00:22:22,825

and eat every once in a while.

348

00:22:22,825 --> 00:22:26,095

I'd I'd give him a big old Walnut

and it was too big for him.

349

00:22:26,095 --> 00:22:28,875

He, he couldn't crack it,

so he just carried around it

350

00:22:29,325 --> 00:22:30,495

where his teeth, I own it.

351

00:22:31,125 --> 00:22:35,024

So I'd finally get the Ansari for

him and I'd crack his Walnut for him.

352

00:22:36,274 --> 00:22:36,635

Okay.

353

00:22:37,024 --> 00:22:40,985

Maybe, maybe, maybe I see another one.

354

00:22:41,550 --> 00:22:47,670

Right there now the big old tree and

it sort of pushes everything back.

355

00:22:50,600 --> 00:22:51,350

There we go.

356

00:22:55,760 --> 00:22:59,030

And maybe there's Liam lives right there.

357

00:23:01,790 --> 00:23:04,160

And you can put as many trees

in your world as you want.

358

00:23:07,700 --> 00:23:08,720

I want to take a little bit of that.

359

00:23:10,740 --> 00:23:16,980

White, a little bit of gray in it,

just a dull it down a little and

360

00:23:17,760 --> 00:23:22,740

just to use the edge of the knife and

we'll play a little highlight on this.

361

00:23:25,440 --> 00:23:26,070

Just touching.

362

00:23:26,550 --> 00:23:34,020

So are you doing, you just touched

the canvas, touch it, that canvas.

363

00:23:34,020 --> 00:23:34,500

Do the work.

364

00:23:34,560 --> 00:23:36,180

It'll pull off what it

wants and give you back.

365

00:23:36,180 --> 00:23:36,720

What's left.

366

00:23:38,115 --> 00:23:42,285

If one comes out brighter and you want,

if you keep touching it, it'll pick

367

00:23:42,285 --> 00:23:44,385

up the color underneath and go away.

368

00:23:46,365 --> 00:23:47,295

So don't worry about it.

369

00:23:53,885 --> 00:23:59,585

They're mammals, let's put a

few little highlights over here.

370

00:24:00,575 --> 00:24:04,955

Maybe there's a little light Shannon

through there and it's airway go.

371

00:24:05,675 --> 00:24:06,215

There's touching.

372

00:24:10,430 --> 00:24:15,590

And this is just to give you ideas,

you know, creature imagination,

373

00:24:16,370 --> 00:24:21,860

let your imagination go crazy

that these things happen.

374

00:24:26,629 --> 00:24:30,889

Maybe, maybe there's a little

light playing right there.

375

00:24:31,940 --> 00:24:33,020

Maybe a pair of changes.

376

00:24:33,020 --> 00:24:34,250

It comes around this way.

377

00:24:35,895 --> 00:24:40,365

Maybe a little bit sliding

through the other side, no light.

378

00:24:41,025 --> 00:24:44,235

I, it comes from all different directions

sometime when it bounces through all

379

00:24:44,235 --> 00:24:47,685

these shadow areas, it's too bright.

380

00:24:49,395 --> 00:24:51,885

Just play with it, tap it down.

381

00:24:57,455 --> 00:24:59,435

Can you, I'm going to take

a little bit of Brown.

382

00:24:59,435 --> 00:25:00,605

I'm using the little edge of the knife.

383

00:25:00,635 --> 00:25:01,475

Maybe there's an old.

384

00:25:02,830 --> 00:25:05,190

Go hollow spot right there, big dead spot.

385

00:25:08,090 --> 00:25:10,160

And we have made a place for

the squirrel and then the rabbit

386

00:25:10,160 --> 00:25:11,240

needs a place to climb up.

387

00:25:11,240 --> 00:25:12,680

And during hide when the weather's bad,

388

00:25:15,710 --> 00:25:17,870

a little bit of white around

the edge to make it stand out,

389

00:25:22,920 --> 00:25:24,950

make it look like an old

recessed area in there.

390

00:25:25,879 --> 00:25:27,320

And that's where the little rabbit hides.

391

00:25:32,129 --> 00:25:32,699

Okay.

392

00:25:34,459 --> 00:25:37,909

And we need to, to put some grass

around the trees, flats, clean

393

00:25:37,909 --> 00:25:41,629

this all up, just like that.

394

00:25:44,240 --> 00:25:45,709

Just a few little things here and there.

395

00:25:47,990 --> 00:25:51,979

And with our little liner brush,

we can take a little bit of

396

00:25:51,979 --> 00:25:53,870

Brown and I got a thin oil here.

397

00:25:53,899 --> 00:25:54,409

Very thin.

398

00:25:55,455 --> 00:25:58,995

Make this like water and here and

there we'll drop in a little sticker

399

00:25:58,995 --> 00:26:01,514

to maybe, maybe there's a little thing.

400

00:26:01,514 --> 00:26:02,294

It lives right there.

401

00:26:03,725 --> 00:26:04,355

Right there.

402

00:26:05,014 --> 00:26:05,584

There he is.

403

00:26:07,625 --> 00:26:10,445

And you decide where all these

little things live in your

404

00:26:10,445 --> 00:26:13,655

painting, little sticks and twigs.

405

00:26:18,485 --> 00:26:20,314

And, uh, I think we've bounced.

406

00:26:20,314 --> 00:26:21,274

Get a finished painting.

407

00:26:22,000 --> 00:26:22,710

It's that easy.

408

00:26:23,159 --> 00:26:26,040

So I'll take a little bit more of

that than oil, a little permanent red

409

00:26:26,040 --> 00:26:29,399

we'll sign this one, call it finished,

and I really hope you enjoyed it.

410

00:26:30,170 --> 00:26:30,770

A lot of fun.

411

00:26:31,100 --> 00:26:36,260

It's a super, super way to practice

to get yourself for me with a meeting

412

00:26:36,590 --> 00:26:40,430

on behalf of all of us here, we'd

like to wish you happy painting.

413

00:26:40,790 --> 00:26:41,360

God bless.

414

00:26:41,629 --> 00:26:42,409

See you next week.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E04 - Whispering Stream

Bob Ross's

The Joy of Painting

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